{"format":"thecastindex-knowledge-v1","site":"https://thecastindex.com","generated":"2026-10-05T21:19:21.450Z","licence":"Content-Signal: search=yes, ai-input=yes, ai-train=yes. Cite the canonical page URL.","count":642,"pages":[{"url":"https://thecastindex.com/about","markdownUrl":"https://thecastindex.com/about.md","title":"About The Cast Index","lastmod":"2026-10-05","sha256":"7eaeedabc5ef4d360cc8a10c4cddf2231c7cf7b24c5ecdea7b7ccea09223bad2","bytes":1133,"markdown":"# About The Cast Index\n\n- Canonical: https://thecastindex.com/about\n- Editor: Kaiser Khan (Founder & Editor)\n- Profile: https://thecastindex.com/author/kaiser-khan\n- Publisher: Elite Digital AI Solutions Ltd (England & Wales, Company No. 17250017)\n\nThe Cast Index is an independent editorial desk ranking faces and finishes — casting power, season beauty, and the evidence behind both. No model, agency or brand can pay for a rank. Paid listings and People’s Choice are separate products.\n\nKaiser Khan is founder and editor. The site is owned and operated by Elite Digital AI Solutions Ltd.\n\n## Giving\n\nThe Cast Index donates 10% of profits to World Animal Rescue Network (WARN), funding partner-led animal rescue across 17 countries. The pledge cannot buy, move or soften a ranking. It is separate from any personal donation you make on WARN’s site.\n\n- Partner: https://worldanimalrescuenetwork.org/\n- Karachi CNVR: https://worldanimalrescuenetwork.org/rescue/help-dogs-in-karachi/\n- Vietnam cats rescue: https://worldanimalrescuenetwork.org/newsroom/vietnam-police-rescue-400-stolen-cats/\n\nCorrections: desk@thecastindex.com\n"},{"url":"https://thecastindex.com/agencies/anima-creative-management","markdownUrl":"https://thecastindex.com/agencies/anima-creative-management.md","title":"Anima Creative Management","lastmod":"2026-10-05","sha256":"1e3658a5f795043ce20dff2372af75ba46cb6db660468fd117cbc31aaa9d915f","bytes":1182,"markdown":"# Anima Creative Management\n\n> Anima Creative Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Mumbai.\n\n- Canonical: https://thecastindex.com/agencies/anima-creative-management\n- Updated: 2026-10-05\n- City: Mumbai\n- Offices or coverage (as listed on model profiles): Mumbai\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Anima Creative Management represent?\n\nAnima Creative Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Naomi Janumala](https://thecastindex.com/models/naomi-janumala)\n\n## FAQ\n\n### Which models does Anima Creative Management represent on The Cast Index?\n\nAnima Creative Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Anima Creative Management based?\n\nAnima Creative Management is associated with Mumbai on The Cast Index; model profiles list its offices or coverage as Mumbai.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Anima Creative Management\", https://thecastindex.com/agencies/anima-creative-management.\n"},{"url":"https://thecastindex.com/agencies/d-management-group","markdownUrl":"https://thecastindex.com/agencies/d-management-group.md","title":"D'Management Group","lastmod":"2026-10-05","sha256":"7e4d012406633be2f5ebc49ca8408432f1636527f1deccead102ce6e42a8b9a1","bytes":1092,"markdown":"# D'Management Group\n\n> D'Management Group represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Milan.\n\n- Canonical: https://thecastindex.com/agencies/d-management-group\n- Updated: 2026-10-05\n- City: Milan\n- Offices or coverage (as listed on model profiles): Milan\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does D'Management Group represent?\n\nD'Management Group represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Rizal Rama](https://thecastindex.com/models/rizal-rama)\n\n## FAQ\n\n### Which models does D'Management Group represent on The Cast Index?\n\nD'Management Group represents 1 model on Watch, not the numbered Global 50.\n\n### Where is D'Management Group based?\n\nD'Management Group is associated with Milan on The Cast Index; model profiles list its offices or coverage as Milan.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"D'Management Group\", https://thecastindex.com/agencies/d-management-group.\n"},{"url":"https://thecastindex.com/agencies/dna-model-management","markdownUrl":"https://thecastindex.com/agencies/dna-model-management.md","title":"DNA Model Management","lastmod":"2026-10-05","sha256":"c5eb449443510a7e14a8368af1600bdc0ebadf31b4df108a63142eb455269361","bytes":2196,"markdown":"# DNA Model Management\n\n> DNA Model Management represents 2 models on the Global 50, led by #8 Imaan Hammam. Model profiles list its offices or coverage as New York. The casting ledger records 2 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/dna-model-management\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 2 names\n- Watch: 0 names\n- Editor: Kaiser Khan\n\n## Which models does DNA Model Management represent?\n\nDNA Model Management represents 2 models on the Global 50, led by #8 Imaan Hammam.\n\n- [#8 Imaan Hammam](https://thecastindex.com/models/imaan-hammam)\n- [#23 Kaia Gerber](https://thecastindex.com/models/kaia-gerber)\n\n## Which shows have models from DNA Model Management walked?\n\nThe Cast Index ledger records 2 verified walks by models on the DNA Model Management roster (Kaia Gerber) for Givenchy and Khaite. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Closed | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Givenchy](https://thecastindex.com/houses/givenchy) | [source](https://models.com/models/kaia-gerber) |\n| SS27 | Opened | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Khaite](https://thecastindex.com/houses/khaite) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite) |\n\n## FAQ\n\n### Which models does DNA Model Management represent on The Cast Index?\n\nDNA Model Management represents 2 models on the Global 50, led by #8 Imaan Hammam.\n\n### Where is DNA Model Management based?\n\nDNA Model Management is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\n### Which shows have models from DNA Model Management walked?\n\nThe Cast Index ledger records 2 verified walks by models on the DNA Model Management roster (Kaia Gerber) for Givenchy and Khaite. Each walk links its published source.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"DNA Model Management\", https://thecastindex.com/agencies/dna-model-management.\n"},{"url":"https://thecastindex.com/agencies/elite","markdownUrl":"https://thecastindex.com/agencies/elite.md","title":"Elite","lastmod":"2026-10-05","sha256":"e07f23c769d66a7718c677c9ce0ab756e28eb46d70f7fd0811f7a92596b7d1f2","bytes":6182,"markdown":"# Elite\n\n> Elite represents 4 models on the Global 50, led by #2 Vittoria Ceretti, plus 3 on Watch. Model profiles list its offices or coverage as Paris, Milan, London, Europe and Copenhagen. Its London office takes applications through the Elite London “Get scouted” form, checked 1 Oct 2026. The casting ledger records 16 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/elite\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris, Milan, London, Europe, Copenhagen\n- Global 50 roster: 4 names\n- Watch: 3 names\n- Editor: Kaiser Khan\n\n## Which models does Elite represent?\n\nElite represents 4 models on the Global 50, led by #2 Vittoria Ceretti, plus 3 on Watch.\n\n- [#2 Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti)\n- [#4 Liu Wen](https://thecastindex.com/models/liu-wen)\n- [#7 Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n- [#25 Adut Akech](https://thecastindex.com/models/adut-akech)\n\n### Watch\n\n- [Watch · Nour Arida](https://thecastindex.com/models/nour-arida)\n- [Watch · Aishwarya Gupta](https://thecastindex.com/models/aishwarya-gupta)\n- [Watch · Viknes Waren](https://thecastindex.com/models/viknes-waren)\n\n## How do you apply to Elite?\n\nApply to the London office through the Elite London “Get scouted” form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum.\n\n- Apply: [Elite London “Get scouted” form](https://elitemodelmanagement.com/london/get-scouted.web)\n- London office: 3rd Floor, 74 Margaret Street, Fitzrovia, London W1W 8SU\n- Height: The form asks for your height. The page states no minimum.\n- Safety: Says its scouts and agents will never request payment to recruit you or ask for nude or lingerie photos, and warns that impostors use the Elite name.\n- BFMA member: no\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## Which shows have models from Elite walked?\n\nThe Cast Index ledger records 16 verified walks by models on the Elite roster (Vittoria Ceretti, Liu Wen and Mona Tougaard) for Chanel, Balenciaga, Givenchy, Chloé, Tory Burch and others. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Givenchy](https://thecastindex.com/houses/givenchy) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chloé](https://thecastindex.com/houses/chloe) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/liu-wen) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/liu-wen) |\n| SS27 | Opened | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Closed | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [The Attico](https://thecastindex.com/houses/the-attico) | [source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Fendi](https://thecastindex.com/houses/fendi) | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088) |\n\n## FAQ\n\n### Which models does Elite represent on The Cast Index?\n\nElite represents 4 models on the Global 50, led by #2 Vittoria Ceretti, plus 3 on Watch.\n\n### Where is Elite based?\n\nElite is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris, Milan, London, Europe and Copenhagen.\n\n### How do you apply to Elite?\n\nApply to the London office through the Elite London “Get scouted” form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum.\n\n### Which shows have models from Elite walked?\n\nThe Cast Index ledger records 16 verified walks by models on the Elite roster (Vittoria Ceretti, Liu Wen and Mona Tougaard) for Chanel, Balenciaga, Givenchy, Chloé, Tory Burch and others. Each walk links its published source.\n\n## Sources\n\n- [Elite Model Management London — Elite London “Get scouted” form](https://elitemodelmanagement.com/london/get-scouted.web)\n- [Elite Model Management London — contact](https://elitemodelmanagement.com/london/contact.web)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Elite\", https://thecastindex.com/agencies/elite.\n"},{"url":"https://thecastindex.com/agencies/ford-models","markdownUrl":"https://thecastindex.com/agencies/ford-models.md","title":"Ford Models","lastmod":"2026-10-05","sha256":"252583bbd94b3bd7cf58d75fbdc2fb56d5e031a089dda80ea3b34371d1d773a8","bytes":1019,"markdown":"# Ford Models\n\n> Ford Models represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris.\n\n- Canonical: https://thecastindex.com/agencies/ford-models\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Ford Models represent?\n\nFord Models represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Serkan Deniz](https://thecastindex.com/models/serkan-deniz)\n\n## FAQ\n\n### Which models does Ford Models represent on The Cast Index?\n\nFord Models represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Ford Models based?\n\nFord Models is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Ford Models\", https://thecastindex.com/agencies/ford-models.\n"},{"url":"https://thecastindex.com/agencies/img-models","markdownUrl":"https://thecastindex.com/agencies/img-models.md","title":"IMG Models","lastmod":"2026-10-05","sha256":"d31f656f7c667d6b5ff135e563bfaeb9fd73787d02ef8b9d8c9fac4da5b9573f","bytes":5985,"markdown":"# IMG Models\n\n> IMG Models represents 4 models on the Global 50, led by #1 Anok Yai, plus 2 on Watch. Model profiles list its offices or coverage as New York, Milan, Paris, London, Los Angeles and Sydney. Its London office takes applications through the IMG “Get Scouted” application, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/img-models\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York, Milan, Paris, London, Los Angeles, Sydney\n- Global 50 roster: 4 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does IMG Models represent?\n\nIMG Models represents 4 models on the Global 50, led by #1 Anok Yai, plus 2 on Watch.\n\n- [#1 Anok Yai](https://thecastindex.com/models/anok-yai)\n- [#3 Alex Consani](https://thecastindex.com/models/alex-consani)\n- [#5 Gigi Hadid](https://thecastindex.com/models/gigi-hadid)\n- [#28 Ashley Graham](https://thecastindex.com/models/ashley-graham)\n\n### Watch\n\n- [Watch · Neelam Gill](https://thecastindex.com/models/neelam-gill)\n- [Watch · Kelsey Merritt](https://thecastindex.com/models/kelsey-merritt)\n\n## How do you apply to IMG Models?\n\nApply to the London office through the IMG “Get Scouted” application on the agency’s own website, checked 1 Oct 2026. The Get Scouted page states no height requirement.\n\n- Apply: [IMG “Get Scouted” application](https://getscouted.imgmodels.com/)\n- London office: 2 Arundel Street Building, 180 The Strand, London WC2R 3DA\n- Height: The Get Scouted page states no height requirement.\n- Safety: Says it never asks for nude or lingerie photos, never requires payment and does not interview over Skype.\n- BFMA member: no\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## Which shows have models from IMG Models walked?\n\nThe Cast Index ledger records 22 verified walks by models on the IMG Models roster (Anok Yai, Alex Consani, Gigi Hadid, Ashley Graham and others) for Balenciaga, Chanel, Schiaparelli, Michael Kors Collection, Gucci and others. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Opened | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Schiaparelli](https://thecastindex.com/houses/schiaparelli) | [source](https://models.com/models/anok-yai) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Gucci](https://thecastindex.com/houses/gucci) | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| SS27 | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | [source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/alex-consani) |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Alexander McQueen](https://thecastindex.com/houses/alexander-mcqueen) | [source](https://models.com/models/alex-consani) |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Jean Paul Gaultier](https://thecastindex.com/houses/jean-paul-gaultier) | [source](https://models.com/models/alex-consani) |\n| SS27 | Closed | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | [source](https://www.wmagazine.com/fashion/michael-kors-spring-2027-runway-photos) |\n\n## FAQ\n\n### Which models does IMG Models represent on The Cast Index?\n\nIMG Models represents 4 models on the Global 50, led by #1 Anok Yai, plus 2 on Watch.\n\n### Where is IMG Models based?\n\nIMG Models is associated with New York on The Cast Index; model profiles list its offices or coverage as New York, Milan, Paris, London, Los Angeles and Sydney.\n\n### How do you apply to IMG Models?\n\nApply to the London office through the IMG “Get Scouted” application on the agency’s own website, checked 1 Oct 2026. The Get Scouted page states no height requirement.\n\n### Which shows have models from IMG Models walked?\n\nThe Cast Index ledger records 22 verified walks by models on the IMG Models roster (Anok Yai, Alex Consani, Gigi Hadid, Ashley Graham and others) for Balenciaga, Chanel, Schiaparelli, Michael Kors Collection, Gucci and others. Each walk links its published source.\n\n## Sources\n\n- [IMG Models London — IMG “Get Scouted” application](https://getscouted.imgmodels.com/)\n- [IMG Models London — contact](https://imgmodels.com/contact/)\n- [IMG Models London — safety and recruitment warning](https://imgmodels.com/recruitmentwarning/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"IMG Models\", https://thecastindex.com/agencies/img-models.\n"},{"url":"https://thecastindex.com/agencies/inega-model-management","markdownUrl":"https://thecastindex.com/agencies/inega-model-management.md","title":"Inega Model Management","lastmod":"2026-10-05","sha256":"3c3cef087d7f9f95a49950c0a59cda57f5a582740b316320c2de932697e63fca","bytes":1148,"markdown":"# Inega Model Management\n\n> Inega Model Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as India.\n\n- Canonical: https://thecastindex.com/agencies/inega-model-management\n- Updated: 2026-10-05\n- City: India\n- Offices or coverage (as listed on model profiles): India\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Inega Model Management represent?\n\nInega Model Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Madhulika Sharma](https://thecastindex.com/models/madhulika-sharma)\n\n## FAQ\n\n### Which models does Inega Model Management represent on The Cast Index?\n\nInega Model Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Inega Model Management based?\n\nInega Model Management is associated with India on The Cast Index; model profiles list its offices or coverage as India.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Inega Model Management\", https://thecastindex.com/agencies/inega-model-management.\n"},{"url":"https://thecastindex.com/agencies/le-management","markdownUrl":"https://thecastindex.com/agencies/le-management.md","title":"Le Management","lastmod":"2026-10-05","sha256":"79aadab6d572365c1ffa44ccd4cfe3a626453c5684b42bcb437272dc8643cd62","bytes":1822,"markdown":"# Le Management\n\n> Le Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Copenhagen. The casting ledger records 1 verified runway walk by its models.\n\n- Canonical: https://thecastindex.com/agencies/le-management\n- Updated: 2026-10-05\n- City: Copenhagen\n- Offices or coverage (as listed on model profiles): Copenhagen\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Le Management represent?\n\nLe Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Neelam Gill](https://thecastindex.com/models/neelam-gill)\n\n## Which shows have models from Le Management walked?\n\nThe Cast Index ledger records 1 verified walk by models on the Le Management roster (Neelam Gill) for Prabal Gurung. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Neelam Gill](https://thecastindex.com/models/neelam-gill) | [Prabal Gurung](https://thecastindex.com/houses/prabal-gurung) | [source](https://models.com/models/neelam-gill) |\n\n## FAQ\n\n### Which models does Le Management represent on The Cast Index?\n\nLe Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Le Management based?\n\nLe Management is associated with Copenhagen on The Cast Index; model profiles list its offices or coverage as Copenhagen.\n\n### Which shows have models from Le Management walked?\n\nThe Cast Index ledger records 1 verified walk by models on the Le Management roster (Neelam Gill) for Prabal Gurung. Each walk links its published source.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Le Management\", https://thecastindex.com/agencies/le-management.\n"},{"url":"https://thecastindex.com/agencies/london","markdownUrl":"https://thecastindex.com/agencies/london.md","title":"Modelling agencies in London","lastmod":"2026-10-05","sha256":"65c3cb8fdebb2c09b41ba46c3f938416f404a07f243888021504d2622385e483","bytes":7553,"markdown":"# Modelling agencies in London\n\n- Canonical: https://thecastindex.com/agencies/london\n- Checked: 1 Oct 2026\n- Editor: Kaiser Khan\n\n10 modelling agencies with London offices, each with its official application route, as published on the agency's own website. None of the application pages states a minimum height. In the UK, agencies cannot charge photographic and fashion models upfront fees for finding work.\n\n## Agencies\n\n### Elite Model Management London\n\n- Address: 3rd Floor, 74 Margaret Street, Fitzrovia, London W1W 8SU\n- Apply: https://elitemodelmanagement.com/london/get-scouted.web\n- Height: The form asks for your height. The page states no minimum.\n- Safety notice: Says its scouts and agents will never request payment to recruit you or ask for nude or lingerie photos, and warns that impostors use the Elite name.\n- BFMA member: not listed\n- Global 50 / Watch faces in our data (any office): #2 Vittoria Ceretti, #4 Liu Wen, #7 Mona Tougaard, #25 Adut Akech, Watch · Nour Arida, Watch · Aishwarya Gupta, Watch · Viknes Waren\n- Agency page: https://thecastindex.com/agencies/elite\n\n### IMG Models London\n\n- Address: 2 Arundel Street Building, 180 The Strand, London WC2R 3DA\n- Apply: https://getscouted.imgmodels.com/\n- Height: The Get Scouted page states no height requirement.\n- Safety notice: Says it never asks for nude or lingerie photos, never requires payment and does not interview over Skype.\n- BFMA member: not listed\n- Global 50 / Watch faces in our data (any office): #1 Anok Yai, #3 Alex Consani, #5 Gigi Hadid, #28 Ashley Graham, Watch · Neelam Gill, Watch · Kelsey Merritt\n- Agency page: https://thecastindex.com/agencies/img-models\n\n### Storm Management\n\n- Address: 1st Floor, 5 Jubilee Place, London SW3 3TD\n- Apply: https://www.stormmanagement.com/apply-to-become-a-model/\n- Walk-ins / open calls: Walk-ins Monday to Friday, 10.30am–12.30pm and 2pm–5pm\n- Height: Height is a required field on the application. The page states no minimum.\n- Safety notice: Its FAQ says there is no fee to apply or to sign. Staff email only from @stormmanagement.com or @stormmanagement-la.com addresses.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Isaiah Zacarias\n- Agency page: https://thecastindex.com/agencies/storm-management\n\n### Premier Model Management\n\n- Address: 40–42 Parker Street, London WC2B 5PQ\n- Apply: https://www.premiermodelmanagement.com/become/\n- Height: The form asks for your height. The page states no minimum.\n- Safety notice: Says its scouts and agents will never request payment, nude or lingerie photos, or a modelling portfolio to apply, and only email from @premiermodelmanagement.com.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Amrit\n- Agency page: https://thecastindex.com/agencies/premier-model-management\n\n### Select Model Management London\n\n- Address: 77 Saint Martin’s Lane, London WC2N 4AA (entrance on Cranbourn Street)\n- Apply: https://apply.selectmodel.com/\n- Walk-ins / open calls: Select says some of its offices are not currently holding open calls or walk-ins; apply online or check first\n- Height: The apply and advice pages state no height requirement.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Rizal Rama, Watch · Isaiah Zacarias\n- Agency page: https://thecastindex.com/agencies/select-model-management\n\n### Next Management London\n\n- Address: Morelands Building, 5–23 Old Street, London EC1V 9HL\n- Apply: https://nextmanagement.com/recruitment\n- Walk-ins / open calls: Next says open calls are cancelled until further notice\n- Height: Height is a required field on the recruitment form. The page states no minimum.\n- Safety notice: Says it will never ask for nude or undergarment photos or any payment, and does not interview over Skype.\n- BFMA member: not listed\n- Global 50 / Watch faces in our data (any office): none\n\n### Models 1\n\n- Address: 10–11 Clerkenwell Green, London EC1R 0DP\n- Apply: https://www.models1.co.uk/apply\n- Height: The apply page asks for three phone photos and states no height requirement.\n- Safety notice: Says it never contacts applicants through WhatsApp or Facebook, and its emails only come from @models1.co.uk addresses.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Nour Rizk, Watch · Naomi Janumala\n- Agency page: https://thecastindex.com/agencies/models-1\n\n### MiLK Model Management\n\n- Address: 46 Loman Street, London SE1 0EH\n- Apply: https://www.milkmanagement.co.uk/apply\n- Walk-ins / open calls: Walk-ins Tuesdays and Thursdays, 10am–12pm and 2pm–4pm\n- Height: The form asks for your height. The page states no minimum.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Shahnaz Indira\n- Agency page: https://thecastindex.com/agencies/milk-model-management\n\n### The Squad\n\n- Address: 1 Stedham Place, London WC1A 1HU\n- Apply: https://www.thesquadmanagement.com/join-the-squad\n- Walk-ins / open calls: Walk-ins Tuesday to Thursday, 10.30am–12.30pm and 2.30pm–5pm\n- Height: The form asks for your height. The page states no minimum and says professional photos are not needed.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): Watch · Winnie Harlow\n- Agency page: https://thecastindex.com/agencies/the-squad\n\n### VIVA London\n\n- Address: 22 Tower Street, London WC2H 9NS\n- Apply: https://www.viva-paris.com/become/\n- Height: Height is a required field on the form. The page states no minimum.\n- Safety notice: Says its staff email only from @viva-paris.com, @viva-london.com or @viva-barcelone.com addresses.\n- BFMA member: yes\n- Global 50 / Watch faces in our data (any office): #8 Imaan Hammam, #23 Kaia Gerber\n- Agency page: https://thecastindex.com/agencies/viva\n\n## How to check a modelling agency is legitimate\n\n1. No upfront fees: GOV.UK says agencies cannot charge photographic and fashion models upfront fees for finding work (https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models); see regulation 26 and Schedule 3 of the Conduct Regulations 2003 (https://www.legislation.gov.uk/uksi/2003/3319/regulation/26) and section 6 of the Employment Agencies Act 1973 (https://www.legislation.gov.uk/ukpga/1973/35/section/6).\n2. Extra services such as photos cannot be a condition of finding you work; no charge until 30 days after that contract starts, and you can cancel within 30 days without paying (https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-other-services).\n3. Terms and fees must be agreed in writing before any fee is charged (https://www.gov.uk/entertainment-and-modelling-agencies/terms-and-conditions).\n4. Your earnings must go through a client account and be passed on within ten days of receipt, with a statement (regulation 25: https://www.legislation.gov.uk/uksi/2003/3319/regulation/25).\n5. Check the contact: apply through the agency's own site, verify the email domain, and refuse requests for payment or nude photos (BFMA: https://bfma.fashion/avoiding-frauds-and-scams/).\n6. Complain to the Fair Work Agency (England, Scotland and Wales; it replaced the Employment Agency Standards Inspectorate on 7 April 2026): https://www.gov.uk/government/publications/making-a-complaint-to-the-fair-work-agency-about-your-recruitment-agency/making-a-complaint-to-the-employment-agency-standards-inspectorate-eas-about-your-recruitment-agency. In Northern Ireland, the Employment Agency Inspectorate.\n\nBFMA current members: https://bfma.fashion/current-members/\n"},{"url":"https://thecastindex.com/agencies/ma11-management","markdownUrl":"https://thecastindex.com/agencies/ma11-management.md","title":"MA11 Management","lastmod":"2026-10-05","sha256":"7f6b4475ac6bb31f567eb8ef78d47dbe980f82a10eceb8efce12192722a66415","bytes":1088,"markdown":"# MA11 Management\n\n> MA11 Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Copenhagen.\n\n- Canonical: https://thecastindex.com/agencies/ma11-management\n- Updated: 2026-10-05\n- City: Copenhagen\n- Offices or coverage (as listed on model profiles): Copenhagen\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does MA11 Management represent?\n\nMA11 Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Serkan Deniz](https://thecastindex.com/models/serkan-deniz)\n\n## FAQ\n\n### Which models does MA11 Management represent on The Cast Index?\n\nMA11 Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is MA11 Management based?\n\nMA11 Management is associated with Copenhagen on The Cast Index; model profiles list its offices or coverage as Copenhagen.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"MA11 Management\", https://thecastindex.com/agencies/ma11-management.\n"},{"url":"https://thecastindex.com/agencies/milk-model-management","markdownUrl":"https://thecastindex.com/agencies/milk-model-management.md","title":"MiLK Model Management","lastmod":"2026-10-05","sha256":"a672f089aaa448cfb1ec4edeb2c3b9a317ce0238bd4981ca89c6156312c1efd8","bytes":2487,"markdown":"# MiLK Model Management\n\n> MiLK Model Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as London. Its London office takes applications through the MiLK application form, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/milk-model-management\n- Updated: 2026-10-05\n- City: London\n- Offices or coverage (as listed on model profiles): London\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does MiLK Model Management represent?\n\nMiLK Model Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Shahnaz Indira](https://thecastindex.com/models/shahnaz-indira)\n\n## How do you apply to MiLK Model Management?\n\nApply to the London office through the MiLK application form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum. Walk-ins Tuesdays and Thursdays, 10am–12pm and 2pm–4pm.\n\n- Apply: [MiLK application form](https://www.milkmanagement.co.uk/apply)\n- London office: 46 Loman Street, London SE1 0EH\n- Walk-ins: Walk-ins Tuesdays and Thursdays, 10am–12pm and 2pm–4pm\n- Height: The form asks for your height. The page states no minimum.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## FAQ\n\n### Which models does MiLK Model Management represent on The Cast Index?\n\nMiLK Model Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is MiLK Model Management based?\n\nMiLK Model Management is associated with London on The Cast Index; model profiles list its offices or coverage as London.\n\n### How do you apply to MiLK Model Management?\n\nApply to the London office through the MiLK application form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum. Walk-ins Tuesdays and Thursdays, 10am–12pm and 2pm–4pm.\n\n## Sources\n\n- [MiLK Model Management — MiLK application form](https://www.milkmanagement.co.uk/apply)\n- [MiLK Model Management — contact](https://www.milkmanagement.co.uk/contact)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"MiLK Model Management\", https://thecastindex.com/agencies/milk-model-management.\n"},{"url":"https://thecastindex.com/agencies/models-1","markdownUrl":"https://thecastindex.com/agencies/models-1.md","title":"Models 1","lastmod":"2026-10-05","sha256":"11fecd41e1c64ac1d7f3d2462bb1169e8642857cb7a75cc2f4b7e1a2dd5efca5","bytes":2339,"markdown":"# Models 1\n\n> Models 1 represents 2 models on Watch, not the numbered Global 50. Model profiles list its offices or coverage as London. Its London office takes applications through the Models 1 application, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/models-1\n- Updated: 2026-10-05\n- City: London\n- Offices or coverage (as listed on model profiles): London\n- Global 50 roster: 0 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does Models 1 represent?\n\nModels 1 represents 2 models on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Nour Rizk](https://thecastindex.com/models/nour-rizk)\n- [Watch · Naomi Janumala](https://thecastindex.com/models/naomi-janumala)\n\n## How do you apply to Models 1?\n\nApply to the London office through the Models 1 application on the agency’s own website, checked 1 Oct 2026. The apply page asks for three phone photos and states no height requirement.\n\n- Apply: [Models 1 application](https://www.models1.co.uk/apply)\n- London office: 10–11 Clerkenwell Green, London EC1R 0DP\n- Height: The apply page asks for three phone photos and states no height requirement.\n- Safety: Says it never contacts applicants through WhatsApp or Facebook, and its emails only come from @models1.co.uk addresses.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## FAQ\n\n### Which models does Models 1 represent on The Cast Index?\n\nModels 1 represents 2 models on Watch, not the numbered Global 50.\n\n### Where is Models 1 based?\n\nModels 1 is associated with London on The Cast Index; model profiles list its offices or coverage as London.\n\n### How do you apply to Models 1?\n\nApply to the London office through the Models 1 application on the agency’s own website, checked 1 Oct 2026. The apply page asks for three phone photos and states no height requirement.\n\n## Sources\n\n- [Models 1 — Models 1 application](https://www.models1.co.uk/apply)\n- [Models 1 — contact](https://www.models1.co.uk/contact)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Models 1\", https://thecastindex.com/agencies/models-1.\n"},{"url":"https://thecastindex.com/agencies/muse-management","markdownUrl":"https://thecastindex.com/agencies/muse-management.md","title":"Muse Management","lastmod":"2026-10-05","sha256":"8073126d128ae713e712f5af51d037be40b2f2db7ae25d414fe02808233fba55","bytes":1086,"markdown":"# Muse Management\n\n> Muse Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as New York.\n\n- Canonical: https://thecastindex.com/agencies/muse-management\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Muse Management represent?\n\nMuse Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Madhulika Sharma](https://thecastindex.com/models/madhulika-sharma)\n\n## FAQ\n\n### Which models does Muse Management represent on The Cast Index?\n\nMuse Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Muse Management based?\n\nMuse Management is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Muse Management\", https://thecastindex.com/agencies/muse-management.\n"},{"url":"https://thecastindex.com/agencies/new-madison-models","markdownUrl":"https://thecastindex.com/agencies/new-madison-models.md","title":"New Madison Models","lastmod":"2026-10-05","sha256":"1b8ffcdffebc047deae440bad63458311dedeed7ce8db345041dae293b24bfc5","bytes":1100,"markdown":"# New Madison Models\n\n> New Madison Models represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris.\n\n- Canonical: https://thecastindex.com/agencies/new-madison-models\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does New Madison Models represent?\n\nNew Madison Models represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Naomi Janumala](https://thecastindex.com/models/naomi-janumala)\n\n## FAQ\n\n### Which models does New Madison Models represent on The Cast Index?\n\nNew Madison Models represents 1 model on Watch, not the numbered Global 50.\n\n### Where is New Madison Models based?\n\nNew Madison Models is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"New Madison Models\", https://thecastindex.com/agencies/new-madison-models.\n"},{"url":"https://thecastindex.com/agencies/no-smoking","markdownUrl":"https://thecastindex.com/agencies/no-smoking.md","title":"No Smoking","lastmod":"2026-10-05","sha256":"fd924d7c912cfe47601ee81f2f8ef7d40356256b9f99567793313200d8b6a529","bytes":3284,"markdown":"# No Smoking\n\n> No Smoking represents 1 model on the Global 50, led by #1 Anok Yai. Model profiles list its offices or coverage as New York. The casting ledger records 8 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/no-smoking\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 1 names\n- Watch: 0 names\n- Editor: Kaiser Khan\n\n## Which models does No Smoking represent?\n\nNo Smoking represents 1 model on the Global 50, led by #1 Anok Yai.\n\n- [#1 Anok Yai](https://thecastindex.com/models/anok-yai)\n\n## Which shows have models from No Smoking walked?\n\nThe Cast Index ledger records 8 verified walks by models on the No Smoking roster (Anok Yai) for Balenciaga, Chanel, Schiaparelli, Michael Kors Collection, Gucci and others. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Opened | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Schiaparelli](https://thecastindex.com/houses/schiaparelli) | [source](https://models.com/models/anok-yai) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Gucci](https://thecastindex.com/houses/gucci) | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| SS27 | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | [source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n\n## FAQ\n\n### Which models does No Smoking represent on The Cast Index?\n\nNo Smoking represents 1 model on the Global 50, led by #1 Anok Yai.\n\n### Where is No Smoking based?\n\nNo Smoking is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\n### Which shows have models from No Smoking walked?\n\nThe Cast Index ledger records 8 verified walks by models on the No Smoking roster (Anok Yai) for Balenciaga, Chanel, Schiaparelli, Michael Kors Collection, Gucci and others. Each walk links its published source.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"No Smoking\", https://thecastindex.com/agencies/no-smoking.\n"},{"url":"https://thecastindex.com/agencies/persona-management","markdownUrl":"https://thecastindex.com/agencies/persona-management.md","title":"Persona Management","lastmod":"2026-10-05","sha256":"353e6af996b8487a18616a65712130cd49a1598648f04be1766f5d8a590c20ac","bytes":1220,"markdown":"# Persona Management\n\n> Persona Management represents 2 models on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Indonesia and Jakarta.\n\n- Canonical: https://thecastindex.com/agencies/persona-management\n- Updated: 2026-10-05\n- City: Indonesia\n- Offices or coverage (as listed on model profiles): Indonesia, Jakarta\n- Global 50 roster: 0 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does Persona Management represent?\n\nPersona Management represents 2 models on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Rizal Rama](https://thecastindex.com/models/rizal-rama)\n- [Watch · Viknes Waren](https://thecastindex.com/models/viknes-waren)\n\n## FAQ\n\n### Which models does Persona Management represent on The Cast Index?\n\nPersona Management represents 2 models on Watch, not the numbered Global 50.\n\n### Where is Persona Management based?\n\nPersona Management is associated with Indonesia on The Cast Index; model profiles list its offices or coverage as Indonesia and Jakarta.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Persona Management\", https://thecastindex.com/agencies/persona-management.\n"},{"url":"https://thecastindex.com/agencies/premier-model-management","markdownUrl":"https://thecastindex.com/agencies/premier-model-management.md","title":"Premier Model Management","lastmod":"2026-10-05","sha256":"2ad0a80766bf81c6ef70c71270df4e0180bfed80d5a471f97ec625d6ddb69823","bytes":2705,"markdown":"# Premier Model Management\n\n> Premier Model Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as London. Its London office takes applications through the Premier “Become a model” form, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/premier-model-management\n- Updated: 2026-10-05\n- City: London\n- Offices or coverage (as listed on model profiles): London\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Premier Model Management represent?\n\nPremier Model Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Amrit](https://thecastindex.com/models/amrit)\n\n## How do you apply to Premier Model Management?\n\nApply to the London office through the Premier “Become a model” form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum.\n\n- Apply: [Premier “Become a model” form](https://www.premiermodelmanagement.com/become/)\n- London office: 40–42 Parker Street, London WC2B 5PQ\n- Height: The form asks for your height. The page states no minimum.\n- Safety: Says its scouts and agents will never request payment, nude or lingerie photos, or a modelling portfolio to apply, and only email from @premiermodelmanagement.com.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## FAQ\n\n### Which models does Premier Model Management represent on The Cast Index?\n\nPremier Model Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Premier Model Management based?\n\nPremier Model Management is associated with London on The Cast Index; model profiles list its offices or coverage as London.\n\n### How do you apply to Premier Model Management?\n\nApply to the London office through the Premier “Become a model” form on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum.\n\n## Sources\n\n- [Premier Model Management — Premier “Become a model” form](https://www.premiermodelmanagement.com/become/)\n- [Premier Model Management — contact](https://www.premiermodelmanagement.com/contact/)\n- [Premier Model Management — safety and recruitment warning](https://www.premiermodelmanagement.com/staying-safe/)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Premier Model Management\", https://thecastindex.com/agencies/premier-model-management.\n"},{"url":"https://thecastindex.com/agencies/select-model-management","markdownUrl":"https://thecastindex.com/agencies/select-model-management.md","title":"Select Model Management","lastmod":"2026-10-05","sha256":"54200a327d3c4e3f0d157dd9967532f8a109967ee35ef0fb1980f808afb755d3","bytes":2790,"markdown":"# Select Model Management\n\n> Select Model Management represents 2 models on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris. Its London office takes applications through the Select online application, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/select-model-management\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris\n- Global 50 roster: 0 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does Select Model Management represent?\n\nSelect Model Management represents 2 models on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Rizal Rama](https://thecastindex.com/models/rizal-rama)\n- [Watch · Isaiah Zacarias](https://thecastindex.com/models/isaiah-zacarias)\n\n## How do you apply to Select Model Management?\n\nApply to the London office through the Select online application on the agency’s own website, checked 1 Oct 2026. The apply and advice pages state no height requirement. Select says some of its offices are not currently holding open calls or walk-ins; apply online or check first.\n\n- Apply: [Select online application](https://apply.selectmodel.com/)\n- London office: 77 Saint Martin’s Lane, London WC2N 4AA (entrance on Cranbourn Street)\n- Walk-ins: Select says some of its offices are not currently holding open calls or walk-ins; apply online or check first\n- Height: The apply and advice pages state no height requirement.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## FAQ\n\n### Which models does Select Model Management represent on The Cast Index?\n\nSelect Model Management represents 2 models on Watch, not the numbered Global 50.\n\n### Where is Select Model Management based?\n\nSelect Model Management is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris.\n\n### How do you apply to Select Model Management?\n\nApply to the London office through the Select online application on the agency’s own website, checked 1 Oct 2026. The apply and advice pages state no height requirement. Select says some of its offices are not currently holding open calls or walk-ins; apply online or check first.\n\n## Sources\n\n- [Select Model Management London — Select online application](https://apply.selectmodel.com/)\n- [Select Model Management London — contact](https://www.selectmodel.com/london/contact)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Select Model Management\", https://thecastindex.com/agencies/select-model-management.\n"},{"url":"https://thecastindex.com/agencies/signed-exclusively-to-fendi","markdownUrl":"https://thecastindex.com/agencies/signed-exclusively-to-fendi.md","title":"Signed exclusively to Fendi","lastmod":"2026-10-05","sha256":"f61842689f688ce3ec02068483d6f4cfe32fabe5c0dce76a8e7e2fc9da383485","bytes":1104,"markdown":"# Signed exclusively to Fendi\n\n> Signed exclusively to Fendi represents 1 model on Watch, not the numbered Global 50.\n\n- Canonical: https://thecastindex.com/agencies/signed-exclusively-to-fendi\n- Updated: 2026-10-05\n- City: Fendi\n- Offices or coverage (as listed on model profiles): not listed\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Signed exclusively to Fendi represent?\n\nSigned exclusively to Fendi represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Serena Abou Sefyan](https://thecastindex.com/models/serena-abou-sefyan)\n\n## FAQ\n\n### Which models does Signed exclusively to Fendi represent on The Cast Index?\n\nSigned exclusively to Fendi represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Signed exclusively to Fendi based?\n\nSigned exclusively to Fendi is associated with Fendi on The Cast Index.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Signed exclusively to Fendi\", https://thecastindex.com/agencies/signed-exclusively-to-fendi.\n"},{"url":"https://thecastindex.com/agencies/silent","markdownUrl":"https://thecastindex.com/agencies/silent.md","title":"Silent","lastmod":"2026-10-05","sha256":"affc79d216dd22bed3d22303afed755cb6199ae13b37b36e1829292ada77345e","bytes":1019,"markdown":"# Silent\n\n> Silent represents 2 models on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris.\n\n- Canonical: https://thecastindex.com/agencies/silent\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris\n- Global 50 roster: 0 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does Silent represent?\n\nSilent represents 2 models on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Amrit](https://thecastindex.com/models/amrit)\n- [Watch · Nour Rizk](https://thecastindex.com/models/nour-rizk)\n\n## FAQ\n\n### Which models does Silent represent on The Cast Index?\n\nSilent represents 2 models on Watch, not the numbered Global 50.\n\n### Where is Silent based?\n\nSilent is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Silent\", https://thecastindex.com/agencies/silent.\n"},{"url":"https://thecastindex.com/agencies/storm-management","markdownUrl":"https://thecastindex.com/agencies/storm-management.md","title":"Storm Management","lastmod":"2026-10-05","sha256":"5f1f3f1f532bb0d3eabb44be5359d503b7b272c7329e46292f2d4f323d48dd68","bytes":2687,"markdown":"# Storm Management\n\n> Storm Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Los Angeles. Its London office takes applications through the Storm online application, checked 1 Oct 2026.\n\n- Canonical: https://thecastindex.com/agencies/storm-management\n- Updated: 2026-10-05\n- City: Los Angeles\n- Offices or coverage (as listed on model profiles): Los Angeles\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Storm Management represent?\n\nStorm Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Isaiah Zacarias](https://thecastindex.com/models/isaiah-zacarias)\n\n## How do you apply to Storm Management?\n\nApply to the London office through the Storm online application on the agency’s own website, checked 1 Oct 2026. Height is a required field on the application. The page states no minimum. Walk-ins Monday to Friday, 10.30am–12.30pm and 2pm–5pm.\n\n- Apply: [Storm online application](https://www.stormmanagement.com/apply-to-become-a-model/)\n- London office: 1st Floor, 5 Jubilee Place, London SW3 3TD\n- Walk-ins: Walk-ins Monday to Friday, 10.30am–12.30pm and 2pm–5pm\n- Height: Height is a required field on the application. The page states no minimum.\n- Safety: Its FAQ says there is no fee to apply or to sign. Staff email only from @stormmanagement.com or @stormmanagement-la.com addresses.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## FAQ\n\n### Which models does Storm Management represent on The Cast Index?\n\nStorm Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Storm Management based?\n\nStorm Management is associated with Los Angeles on The Cast Index; model profiles list its offices or coverage as Los Angeles.\n\n### How do you apply to Storm Management?\n\nApply to the London office through the Storm online application on the agency’s own website, checked 1 Oct 2026. Height is a required field on the application. The page states no minimum. Walk-ins Monday to Friday, 10.30am–12.30pm and 2pm–5pm.\n\n## Sources\n\n- [Storm Management — Storm online application](https://www.stormmanagement.com/apply-to-become-a-model/)\n- [Storm Management — contact](https://www.stormmanagement.com/info/)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Storm Management\", https://thecastindex.com/agencies/storm-management.\n"},{"url":"https://thecastindex.com/agencies/supreme-management","markdownUrl":"https://thecastindex.com/agencies/supreme-management.md","title":"Supreme Management","lastmod":"2026-10-05","sha256":"7d8850190a93bd156ddfad26bd35d5b63c669a499becb79de94fa382d8dd806b","bytes":1104,"markdown":"# Supreme Management\n\n> Supreme Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris.\n\n- Canonical: https://thecastindex.com/agencies/supreme-management\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Supreme Management represent?\n\nSupreme Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Kirandeep Chahal](https://thecastindex.com/models/kirandeep-chahal)\n\n## FAQ\n\n### Which models does Supreme Management represent on The Cast Index?\n\nSupreme Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Supreme Management based?\n\nSupreme Management is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Supreme Management\", https://thecastindex.com/agencies/supreme-management.\n"},{"url":"https://thecastindex.com/agencies/the-industry-management","markdownUrl":"https://thecastindex.com/agencies/the-industry-management.md","title":"The Industry Management","lastmod":"2026-10-05","sha256":"5616e473d6cfc86a765b02d9df25d93741f1adf31ca7c4cd7369555644dd2a21","bytes":1152,"markdown":"# The Industry Management\n\n> The Industry Management represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as New York.\n\n- Canonical: https://thecastindex.com/agencies/the-industry-management\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does The Industry Management represent?\n\nThe Industry Management represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Amrit](https://thecastindex.com/models/amrit)\n\n## FAQ\n\n### Which models does The Industry Management represent on The Cast Index?\n\nThe Industry Management represents 1 model on Watch, not the numbered Global 50.\n\n### Where is The Industry Management based?\n\nThe Industry Management is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"The Industry Management\", https://thecastindex.com/agencies/the-industry-management.\n"},{"url":"https://thecastindex.com/agencies/the-lions","markdownUrl":"https://thecastindex.com/agencies/the-lions.md","title":"The Lions","lastmod":"2026-10-05","sha256":"870950906f100e78348fc0c5cd2a5d105381bba0c81f02200c8941256eeec94a","bytes":1006,"markdown":"# The Lions\n\n> The Lions represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as New York.\n\n- Canonical: https://thecastindex.com/agencies/the-lions\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does The Lions represent?\n\nThe Lions represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Nour Rizk](https://thecastindex.com/models/nour-rizk)\n\n## FAQ\n\n### Which models does The Lions represent on The Cast Index?\n\nThe Lions represents 1 model on Watch, not the numbered Global 50.\n\n### Where is The Lions based?\n\nThe Lions is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"The Lions\", https://thecastindex.com/agencies/the-lions.\n"},{"url":"https://thecastindex.com/agencies/the-society-management","markdownUrl":"https://thecastindex.com/agencies/the-society-management.md","title":"The Society Management","lastmod":"2026-10-05","sha256":"cd7851536dabf1171610656104496e5ce506bb36909913f77562cb8a72a6cd92","bytes":4801,"markdown":"# The Society Management\n\n> The Society Management represents 3 models on the Global 50, led by #2 Vittoria Ceretti, plus 1 on Watch. Model profiles list its offices or coverage as New York. The casting ledger records 16 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/the-society-management\n- Updated: 2026-10-05\n- City: New York\n- Offices or coverage (as listed on model profiles): New York\n- Global 50 roster: 3 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does The Society Management represent?\n\nThe Society Management represents 3 models on the Global 50, led by #2 Vittoria Ceretti, plus 1 on Watch.\n\n- [#2 Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti)\n- [#4 Liu Wen](https://thecastindex.com/models/liu-wen)\n- [#7 Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n\n### Watch\n\n- [Watch · Isaiah Zacarias](https://thecastindex.com/models/isaiah-zacarias)\n\n## Which shows have models from The Society Management walked?\n\nThe Cast Index ledger records 16 verified walks by models on the The Society Management roster (Vittoria Ceretti, Liu Wen and Mona Tougaard) for Chanel, Balenciaga, Givenchy, Chloé, Tory Burch and others. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Givenchy](https://thecastindex.com/houses/givenchy) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chloé](https://thecastindex.com/houses/chloe) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | [source](https://models.com/models/liu-wen) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Chanel](https://thecastindex.com/houses/chanel) | [source](https://models.com/models/liu-wen) |\n| SS27 | Opened | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Closed | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [The Attico](https://thecastindex.com/houses/the-attico) | [source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Fendi](https://thecastindex.com/houses/fendi) | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088) |\n\n## FAQ\n\n### Which models does The Society Management represent on The Cast Index?\n\nThe Society Management represents 3 models on the Global 50, led by #2 Vittoria Ceretti, plus 1 on Watch.\n\n### Where is The Society Management based?\n\nThe Society Management is associated with New York on The Cast Index; model profiles list its offices or coverage as New York.\n\n### Which shows have models from The Society Management walked?\n\nThe Cast Index ledger records 16 verified walks by models on the The Society Management roster (Vittoria Ceretti, Liu Wen and Mona Tougaard) for Chanel, Balenciaga, Givenchy, Chloé, Tory Burch and others. Each walk links its published source.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"The Society Management\", https://thecastindex.com/agencies/the-society-management.\n"},{"url":"https://thecastindex.com/agencies/the-squad","markdownUrl":"https://thecastindex.com/agencies/the-squad.md","title":"The Squad","lastmod":"2026-10-05","sha256":"112d8a17d27f39a00c1dca5ea965b6e7abaf119d6e1ac0f8aca86b1aaed14e15","bytes":3471,"markdown":"# The Squad\n\n> The Squad represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as London. Its London office takes applications through the The Squad application, checked 1 Oct 2026. The casting ledger records 2 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/the-squad\n- Updated: 2026-10-05\n- City: London\n- Offices or coverage (as listed on model profiles): London\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does The Squad represent?\n\nThe Squad represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Winnie Harlow](https://thecastindex.com/models/winnie-harlow)\n\n## How do you apply to The Squad?\n\nApply to the London office through the The Squad application on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum and says professional photos are not needed. Walk-ins Tuesday to Thursday, 10.30am–12.30pm and 2.30pm–5pm.\n\n- Apply: [The Squad application](https://www.thesquadmanagement.com/join-the-squad)\n- London office: 1 Stedham Place, London WC1A 1HU\n- Walk-ins: Walk-ins Tuesday to Thursday, 10.30am–12.30pm and 2.30pm–5pm\n- Height: The form asks for your height. The page states no minimum and says professional photos are not needed.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## Which shows have models from The Squad walked?\n\nThe Cast Index ledger records 2 verified walks by models on the The Squad roster (Winnie Harlow) for Vetements and Christian Siriano. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Walked | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Vetements](https://thecastindex.com/houses/vetements) | [source](https://models.com/models/winnie-harlow) |\n| AW25 | Opened | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Christian Siriano](https://thecastindex.com/houses/christian-siriano) | [source](https://models.com/models/winnie-harlow) |\n\n## FAQ\n\n### Which models does The Squad represent on The Cast Index?\n\nThe Squad represents 1 model on Watch, not the numbered Global 50.\n\n### Where is The Squad based?\n\nThe Squad is associated with London on The Cast Index; model profiles list its offices or coverage as London.\n\n### How do you apply to The Squad?\n\nApply to the London office through the The Squad application on the agency’s own website, checked 1 Oct 2026. The form asks for your height. The page states no minimum and says professional photos are not needed. Walk-ins Tuesday to Thursday, 10.30am–12.30pm and 2.30pm–5pm.\n\n### Which shows have models from The Squad walked?\n\nThe Cast Index ledger records 2 verified walks by models on the The Squad roster (Winnie Harlow) for Vetements and Christian Siriano. Each walk links its published source.\n\n## Sources\n\n- [The Squad — The Squad application](https://www.thesquadmanagement.com/join-the-squad)\n- [The Squad — contact](https://www.thesquadmanagement.com/contact)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"The Squad\", https://thecastindex.com/agencies/the-squad.\n"},{"url":"https://thecastindex.com/agencies/viva","markdownUrl":"https://thecastindex.com/agencies/viva.md","title":"VIVA","lastmod":"2026-10-05","sha256":"81d750bdb02c5a208964c84555fc3e05424a312168ba354e9114b9fcc1a51483","bytes":3277,"markdown":"# VIVA\n\n> VIVA represents 2 models on the Global 50, led by #8 Imaan Hammam. Model profiles list its offices or coverage as Paris, London and Barcelona. Its London office takes applications through the VIVA “Become a model” form, checked 1 Oct 2026. The casting ledger records 2 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/viva\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris, London, Barcelona\n- Global 50 roster: 2 names\n- Watch: 0 names\n- Editor: Kaiser Khan\n\n## Which models does VIVA represent?\n\nVIVA represents 2 models on the Global 50, led by #8 Imaan Hammam.\n\n- [#8 Imaan Hammam](https://thecastindex.com/models/imaan-hammam)\n- [#23 Kaia Gerber](https://thecastindex.com/models/kaia-gerber)\n\n## How do you apply to VIVA?\n\nApply to the London office through the VIVA “Become a model” form on the agency’s own website, checked 1 Oct 2026. Height is a required field on the form. The page states no minimum.\n\n- Apply: [VIVA “Become a model” form](https://www.viva-paris.com/become/)\n- London office: 22 Tower Street, London WC2H 9NS\n- Height: Height is a required field on the form. The page states no minimum.\n- Safety: Says its staff email only from @viva-paris.com, @viva-london.com or @viva-barcelone.com addresses.\n- BFMA member: yes\n\nUK agencies cannot charge models upfront fees for finding work. All London agencies: https://thecastindex.com/agencies/london\n\n## Which shows have models from VIVA walked?\n\nThe Cast Index ledger records 2 verified walks by models on the VIVA roster (Kaia Gerber) for Givenchy and Khaite. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Closed | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Givenchy](https://thecastindex.com/houses/givenchy) | [source](https://models.com/models/kaia-gerber) |\n| SS27 | Opened | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Khaite](https://thecastindex.com/houses/khaite) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite) |\n\n## FAQ\n\n### Which models does VIVA represent on The Cast Index?\n\nVIVA represents 2 models on the Global 50, led by #8 Imaan Hammam.\n\n### Where is VIVA based?\n\nVIVA is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris, London and Barcelona.\n\n### How do you apply to VIVA?\n\nApply to the London office through the VIVA “Become a model” form on the agency’s own website, checked 1 Oct 2026. Height is a required field on the form. The page states no minimum.\n\n### Which shows have models from VIVA walked?\n\nThe Cast Index ledger records 2 verified walks by models on the VIVA roster (Kaia Gerber) for Givenchy and Khaite. Each walk links its published source.\n\n## Sources\n\n- [VIVA London — VIVA “Become a model” form](https://www.viva-paris.com/become/)\n- [VIVA London — contact](https://www.viva-paris.com/contact/)\n- [British Fashion Model Agents Association — current members](https://bfma.fashion/current-members/)\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"VIVA\", https://thecastindex.com/agencies/viva.\n"},{"url":"https://thecastindex.com/agencies/who-knows-models","markdownUrl":"https://thecastindex.com/agencies/who-knows-models.md","title":"Who Knows Models","lastmod":"2026-10-05","sha256":"69ca5057d7229bffe78ac75398c951bc92b770115c72399b781d3df9d4ed6831","bytes":1100,"markdown":"# Who Knows Models\n\n> Who Knows Models represents 1 model on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Indonesia.\n\n- Canonical: https://thecastindex.com/agencies/who-knows-models\n- Updated: 2026-10-05\n- City: Indonesia\n- Offices or coverage (as listed on model profiles): Indonesia\n- Global 50 roster: 0 names\n- Watch: 1 names\n- Editor: Kaiser Khan\n\n## Which models does Who Knows Models represent?\n\nWho Knows Models represents 1 model on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Raihan Fahrizal](https://thecastindex.com/models/raihan-fahrizal)\n\n## FAQ\n\n### Which models does Who Knows Models represent on The Cast Index?\n\nWho Knows Models represents 1 model on Watch, not the numbered Global 50.\n\n### Where is Who Knows Models based?\n\nWho Knows Models is associated with Indonesia on The Cast Index; model profiles list its offices or coverage as Indonesia.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Who Knows Models\", https://thecastindex.com/agencies/who-knows-models.\n"},{"url":"https://thecastindex.com/agencies/women-management","markdownUrl":"https://thecastindex.com/agencies/women-management.md","title":"Women Management","lastmod":"2026-10-05","sha256":"ea2b465b871563b16886636a1e94aeeed659e374d596156d1698628338a9c091","bytes":2205,"markdown":"# Women Management\n\n> Women Management represents 2 models on Watch, not the numbered Global 50. Model profiles list its offices or coverage as Paris and Milan. The casting ledger records 2 verified runway walks by its models.\n\n- Canonical: https://thecastindex.com/agencies/women-management\n- Updated: 2026-10-05\n- City: Paris\n- Offices or coverage (as listed on model profiles): Paris, Milan\n- Global 50 roster: 0 names\n- Watch: 2 names\n- Editor: Kaiser Khan\n\n## Which models does Women Management represent?\n\nWomen Management represents 2 models on Watch, not the numbered Global 50.\n\n\n\n### Watch\n\n- [Watch · Winnie Harlow](https://thecastindex.com/models/winnie-harlow)\n- [Watch · Kirandeep Chahal](https://thecastindex.com/models/kirandeep-chahal)\n\n## Which shows have models from Women Management walked?\n\nThe Cast Index ledger records 2 verified walks by models on the Women Management roster (Winnie Harlow) for Vetements and Christian Siriano. Each walk links its published source.\n\n| Season | Role | Model | House | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Walked | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Vetements](https://thecastindex.com/houses/vetements) | [source](https://models.com/models/winnie-harlow) |\n| AW25 | Opened | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Christian Siriano](https://thecastindex.com/houses/christian-siriano) | [source](https://models.com/models/winnie-harlow) |\n\n## FAQ\n\n### Which models does Women Management represent on The Cast Index?\n\nWomen Management represents 2 models on Watch, not the numbered Global 50.\n\n### Where is Women Management based?\n\nWomen Management is associated with Paris on The Cast Index; model profiles list its offices or coverage as Paris and Milan.\n\n### Which shows have models from Women Management walked?\n\nThe Cast Index ledger records 2 verified walks by models on the Women Management roster (Winnie Harlow) for Vetements and Christian Siriano. Each walk links its published source.\n\nRepresentation is taken from each model’s profile, which lists its own sources. Cite as: The Cast Index, \"Women Management\", https://thecastindex.com/agencies/women-management.\n"},{"url":"https://thecastindex.com/author/kaiser-khan","markdownUrl":"https://thecastindex.com/author/kaiser-khan.md","title":"Kaiser Khan","lastmod":"2026-10-05","sha256":"c5f0a292784cae7cbbb4e903a3cb053de8cba693220cac15fa0f590f144d7b3d","bytes":2109,"markdown":"# Kaiser Khan\n\n- Canonical: https://thecastindex.com/author/kaiser-khan\n- Role: Founder & Editor of The Cast Index\n- SameAs: https://mrkaiserkhan.com/, https://travelshifu.com/author/kaiser-khan\n- Publisher: Elite Digital AI Solutions Ltd (England & Wales, Company No. 17250017)\n\nKaiser Khan is the founder and named editor of The Cast Index. He researches and maintains the public methodology, the Global 50, the Season Beauty Index, the casting ledger and the handbook. Rankings are editorial assessments with cited evidence — not a popularity contest and not for sale.\n\n## Industry\n\nHe has worked in live entertainment production at arena scale — alongside AEG Live at The O2 and Wembley, including preparation of Michael Jackson’s This Is It residency — and two decades building search and content products. Fashion week is a live system (cast, finish, house, room). This desk indexes that circuit independently. The work on these pages is desk-based. He does not claim to be a house casting director.\n\n## Record\n\nFigures from https://mrkaiserkhan.com/ — verify there for the latest record.\n\n- £174M+ — Raised across four DEC appeals\n- 650 — Wishes granted to children in hospital\n- 20+ — Years of service\n- 17 — Countries — animal rescue\n\n## Giving\n\nThe Cast Index donates 10% of profits to World Animal Rescue Network (WARN), funding partner-led animal rescue across 17 countries, including CNVR for street dogs in Karachi and work spotlighted in a Vietnam police rescue of roughly 400 stolen cats. The pledge cannot buy, move or soften a ranking. It is separate from any personal donation you make on WARN’s site.\n\n- Partner: https://worldanimalrescuenetwork.org/\n- Full note: https://thecastindex.com/about#giving\n\n## Ownership\n\nThe Cast Index is owned and operated by Elite Digital AI Solutions Ltd, registered in England & Wales, Company No. 17250017. Confirm: https://find-and-update.company-information.service.gov.uk/company/17250017\n\n## Cite\n\nCite the canonical page you used and this author URL. Corrections: desk@thecastindex.com · https://thecastindex.com/corrections\n"},{"url":"https://thecastindex.com/beauty/anastasia-beverly-hills-microstroke-brow-pen","markdownUrl":"https://thecastindex.com/beauty/anastasia-beverly-hills-microstroke-brow-pen.md","title":"Anastasia Beverly Hills MicroStroke Brow Pen","lastmod":"2026-07-15","sha256":"135c826ce40cf8c39e684368e33bb6d01fadc9a06b1793febb28f213f9a74a57","bytes":3576,"markdown":"# Anastasia Beverly Hills MicroStroke Brow Pen\n\n> The brand lists 9 shades and a 0.1mm micro-fine tip, with a dual-ended spoolie and claimed 24-hour, water-resistant wear.\n\n- Canonical: https://thecastindex.com/beauty/anastasia-beverly-hills-microstroke-brow-pen\n- Category: Eyes & brows\n- Format: Detailing pen\n- Finish: Hair-stroke\n- Best for: Realistic, fine brow strokes\n- Official: https://www.anastasiabeverlyhills.com/products/microstroke-brow-pen\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe precision option when a brow needs individual hair-like strokes rather than a filled-in block of colour.\n\n## The formula and applicator\n\nThe MicroStroke Brow Pen is built around a micro-fine, flexible brush tip — roughly 0.1mm — engineered to mimic individual brow hairs rather than filling brows in as a solid block of colour, paired with a balanced ink-flow system designed to release colour consistently without blotching. It’s free of fragrance, parabens, phthalates, mineral oil, alcohol, talc, gluten, silicones and sulfates, and claims up to 24-hour, water-resistant wear across 9 shades.\n\n## How to get the technique right\n\nAnastasia Beverly Hills documents a specific method: shake the pen, then draw a few strokes on a flat surface first to prime the ink flow to the tip. From there, draw hair-like strokes from the brow base, following the natural direction of hair growth, concentrating extra strokes in sparse areas and pausing every 5–6 strokes to let the ink set before it can smudge. The built-in spoolie blends everything together at the end. The brand also recommends a lighter shade through the body of the brow with a deeper shade in sparse patches for dimension, and suggests it can double as a way to colour-correct over microbladed brows.\n\n## Real reviews worth knowing\n\nMarie Claire’s senior beauty editor Samantha Holender, describing herself as a longtime over-tweezed-brow sufferer who had given up on tinted brow products, called it \"the most foolproof brow product I’ve ever tested,\" reporting pigment that \"really grips my skin and never fades\" across more than 14 hours of wear she personally tracked. Who What Wear’s Sabrina Talbert wrote that she \"was able to create natural-looking hairlike strokes with minimal effort,\" praised its shade accuracy, and recommended it as a beginner-friendly alternative to microblading.\n\n## How to use it\n\n1. Shake before use\n2. Draw a few strokes on a flat surface first to prime the ink flow\n3. Draw hair-like strokes from the brow base, following your natural hair growth direction\n4. Concentrate extra strokes in sparse areas, pausing every 5–6 strokes to let ink set\n5. Blend with the built-in spoolie\n6. Store the pen vertically, tip facing down, to preserve ink flow\n\n## Questions and answers\n\n### How many shades does Anastasia Beverly Hills MicroStroke Brow Pen come in?\n\nIt comes in 9 shades, from Blonde through Ebony and Granite.\n\n### Is MicroStroke Brow Pen good for sparse brows?\n\nYes — Anastasia Beverly Hills markets it as especially suited to sparse brows needing built-up fullness, and Who What Wear’s Sabrina Talbert recommended it as a beginner-friendly alternative to microblading.\n\n### How long does Anastasia Beverly Hills MicroStroke Brow Pen last?\n\nThe brand claims up to 24-hour, water-resistant wear; Marie Claire’s Samantha Holender reported pigment that held for more than 14 hours in her own testing.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner","markdownUrl":"https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner.md","title":"Anua Heartleaf 77% Soothing Toner","lastmod":"2026-07-28","sha256":"c4205ea9d98359ea404734488668a9283b337571ab75466a2029eefc8fc0a3d4","bytes":4223,"markdown":"# Anua Heartleaf 77% Soothing Toner\n\n> Anua Heartleaf 77% Soothing Toner is a Korean toner with 77% heartleaf (Houttuynia cordata) and hyaluron for lightweight, dewy hydration. The Cast Index places it in Couture glass skin routines as the post-cleanse calming layer before serums and moisturiser.\n\n- Canonical: https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner\n- Category: Skin prep\n- Format: Soothing toner\n- Finish: Calmed, dewy hydration\n- Best for: Lightweight hydration after cleanse\n- Official: https://anua.com/products/heartleaf-77-soothing-toner\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe post-cleanse calm layer under Couture glass skin when the face needs slip and quiet before serum.\n\n## The formula\n\nAnua’s Heartleaf 77 Soothing Toner leads with 77% heartleaf (Houttuynia cordata) and hyaluron for what the brand calls fresh, lightweight hydration and a balanced, dewy look. Brand pages list supporting botanicals such as centella and chamomile on the INCI alongside several hyaluronic acid derivatives. The desk reads it as a watery, soothing toner — not an exfoliating acid toner.\n\nAny percentage claims about temperature drop, sebum or hydration boosts on marketing creatives are brand-reported. They are not Cast Index measurements. Omit them from headlines; keep the verified 77% heartleaf and use directions.\n\n## Season finish — Couture glass skin\n\nGlass skin wants a calm, hydrated canvas. Show-week skin often arrives reactive from travel, heaters and continuous makeup. A heartleaf toner is the desk’s lightweight calm-and-slip step after CeraVe cleanse and before niacinamide or moisturiser — temperature of the finish stays “skin,” not irritated.\n\nIt supports the Paris couture read: luminosity without inflammation noise in the photograph.\n\n## Working kit\n\nAfter cleanse, pat or sweep toner across the face. Follow with serum, lotion and SPF by day. It pairs with The Ordinary Hyaluronic Acid or Niacinamide depending on the brief; avoid stacking with strong AHA toners in the same pass unless the wearer already tolerates that regimen.\n\nWrong as a substitute for moisturiser on dry skin. Wrong if the brief needs exfoliation — choose a dedicated AHA with its own sun-sensitivity warnings instead. Wrong as a treatment for clinical dermatitis.\n\n## Limitations and brand cautions\n\nCosmetic soothing only. Discontinue if irritation occurs. Check the full INCI for personal allergens. Keep expectations tied to hydration and comfort of feel — not medical redness therapy.\n\n## How to use it\n\n1. Cleanse thoroughly\n2. Apply toner with a cotton pad or fingertips\n3. Gently pat across the face\n4. Continue with serum, moisturiser and daytime SPF\n\n## Questions and answers\n\n### What percentage of heartleaf is in Anua Heartleaf 77% Soothing Toner?\n\nAnua states the toner is powered by 77% heartleaf (Houttuynia cordata), plus hyaluron for lightweight hydration and a dewy look.\n\n### Is Anua Heartleaf 77% Soothing Toner an exfoliating acid toner?\n\nNo. Brand positioning is soothing and hydrating with heartleaf and hyaluron after cleansing — not a glycolic or other AHA exfoliating toner.\n\n### When should Anua Heartleaf 77% Soothing Toner be applied?\n\nAnua directs use after cleansing, morning and night, applied with a cotton pad or fingertips and patted over the face.\n\n### What is Anua Heartleaf 77% Soothing Toner used for in a glass-skin kit?\n\nIt is a 77% heartleaf toner with hyaluron for lightweight, dewy hydration after cleansing. The Cast Index files it under Couture glass skin as the calm slip step before serum, moisturiser and SPF.\n\n### Is Anua Heartleaf 77% Soothing Toner fragrance-free?\n\nBrand materials for the Heartleaf 77 toner emphasise a soothing, low-irritation daily formula; always confirm the current INCI on the bottle for fragrance allergens before sensitive use.\n\n### Can Anua Heartleaf 77% Soothing Toner replace moisturiser?\n\nNo. Anua positions it as a toner step after cleansing. Dry or show-week skin still needs a moisturiser and, by day, a dedicated sunscreen after the toner.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/aquaphor-healing-ointment","markdownUrl":"https://thecastindex.com/beauty/aquaphor-healing-ointment.md","title":"Aquaphor Healing Ointment","lastmod":"2026-07-28","sha256":"7857dd233d899b9d3a62627371e28cf2c087307481ab215de140814bd1b739d2","bytes":4443,"markdown":"# Aquaphor Healing Ointment\n\n> Aquaphor Healing Ointment is a fragrance-free ointment with 41% petrolatum as its skin-protectant active. The Cast Index files it under Wet lip signal as a thicker occlusive cushion for dry mouths before clear shine — an occlusive seal, not a medical healing treatment, despite the product name.\n\n- Canonical: https://thecastindex.com/beauty/aquaphor-healing-ointment\n- Category: Skin prep\n- Format: Petrolatum ointment\n- Finish: Occlusive seal\n- Best for: Occlusive protect on dry lips or dry patches\n- Official: https://www.aquaphorus.com/products/aquaphor-repairing-ointment/aquaphor-healing-ointment-1,-d-,75oz\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThicker occlusive seal for Wet lip signal prep when the mouth needs a cushion before clear shine.\n\n## The formula\n\nDespite the trade name “Healing Ointment,” the functional story for this desk is occlusion. Aquaphor states 41% petrolatum as the skin-protectant active, with panthenol and glycerin among the supporting ingredients in brand materials. The ointment form protects by sitting on top of skin or lips — a seal, not a pharmaceutical cure of disease.\n\nBrand copy also mentions minor cuts, scrapes and burns in the OTC skin-protectant sense. The Cast Index will not expand that into first-aid medical advice. For casting kits, the relevant use is dry-lip and dry-patch occlusion.\n\n## Season finish — Wet lip signal\n\nWet lip signal needs a mouth that can hold reflection. Dehydrated lips crack the shine line. Aquaphor is the thicker prep: a thin layer overnight or before call, blotted, then optional Vaseline or lip oil for the on-camera wet read.\n\nDo not pile ointment into a greasy mouth under HD — blot to a cushion, then add intentional shine.\n\n## Working kit\n\nDot on lips or dry patches; warm in; wipe excess. For Wet lip signal day-of: Aquaphor early → blot → Vaseline or clear oil at call time. Keep away from waterlines and contact lenses.\n\nWrong as a lightweight daytime moisturiser for oily faces. Wrong if the wearer is lanolin-alcohol sensitive — check inactive ingredients. Aquaphor and Vaseline Lip Therapy have different ingredient lists. Check the exact formula instead of treating them as interchangeable.\n\n## Limitations and brand cautions\n\nFollow Drug Facts / pack directions in the market of purchase. External use only. Stop use and seek care if the condition worsens or does not improve, per typical OTC protectant labelling. Not a treatment for infected wounds. Patch-test if allergy-prone.\n\n## How to use it\n\n1. Apply a thin layer to clean, dry lips or dry skin patches\n2. For Wet lip signal prep, use ahead of call time and blot before adding intentional shine\n3. Do not apply into the eyes\n4. Read and follow the pack’s OTC directions for your market\n\n## Questions and answers\n\n### How much petrolatum is in Aquaphor Healing Ointment?\n\nAquaphor lists petrolatum at 41% as the skin-protectant active ingredient in Healing Ointment, with a fragrance- and preservative-free ointment base.\n\n### Is Aquaphor Healing Ointment a medical cure?\n\nNo. The Cast Index treats Aquaphor as an occlusive skin protectant ointment. Brand OTC language about protecting dry skin and lips is not a claim that it cures disease.\n\n### How does Aquaphor support Wet lip signal?\n\nWet lip signal needs a mouth that can hold reflection. Aquaphor’s thicker 41% petrolatum ointment is used as a cushioning occlusive prep, blotted before clear shine or lip oil goes on camera.\n\n### What is the active ingredient in Aquaphor Healing Ointment?\n\nAquaphor lists petrolatum at 41% as the skin-protectant active. The Cast Index describes the product as an occlusive ointment for dry lips and patches, not as a disease cure.\n\n### How is Aquaphor different from Vaseline Lip Therapy Original?\n\nAquaphor Healing Ointment is a multi-purpose ointment with 41% petrolatum. Vaseline Lip Therapy Original’s UK tin lists Petrolatum (100%). Both can support Wet lip signal; they differ in texture and concentration.\n\n### Can Aquaphor Healing Ointment be worn as the wet-lip shine on camera?\n\nIt can look shiny, but it is a heavier ointment. For Wet lip signal, the desk prefers a thin, blotted Aquaphor cushion under a clearer petrolatum tin or lip oil so the reflection stays intentional.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen","markdownUrl":"https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen.md","title":"Beauty of Joseon Daily Relief Sunscreen SPF 40","lastmod":"2026-07-16","sha256":"5e379f5ca4256d61ca35334498c7faa8f174003527334eae3836544924ef4e98","bytes":4136,"markdown":"# Beauty of Joseon Daily Relief Sunscreen SPF 40\n\n> Beauty of Joseon describes this US-market SPF 40 sunscreen as a fast-absorbing, non-sticky formula with rice extract; its label directs application 15 minutes before sun exposure and reapplication at least every two hours. The brand’s shop page for it is not available outside the US, so this record links to Beauty of Joseon’s US product information page.\n\n- Canonical: https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen\n- Category: SPF\n- Format: Cream sunscreen\n- Finish: Silky, non-sticky\n- Best for: Broad-spectrum daily sun protection\n- Official: https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us\n- Reviewed: 2026-07-16\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe US-market counterpart to Relief Sun, which is not sold in the US: protection-first skin prep with a lightweight finish.\n\n## What is Beauty of Joseon Daily Relief Sunscreen SPF 40?\n\nDaily Relief Sunscreen SPF 40 is Beauty of Joseon’s current US-market daily sunscreen. The brand positions it as skincare-first protection: a silky, fast-absorbing cream with rice extract designed to hydrate and soothe while providing broad-spectrum SPF 40 coverage. That wording describes the manufacturer’s intended finish; The Cast Index has not independently laboratory-tested the SPF or wear.\n\nThe formula’s active UV filters are listed as avobenzone 2.7%, homosalate 9%, octisalate 4.5% and octocrylene 5%. The inactive list includes glycerin, panthenol, tocopherol and rice extract. Ingredient lists can change, so anyone managing allergies or sensitivities should recheck the packaging or official page before use.\n\n## How does Daily Relief relate to Relief Sun?\n\nRelief Sun was withdrawn from the US market in early 2025, and the US Relief Sun URL this guide once used returns a 404. Daily Relief is the brand’s US-market SPF 40 formula with FDA-listed filters — a different product, not a renamed, specification-for-specification equivalent.\n\nRelief Sun itself is still sold in the UK and EU. When re-checked on 25 September 2026, Beauty of Joseon’s UK page listed it as Relief Sun: Rice + Niacinamide SPF50+ PA++++, stating that the former Rice + Probiotics formula and size are unchanged. UK readers should compare that formula, which has its own guide on The Cast Index, rather than importing the US product.\n\n## What is the Beauty Desk verdict?\n\nOn verified specifications, Daily Relief fills the lightweight daily-SPF role in this edit and gives readers a current official source, clear active-filter percentages and label directions. The main limitation is geographic: this is the US listing, so name, filters, price and availability may differ in the UK, EU and Asia. This is an evidence-led desk review, not a hands-on wear test or medical recommendation.\n\n## How to use it\n\n1. Use as the final step of the morning skincare routine\n2. Apply liberally 15 minutes before sun exposure, following the quantity guidance on the product label\n3. Reapply at least every two hours, and use a water-resistant sunscreen when swimming or sweating\n4. Combine sunscreen with shade, clothing, a hat and sunglasses rather than relying on one product alone\n\n## Questions and answers\n\n### Is Beauty of Joseon Daily Relief Sunscreen SPF 40 the same as Relief Sun: Rice + Probiotics?\n\nNo. Daily Relief is a US-market SPF 40 product with a different active-filter specification. Relief Sun remains on sale in the UK and EU, now named Relief Sun: Rice + Niacinamide SPF50+ PA++++, which the brand says is the same formula as Rice + Probiotics.\n\n### What are the active sunscreen ingredients in Daily Relief Sunscreen SPF 40?\n\nThe official US label lists avobenzone 2.7%, homosalate 9%, octisalate 4.5% and octocrylene 5%.\n\n### How often should Daily Relief Sunscreen SPF 40 be reapplied?\n\nThe label directs users to apply liberally 15 minutes before sun exposure and reapply at least every two hours. Use a water-resistant sunscreen for swimming or sweating.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c","markdownUrl":"https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c.md","title":"Beauty of Joseon Light On Serum: Centella + Vita C","lastmod":"2026-09-25","sha256":"2f83f638bac1375b55c7105733662c531e86c93219705b1895d3e53c3999e8a1","bytes":2900,"markdown":"# Beauty of Joseon Light On Serum: Centella + Vita C\n\n> Beauty of Joseon Light On Serum: Centella + Vita C pairs 3-O-ethyl ascorbic acid, a stabilised vitamin C derivative, with centella asiatica, panthenol and vitamin E in a fragrance-free 30ml serum launched in August 2023. It cost £14.50 on the brand’s UK-priced store on 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c\n- Category: Skin prep\n- Format: Vitamin C serum\n- Finish: Lightweight, non-sticky\n- Best for: A fragrance-free vitamin C derivative, morning and night\n- Official: https://beautyofjoseon.com/products/light-on-serum-centella-vita-c\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA fragrance-free K-beauty vitamin C with 3-O-ethyl ascorbic acid and centella, used morning and night, at £14.50. The brand does not state the vitamin C percentage, so compare it by format rather than strength.\n\nSkip this if you want pure L-ascorbic acid with a stated strength, or to layer vitamin C with AHA, BHA or PHA exfoliants.\n\nA light, non-sticky vitamin C layer that settles quickly under sunscreen — the K-beauty option in the brightening edit.\n\n## The formula\n\nLight On Serum pairs 3-O-ethyl ascorbic acid — a vitamin C derivative designed to resist oxidation — with centella asiatica, panthenol and vitamin E in a lightweight, non-sticky serum. Beauty of Joseon does not state the vitamin C percentage.\n\nEthyl ascorbic acid is more stable than L-ascorbic acid but has a smaller research base. The Cast Index treats it as a stable, everyday brightening step rather than a like-for-like alternative to pure vitamin C.\n\n## Who it’s for\n\nReaders who want a fragrance-free vitamin C that can be used morning and night, and anyone starting with vitamin C on a small budget.\n\n## What should you check before buying?\n\nWithout a stated concentration, it is hard to compare directly with the percentage-led serums. Avoid layering it with AHA, BHA or PHA exfoliants, as the brand directs, and patch test if your skin is sensitive.\n\n## How to use it\n\n1. After cleansing and toning, apply to face and neck\n2. Follow with moisturiser\n3. Use morning and night, with sunscreen during the day\n4. Do not mix with AHA, BHA or PHA products\n\n## Questions and answers\n\n### What type of vitamin C is in Beauty of Joseon Light On Serum?\n\n3-O-ethyl ascorbic acid, a stabilised vitamin C derivative. The brand does not publish the percentage.\n\n### Can I use Beauty of Joseon Light On Serum twice a day?\n\nYes. Beauty of Joseon directs morning and evening use, with sunscreen during the day.\n\n### Can I use Light On Serum with exfoliating acids?\n\nThe brand advises against mixing it with AHA, BHA or PHA products.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide","markdownUrl":"https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide.md","title":"Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+","lastmod":"2026-09-25","sha256":"ed85952ce0ce41977508bd3572ff4d90c25d5cc7694a10558e6bc3a12f3a618f","bytes":3530,"markdown":"# Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n\n> Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ PA++++ is the renamed Relief Sun: Rice + Probiotics, which the brand says is unchanged in formula and size. It uses Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone with 30% rice extract and niacinamide. UK price £15–£15.50 for 50ml when checked on 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide\n- Category: SPF\n- Format: SPF50+ PA++++ cream sunscreen\n- Finish: Dewy, lightweight cream\n- Best for: A dewy daily SPF in the UK and EU formula\n- Official: https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe UK and EU Relief Sun: a dewy SPF50+ PA++++ cream with rice extract, niacinamide and modern UK/EU filters, at around £15. The brand says the Rice + Niacinamide name replaces Rice + Probiotics with no formula change. It is not the US-market Daily Relief Sunscreen.\n\nSkip this if you need water resistance, a matte finish on very oily skin, or the US Daily Relief SPF 40 formula.\n\nThe UK and EU Relief Sun formula: a dewy protect layer that keeps skin reading as skin under a sheer base.\n\n## The formula\n\nRelief Sun is Beauty of Joseon’s international sunscreen, labelled SPF50+ PA++++ and built on four modern filters permitted in the UK and EU: Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone. Rice extract — 30% of the formula, according to the brand — sits alongside rice germ extract, niacinamide and a group of ferment extracts.\n\nThe brand describes a creamy yet lightweight texture that dries down dewy without a white cast. Those are manufacturer descriptions; The Cast Index has not tested SPF, UVA protection or wear.\n\n## Who it’s for\n\nNormal, dry and combination skin that wants a comfortable, dewy SPF under a sheer base or on its own. Very oily skin may prefer a lighter fluid or a matte finish.\n\n## What should you check before buying?\n\nCheck the name and the market. The UK page now calls it Rice + Niacinamide, while many retailers still list Rice + Probiotics, which the brand says is the same formula. The US-market Daily Relief Sunscreen SPF 40 is a different product with different filters. No water resistance is claimed.\n\n## How to use it\n\n1. Apply as the final step of morning skincare, before makeup\n2. Use enough to cover face, neck and ears evenly\n3. Reapply at least every two hours outdoors, and after swimming, sweating or towelling\n4. Remove at night with your usual cleanser\n\n## Questions and answers\n\n### Is Relief Sun: Rice + Niacinamide the same as Rice + Probiotics?\n\nBeauty of Joseon says yes: the product was renamed, and the formula, ingredients and size are unchanged. Retailer listings under either name refer to the same UK and EU sunscreen.\n\n### Has Beauty of Joseon Relief Sun been discontinued?\n\nNot in the UK or EU. It was withdrawn from the US market in early 2025, where the brand sells Daily Relief Sunscreen SPF 40 instead. UK and EU retailers continue to list Relief Sun.\n\n### Does Beauty of Joseon Relief Sun contain probiotics?\n\nThe ingredient list contains ferment extracts, such as lactobacillus and saccharomyces ferments, rather than live cultures.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/beautyblender-original-makeup-sponge","markdownUrl":"https://thecastindex.com/beauty/beautyblender-original-makeup-sponge.md","title":"Beautyblender Original Makeup Sponge","lastmod":"2026-09-08","sha256":"d9b6d26d3b2e57ffef287de1cc7488b9a3a47ee4fd6977dcb10c072e1022bc25","bytes":2013,"markdown":"# Beautyblender Original Makeup Sponge\n\n> Beautyblender’s original pink sponge is made from latex-free foam and is intended to be dampened before application. The brand directs cleaning after use and complete air drying.\n\n- Canonical: https://thecastindex.com/beauty/beautyblender-original-makeup-sponge\n- Category: Tools\n- Format: Reusable latex-free makeup sponge\n- Finish: Diffused base\n- Best for: Pressing and blending complexion products\n- Official: https://beautyblender.com/products/beautyblender-original\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA simple application tool for softening foundation edges. Cleaning and drying space are part of the purchase decision.\n\n## Selection evidence\n\n2026 reader-voted award: The original Beautyblender was recognised in Allure’s 2026 Readers’ Choice Awards. The award is external recognition, not a Cast Index product score.\n\nSource: https://www.allure.com/story/2026-readers-choice-winner-product-reviews\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a sponge if you prefer a pressing motion and softly diffused coverage. A brush may suit you better if you want to avoid dampening a tool before each application. Neither tool replaces a good shade match.\n\n## What should you check before buying?\n\nA reusable sponge needs regular cleaning, full drying and replacement when damaged. Do not seal it in an airtight makeup bag while damp or share an unclean applicator.\n\n## How to use it\n\n1. Wet the sponge, then squeeze out excess water.\n2. Bounce product gently across the skin rather than dragging.\n3. Clean after use and allow it to dry fully in a ventilated place.\n\n## Questions and answers\n\n### Should the original Beautyblender be used wet or dry?\n\nBeautyblender directs wetting the sponge and squeezing out excess water before makeup application. Clean it afterwards and let it dry completely.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/tools\n"},{"url":"https://thecastindex.com/beauty/best","markdownUrl":"https://thecastindex.com/beauty/best.md","title":"The best of beauty, researched","lastmod":"2026-10-01","sha256":"a3f5039ca033668844a857d13471fc91ae19eae7552f96b44bfadddca96831af","bytes":11940,"markdown":"# The best of beauty, researched\n\n> Desk-researched best-of buying guides with clear awards, trade-offs and sources. Not lab or hands-on tested; inclusion is never sold.\n\n- Canonical: https://thecastindex.com/beauty/best\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-09-25\n\n## [Best Korean sunscreens (UK)](https://thecastindex.com/beauty/best/best-korean-sunscreens-uk)\n\nBeauty of Joseon Relief Sun: Rice + Niacinamide is the best all-rounder: a dewy SPF50+ PA++++ cream with modern UK/EU filters for about £15. Choose SKIN1004’s Water-Fit Sun Serum for a serum texture, Round Lab Birch Juice for more moisture, or COSRX Ultra-Light for a sheer fluid. None claims water resistance.\n\n- **Best overall:** Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n- **Best serum texture:** SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum\n- **Best for dry skin:** Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++\n- **Best for oily skin:** COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++\n\nMarkdown: https://thecastindex.com/beauty/best/best-korean-sunscreens-uk.md\n\n## [Best foundations for oily skin](https://thecastindex.com/beauty/best/best-foundations-for-oily-skin)\n\nEstée Lauder Double Wear is the best overall for oily skin: oil-free, non-comedogenic, 60 shades and a natural matte finish, at £39.50. Choose Charlotte Tilbury Airbrush Flawless for full soft-matte coverage, Fenty Fluid Flex for a flexible natural matte, Maybelline Fit Me Matte + Poreless on a budget, or TIRTIR’s cushion for touch-ups.\n\n- **Best overall:** Estée Lauder Double Wear LongWear Matte Foundation SPF 10\n- **Best full coverage:** Charlotte Tilbury Airbrush Flawless Foundation\n- **Best natural matte:** Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation\n- **Best budget:** Maybelline Fit Me Matte + Poreless Foundation\n- **Best cushion:** TIRTIR Mask Fit Red Cushion\n\nMarkdown: https://thecastindex.com/beauty/best/best-foundations-for-oily-skin.md\n\n## [Best retinol & retinal serums](https://thecastindex.com/beauty/best/best-retinol-serums)\n\nMedik8 Crystal Retinal is the best overall: retinal in six strengths from 0.01% to 0.24%, so you can start low and move up, from £45. La Roche-Posay’s 0.3% Retinol + B3 suits a cautious first retinol; Geek & Gorgeous A-Game 10 is the fragrance-free budget retinal; The Ordinary Retinal 0.2% is for experienced users.\n\n- **Best overall:** Medik8 Crystal Retinal\n- **Best first retinol:** La Roche-Posay 0.3% Retinol + Vitamin B3 Serum\n- **Best budget retinal:** Geek & Gorgeous A-Game 10\n- **Best for experienced users:** The Ordinary Retinal 0.2% Emulsion\n\nMarkdown: https://thecastindex.com/beauty/best/best-retinol-serums.md\n\n## [Best vitamin C serums](https://thecastindex.com/beauty/best/best-vitamin-c-serums)\n\nSkinCeuticals C E Ferulic is the benchmark: 15% L-ascorbic acid with vitamin E and ferulic acid for morning use, at £169. The Ordinary’s 23% suspension offers L-ascorbic acid for £7.70, with a tingling warning and evening directions. Medik8 C-Tetra and Beauty of Joseon Light On use more stable derivatives, at £45 and £14.50.\n\n- **Best overall:** SkinCeuticals C E Ferulic\n- **Best budget:** The Ordinary Vitamin C Suspension 23% + HA Spheres 2%\n- **Best oil-based serum:** Medik8 C-Tetra\n- **Best K-beauty pick:** Beauty of Joseon Light On Serum: Centella + Vita C\n\nMarkdown: https://thecastindex.com/beauty/best/best-vitamin-c-serums.md\n\n## [Best lip oils, balms & glosses](https://thecastindex.com/beauty/best/best-lip-oils-and-balms)\n\nDior Addict Lip Glow Oil is the best lip oil for shine and shade choice, at £34. For everyday care, Rhode Peptide Lip Treatment gives glossy conditioning, fragrance-free in its unscented version, at £20; Laneige Lip Sleeping Mask is the overnight pick; Summer Fridays Lip Butter Balm is the vegan daily balm; Vaseline is the simplest occlusive.\n\n- **Best lip oil:** Dior Addict Lip Glow Oil\n- **Best lip treatment:** Rhode Peptide Lip Treatment\n- **Best overnight mask:** Laneige Lip Sleeping Mask\n- **Best everyday balm:** Summer Fridays Lip Butter Balm\n- **Best gloss:** Fenty Beauty Gloss Bomb Universal Lip Luminizer\n- **Best honey lip oil:** Gisou Honey Infused Lip Oil\n- **Best simple occlusive:** Vaseline Lip Therapy Original\n\nMarkdown: https://thecastindex.com/beauty/best/best-lip-oils-and-balms.md\n\n## [Best liquid & cream blushes](https://thecastindex.com/beauty/best/best-liquid-and-cream-blushes)\n\nRare Beauty Soft Pinch is the best liquid blush: 16 shades in dewy and matte finishes, at about £24. Glossier Cloud Paint is the best gel-cream, Merit Flush Balm the best fragrance-free balm, Rhode Pocket Blush the portable stick for cheeks and lips, and e.l.f. Camo Liquid Blush the dewy alternative in 12 shades.\n\n- **Best overall:** Rare Beauty Soft Pinch Liquid Blush\n- **Best gel-cream:** Glossier Cloud Paint\n- **Best cream balm:** Merit Flush Balm\n- **Best cream stick:** Rhode Pocket Blush\n- **Best dewy alternative:** e.l.f. Cosmetics Camo Liquid Blush\n\nMarkdown: https://thecastindex.com/beauty/best/best-liquid-and-cream-blushes.md\n\n## [Best setting sprays & powders](https://thecastindex.com/beauty/best/best-setting-sprays-and-powders)\n\nUrban Decay All Nighter is the best long-wear setting spray: waterproof, with an up-to-24-hour brand claim, from £16.50. Charlotte Tilbury Airbrush Flawless is the natural-finish spray, Laura Mercier Translucent the reference loose powder, Huda Easy Bake the baking powder with 12 shades, and Danessa Myricks’ balm-to-powder the option that blurs without flattening.\n\n- **Best long-wear spray:** Urban Decay All Nighter Waterproof Makeup Setting Spray\n- **Best natural-finish spray:** Charlotte Tilbury Airbrush Flawless Setting Spray\n- **Best loose powder:** Laura Mercier Translucent Loose Setting Powder\n- **Best for baking:** Huda Beauty Easy Bake Loose Baking & Setting Powder\n- **Best balm-to-powder:** Danessa Myricks Beauty Yummy Skin Blurring Balm Powder\n\nMarkdown: https://thecastindex.com/beauty/best/best-setting-sprays-and-powders.md\n\n## [Best mascaras](https://thecastindex.com/beauty/best/best-mascaras)\n\nYSL Lash Clash is the best volumising mascara, with black, brown, blue and green shades, at £33. Charlotte Tilbury Exagger-Eyes is the luxury volume-and-curl pick, Too Faced Better Than Sex the hourglass-brush option, Maybelline Sky High the lengthening pick with nine shades, and L’Oréal Telescopic Lift the budget lengthener at £12.99.\n\n- **Best for volume:** Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara\n- **Best volume and curl:** Charlotte Tilbury Exagger-Eyes Volume Mascara\n- **Best hourglass brush:** Too Faced Better Than Sex Mascara\n- **Best for length:** Maybelline Lash Sensational Sky High Mascara\n- **Best budget:** L’Oréal Paris Telescopic Lift Mascara\n\nMarkdown: https://thecastindex.com/beauty/best/best-mascaras.md\n\n## [Best affordable beauty under £20](https://thecastindex.com/beauty/best/best-affordable-beauty-under-20)\n\nFor a complete routine under £20 a product: Beauty of Joseon Relief Sun (£15) for sunscreen, The Ordinary Vitamin C Suspension (£7.70), The Ordinary Glycolic Acid 7% toner (from £8), Geek & Gorgeous A-Game 10 retinal (£17.95), Maybelline Fit Me Matte + Poreless (from £8.99), L’Oréal Telescopic Lift mascara (£12.99) and Elvive Bond Repair (£16.99).\n\n- **Best sunscreen:** Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n- **Best vitamin C:** The Ordinary Vitamin C Suspension 23% + HA Spheres 2%\n- **Best exfoliant:** The Ordinary Glycolic Acid 7% Exfoliating Toner\n- **Best retinoid:** Geek & Gorgeous A-Game 10\n- **Best foundation:** Maybelline Fit Me Matte + Poreless Foundation\n- **Best mascara:** L’Oréal Paris Telescopic Lift Mascara\n- **Best hair treatment:** L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment\n\nMarkdown: https://thecastindex.com/beauty/best/best-affordable-beauty-under-20.md\n\n## [Best bond-repair & anti-frizz treatments](https://thecastindex.com/beauty/best/best-hair-bond-repair-and-anti-frizz-treatments)\n\nOlaplex No.3PLUS is the best pre-wash bond treatment: a three-minute step before shampoo, £32. K18’s leave-in mask is the leave-in repair pick; Redken’s Acidic Bonding Concentrate Leave-In adds heat protection; Color Wow Dream Coat is the anti-frizz spray for blow-dried hair; L’Oréal Elvive Bond Repair is the budget pre-shampoo.\n\n- **Best pre-wash treatment:** Olaplex No.3PLUS Complete Repair Treatment\n- **Best leave-in repair:** K18 Leave-In Molecular Repair Hair Mask\n- **Best leave-in with heat protection:** Redken Acidic Bonding Concentrate Leave-In Treatment\n- **Best anti-frizz:** Color Wow Dream Coat Supernatural Spray\n- **Best budget:** L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment\n\nMarkdown: https://thecastindex.com/beauty/best/best-hair-bond-repair-and-anti-frizz-treatments.md\n\n## [Best K-beauty for oily skin](https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin)\n\nBuild a light routine: COSRX Low pH Good Morning Gel Cleanser, Anua Heartleaf 77% Soothing Toner, COSRX Advanced Snail 96 Mucin Power Essence, Beauty of Joseon Light On Serum for vitamin C, and COSRX Ultra-Light Invisible Sunscreen. Each is sold by UK retailers; start with the cleanser and sunscreen, and add the rest one at a time.\n\n- **Best cleanser:** COSRX Low pH Good Morning Gel Cleanser\n- **Best toner:** Anua Heartleaf 77% Soothing Toner\n- **Best hydrating essence:** COSRX Advanced Snail 96 Mucin Power Essence\n- **Best serum:** Beauty of Joseon Light On Serum: Centella + Vita C\n- **Best sunscreen:** COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++\n\nMarkdown: https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin.md\n\n## [Best concealers (UK)](https://thecastindex.com/beauty/best/best-concealers)\n\nNARS Radiant Creamy Concealer is the best all-rounder: medium, buildable coverage, a radiant finish and 30 shades, fragrance-free, at £29.50. For mature skin, choose Milk Hydro Grip Gel Concealer; for oily skin, Estée Lauder’s new Double Wear Stay-in-Place Concealer; on a budget, e.l.f. Hydrating Camo Concealer at £8.\n\n- **Best overall:** NARS Radiant Creamy Concealer\n- **Best for mature skin:** Milk Makeup Hydro Grip Gel Concealer\n- **Best for oily skin:** Estée Lauder Double Wear Stay-in-Place Concealer\n- **Best budget:** e.l.f. Cosmetics Hydrating Camo Concealer\n\nMarkdown: https://thecastindex.com/beauty/best/best-concealers.md\n\n## [Best skin tints (UK)](https://thecastindex.com/beauty/best/best-skin-tints)\n\nILIA Super Serum Skin Tint is the best overall and our mature-skin pick: a hydrating serum tint, labelled SPF 30 in the UK, in 30 shades at £42. For oily skin, choose Laura Mercier’s Blurred Matte Oil Free tint; on a budget, e.l.f. Halo Glow Skin Tint at £14; for dry skin, Saie Slip Tint.\n\n- **Best overall and for mature skin:** ILIA Super Serum Skin Tint\n- **Best for oily skin:** Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30\n- **Best budget:** e.l.f. Cosmetics Halo Glow Skin Tint SPF 50\n- **Best for dry skin:** Saie Slip Tint\n\nMarkdown: https://thecastindex.com/beauty/best/best-skin-tints.md\n\n## Head-to-head comparisons\n\n- [Crystal Retinal vs The Ordinary Retinal 0.2%](https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal)\n- [C E Ferulic vs C-Tetra](https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra)\n- [Relief Sun vs Birch Juice Sun Cream](https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice)\n- [Dior Lip Glow Oil vs Rhode Lip Treatment](https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment)\n- [Airbrush Flawless vs Double Wear](https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear)\n- [Dyson Airwrap vs Shark FlexStyle](https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle)\n"},{"url":"https://thecastindex.com/beauty/best/best-affordable-beauty-under-20","markdownUrl":"https://thecastindex.com/beauty/best/best-affordable-beauty-under-20.md","title":"The best affordable beauty under £20.","lastmod":"2026-09-25","sha256":"212008b91c0a9a20f6d52c164d27c43a0107897639dbf1ca08c8f9ff17e5b7c9","bytes":12880,"markdown":"# The best affordable beauty under £20.\n\n> Seven high-street and direct-to-consumer picks across skin, makeup and hair, each with a verified UK price under £20 and the trade-offs that come with it.\n\n- Canonical: https://thecastindex.com/beauty/best/best-affordable-beauty-under-20\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/skin-prep\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What are the best beauty products under £20?**\n\nFor a complete routine under £20 a product: Beauty of Joseon Relief Sun (£15) for sunscreen, The Ordinary Vitamin C Suspension (£7.70), The Ordinary Glycolic Acid 7% toner (from £8), Geek & Gorgeous A-Game 10 retinal (£17.95), Maybelline Fit Me Matte + Poreless (from £8.99), L’Oréal Telescopic Lift mascara (£12.99) and Elvive Bond Repair (£16.99).\n\n## Our top picks\n\n- **Best sunscreen:** Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ — SPF50+ PA++++ · £15\n- **Best vitamin C:** The Ordinary Vitamin C Suspension 23% + HA Spheres 2% — 23% L-ascorbic acid · £7.70\n- **Best exfoliant:** The Ordinary Glycolic Acid 7% Exfoliating Toner — 7% glycolic acid · from £8\n- **Best retinoid:** Geek & Gorgeous A-Game 10 — 0.1% retinal · fragrance-free · £17.95\n- **Best foundation:** Maybelline Fit Me Matte + Poreless Foundation — 38 shades · oil-free · from £8.99\n- **Best mascara:** L’Oréal Paris Telescopic Lift Mascara — Double-sided brush · £12.99\n- **Best hair treatment:** L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment — Pre-shampoo · 5 minutes · £16.99\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide) | Best sunscreen | Dewy, lightweight cream | SPF50+ PA++++ · £15 | £15 |\n| [The Ordinary Vitamin C Suspension 23% + HA Spheres 2%](https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2) | Best vitamin C | Slightly granular | 23% L-ascorbic acid · £7.70 | £7.70 |\n| [The Ordinary Glycolic Acid 7% Exfoliating Toner](https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner) | Best exfoliant | Exfoliated | 7% glycolic acid · from £8 | from £8 |\n| [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) | Best retinoid | Silky emulsion | 0.1% retinal · fragrance-free · £17.95 | £17.95 |\n| [Maybelline Fit Me Matte + Poreless Foundation](https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation) | Best foundation | Natural matte | 38 shades · oil-free · from £8.99 | from £8.99 |\n| [L’Oréal Paris Telescopic Lift Mascara](https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara) | Best mascara | Lifted length | Double-sided brush · £12.99 | £12.99 |\n| [L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment](https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment) | Best hair treatment | Conditioned feel | Pre-shampoo · 5 minutes · £16.99 | £16.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best sunscreen: Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n\nRelief Sun offers SPF50+ PA++++ with modern UK/EU filters, rice extract and niacinamide in a dewy, fragrance-free cream. No sunscreen in our catalogue offers a higher labelled protection for less.\n\nWhat stands out:\n- SPF50+ PA++++ for £15\n- Fragrance-free and alcohol-free, per the brand\n- Dewy finish that sits well under makeup\n\nConsider first:\n- No water resistance claimed\n- The brand’s UK store was sold out when checked; retailers list it at £15.50\n\nProduct guide: https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide\nOfficial page: https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP\n\n### 2. Best vitamin C: The Ordinary Vitamin C Suspension 23% + HA Spheres 2%\n\nThe Ordinary’s suspension delivers L-ascorbic acid — the most studied form of vitamin C — at £7.70. The brand is clear about the trade-offs: a slightly granular texture, expected tingling and evening use.\n\nWhat stands out:\n- L-ascorbic acid for £7.70\n- Water-free base for stability\n- Vegan, per the brand\n\nConsider first:\n- Tingling and a granular texture, per the brand\n- Directed for evening use\n- Not to be combined with niacinamide or retinoids, per the brand\n\nProduct guide: https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2\nOfficial page: https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html\n\n### 3. Best exfoliant: The Ordinary Glycolic Acid 7% Exfoliating Toner\n\nA 7% glycolic acid toner at around pH 3.6 for evening exfoliation, from £8 for 100ml. The brand’s directions are careful — patch test, avoid compromised skin and use sunscreen while using AHAs.\n\nWhat stands out:\n- From £8 for 100ml; a 240ml size is sold\n- Stated pH of about 3.6\n- Clear safety directions from the brand\n\nConsider first:\n- Not for sensitive, peeling or compromised skin\n- AHAs increase sun sensitivity — sunscreen is essential\n- Evening use only\n\nProduct guide: https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner\nOfficial page: https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html\n\n### 4. Best retinoid: Geek & Gorgeous A-Game 10\n\nA-Game 10 gives 0.1% retinal in a fragrance-free emulsion for £17.95, with a written build-up schedule. A-Game 5, at 0.05%, is the gentler way in for beginners.\n\nWhat stands out:\n- 0.1% retinal for £17.95\n- Free from fragrance and essential oils, per the brand\n- Lower-strength A-Game 5 available\n\nConsider first:\n- Positioned for experienced users\n- Sold mainly through the brand’s UK shop\n- Not for use during pregnancy, per the brand\n\nProduct guide: https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10\nOfficial page: https://geekgorgeous.co.uk/products/a-game-10\n\n### 5. Best foundation: Maybelline Fit Me Matte + Poreless Foundation\n\nFit Me Matte + Poreless is oil-free and non-comedogenic, with a matte finish and 38 UK shades, from £8.99. It is the lowest-priced foundation with a verified UK price in our catalogue.\n\nWhat stands out:\n- From £8.99 at Boots\n- Oil-free and non-comedogenic\n- 38 UK shades\n\nConsider first:\n- Contains denatured alcohol and parabens\n- No SPF\n\nProduct guide: https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation\nOfficial page: https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation\n\n### 6. Best mascara: L’Oréal Paris Telescopic Lift Mascara\n\nTelescopic Lift pairs a double-sided brush with a ceramide formula for length and lift at £12.99, with a separate waterproof version.\n\nWhat stands out:\n- £12.99 at Boots and Superdrug\n- Suitable for sensitive eyes, per the brand\n- Waterproof version available\n\nConsider first:\n- Three shades\n- Length rather than dramatic volume\n\nProduct guide: https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara\nOfficial page: https://www.loreal-paris.co.uk/telescopic/telescopic-lift-mascara-black\n\n### 7. Best hair treatment: L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment\n\nElvive’s weekly pre-shampoo treatment brings a bond-care step to the high street at £16.99 RRP for 200ml — and it was half price at Boots when checked.\n\nWhat stands out:\n- £16.99 RRP for 200ml, often discounted\n- Five minutes, once a week\n- Widely stocked\n\nConsider first:\n- Contains fragrance\n- Brand results come from using the full Bond Repair routine\n\nProduct guide: https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment\nOfficial page: https://www.loreal-paris.co.uk/elvive/bond-repair/pre-shampoo-treatment\n\n## What to look for\n\n### Price per use, not per bottle\n\nCompare size and how much each use needs. A £8 exfoliating toner used a few evenings a week lasts far longer than a £8 foundation used daily.\n\n### RRP versus offers\n\nHigh-street prices change weekly with multi-buy and percentage offers. We list RRP; check the current price before you buy.\n\n### Sunscreen first\n\nIf you are building a routine on a budget, put sunscreen before serums. An affordable SPF50+ you will reapply is worth more than an expensive one you will not.\n\n### Strong actives are still strong\n\nA low price does not mean a gentle formula. Introduce vitamin C, glycolic acid and retinal one at a time, and follow each brand’s directions.\n\n### Do not stack clashing actives\n\nThe Ordinary advises against using its vitamin C with retinoids. Keep vitamin C, exfoliants and retinal on separate evenings or in separate routines.\n\n### Read the full name\n\nBudget ranges often have similar names — Telescopic, Telescopic Lift, Telescopic Extensionist. Check the exact product before buying.\n\n## How we chose\n\nThis guide is desk research. We compared beauty products with a verified UK price under £20 using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nEvery pick had a price under £20 on its official UK page or at a named UK retailer on 25 September 2026, using RRP rather than temporary offers. Products whose UK price we could not verify were left out, however inexpensive they appear.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the best affordable sunscreen in the UK?\n\nIn our catalogue, Beauty of Joseon Relief Sun: Rice + Niacinamide offers SPF50+ PA++++ for £15 on the brand’s UK store. See our Korean sunscreen guide for alternatives.\n\n### Can I use The Ordinary vitamin C and retinal together?\n\nThe Ordinary advises against combining its vitamin C suspension with retinoids. Use them on different evenings, or choose one.\n\n### Are cheap skincare products as good as expensive ones?\n\nPrice is not a measure of formula quality. Compare the active ingredient, its stated strength and the directions; several of the most studied actives are available under £20.\n\n### How did you check the prices?\n\nEvery price is the RRP on the official UK page or a named UK retailer on 25 September 2026. Prices change, so check before you buy.\n\n## Sources\n\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/)\n- [The Ordinary UK — vitamin C range](https://theordinary.com/en-gb/category/skincare/shop-by-ingredients/vitamin-c)\n- [Boots — Maybelline Fit Me Matte & Poreless Foundation 30ml](https://www.boots.com/maybelline-fit-me-matte-and-poreless-foundation-10213975)\n- [Boots — L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment 200ml](https://www.boots.com/loreal-paris-elvive-bond-repair-pre-shampoo-treatment-200ml-10322971)\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol)\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ — official product page](https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP)\n- [The Ordinary Vitamin C Suspension 23% + HA Spheres 2% — official product page](https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html)\n- [The Ordinary Glycolic Acid 7% Exfoliating Toner — official product page](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html)\n- [Geek & Gorgeous A-Game 10 — official product page](https://geekgorgeous.co.uk/products/a-game-10)\n- [Maybelline Fit Me Matte + Poreless Foundation — official product page](https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation)\n- [L’Oréal Paris Telescopic Lift Mascara — official product page](https://www.loreal-paris.co.uk/telescopic/telescopic-lift-mascara-black)\n- [L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment — official product page](https://www.loreal-paris.co.uk/elvive/bond-repair/pre-shampoo-treatment)\n\n## Head-to-head comparisons\n\n- [Relief Sun vs Birch Juice Sun Cream](https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice)\n"},{"url":"https://thecastindex.com/beauty/best/best-concealers","markdownUrl":"https://thecastindex.com/beauty/best/best-concealers.md","title":"The best concealers to buy in the UK.","lastmod":"2026-10-01","sha256":"852d78f574f171ad44552bccee3f3c41b29bc556a773805e8509a56af3ba94c0","bytes":10921,"markdown":"# The best concealers to buy in the UK.\n\n> Four concealers compared by coverage, finish, shade range, skin-type claims and UK price — with a pick for mature skin, a pick for oily skin and one under £10.\n\n- Canonical: https://thecastindex.com/beauty/best/best-concealers\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-10-01\n- Updated: 2026-10-01\n- Category guide: https://thecastindex.com/beauty/category/complexion\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best concealer to buy in the UK?**\n\nNARS Radiant Creamy Concealer is the best all-rounder: medium, buildable coverage, a radiant finish and 30 shades, fragrance-free, at £29.50. For mature skin, choose Milk Hydro Grip Gel Concealer; for oily skin, Estée Lauder’s new Double Wear Stay-in-Place Concealer; on a budget, e.l.f. Hydrating Camo Concealer at £8.\n\n## Our top picks\n\n- **Best overall:** NARS Radiant Creamy Concealer — 30 shades · medium buildable · radiant · 6ml\n- **Best for mature skin:** Milk Makeup Hydro Grip Gel Concealer — 25 shades · gel-to-cream stick · dewy · £26\n- **Best for oily skin:** Estée Lauder Double Wear Stay-in-Place Concealer — 30 shades · medium-to-full · natural matte · 12ml\n- **Best budget:** e.l.f. Cosmetics Hydrating Camo Concealer — 25 shades · full coverage · satin · £8\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [NARS Radiant Creamy Concealer](https://thecastindex.com/beauty/nars-radiant-creamy-concealer) | Best overall | Radiant | 30 shades · medium buildable · radiant · 6ml | £29.50 |\n| [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) | Best for mature skin | Dewy | 25 shades · gel-to-cream stick · dewy · £26 | £26 |\n| [Estée Lauder Double Wear Stay-in-Place Concealer](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer) | Best for oily skin | Soft-focus natural matte | 30 shades · medium-to-full · natural matte · 12ml | £29.50 |\n| [e.l.f. Cosmetics Hydrating Camo Concealer](https://thecastindex.com/beauty/elf-hydrating-camo-concealer) | Best budget | Satin | 25 shades · full coverage · satin · £8 | £8 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: NARS Radiant Creamy Concealer\n\nNARS pairs medium, buildable coverage with a radiant finish, so it covers shadows and redness without flattening the skin around them. The UK page lists 30 shades and a formula without alcohol, parabens or fragrance, labelled non-comedogenic and ophthalmologist-tested.\n\nWhat stands out:\n- 30 shades on NARS UK, with undertone notes for each\n- No alcohol, parabens or fragrance, per NARS\n- Labelled non-comedogenic, dermatologist- and ophthalmologist-tested\n- Crease-resistance, 16-hour wear and 24-hour hydration claims (brand figures)\n\nConsider first:\n- £29.50 for 6ml\n- A radiant finish can look shiny on very oily skin\n- Medium rather than full coverage\n\nProduct guide: https://thecastindex.com/beauty/nars-radiant-creamy-concealer\nOfficial page: https://www.narscosmetics.co.uk/en/radiant-creamy-concealer/999NACRCC0001.html\n\n### 2. Best for mature skin: Milk Makeup Hydro Grip Gel Concealer\n\nMilk Makeup says its gel-to-cream stick won’t settle into fine lines or wrinkles, and builds it around hyaluronic acid for a hydrated, dewy finish. That combination — light, buildable coverage that stays flexible — is what drier and mature under-eyes usually need from a concealer.\n\nWhat stands out:\n- Brand claim: won’t settle into fine lines or wrinkles\n- Hyaluronic acid and blue agave extract; dewy finish\n- 25 shades across warm, cool, olive and neutral undertones\n- Vegan and non-comedogenic, per the brand\n\nConsider first:\n- A twist-up stick holds 3g, less than the liquid picks\n- Lightweight, buildable coverage may not hide deep discolouration in one layer\n- The 22% hydration figure comes from the brand’s own 43-person study\n\nProduct guide: https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer\nOfficial page: https://milkmakeup.com/products/hydro-grip-gel-concealer\n\n### 3. Best for oily skin: Estée Lauder Double Wear Stay-in-Place Concealer\n\nEstée Lauder’s new Double Wear concealer uses hollow silica spheres to absorb sebum and sets to a soft-focus natural matte. Medium-to-full coverage, a non-comedogenic label and water- and transfer-resistance claims make it the long-wear pick for shine-prone skin.\n\nWhat stands out:\n- Oil-control claim built on sebum-absorbing silica spheres\n- Labelled non-comedogenic, dermatologist- and ophthalmologist-tested\n- 30 shades and the largest size here, 12ml\n- Sculpting wand for precise application\n\nConsider first:\n- £29.50 RRP\n- Matte long-wear formulas can emphasise dry patches\n- The 24-hour wear and oil-control figures are the brand’s own\n- A new formula, so shade numbers may not match older Double Wear concealers\n\nProduct guide: https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer\nOfficial page: https://www.esteelauder.co.uk/product/642/131399/product-catalog/makeup/face/concealers/double-wear/stay-in-place-concealer\n\n### 4. Best budget: e.l.f. Cosmetics Hydrating Camo Concealer\n\ne.l.f.’s Hydrating Camo Concealer gives full coverage with a satin, crease-resistant finish for £8, and the brand describes it as suitable for oily, dry and combination skin. It is the low-cost way to cover blemishes and darker under-eye areas.\n\nWhat stands out:\n- £8 on e.l.f. UK\n- Full coverage with a satin finish\n- 25 shades across six depth groups\n- Vegan, cruelty-free and non-comedogenic, per the brand\n\nConsider first:\n- Full coverage needs thin layers under the eyes\n- A satin rather than matte finish, so very oily skin may want a light powder over it\n\nProduct guide: https://thecastindex.com/beauty/elf-hydrating-camo-concealer\nOfficial page: https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer\n\n## What to look for\n\n### Coverage and finish\n\nMedium, buildable formulas look most like skin under the eyes; full coverage suits blemishes and marks. A radiant or satin finish keeps light on the face, while matte finishes hold up better on oily skin.\n\n### For mature or dry under-eyes\n\nLook for hydrating formulas and crease-resistance claims, and apply thin layers: thick concealer collects in lines. Milk Makeup and NARS both make crease-resistance claims for their formulas.\n\n### For oily skin\n\nThe American Academy of Dermatology suggests people with oily skin look for products labelled oil-free and non-comedogenic. Matte, long-wear concealers such as Double Wear add oil-absorbing powders.\n\n### Shade and undertone\n\nAll four picks offer 25 to 30 shades with undertone notes. Match a blemish concealer to your skin; NARS suggests going one to three shades lighter only when using concealer as a highlighter.\n\n### Around the eyes\n\nOphthalmologist-tested is a brand label rather than a guarantee, but it shows the formula was assessed for use near the eyes. Stop using any product that stings or irritates.\n\n## How we chose\n\nThis guide is desk research. We compared concealers sold in the UK using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 1 October 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe compared coverage, finish, shade range, skin-type and non-comedogenic claims, fragrance, size and UK price from each brand’s UK page or a named UK retailer. Labels such as “for mature skin” and “for oily skin” rest on what each formula is designed to do — crease resistance and hydration, or oil control and a matte finish — as described by the brand.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the best concealer for mature skin?\n\nMilk Makeup Hydro Grip Gel Concealer: Milk says the hydrating gel-to-cream formula won’t settle into fine lines or wrinkles, and it has a dewy finish in 25 shades for £26. NARS Radiant Creamy Concealer, with a crease-resistance claim and radiant finish, is the alternative.\n\n### What is the best concealer for oily skin?\n\nEstée Lauder Double Wear Stay-in-Place Concealer, which uses silica spheres to absorb sebum, dries to a natural matte and is labelled non-comedogenic. Its 24-hour oil-control figure is a brand claim.\n\n### What is the best concealer for dark circles?\n\nA medium, buildable formula with a radiant finish, such as NARS Radiant Creamy Concealer, covers shadows without looking flat. For deeper discolouration, e.l.f. Hydrating Camo and Double Wear offer fuller coverage; apply thin layers.\n\n### Is NARS Radiant Creamy Concealer fragrance-free?\n\nYes. NARS UK lists it as free from alcohol, parabens and fragrance, as well as non-comedogenic.\n\n### Which of these concealers are vegan?\n\nMilk Makeup and e.l.f. describe their concealers as vegan. We did not find a vegan claim on the NARS or Estée Lauder UK pages we checked.\n\n## Sources\n\n- [NARS UK — Radiant Creamy Concealer](https://www.narscosmetics.co.uk/en/radiant-creamy-concealer/999NACRCC0001.html)\n- [Milk Makeup — Hydro Grip Gel Concealer](https://milkmakeup.com/products/hydro-grip-gel-concealer)\n- [Space NK UK — Milk Makeup Hydro Grip Gel Concealer](https://www.spacenk.com/uk/makeup/complexion/concealer/hydro-grip-gel-concealer-MUK200061361.html)\n- [Estée Lauder UK — Double Wear Stay-in-Place Concealer](https://www.esteelauder.co.uk/product/642/131399/product-catalog/makeup/face/concealers/double-wear/stay-in-place-concealer)\n- [e.l.f. Cosmetics UK — Hydrating Camo Concealer](https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n- [NARS Radiant Creamy Concealer — official product page](https://www.narscosmetics.co.uk/en/radiant-creamy-concealer/999NACRCC0001.html)\n- [Milk Makeup Hydro Grip Gel Concealer — official product page](https://milkmakeup.com/products/hydro-grip-gel-concealer)\n- [Estée Lauder Double Wear Stay-in-Place Concealer — official product page](https://www.esteelauder.co.uk/product/642/131399/product-catalog/makeup/face/concealers/double-wear/stay-in-place-concealer)\n- [e.l.f. Cosmetics Hydrating Camo Concealer — official product page](https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer)\n"},{"url":"https://thecastindex.com/beauty/best/best-foundations-for-oily-skin","markdownUrl":"https://thecastindex.com/beauty/best/best-foundations-for-oily-skin.md","title":"The best foundations for oily skin.","lastmod":"2026-09-25","sha256":"8d15bab225968f64ba49cb7ddbd1fe09ecf331896343510c5296e50c2b40d806","bytes":12966,"markdown":"# The best foundations for oily skin.\n\n> Five matte and natural-matte bases compared by coverage, shade range, oil-free and non-comedogenic claims, SPF and price — including two formulas that changed in the past year and one brand-new launch.\n\n- Canonical: https://thecastindex.com/beauty/best/best-foundations-for-oily-skin\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/complexion\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best foundation for oily skin?**\n\nEstée Lauder Double Wear is the best overall for oily skin: oil-free, non-comedogenic, 60 shades and a natural matte finish, at £39.50. Choose Charlotte Tilbury Airbrush Flawless for full soft-matte coverage, Fenty Fluid Flex for a flexible natural matte, Maybelline Fit Me Matte + Poreless on a budget, or TIRTIR’s cushion for touch-ups.\n\n## Our top picks\n\n- **Best overall:** Estée Lauder Double Wear LongWear Matte Foundation SPF 10 — 60 shades · medium-to-full · SPF 10 · oil-free\n- **Best full coverage:** Charlotte Tilbury Airbrush Flawless Foundation — 44 shades · full coverage · soft matte · no SPF\n- **Best natural matte:** Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation — 50 shades · medium buildable · natural matte\n- **Best budget:** Maybelline Fit Me Matte + Poreless Foundation — 38 shades · medium coverage · oil-free\n- **Best cushion:** TIRTIR Mask Fit Red Cushion — 40 shades · cushion compact · semi-matte\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Estée Lauder Double Wear LongWear Matte Foundation SPF 10](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation) | Best overall | Natural matte | 60 shades · medium-to-full · SPF 10 · oil-free | £39.50 |\n| [Charlotte Tilbury Airbrush Flawless Foundation](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation) | Best full coverage | Soft matte | 44 shades · full coverage · soft matte · no SPF | £40 |\n| [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation) | Best natural matte | Natural matte | 50 shades · medium buildable · natural matte | £35 |\n| [Maybelline Fit Me Matte + Poreless Foundation](https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation) | Best budget | Natural matte | 38 shades · medium coverage · oil-free | from £8.99 |\n| [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion) | Best cushion | Semi-matte | 40 shades · cushion compact · semi-matte | £20 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: Estée Lauder Double Wear LongWear Matte Foundation SPF 10\n\nThe reformulated Double Wear combines the widest shade range in this guide with oil-free, non-comedogenic and fragrance-free claims and a natural matte finish. Buildable medium-to-full coverage means it can be worn thinly or built up only where needed.\n\nWhat stands out:\n- 60 shades on Estée Lauder UK — the widest range here\n- Oil-free, non-comedogenic, fragrance-free and vegan claims\n- Buildable medium-to-full coverage with a natural matte finish\n- Niacinamide and brown-algae complex in the 2026 formula\n\nConsider first:\n- Reformulated in February 2026 — previous wearers are advised to re-match\n- Pump sold separately\n- £39.50 RRP\n- SPF 10 is not a substitute for sunscreen\n\nProduct guide: https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation\nOfficial page: https://www.esteelauder.co.uk/product/643/143007/product-catalog/makeup/face/foundations/double-wear-stay-in-place/longwear-matte-foundation-spf-10\n\n### 2. Best full coverage: Charlotte Tilbury Airbrush Flawless Foundation\n\nCharlotte Tilbury’s August 2025 formula gives full coverage with a blurred, soft-matte finish, and the brand claims up to 24 hours of shine control from its own consumer test. It suits oily skin that wants foundation and a powder-like blur in one step.\n\nWhat stands out:\n- Full coverage with a soft-focus matte finish\n- 44 shades in the new range\n- Waterproof and transfer-proof claims\n- Sold by major UK department stores and beauty retailers\n\nConsider first:\n- No oil-free, non-comedogenic or fragrance-free claim on the UK page\n- Contains menthol and alcohol\n- No SPF\n- A new shade range — previous wearers need to re-match\n\nProduct guide: https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation\nOfficial page: https://www.charlottetilbury.com/uk/product/airbrush-flawless-foundation-shade-4-neutral\n\n### 3. Best natural matte: Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation\n\nFenty’s September 2026 successor to Pro Filt’r Soft Matte pairs a natural matte finish with starfruit extract for shine control and a flexible polymer base. At medium, buildable coverage it is a lighter-looking matte than the full-coverage picks.\n\nWhat stands out:\n- 50 all-new shades with more neutral options, per the brand\n- Oil-free and waterproof claims; no fragrance on the UK ingredient list checked\n- Natural matte finish with medium, buildable coverage\n- £35 for 30ml\n\nConsider first:\n- Launched in September 2026, so long-term independent coverage is limited\n- Soft Matte shade numbers do not carry over\n- No SPF\n- An up-to-12-hour wear claim, shorter than the long-wear picks\n\nProduct guide: https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation\nOfficial page: https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w\n\n### 4. Best budget: Maybelline Fit Me Matte + Poreless Foundation\n\nFit Me Matte + Poreless is oil-free and non-comedogenic, with micro-powders for a matte finish and 38 UK shades, for under £10. It is the simple, low-cost way to find out whether a matte foundation suits you.\n\nWhat stands out:\n- From £8.99 at Boots\n- Oil-free and non-comedogenic; dermatologist- and allergy-tested, per the brand\n- 38 UK shades\n- Medium coverage without a heavy long-wear film\n\nConsider first:\n- Contains denatured alcohol and parabens\n- No SPF\n- No long-wear or transfer-proof claim\n- Shade counts differ between UK and US ranges\n\nProduct guide: https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation\nOfficial page: https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation\n\n### 5. Best cushion: TIRTIR Mask Fit Red Cushion\n\nTIRTIR’s cushion puts a semi-matte, fuller-coverage base in a compact with a puff, which makes pressing and midday touch-ups straightforward. Its 40-shade range is unusually wide for a Korean cushion.\n\nWhat stands out:\n- Semi-matte finish with fuller coverage\n- Compact and puff for controlled pressing and touch-ups\n- 40 shades, per the brand\n- £20 for 18g; a mini is available\n\nConsider first:\n- Puffs need regular cleaning or replacing\n- Retailers may stock fewer than the brand’s 40 shades\n- A cushion holds less product than a 30ml bottle\n\nProduct guide: https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion\nOfficial page: https://tirtir.global/products/mask-fit-red-cushion\n\n## What to look for\n\n### Oil-free and non-comedogenic\n\nThe American Academy of Dermatology suggests people with oily skin look for products labelled oil-free and non-comedogenic. Those are manufacturer labels rather than guarantees, but they are a sensible first filter.\n\n### Finish and coverage\n\nMatte and soft-matte finishes reduce visible shine; natural matte sits between matte and satin. Buildable coverage lets you keep the base thin where skin is clear and add more only where needed.\n\n### Re-match after a reformulation\n\nDouble Wear and Airbrush Flawless have both changed formula in the past year, and Fenty has replaced Soft Matte with new shades. Match again in daylight rather than relying on an old shade number.\n\n### SPF in foundation\n\nSPF 10 in a foundation is not a substitute for sunscreen, because foundation is rarely applied thickly enough. Apply a dedicated sunscreen first and let it settle.\n\n### Removal\n\nLong-wear and transfer-proof films need a thorough cleanse. The NHS advises people with acne-prone skin to remove make-up before bed.\n\n### Blot, don’t pile on\n\nThe American Academy of Dermatology suggests blotting papers for midday shine rather than rubbing. Adding layer after layer of product tends to look heavier, not more matte.\n\n## How we chose\n\nThis guide is desk research. We compared foundations for oily skin using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe looked for matte or natural-matte finishes, oil-free or non-comedogenic claims where published, current shade ranges and UK prices, and we checked whether each formula had changed recently. Fenty’s Pro Filt’r Soft Matte was left out because the brand is retiring it; its successor is included.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What type of foundation is best for oily skin?\n\nLook for an oil-free, non-comedogenic formula with a matte or natural-matte finish. Double Wear, Fit Me Matte + Poreless and Fenty Fluid Flex all carry oil-free claims; Charlotte Tilbury Airbrush Flawless offers full soft-matte coverage without that label.\n\n### Does Estée Lauder Double Wear have a new formula?\n\nYes. A reformulated Double Wear went on sale in the UK in February 2026, now named Double Wear Stay-in-Place LongWear Matte Foundation SPF 10, in 60 shades. Estée Lauder advises previous wearers to re-match.\n\n### What replaced Fenty Pro Filt’r Soft Matte foundation?\n\nPro Filt’r Fluid Flex Natural Matte Longwear Foundation, launched in September 2026 in 50 new shades. Fenty Beauty is retiring Soft Matte.\n\n### Should I skip moisturiser if my skin is oily?\n\nNo. The American Academy of Dermatology still recommends an oil-free moisturiser for oily skin. Follow it with sunscreen, then foundation.\n\n### Is the SPF in foundation enough?\n\nNo. Foundation is usually applied too thinly to give the labelled protection. Wear a dedicated sunscreen underneath.\n\n## Sources\n\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n- [American Academy of Dermatology — Is it okay to wear makeup if you have acne?](https://www.aad.org/public/diseases/acne/causes/makeup)\n- [NHS — Acne](https://www.nhs.uk/conditions/acne/)\n- [Cosmetics Business — Estée Lauder reformulates Double Wear](https://cosmeticsbusiness.com/est%C3%A9e-lauder-reformulates-hero-foundation-double-wear)\n- [Charlotte Tilbury — the new Airbrush Flawless Foundation formula](https://www.charlottetilbury.com/uk/secrets/new-airbrush-flawless-foundation-formula)\n- [Cosmetics Business — Fenty Beauty discontinuing Pro Filt’r Soft Matte](https://cosmeticsbusiness.com/fenty-beauty-discontinuing-pro-filt%E2%80%99r-soft-matte-foundation)\n- [Boots — Maybelline Fit Me Matte & Poreless Foundation 30ml](https://www.boots.com/maybelline-fit-me-matte-and-poreless-foundation-10213975)\n- [LOOKFANTASTIC — TIRTIR Mask Fit Red Cushion 18g](https://www.lookfantastic.com/p/tirtir-mask-fit-red-cushion-18g-various-shades/16858558/)\n- [Estée Lauder Double Wear LongWear Matte Foundation SPF 10 — official product page](https://www.esteelauder.co.uk/product/643/143007/product-catalog/makeup/face/foundations/double-wear-stay-in-place/longwear-matte-foundation-spf-10)\n- [Charlotte Tilbury Airbrush Flawless Foundation — official product page](https://www.charlottetilbury.com/uk/product/airbrush-flawless-foundation-shade-4-neutral)\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation — official product page](https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w)\n- [Maybelline Fit Me Matte + Poreless Foundation — official product page](https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation)\n- [TIRTIR Mask Fit Red Cushion — official product page](https://tirtir.global/products/mask-fit-red-cushion)\n\n## Head-to-head comparisons\n\n- [Airbrush Flawless vs Double Wear](https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear)\n"},{"url":"https://thecastindex.com/beauty/best/best-hair-bond-repair-and-anti-frizz-treatments","markdownUrl":"https://thecastindex.com/beauty/best/best-hair-bond-repair-and-anti-frizz-treatments.md","title":"The best bond-repair and anti-frizz hair treatments.","lastmod":"2026-09-25","sha256":"97717b8b32ff7e1308cfddbf079a36afb2abf55daf5a1e7783fedcb1d9d5b237","bytes":12266,"markdown":"# The best bond-repair and anti-frizz hair treatments.\n\n> Pre-wash, leave-in or heat-activated? Five treatments compared by where they sit on wash day, how long they take and what the brands actually claim.\n\n- Canonical: https://thecastindex.com/beauty/best/best-hair-bond-repair-and-anti-frizz-treatments\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/hair\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best bond-repair or anti-frizz hair treatment?**\n\nOlaplex No.3PLUS is the best pre-wash bond treatment: a three-minute step before shampoo, £32. K18’s leave-in mask is the leave-in repair pick; Redken’s Acidic Bonding Concentrate Leave-In adds heat protection; Color Wow Dream Coat is the anti-frizz spray for blow-dried hair; L’Oréal Elvive Bond Repair is the budget pre-shampoo.\n\n## Our top picks\n\n- **Best pre-wash treatment:** Olaplex No.3PLUS Complete Repair Treatment — Pre-shampoo · 3 minutes · 100ml\n- **Best leave-in repair:** K18 Leave-In Molecular Repair Hair Mask — K18PEPTIDE · leave-in · 4 minutes\n- **Best leave-in with heat protection:** Redken Acidic Bonding Concentrate Leave-In Treatment — Citric acid · leave-in · 150ml\n- **Best anti-frizz:** Color Wow Dream Coat Supernatural Spray — Heat-activated spray · 3–4 washes\n- **Best budget:** L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment — Citric acid complex · 5 minutes · 200ml\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Olaplex No.3PLUS Complete Repair Treatment](https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment) | Best pre-wash treatment | Conditioned feel | Pre-shampoo · 3 minutes · 100ml | £32 |\n| [K18 Leave-In Molecular Repair Hair Mask](https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask) | Best leave-in repair | Strengthened, smooth feel | K18PEPTIDE · leave-in · 4 minutes | See official page |\n| [Redken Acidic Bonding Concentrate Leave-In Treatment](https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in) | Best leave-in with heat protection | Smooth, conditioned | Citric acid · leave-in · 150ml | £27 |\n| [Color Wow Dream Coat Supernatural Spray](https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment) | Best anti-frizz | Glassy smooth | Heat-activated spray · 3–4 washes | See official page |\n| [L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment](https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment) | Best budget | Conditioned feel | Citric acid complex · 5 minutes · 200ml | £16.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best pre-wash treatment: Olaplex No.3PLUS Complete Repair Treatment\n\nNo.3PLUS is Olaplex’s current successor to No.3 Hair Perfector, with a three-minute pre-wash routine in place of the original’s longer leave-on time. It is the most established bond-building step in this guide, and it is rinsed out before shampoo.\n\nWhat stands out:\n- A three-minute pre-wash routine, per Olaplex\n- Rinsed out, so it does not change how you style afterwards\n- £32 for 100ml; a 250ml size is available\n- Stocked by major UK beauty retailers\n\nConsider first:\n- An extra step before shampoo on wash day\n- Different directions from the original No.3 — check the bottle\n- Repair claims are Olaplex’s own\n\nProduct guide: https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment\nOfficial page: https://olaplex.com/products/olaplex-n-3plus-complete-repair-treatment-100ml\n\n### 2. Best leave-in repair: K18 Leave-In Molecular Repair Hair Mask\n\nK18’s mask is applied after shampoo and left in, built around the brand’s patented K18PEPTIDE. The routine is specific — shampoo without conditioner, towel-dry, apply, wait four minutes, do not rinse — which suits hair that has been bleached, coloured or heat-styled.\n\nWhat stands out:\n- Leave-in format: no rinsing\n- A four-minute wait, then style as normal\n- Vegan, colour-safe and cruelty-free, per K18\n- Brand directions are precise and short\n\nConsider first:\n- Premium-priced for its size — check K18’s UK site\n- Shampoo without conditioner before applying, per K18\n- Clinical figures quoted by the brand come from system use, not the mask alone\n\nProduct guide: https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask\nOfficial page: https://www.k18hair.com/products/leave-in-molecular-repair-hair-mask-50-ml\n\n### 3. Best leave-in with heat protection: Redken Acidic Bonding Concentrate Leave-In Treatment\n\nRedken’s leave-in conditions clean, damp hair with a citric-acid bonding complex and, per the brand, heat protection up to 230°C. It suits a routine that goes straight from towel-drying to heat styling.\n\nWhat stands out:\n- Conditioning leave-in with heat protection up to 230°C, per Redken\n- £27 RRP for 150ml; a 50ml size is sold\n- Stays in through styling\n- Acidic pH, per Redken\n\nConsider first:\n- Several products share the Acidic Bonding Concentrate name — check you have the leave-in\n- Some retailers still list it under the older “Acidic Perfecting Concentrate” name\n- Not a pre-shampoo treatment\n\nProduct guide: https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in\nOfficial page: https://www.redken.com/hair-care/acidic-bonding-concentrate-leave-in-treatment.html\n\n### 4. Best anti-frizz: Color Wow Dream Coat Supernatural Spray\n\nDream Coat is a heat-activated spray: saturate damp hair, then blow-dry with tension. Color Wow claims a humidity-resistant finish that lasts through three to four shampoos, which makes it the pick for frizz rather than repair.\n\nWhat stands out:\n- Humidity resistance claimed through three to four shampoos\n- Weightless, non-greasy positioning\n- Two levels of heat protection, per Color Wow\n- Curly and Extra Strength versions for other hair types\n\nConsider first:\n- Works only with blow-drying under tension\n- An anti-frizz treatment, not a bond-repair product\n- Claimed to last three to four shampoos, then reapply\n\nProduct guide: https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment\nOfficial page: https://uk.colorwowhair.com/products/dream-coat-anti-frizz-treatment\n\n### 5. Best budget: L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment\n\nElvive’s pre-shampoo treatment offers the same pre-wash step at a high-street price: a citric acid complex applied to damp hair for five minutes, once a week, then rinsed. L’Oréal Paris designs it to be followed by the rest of the Bond Repair range.\n\nWhat stands out:\n- £16.99 RRP for 200ml, often discounted at Boots\n- Once-a-week, five-minute routine\n- Widely stocked on the UK high street\n\nConsider first:\n- Contains fragrance (parfum) and fragrance allergens\n- The brand’s results come from using it with the matching shampoo and conditioner\n- Another pre-wash step to fit in\n\nProduct guide: https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment\nOfficial page: https://www.loreal-paris.co.uk/elvive/bond-repair/pre-shampoo-treatment\n\n## What to look for\n\n### Where it sits on wash day\n\nPre-shampoo treatments are rinsed out; leave-ins stay on; heat-activated sprays need blow-drying. Pick the step your routine can actually accommodate.\n\n### Repair or frizz?\n\nBond-building treatments target damage from bleach, colour and heat. Anti-frizz sprays manage the finish and humidity. They are different jobs, and many routines need only one.\n\n### Read the exact name\n\nOlaplex No.3 and No.3PLUS have different directions, and Redken sells several Acidic Bonding Concentrate products. Follow the instructions on the bottle you own.\n\n### Heat protection\n\nOnly some treatments protect against heat. Redken states protection up to 230°C for its leave-in; Color Wow describes two levels of heat protection. A pre-wash treatment is rinsed out before styling.\n\n### Claims are system results\n\nBrands often test treatments alongside their own shampoo and conditioner. Treat percentages as brand claims about a full routine, not a single product.\n\n### Fragrance\n\nHigh-street hair care is usually fragranced. Check the ingredient list if you react to fragrance allergens such as limonene or linalool.\n\n## How we chose\n\nThis guide is desk research. We compared bond-repair and anti-frizz hair treatments using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe grouped treatments by where they sit on wash day — before shampoo, left in after washing, or activated by heat — and recorded timings, heat requirements, fragrance and UK price. The original Olaplex No.3 Hair Perfector was left out because Olaplex has replaced it with No.3PLUS in the UK.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the difference between Olaplex No.3 and No.3PLUS?\n\nNo.3PLUS is Olaplex’s current successor to No.3 Hair Perfector, with a three-minute pre-wash routine. Olaplex’s UK site now sells No.3PLUS; follow the directions on the bottle you have.\n\n### Should I use Olaplex or K18?\n\nThey sit at different points in wash day. Olaplex No.3PLUS is a pre-shampoo treatment you rinse out; K18’s mask is applied after shampoo and left in. Choose by which step fits your routine.\n\n### Does Color Wow Dream Coat repair damaged hair?\n\nNo. Color Wow positions Dream Coat as a heat-activated anti-frizz treatment for a smooth, humidity-resistant finish, not a bond-repair product.\n\n### How often should I use a bond-repair treatment?\n\nFollow the product’s directions. L’Oréal Paris suggests weekly use for its Elvive pre-shampoo treatment; Olaplex and K18 give their own frequencies on pack.\n\n### Is there a cheaper alternative to Olaplex?\n\nL’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment is the budget pre-wash option in this guide, at £16.99 RRP for 200ml. Its formula and claims differ from Olaplex’s, so it is an alternative step rather than a copy.\n\n## Sources\n\n- [Olaplex UK — your guide to Olaplex No.3 and No.3PLUS](https://uk.olaplex.com/blogs/news/your-guide-to-olaplex-no-3)\n- [Olaplex UK — No.3PLUS 100ml](https://uk.olaplex.com/products/olaplex-n-3plus-complete-repair-treatment-100ml)\n- [Redken UK — Acidic Bonding Concentrate Leave-In Treatment](https://www.redken.co.uk/products/haircare/acidic-bonding-concentrate/acidic-bonding-concentrate-leave-in-treatment)\n- [Color Wow UK — Dream Coat Supernatural Spray](https://uk.colorwowhair.com/products/dream-coat-anti-frizz-treatment)\n- [K18 UK — Leave-In Molecular Repair Hair Mask](https://k18hair.co.uk/products/leave-in-molecular-repair-hair-mask-50-ml)\n- [Boots — L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment 200ml](https://www.boots.com/loreal-paris-elvive-bond-repair-pre-shampoo-treatment-200ml-10322971)\n- [Olaplex No.3PLUS Complete Repair Treatment — official product page](https://olaplex.com/products/olaplex-n-3plus-complete-repair-treatment-100ml)\n- [K18 Leave-In Molecular Repair Hair Mask — official product page](https://www.k18hair.com/products/leave-in-molecular-repair-hair-mask-50-ml)\n- [Redken Acidic Bonding Concentrate Leave-In Treatment — official product page](https://www.redken.com/hair-care/acidic-bonding-concentrate-leave-in-treatment.html)\n- [Color Wow Dream Coat Supernatural Spray — official product page](https://uk.colorwowhair.com/products/dream-coat-anti-frizz-treatment)\n- [L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment — official product page](https://www.loreal-paris.co.uk/elvive/bond-repair/pre-shampoo-treatment)\n"},{"url":"https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin","markdownUrl":"https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin.md","title":"The best K-beauty skincare for oily and combination skin.","lastmod":"2026-09-25","sha256":"46b3dcfdef0d3e1dfae0a65be07ee1859dfec160ea8824cb19ef14eed7e39cb2","bytes":11499,"markdown":"# The best K-beauty skincare for oily and combination skin.\n\n> A five-step Korean routine for oily and combination skin — cleanser, toner, essence, serum and sunscreen — chosen for light textures and UK availability.\n\n- Canonical: https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/skin-prep\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best K-beauty skincare for oily skin?**\n\nBuild a light routine: COSRX Low pH Good Morning Gel Cleanser, Anua Heartleaf 77% Soothing Toner, COSRX Advanced Snail 96 Mucin Power Essence, Beauty of Joseon Light On Serum for vitamin C, and COSRX Ultra-Light Invisible Sunscreen. Each is sold by UK retailers; start with the cleanser and sunscreen, and add the rest one at a time.\n\n## Our top picks\n\n- **Best cleanser:** COSRX Low pH Good Morning Gel Cleanser — pH 5.31 · betaine salicylate · 150ml\n- **Best toner:** Anua Heartleaf 77% Soothing Toner — 77% heartleaf · hyaluronic acid\n- **Best hydrating essence:** COSRX Advanced Snail 96 Mucin Power Essence — 96.3% snail filtrate · fragrance-free\n- **Best serum:** Beauty of Joseon Light On Serum: Centella + Vita C — Ethyl ascorbic acid · centella · £14.50\n- **Best sunscreen:** COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++ — SPF50 PA++++ · sheer fluid · no ethanol\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [COSRX Low pH Good Morning Gel Cleanser](https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser) | Best cleanser | Clean, not stripped | pH 5.31 · betaine salicylate · 150ml | from £12.50 |\n| [Anua Heartleaf 77% Soothing Toner](https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner) | Best toner | Calmed, dewy hydration | 77% heartleaf · hyaluronic acid | See official page |\n| [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence) | Best hydrating essence | Hydrated | 96.3% snail filtrate · fragrance-free | from £23 |\n| [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c) | Best serum | Lightweight, non-sticky | Ethyl ascorbic acid · centella · £14.50 | £14.50 |\n| [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++](https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50) | Best sunscreen | Sheer, non-greasy | SPF50 PA++++ · sheer fluid · no ethanol | £23.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best cleanser: COSRX Low pH Good Morning Gel Cleanser\n\nCOSRX’s gel cleanser states a pH of about 5.3 and contains betaine salicylate, a BHA, with tea tree leaf oil. A low-pH gel suits oily and combination skin that wants to feel clean without a tight, stripped finish.\n\nWhat stands out:\n- Stated pH of 5.31 ± 1.00, per COSRX\n- Betaine salicylate (a BHA) and tea tree leaf oil\n- £12.50 at Boots for 150ml\n- Vegan and cruelty-free, per Boots\n\nConsider first:\n- The BHA percentage is not published\n- UK ingredient lists differ — some include parfum and limonene — so check your pack\n- Tea tree oil does not suit every sensitive skin\n\nProduct guide: https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser\nOfficial page: https://www.cosrx.com/products/low-ph-good-morning-gel-cleanser\n\n### 2. Best toner: Anua Heartleaf 77% Soothing Toner\n\nAnua’s toner is built on 77% heartleaf (Houttuynia cordata) with a hyaluronic acid complex, applied after cleansing morning and night. It adds lightweight hydration without the weight of a cream, which suits oilier skin.\n\nWhat stands out:\n- 77% heartleaf with several forms of hyaluronic acid\n- Morning and evening use, per Anua\n- Apply with a cotton pad or fingertips\n- 250ml bottle, stocked by several UK retailers\n\nConsider first:\n- A toner is optional in a simple routine\n- Botanical extracts do not suit every sensitive skin\n- Brand irritation testing is not a medical claim\n\nProduct guide: https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner\nOfficial page: https://anua.com/products/heartleaf-77-soothing-toner\n\n### 3. Best hydrating essence: COSRX Advanced Snail 96 Mucin Power Essence\n\nThe snail essence pairs 96.3% snail secretion filtrate with sodium hyaluronate in a lightweight, fragrance-free layer. It hydrates without the richness of a cream, so oily skin can use it in place of a heavier moisturiser in warm weather.\n\nWhat stands out:\n- Fragrance-free, per COSRX\n- Lightweight hydration for all skin types, including sensitive, per the brand\n- From £23 at Boots for 100ml\n- Sizes from 30ml\n\nConsider first:\n- Snail-derived, so not vegan\n- Hydration figures on the brand site are manufacturer results\n- An extra step many routines can skip\n\nProduct guide: https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence\nOfficial page: https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence\n\n### 4. Best serum: Beauty of Joseon Light On Serum: Centella + Vita C\n\nLight On pairs 3-O-ethyl ascorbic acid, a stable vitamin C derivative, with centella in a non-sticky, fragrance-free serum for morning and evening. Its light texture suits oily skin better than oil-based vitamin C formats.\n\nWhat stands out:\n- Fragrance-free, per the brand\n- Lightweight, non-sticky texture\n- £14.50 for 30ml\n- Morning and evening use\n\nConsider first:\n- The vitamin C percentage is not published\n- Do not layer with AHA, BHA or PHA products, per the brand — including a BHA cleanser left on the skin\n- Patch test if your skin is sensitive\n\nProduct guide: https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c\nOfficial page: https://beautyofjoseon.com/products/light-on-serum-centella-vita-c\n\n### 5. Best sunscreen: COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++\n\nCOSRX’s sheer fluid sunscreen is built on aloe leaf water with niacinamide and uses filters permitted in the UK and EU. It is the sheer-fluid option among our Korean sunscreen picks and a natural final step for oily skin.\n\nWhat stands out:\n- Sheer, non-greasy fluid, per the brand\n- No artificial fragrance and no ethanol\n- SPF50 PA++++\n- Niacinamide in the base\n\nConsider first:\n- Bought through UK retailers: COSRX’s own shop page does not open in the UK\n- Contains witch hazel water\n- No water resistance claimed\n\nProduct guide: https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50\nOfficial page: https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/\n\n## What to look for\n\n### Light layers, not fewer\n\nOily skin still needs hydration. Watery toners and essences can replace a heavy cream, but skipping moisture entirely is not the aim.\n\n### A gentle cleanser\n\nA low-pH gel cleanser removes oil without a tight, stripped feeling. Harsh cleansing can leave skin feeling uncomfortable rather than less oily.\n\n### Sunscreen texture matters\n\nFluids and serums sit more comfortably on oily skin than rich creams. Whatever the texture, apply enough and reapply outdoors.\n\n### Introduce one product at a time\n\nAdd a new step every week or two so you can tell what suits your skin. Five new products at once makes any reaction hard to trace.\n\n### Check the UK pack\n\nKorean products can be reformulated or listed differently by retailers. The COSRX cleanser’s ingredient list varies between UK listings; read the one on your pack.\n\n### Acne needs more than skincare\n\nThe NHS recommends seeing a pharmacist or GP for acne that is not improving. Cosmetic skincare is not a treatment for a skin condition.\n\n## How we chose\n\nThis guide is desk research. We compared Korean skincare for oily and combination skin using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe built a five-step routine from products in our catalogue with light textures, published ingredient lists and UK retail availability, and we noted fragrance, vegan status and any conflicting ingredient lists between retailers.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the best Korean skincare routine for oily skin?\n\nA light five-step routine: a low-pH gel cleanser, a watery toner, a lightweight essence, a serum if you want one, and a fluid sunscreen in the morning. Start with cleanser and sunscreen, then add steps one at a time.\n\n### Is COSRX Snail Mucin good for oily skin?\n\nCOSRX positions the essence as a lightweight hydrator for all skin types, and it is fragrance-free. On oily skin it can replace a heavier moisturiser; it is snail-derived, so it is not vegan.\n\n### Does the COSRX Low pH Good Morning Gel Cleanser contain fragrance?\n\nSources conflict. COSRX’s and Boots’s ingredient lists show no parfum but include tea tree oil; another UK retailer’s list includes parfum and limonene. Check the ingredient list on your pack.\n\n### Can I use vitamin C with a BHA cleanser?\n\nBeauty of Joseon advises against mixing Light On Serum with AHA, BHA or PHA products. A rinse-off cleanser is washed away, but avoid layering the serum with leave-on exfoliants.\n\n### Which Korean sunscreen is best for oily skin?\n\nAmong our picks, COSRX Ultra-Light Invisible Sunscreen is the sheer, non-greasy fluid with no ethanol. See our Korean sunscreen guide for alternatives.\n\n## Sources\n\n- [Boots — COSRX Low pH Good Morning Gel Cleanser 150ml](https://www.boots.com/cosrx-low-ph-good-morning-gel-cleanser-150ml-10280730)\n- [LOOKFANTASTIC — Anua Heartleaf 77% Soothing Toner 250ml](https://www.lookfantastic.com/p/anua-heartleaf-77-soothing-toner-250ml/16201622/)\n- [Boots — COSRX Advanced Snail 96 Mucin Power Essence 100ml](https://www.boots.com/cosrx-advanced-snail-96-mucin-power-essence-gel-100ml-10280721)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n- [NHS — Acne](https://www.nhs.uk/conditions/acne/)\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/)\n- [COSRX Low pH Good Morning Gel Cleanser — official product page](https://www.cosrx.com/products/low-ph-good-morning-gel-cleanser)\n- [Anua Heartleaf 77% Soothing Toner — official product page](https://anua.com/products/heartleaf-77-soothing-toner)\n- [COSRX Advanced Snail 96 Mucin Power Essence — official product page](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence)\n- [Beauty of Joseon Light On Serum: Centella + Vita C — official product page](https://beautyofjoseon.com/products/light-on-serum-centella-vita-c)\n- [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++ — official product page](https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/)\n"},{"url":"https://thecastindex.com/beauty/best/best-korean-sunscreens-uk","markdownUrl":"https://thecastindex.com/beauty/best/best-korean-sunscreens-uk.md","title":"The best Korean sunscreens to buy in the UK.","lastmod":"2026-10-01","sha256":"5d410ea1ae6ca6b8a91f4504ef3a9efa722c4bc59ea5c50d9ece6ba22c416e56","bytes":12747,"markdown":"# The best Korean sunscreens to buy in the UK.\n\n> Four international-formula SPF50 PA++++ sunscreens sold through UK retailers, compared by filters, texture, fragrance and price — plus what the PA rating does and does not tell you.\n\n- Canonical: https://thecastindex.com/beauty/best/best-korean-sunscreens-uk\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-10-01\n- Category guide: https://thecastindex.com/beauty/category/spf\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best Korean sunscreen to buy in the UK?**\n\nBeauty of Joseon Relief Sun: Rice + Niacinamide is the best all-rounder: a dewy SPF50+ PA++++ cream with modern UK/EU filters for about £15. Choose SKIN1004’s Water-Fit Sun Serum for a serum texture, Round Lab Birch Juice for more moisture, or COSRX Ultra-Light for a sheer fluid. None claims water resistance.\n\n## Our top picks\n\n- **Best overall:** Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ — SPF50+ PA++++ · rice + niacinamide · 50ml\n- **Best serum texture:** SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum — SPF50+ PA++++ · serum texture · centella\n- **Best for dry skin:** Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++ — SPF50+ PA++++ · moisturising cream · birch juice\n- **Best for oily skin:** COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++ — SPF50 PA++++ · 66% aloe water · sheer fluid\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide) | Best overall | Dewy, lightweight cream | SPF50+ PA++++ · rice + niacinamide · 50ml | £15 |\n| [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum) | Best serum texture | Dewy, no white cast | SPF50+ PA++++ · serum texture · centella | £18 |\n| [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream) | Best for dry skin | Moisturising, no white cast | SPF50+ PA++++ · moisturising cream · birch juice | £21 |\n| [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++](https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50) | Best for oily skin | Sheer, non-greasy | SPF50 PA++++ · 66% aloe water · sheer fluid | £23.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n\nRelief Sun pairs four modern UV filters permitted in the UK and EU with rice extract — 30% of the formula, according to the brand — and niacinamide, in a creamy but light texture that dries down dewy. At around £15 for 50ml, it matches the highest labelled protection in this guide at the lowest verified price, and the brand states it is fragrance-free and alcohol-free.\n\nWhat stands out:\n- SPF50+ PA++++ with Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone\n- Fragrance-free and alcohol-free, per the brand\n- £15 on the brand’s UK store; £15.50 RRP at UK retailers\n- The brand says the renamed formula is unchanged from Rice + Probiotics\n\nConsider first:\n- The brand’s own UK store was sold out when checked on 25 September 2026\n- A dewy finish may need setting on very oily skin\n- No water resistance claimed\n- Easily confused with the US-only Daily Relief SPF 40, a different formula\n\nProduct guide: https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide\nOfficial page: https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP\n\n### 2. Best serum texture: SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum\n\nSKIN1004’s sun serum uses the same four-filter family as Relief Sun in a thinner, serum-like texture with centella asiatica and hyaluronic acid. It is the pick when a cream sunscreen feels heavy under foundation.\n\nWhat stands out:\n- Serum texture with a dewy finish and no white cast, per retailer listings\n- SPF50+ PA++++ with modern UK/EU filters\n- No parfum listed\n- Stocked by several UK retailers at £16–£19\n\nConsider first:\n- No UK brand shop — the global store prices in US dollars and adds import charges\n- The US “Sun Serum UV” is a different formula, so check the name\n- No water resistance claimed\n\nProduct guide: https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum\nOfficial page: https://www.skin1004.com/products/hyalu-cica-water-fit-sun-serum-spf50-pa?country=GB\n\n### 3. Best for dry skin: Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++\n\nRound Lab positions its sun cream as a moisturiser as much as a sunscreen, with birch juice, hyaluronic acid, niacinamide and allantoin around the same four modern filters. On normal to dry skin it can double as the last moisturising step of the morning.\n\nWhat stands out:\n- Moisturising cream texture with hyaluronic acid, niacinamide and allantoin\n- SPF50+ PA++++ with modern UK/EU filters\n- No added parfum\n- £21 RRP at Boots and LOOKFANTASTIC\n\nConsider first:\n- Chamomile and pine-leaf botanicals are listed, so it is not strictly fragrance-free\n- The highest verified price in this guide\n- UK retailers’ ingredient panels differ slightly; check your pack\n\nProduct guide: https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream\nOfficial page: https://roundlab.co.kr/product/detail.html?product_no=138\n\n### 4. Best for oily skin: COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++\n\nCOSRX builds a sheer, fast-absorbing fluid on 66% aloe leaf water, with Mexoryl XL and Mexoryl SX among its filters. It suits oily and combination skin that wants protection to disappear under a skin tint.\n\nWhat stands out:\n- Sheer, non-greasy fluid texture, per the brand\n- No artificial fragrance and no ethanol\n- Niacinamide and hyaluronic acid in the base\n- UK/EU-permitted filters including Mexoryl XL and SX\n\nConsider first:\n- COSRX’s own shop page does not open in the UK; £23.99 at LOOKFANTASTIC on 1 October 2026\n- Contains witch hazel water, which some sensitive skins avoid\n- Labelled SPF50 rather than SPF50+\n- No water resistance claimed\n\nProduct guide: https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50\nOfficial page: https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/\n\n## What to look for\n\n### SPF and PA are different scales\n\nSPF measures protection against UVB, the rays that cause burning. PA is the Japanese and Korean grade for UVA protection, from PA+ to PA++++; PA++++ means a UVA protection factor of 16 or more under ISO 24442. UK sunscreens usually show a UVA star rating or circle logo instead.\n\n### The formula, not just the brand\n\nKorean brands often sell different formulas in the US, where fewer UV filters are approved. Buy the international SPF50+ PA++++ version from an authorised UK retailer and check the filter list on the pack.\n\n### Modern filters\n\nFilters such as Uvinul A Plus, Tinosorb M and ethylhexyl triazone are permitted in the UK and EU but not in US sunscreens. They explain why the same Korean product name can hide two different formulas.\n\n### Water resistance\n\nNone of the four picks claims water resistance. For swimming or sport, choose a sunscreen labelled water resistant and reapply after towelling.\n\n### Enough, and often\n\nThe NHS recommends at least SPF 30 with high UVA protection, reapplied every two hours and straight after swimming. A thin layer gives less protection than the label states.\n\n### Under makeup\n\nApply sunscreen as the last skincare step and let it settle before foundation. Serum and fluid textures are the lighter option under a full base; dewy creams may need setting on oily skin.\n\n## How we chose\n\nThis guide is desk research. We compared international-formula Korean sunscreens sold through UK retailers using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe included only SPF50 or SPF50+ products rated PA++++ with a published filter list, sold in their international formula by authorised UK retailers. US-only formulas, such as Beauty of Joseon Daily Relief Sunscreen SPF 40, were left out because their filters and labelling differ.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### Is Korean sunscreen better than other sunscreens?\n\nNot by default. Korean sunscreens sold in the UK often use newer UV filters that are permitted in the UK and EU, and they show a PA rating for UVA protection. What matters is the label and how much you apply: the NHS recommends SPF 30 or higher with at least four-star UVA protection, applied generously and reapplied.\n\n### Why are Korean sunscreens different in the UK and the US?\n\nThe US approves fewer UV filters for sunscreens. Brands such as SKIN1004 and Beauty of Joseon sell separate US formulas with US-approved filters, while the international SPF50+ PA++++ versions sold in the UK use filters such as Uvinul A Plus and Tinosorb M.\n\n### What does PA++++ mean on a sunscreen?\n\nPA is the Japanese and Korean grading of UVA protection. PA++++, the top grade, means a UVA protection factor of 16 or more measured under ISO 24442. It is a different scale from the UK’s UVA star rating.\n\n### Has Beauty of Joseon Relief Sun been discontinued in the UK?\n\nNo. It was withdrawn from the US in early 2025 but remains on sale in the UK and EU. Beauty of Joseon’s UK page now calls it Relief Sun: Rice + Niacinamide and says the formula is unchanged from Rice + Probiotics.\n\n### Are Korean sunscreens water resistant?\n\nNone of the four in this guide claims water resistance. Choose a sunscreen labelled water resistant for swimming or sport, and reapply after towelling.\n\n### How often should I reapply sunscreen?\n\nThe NHS advises reapplying every two hours and straight after being in water, because the sun can dry sunscreen off the skin. The British Association of Dermatologists also recommends applying 15 to 30 minutes before going out.\n\n## Sources\n\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/)\n- [British Association of Dermatologists — The sunscreen fact sheet](https://www.skinhealthinfo.org.uk/sun-awareness/the-sunscreen-fact-sheet/)\n- [Cancer Research UK — Sun safety and sunscreen labels](https://www.cancerresearchuk.org/about-cancer/causes-of-cancer/sun-uv-and-cancer/sun-safety)\n- [Japan Cosmetic Industry Association — SPF and PA measurement standards](https://www.jcia.org/en/common/download/top/jcia-notifications-spf-pa.pdf)\n- [Beauty of Joseon — authorised online retailers](https://beautyofjoseon.com/pages/authorized-online-retailers)\n- [LOOKFANTASTIC — SKIN1004 Hyalu-Cica Water-Fit Sun Serum 50ml](https://www.lookfantastic.com/p/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum-spf50-pa-50ml/16858549/)\n- [LOOKFANTASTIC — Round Lab Birch Juice Sun Cream 50ml](https://www.lookfantastic.com/p/round-lab-birch-juice-sun-cream-spf50-pa-50ml/16858531/)\n- [LOOKFANTASTIC — COSRX Ultra-Light Invisible Sunscreen 50ml](https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/)\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ — official product page](https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP)\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum — official product page](https://www.skin1004.com/products/hyalu-cica-water-fit-sun-serum-spf50-pa?country=GB)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++ — official product page](https://roundlab.co.kr/product/detail.html?product_no=138)\n- [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++ — official product page](https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/)\n\n## Head-to-head comparisons\n\n- [Relief Sun vs Birch Juice Sun Cream](https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice)\n"},{"url":"https://thecastindex.com/beauty/best/best-lip-oils-and-balms","markdownUrl":"https://thecastindex.com/beauty/best/best-lip-oils-and-balms.md","title":"The best lip oils, balms and glosses.","lastmod":"2026-10-01","sha256":"305f38ab928b912cf5c33591fd537d276bbeedb47ea4511bdd27be609267febc","bytes":13487,"markdown":"# The best lip oils, balms and glosses.\n\n> Seven ways to care for and shine the mouth — from an overnight mask to a high-shine oil — compared by finish, ingredients, fragrance and UK price.\n\n- Canonical: https://thecastindex.com/beauty/best/best-lip-oils-and-balms\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-10-01\n- Category guide: https://thecastindex.com/beauty/category/lips\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best lip oil or lip balm?**\n\nDior Addict Lip Glow Oil is the best lip oil for shine and shade choice, at £34. For everyday care, Rhode Peptide Lip Treatment gives glossy conditioning, fragrance-free in its unscented version, at £20; Laneige Lip Sleeping Mask is the overnight pick; Summer Fridays Lip Butter Balm is the vegan daily balm; Vaseline is the simplest occlusive.\n\n## Our top picks\n\n- **Best lip oil:** Dior Addict Lip Glow Oil — 19 shades · Juicy, Sparkly, Glaze · 6ml\n- **Best lip treatment:** Rhode Peptide Lip Treatment — Peptide + plant butters · untinted · 10ml\n- **Best overnight mask:** Laneige Lip Sleeping Mask — Berry Fruit Complex · shea · 20g\n- **Best everyday balm:** Summer Fridays Lip Butter Balm — Vegan · shea + murumuru · 15g\n- **Best gloss:** Fenty Beauty Gloss Bomb Universal Lip Luminizer — 19 shades · shea + vitamin E · 9ml\n- **Best honey lip oil:** Gisou Honey Infused Lip Oil — Mirsalehi honey · jojoba · 8ml\n- **Best simple occlusive:** Vaseline Lip Therapy Original — Petrolatum (100%) · 20g tin\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Dior Addict Lip Glow Oil](https://thecastindex.com/beauty/dior-addict-lip-glow-oil) | Best lip oil | High shine | 19 shades · Juicy, Sparkly, Glaze · 6ml | £34 |\n| [Rhode Peptide Lip Treatment](https://thecastindex.com/beauty/rhode-peptide-lip-treatment) | Best lip treatment | Glossy, high shine | Peptide + plant butters · untinted · 10ml | £20 |\n| [Laneige Lip Sleeping Mask](https://thecastindex.com/beauty/laneige-lip-sleeping-mask) | Best overnight mask | Nourished | Berry Fruit Complex · shea · 20g | £21 |\n| [Summer Fridays Lip Butter Balm](https://thecastindex.com/beauty/summer-fridays-lip-butter-balm) | Best everyday balm | Soft sheen | Vegan · shea + murumuru · 15g | from £23 |\n| [Fenty Beauty Gloss Bomb Universal Lip Luminizer](https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer) | Best gloss | High shine | 19 shades · shea + vitamin E · 9ml | £20 |\n| [Gisou Honey Infused Lip Oil](https://thecastindex.com/beauty/gisou-honey-infused-lip-oil) | Best honey lip oil | High shine | Mirsalehi honey · jojoba · 8ml | £24 |\n| [Vaseline Lip Therapy Original](https://thecastindex.com/beauty/vaseline-lip-therapy-original) | Best simple occlusive | Natural shine | Petrolatum (100%) · 20g tin | See official page |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## The picks in detail\n\n### 1. Best lip oil: Dior Addict Lip Glow Oil\n\nDior’s lip oil offers the widest choice of finish in this guide — sheer Juicy, shimmering Sparkly and more saturated Glaze shades — built around cherry seed oil. It is the pick when shine is the look and colour is optional.\n\nWhat stands out:\n- 19 shades on Dior UK across Juicy, Sparkly, Glaze and Pop Glow\n- Cherry seed oil base with Dior’s Color Reviver technology\n- High shine, worn alone or over liner\n\nConsider first:\n- £34 for 6ml — the highest price per millilitre here\n- Contains fragrance, menthol and peppermint oil\n- Shine first, care second: not a treatment\n\nProduct guide: https://thecastindex.com/beauty/dior-addict-lip-glow-oil\nOfficial page: https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html\n\n### 2. Best lip treatment: Rhode Peptide Lip Treatment\n\nRhode’s original product pairs palmitoyl tripeptide-1 with shea, babassu and cupuaçu butters in a glossy, untinted treatment. The unscented version is labelled fragrance-free, which makes it an easy everyday conditioning gloss.\n\nWhat stands out:\n- Glossy, high-shine finish without colour\n- Unscented version labelled fragrance-free\n- Vegan and cruelty-free, per the brand\n- £20 for 10ml\n\nConsider first:\n- Flavoured versions list fragrance or flavour; only unscented is fragrance-free\n- Every version contains stevioside, a sweetener\n- No SPF\n- Sold through Rhode and Sephora UK only\n\nProduct guide: https://thecastindex.com/beauty/rhode-peptide-lip-treatment\nOfficial page: https://www.rhodeskin.com/en-gb/products/peptide-lip-treatment\n\n### 3. Best overnight mask: Laneige Lip Sleeping Mask\n\nLaneige’s leave-on mask is designed for overnight use, with Berry Fruit Complex, murumuru seed butter and shea. It is a separate evening step rather than a daytime finish.\n\nWhat stands out:\n- Leave-on overnight format\n- Shea and murumuru seed butters with Berry Fruit Complex\n- A choice of flavours\n- £21 for 20g at UK retailers\n\nConsider first:\n- Not a daytime finish — a thick layer can dull a gloss worn over it\n- Flavour choice varies by retailer\n- Applied from a jar rather than a tube\n\nProduct guide: https://thecastindex.com/beauty/laneige-lip-sleeping-mask\nOfficial page: https://www.laneigeuk.com/p/lip-sleeping-mask/\n\n### 4. Best everyday balm: Summer Fridays Lip Butter Balm\n\nSummer Fridays’ vegan balm uses shea and murumuru seed butters for a soft sheen, in a range of flavours and sheer tints. It sits between a treatment and a finish, easy to wear alone through the day.\n\nWhat stands out:\n- Vegan, per the brand\n- Soft sheen with optional sheer tint\n- 14 flavours listed at Space NK\n- £23 for 15g\n\nConsider first:\n- Flavoured — check the ingredient list if you avoid fragrance\n- The brand’s own site prices in US dollars; UK buyers use retailers\n- A sheen rather than high shine\n\nProduct guide: https://thecastindex.com/beauty/summer-fridays-lip-butter-balm\nOfficial page: https://www.summerfridays.com/products/lip-butter-balm\n\n### 5. Best gloss: Fenty Beauty Gloss Bomb Universal Lip Luminizer\n\nGloss Bomb pairs a shimmering shade range with shea butter, vitamin E and a conditioning peptide in a gloss Fenty describes as non-sticky. It is the pick for sheer colour with a reflective finish.\n\nWhat stands out:\n- 19 shades on the Fenty Beauty UK page\n- Shea butter, vitamin E and palmitoyl tripeptide-1\n- £20 for 9ml; a £15 mini\n- Large doe-foot applicator\n\nConsider first:\n- Shimmer in most shades rather than a plain clear gloss\n- A gloss first, not an overnight treatment\n- Sold by Fenty Beauty and its named UK retailers\n\nProduct guide: https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer\nOfficial page: https://fentybeauty.com/gloss-bomb-universal-lip-luminizer/FB50001.html\n\n### 6. Best honey lip oil: Gisou Honey Infused Lip Oil\n\nGisou’s lip oil is built around honey from the founder’s family bee garden, with jojoba and meadowfoam oils for a high-shine, cushioned finish. Choose it for glossy conditioning in clear or tinted shades.\n\nWhat stands out:\n- High-shine finish, worn alone or over colour\n- Honey, jojoba and meadowfoam oils\n- £24 for 8ml\n- Clear and tinted shades\n\nConsider first:\n- Contains honey and propolis, so it is not vegan\n- The shade line-up rotates with limited editions\n- Shimmer in some shades, such as Watermelon Sugar\n\nProduct guide: https://thecastindex.com/beauty/gisou-honey-infused-lip-oil\nOfficial page: https://gisou.com/products/honey-infused-lip-oil\n\n### 7. Best simple occlusive: Vaseline Lip Therapy Original\n\nVaseline Lip Therapy Original is a single ingredient — petrolatum — in a tin. It seals in moisture and adds a natural shine, with no fragrance or flavour in the Original version.\n\nWhat stands out:\n- A single-ingredient formula: petrolatum (100%)\n- No fragrance or flavour in the Original\n- A natural shine\n- Pocket-sized 20g tin\n\nConsider first:\n- An occlusive seal rather than a treatment with actives\n- The tin means applying with a fingertip\n- No colour\n\nProduct guide: https://thecastindex.com/beauty/vaseline-lip-therapy-original\nOfficial page: https://www.vaseline.com/uk/p/vaseline-lip-therapy-original.html/05099802150117\n\n## What to look for\n\n### Treatment, balm or gloss?\n\nA treatment or mask prioritises conditioning; a balm adds sheen; an oil or gloss prioritises shine and colour. Decide which job you want before comparing brands.\n\n### Fragrance and flavour\n\nMany lip products are flavoured. If you avoid fragrance, choose an unscented or single-ingredient option and check the ingredient list for each flavour.\n\n### Animal-derived ingredients\n\nHoney, propolis and beeswax are common in lip care. Gisou’s oil contains honey and propolis; Summer Fridays and Rhode state their formulas are vegan.\n\n### Sun protection\n\nNone of these picks carries an SPF. If you need sun protection for your lips, choose a product labelled with SPF.\n\n### Size and price per millilitre\n\nSizes here range from 6ml to 20g. Compare the price per millilitre or gram as well as the shelf price.\n\n### Liner first\n\nA lip liner defines the edge; oils and glosses add shine over it. Pair a liner with a sheer oil when you want definition without opaque lipstick.\n\n## How we chose\n\nThis guide is desk research. We compared lip oils, balms, glosses and overnight treatments using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe grouped products by the job they do — treatment, balm, gloss or oil — and compared finish, key ingredients, fragrance, vegan status, size and UK price. Every pick has its own product guide on The Cast Index.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the difference between a lip oil and a lip gloss?\n\nBoth add shine. Lip oils such as Dior Addict Lip Glow Oil and Gisou’s are oil-based and often sheerer; glosses such as Fenty Gloss Bomb use a thicker base with more shimmer or pigment. Compare the actual formula rather than the category name.\n\n### Which lip balm is fragrance-free?\n\nVaseline Lip Therapy Original lists petrolatum as its only ingredient, and Rhode’s unscented Peptide Lip Treatment is labelled fragrance-free. Flavoured versions of most balms are not fragrance-free.\n\n### Is Rhode Peptide Lip Treatment the same as Peptide Lip Tint?\n\nNo. The Treatment is untinted and glossy; the Lip Tint adds sheer colour. Both use palmitoyl tripeptide-1 and plant butters.\n\n### How do I use a lip sleeping mask?\n\nLaneige positions its Lip Sleeping Mask as an overnight, leave-on step. Apply it as the last step of the evening and blot any residue in the morning before colour or gloss.\n\n### Does lip oil expire?\n\nYes. Under UK cosmetics law, a product that keeps for 30 months or less must show a “best used before the end of” date; longer-lasting products instead show an open-jar symbol with the number of months it can be used after opening, such as 12M. Check the pack.\n\n### Do lip oils contain SPF?\n\nNone of the picks in this guide does. If you need sun protection for your lips, choose a product labelled with SPF.\n\n## Sources\n\n- [legislation.gov.uk — Regulation (EC) No 1223/2009 on cosmetic products, Article 19 (labelling)](https://www.legislation.gov.uk/eur/2009/1223/article/19)\n- [Dior UK — Dior Addict Lip Glow Oil](https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html)\n- [Fenty Beauty UK — Gloss Bomb Universal Lip Luminizer](https://fentybeauty.co.uk/products/gloss-bomb-universal-lip-luminizer-fenty-glow)\n- [LOOKFANTASTIC — Laneige Lip Sleeping Mask 20g](https://www.lookfantastic.com/p/laneige-lip-sleeping-mask-berry-original-20g/14234447/)\n- [Space NK — Summer Fridays Lip Butter Balm](https://www.spacenk.com/uk/skincare/lipcare/lip-balm/lip-butter-balm-MUK200031226.html)\n- [Rhode UK — FAQ and sales channels](https://www.rhodeskin.com/en-gb/pages/faq)\n- [Dior Addict Lip Glow Oil — official product page](https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html)\n- [Rhode Peptide Lip Treatment — official product page](https://www.rhodeskin.com/en-gb/products/peptide-lip-treatment)\n- [Laneige Lip Sleeping Mask — official product page](https://www.laneigeuk.com/p/lip-sleeping-mask/)\n- [Summer Fridays Lip Butter Balm — official product page](https://www.summerfridays.com/products/lip-butter-balm)\n- [Fenty Beauty Gloss Bomb Universal Lip Luminizer — official product page](https://fentybeauty.com/gloss-bomb-universal-lip-luminizer/FB50001.html)\n- [Gisou Honey Infused Lip Oil — official product page](https://gisou.com/products/honey-infused-lip-oil)\n- [Vaseline Lip Therapy Original — official product page](https://www.vaseline.com/uk/p/vaseline-lip-therapy-original.html/05099802150117)\n\n## Head-to-head comparisons\n\n- [Dior Lip Glow Oil vs Rhode Lip Treatment](https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment)\n"},{"url":"https://thecastindex.com/beauty/best/best-liquid-and-cream-blushes","markdownUrl":"https://thecastindex.com/beauty/best/best-liquid-and-cream-blushes.md","title":"The best liquid and cream blushes.","lastmod":"2026-09-25","sha256":"088da77ccd63d802a2228d2290d1db703d3e26bc767b6a32f00ac28e8cbc352e","bytes":9881,"markdown":"# The best liquid and cream blushes.\n\n> Five ways to a flush — liquid, gel-cream, balm and stick — compared by finish, shade range, fragrance, size and UK price.\n\n- Canonical: https://thecastindex.com/beauty/best/best-liquid-and-cream-blushes\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/cheek\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best liquid or cream blush?**\n\nRare Beauty Soft Pinch is the best liquid blush: 16 shades in dewy and matte finishes, at about £24. Glossier Cloud Paint is the best gel-cream, Merit Flush Balm the best fragrance-free balm, Rhode Pocket Blush the portable stick for cheeks and lips, and e.l.f. Camo Liquid Blush the dewy alternative in 12 shades.\n\n## Our top picks\n\n- **Best overall:** Rare Beauty Soft Pinch Liquid Blush — 16 shades · dewy or matte · 7.5ml\n- **Best gel-cream:** Glossier Cloud Paint — 10 shades · gel-cream · 10ml\n- **Best cream balm:** Merit Flush Balm — 13 shades · satin balm · fragrance-free\n- **Best cream stick:** Rhode Pocket Blush — 13 shades · cream stick · 5.3g\n- **Best dewy alternative:** e.l.f. Cosmetics Camo Liquid Blush — 12 shades · soft dewy liquid\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Rare Beauty Soft Pinch Liquid Blush](https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush) | Best overall | Dewy or matte | 16 shades · dewy or matte · 7.5ml | £24 / $25 |\n| [Glossier Cloud Paint](https://thecastindex.com/beauty/glossier-cloud-paint) | Best gel-cream | Soft, diffused | 10 shades · gel-cream · 10ml | £24 |\n| [Merit Flush Balm](https://thecastindex.com/beauty/merit-flush-balm) | Best cream balm | Soft sheen | 13 shades · satin balm · fragrance-free | £26 |\n| [Rhode Pocket Blush](https://thecastindex.com/beauty/rhode-pocket-blush) | Best cream stick | Satiny flush | 13 shades · cream stick · 5.3g | £25 |\n| [e.l.f. Cosmetics Camo Liquid Blush](https://thecastindex.com/beauty/elf-camo-liquid-blush) | Best dewy alternative | Soft dewy | 12 shades · soft dewy liquid | See official page |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: Rare Beauty Soft Pinch Liquid Blush\n\nSoft Pinch offers the widest shade range in this guide and is the only pick with a choice of finish — dewy or matte — in a light liquid applied a dot at a time. That flexibility makes it the most adaptable pick across skin types and looks.\n\nWhat stands out:\n- 16 shades across dewy and matte finishes\n- The brand’s one-dot direction keeps the amount easy to control\n- £24 at Space NK (7.5ml); a £15 mini\n- Lotus, gardenia and white water lily extracts\n\nConsider first:\n- Concentrated colour — build slowly from a single dot\n- The matte shades are a smaller subset of the range\n- Sold through Sephora UK, Space NK and Rare Beauty’s own site\n\nProduct guide: https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush\nOfficial page: https://www.rarebeauty.com/products/soft-pinch-liquid-blush\n\n### 2. Best gel-cream: Glossier Cloud Paint\n\nCloud Paint’s gel-cream texture gives a sheer, diffused flush that builds in layers, and Glossier formulates it without fragrance. The squeeze tube suits finger application.\n\nWhat stands out:\n- A sheer, buildable gel-cream with a diffused finish\n- Formulated without fragrance\n- £24 for 10ml\n- Soluble collagen and blurring powder pigments\n\nConsider first:\n- 10 blush shades — fewer than Soft Pinch\n- The tube dispenses quickly; start with a small dot\n- Buy from uk.glossier.com or authorised retailers — lookalike domains exist\n\nProduct guide: https://thecastindex.com/beauty/glossier-cloud-paint\nOfficial page: https://uk.glossier.com/products/cloud-paint\n\n### 3. Best cream balm: Merit Flush Balm\n\nMerit’s balm is fragrance-free, vegan and Leaping Bunny-certified, with a satin finish that melts in with fingers. It is the pick for a sheer, skin-like flush with no tools at all.\n\nWhat stands out:\n- Fragrance-free, vegan and Leaping Bunny-certified, per Merit\n- Satin finish with vitamin E\n- 13 shades on Merit UK\n- £26 on Merit’s UK store\n\nConsider first:\n- Sheer by design — deeper colour takes layering\n- Not stocked by every UK beauty retailer\n- Size not shown on the UK product page\n\nProduct guide: https://thecastindex.com/beauty/merit-flush-balm\nOfficial page: https://www.meritbeauty.com/products/flush-balm\n\n### 4. Best cream stick: Rhode Pocket Blush\n\nPocket Blush is a 5.3g cream stick for cheeks and lips with a diffused, satiny finish. The stick format makes it the easiest pick here to carry and touch up during the day.\n\nWhat stands out:\n- For cheeks and lips, per Rhode\n- Satiny, diffused finish\n- 13 shades on Rhode UK\n- A compact stick for touch-ups\n\nConsider first:\n- £25 for 5.3g — the smallest size here\n- Sold through Rhode and Sephora UK only\n- A glowy cream rather than a matte finish\n\nProduct guide: https://thecastindex.com/beauty/rhode-pocket-blush\nOfficial page: https://www.rhodeskin.com/products/pocket-blush-sprinkle\n\n### 5. Best dewy alternative: e.l.f. Cosmetics Camo Liquid Blush\n\ne.l.f.’s liquid blush gives a soft dewy finish across 12 shades, with hyaluronic acid, rose flower water and hibiscus extract and a grooved applicator. It is an accessible way into the liquid-blush format.\n\nWhat stands out:\n- 12 shades with a soft dewy finish\n- Hyaluronic acid, rose flower water and hibiscus extract\n- Rounded, grooved applicator\n- Stocked by UK high-street retailers\n\nConsider first:\n- Dewy finish only — no matte option\n- High-pigment formula; the brand directs one to two dots\n- Fewer shades than Soft Pinch\n\nProduct guide: https://thecastindex.com/beauty/elf-camo-liquid-blush\nOfficial page: https://www.elfcosmetics.co.uk/products/camo-liquid-blush\n\n## What to look for\n\n### Liquid, gel-cream, balm or stick\n\nLiquids are measured in dots; gel-creams and balms are tapped on with fingers for a sheer wash; sticks are the easiest to carry. Choose the format you will enjoy applying.\n\n### Finish\n\nDewy and satin finishes reflect light; matte blushes sit flatter. Rare Beauty is the only pick here offering both.\n\n### Shade and undertone\n\nCompare swatches on several skin tones — a shade described as universal can still look different on you. Ranges here run from 10 to 16 shades.\n\n### Fragrance\n\nMerit says Flush Balm is fragrance-free and Glossier says Cloud Paint is formulated without fragrance. Check the ingredient list for the exact shade you buy.\n\n### Over a base\n\nPress cream and liquid blush over foundation with a light tapping motion so the base underneath does not lift.\n\n### Cheek and lip\n\nSome creams double as lip colour. Rhode positions Pocket Blush for both; for others, follow the brand’s directions before using a cheek product on the lips.\n\n## How we chose\n\nThis guide is desk research. We compared liquid, gel-cream, balm and stick blushes using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe compared format, finish, shade count, fragrance status, size and UK price from each brand’s UK page or a named UK retailer. Powder blushes are outside the scope of this guide.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### Is liquid or cream blush easier for beginners?\n\nEither can work. A liquid measured in a single dot gives control over quantity, while a gel-cream or balm tapped on with fingers is forgiving to blend. Start with less product than you think you need.\n\n### How do I stop liquid blush looking patchy?\n\nApply a small dot to one cheek at a time and blend while it is still wet, with a tapping motion over foundation rather than rubbing.\n\n### Which cream blush is fragrance-free?\n\nMerit Flush Balm is labelled fragrance-free, and Glossier says Cloud Paint is formulated without fragrance. Check the current ingredient list for other brands.\n\n### Can I use cream blush on my lips?\n\nRhode positions Pocket Blush for cheeks and lips. For other blushes, check the brand’s directions before using a cheek product on the lips.\n\n### How many shades does Rare Beauty Soft Pinch come in?\n\nSixteen, across dewy and matte finishes. The matte shades include Bliss, Love, Grace and Faith.\n\n## Sources\n\n- [Space NK — Rare Beauty Soft Pinch Liquid Blush](https://www.spacenk.com/uk/makeup/cheeks/blusher/rare-beauty-soft-pinch-liquid-blush-MUK200032774.html)\n- [Merit UK — Flush Balm](https://www.meritbeauty.com/en-uk/products/flush-balm-ukeu)\n- [Rhode UK — Pocket Blush](https://www.rhodeskin.com/en-gb/products/pocket-blush-piggy)\n- [Glossier — authorised retailers](https://www.glossier.com/pages/authorized-retailers)\n- [Rare Beauty Soft Pinch Liquid Blush — official product page](https://www.rarebeauty.com/products/soft-pinch-liquid-blush)\n- [Glossier Cloud Paint — official product page](https://uk.glossier.com/products/cloud-paint)\n- [Merit Flush Balm — official product page](https://www.meritbeauty.com/products/flush-balm)\n- [Rhode Pocket Blush — official product page](https://www.rhodeskin.com/products/pocket-blush-sprinkle)\n- [e.l.f. Cosmetics Camo Liquid Blush — official product page](https://www.elfcosmetics.co.uk/products/camo-liquid-blush)\n"},{"url":"https://thecastindex.com/beauty/best/best-mascaras","markdownUrl":"https://thecastindex.com/beauty/best/best-mascaras.md","title":"The best mascaras.","lastmod":"2026-09-25","sha256":"ecc744a3257d981fc3d721a5df2d6419579ed8856b47679eb6ab9c4c15c27967","bytes":10988,"markdown":"# The best mascaras.\n\n> Five mascaras compared by what they are built to do — volume, curl or length — with brush, shades, waterproof versions and UK price.\n\n- Canonical: https://thecastindex.com/beauty/best/best-mascaras\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/eyes-brows\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best mascara in the UK?**\n\nYSL Lash Clash is the best volumising mascara, with black, brown, blue and green shades, at £33. Charlotte Tilbury Exagger-Eyes is the luxury volume-and-curl pick, Too Faced Better Than Sex the hourglass-brush option, Maybelline Sky High the lengthening pick with nine shades, and L’Oréal Telescopic Lift the budget lengthener at £12.99.\n\n## Our top picks\n\n- **Best for volume:** Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara — Extreme volume · 4 shades · 9ml\n- **Best volume and curl:** Charlotte Tilbury Exagger-Eyes Volume Mascara — Curved brush · 28-hour claim · 10ml\n- **Best hourglass brush:** Too Faced Better Than Sex Mascara — Hourglass brush · peptides · 8ml\n- **Best for length:** Maybelline Lash Sensational Sky High Mascara — Flex Tower brush · 9 UK shades\n- **Best budget:** L’Oréal Paris Telescopic Lift Mascara — Double-sided brush · ceramides · £12.99\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara](https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara) | Best for volume | Bold lashes | Extreme volume · 4 shades · 9ml | £33 |\n| [Charlotte Tilbury Exagger-Eyes Volume Mascara](https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara) | Best volume and curl | Volumising | Curved brush · 28-hour claim · 10ml | £28 / $29 |\n| [Too Faced Better Than Sex Mascara](https://thecastindex.com/beauty/too-faced-better-than-sex-mascara) | Best hourglass brush | Volume and curl | Hourglass brush · peptides · 8ml | £28 |\n| [Maybelline Lash Sensational Sky High Mascara](https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara) | Best for length | Length + volume | Flex Tower brush · 9 UK shades | See official page |\n| [L’Oréal Paris Telescopic Lift Mascara](https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara) | Best budget | Lifted length | Double-sided brush · ceramides · £12.99 | £12.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best for volume: Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara\n\nLash Clash is YSL’s volume-first mascara, sold in black, brown, green and blue. The colour range lets lashes be the feature in more than one way, from a softer brown outline to a deliberate colour.\n\nWhat stands out:\n- Black, brown, green and blue\n- Volume-focused formula\n- A travel size is sold\n- Separate waterproof version\n\nConsider first:\n- £33 for 9ml — the highest price here\n- The standard version is not waterproof\n- Volume can look heavy on very fine lashes\n\nProduct guide: https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara\nOfficial page: https://www.yslbeautyus.com/makeup/eye-makeup/mascara/lash-clash-extreme-volume-mascara/3614273601092.html\n\n### 2. Best volume and curl: Charlotte Tilbury Exagger-Eyes Volume Mascara\n\nExagger-Eyes pairs Charlotte Tilbury’s Ultra-Curved Lash Styler brush with a volumising formula, claiming nine-times volume after one coat and up to 28-hour, smudge- and flake-proof wear. It suits lashes that need lift as well as fullness.\n\nWhat stands out:\n- Curved brush for volume and curl\n- Up to 28-hour, smudge- and flake-proof claim\n- 10ml — the largest full size here\n- £28\n\nConsider first:\n- One shade, Exagger-Black\n- Volume and wear figures are brand claims\n- Sold by Charlotte Tilbury and its named retailers\n\nProduct guide: https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara\nOfficial page: https://www.charlottetilbury.com/us/product/exagger-eyes-volume-mascara\n\n### 3. Best hourglass brush: Too Faced Better Than Sex Mascara\n\nBetter Than Sex uses an hourglass-shaped brush with curl-holding polymers and conditioning peptides. It is the pick for full, curled lashes from a single tube, in black or a softer chocolate.\n\nWhat stands out:\n- Hourglass brush for volume and curl\n- Peptides and acacia extracts\n- Black or Chocolate\n- Vegan-friendly, per Boots\n\nConsider first:\n- £28 for 8ml\n- The standard version is washable, not waterproof\n- Can look heavy if overbuilt\n\nProduct guide: https://thecastindex.com/beauty/too-faced-better-than-sex-mascara\nOfficial page: https://www.toofaced.co.uk/product/23484/59115/eye-makeup/mascara/better-than-sex-mascara/voluptuous-volume-mascara\n\n### 4. Best for length: Maybelline Lash Sensational Sky High Mascara\n\nSky High uses Maybelline’s Flex Tower brush and a bamboo-extract formula for length and volume, in nine UK shades from Blackest Black to Burgundy Haze. It is washable, with a separate waterproof version.\n\nWhat stands out:\n- Flexible brush designed to reach root to tip\n- Nine UK shades, including colours\n- Suitable for sensitive eyes and contact lens wearers, per Maybelline\n- Widely stocked on the UK high street\n\nConsider first:\n- Length first; less volume than the prestige picks\n- Specify washable or waterproof when buying\n- Colours read louder than black\n\nProduct guide: https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara\nOfficial page: https://www.maybelline.co.uk/all-products/eye-makeup/mascara/lash-sensational-sky-high-washable-mascara-makeup\n\n### 5. Best budget: L’Oréal Paris Telescopic Lift Mascara\n\nTelescopic Lift pairs a double-sided brush with a ceramide formula, claiming up to 5mm longer-looking lashes and up to 24-hour lift. At £12.99 it is the lowest-priced pick with a verified UK price.\n\nWhat stands out:\n- £12.99 at Boots and Superdrug\n- Double-sided brush for length and lift\n- Suitable for sensitive eyes and contact lens wearers, per the brand\n- Waterproof version available\n\nConsider first:\n- Three shades only\n- Length and lift rather than dramatic volume\n- Easily confused with the original Telescopic and Telescopic Extensionist\n\nProduct guide: https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara\nOfficial page: https://www.loreal-paris.co.uk/telescopic/telescopic-lift-mascara-black\n\n## What to look for\n\n### Volume, length or curl\n\nVolumising formulas thicken; lengthening formulas separate and extend; curved or hourglass brushes help hold curl. Choose the one job you most want.\n\n### The brush\n\nBrush shape changes the result as much as the formula. Flexible and double-sided brushes reach the roots; curved and hourglass brushes lift and fan.\n\n### Washable or waterproof\n\nMost mascaras come in both. Waterproof formulas hold through humidity but need a suitable remover; do not assume the standard version is waterproof.\n\n### Shade\n\nBrown gives a softer outline than black; colours such as blue, green or burgundy make the lashes the feature.\n\n### Sensitive eyes\n\nLook for ophthalmologist-tested formulas if your eyes are sensitive or you wear contact lenses, and stop using anything that irritates.\n\n### Replace regularly\n\nMascara is applied close to the eye. Do not share tubes, and replace a mascara that has dried out or changed smell.\n\n## How we chose\n\nThis guide is desk research. We compared mascaras sold in the UK using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe grouped mascaras by their main job — volume, curl or length — and compared brush design, formula, shades, washable and waterproof versions, sizes and UK prices. Wear and volume figures are reported as brand claims.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the best mascara for volume?\n\nYSL Lash Clash and Charlotte Tilbury Exagger-Eyes are the volume-focused picks here; Too Faced Better Than Sex adds volume and curl with an hourglass brush.\n\n### What is the best budget mascara in the UK?\n\nL’Oréal Paris Telescopic Lift, at £12.99, is the lowest-priced pick with a verified UK price. Maybelline Sky High is the other high-street option in this guide.\n\n### Are these mascaras waterproof?\n\nThe standard versions are washable. YSL, Too Faced, Maybelline and L’Oréal Paris all sell separate waterproof versions; check the name on the tube.\n\n### Which mascara is best for sensitive eyes?\n\nMaybelline and L’Oréal Paris say Sky High and Telescopic Lift suit sensitive eyes and contact lens wearers, and Too Faced says Better Than Sex is ophthalmologist-tested. Stop using any product that irritates.\n\n### How often should I replace mascara?\n\nReplace it when it dries out, clumps or changes smell, and never share it. Eye products carry a higher risk of contamination than most makeup.\n\n## Sources\n\n- [YSL Beauty UK — Mascara Lash Clash](https://www.yslbeauty.co.uk/makeup/eyes/mascara/mascara-lash-clash/WW-50914YSL.html)\n- [Charlotte Tilbury UK — Exagger-Eyes Volume Mascara](https://www.charlottetilbury.com/uk/product/exagger-eyes-volume-mascara)\n- [Maybelline UK — Lash Sensational Sky High Washable Mascara](https://www.maybelline.co.uk/all-products/eye-makeup/mascara/lash-sensational-sky-high-washable-mascara-makeup)\n- [L’Oréal Paris UK — Telescopic Lift Waterproof Mascara](https://www.loreal-paris.co.uk/telescopic/telescopic-lift-waterproof-mascara-black)\n- [Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara — official product page](https://www.yslbeautyus.com/makeup/eye-makeup/mascara/lash-clash-extreme-volume-mascara/3614273601092.html)\n- [Charlotte Tilbury Exagger-Eyes Volume Mascara — official product page](https://www.charlottetilbury.com/us/product/exagger-eyes-volume-mascara)\n- [Too Faced Better Than Sex Mascara — official product page](https://www.toofaced.co.uk/product/23484/59115/eye-makeup/mascara/better-than-sex-mascara/voluptuous-volume-mascara)\n- [Maybelline Lash Sensational Sky High Mascara — official product page](https://www.maybelline.co.uk/all-products/eye-makeup/mascara/lash-sensational-sky-high-washable-mascara-makeup)\n- [L’Oréal Paris Telescopic Lift Mascara — official product page](https://www.loreal-paris.co.uk/telescopic/telescopic-lift-mascara-black)\n"},{"url":"https://thecastindex.com/beauty/best/best-retinol-serums","markdownUrl":"https://thecastindex.com/beauty/best/best-retinol-serums.md","title":"The best retinol and retinal serums.","lastmod":"2026-09-25","sha256":"84ce1fbad85f337a2d798ef6d0e9d8371955213c3a9fd7a58da1f19d7e67fc93","bytes":10798,"markdown":"# The best retinol and retinal serums.\n\n> Four evening retinoids compared by type and stated strength, fragrance, build-up schedule and UK price — with what the EU’s new retinol limit means for shoppers in the UK.\n\n- Canonical: https://thecastindex.com/beauty/best/best-retinol-serums\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/skin-prep\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best retinol serum in the UK?**\n\nMedik8 Crystal Retinal is the best overall: retinal in six strengths from 0.01% to 0.24%, so you can start low and move up, from £45. La Roche-Posay’s 0.3% Retinol + B3 suits a cautious first retinol; Geek & Gorgeous A-Game 10 is the fragrance-free budget retinal; The Ordinary Retinal 0.2% is for experienced users.\n\n## Our top picks\n\n- **Best overall:** Medik8 Crystal Retinal — Retinal 0.01%–0.24% · six strengths · 30ml\n- **Best first retinol:** La Roche-Posay 0.3% Retinol + Vitamin B3 Serum — 0.3% retinol · niacinamide · evening only\n- **Best budget retinal:** Geek & Gorgeous A-Game 10 — 0.1% retinal · fragrance-free · 30ml\n- **Best for experienced users:** The Ordinary Retinal 0.2% Emulsion — 0.2% retinal · 15ml · weekly start\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal) | Best overall | Serum | Retinal 0.01%–0.24% · six strengths · 30ml | from £45 |\n| [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum) | Best first retinol | Lightweight serum | 0.3% retinol · niacinamide · evening only | £48 |\n| [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) | Best budget retinal | Silky emulsion | 0.1% retinal · fragrance-free · 30ml | £17.95 |\n| [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion) | Best for experienced users | Light emulsion | 0.2% retinal · 15ml · weekly start | £15.20 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: Medik8 Crystal Retinal\n\nCrystal Retinal is built as a progression: six numbered strengths of retinaldehyde, a written build-up schedule and a rule to finish one tube before moving up. That structure makes it the clearest route from a first retinoid to an advanced one.\n\nWhat stands out:\n- Six strengths from 0.01% to 0.24% retinaldehyde\n- Clear build-up schedule and a one-tube-per-strength rule\n- Vegan Society certified\n- A UK brand with its own UK store\n\nConsider first:\n- Not strictly fragrance-free: coumarin, tonka bean and vanilla extracts are listed\n- £45 to £114 depending on strength\n- Medik8 advises avoiding vitamin A in pregnancy and breastfeeding\n\nProduct guide: https://thecastindex.com/beauty/medik8-crystal-retinal\nOfficial page: https://www.medik8.com/products/crystal-retinal\n\n### 2. Best first retinol: La Roche-Posay 0.3% Retinol + Vitamin B3 Serum\n\nLa Roche-Posay labels this serum 0.3% retinol with niacinamide and writes a gradual schedule into its directions: once or twice a week, building to five to seven nights. It is a measured, well-signposted place to start.\n\nWhat stands out:\n- Stated 0.3% retinol with niacinamide\n- Gradual build-up schedule in the brand’s directions\n- Lightweight dropper serum\n- Sold by major UK beauty retailers\n\nConsider first:\n- Contains fragrance and denatured alcohol, despite its sensitive-skin positioning\n- £48 for 30ml\n- A single strength, so there is no step up within the product\n\nProduct guide: https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum\nOfficial page: https://www.laroche-posay.co.uk/en_GB/retinol-b3-anti-ageing-serum-for-sensitive-skin-30ml/LRP_115.html\n\n### 3. Best budget retinal: Geek & Gorgeous A-Game 10\n\nA-Game 10 delivers 0.1% retinal in a silky emulsion free from fragrance and essential oils for £17.95 — the lowest price per millilitre for retinal in this guide. A-Game 5, at 0.05%, is the lower-strength way in.\n\nWhat stands out:\n- 0.1% retinal for £17.95 (30ml)\n- Free from fragrance and essential oils, per the brand\n- A lower-strength A-Game 5 is available\n- A written build-up schedule\n\nConsider first:\n- Sold mainly through the brand’s UK shop, run by its distributor\n- Positioned for experienced users; beginners should start with A-Game 5\n- The brand says not to use it during pregnancy\n\nProduct guide: https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10\nOfficial page: https://geekgorgeous.co.uk/products/a-game-10\n\n### 4. Best for experienced users: The Ordinary Retinal 0.2% Emulsion\n\nThe Ordinary puts 0.2% retinaldehyde — a high strength — into a £15.20 emulsion, with directions that start once a week and build only to twice a week. It is for people who already tolerate retinoids and want a stronger step.\n\nWhat stands out:\n- 0.2% retinaldehyde\n- No fragrance on the ingredient list; vegan\n- £15.20\n- Clear, low-frequency directions\n\nConsider first:\n- Not for beginners\n- 15ml — half the size of the other picks\n- Must not be combined with other retinoids\n- The brand notes its products have not been tested in pregnancy or breastfeeding\n\nProduct guide: https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion\nOfficial page: https://theordinary.com/en-gb/retinal-02-emulsion-100646.html\n\n## What to look for\n\n### Retinol or retinal?\n\nIn the skin, retinol is turned into retinal and then into retinoic acid. Retinal is one step closer, so it is used at lower percentages. Compare strengths within the same retinoid, not across them.\n\n### A stated strength\n\nChoose a product that tells you its percentage. It makes starting low — and moving up later — a deliberate decision rather than a guess.\n\n### Start slowly\n\nThe American Academy of Dermatology suggests starting every other night and building up, with moisturiser to limit irritation. Every brand here writes its own schedule into the directions; follow the one on your pack.\n\n### Night use, daytime SPF\n\nAll four picks are evening products. Wear sunscreen every morning while you use a retinoid.\n\n### Pregnancy\n\nThe NHS says topical retinoids are not suitable during pregnancy. The brands here advise avoiding vitamin A while pregnant; speak to a GP, midwife or pharmacist.\n\n### The new EU limit\n\nSince 1 November 2025, new cosmetics placed on the EU market must keep retinol and its esters to 0.3% retinol equivalent in most leave-on products and 0.05% in body lotion. The rule does not cover retinal. Great Britain had not adopted it by September 2026; Northern Ireland follows EU rules.\n\n## How we chose\n\nThis guide is desk research. We compared retinol and retinal serums sold in the UK using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe prioritised products that state their retinoid type and strength and publish a build-up schedule, and we recorded fragrance, pregnancy guidance and UK price for each.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the difference between retinol and retinal?\n\nBoth are forms of vitamin A. In the skin, retinol is turned into retinal and then into retinoic acid, so retinal is one step closer to the active form and is used at lower percentages. Medik8, The Ordinary and Geek & Gorgeous use retinal; La Roche-Posay uses retinol.\n\n### Which retinoid strength should a beginner use?\n\nStart at the lowest strength a range offers and follow the brand’s build-up schedule. Medik8 Crystal Retinal 1 and Geek & Gorgeous A-Game 5 are the low entry points in this guide; The Ordinary’s 0.2% retinal is for experienced users.\n\n### Can I use retinol during pregnancy?\n\nThe NHS says topical retinoids are not suitable during pregnancy, and the brands here advise avoiding vitamin A while pregnant. Speak to a GP, midwife or pharmacist.\n\n### Is retinol above 0.3% banned in the UK?\n\nNot in Great Britain. The EU limits retinol and its esters to 0.3% retinol equivalent in most leave-on cosmetics under Regulation (EU) 2024/996, and Northern Ireland follows EU rules, but Great Britain had not adopted an equivalent limit as of September 2026.\n\n### Should I use retinol in the morning?\n\nNo. Every product in this guide is directed for evening use. Wear sunscreen the next morning.\n\n## Sources\n\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol)\n- [NHS — Acne treatment (topical retinoids and pregnancy)](https://www.nhs.uk/conditions/acne/treatment/)\n- [EUR-Lex — Regulation (EU) 2024/996 on vitamin A in cosmetics](https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX%3A32024R0996)\n- [legislation.gov.uk — GB Cosmetics Regulation, Annex III](https://www.legislation.gov.uk/eur/2009/1223/annex/III)\n- [GOV.UK — Cosmetic products regulation in Northern Ireland](https://www.gov.uk/government/publications/cosmetic-products-enforcement-regulations-2013/regulation-20091223-and-the-cosmetic-products-enforcement-regulations-2013-northern-ireland)\n- [Medik8 — Crystal Retinal 24 strength](https://www.medik8.com/pages/new-strength-formula-crystal-retinal-24)\n- [LOOKFANTASTIC — La Roche-Posay Retinol B3 Serum 30ml](https://www.lookfantastic.com/p/la-roche-posay-retinol-b3-anti-wrinkle-anti-ageing-serum-with-retinol-and-vitamin-b3-suitable-for-sensitive-skin-30ml/12382710/)\n- [Medik8 Crystal Retinal — official product page](https://www.medik8.com/products/crystal-retinal)\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum — official product page](https://www.laroche-posay.co.uk/en_GB/retinol-b3-anti-ageing-serum-for-sensitive-skin-30ml/LRP_115.html)\n- [Geek & Gorgeous A-Game 10 — official product page](https://geekgorgeous.co.uk/products/a-game-10)\n- [The Ordinary Retinal 0.2% Emulsion — official product page](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html)\n\n## Head-to-head comparisons\n\n- [Crystal Retinal vs The Ordinary Retinal 0.2%](https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal)\n"},{"url":"https://thecastindex.com/beauty/best/best-setting-sprays-and-powders","markdownUrl":"https://thecastindex.com/beauty/best/best-setting-sprays-and-powders.md","title":"The best setting sprays and powders.","lastmod":"2026-09-25","sha256":"e2b1323c8e0bf8de6f3251a508f520ff4a1d9714705a17b0179c76889ad36742","bytes":11232,"markdown":"# The best setting sprays and powders.\n\n> Two sprays, two loose powders and a balm-to-powder, compared by finish, wear claims, shades, talc, fragrance and UK price.\n\n- Canonical: https://thecastindex.com/beauty/best/best-setting-sprays-and-powders\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/setting\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best setting spray or powder?**\n\nUrban Decay All Nighter is the best long-wear setting spray: waterproof, with an up-to-24-hour brand claim, from £16.50. Charlotte Tilbury Airbrush Flawless is the natural-finish spray, Laura Mercier Translucent the reference loose powder, Huda Easy Bake the baking powder with 12 shades, and Danessa Myricks’ balm-to-powder the option that blurs without flattening.\n\n## Our top picks\n\n- **Best long-wear spray:** Urban Decay All Nighter Waterproof Makeup Setting Spray — Waterproof · up to 24 hours (brand claim)\n- **Best natural-finish spray:** Charlotte Tilbury Airbrush Flawless Setting Spray — Green tea + aloe · up to 16 hours\n- **Best loose powder:** Laura Mercier Translucent Loose Setting Powder — 4 shades · matte · fragrance-free\n- **Best for baking:** Huda Beauty Easy Bake Loose Baking & Setting Powder — 12 shades · soft matte · 20g\n- **Best balm-to-powder:** Danessa Myricks Beauty Yummy Skin Blurring Balm Powder — Balm-to-powder · soft blur · 18g\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [Urban Decay All Nighter Waterproof Makeup Setting Spray](https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray) | Best long-wear spray | Natural, soft-focus | Waterproof · up to 24 hours (brand claim) | from £16.50 |\n| [Charlotte Tilbury Airbrush Flawless Setting Spray](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray) | Best natural-finish spray | Natural | Green tea + aloe · up to 16 hours | from £21 |\n| [Laura Mercier Translucent Loose Setting Powder](https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder) | Best loose powder | Matte | 4 shades · matte · fragrance-free | £38.50 |\n| [Huda Beauty Easy Bake Loose Baking & Setting Powder](https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder) | Best for baking | Soft matte | 12 shades · soft matte · 20g | £34 |\n| [Danessa Myricks Beauty Yummy Skin Blurring Balm Powder](https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder) | Best balm-to-powder | Soft blur | Balm-to-powder · soft blur · 18g | £42.50 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best long-wear spray: Urban Decay All Nighter Waterproof Makeup Setting Spray\n\nAll Nighter’s reformulated mist uses film formers and glycerin to set makeup, with waterproof, transfer- and sweat-resistant claims and an up-to-24-hour wear claim from Urban Decay’s own consumer test. It keeps a natural finish rather than adding matte or glow.\n\nWhat stands out:\n- Up-to-24-hour wear claim, from a 102-person brand test\n- Waterproof, transfer- and sweat-resistant, per Urban Decay\n- Natural, soft-focus finish\n- Three sizes, from £16.50 for 30ml\n\nConsider first:\n- Contains fragrance and denatured alcohol\n- Urban Decay’s UK site has closed — buy from retailers\n- Some retailers still list the older 16-hour formula\n\nProduct guide: https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray\nOfficial page: https://www.urbandecay.com/all-nighter-waterproof-makeup-setting-spray/ud1301.html\n\n### 2. Best natural-finish spray: Charlotte Tilbury Airbrush Flawless Setting Spray\n\nCharlotte Tilbury’s spray uses film formers with green tea and aloe vera in a lightweight, oil-free mist, with a waterproof claim of up to 16 hours. It sets without changing the finish you have chosen, which suits a luminous base.\n\nWhat stands out:\n- Oil-free, lightweight mist, per the brand\n- Japanese green tea and aloe vera\n- Three sizes: 34ml £21, 100ml £33, 200ml £51\n- Waterproof claim\n\nConsider first:\n- Up to 16 hours claimed, shorter than All Nighter’s claim\n- Sold by Charlotte Tilbury and its named retailers only\n- Wear figures are brand claims\n\nProduct guide: https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray\nOfficial page: https://www.charlottetilbury.com/uk/product/airbrush-flawless-setting-spray\n\n### 3. Best loose powder: Laura Mercier Translucent Loose Setting Powder\n\nLaura Mercier’s original loose powder sets with a matte finish in four shades, including Honey and Medium Deep, and is fragrance-free. A separate talc-free Ultra-Blur version gives readers who avoid talc an equivalent.\n\nWhat stands out:\n- Four shades, from Translucent to Translucent Medium Deep\n- Fragrance-free\n- Talc-free Ultra-Blur version available\n- 30g for £38.50\n\nConsider first:\n- The original contains talc\n- A matte powder can flatten a glowy base if over-applied\n- Loose powder is less portable than pressed\n\nProduct guide: https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder\nOfficial page: https://www.lauramercier.co.uk/products/translucent-loose-setting-powder\n\n### 4. Best for baking: Huda Beauty Easy Bake Loose Baking & Setting Powder\n\nEasy Bake is built for baking and targeted setting, in 12 shades on Huda Beauty UK. The wider shade range makes it easier to set under the eyes or through the centre of the face without a pale cast.\n\nWhat stands out:\n- 12 shades on Huda Beauty UK\n- Suited to targeted setting and baking\n- A 6g mini is sold\n- £34 for 20g\n\nConsider first:\n- A separate fragrance-free version has fewer shades and limited UK stock\n- Contains talc\n- Baking uses more product than a light dusting\n\nProduct guide: https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder\nOfficial page: https://hudabeauty.com/en-us/products/easy-bake-loose-baking-setting-powder-hb00140m\n\n### 5. Best balm-to-powder: Danessa Myricks Beauty Yummy Skin Blurring Balm Powder\n\nDanessa Myricks’ balm-to-powder blurs the look of texture while keeping skin luminous rather than chalky, per the brand. It is the pick for skin that looks dry or flat under loose powder.\n\nWhat stands out:\n- Designed to blur texture while keeping skin luminous, per the brand\n- A balm-to-powder format rather than loose powder\n- 18g\n\nConsider first:\n- £42.50 at Cult Beauty — the most expensive powder here\n- The brand site sells in US dollars; UK buyers use retailers\n- A different application technique from loose powder\n\nProduct guide: https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder\nOfficial page: https://danessamyricksbeauty.com/products/yummy-skin-blurring-balm-powder\n\n## What to look for\n\n### Spray or powder?\n\nA setting spray locks the finish you already have; a powder controls shine and reduces glow where it lands. Many people need only one of the two.\n\n### Finish\n\nSprays can be natural, matte or dewy; powders range from matte to blurred. Choose the one that keeps the finish you want rather than changing it.\n\n### Shade matters for powder\n\nA “translucent” powder can still leave a cast on deeper skin. Look for a range with several depths, such as Laura Mercier’s four or Huda’s 12.\n\n### Talc and fragrance\n\nLaura Mercier’s original and Huda’s Easy Bake contain talc; Ultra-Blur is talc-free. Urban Decay’s spray contains fragrance, and Huda sells a separate fragrance-free Easy Bake.\n\n### Wear claims are brand claims\n\nHour counts come from the brands’ own testing. Treat them as a comparison between formulas, not a promise for every face and climate.\n\n### Less, placed well\n\nSet only where you shine. Leaving the outer cheeks unset keeps a luminous base from looking flat.\n\n## How we chose\n\nThis guide is desk research. We compared setting sprays and powders using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe compared finish, wear claims (labelled as brand claims), shade ranges, talc and fragrance, sizes and UK prices, and noted where a UK brand site has closed or a formula has changed.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### Should I use setting spray or setting powder?\n\nUse powder to control shine in specific areas and spray to lock in the whole look. Oily skin often benefits from a little powder through the centre of the face; drier skin may prefer spray alone.\n\n### Which setting spray lasts longest?\n\nAmong our picks, Urban Decay claims up to 24 hours for the reformulated All Nighter and Charlotte Tilbury up to 16 hours for Airbrush Flawless. Both are brand claims from their own testing.\n\n### Is translucent powder invisible on all skin tones?\n\nNot always. Choose a shade close to your depth — Laura Mercier and Huda both sell deeper translucent shades — and apply sparingly.\n\n### Is there a talc-free setting powder?\n\nLaura Mercier’s Translucent Loose Setting Powder Ultra-Blur is talc-free. The original Laura Mercier powder and Huda Easy Bake both contain talc.\n\n### Does setting spray contain SPF?\n\nNone of the sprays in this guide provides sun protection. Apply sunscreen before makeup.\n\n## Sources\n\n- [Boots — Urban Decay All Nighter Setting Spray 118ml](https://www.boots.com/urban-decay-all-nighter-setting-spray-natural-finish-118ml-10382018)\n- [Laura Mercier UK — Translucent Loose Setting Powder Ultra-Blur](https://www.lauramercier.co.uk/products/translucent-loose-setting-powder-ultra-blur)\n- [Huda Beauty UK — Easy Bake Loose Baking & Setting Powder](https://hudabeauty.com/en-gb/products/easy-bake-loose-baking-setting-powder-hb00140m)\n- [Charlotte Tilbury UK — Airbrush Flawless Setting Spray](https://www.charlottetilbury.com/uk/product/airbrush-flawless-setting-spray)\n- [Urban Decay All Nighter Waterproof Makeup Setting Spray — official product page](https://www.urbandecay.com/all-nighter-waterproof-makeup-setting-spray/ud1301.html)\n- [Charlotte Tilbury Airbrush Flawless Setting Spray — official product page](https://www.charlottetilbury.com/uk/product/airbrush-flawless-setting-spray)\n- [Laura Mercier Translucent Loose Setting Powder — official product page](https://www.lauramercier.co.uk/products/translucent-loose-setting-powder)\n- [Huda Beauty Easy Bake Loose Baking & Setting Powder — official product page](https://hudabeauty.com/en-us/products/easy-bake-loose-baking-setting-powder-hb00140m)\n- [Danessa Myricks Beauty Yummy Skin Blurring Balm Powder — official product page](https://danessamyricksbeauty.com/products/yummy-skin-blurring-balm-powder)\n"},{"url":"https://thecastindex.com/beauty/best/best-skin-tints","markdownUrl":"https://thecastindex.com/beauty/best/best-skin-tints.md","title":"The best skin tints to buy in the UK.","lastmod":"2026-10-01","sha256":"d64f61a0fd8ea157d6ce42aab991003e1ad9d1cc6605436b23f9f770bb1d4175","bytes":11154,"markdown":"# The best skin tints to buy in the UK.\n\n> Four sheer bases compared by coverage, finish, UK SPF labelling, shade range and price — and why the same tint can carry a different SPF in the UK and the US.\n\n- Canonical: https://thecastindex.com/beauty/best/best-skin-tints\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-10-01\n- Updated: 2026-10-01\n- Category guide: https://thecastindex.com/beauty/category/complexion\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best skin tint to buy in the UK?**\n\nILIA Super Serum Skin Tint is the best overall and our mature-skin pick: a hydrating serum tint, labelled SPF 30 in the UK, in 30 shades at £42. For oily skin, choose Laura Mercier’s Blurred Matte Oil Free tint; on a budget, e.l.f. Halo Glow Skin Tint at £14; for dry skin, Saie Slip Tint.\n\n## Our top picks\n\n- **Best overall and for mature skin:** ILIA Super Serum Skin Tint — 30 shades · SPF 30 (UK) · squalane, niacinamide, HA\n- **Best for oily skin:** Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30 — 20 shades · oil-free · blurred matte · SPF 30\n- **Best budget:** e.l.f. Cosmetics Halo Glow Skin Tint SPF 50 — 18 shades · mineral SPF 50 · dewy · £14\n- **Best for dry skin:** Saie Slip Tint — 14 shades · dewy · zinc oxide · £33\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [ILIA Super Serum Skin Tint](https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40) | Best overall and for mature skin | Skin-like, dewy | 30 shades · SPF 30 (UK) · squalane, niacinamide, HA | £42 |\n| [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free) | Best for oily skin | Blurred matte | 20 shades · oil-free · blurred matte · SPF 30 | £39 |\n| [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50) | Best budget | Dewy | 18 shades · mineral SPF 50 · dewy · £14 | £14 |\n| [Saie Slip Tint](https://thecastindex.com/beauty/saie-slip-tint) | Best for dry skin | Dewy | 14 shades · dewy · zinc oxide · £33 | £33 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall and for mature skin: ILIA Super Serum Skin Tint\n\nILIA’s serum tint combines sheer, even coverage and a dewy finish with squalane, niacinamide and hyaluronic acid, and Space NK’s listing describes it softening the look of fine lines. Its 30 shades are the widest range among these tints, and the UK formula is labelled SPF 30 with zinc oxide.\n\nWhat stands out:\n- 30 shades — the widest range here\n- Squalane, niacinamide and hyaluronic acid in a serum texture\n- Labelled SPF 30 with zinc oxide in the UK version\n- Vegan and cruelty-free, per Space NK\n\nConsider first:\n- The UK version is SPF 30; ILIA’s US page labels its formula SPF 40, so check the pack\n- £42, the most expensive pick\n- A sheer tint will not cover marks the way foundation does\n\nProduct guide: https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40\nOfficial page: https://www.spacenk.com/uk/makeup/complexion/tinted-moisturiser-skin-tint/super-serum-skin-tint-spf-30-MUK200041171.html\n\n### 2. Best for oily skin: Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30\n\nLaura Mercier’s oil-free tint is designed for shine control, with sheer-to-light coverage, a blurred matte finish and a non-comedogenic label. The brand reports 24-hour shine control from its own 30-person clinical study and says rock samphire helps reduce sebum over time.\n\nWhat stands out:\n- Oil-free and labelled non-comedogenic and non-acnegenic\n- Blurred matte finish for shine control\n- SPF 30 UVB/UVA/PA+++ on the UK listing\n- 20 shades on Laura Mercier UK\n\nConsider first:\n- £39\n- Shine-control and pore figures come from small brand studies\n- A matte finish can look flat on dry patches\n\nProduct guide: https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free\nOfficial page: https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30\n\n### 3. Best budget: e.l.f. Cosmetics Halo Glow Skin Tint SPF 50\n\ne.l.f.’s Halo Glow Skin Tint gives light, buildable coverage with a dewy finish and a zinc oxide SPF 50 label for £14. Niacinamide, bisabolol and allantoin round out a serum-like formula the brand describes as non-comedogenic.\n\nWhat stands out:\n- £14 on e.l.f. UK\n- Mineral (zinc oxide) SPF 50 label — the highest SPF here\n- Niacinamide, bisabolol and allantoin\n- Non-comedogenic and dermatologist-tested, per the brand\n\nConsider first:\n- 18 shades, fewer than ILIA or Laura Mercier\n- The amount used as a tint will not give the labelled SPF on its own\n- Easily confused with the separate Halo Glow Liquid Filter\n\nProduct guide: https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50\nOfficial page: https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50\n\n### 4. Best for dry skin: Saie Slip Tint\n\nSaie’s Slip Tint is a sheer, dewy tinted moisturiser with sodium hyaluronate and plant oils, which suits skin that wants moisture as much as colour. It uses 15% zinc oxide; the US page labels it SPF 35, while the UK retailer listing gives no SPF number.\n\nWhat stands out:\n- Sheer coverage with a dewy, hydrated finish\n- Hyaluronic acid and plant oils in the base\n- No fragrance and no silicones, per the brand\n- £33 for 40ml at Cult Beauty UK\n\nConsider first:\n- 14 shades — the narrowest range here\n- No SPF number on the UK listing we checked\n- Contains beeswax, so it is not vegan\n\nProduct guide: https://thecastindex.com/beauty/saie-slip-tint\nOfficial page: https://saiehello.com/products/slip-tint-tinted-moisturizer\n\n## What to look for\n\n### Skin tint or foundation?\n\nSkin tints and tinted moisturisers give sheer to light coverage that lets skin show through; foundations go further. If you need to cover pigmentation or redness fully, use a tint with a concealer, or choose a foundation.\n\n### SPF in a tint is a bonus, not your sunscreen\n\nThe British Association of Dermatologists says SPF in moisturisers gives much lower protection than the label suggests, because people apply it thinly. Wear a dedicated sunscreen under a tint, even one labelled SPF 50.\n\n### UK and US formulas differ\n\nILIA’s tint is labelled SPF 30 in the UK and SPF 40 in the US, and Saie’s UK listing carries no SPF number. Check the label on the version you buy.\n\n### For oily skin\n\nThe American Academy of Dermatology suggests oil-free, non-comedogenic products for oily skin. A matte or blurred finish keeps shine down for longer than a dewy tint.\n\n### For dry or mature skin\n\nHydrating bases with humectants such as hyaluronic acid and a dewy finish sit more comfortably on dry skin than matte formulas. Apply thinly and build only where needed.\n\n## How we chose\n\nThis guide is desk research. We compared skin tints and tinted moisturisers sold in the UK using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 1 October 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe compared coverage, finish, shade range, SPF labelling on the UK listing, skin-type claims, fragrance and UK price. Where a brand sells a different formula or SPF label in the US, we recorded the UK version.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### What is the difference between a skin tint and foundation?\n\nCoverage. Skin tints and tinted moisturisers give sheer to light coverage and usually a dewy or natural finish; foundation gives medium to full coverage. Several tints also carry an SPF label.\n\n### What is the best skin tint for oily skin?\n\nLaura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30: an oil-free, non-comedogenic tint with a blurred matte finish in 20 shades, at £39. Its shine-control figures are brand claims.\n\n### What is the best skin tint for mature skin?\n\nILIA Super Serum Skin Tint, a hydrating serum tint with squalane, niacinamide and hyaluronic acid that Space NK describes as softening the look of fine lines. It comes in 30 shades, labelled SPF 30 in the UK.\n\n### Is the SPF in a skin tint enough?\n\nNo. The British Association of Dermatologists warns that products such as SPF moisturisers are applied too thinly to give their labelled protection. Use a sunscreen of SPF 30 or above with four- or five-star UVA protection underneath.\n\n### Is ILIA Super Serum Skin Tint SPF 30 or SPF 40?\n\nBoth, depending on the market. The UK version sold by Space NK is labelled SPF 30; ILIA’s US page labels its formula SPF 40. Follow the label on the bottle you buy.\n\n### Which skin tint has the highest SPF?\n\nAmong these picks, e.l.f. Halo Glow Skin Tint is labelled mineral SPF 50. As with any tint, it should go over a dedicated sunscreen rather than replace it.\n\n## Sources\n\n- [Space NK UK — ILIA Super Serum Skin Tint SPF 30](https://www.spacenk.com/uk/makeup/complexion/tinted-moisturiser-skin-tint/super-serum-skin-tint-spf-30-MUK200041171.html)\n- [ILIA — Super Serum Skin Tint SPF 40 (US)](https://iliabeauty.com/products/super-serum-skin-tint-spf-40-tinted-moisturizer)\n- [Laura Mercier UK — Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30)\n- [e.l.f. Cosmetics UK — Halo Glow Skin Tint SPF 50](https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50)\n- [Saie — Slip Tint Tinted Moisturizer (US)](https://saiehello.com/products/slip-tint-tinted-moisturizer)\n- [Cult Beauty UK — Saie Slip Tint Dewy Tinted Moisturizer 40ml](https://www.cultbeauty.co.uk/p/saie-slip-tint-dewy-tinted-moisturizer/13321971/)\n- [British Association of Dermatologists — Sun protection fact sheet](https://www.skinhealthinfo.org.uk/sun-awareness/the-sunscreen-fact-sheet/)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n- [ILIA Super Serum Skin Tint — official product page](https://www.spacenk.com/uk/makeup/complexion/tinted-moisturiser-skin-tint/super-serum-skin-tint-spf-30-MUK200041171.html)\n- [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30 — official product page](https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30)\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50 — official product page](https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50)\n- [Saie Slip Tint — official product page](https://saiehello.com/products/slip-tint-tinted-moisturizer)\n"},{"url":"https://thecastindex.com/beauty/best/best-vitamin-c-serums","markdownUrl":"https://thecastindex.com/beauty/best/best-vitamin-c-serums.md","title":"The best vitamin C serums.","lastmod":"2026-09-25","sha256":"846577a603eae9c60e1fad0cd6835d56ddbc4af5e001c8a0722e6df9fd3aa439","bytes":11143,"markdown":"# The best vitamin C serums.\n\n> Pure L-ascorbic acid or a more stable derivative? Four serums compared by the form of vitamin C, its stated strength, texture, directions and UK price.\n\n- Canonical: https://thecastindex.com/beauty/best/best-vitamin-c-serums\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Category guide: https://thecastindex.com/beauty/category/skin-prep\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## Quick answer\n\n**What is the best vitamin C serum in the UK?**\n\nSkinCeuticals C E Ferulic is the benchmark: 15% L-ascorbic acid with vitamin E and ferulic acid for morning use, at £169. The Ordinary’s 23% suspension offers L-ascorbic acid for £7.70, with a tingling warning and evening directions. Medik8 C-Tetra and Beauty of Joseon Light On use more stable derivatives, at £45 and £14.50.\n\n## Our top picks\n\n- **Best overall:** SkinCeuticals C E Ferulic — 15% L-ascorbic acid · 1% vitamin E · 0.5% ferulic\n- **Best budget:** The Ordinary Vitamin C Suspension 23% + HA Spheres 2% — 23% L-ascorbic acid · water-free · £7.70\n- **Best oil-based serum:** Medik8 C-Tetra — 7% tetrahexyldecyl ascorbate · lightweight oil\n- **Best K-beauty pick:** Beauty of Joseon Light On Serum: Centella + Vita C — 3-O-ethyl ascorbic acid · centella · fragrance-free\n\n## Side by side\n\n| Product | Award | Finish | Key spec | Guide price |\n| --- | --- | --- | --- | --- |\n| [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic) | Best overall | Light, silky | 15% L-ascorbic acid · 1% vitamin E · 0.5% ferulic | £169 |\n| [The Ordinary Vitamin C Suspension 23% + HA Spheres 2%](https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2) | Best budget | Slightly granular | 23% L-ascorbic acid · water-free · £7.70 | £7.70 |\n| [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra) | Best oil-based serum | Lightweight oil | 7% tetrahexyldecyl ascorbate · lightweight oil | £45 |\n| [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c) | Best K-beauty pick | Lightweight, non-sticky | 3-O-ethyl ascorbic acid · centella · fragrance-free | £14.50 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## The picks in detail\n\n### 1. Best overall: SkinCeuticals C E Ferulic\n\nSkinCeuticals combines the most studied form of vitamin C, L-ascorbic acid, at 15% with 1% vitamin E and 0.5% ferulic acid, and states all three strengths. The directions are simple: four to five drops each morning, followed by moisturiser and broad-spectrum sunscreen.\n\nWhat stands out:\n- Pure L-ascorbic acid, the form with the deepest research base\n- Stated percentages for all three antioxidants\n- Listed as fragrance-free by Space NK\n- Morning directions that fit a sunscreen routine\n\nConsider first:\n- £169 for 30ml — by far the most expensive pick\n- L-ascorbic acid oxidises, which can darken the serum over time\n- A reformulated US version was announced in July 2026, so check which formula your retailer supplies\n\nProduct guide: https://thecastindex.com/beauty/skinceuticals-c-e-ferulic\nOfficial page: https://www.skinceuticals.co.uk/en_GB/c-e-ferulic-antioxidant-serum/635494363210.html\n\n### 2. Best budget: The Ordinary Vitamin C Suspension 23% + HA Spheres 2%\n\nThe Ordinary suspends a high 23% concentration of L-ascorbic acid in a water-free base with hyaluronic acid spheres, at a fraction of the price of the other picks. The brand states the trade-offs itself: a slightly granular texture, expected tingling and once-daily use, ideally in the evening.\n\nWhat stands out:\n- £7.70 for 30ml\n- L-ascorbic acid rather than a derivative\n- Vegan, alcohol-free and silicone-free, per the brand\n- Water-free base, which helps keep L-ascorbic acid stable\n\nConsider first:\n- The brand warns of tingling and describes a slightly granular texture\n- Directed for evening use, so it is not a morning antioxidant step\n- Not to be combined with niacinamide, retinoids, peptides or direct acids, per the brand\n\nProduct guide: https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2\nOfficial page: https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html\n\n### 3. Best oil-based serum: Medik8 C-Tetra\n\nC-Tetra uses tetrahexyldecyl ascorbate, an oil-soluble vitamin C derivative, at 7% in a lightweight, water-free oil with vitamin E. Derivatives like this are more stable than L-ascorbic acid, though less extensively studied; Medik8 directs four drops each morning before sunscreen.\n\nWhat stands out:\n- Stated 7% concentration of a stable derivative\n- Water-free oil texture with vitamin E\n- Morning directions that pair naturally with sunscreen\n- An 8ml travel size (£15) to try the texture first\n\nConsider first:\n- Contains grapefruit peel oil and fragrance allergens such as limonene and citral, despite “no artificial fragrance” wording\n- A derivative, with less clinical evidence than L-ascorbic acid\n- £45 for 30ml\n\nProduct guide: https://thecastindex.com/beauty/medik8-c-tetra\nOfficial page: https://www.medik8.com/products/c-tetra\n\n### 4. Best K-beauty pick: Beauty of Joseon Light On Serum: Centella + Vita C\n\nBeauty of Joseon pairs 3-O-ethyl ascorbic acid, a stabilised vitamin C derivative, with centella asiatica, panthenol and vitamin E in a fragrance-free serum. It is directed for morning and evening use, with sunscreen by day, for £14.50.\n\nWhat stands out:\n- Labelled fragrance-free\n- £14.50 for 30ml on the brand’s UK-priced store\n- Morning and evening directions\n- Lightweight, non-sticky texture, per the brand\n\nConsider first:\n- The brand does not state the vitamin C concentration\n- A derivative rather than L-ascorbic acid\n- The brand advises a patch test and no layering with AHA, BHA or PHA exfoliants\n\nProduct guide: https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c\nOfficial page: https://beautyofjoseon.com/products/light-on-serum-centella-vita-c\n\n## What to look for\n\n### The form of vitamin C\n\nL-ascorbic acid is the most studied form but is unstable in water and oxidises. Derivatives such as tetrahexyldecyl ascorbate and 3-O-ethyl ascorbic acid are more stable, but there is less published evidence on how much becomes active vitamin C in skin.\n\n### A stated strength\n\nLook for a percentage. Research summarised by Telang (2013) found the benefit of L-ascorbic acid rises with concentration only up to about 20%, so a higher number is not automatically better.\n\n### Packaging and colour\n\nOxidised L-ascorbic acid turns yellow to amber. Keep the cap closed, store the bottle as the brand directs and follow its guidance on colour change.\n\n### Morning or evening\n\nMost brands direct vitamin C for the morning, under sunscreen. The Ordinary’s 23% suspension is the exception, directed for evenings. Vitamin C never replaces SPF.\n\n### Fragrance and tingling\n\nRead past “no artificial fragrance” to the ingredient list: essential oils can still add fragrance allergens. Low-pH L-ascorbic acid serums can tingle, and the brands say so.\n\n### What not to mix\n\nBrands list their own conflicts. The Ordinary advises against pairing its suspension with niacinamide or retinoids, and Beauty of Joseon against layering Light On with exfoliating acids.\n\n## How we chose\n\nThis guide is desk research. We compared vitamin C serums sold in the UK using the brands’ published formulas, ingredient lists, specifications and directions, together with UK prices from official pages or named retailers on 25 September 2026. None of the products was tested in a laboratory or worn by our editors for this guide.\n\nWe recorded the form of vitamin C, its stated concentration, supporting antioxidants, fragrance, directions and UK price, and we noted where a brand does not publish its strength.\n\nAwards describe fit — the job a product is best suited to — rather than a single overall score. Brand claims are reported as brand claims. No brand paid for inclusion, and shopping links elsewhere on the site do not influence which products appear here.\n\n## Questions\n\n### Which form of vitamin C is best in a serum?\n\nL-ascorbic acid has the most research behind it, which is why SkinCeuticals C E Ferulic and The Ordinary’s 23% suspension use it. Derivatives such as tetrahexyldecyl ascorbate (Medik8 C-Tetra) and 3-O-ethyl ascorbic acid (Beauty of Joseon Light On) are more stable but less extensively studied.\n\n### Should vitamin C serum go on in the morning or evening?\n\nMost brands direct it for mornings, under sunscreen. The Ordinary is the exception: it directs its 23% suspension for once-daily use, ideally in the evening. Follow the directions for the exact product.\n\n### Is it normal for vitamin C serum to change colour?\n\nL-ascorbic acid oxidises over time and can turn yellow or amber. Keep the cap closed, store it as the brand directs and check the brand’s guidance; derivatives are more resistant to this.\n\n### Can I use vitamin C with retinol?\n\nKeep them apart. The Ordinary advises against combining its 23% suspension with retinoids, so a common approach is vitamin C in the morning and a retinoid at night.\n\n### Does vitamin C replace sunscreen?\n\nNo. Vitamin C is an antioxidant step, not UV protection. Every brand in this guide pairs its serum with sunscreen during the day.\n\n## Sources\n\n- [Pullar JM, Carr AC, Vissers MCM (2017) — The Roles of Vitamin C in Skin Health, Nutrients](https://pmc.ncbi.nlm.nih.gov/articles/PMC5579659/)\n- [Telang PS (2013) — Vitamin C in dermatology, Indian Dermatology Online Journal](https://pmc.ncbi.nlm.nih.gov/articles/PMC3673383/)\n- [Al-Niaimi F, Chiang NYZ (2017) — Topical Vitamin C and the Skin, Journal of Clinical and Aesthetic Dermatology](https://pmc.ncbi.nlm.nih.gov/articles/PMC5605218/)\n- [The Ordinary UK — vitamin C range](https://theordinary.com/en-gb/category/skincare/shop-by-ingredients/vitamin-c)\n- [LOOKFANTASTIC — SkinCeuticals C E Ferulic 30ml](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/)\n- [Space NK — SkinCeuticals C E Ferulic](https://www.spacenk.com/uk/skincare/treatment/serums/c-e-ferulic-MUK200066059.html)\n- [SkinCeuticals C E Ferulic — official product page](https://www.skinceuticals.co.uk/en_GB/c-e-ferulic-antioxidant-serum/635494363210.html)\n- [The Ordinary Vitamin C Suspension 23% + HA Spheres 2% — official product page](https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html)\n- [Medik8 C-Tetra — official product page](https://www.medik8.com/products/c-tetra)\n- [Beauty of Joseon Light On Serum: Centella + Vita C — official product page](https://beautyofjoseon.com/products/light-on-serum-centella-vita-c)\n\n## Head-to-head comparisons\n\n- [C E Ferulic vs C-Tetra](https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra)\n"},{"url":"https://thecastindex.com/beauty/bevel-body-cream","markdownUrl":"https://thecastindex.com/beauty/bevel-body-cream.md","title":"Bevel Body Cream","lastmod":"2026-07-15","sha256":"b3abedefb0a39da1fb40e81e2134d31d0e387454b119a6c8b8635fa97a4e3391","bytes":3174,"markdown":"# Bevel Body Cream\n\n> Bevel, part of Procter & Gamble, formulates the cream with cocoa butter, shea butter and hyaluronic acid, marketed as absorbing without stickiness.\n\n- Canonical: https://thecastindex.com/beauty/bevel-body-cream\n- Category: Body\n- Format: Body cream\n- Finish: Non-greasy\n- Best for: Deep hydration for men’s grooming routines\n- Official: https://getbevel.com/products/bevel-body-cream\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nNon-greasy body cream for men’s grooming routines — useful desk coverage where the brief is body moisture, not scent-led bodycare.\n\n## The formula\n\nBevel Body Cream is built on cocoa seed butter and shea butter for deep moisture and barrier support, olive fruit oil, and hyaluronic acid to help support tone evenness — combined with glycerin and caprylic/capric triglyceride as supporting emollients. The brand’s goal, in its own words, is real hydration without the greasy feel that keeps a lot of men away from body moisturiser: fast-absorbing, non-sticky, and free of parabens, phthalates, sulfates, dyes, silicones, petroleum and mineral oils.\n\n## The backstory\n\nBevel was founded by Tristan Walker in 2013 to serve people of color underserved by mainstream grooming, starting with a shave system designed to address razor bumps and ingrown hairs — issues common with coarser, curlier hair textures. The brand was later acquired by Procter & Gamble and now sits within P&G’s wider portfolio. This Body Cream, launched 17 March 2026, is Bevel’s first product in body care, extending beyond its original shave and skincare lines and explicitly addressing dryness, irritation and tone evenness alongside shaving-related concerns.\n\nActor, producer and director Larenz Tate is the brand ambassador for the launch. \"I'm honored to partner with BEVEL, a brand that sets the standard in grooming and luxury skin care,\" Tate said in the brand’s official announcement. Bevel’s VP of Marketing, Breann Satterwhite, added: \"With our first-ever Body Cream, we set out to create a product that delivers real hydration without the greasy feel men often avoid.\"\n\n## Who it’s for\n\nBevel markets the cream around Black men’s grooming and skin-care needs specifically — dryness, irritation, hyperpigmentation and tone evenness, often tied to shaving — while stating the formula is lightweight and moisturising for everyday hydration across all skin types.\n\n## How to use it\n\n1. Apply generously after showering, while skin is still slightly damp\n2. Reapply whenever skin feels dry\n\n## Questions and answers\n\n### Who is the face of the Bevel Body Cream launch?\n\nActor, producer and director Larenz Tate is the brand ambassador for the launch.\n\n### What is Bevel Body Cream formulated with?\n\nCocoa seed butter, shea butter, olive fruit oil and hyaluronic acid, with glycerin and caprylic/capric triglyceride as supporting emollients.\n\n### Where can I buy Bevel Body Cream?\n\nIt’s sold exclusively on Amazon.com and GetBevel.com, with a 30-day money-back guarantee.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/body\n"},{"url":"https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask","markdownUrl":"https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask.md","title":"Biodance Bio-Collagen Real Deep Mask","lastmod":"2026-09-08","sha256":"61bd332527f6f7ad9108224d547f14ab66cd73ad1700cae2aab582a37ac456e5","bytes":2074,"markdown":"# Biodance Bio-Collagen Real Deep Mask\n\n> Biodance lists niacinamide, galactomyces, collagen and hyaluronic-acid ingredients in this hydrogel mask. Its directions specify three to four hours in the daytime or overnight use.\n\n- Canonical: https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask\n- Category: Skin prep\n- Format: Hydrogel face mask\n- Finish: Hydrated glow\n- Best for: An occasional, longer hydration step\n- Official: https://biodance.com/products/biodance-bio-collagen-real-deep-mask\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA longer mask ritual for readers who enjoy that format. A familiar moisturiser is the simpler choice when time is short.\n\n## Selection evidence\n\nNew to our edit: Selected for its format and role in a routine. This label records our catalogue addition, not its launch date or a sales ranking.\n\nSource: https://biodance.com/products/biodance-bio-collagen-real-deep-mask\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose this for the mask format and the time you want to spend on it. It is not a necessary step before foundation. Avoid introducing an unfamiliar long-wear mask immediately before an important event.\n\n## What should you check before buying?\n\nThe brand’s firming and penetration claims are not independent findings from this desk. A transparent-looking mask is not a measurement of collagen delivery. Ingredient tolerance still varies, including for products marketed to sensitive skin.\n\n## How to use it\n\n1. Prepare skin and apply following the pack directions.\n2. The brand specifies three to four hours for daytime use or overnight wear.\n3. Remove sooner if uncomfortable; stop use if irritation occurs.\n\n## Questions and answers\n\n### Is the Biodance mask a quick ten-minute prep product?\n\nNo. Biodance’s directions describe three to four hours during the day or overnight wear. A simpler, familiar moisturiser may fit a short routine better.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser","markdownUrl":"https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser.md","title":"CeraVe Hydrating Facial Cleanser","lastmod":"2026-07-28","sha256":"0711b52cfc0ed0316a64c8289f2853b30bd8373de582e78fbe709749e90f9bdc","bytes":5160,"markdown":"# CeraVe Hydrating Facial Cleanser\n\n> CeraVe Hydrating Facial Cleanser is a dermatologist-developed, non-foaming cleanser with ceramides, hyaluronic acid and MVE Technology, fragrance-free and aimed at normal to dry skin. The Cast Index files it under Couture glass skin as the cleanse step that clears the face without leaving a tight, chalky base for camera.\n\n- Canonical: https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser\n- Category: Skin prep\n- Format: Non-foaming cleanser\n- Finish: Barrier-support cleanse\n- Best for: Normal to dry skin before glass-skin prep\n- Official: https://www.cerave.co.uk/skincare/cleansers/hydrating-cleanser\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe cleanse step under Couture glass skin — removes the day without stripping the barrier the camera needs to read as light, not chalk.\n\n## The formula\n\nCeraVe’s Hydrating Cleanser is a lotion-texture, non-foaming wash built around three ceramides and hyaluronic acid. On the UK ingredient list those ceramides appear as Ceramide NP, Ceramide AP and Ceramide EOP, with sodium hyaluronate carrying the humectant role. The brand’s MVE Technology is described as encapsulating and continually releasing moisturising ingredients so support continues after rinsing — a delivery claim from CeraVe, not an independent Cast Index lab result.\n\nThe product is fragrance-free, non-comedogenic and labelled non-irritating. Directions are simple: wet skin with lukewarm water, massage in a gentle circular motion, rinse. It is the opposite of a squeaky foaming cleanse — which is the point when the season finish wants hydrated, light-catching skin rather than a matte, depleted base.\n\n## Season finish — Couture glass skin\n\nCouture glass skin on the Season Beauty Index is hydrated, light-catching skin with almost no mapped contour — coverage only where the camera needs it. That finish fails when the cleanse step strips lipids and leaves the face tight before serum or SPF. This cleanser earns its kit slot as the barrier-aware open: dirt and makeup leave; the face still looks like skin.\n\nOn show-week schedules it replaces harsher foaming washes when the brief is Paris-coded luminosity under Balenciaga, Chanel or Schiaparelli casting language — not a full-coverage matte mask.\n\n## Working kit\n\nOrder: cleanse → toning or essence if used → water-based serum → moisturiser → dedicated SPF → optional glow booster or sheer base. Pair with CeraVe Moisturising Lotion and La Roche-Posay Anthelios UVMune 400 Invisible Fluid when the desk wants a coherent barrier-then-protect stack. It replaces any cleanser that leaves visible tightness or residual fragrance under camera.\n\nWrong for anyone who needs a true oil cleanser as the only makeup-removal step for heavy pigment or waterproof mascara — this is a gentle daily wash, not a backstage tear-down solvent. Very oily skins that prefer a foaming cleanse may find the lotion texture too soft; that is a preference gap, not a defect.\n\n## Limitations and brand cautions\n\nCeraVe positions the cleanser for normal to dry skin. It is not a medical treatment for eczema, acne or barrier disease — keep language to cleansing and moisture-barrier support as the brand states. Patch-test if the wearer has a history of reactions to any listed ingredient. Always check the INCI on the pack in hand; CeraVe notes ingredient lists update.\n\n## How to use it\n\n1. Wet skin with lukewarm water\n2. Massage cleanser into skin in a gentle circular motion\n3. Rinse thoroughly\n4. Follow with toner or serum, moisturiser and a dedicated SPF in the morning\n\n## Questions and answers\n\n### Is CeraVe Hydrating Facial Cleanser foaming?\n\nNo. CeraVe UK describes it as a gentle, non-foaming cleansing formula for normal to dry skin.\n\n### Does CeraVe Hydrating Facial Cleanser contain ceramides?\n\nYes. The brand formulates it with ceramides and hyaluronic acid; the UK INCI lists Ceramide NP, Ceramide AP and Ceramide EOP with sodium hyaluronate.\n\n### Is CeraVe Hydrating Facial Cleanser fragrance-free?\n\nYes. CeraVe UK lists the cleanser as non-comedogenic, non-irritating and fragrance-free.\n\n### What is CeraVe Hydrating Facial Cleanser best for on a fashion casting kit?\n\nCeraVe Hydrating Facial Cleanser is a non-foaming, fragrance-free wash with ceramides and hyaluronic acid for normal to dry skin. On The Cast Index it opens the Couture glass skin stack without stripping the barrier the camera reads as light.\n\n### Does CeraVe Hydrating Facial Cleanser contain ceramides and hyaluronic acid?\n\nYes. CeraVe UK formulates the cleanser with ceramides and hyaluronic acid and lists MVE Technology for ongoing moisturising release. The UK INCI names Ceramide NP, AP and EOP plus sodium hyaluronate.\n\n### Can CeraVe Hydrating Facial Cleanser replace an oil cleanser for heavy makeup?\n\nNot always. CeraVe positions it as a gentle daily cleanser for normal to dry skin. Heavy pigment or waterproof mascara may still need a dedicated makeup remover before this wash.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/cerave-moisturising-lotion","markdownUrl":"https://thecastindex.com/beauty/cerave-moisturising-lotion.md","title":"CeraVe Moisturising Lotion","lastmod":"2026-07-28","sha256":"0c7a10b38d68b0d156b0839f49ef8c1eb2dad0da238b2ae0afe4380acb034263","bytes":4801,"markdown":"# CeraVe Moisturising Lotion\n\n> CeraVe Moisturising Lotion is a lightweight, dermatologist-developed lotion with three essential ceramides, hyaluronic acid and MVE Technology for up to 24-hour hydration. The Cast Index places it in Couture glass skin kits as the non-greasy moisture step before SPF and sheer luminous base.\n\n- Canonical: https://thecastindex.com/beauty/cerave-moisturising-lotion\n- Category: Skin prep\n- Format: Lightweight lotion\n- Finish: Hydrated, non-greasy\n- Best for: Barrier moisture under luminous makeup\n- Official: https://www.cerave.co.uk/skincare/moisturisers/moisturising-lotion\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe lightweight moisture layer under Couture glass skin when cream weight would dull light on camera.\n\n## The formula\n\nCeraVe Daily Moisturising Lotion is positioned on the UK site as a lightweight lotion for normal to dry skin. The brand cites three essential ceramides and hyaluronic acid, with MVE Technology continually releasing moisturising ingredients for up to 24-hour hydration. The texture is described as lightweight and non-greasy — moisture without a heavy film that would flatten light under a glass-skin read.\n\nDirections: apply liberally as often as needed, or as directed by a physician. CeraVe notes ingredient lists update; always read the pack. The Cast Index does not treat this lotion as a medicine for eczema or other skin disease, even where retailers mention eczema-prone use — stick to the brand’s moisturising and barrier-support language.\n\n## Season finish — Couture glass skin\n\nCouture glass skin needs visible hydration and a surface that catches light. A greasy cream can make sheer base slide or look patchy on camera; an under-moisturised face reads dull. This lotion sits in the middle: barrier lipids and humectant support without the density of CeraVe’s richer cream pot.\n\nIn the Season Beauty Index kit logic it is the moisture plate under SPF and optional radiant base — Paris couture luminosity, not a mapped contour face.\n\n## Working kit\n\nApply after water-based serums (for example The Ordinary Niacinamide 10% + Zinc 1% or a hyaluronic step) and before sunscreen. Morning: lotion → Anthelios UVMune 400 Invisible Fluid → optional Halo Glow Liquid Filter or sheer foundation. Evening: lotion as the seal after actives that the brand allows in the same routine.\n\nIt replaces heavier occlusive creams when the brief is skin-like radiance. Wrong for wearers who need a rich balm texture on very dry facial skin — move to a denser cream. Wrong as a substitute for SPF.\n\n## Limitations and brand cautions\n\nCeraVe UK categorises the product with body moisturisers; follow the brand’s apply-liberally guidance and your own tolerance on the face. Not a treatment for medical skin conditions. If irritation occurs, stop and seek professional advice. Patch-test new routines on compromised show-week skin.\n\n## How to use it\n\n1. Apply liberally to clean skin as often as needed\n2. In a morning glass-skin stack, use after water-based serums and before dedicated SPF\n3. Allow a brief absorb window before makeup so the surface stays light-catching, not slick\n4. Do not use this lotion as sun protection\n\n## Questions and answers\n\n### How long does CeraVe Moisturising Lotion hydration last?\n\nCeraVe UK states MVE Technology continually releases moisturising ingredients for up to 24-hour hydration. That is a brand claim, not an independent Cast Index wear test.\n\n### What is in CeraVe Moisturising Lotion?\n\nCeraVe UK lists three essential ceramides and hyaluronic acid in a lightweight, non-greasy lotion developed with dermatologists for normal to dry skin.\n\n### Can CeraVe Moisturising Lotion replace sunscreen?\n\nNo. It is a moisturiser. Use a dedicated SPF such as a labelled SPF50+ fluid after moisturising when daytime protection is required.\n\n### Why does The Cast Index file CeraVe Moisturising Lotion under Couture glass skin?\n\nCouture glass skin needs hydrated, light-catching skin with almost no mapped contour. CeraVe’s lightweight ceramide lotion supports that moisture plate without the heavy film that can dull a radiant base on camera.\n\n### Does CeraVe Moisturising Lotion use ceramides and hyaluronic acid?\n\nYes. CeraVe UK formulates the lotion with three essential ceramides and hyaluronic acid, plus MVE Technology the brand links to up to 24-hour hydration for normal to dry skin.\n\n### Should CeraVe Moisturising Lotion go before or after SPF?\n\nMoisturiser first, dedicated sunscreen second. CeraVe’s lotion is not an SPF product; apply Anthelios or another labelled sunscreen after it for daytime Couture glass skin kits.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation","markdownUrl":"https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation.md","title":"Charlotte Tilbury Airbrush Flawless Foundation","lastmod":"2026-09-25","sha256":"92c1aa47601c4f124240dacd5d69892243f8580a861e7af8fd2a4158fb562518","bytes":3198,"markdown":"# Charlotte Tilbury Airbrush Flawless Foundation\n\n> Charlotte Tilbury Airbrush Flawless Foundation was reformulated in August 2025 and comes in 44 shades with full coverage and a soft-matte finish. The brand’s up-to-24-hour wear and shine-control claims come from a 305-person consumer test. It costs £40 for 30ml on Charlotte Tilbury UK and carries no SPF.\n\n- Canonical: https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Soft matte\n- Best for: Full coverage with a blurred, soft-matte finish\n- Official: https://www.charlottetilbury.com/uk/product/airbrush-flawless-foundation-shade-4-neutral\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nFull coverage with a blurred, soft-matte finish across 44 shades, at £40. Choose it when oily skin wants coverage and shine control from one product. The August 2025 formula replaced the original shades, so re-match, and note there is no SPF.\n\nSkip this if you want sheer coverage, a dewy finish, SPF in your foundation, or a formula without menthol.\n\nThe soft-focus full-coverage option: a blurred matte that reads smooth on camera, best kept thin through the centre of the face.\n\n## The formula\n\nCharlotte Tilbury relaunched Airbrush Flawless Foundation in August 2025 with a new formula and a new 44-shade range. The brand describes powder-blur technology for a soft-focus finish and full coverage, alongside a cooling complex; menthol and alcohol appear in the ingredient list.\n\nWear and shine-control figures come from the brand’s own consumer test of 305 people. They are manufacturer evidence, not a Cast Index wear test.\n\n## Who it’s for\n\nOily and combination skin that wants full coverage with a blurred matte finish, and anyone who prefers one product to do the work of foundation and setting powder. For lighter coverage, apply thinly and build only where needed.\n\n## What should you check before buying?\n\nOld shade names do not carry over: Charlotte Tilbury advises previous wearers to re-match. The UK page makes no non-comedogenic or fragrance-free claim, and the menthol may not suit sensitive skin. There is no SPF, so a separate sunscreen remains essential.\n\n## How to use it\n\n1. Apply over a settled sunscreen\n2. Start with a small amount in the centre of the face and blend outwards\n3. Build coverage in thin layers where needed rather than one heavy layer\n4. Remove thoroughly at night\n\n## Questions and answers\n\n### Is Charlotte Tilbury Airbrush Flawless Foundation a new formula?\n\nYes. The current formula launched in August 2025, replacing the 2015 original with a new 44-shade range. Previous wearers should re-match their shade.\n\n### Does Airbrush Flawless Foundation have SPF?\n\nNo. Wear a separate sunscreen beneath it.\n\n### Is Airbrush Flawless Foundation suitable for sensitive skin?\n\nThe UK page makes no sensitive-skin, non-comedogenic or fragrance-free claim, and the ingredient list includes menthol and alcohol. Patch test if your skin reacts easily.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray","markdownUrl":"https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray.md","title":"Charlotte Tilbury Airbrush Flawless Setting Spray","lastmod":"2026-07-15","sha256":"51cafcbd2118b6281d9bd963c39c1029d52c5e099f5632fc53c3ea7930a19998","bytes":2944,"markdown":"# Charlotte Tilbury Airbrush Flawless Setting Spray\n\n> The official product is an oil-free, lightweight setting spray marketed to prime and set makeup.\n\n- Canonical: https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray\n- Category: Setting\n- Format: Setting mist\n- Finish: Natural\n- Best for: Priming and extending makeup wear\n- Official: https://www.charlottetilbury.com/uk/product/airbrush-flawless-setting-spray\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe final-kit step: a fine mist that supports longevity without changing the chosen complexion finish.\n\n## The formula\n\nCharlotte Tilbury formulates this spray with Japanese green tea to soften and hydrate skin, aloe vera for a soothing finish, and what the brand calls \"Flawless Film Formers\" — ingredients designed to form an invisible shield over finished makeup. It’s positioned to prime skin before makeup, boost eyeshadow or eyeliner pigment when sprayed directly onto a brush, and set the completed look, with claims of up to 16-hour wear and waterproof performance. It’s vegan and cruelty-free.\n\n## One product, three jobs\n\nThe brand documents a specific three-step method built around this single spray: Prime, misting it onto skin from 6–8 inches away before applying any makeup; Intensify, spraying it directly onto an eyeshadow or eyeliner brush to boost pigment payoff before application; and Set, misting the full, finished face at the end to lock everything in place. That versatility — one product doing priming, product-intensifying and setting — is the spray’s core pitch.\n\n## Why it’s in the edit\n\nThis is the Beauty Desk’s final-kit step: a fine mist that extends wear without changing whatever complexion finish came before it. Charlotte Tilbury markets the Airbrush Flawless line as drawing on her three decades of makeup artistry, and it’s sold as the UK’s number-one prestige makeup setting spray, per the brand’s own market data.\n\n## How to use it\n\n1. Prime: mist 6–8 inches from the face before applying makeup, to hydrate and smooth skin\n2. Intensify: spray directly onto an eyeshadow or eyeliner brush to boost pigment payoff\n3. Set: mist over the full, finished face to lock the look in place\n\n## Questions and answers\n\n### How long does Charlotte Tilbury Airbrush Flawless Setting Spray last?\n\nThe brand claims up to 16-hour wear, and the formula is waterproof.\n\n### Can Charlotte Tilbury Airbrush Flawless Setting Spray be used on makeup brushes?\n\nYes — the brand’s \"Intensify\" step involves spraying it directly onto an eyeshadow or eyeliner brush to boost pigment payoff before application.\n\n### What sizes does Charlotte Tilbury Airbrush Flawless Setting Spray come in?\n\nIt’s sold in a 34ml travel size, a 100ml full size, and a 200ml size.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/setting\n"},{"url":"https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara","markdownUrl":"https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara.md","title":"Charlotte Tilbury Exagger-Eyes Volume Mascara","lastmod":"2026-07-15","sha256":"9f9bdcff3e113c2e166dfe7dfca03240eeee6276cfc5035ceac361a8dce0db16","bytes":3634,"markdown":"# Charlotte Tilbury Exagger-Eyes Volume Mascara\n\n> Charlotte Tilbury describes an Ultra-Curved Lash Styler brush and claims up to 28-hour wear with 9x volume after one coat.\n\n- Canonical: https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara\n- Category: Eyes & brows\n- Format: Mascara\n- Finish: Volumising\n- Best for: Dramatic lash volume without clumping\n- Official: https://www.charlottetilbury.com/us/product/exagger-eyes-volume-mascara\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe brand’s first dedicated volume mascara, a decade in development — worth knowing for a lash-first look.\n\n## The formula and brush\n\nCharlotte Tilbury’s Lash Vinyl-Black Wrap Tech is a set of lash-plumping polymers designed to coat and wrap each individual lash, combined with jojoba wax for conditioning and a vinyl-black pigment that creates an optical illusion of bigger, brighter eyes. The brand claims 9x more volume after a single coat, a 2x curl effect, and up to 28-hour wear that resists smudging, flaking, sweat, clumping and humidity — and, unlike some volumising formulas, it isn’t a tubing mascara.\n\nThe brush is built dual-action: a crescent-shaped, laser-cut fibre-bristle design with one side soft and rounded for volume, and the other sharp and defined for precision and separation, so a single wand can do both jobs depending on how it’s angled.\n\n## A decade in the making\n\nCharlotte Tilbury has said she discovered the transformative power of mascara at 13, and set out to build a formula that would make every lash type — sparse or thick, long or short, curly or straight — look bigger and thicker. The brand states the final formula took ten years and more than 200 tested combinations to land on, with the design drawing on 1940s film-noir Hollywood lash glamour and, per Tilbury, inspiration from the mechanics of a hairstyling tool reworked into a mascara wand.\n\nIn a brand-reported study of 105 participants over seven days, 94% saw instant volume, 95% agreed their eyes looked bigger and brighter, 93% reported lashes appeared multiplied, and 90% saw root-to-tip curl.\n\n## Real reviews worth knowing\n\nNewBeauty named it winner of \"Best Volumizing Mascara\" in its 2025 Beauty Awards; senior beauty editor Allie Hogan wrote that it \"produces runway-ready lashes in just a few coats.\" A separate NewBeauty reviewer confirmed it isn’t a tubing formula and noted the brush \"deposits a lot of product\" at the lash root for an especially bold look. Space NK’s in-house reviewers praised its staying power, definition and clump-free, featherlight coat.\n\n## How to use it\n\n1. Hold the wand horizontally\n2. Press the brush’s inner curved side into the lash roots and pull upward for volume\n3. Use the outer curved side in a wiggling motion from base to tip for definition and separation\n4. Use the tip for precision on inner and outer corners and the lower lash line\n\n## Questions and answers\n\n### Is Charlotte Tilbury Exagger-Eyes Volume Mascara a tubing mascara?\n\nNo — independent reviewer testing has confirmed it is not a tubing formula, despite its high-volume claims.\n\n### How long did Charlotte Tilbury take to develop Exagger-Eyes Volume Mascara?\n\nThe brand states it took ten years and more than 200 tested formula combinations to develop before its September 2024 launch.\n\n### Has Charlotte Tilbury Exagger-Eyes Volume Mascara won any awards?\n\nYes — it won \"Best Volumizing Mascara\" in NewBeauty’s 2025 Beauty Awards.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/charlotte-tilbury-hollywood-flawless-filter","markdownUrl":"https://thecastindex.com/beauty/charlotte-tilbury-hollywood-flawless-filter.md","title":"Charlotte Tilbury Hollywood Flawless Filter","lastmod":"2026-08-13","sha256":"a348d82a75a2fd878b2ecef1ae0630a00629ef002ee87da020a06738e16cd3a4","bytes":5244,"markdown":"# Charlotte Tilbury Hollywood Flawless Filter\n\n> Charlotte Tilbury Hollywood Flawless Filter is a multi-use complexion booster worn alone, under, mixed with or over foundation. The official UK page listed full size from £40 and shades 1–8, including half-shades, when checked 13 August 2026. The Cast Index files it under Couture glass skin. Shopping stays on the brand until an authorised programme is configured.\n\n- Canonical: https://thecastindex.com/beauty/charlotte-tilbury-hollywood-flawless-filter\n- Category: Complexion\n- Format: Complexion booster\n- Finish: Luminous\n- Best for: Sheer glow alone, under or over base\n- Official: https://www.charlottetilbury.com/uk/products/makeup/face/hollywood-flawless-filter\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe UK glow booster for Couture glass skin when you need light, not coverage. Charlotte Tilbury describes a multi-use filter worn alone, under, mixed with or over foundation. Full size from £40 on the official UK site when checked 13 August 2026. Shop the brand or an authorised retailer — this desk does not send Flawless Filter through Amazon.\n\nSkip this if you need full-coverage foundation, a matte base, or a shade-matched concealer. This is a sheer glow booster. Skip Amazon third-party listings; they are not this site’s path.\n\nA multi-use glow booster for Couture glass skin — worn alone, under, mixed with or over a sheer base.\n\n## The formula\n\nHollywood Flawless Filter is Charlotte Tilbury’s complexion booster: a liquid designed to mimic the softening of a camera filter and “Hollywood lights,” in the brand’s words. It is not foundation. Coverage is sheer; the job is blur, smoothness and illumination. Worn too heavily it can read as highlighter stripes rather than skin.\n\nThe official UK assortment when checked ran shades 1–8 with half-steps (2.5, 4.5, 5.5, 6.5). Match depth first, then undertone, as you would a skin tint. Retailers may stock a subset. Always check the live shade grid on Charlotte Tilbury or an authorised stockist.\n\n## Ways to wear\n\nThe brand documents four routes: alone on skin for a no-makeup glow; underneath foundation as a luminous primer-like layer; mixed into foundation to sheer and lighten the base; or dotted over makeup on high points. For Couture glass skin the desk’s useful versions are mixed-in or a thin layer under a skin-like foundation — not a stripe of pure filter on the nose.\n\nPair with a real sunscreen underneath. A glow booster is not SPF. If the brief is matte or full coverage (Pat McGrath Sublime Perfection at medium, TIRTIR cushion), this is the wrong product.\n\n## Why it’s in the edit\n\nUK glow is a season language, not a viral filter name. Flawless Filter is the reference booster because the usage is flexible and the shade grid is broad enough for a desk that casts globally. e.l.f. Halo Glow Liquid Filter is the accessible analogue in the same finish family — different brand, similar job.\n\nAffiliate path: Charlotte Tilbury official URL until Cult Beauty, Lookfantastic or Space NK Awin IDs are live. We do not add Amazon search for this SKU; marketplace listings are typically third-party.\n\n## How to use it\n\n1. Apply a dedicated sunscreen first; this product is not sun protection\n2. Alone: a thin layer on the face, blended well\n3. Under or mixed: a small amount under or into a sheer-to-medium base\n4. Over: tap onto high points only if the look still reads as skin\n5. Choose a shade from the current 1–8 grid; authorised retailers only\n\n## How it compares\n\n| Role | Hollywood Flawless Filter | e.l.f. Halo Glow Filter | Shiseido Synchro Skin Radiant |\n| --- | --- | --- | --- |\n| What it is | Glow booster | Accessible glow booster | Foundation with SPF 30 labelled |\n| Coverage | Sheer | Sheer | Medium-to-full, buildable |\n| UK guide | From £40 | See e.l.f. profile | See Shiseido profile |\n| Amazon on this site | No — brand/authorised only | See that product page | Amazon search live |\n\n## Questions and answers\n\n### Is Hollywood Flawless Filter a foundation?\n\nNo. Charlotte Tilbury positions it as a glow booster that can be worn alone or with foundation. It will not replace a full-coverage base.\n\n### How many shades does Hollywood Flawless Filter come in?\n\nThe Charlotte Tilbury UK page listed shades 1 through 8, including half-shades such as 2.5, 4.5, 5.5 and 6.5, when checked on 13 August 2026. Local retailers may carry fewer.\n\n### Why doesn’t The Cast Index link Flawless Filter on Amazon?\n\nCharlotte Tilbury is sold brand-direct and through authorised beauty retailers. Amazon listings are typically third-party resellers. This site keeps the official URL until an authorised affiliate programme (for example Cult Beauty via Awin) is configured.\n\n### What finish does Hollywood Flawless Filter serve?\n\nCouture glass skin — luminous, blurred skin with light rather than heavy coverage.\n\n### Can I mix Hollywood Flawless Filter with foundation?\n\nYes. The brand lists mixing with foundation as one of four official ways to wear it, alongside alone, underneath, or on top.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment","markdownUrl":"https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment.md","title":"Color Wow Dream Coat Supernatural Spray","lastmod":"2026-07-28","sha256":"02d8058df3fb4d468e1e521123e3035fc115a02b50161e93a3ff15418a3ee942","bytes":4779,"markdown":"# Color Wow Dream Coat Supernatural Spray\n\n> Color Wow Dream Coat Supernatural Spray is a heat-activated anti-frizz treatment that forms a hydrophobic matrix when blow-dried with tension, with brand-claimed wear through three to four shampoos. The Cast Index files it under Hair as silhouette for humidity-stable, glassy outlines on London-coded casting hair.\n\n- Canonical: https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment\n- Category: Hair\n- Format: Heat-activated anti-frizz spray\n- Finish: Glassy smooth\n- Best for: Humidity-resistant sleek silhouette\n- Official: https://uk.colorwowhair.com/products/dream-coat-anti-frizz-treatment\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nHumidity-proof polish for Hair as silhouette — the London line stays sleek when weather works against the outline.\n\n## The formula\n\nColor Wow Dream Coat Supernatural Spray is a water-based, heat-activated anti-frizz treatment. Activated by blow-dryer heat plus brush tension, it forms what the brand calls an invisible hydrophobic matrix: cuticle smoothed and compressed, each strand sheathed in a light moisture-repelling film. Color Wow claims the effect lasts through three to four shampoos and includes two levels of heat protection.\n\nIt is a styling treatment, not a leave-in conditioner. Sulphate-free per brand FAQ. Contains modern water-soluble polymers with a silicone portion the brand describes as non-greasy — still rinse with shampoo when you want it gone.\n\n## Season finish — Hair as silhouette\n\nHair as silhouette on the Index is texture and shape doing more than ornament — wet-slick, soft volume, or deliberate undoing held as a line. London AW26 used hair to finish the garment’s outline. Dream Coat serves the sleek, humidity-stable version of that outline: glassy smoothness that still reads as an intentional silhouette, not frizz bloom.\n\nSam McKnight remains the season hair authority on the creatives roster; this SKU is a retail tool for the sleek side of that finish language — not a claimed show credit.\n\n## Working kit\n\nShampoo, condition, towel-dry. Optional Color Wow Dream Cocktail first. Section and spray Dream Coat until damp hair is thoroughly saturated; comb through; blow-dry section by section with tension on medium–high heat. Do not stack other stylers on wet hair before activation. Reapply every three to four shampoos, not every wash.\n\nWrong if the goal is enhanced curl pattern — Color Wow points those wearers to Dream Coat for Curly Hair. Wrong for coily/dehydrated hair seeking sleek hold without Extra Strength — follow the brand’s variant guide. Wrong without heat; air-drying alone under-delivers the activation step.\n\n## Limitations and brand cautions\n\nApply to damp hair, not soaking and not dry. Keep out of eyes. Brand states no formaldehyde. Safe for keratin-treated hair and extensions per Color Wow, with the usual stylist consult. Build-up removes with shampoo over successive washes.\n\n## How to use it\n\n1. Shampoo, condition and towel-dry until damp\n2. Section hair and spray Dream Coat liberally on each section until saturated\n3. Comb through to distribute\n4. Blow-dry with a brush under tension until each section is fully dry\n5. Repeat every 3–4 shampoos rather than every wash\n\n## Questions and answers\n\n### Does Color Wow Dream Coat need heat to work?\n\nYes. Color Wow states Dream Coat is heat-activated and works best when blow-dried with tension from a brush; damp application alone is not the full method.\n\n### How long do Color Wow Dream Coat results last?\n\nColor Wow claims results last through three to four shampoos, which is why the brand says you do not need to use it every wash.\n\n### Can Color Wow Dream Coat be used on curly hair?\n\nFor enhanced curls, Color Wow recommends Dream Coat for Curly Hair. Original Dream Coat is for wavy-to-curly hair when the goal is smooth and sleek.\n\n### How do you activate Color Wow Dream Coat for Hair as silhouette?\n\nColor Wow directs application on damp hair, thorough saturation, then blow-drying with brush tension. Heat activation builds the hydrophobic matrix that keeps a sleek Hair as silhouette outline in humidity.\n\n### How often should Color Wow Dream Coat be used?\n\nColor Wow says results last through three to four shampoos, so the spray is not required at every wash. Reapply when the glassy, frizz-resistant finish fades after those cleanses.\n\n### Is Color Wow Dream Coat a leave-in conditioner?\n\nNo. Color Wow classifies Dream Coat as an anti-frizz styling treatment that needs heat activation, not as a leave-in conditioner. Pair conditioning steps before it, not instead of it.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence","markdownUrl":"https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence.md","title":"COSRX Advanced Snail 96 Mucin Power Essence","lastmod":"2026-10-01","sha256":"f7b43644ed7c093262341c61a722d2196726dbd1c85696582475f74188a43bf7","bytes":5835,"markdown":"# COSRX Advanced Snail 96 Mucin Power Essence\n\n> COSRX Advanced Snail 96 Mucin Power Essence is a fragrance-free hydrating essence listed at 96% snail secretion filtrate with sodium hyaluronate. The brand positions it for all skin types, including sensitive skin, as a glass-skin prep step. Glow statistics on the official page are from a 20-adult manufacturer study in Korea in 2025, not a Cast Index test.\n\n- Canonical: https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence\n- Category: Skin prep\n- Format: Essence\n- Finish: Hydrated\n- Best for: Lightweight barrier-support hydration\n- Official: https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA lightweight hydrating essence for Couture glass skin when the face needs slip, not weight. COSRX lists 96% snail secretion filtrate with sodium hyaluronate, and positions it for all skin types including sensitive. Clinical percentages on the brand site come from a 20-person manufacturer study in Korea (May–June 2025) — useful context, not an independent Cast Index test.\n\nSkip this if you need a vegan formula (the filtrate is snail-derived), a treatment acid, or a heavy cream. Skip also if you want this desk to certify “clinically proven glow” — those figures are brand-reported.\n\nLightweight barrier hydration under Couture glass skin when the face needs slip, not weight.\n\n## The formula\n\nCOSRX builds this essence around snail secretion filtrate at a stated 96% concentration, with betaine, sodium hyaluronate, allantoin and panthenol on the published INCI. The brand’s own comparison table claims a much higher mucin percentage than a “typical essence.” That is marketing context, not a Cast Index assay of competing bottles.\n\nTexture is described as lightweight and fast-absorbing — the reason it sits in a glass-skin kit rather than as a night cream. COSRX states the harvest does not harm snails; the formula is still animal-derived, so it is not vegan. Anyone buying for a vegan brief should stop here.\n\n## Who it’s for\n\nThe official page targets sensitive skin, post-breakout marks, dryness and early dullness. The desk uses a narrower brief: a hydrating layer that will not fight a sheer, light-catching base. It is not an AHA, not a retinol, and not a spot treatment.\n\nBrand-reported results include a large moisture increase after one use and a 35% glow / 80% redness-reduction figure from the 20-person 2025 study. Those numbers describe that manufacturer test. They are not a promise for every face, and they are not medical claims about barrier disease.\n\n## Why it’s in the edit\n\nCouture glass skin fails when prep is either too matte or too greasy. This essence is the slip layer: hydration that can sit under SPF and a radiant base without adding mask weight. New York Post Most Wanted 2024 is press recognition cited by the brand — not a Cast Index award.\n\nShopping links, where shown, are labelled and do not change the ranking of finishes or whether the product stays in the archive.\n\n## How to use it\n\n1. After cleansing and toning, apply a small amount to the face\n2. Pat with fingertips until absorbed\n3. Follow with moisturiser, then SPF in the morning, then makeup if needed\n4. Patch test if you have a history of reacting to snail mucin or the published INCI\n\n## How it compares\n\n| Role | COSRX Snail 96 Essence | Ordinary HA 2% + B5 | Anua Heartleaf 77 Toner |\n| --- | --- | --- | --- |\n| Job | Lightweight mucin hydration | Multi-weight HA + ceramides | Soothing toner water |\n| Hero material | Snail secretion filtrate 96% | Hyaluronic acid + ceramides | Heartleaf extract |\n| Vegan? | No — snail-derived | Check current INCI | Check current INCI |\n| Glass-skin use | Slip under base | Hydration before makeup | Calm prep |\n\n## Questions and answers\n\n### Is COSRX Advanced Snail 96 Mucin Power Essence vegan?\n\nNo. It contains snail secretion filtrate. COSRX describes an ethical collection process, but the ingredient is animal-derived.\n\n### Can I use COSRX Snail 96 under makeup?\n\nYes. COSRX positions the essence as a fast-absorbing hydrating base under makeup or sunscreen. That is brand usage guidance, not a wear test by this desk.\n\n### Are the glow and redness percentages independently verified?\n\nNo. COSRX attributes those figures to a 20-adult study at Dermacosmetic Skin Science Laboratory in Korea from 26 May to 10 June 2025. Treat them as brand-reported.\n\n### What does snail mucin do for skin?\n\nIt is used as a light, hydrating and skin-conditioning layer. Small studies report a better look to fine lines, but a 2024 review found most evidence is preclinical or from small trials. Our snail mucin explainer covers the research and how it compares with PDRN.\n\n### Is COSRX snail mucin good for acne-prone skin?\n\nCOSRX positions it for all skin types, including post-breakout skin, and it is fragrance-free. No good study shows snail mucin treats or causes acne; introduce it on its own, patch test, and see a pharmacist or GP about acne that is not improving.\n\n### Where can I buy COSRX snail mucin in the UK?\n\nUK retailers including Boots list the 100ml essence. Buy from an authorised retailer and check the product name, Advanced Snail 96 Mucin Power Essence, and the size before ordering.\n\n### What finish does COSRX Snail 96 serve on The Cast Index?\n\nCouture glass skin — a lightweight hydration step so a radiant base can sit on plump-looking skin without cream weight.\n\n### Is COSRX Snail 96 a treatment for acne?\n\nNo. The brand mentions post-breakout marks and sensitive skin as use cases. This desk does not treat the essence as medicine.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser","markdownUrl":"https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser.md","title":"COSRX Low pH Good Morning Gel Cleanser","lastmod":"2026-09-25","sha256":"42ec5f32636d4021bcb5ea9adfbf9ff743feb9181ada251ec563ea612d74aa3b","bytes":2666,"markdown":"# COSRX Low pH Good Morning Gel Cleanser\n\n> COSRX Low pH Good Morning Gel Cleanser states a pH of 5.31 ± 1.00 and lists betaine salicylate, a BHA, and tea tree leaf oil. Boots listed 150ml at £12.50 on 25 September 2026. The BHA percentage is not published, and UK retailer ingredient lists differ on whether parfum is included.\n\n- Canonical: https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser\n- Category: Skin prep\n- Format: Gel cleanser\n- Finish: Clean, not stripped\n- Best for: A gentle morning cleanse for oily and combination skin\n- Official: https://www.cosrx.com/products/low-ph-good-morning-gel-cleanser\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA low-pH gel cleanser with betaine salicylate (a BHA) and tea tree oil, from £12.50 for 150ml. A gentle morning cleanse for oily and combination skin — but UK ingredient lists disagree on fragrance, so read your pack.\n\nSkip this if you want a published BHA percentage, avoid tea tree oil, or need a formula confirmed as fragrance-free.\n\nA low-pH morning cleanse that clears oil without leaving skin tight before sunscreen and base.\n\n## The formula\n\nCOSRX’s gel cleanser is built around a low pH — stated as 5.31 ± 1.00 — with betaine salicylate, a gentle BHA, and tea tree leaf oil. As a rinse-off cleanser, the BHA has only brief contact with the skin.\n\nThe brand does not publish the BHA percentage, and UK retailers publish differing ingredient lists: some include parfum and limonene and omit tea tree. Treat the pack in your hand as the definitive list.\n\n## Who it’s for\n\nOily and combination skin that wants a morning cleanse which removes oil without a tight, stripped finish.\n\n## What should you check before buying?\n\nCheck the ingredient list on your pack if you avoid fragrance or tea tree oil. Prices vary widely between UK retailers for the same 150ml tube.\n\n## How to use it\n\n1. Lather a small amount with water\n2. Massage over damp skin\n3. Rinse thoroughly\n\n## Questions and answers\n\n### What is the pH of COSRX Low pH Good Morning Gel Cleanser?\n\nCOSRX states a pH of 5.31 ± 1.00.\n\n### Does COSRX Low pH Good Morning Gel Cleanser contain BHA?\n\nYes. It lists betaine salicylate, a BHA, alongside tea tree leaf oil. COSRX does not publish the percentage.\n\n### Is COSRX Low pH Good Morning Gel Cleanser fragrance-free?\n\nSources conflict. COSRX’s and Boots’s ingredient lists show no parfum, but another UK retailer’s list includes parfum and limonene. Check the list on your pack.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50","markdownUrl":"https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50.md","title":"COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++","lastmod":"2026-10-01","sha256":"e279d543f147cbe49914f1cd4b7c5118a4701642d36784b0d5a3f870c5322e0a","bytes":3326,"markdown":"# COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++\n\n> COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++ is a sheer Korean fluid sunscreen built on 66% aloe leaf water with niacinamide, using drometrizole trisiloxane, ethylhexyl triazone, Uvinul A Plus and terephthalylidene dicamphor sulfonic acid. It launched in the UK in May 2024. This is desk research, not a hands-on test.\n\n- Canonical: https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50\n- Category: SPF\n- Format: Fluid sunscreen\n- Finish: Sheer, non-greasy\n- Best for: A transparent daily SPF on bare skin or under tint\n- Official: https://www.lookfantastic.com/p/cosrx-ultra-light-invisible-sunscreen-50ml/16939806/\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA sheer SPF50 PA++++ fluid on a 66% aloe leaf water base, using Mexoryl XL, Mexoryl SX, ethylhexyl triazone and Uvinul A Plus. Choose it for a transparent protect step on oily or combination skin. LOOKFANTASTIC listed it at £23.99 for 50ml on 1 October 2026.\n\nSkip this if you need water resistance, avoid witch hazel, or want a moisturising cream texture.\n\nA sheer fluid protect step designed to disappear, whether the face is bare or under a skin tint.\n\n## The formula\n\nCOSRX builds this SPF50 PA++++ sunscreen on aloe leaf water — 66% of the formula — with witch hazel water, niacinamide and hyaluronic acid. Its filters include two Mexoryl filters (XL and SX), ethylhexyl triazone and Uvinul A Plus, a combination permitted in the UK and EU.\n\nThe brand describes a sheer, fast-absorbing, non-greasy texture designed to stay invisible on all skin tones. That is a manufacturer description; The Cast Index has not tested protection or wear.\n\n## Who it’s for\n\nOily and combination skin, or anyone who wants a very light fluid under skin tint or foundation rather than a cream.\n\n## What should you check before buying?\n\nCOSRX’s own shop page does not open for UK visitors, so buy from an authorised UK retailer and confirm the exact name before ordering. Witch hazel water is in the formula, which some sensitive skins avoid. No water resistance is claimed; reapply after swimming, sweating or towelling.\n\n## How to use it\n\n1. Apply as the final step of morning skincare, before makeup\n2. Use enough to cover face, neck and ears evenly\n3. Reapply at least every two hours outdoors, and after swimming, sweating or towelling\n4. Remove at night with your usual cleanser\n\n## Questions and answers\n\n### Is COSRX Ultra-Light Invisible Sunscreen a chemical sunscreen?\n\nYes. It uses chemical filters — drometrizole trisiloxane, ethylhexyl triazone, diethylamino hydroxybenzoyl hexyl benzoate and terephthalylidene dicamphor sulfonic acid — with no zinc oxide or titanium dioxide.\n\n### Does COSRX Ultra-Light Invisible Sunscreen contain fragrance?\n\nCOSRX states it contains no artificial fragrance, and no ethanol appears on the UK ingredient list. Check the current pack if you react to botanical extracts such as witch hazel.\n\n### When did COSRX Ultra-Light Invisible Sunscreen launch in the UK?\n\nCOSRX announced its UK launch in May 2024, through UK retailers and the brand’s own online storefronts.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder","markdownUrl":"https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder.md","title":"Danessa Myricks Beauty Yummy Skin Blurring Balm Powder","lastmod":"2026-10-05","sha256":"a90db47d7369b5dac84b3247946e235555ae157ffe6caa90942f80623d2d2364","bytes":765,"markdown":"# Danessa Myricks Beauty Yummy Skin Blurring Balm Powder\n\n> Danessa Myricks describes a balm-to-powder that blurs the look of texture while keeping skin luminous rather than chalky.\n\n- Canonical: https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder\n- Category: Setting\n- Format: Balm-to-powder\n- Finish: Soft blur\n- Best for: Blur without a flat matte mask\n- Official: https://danessamyricksbeauty.com/products/yummy-skin-blurring-balm-powder\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nSetting that protects glass-skin reads — blur without killing light.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/setting\n"},{"url":"https://thecastindex.com/beauty/dior-addict-lip-glow-oil","markdownUrl":"https://thecastindex.com/beauty/dior-addict-lip-glow-oil.md","title":"Dior Dior Addict Lip Glow Oil","lastmod":"2026-10-01","sha256":"c4f9517223fe6a8d7c91eab5f4f57196c6552936ee2d0db1b03a5eca3f18f9de","bytes":6431,"markdown":"# Dior Dior Addict Lip Glow Oil\n\n> Dior Addict Lip Glow Oil is a 6ml lip oil built around cherry oil and Dior’s pH-reactive Color Reviver. Dior UK listed 19 shades on 1 October 2026: 16 across the Juicy, Sparkly and Glaze finishes, including 012 Rosewood and 015 Cherry, plus three limited-edition Pop Glow shades, at £34. 24-hour hydration is a manufacturer instrumental test. The Cast Index files it as Wet lip signal shine.\n\n- Canonical: https://thecastindex.com/beauty/dior-addict-lip-glow-oil\n- Category: Lips\n- Format: Lip oil\n- Finish: High shine\n- Best for: Gloss with a cushioned lip-care feel\n- Official: https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe luxury Wet lip signal when the mouth needs mirror shine and the rest of the face stays quiet. Dior UK’s shade selector lists 19 shades — the 16-shade Juicy, Sparkly and Glaze range plus three limited-edition Pop Glow shades — with cherry oil and a pH-reactive Color Reviver. The 6ml oil was £34 on Dior UK when checked on 1 October 2026. 24-hour hydration is a brand instrumental test on at least 29 subjects — labelled, not a Cast Index lab result. Buy from Dior or authorised retailers.\n\nSkip this if you need opaque lipstick, a vegan formula without checking the current INCI, or an Amazon listing. Skip also if you want this desk to treat 24-hour hydration as an independent clinical trial.\n\nThe luxury gloss reference: useful when the look needs reflective shine rather than opaque lip colour.\n\n## The formula\n\nDior Addict Lip Glow Oil is built around sweet cherry seed oil for nourishment, with peppermint oil and menthol giving the light cooling, plumping sensation on application, tocopherol (vitamin E) for antioxidant support, and seaweed and luffa seed oil rounding out the formula. Dior’s named technology here is Color Reviver — the oil is designed to react to each wearer’s individual lip moisture and pH level, so the same shade shifts slightly to suit the person wearing it rather than sitting as one flat, universal colour.\n\n## The shade range\n\nDior describes a 16-shade range in three finish families: Juicy, for a sheer, mirror-like shine (hero shade 041 Peachy); Sparkly, with pearlescent shimmer (hero shade 077 Rosy Candy); and Glaze, for more saturated colour with a luxe shine (hero shade 104 Black Cherry). When checked on 1 October 2026, Dior UK’s shade selector listed 19 shades: those 16, from 001 Pink, 012 Rosewood and 015 Cherry to 088 Mocha, plus three limited-edition Pop Glow shades — 113 Icy Rosy, 114 Glazed Honey and 115 Sparkly Plum — also sold in Dior Backstage trios.\n\nIt’s sold in one 6ml size, with the oil delivered through a built-in wand applicator for one-swipe application, either worn alone on bare lips or layered over lipstick as a glossy topper.\n\n## Why it’s in the edit\n\nThis is the Beauty Desk’s reference for reflective shine over opaque colour — a gloss that behaves more like a lip treatment than a traditional lipstick. It’s also a genuine cultural moment: the product built real, well-documented virality on TikTok, and has been recognised with an Allure Best of Beauty award for Best Lip Oil, part of the wider category of lip oils this product helped popularise.\n\n## What are the closest alternatives?\n\nThere is no exact equivalent, and the desk has not tested any lip oil side by side with Dior’s. Compared on published ingredients, finish and UK price, the closest formats in our catalogue are Gisou Honey Infused Lip Oil (£24 for 8ml, a honey-and-oil formula with a wand) and Fenty Beauty Gloss Bomb (£20, a shimmering gloss rather than an oil). Rhode Peptide Lip Treatment (£20 for 10ml) is the untinted, fragrance-free option in its unscented version.\n\nNone of these reproduces Dior’s pH-reactive Color Reviver, and each has a different fragrance profile: Dior lists parfum, menthol and peppermint oil. Read each ingredient list before treating any of them as a substitute.\n\n## How to use it\n\n1. Swipe directly from the wand applicator onto bare lips for a sheer, glowing finish\n2. Layer over lipstick as a glossy topper to change the finish without changing the colour\n\n## How it compares\n\n| Role | Dior Addict Lip Glow Oil | Gisou Honey Infused Lip Oil | Laneige Lip Sleeping Mask |\n| --- | --- | --- | --- |\n| When | On-camera shine | Honey-weight shine | Overnight leave-on |\n| Finish | Juicy / Sparkly / Glaze | Glossy, optional shimmer | Nourished, not coloured |\n| Official guide | £34 UK, 6ml (1 Oct 2026) | £24 UK, 8ml (25 Sep 2026) | £21 UK (20g, 25 Sep 2026) |\n| Amazon on this site | No — Dior / authorised | No — brand / Cult Beauty | Amazon search live |\n\n## Questions and answers\n\n### How many shades does Dior Addict Lip Glow Oil come in?\n\nDior UK listed 19 shades when checked on 1 October 2026: the 16-shade range across the Juicy, Sparkly and Glaze finishes, plus three limited-edition Pop Glow shades (113 Icy Rosy, 114 Glazed Honey and 115 Sparkly Plum). Dior’s own product copy still describes the core range as 16 shades.\n\n### Is there a Dior Lip Glow Oil in Rosewood or Cherry?\n\nYes. 012 Rosewood and 015 Cherry are both in the range on Dior UK, checked 1 October 2026. Black Cherry is a different shade: 104, in the more pigmented Glaze finish.\n\n### How much is Dior Addict Lip Glow Oil in the UK?\n\n£34 for 6ml on Dior UK when checked on 1 October 2026, about £5.67 per ml. Prices at authorised retailers may differ.\n\n### Does Dior Addict Lip Glow Oil change colour on the lips?\n\nDior’s Color Reviver technology is designed to react to each wearer’s individual lip moisture and pH level, so the shade adapts slightly to the person wearing it.\n\n### Can Dior Addict Lip Glow Oil be worn over lipstick?\n\nYes — it’s designed to work both alone on bare lips for a sheer glow, and layered over lipstick as a glossy topper.\n\n### What finish does Dior Addict Lip Glow Oil serve?\n\nWet lip signal — reflective shine when eyes and brows stay quiet. It is the shine product, not overnight prep.\n\n### Is the 24-hour hydration claim a Cast Index test?\n\nNo. Dior cites an instrumental test on at least 29 subjects. That is a manufacturer result, labelled as such on this page.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/dior-miss-dior-essence","markdownUrl":"https://thecastindex.com/beauty/dior-miss-dior-essence.md","title":"Dior Miss Dior Essence","lastmod":"2026-07-15","sha256":"d0304460af09697a428f49bdf4f4f15c07980a5764ff4291437238a5e7c8ddf4","bytes":2883,"markdown":"# Dior Miss Dior Essence\n\n> Perfumer Francis Kurkdjian built the scent around jasmine sambac, jammy blackberry and elderflower over a woody oak base, housed in the 1947 Christian Dior bottle silhouette.\n\n- Canonical: https://thecastindex.com/beauty/dior-miss-dior-essence\n- Category: Fragrance\n- Format: Eau de parfum intense\n- Finish: Concentrated\n- Best for: A denser, longer-lasting take on a signature scent\n- Official: https://www.dior.com/en_us/beauty/products/miss-dior-essence-Y0000088.html\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe current fragrance the Beauty Desk is tracking most closely — a concentrated reissue of a house signature rather than a new name.\n\n## The scent\n\nMiss Dior Essence is built as an Essence de Parfum — a concentration tier above standard eau de parfum — opening on a jammy blackberry accord and black elderflower, moving into a heart of jasmine sambac paired with jasmine absolute, and settling into a woody, oak-based finish. The jasmine-forward heart is a deliberate callback to the original 1947 Miss Dior, and Fragrantica classifies the overall family as floral chypre with gourmand facets.\n\n## The bottle and the house history\n\nThe flacon reinterprets Christian Dior’s original 1947 Miss Dior bottle — frosted glass etched with the house’s signature houndstooth motif, finished with a black grosgrain \"poignard\" bow. Miss Dior itself was Christian Dior’s very first fragrance, launched in 1947 alongside his debut \"Corolle\" couture collection, created by perfumers Paul Vacher and Jean Carles. The name is said to have come about spontaneously, when Dior’s muse Mitzah Bricard greeted his sister Catherine Dior — a French Resistance fighter and camp survivor who later became a Parisian flower dealer — with \"Ah voilà, Miss Dior.\"\n\n## Why it’s in the edit\n\nThis is the fragrance the Beauty Desk is tracking most closely right now: a concentrated, more intense reissue of one of fashion’s foundational scents, created by a perfumer — Francis Kurkdjian — with his own major independent fragrance house before joining Dior. Natalie Portman fronts the campaign, and the launch sits inside a nearly 80-year lineage that began with Christian Dior’s own first fragrance in 1947.\n\n## Questions and answers\n\n### Who created Miss Dior Essence?\n\nFrancis Kurkdjian, Dior’s Perfume-Creative Director, created Miss Dior Essence as an Essence de Parfum concentration, launched in August 2025.\n\n### What are the notes in Miss Dior Essence?\n\nJammy blackberry and black elderflower at the top, jasmine sambac and jasmine absolute at the heart, and woody oak at the base.\n\n### What sizes does Miss Dior Essence come in?\n\nIt’s available in 35mL, 50mL and 80mL bottles.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/fragrance\n"},{"url":"https://thecastindex.com/beauty/dyson-airsmooth-styling-brush","markdownUrl":"https://thecastindex.com/beauty/dyson-airsmooth-styling-brush.md","title":"Dyson Airsmooth Styling Brush","lastmod":"2026-09-08","sha256":"a8d367c443f464ac4a9252c2c523d653b23b8ab6a7c1a0279df4e9be6150b5ec","bytes":2150,"markdown":"# Dyson Airsmooth Styling Brush\n\n> Dyson’s dedicated dryer brush uses PivotFlex and anti-snag bristles with a teardrop head. The brand says Airsmooth automatically adapts to local voltage; check the supplied plug and market-specific instructions before travel.\n\n- Canonical: https://thecastindex.com/beauty/dyson-airsmooth-styling-brush\n- Category: Tools\n- Format: Hot-air styling brush\n- Finish: Smooth blowout\n- Best for: Drying, stretching and shaping damp hair\n- Official: https://www.dyson.com/hair-care/blow-dry-brushes/airsmooth\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA single brush for a shaped blowout. Consider this when a multi-attachment curling system is more than your routine needs.\n\n## Selection evidence\n\nSeptember 2026 launch: Dyson introduced the Airsmooth styling brush on 3 September 2026. This is the standalone brush, distinct from Airwrap attachments.\n\nSource: https://www.dyson.com/discover/news/latest/introducing-airsmooth\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose around your usual result: stretched roots, softly curved ends or a smooth blowout. A dedicated brush makes sense if those are the shapes you repeat; a curling barrel serves a different purpose.\n\n## What should you check before buying?\n\nTry the handle weight and brush size if possible. Dyson’s comparative breakage and drying claims describe its tests; we have not measured performance across hair textures. Verify local warranty, plug and included accessories before importing.\n\n## How to use it\n\n1. Follow the supplied manual to prepare and section damp hair.\n2. Select the appropriate heat and airflow for your hair, then guide the brush through each section.\n3. Switch off and allow the tool to cool before cleaning or storing it.\n\n## Questions and answers\n\n### Is Dyson Airsmooth the same as an Airwrap attachment?\n\nNo. This page covers the standalone Airsmooth hot-air styling brush introduced in September 2026. Check the exact device name when comparing accessories or shopping.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/tools\n"},{"url":"https://thecastindex.com/beauty/dyson-airwrap-co-anda2x","markdownUrl":"https://thecastindex.com/beauty/dyson-airwrap-co-anda2x.md","title":"Dyson Airwrap Co-anda2x Multi-styler and Dryer","lastmod":"2026-09-08","sha256":"8448e319a7bbd6abf7a4369702def6cc89d0171fc1acb9be1db5f82c82191a2b","bytes":3775,"markdown":"# Dyson Airwrap Co-anda2x Multi-styler and Dryer\n\n> Dyson’s Airwrap Co-anda2x uses interchangeable attachments for drying and shaping. In July 2026, the brand introduced updated barrels, a round brush and an Air straightener 2x attachment. Earlier Airwrap attachments are not compatible with Co-anda2x. Dyson UK sells the Straight+Wavy set with six attachments and a case at £579.99, and lists 1,700W, four heat and three speed settings, a 2m cable and a 0.716kg device weight (checked 1 October 2026).\n\n- Canonical: https://thecastindex.com/beauty/dyson-airwrap-co-anda2x\n- Category: Tools\n- Format: Multi-attachment hair styler\n- Finish: Curl, shape or smooth\n- Best for: Several styling techniques from one device\n- Official: https://www.dyson.co.uk/hair-care/hair-stylers/airwrap-co-anda2x/straight-wavy-ceramic-pink-rose-gold\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe versatile counterpart to a dedicated dryer brush. Consider it when you regularly switch between curls, volume and straighter styles.\n\n## Selection evidence\n\nJuly 2026 attachment update: Dyson announced four new or revised Co-anda2x attachments on 9 July 2026. This updates an existing device family; it is not the original Airwrap launch.\n\nSource: https://www.prnewswire.com/news-releases/dyson-relaunches-its-fastest-most-powerful-airwrap-coanda2x-multi-styler-with-four-new-attachments-302821378.html\nChecked: 2026-09-08\n\n## Who should consider it?\n\nList the styles you actually make before choosing a set. A multi-styler can be useful for switching shapes, while Airsmooth is a dedicated brush for a more focused blowout routine. Included attachments matter more than the colour of the case.\n\n## What should you check before buying?\n\nCo-anda2x attachments do not fit earlier Airwrap models, according to Dyson. Check your exact device, hair-type set, power requirements and warranty. Do not assume Airsmooth’s voltage features apply to Airwrap.\n\n## How to use it\n\n1. Choose the attachment and preparation method specified in the manual.\n2. Work in sections using the heat and airflow suited to your hair and desired shape.\n3. Switch off and let attachments cool before swapping, cleaning or storing.\n\n## Questions and answers\n\n### Will my older Airwrap attachments fit Co-anda2x?\n\nNo. Dyson states that Co-anda2x and earlier Airwrap attachments are not cross-compatible. Check the model name on both the device and attachment before purchasing.\n\n### How much is the Dyson Airwrap Co-anda2x in the UK?\n\nDyson UK listed the Straight+Wavy set, with six attachments and a presentation case, at £579.99 when checked on 1 October 2026. Prices at retailers and for other sets may differ.\n\n### What attachments come with the Dyson Airwrap Co-anda2x?\n\nDyson UK’s Straight+Wavy set includes the Conical Co-anda2x curling barrel, the 40mm Co-anda2x curling barrel, the Air straightener 2x, the Large round volumising brush 2x, the Anti-snag loop brush 2x and the Fast dryer 2x, plus a presentation case.\n\n### Is the Dyson Airwrap worth it?\n\nThat depends on how many of its attachments you would use. If you mostly blow-dry with a brush, the standalone Airsmooth is the more focused tool; if price leads, Shark FlexStyle is the closest-format alternative at a lower UK price. Our side-by-side comparison lines up the specifications; we have not tested either device.\n\n### Does the Dyson Airwrap damage hair?\n\nDyson says the Co-anda2x measures air temperature more than 1,000 times a second to protect hair from extreme heat damage. That is a brand claim, not an independent finding; the heat setting you choose and how often you style still matter.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/tools\n"},{"url":"https://thecastindex.com/beauty/elf-camo-liquid-blush","markdownUrl":"https://thecastindex.com/beauty/elf-camo-liquid-blush.md","title":"e.l.f. Cosmetics Camo Liquid Blush","lastmod":"2026-07-28","sha256":"9b68626840e4e6a729fabf002c72246f7c71b8e5743fe6ac2944afa3f50e6cd2","bytes":4201,"markdown":"# e.l.f. Cosmetics Camo Liquid Blush\n\n> e.l.f. Camo Liquid Blush is a long-lasting, high-pigment liquid blush in twelve dewy shades, applied in one or two dots. The Cast Index maps it to Soft flush cheek — Milan-coded temperature on the skin, not a sculpted apple of colour.\n\n- Canonical: https://thecastindex.com/beauty/elf-camo-liquid-blush\n- Category: Cheek\n- Format: Liquid blush\n- Finish: Soft dewy\n- Best for: Buildable one-dot flush\n- Official: https://www.elfcosmetics.co.uk/products/camo-liquid-blush\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nOne-dot Soft flush cheek — temperature on skin for Milan-coded flush, not a sculpted apple.\n\n## The formula and shades\n\nCamo Liquid Blush is e.l.f.’s high-pigment liquid cheek colour with a soft dewy finish. The brand lists twelve shades spanning peachy pinks, mauves, corals, berries, terracotta and lilac. Pigment load is the operational fact: one or two dots is enough; more becomes a mapped stripe.\n\ne.l.f. highlights a rounded, grooved applicator and pairing with its Liquid Blush Brush. UK merchandising copy notes hyaluronic acid, rose flower water and hibiscus flower extract in the skin-feeling story — still a colour cosmetic, not a treatment.\n\n## Season finish — Soft flush cheek\n\nSoft flush cheek on the Index is one-dot colour placed high and blended into skin — a flush, not a sculpted apple. Milan AW26 evidence favoured temperature over geometry. Camo’s pigment strength serves that brief only if the hand stays disciplined.\n\nAgainst Rare Beauty Soft Pinch: Soft Pinch remains the prestige reference; Camo is the Amazon-strong, high-pigment understudy. Titles and metas must say “Camo” and “Soft flush,” not steal the Soft Pinch query.\n\n## Working kit\n\nAfter skin and any cream base, dab one dot high on the cheek, blend upward toward the temple. Build only if the camera still reads empty. Pair with Couture glass skin and quiet lips, or with Wet lip signal if the mouth is the other focal point — not both loud.\n\nWrong for powder-only traditionalists who refuse liquids. Wrong if the wearer cannot sheer pigment down — choose a sheerer balm (Merit Flush Balm) instead. Remove thoroughly; high pigment can stain if left.\n\n## Limitations and brand cautions\n\nPatch-test near the jaw if reactive. Avoid the immediate eye area. Check shade names on the current e.l.f. page before purchase — ranges expand. Not a contour product.\n\n## How to use it\n\n1. Dab 1–2 dots onto the cheeks with the applicator\n2. Blend upward into the skin with a blush brush or clean fingers\n3. Start sheer; build only if needed for Soft flush cheek\n4. Set lightly only if the rest of the face requires it — avoid flattening the flush\n\n## Questions and answers\n\n### How many shades does e.l.f. Camo Liquid Blush come in?\n\ne.l.f. currently lists Camo Liquid Blush in 12 shades, from peachy pinks and mauves through berries, terracotta and lilac tones.\n\n### How do you apply Camo Liquid Blush for Soft flush cheek?\n\ne.l.f. directs dabbing one to two dots and blending. For Soft flush cheek, place colour high and blend into skin so it reads as temperature, not a sculpted apple.\n\n### Is e.l.f. Camo Liquid Blush dewy or matte?\n\ne.l.f. describes Camo Liquid Blush as a lightweight formula with a soft, dewy finish and high-pigment, long-lasting colour.\n\n### How many shades are in e.l.f. Camo Liquid Blush?\n\ne.l.f. lists twelve Camo Liquid Blush shades. The Cast Index files the product under Soft flush cheek when colour is placed high and blended as skin temperature, not cheek geometry.\n\n### How much e.l.f. Camo Liquid Blush should you use?\n\ne.l.f. recommends one to two dots blended out. Because the formula is high-pigment, Soft flush cheek looks usually start with a single dot and stop when the camera still reads skin.\n\n### Is Camo Liquid Blush the same as Rare Beauty Soft Pinch?\n\nNo. Both can serve Soft flush cheek, but they are different brands. Camo is e.l.f.’s high-pigment Amazon-accessible liquid; Soft Pinch remains a separate Rare Beauty reference on this desk.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/cheek\n"},{"url":"https://thecastindex.com/beauty/elf-halo-glow-liquid-filter","markdownUrl":"https://thecastindex.com/beauty/elf-halo-glow-liquid-filter.md","title":"e.l.f. Cosmetics Halo Glow Liquid Filter","lastmod":"2026-07-28","sha256":"1f9ac71b9addf803565d8b18477870ff1da9f2b2639b8a39bef5a1f3a6c70df5","bytes":4406,"markdown":"# e.l.f. Cosmetics Halo Glow Liquid Filter\n\n> e.l.f. Halo Glow Liquid Filter is a multi-use liquid glow booster in 15 shades, worn alone, mixed, under or over makeup, or as a highlighter for soft-focus radiance. The Cast Index files it under Couture glass skin as an accessible luminous layer for camera-facing skin.\n\n- Canonical: https://thecastindex.com/beauty/elf-halo-glow-liquid-filter\n- Category: Complexion\n- Format: Liquid glow booster\n- Finish: Soft-focus radiance\n- Best for: Sheer glow alone, mixed, under or over base\n- Official: https://www.elfcosmetics.co.uk/products/halo-glow-liquid-filter\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nAccessible Couture glass skin glow — soft-focus light when the brief wants filter radiance without a heavy base.\n\n## The formula and shade range\n\nHalo Glow Liquid Filter is e.l.f.’s liquid complexion booster for a soft-focus, social-filter radiance worn in real life. The brand now lists 15 flexible shades spanning fair through rich with mixed undertones. It is not a full-coverage foundation; e.l.f. frames it as enhancing the look of skin with dewy luminosity.\n\nApplication flexibility is the product’s structure: alone on bare skin, under makeup, over makeup, mixed into foundation, or tapped as a highlighter on high points. That matches couture glass logic — light first, coverage only where needed.\n\n## Season finish — Couture glass skin\n\nCouture glass skin is the season’s lead face: hydrated, light-catching, almost no mapped contour. Halo Glow is the accessible glow plate for that brief when a prestige filter is out of kit budget or Amazon fulfilment is the path. It should not become a glitter mask; keep the amount small so skin still reads as skin.\n\nCompare with Charlotte Tilbury Hollywood Flawless Filter by the glow you want, available shades and how each fits around your usual foundation.\n\n## Working kit\n\nAfter SPF has set, apply a thin layer with fingers or sponge. For camera, mix one pump into sheer foundation or tap only on cheekbones and bridge. Pair with Soft flush cheek colour and a quiet eye so the complexion carries the frame.\n\nWrong for matte, full-coverage briefs. Wrong if the wearer needs heavy oil control without blotting — dewy filters can emphasise shine midday. Shade mismatch is the main return risk; use e.l.f.’s shade tools and return policies rather than guessing undertone.\n\n## Limitations and brand cautions\n\nCosmetic glow only. Check ingredients on pack for personal sensitivities. This is not sunscreen. Remove thoroughly at night so residual oils and silicones do not sit into the next cleanse.\n\n## How to use it\n\n1. Complete skincare and SPF first\n2. Wear alone for sheer glow, or mix with foundation for a dewy base\n3. Alternatively apply under or over makeup, or tap onto high points as a highlighter\n4. Keep layers thin for a skin-like Couture glass skin read\n\n## Questions and answers\n\n### How many shades does e.l.f. Halo Glow Liquid Filter come in?\n\ne.l.f. currently lists Halo Glow Liquid Filter in 15 flexible shades across fair to rich depths and mixed undertones.\n\n### Can Halo Glow Liquid Filter be mixed with foundation?\n\nYes. e.l.f. explicitly lists mixing with foundation as one of four wear methods, alongside wearing alone, under or over makeup, or as a highlighter.\n\n### Is Halo Glow Liquid Filter a full foundation?\n\nNo. e.l.f. positions it as a liquid glow booster for soft-focus radiance — a hybrid enhancer, not a full-coverage foundation.\n\n### How do you wear e.l.f. Halo Glow Liquid Filter for Couture glass skin?\n\ne.l.f. lists four modes: alone, under or over makeup, mixed with foundation, or as a highlighter. For Couture glass skin, keep the layer thin so light reads as skin, not as a mask of product.\n\n### How many shades does Halo Glow Liquid Filter offer?\n\ne.l.f. Cosmetics lists 15 flexible shades for Halo Glow Liquid Filter, spanning fair through rich with a range of undertones on the UK product page.\n\n### Is e.l.f. Halo Glow Liquid Filter the same as Hollywood Flawless Filter?\n\nNo. Both are glow boosters that can serve Couture glass skin, but they are different brands and formulas. Halo Glow is the accessible e.l.f. option; Charlotte Tilbury’s filter remains a separate prestige reference.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50","markdownUrl":"https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50.md","title":"e.l.f. Cosmetics Halo Glow Skin Tint SPF 50","lastmod":"2026-09-08","sha256":"fa0f030beb7e5df7a2fa70b46a316f8dc3cfb660a87c226e530b86862c0b133f","bytes":2052,"markdown":"# e.l.f. Cosmetics Halo Glow Skin Tint SPF 50\n\n> e.l.f. lists eighteen flexible shades, zinc-oxide SPF 50, niacinamide, bisabolol and allantoin. This is the skin tint, distinct from the sheer illuminating Halo Glow Liquid Filter.\n\n- Canonical: https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50\n- Category: Complexion\n- Format: Mineral-SPF skin tint\n- Finish: Dewy\n- Best for: Light, buildable coverage\n- Official: https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA light-coverage option for comparing tints by finish and shade availability, with the sunscreen directions kept visible.\n\n## Selection evidence\n\n2026 reader-voted award: Allure readers selected Halo Glow Skin Tint SPF 50 as their favourite viral product in the 2026 Readers’ Choice Awards. This is reader recognition, not our own wear test.\n\nSource: https://www.allure.com/story/2026-readers-choice-winner-product-reviews\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose this when you want a dewy tint with modest, buildable coverage. A flexible shade range still requires a match: compare undertone and depth in daylight before deciding.\n\n## What should you check before buying?\n\nA small makeup application may not supply the amount needed for the labelled SPF. Follow the sunscreen directions for adequate coverage and reapplication. Do not assume the Liquid Filter has the same SPF.\n\n## How to use it\n\n1. Shake the bottle as directed.\n2. Follow its sunscreen label for application amount and timing.\n3. Blend evenly, then reapply protection as directed during outdoor exposure.\n\n## Questions and answers\n\n### Is Halo Glow Skin Tint the same as Halo Glow Liquid Filter?\n\nNo. The Skin Tint provides light coverage and is labelled mineral SPF 50. Liquid Filter is a separate glow-booster product; the names do not make their formulas interchangeable.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/elf-hydrating-camo-concealer","markdownUrl":"https://thecastindex.com/beauty/elf-hydrating-camo-concealer.md","title":"e.l.f. Cosmetics Hydrating Camo Concealer","lastmod":"2026-10-01","sha256":"8b8d052498edf5b5eb19990d530a51d6b8df5aa9bdb5bec3df69ec8e87f6e165","bytes":2015,"markdown":"# e.l.f. Cosmetics Hydrating Camo Concealer\n\n> e.l.f. Hydrating Camo Concealer is a full-coverage liquid concealer with a satin, crease-resistant finish. e.l.f. UK listed 25 shades at £8 on 1 October 2026 and describes it as hydrating, non-comedogenic, vegan and cruelty-free, for oily, dry and combination skin.\n\n- Canonical: https://thecastindex.com/beauty/elf-hydrating-camo-concealer\n- Category: Complexion\n- Format: Liquid concealer with doe-foot wand\n- Finish: Satin\n- Best for: Full coverage at a high-street price\n- Official: https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe budget concealer pick: full coverage with a satin, crease-resistant finish in 25 shades for £8, described by e.l.f. as hydrating, non-comedogenic and vegan.\n\nSkip this if you want a sheer, skin-like veil under the eyes or a matte finish.\n\nFull coverage at a high-street price: pat it only where shadows or marks need it so the satin finish stays thin.\n\n## Who it’s for\n\nAnyone who wants full coverage for blemishes or darker under-eye areas at a high-street price. e.l.f. lists it as suitable for oily, dry and combination skin.\n\n## What should you check before buying?\n\nFull coverage can look heavy if applied thickly, so tap on a little at a time. e.l.f. also sells a separate 16HR Camo Concealer; check the name before buying.\n\n## How to use it\n\n1. Stipple concealer where heavier coverage is needed, then buff out the edges, as e.l.f. directs\n\n## Questions and answers\n\n### Is e.l.f. Hydrating Camo Concealer vegan?\n\nYes, according to e.l.f., which describes it as 100% vegan and cruelty-free.\n\n### Is Hydrating Camo the same as e.l.f. 16HR Camo Concealer?\n\nNo. e.l.f. sells them as two separate concealers; this page covers Hydrating Camo, with its satin, crease-resistant finish.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/eos-vanilla-cashmere-body-lotion","markdownUrl":"https://thecastindex.com/beauty/eos-vanilla-cashmere-body-lotion.md","title":"eos Vanilla Cashmere Body Lotion","lastmod":"2026-09-08","sha256":"492343c1f6eee5857bcb0840581da7aece182270edea99b26b4ed7ea8cb5868d","bytes":1975,"markdown":"# eos Vanilla Cashmere Body Lotion\n\n> eos lists shea butter, shea oil and glycerin in Vanilla Cashmere Body Lotion. Its scent combines vanilla, musk and caramel; this is a fragranced formula.\n\n- Canonical: https://thecastindex.com/beauty/eos-vanilla-cashmere-body-lotion\n- Category: Body\n- Format: Scented body lotion\n- Finish: Soft, moisturised\n- Best for: Everyday body moisture with a gourmand scent\n- Official: https://evolutionofsmooth.com/products/vanilla-cashmere-body-lotion\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nAn accessible lotion format for readers who enjoy scent as part of body care. The fragrance preference matters as much as the texture.\n\n## Selection evidence\n\nBrand-listed bestseller: eos includes Vanilla Cashmere Body Lotion in its US Bestsellers collection. The label reflects that retailer snapshot rather than measured worldwide demand.\n\nSource: https://evolutionofsmooth.com/collections/best-sellers?page=1\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a scented lotion when it can comfortably replace, or complement, the fragrance you already wear. Compare the scent after it settles rather than adding a full mist and perfume immediately.\n\n## What should you check before buying?\n\nThis is not the fragrance-free option for someone avoiding perfume. The brand notes that pump and flip-cap packaging may coexist; a packaging change alone does not establish a new formula.\n\n## How to use it\n\n1. Massage onto clean, dry body skin as directed by eos.\n2. Allow it to settle before dressing.\n3. Reapply to dry areas when wanted, avoiding irritated skin.\n\n## Questions and answers\n\n### Is Vanilla Cashmere Body Lotion fragrance-free?\n\nNo. It contains fragrance and is sold for its vanilla, musk and caramel scent. Choose a fragrance-free body moisturiser if scent does not suit your routine.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/body\n"},{"url":"https://thecastindex.com/beauty/essie-glazed-chrome-topcoat","markdownUrl":"https://thecastindex.com/beauty/essie-glazed-chrome-topcoat.md","title":"Essie Gel by Essie Glazed Chrome Topcoat","lastmod":"2026-09-08","sha256":"dcb079c162d393a4ebb13c25a0767d3461526f0db05dd1306fb1504a77a9a18e","bytes":1995,"markdown":"# Essie Gel by Essie Glazed Chrome Topcoat\n\n> Essie describes Glazed Chrome as a metallic, pearlescent topcoat in its two-step colour-and-topcoat system. It gives a gel-like look without a UV lamp.\n\n- Canonical: https://thecastindex.com/beauty/essie-glazed-chrome-topcoat\n- Category: Nails\n- Format: Air-drying effect topcoat\n- Finish: Pearlescent chrome\n- Best for: Adding a reflective finish over nail colour\n- Official: https://www.essie.com/nail-care/base-and-top-coats/gel-by-essie-glazed-chrome-top-coat\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA finish-changing addition to the nail edit: compare an effect topcoat with a plain colour before buying another full manicure system.\n\n## Selection evidence\n\nNew to our edit: Selected for its format and role in a routine. This label records our catalogue addition, not its launch date or a sales ranking.\n\nSource: https://www.essie.com/nail-care/base-and-top-coats/gel-by-essie-glazed-chrome-top-coat\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a pearl effect over a neutral colour for a quieter reflective manicure, or over a deeper colour for more contrast. Test the combination on one nail because the base colour changes the result.\n\n## What should you check before buying?\n\n“Gel-like” describes the look, not a UV-cured salon service. Allow adequate drying time and use the remover specified by the brand; avoid peeling polish from the nail.\n\n## How to use it\n\n1. Apply two coats of the compatible Gel by Essie colour as directed.\n2. Add one coat of the topcoat; no UV lamp is needed.\n3. Follow the brand’s topcoat-refresh and removal instructions.\n\n## Questions and answers\n\n### Does Glazed Chrome need a UV or LED lamp?\n\nNo. Essie’s Gel by Essie system is an air-drying colour-and-topcoat routine. A gel-like finish should not be confused with UV-cured gel polish.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/nails\n"},{"url":"https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer","markdownUrl":"https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer.md","title":"Estée Lauder Double Wear Stay-in-Place Concealer","lastmod":"2026-10-01","sha256":"deece064c92b789a1f67b91ff64ccc734fe5aa98adbc9a6fdd1478c909a3b8ff","bytes":2248,"markdown":"# Estée Lauder Double Wear Stay-in-Place Concealer\n\n> Estée Lauder Double Wear Stay-in-Place Concealer is a 12ml liquid concealer with medium-to-full coverage and a soft-focus natural matte finish, using hollow silica spheres to absorb sebum. Estée Lauder UK listed 30 shades at £29.50 on 1 October 2026. Its 24-hour wear and oil-control figures are brand claims.\n\n- Canonical: https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer\n- Category: Complexion\n- Format: Liquid concealer with sculpting wand\n- Finish: Soft-focus natural matte\n- Best for: Long-wear coverage with oil control\n- Official: https://www.esteelauder.co.uk/product/642/131399/product-catalog/makeup/face/concealers/double-wear/stay-in-place-concealer\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe matte, long-wear concealer for oily skin: sebum-absorbing silica spheres, medium-to-full coverage and a soft-focus natural matte finish in 30 shades, at £29.50 for 12ml.\n\nSkip this if your under-eyes are dry or you prefer a radiant finish.\n\nThe matte, long-wear concealer for shine-prone skin — use it where coverage is needed and keep the rest of the face lighter.\n\n## Who it’s for\n\nOily and combination skin, and anyone who needs concealer to stay put through a long day. The matte finish pairs naturally with Double Wear foundation.\n\n## What should you check before buying?\n\nMatte long-wear formulas can catch on dry patches and fine lines, so use thin layers under the eyes. The concealer is new, so match the shade afresh rather than relying on an older Double Wear concealer number. Long-wear films need a thorough cleanse at night.\n\n## Questions and answers\n\n### Is Estée Lauder Double Wear Concealer good for oily skin?\n\nIt is designed for it: Estée Lauder describes silica spheres that absorb sebum, a natural matte finish and a non-comedogenic formula. The 24-hour oil-control figure is the brand’s own.\n\n### How many shades does the Double Wear Stay-in-Place Concealer come in?\n\nEstée Lauder UK listed 30 shades, from 0.5C to 9N, on 1 October 2026.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation","markdownUrl":"https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation.md","title":"Estée Lauder Double Wear LongWear Matte Foundation SPF 10","lastmod":"2026-10-01","sha256":"6a9d612dbd31cacbfbfe3060b50990b4633c6b659497f338924a54a9626aaf15","bytes":3546,"markdown":"# Estée Lauder Double Wear LongWear Matte Foundation SPF 10\n\n> Estée Lauder Double Wear Stay-in-Place LongWear Matte Foundation SPF 10 is the February 2026 reformulation of Double Wear, listed in 60 UK shades with a natural matte finish, buildable medium-to-full coverage and oil-free, non-comedogenic and fragrance-free claims. RRP £39.50 for 30ml on Estée Lauder UK, 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Natural matte\n- Best for: Long-wear medium-to-full coverage on oily skin\n- Official: https://www.esteelauder.co.uk/product/643/143007/product-catalog/makeup/face/foundations/double-wear-stay-in-place/longwear-matte-foundation-spf-10\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe reformulated Double Wear is the long-wear matte reference for oily skin: 60 shades, buildable medium-to-full coverage, oil-free and non-comedogenic claims, at £39.50. If you wore the previous formula, re-match your shade before buying.\n\nSkip this if you want a dewy or sheer finish, need a sunscreen rather than SPF 10 makeup, or prefer a formula that removes with a light cleanse.\n\nThe long-wear matte reference for oily skin — build it only where coverage is needed so the face still reads as skin.\n\n## The formula\n\nEstée Lauder reformulated Double Wear Stay-in-Place for 2026, adding a niacinamide and brown-algae complex the brand calls AlgaNiacin, plus glycerin and sodium hyaluronate, to its long-wear polymer base. Estée Lauder UK titles it Double Wear Stay-in-Place LongWear Matte Foundation SPF 10; UK retailers shorten that to Double Wear LongWear Matte Foundation SPF 10.\n\nThe brand claims 36-hour wear and oil control, and transfer-proof, waterproof colour. Those figures come from Estée Lauder; The Cast Index has not wear-tested the foundation.\n\n## Who it’s for\n\nOily and combination skin that wants coverage to stay put through a long day. The natural matte finish and medium-to-full coverage suit a polished base; applied thinly, it can still let skin texture show.\n\n## What should you check before buying?\n\nRe-match your shade: Estée Lauder advises it for anyone who wore the previous formula, and it is worth sampling the new one before buying a full bottle. SPF 10 is not a substitute for a dedicated sunscreen. A transfer-proof film needs a thorough cleanse at night.\n\n## How to use it\n\n1. Apply over a dedicated sunscreen once it has settled\n2. Shake, then dot a small amount and blend outwards from the centre of the face\n3. Build a second thin layer only where more coverage is wanted\n4. Remove thoroughly at night with a cleanser suited to long-wear makeup\n\n## Questions and answers\n\n### Has Estée Lauder Double Wear changed?\n\nYes. A reformulated Double Wear went on sale in the UK in February 2026, now named Double Wear Stay-in-Place LongWear Matte Foundation SPF 10. Estée Lauder advises existing users to re-check their shade.\n\n### How many shades does Double Wear come in?\n\nEstée Lauder UK lists 60 shades of the new formula. Some shades may be temporarily out of stock.\n\n### Is Double Wear suitable for oily skin?\n\nIt is designed for it: Estée Lauder describes an oil-free, non-comedogenic formula with a natural matte finish and a 36-hour oil-control claim. Wear figures are the brand’s own.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer","markdownUrl":"https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer.md","title":"Fenty Beauty Gloss Bomb Universal Lip Luminizer","lastmod":"2026-07-15","sha256":"1dbe7766e80ffd84276168c07e371d2a851755049f6748734da38dfa87f3ea4c","bytes":2688,"markdown":"# Fenty Beauty Gloss Bomb Universal Lip Luminizer\n\n> Fenty describes universal shimmering shades with shea butter, vitamin E and peptide-powered lip care.\n\n- Canonical: https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer\n- Category: Lips\n- Format: Lip gloss\n- Finish: High shine\n- Best for: Sheer-to-light glossy colour\n- Official: https://fentybeauty.com/gloss-bomb-universal-lip-luminizer/FB50001.html\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe inclusive gloss staple: a broad shade approach and an immediate, camera-readable finish.\n\n## The formula\n\nGloss Bomb is built on shea butter and vitamin E for conditioning, plus the peptide Palmitoyl Tripeptide-1, which the brand says helps strengthen the lips’ moisture barrier — the combination is designed to deliver high shine that still feels conditioning with every reapplication, rather than the tacky, drying finish common to older lip-gloss formulas. It can be worn alone or layered over lip colour.\n\n## The shade range\n\nThe line spans 17 universal shimmer shades, including the original Fenty Glow — a rosy-nude shimmer Rihanna hand-picked at launch and positioned to flatter every skin tone — alongside shades including Wattabrat, Pink Dragonfly, Rose Amber, Hot Chocolit and the clear Glass Slipper. Each is applied with an XXL doe-foot wand for even, one-swipe coverage.\n\n## Why it’s in the edit\n\nGloss Bomb was part of Fenty Beauty’s founding lineup when the brand launched on 8 September 2017 across roughly 1,600 stores in 17 countries simultaneously — a launch built around an explicitly inclusive \"Beauty for All\" ethos and a 40-shade foundation range that reset industry standards for shade inclusivity. Time named Fenty Beauty to its 25 Best Inventions of 2017 list that same year. Allure’s Gabi Thorne reviewed Gloss Bomb favourably, praising the hydrating shea-butter formula, non-sticky texture and the ease of the large doe-foot applicator.\n\n## Questions and answers\n\n### How many shades does Fenty Beauty Gloss Bomb Universal Lip Luminizer come in?\n\nIt comes in 17 universal shimmer shades, led by the original Fenty Glow shade that Rihanna hand-picked at the brand’s 2017 launch.\n\n### Is Fenty Beauty Gloss Bomb sticky?\n\nThe formula is built with shea butter and vitamin E specifically for a non-sticky, conditioning finish, which Allure’s Gabi Thorne highlighted in her review of the product.\n\n### What sizes does Fenty Beauty Gloss Bomb come in?\n\nIt’s available in a 9mL full size ($23) and a 5.5mL mini ($16).\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation","markdownUrl":"https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation.md","title":"Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation","lastmod":"2026-09-25","sha256":"61852e6d487548674cc8be77e192c7290a12417a7bec10744f7c60a4b2ad9d8b","bytes":3046,"markdown":"# Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation\n\n> Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Longwear Foundation launched in September 2026 as the successor to Pro Filt’r Soft Matte, in 50 new shades with medium, buildable coverage. The UK page lists a 30ml, oil-free, waterproof formula with starfruit extract, no SPF and an up-to-12-hour wear claim, at £35.\n\n- Canonical: https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Natural matte\n- Best for: Flexible medium coverage with oil control\n- Official: https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nFenty’s September 2026 successor to Pro Filt’r Soft Matte: a natural matte, medium-coverage foundation in 50 new shades, oil-free and waterproof by the brand’s description, at £35. Shade-match afresh; the range is new, not renamed.\n\nSkip this if you want full coverage, SPF in your base, or long-term independent coverage of a formula — this launched in September 2026.\n\nFenty’s new natural-matte base, built to flex with expression — shade-match afresh rather than carrying over a Soft Matte number.\n\n## The formula\n\nPro Filt’r Fluid Flex replaces the foundation Fenty Beauty launched with in 2017. The brand describes a flexible polymer blend made in Japan, colour-true pigments designed to resist oxidation and starfruit extract for shine control, in a natural matte finish with medium, buildable coverage.\n\nWear claims of up to 12 hours and resistance to sweat, humidity and transfer are the brand’s. The Cast Index has not wear-tested the foundation.\n\n## Who it’s for\n\nOily and combination skin that wants a matte base with more movement than a full long-wear film, and anyone who wore Soft Matte and needs its successor.\n\n## What should you check before buying?\n\nThe 50 shades are new rather than renamed Soft Matte shades, so match from scratch. As a September 2026 launch, independent coverage is still limited. There is no SPF, so wear a separate sunscreen.\n\n## How to use it\n\n1. Apply over a settled sunscreen\n2. Blend a small amount from the centre of the face outwards\n3. Build a second thin layer where more coverage is wanted\n4. Remove thoroughly at night\n\n## Questions and answers\n\n### Is Fenty Fluid Flex replacing Pro Filt’r Soft Matte?\n\nYes. Fenty Beauty is retiring Pro Filt’r Soft Matte Longwear Foundation, and Fluid Flex launched in September 2026 as the new Pro Filt’r foundation in 50 new shades.\n\n### Can I use my Soft Matte shade number for Fluid Flex?\n\nNot reliably. Fenty describes the 50 shades as all new, so compare undertone and depth afresh.\n\n### Does Fenty Fluid Flex have SPF?\n\nNo. The UK page lists no SPF, so wear a separate sunscreen beneath it.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10","markdownUrl":"https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10.md","title":"Geek & Gorgeous A-Game 10","lastmod":"2026-09-25","sha256":"89bba7335a2d0f0b60f05599c5ab63293048e5de3c01eb46187d17402785cbd4","bytes":2741,"markdown":"# Geek & Gorgeous A-Game 10\n\n> Geek & Gorgeous A-Game 10 is a 0.1% retinal serum in a 30ml light emulsion with allantoin, panthenol and biosaccharide gum-1, free from fragrance and essential oils. It cost £17.95 on the brand’s UK shop on 25 September 2026. The brand directs evening use, a gradual start and SPF 30 or higher by day.\n\n- Canonical: https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10\n- Category: Skin prep\n- Format: Retinal serum\n- Finish: Silky emulsion\n- Best for: A fragrance-free retinal at a modest price\n- Official: https://geekgorgeous.co.uk/products/a-game-10\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA fragrance-free retinal at 0.1% for £17.95, from a small Budapest brand. It suits readers who want retinal without scent at a modest price; the brand positions A-Game 10 for experienced users, with A-Game 5 as the gentler start.\n\nSkip this if you are new to retinoids (start with A-Game 5), pregnant, or want to buy from a mainstream UK high-street retailer.\n\nThe fragrance-free retinal option — a simple evening layer for readers who want the treatment without scent.\n\n## The formula\n\nGeek & Gorgeous, a Budapest-based skincare brand, formulates A-Game 10 with 0.1% retinal in a silky emulsion. The supporting ingredients are chosen for comfort rather than extra activity: allantoin, biosaccharide gum-1, panthenol and cloudberry seed oil.\n\nThe brand describes A-Game 10 as for experienced retinoid users; A-Game 5, at 0.05%, is the lower-strength route in.\n\n## Who it’s for\n\nReaders who want retinal without fragrance or essential oils, at a lower price than the prestige options.\n\n## What should you check before buying?\n\nThe UK shop is run by the brand’s distribution partner, and few mainstream UK retailers stock it. Start with A-Game 5 if you are new to retinoids. The brand says not to use it during pregnancy.\n\n## How to use it\n\n1. Apply a pea-sized amount in the evening, after cleansing\n2. Use two to three times a week for two weeks, then every other evening, then nightly as tolerated\n3. Wear SPF 30 or higher in the morning\n\n## Questions and answers\n\n### What is the difference between A-Game 5 and A-Game 10?\n\nStrength: A-Game 5 contains 0.05% retinal and A-Game 10 contains 0.1%. The brand positions A-Game 10 for experienced retinoid users.\n\n### Is Geek & Gorgeous A-Game 10 fragrance-free?\n\nGeek & Gorgeous describes it as free from fragrance and essential oils.\n\n### Where can I buy Geek & Gorgeous in the UK?\n\nThrough the brand’s UK shop, run by its distribution partner, which prices in pounds.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/gisou-honey-infused-lip-oil","markdownUrl":"https://thecastindex.com/beauty/gisou-honey-infused-lip-oil.md","title":"Gisou Honey Infused Lip Oil","lastmod":"2026-08-13","sha256":"c86b2da8238031d8ecf8c08dd439a3e00e52eb96da0ea6749f20192ba523cc40","bytes":4413,"markdown":"# Gisou Honey Infused Lip Oil\n\n> Gisou Honey Infused Lip Oil is a lip oil powered by Mirsalehi honey, bee-garden oils and jojoba. The brand claims 8-hour hydration, a never-sticky finish and high shine. US official price was $28 on 13 August 2026. It is not vegan. The Cast Index files it as a Wet lip signal option beside Dior Lip Glow Oil.\n\n- Canonical: https://thecastindex.com/beauty/gisou-honey-infused-lip-oil\n- Category: Lips\n- Format: Lip oil\n- Finish: High shine\n- Best for: Glossy, cushioned lip shine\n- Official: https://gisou.com/products/honey-infused-lip-oil\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA honey-weight Wet lip oil when you want glossy shine with a scented, non-sticky read. Gisou builds it on Mirsalehi honey, bee-garden oils and jojoba, and claims 8-hour hydration and moisture-lock. Official US price was $28 when checked 13 August 2026. Honey and propolis mean it is not vegan. No Amazon: brand or authorised retailers such as Cult Beauty once that programme is live.\n\nSkip this if you need a vegan formula, an unscented oil, or opaque lipstick. Skip Watermelon Sugar if you do not want shimmer — the brand says that shade uses reflective pearl pigments.\n\nA glossy lip-oil option when shine is the main effect.\n\n## The formula\n\nGisou’s story is the Mirsalehi Bee Garden: honey and propolis in a lip oil with grape, safflower, jojoba, meadowfoam and evening primrose among the published oils. The brand’s job for the product is hydration plus glossy shine without stickiness. That is a manufacturer claim about feel, not a Cast Index wear test.\n\nBecause the formula contains honey and propolis, it is not vegan. Anyone buying for a vegan brief should stop here and look at Summer Fridays Lip Butter Balm or Rhode Peptide Lip Tint instead.\n\n## Who it’s for\n\nUse this when Wet lip signal wants a scented, cushioned oil rather than Dior’s pH-reactive cherry oil. Honey Gold is the clear golden original; Watermelon Sugar is explicitly shimmery. Do not assume every shade is shimmer-free.\n\nThe 8-hour hydration line is a brand claim on the product page. This desk does not have an independent time-on-lips study to confirm it.\n\n## Why it’s in the edit\n\nParis-coded Wet lip kits need more than one oil. Gisou is the honey-weight alternative: same job as Lip Glow Oil (shine + care), different ingredient story and scent. It does not replace overnight Laneige prep.\n\nAffiliate path: official Gisou URL until Cult Beauty Awin is configured. No Amazon search.\n\n## How to use it\n\n1. Gisou suggests cleansing and exfoliating lips first for the smoothest finish\n2. Swipe on with the applicator, alone or over lip colour\n3. For definition, the brand suggests lining first, then oil\n4. Choose Honey Gold if you want no shimmer; skip Watermelon Sugar if pearl pigments are wrong for the brief\n\n## How it compares\n\n| Role | Gisou Honey Infused Lip Oil | Dior Addict Lip Glow Oil | Rhode Peptide Lip Tint |\n| --- | --- | --- | --- |\n| Shine | High, honey-scented | Mirror, three finish families | Glossy tint, fragrance-free |\n| Vegan (brand) | No — honey and propolis | Not certified here | Yes — brand states vegan |\n| Official guide | $28 US | £34 UK | $20 US |\n| Amazon on this site | No | No | No |\n\n## Questions and answers\n\n### Is Gisou Honey Infused Lip Oil vegan?\n\nNo. The official INCI includes honey and propolis from the Mirsalehi Bee Garden. Choose a vegan balm or tint if that is the brief.\n\n### Is Watermelon Sugar shimmery?\n\nYes. Gisou says Watermelon Sugar contains reflective pearl pigments. Other shades, including Honey Gold, are the route if you want no shimmer.\n\n### How much does Gisou Honey Infused Lip Oil cost?\n\nThe official US page listed $28 when checked on 13 August 2026. The UK guide was £24 for 8ml when re-checked on 25 September 2026. Treat those as brand-page guides, not live checkout prices.\n\n### What finish does Gisou Honey Infused Lip Oil serve?\n\nWet lip signal — glossy, cushioned shine. It is an alternative to Dior Lip Glow Oil, not a replacement for overnight lip masks.\n\n### Does The Cast Index test Gisou lip oil in-house?\n\nNo. This is an evidence-led desk review of official specifications. Inclusion is editorial and independent of affiliate relationships.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/glossier-cloud-paint","markdownUrl":"https://thecastindex.com/beauty/glossier-cloud-paint.md","title":"Glossier Cloud Paint","lastmod":"2026-09-25","sha256":"8f9225151d63f81f4098a496accaad47973893a3a3685d4ef1fa486f85298a6a","bytes":2604,"markdown":"# Glossier Cloud Paint\n\n> Glossier Cloud Paint is a gel-cream blush in a 10ml tube with soluble collagen and blurring powder pigments, listed in 10 blush shades on Glossier UK at £24 on 25 September 2026. Glossier says it is formulated without fragrance. This is desk research from published specifications, not a wear test.\n\n- Canonical: https://thecastindex.com/beauty/glossier-cloud-paint\n- Category: Cheek\n- Format: Gel-cream blush\n- Finish: Soft, diffused\n- Best for: Sheer, buildable cheek colour from a tube\n- Official: https://uk.glossier.com/products/cloud-paint\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA sheer, buildable gel-cream blush in a squeeze tube, formulated without fragrance, £24 for 10ml. Choose it for a diffused flush applied with fingers; ten blush shades is a narrower range than some liquid blushes.\n\nSkip this if you want a long-wear or matte blush, a wide shade range, or a powder texture (that is the separate Plush Blush).\n\nA gel-cream flush with a diffused edge — tap in a small dot and build, so colour reads as warmth rather than a stripe.\n\n## The formula\n\nCloud Paint is Glossier’s gel-cream blush: a squeezable, sheer-to-buildable colour with soluble collagen and blurring powder pigments, which the brand says gives a soft, diffused finish.\n\nGlossier describes it as formulated without fragrance and dermatologist-tested. Blend and wear descriptions are the brand’s, not a Cast Index test.\n\n## Who it’s for\n\nReaders who apply blush with fingers and want a sheer wash that builds, on skin that prefers a cream to a powder. Oily skin may want to set it lightly.\n\n## What should you check before buying?\n\nThe tube dispenses quickly, so start with a small dot. Ten blush shades is a narrower range than some liquid blushes; check swatches across skin tones. Buy from uk.glossier.com or an authorised retailer.\n\n## How to use it\n\n1. Squeeze a small dot onto a fingertip\n2. Tap onto the cheek and blend the edges outward\n3. Build a second layer only once the first has settled\n\n## Questions and answers\n\n### How many shades does Glossier Cloud Paint come in?\n\nGlossier UK lists 10 blush shades, plus five Cloud Paint bronzer shades sold separately.\n\n### Is Glossier Cloud Paint fragrance-free?\n\nGlossier says it is formulated without fragrance.\n\n### Is Cloud Paint the same as Cloud Paint Plush Blush?\n\nNo. Plush Blush is a separate powder-texture product; Cloud Paint is the gel-cream.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/cheek\n"},{"url":"https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder","markdownUrl":"https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder.md","title":"Huda Beauty Easy Bake Loose Baking & Setting Powder","lastmod":"2026-09-08","sha256":"0a0ff0437ff67199192ff096269f2b1dee02acb7bc4019cdba7888673598ad89","bytes":2163,"markdown":"# Huda Beauty Easy Bake Loose Baking & Setting Powder\n\n> Huda Beauty describes Easy Bake as a loose powder for blurring and setting makeup. The original and fragrance-free versions are separate listings; confirm the exact formula and shade before purchase.\n\n- Canonical: https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder\n- Category: Setting\n- Format: Loose setting powder\n- Finish: Soft matte\n- Best for: Targeted setting and shine control\n- Official: https://hudabeauty.com/en-us/products/easy-bake-loose-baking-setting-powder-hb00140m\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA loose-powder reference for a more matte finish. Apply selectively so a luminous base retains its shape and light.\n\n## Selection evidence\n\nBrand-listed bestseller: Huda Beauty labels the original Easy Bake Loose Baking & Setting Powder a bestseller on its US product page. This is the brand’s designation, not a global sales rank.\n\nSource: https://hudabeauty.com/en-us/products/easy-bake-loose-baking-setting-powder-hb00140m\nChecked: 2026-09-08\n\n## Who should consider it?\n\nUse a loose powder when you want control over the amount and placement of setting. A very light layer on the centre of the face can keep the outer cheek more reflective. Match powder depth and undertone as carefully as foundation.\n\n## What should you check before buying?\n\nA thick powder layer can emphasise the look of dry texture. “Translucent” is not a guarantee of an invisible result on every skin tone. Check fragrance on the exact variant rather than assuming all Easy Bake powders are fragrance-free.\n\n## How to use it\n\n1. Dispense a small amount and tap excess from a brush or puff.\n2. Press lightly where makeup needs setting.\n3. Follow Huda Beauty’s directions for any fuller baking technique.\n\n## Questions and answers\n\n### Is every Easy Bake powder fragrance-free?\n\nNo. Huda Beauty lists a separate fragrance-free loose powder. This record covers the original Easy Bake; check the variant name and current ingredients.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/setting\n"},{"url":"https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50","markdownUrl":"https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50.md","title":"ILIA Sun Serum Mineral Sunscreen SPF 50","lastmod":"2026-09-08","sha256":"9aab8a12265d107719455d0dc4734d37ea3a91ca5b1e765e9dc612076054cbc9","bytes":2172,"markdown":"# ILIA Sun Serum Mineral Sunscreen SPF 50\n\n> ILIA’s mineral SPF 50 comes in Light-Medium and Medium-Deep options designed to reduce the visible zinc-oxide cast without foundation coverage. The brand describes a water-burst texture and a natural finish.\n\n- Canonical: https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50\n- Category: SPF\n- Format: Mineral sunscreen serum\n- Finish: Natural\n- Best for: A dedicated sun-protection layer beneath makeup\n- Official: https://iliabeauty.com/products/sun-serum-mineral-sunscreen-spf-50\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe dedicated sunscreen option in ILIA’s range. Choose it for protection-first prep rather than the coverage of Super Serum Skin Tint.\n\n## Selection evidence\n\nApril 2026 launch: ILIA announced its first standalone sunscreen, Sun Serum Mineral Sunscreen SPF 50, on 7 April 2026.\n\nSource: https://www.prnewswire.com/news-releases/ilia-beauty-launches-new-sun-serum-mineral-sunscreen-spf-50-302735769.html\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a sunscreen by the label, how it feels at the required application amount, and how readily you will reapply it. Test the tint in daylight; two flexible options will not look identical on every skin tone.\n\n## What should you check before buying?\n\nDo not add SPF numbers together when layering products. If swimming or sweating is part of the day, check the exact bottle’s water-resistance directions and select protection appropriate to that activity.\n\n## How to use it\n\n1. Apply the amount and timing specified on the local sunscreen label.\n2. Let the sunscreen settle before adding makeup.\n3. Reapply as directed, including during extended outdoor exposure.\n\n## Questions and answers\n\n### How is Sun Serum different from ILIA Super Serum Skin Tint?\n\nSun Serum is the brand’s dedicated SPF 50 sunscreen with no foundation coverage. Super Serum Skin Tint is a light-coverage makeup product labelled SPF 40 in the US. Follow the directions for the exact formula you buy.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40","markdownUrl":"https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40.md","title":"ILIA Super Serum Skin Tint","lastmod":"2026-10-05","sha256":"e30cca026b9d841e75ea451c1f3e770e334580cec31fe5695d5b4eee8925ee9b","bytes":944,"markdown":"# ILIA Super Serum Skin Tint\n\n> ILIA’s serum tint uses zinc oxide with squalane, niacinamide and hyaluronic acid. The UK version sold by Space NK, an authorised UK retailer, is labelled SPF 30 and comes in 30 shades at £42; ILIA’s US page labels its formula SPF 40 (checked 1 October 2026).\n\n- Canonical: https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40\n- Category: Complexion\n- Format: Serum skin tint with mineral SPF\n- Finish: Skin-like, dewy\n- Best for: Sheer coverage with daily SPF\n- Official: https://www.spacenk.com/uk/makeup/complexion/tinted-moisturiser-skin-tint/super-serum-skin-tint-spf-30-MUK200041171.html\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nSkin-first tint for couture glass reads when full foundation is too much.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/ilia-thru-line-waterproof-eyeliner","markdownUrl":"https://thecastindex.com/beauty/ilia-thru-line-waterproof-eyeliner.md","title":"ILIA Thru Line Waterproof Eyeliner","lastmod":"2026-09-08","sha256":"2b5a4398fd84cc21be51d5e4f248f045b45924dd337da9a781b46c1b80a54e35","bytes":1850,"markdown":"# ILIA Thru Line Waterproof Eyeliner\n\n> ILIA lists ten matte and shimmer shades with avocado-oil-coated pigments. The brand describes the pencil as waterproof, with up to 24-hour wear; blend promptly before it sets.\n\n- Canonical: https://thecastindex.com/beauty/ilia-thru-line-waterproof-eyeliner\n- Category: Eyes & brows\n- Format: Waterproof eyeliner pencil\n- Finish: Matte or shimmer\n- Best for: A defined line or softly blended eye\n- Official: https://iliabeauty.com/products/24h-thru-line-waterproof-eyeliner\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA pencil alternative to liquid liner when you want a softer edge or a quick smoky shape.\n\n## Selection evidence\n\nJuly 2026 launch: ILIA announced Thru Line Waterproof Eyeliner on 28 July 2026.\n\nSource: https://www.prnewswire.com/news/ilia-beauty/\nChecked: 2026-09-08\n\n## Who should consider it?\n\nA pencil gives you time to soften the line before it sets. Choose liquid liner instead if your priority is an exceptionally fine, crisp wing. Keep the rest of the eye quieter when using a visibly reflective shade.\n\n## What should you check before buying?\n\nWaterproof and long-wear claims do not guarantee comfortable wear for every eye. Follow the selected shade’s eye-area directions and use an appropriate remover without rubbing.\n\n## How to use it\n\n1. Apply in short strokes along the lash line as directed by ILIA.\n2. Blend promptly if you want a softer edge.\n3. Let the pencil set and remove gently at the end of wear.\n\n## Questions and answers\n\n### Can Thru Line create a smoky eye?\n\nYes. ILIA advises blending before the waterproof formula sets. A brush can soften a small line; build gradually instead of drawing a heavy shape first.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/ingredients","markdownUrl":"https://thecastindex.com/beauty/ingredients.md","title":"Skincare ingredient library","lastmod":"2026-10-01","sha256":"1a9b30679104160f948869ff5c6f4a4666653abbfaf0960f18bcad4d407bb91f","bytes":4908,"markdown":"# Skincare ingredient library\n\n> Source: https://thecastindex.com/beauty/ingredients — updated 2026-10-01\n\nPlain-English fact sheets for common skincare ingredients, each linked to catalogue products that list it. General information, not medical advice.\n\n- [Niacinamide](https://thecastindex.com/beauty/ingredients/niacinamide) — Vitamin. Niacinamide is a form of vitamin B3 used in serums, moisturisers, sunscreens and tints. Studies associate it with a more even-looking tone, less visible redness and blotchiness, and support for the skin barrier. It is generally well tolerated, which is why it appears in so many everyday formulas.\n- [Retinol and retinal](https://thecastindex.com/beauty/ingredients/retinoids) — Vitamin A derivative. Retinol and retinal (retinaldehyde) are vitamin A derivatives used in evening skincare. They are among the best-studied ingredients for the appearance of fine lines, uneven texture and tone. Retinal is one conversion step closer to the active form than retinol. Both can irritate at first, so build up slowly.\n- [Vitamin C](https://thecastindex.com/beauty/ingredients/vitamin-c) — Antioxidant. Vitamin C is an antioxidant used in serums to help skin look brighter and more even, and to support protection against environmental damage alongside sunscreen. Pure L-ascorbic acid is the most studied form but the least stable; derivatives are gentler and more stable, though evidence for them is more limited.\n- [Hyaluronic acid](https://thecastindex.com/beauty/ingredients/hyaluronic-acid) — Humectant. Hyaluronic acid is a humectant: it attracts and holds water, helping skin feel and look more hydrated and plump. The body makes it naturally, and cosmetic formulas often combine several molecular sizes. It suits almost every skin type and works best under a moisturiser that seals hydration in.\n- [Ceramides](https://thecastindex.com/beauty/ingredients/ceramides) — Barrier lipid. Ceramides are fats (lipids) that make up much of the skin’s outer barrier. Moisturisers and cleansers add them back to help skin hold water and resist dryness and irritation. They are especially useful for dry, sensitive or over-exfoliated skin and are among the least likely ingredients to cause problems.\n- [Peptides](https://thecastindex.com/beauty/ingredients/peptides) — Signal and conditioning molecules. Peptides are short chains of amino acids. In cosmetics they are used to condition skin, lips, lashes and hair, and some are marketed as “signal” peptides for the look of firmness. Evidence varies widely between specific peptides, so treat broad claims cautiously and judge each formula on its full ingredient list.\n- [Exfoliating acids (AHA and BHA)](https://thecastindex.com/beauty/ingredients/exfoliating-acids) — Chemical exfoliant. Exfoliating acids loosen the bonds between dead skin cells so they shed more evenly. Alpha hydroxy acids (AHAs) such as glycolic and lactic acid work on the surface for smoother, brighter-looking skin; beta hydroxy acid (BHA), salicylic acid, is oil-soluble and works inside pores, which suits oily and blemish-prone skin.\n- [Centella asiatica (cica)](https://thecastindex.com/beauty/ingredients/centella-asiatica) — Botanical. Centella asiatica, often shortened to “cica”, is a plant extract widely used in Korean skincare to soothe and calm skin. Its active compounds, such as madecassoside and asiaticoside, are studied for wound-healing and anti-inflammatory properties, and cosmetic formulas use it to comfort stressed or irritated-feeling skin.\n- [Sunscreen filters (UV filters)](https://thecastindex.com/beauty/ingredients/sunscreen-filters) — UV protection. Sunscreen filters absorb or reflect ultraviolet light. SPF measures protection against UVB, the main cause of sunburn; UVA protection is shown by a UVA logo or star rating in the UK and by PA ratings on Korean and Japanese products. Mineral filters (zinc oxide, titanium dioxide) and modern chemical filters can both protect well.\n- [Snail mucin](https://thecastindex.com/beauty/ingredients/snail-mucin) — Animal-derived hydrator. Snail mucin, listed on labels as snail secretion filtrate, is filtered snail mucus used in essences, serums and creams as a hydrating, skin-conditioning ingredient. Researchers describe it as a mix of mucopolysaccharides, hyaluronic acid, allantoin and glycolic acid. Most studies are small or preclinical, and because it comes from snails it is not vegan.\n- [PDRN](https://thecastindex.com/beauty/ingredients/pdrn) — DNA-derived ingredient. PDRN (polydeoxyribonucleotide) is a mixture of DNA fragments, usually purified from salmon sperm, that is also a registered drug used in tissue repair. In skincare it appears in serums and creams, often listed as sodium DNA. Most research involves injections or wound care; evidence for PDRN applied to the skin at home is thin, so treat skincare claims cautiously.\n"},{"url":"https://thecastindex.com/beauty/ingredients/centella-asiatica","markdownUrl":"https://thecastindex.com/beauty/ingredients/centella-asiatica.md","title":"Centella asiatica (cica)","lastmod":"2026-10-01","sha256":"730aed6f4e308628480af390b4ddf0a1f3de0a99b5bb83950443e2ea44eeed81","bytes":2157,"markdown":"# Centella asiatica (cica)\n\n> Source: https://thecastindex.com/beauty/ingredients/centella-asiatica — updated 2026-10-01\n\nCentella asiatica, often shortened to “cica”, is a plant extract widely used in Korean skincare to soothe and calm skin. Its active compounds, such as madecassoside and asiaticoside, are studied for wound-healing and anti-inflammatory properties, and cosmetic formulas use it to comfort stressed or irritated-feeling skin.\n\n- Also on labels as: Cica, Gotu kola, Madecassoside, Asiaticoside, Tiger grass\n- Type: Botanical\n\n## What it does\n\n- Soothes the feel of irritated or stressed skin\n- Supports barrier comfort in lightweight formulas\n- Common in K-beauty sunscreens, serums and toners\n\n## Who it suits\n\nSensitive, redness-prone and combination skin, and anyone looking for a calming step.\n\n## How to use it\n\n1. Use morning or evening as directed\n2. Works in toners, serums and sunscreens alike\n\n## Take care\n\n- Plant extracts can occasionally cause allergy — patch test if you react to botanicals\n\n## What it pairs with\n\nPairs well with niacinamide, hyaluronic acid and sunscreen.\n\n## Products in the catalogue that list it\n\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum)\n- [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c)\n- [Anua Heartleaf 77% Soothing Toner](https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner)\n\n## Questions\n\n### What does cica do for skin?\n\nCica (Centella asiatica) is used to soothe and calm skin. Research on its compounds focuses on wound healing and inflammation; cosmetic claims are usually about comfort and calm.\n\n### Is centella good for sensitive skin?\n\nIt is popular for sensitive skin, but as a plant extract it can still cause an allergy in some people — patch test first.\n\n## Sources\n\n- [Bylka et al., “Centella asiatica in cosmetology”, Postępy Dermatologii i Alergologii, 2013](https://pmc.ncbi.nlm.nih.gov/articles/PMC3834700/)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/ceramides","markdownUrl":"https://thecastindex.com/beauty/ingredients/ceramides.md","title":"Ceramides","lastmod":"2026-10-01","sha256":"c1d6045b1dc64b11923ef1b84bf005cdea53af1a202822aeafc4adf814f76950","bytes":2143,"markdown":"# Ceramides\n\n> Source: https://thecastindex.com/beauty/ingredients/ceramides — updated 2026-10-01\n\nCeramides are fats (lipids) that make up much of the skin’s outer barrier. Moisturisers and cleansers add them back to help skin hold water and resist dryness and irritation. They are especially useful for dry, sensitive or over-exfoliated skin and are among the least likely ingredients to cause problems.\n\n- Also on labels as: Ceramide NP, Ceramide AP, Ceramide EOP, Skin-identical lipids\n- Type: Barrier lipid\n\n## What it does\n\n- Replenishes lipids in the skin barrier\n- Helps reduce water loss and dryness\n- Supports comfort in skin irritated by actives or weather\n\n## Who it suits\n\nDry, sensitive and eczema-prone skin, and anyone using retinoids or exfoliating acids.\n\n## How to use it\n\n1. Use in moisturisers and gentle cleansers morning and evening\n2. Apply after serums to help seal in hydration\n\n## Take care\n\n- Very well tolerated; if a ceramide product stings, the cause is usually another ingredient\n- For diagnosed eczema, follow a clinician’s emollient plan\n\n## What it pairs with\n\nPairs with everything, and softens the dryness of retinoids and acids.\n\n## Products in the catalogue that list it\n\n- [CeraVe Hydrating Facial Cleanser](https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser)\n- [CeraVe Moisturising Lotion](https://thecastindex.com/beauty/cerave-moisturising-lotion)\n- [The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)](https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides)\n\n## Questions\n\n### What do ceramides do?\n\nThey are part of the skin’s natural barrier. Skincare with ceramides helps restore that barrier so skin holds water better.\n\n### Can I use ceramides with retinol?\n\nYes. A ceramide moisturiser is a common way to reduce the dryness retinoids can cause.\n\n## Sources\n\n- [Coderch et al., “Ceramides and skin function”, American Journal of Clinical Dermatology, 2003](https://pubmed.ncbi.nlm.nih.gov/12553851/)\n- [DermNet — Emollients and moisturisers](https://dermnetnz.org/topics/emollients-and-moisturisers)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/exfoliating-acids","markdownUrl":"https://thecastindex.com/beauty/ingredients/exfoliating-acids.md","title":"Exfoliating acids (AHA and BHA)","lastmod":"2026-10-01","sha256":"146ab6a713f2efd5386f699412ed1993cba28474aeea828b5ef32919cac8d683","bytes":3337,"markdown":"# Exfoliating acids (AHA and BHA)\n\n> Source: https://thecastindex.com/beauty/ingredients/exfoliating-acids — updated 2026-10-01\n\nExfoliating acids loosen the bonds between dead skin cells so they shed more evenly. Alpha hydroxy acids (AHAs) such as glycolic and lactic acid work on the surface for smoother, brighter-looking skin; beta hydroxy acid (BHA), salicylic acid, is oil-soluble and works inside pores, which suits oily and blemish-prone skin.\n\n- Also on labels as: Glycolic acid, Lactic acid, Mandelic acid, Salicylic acid, Betaine salicylate, AHA, BHA\n- Type: Chemical exfoliant\n\n## What it does\n\n- Smooths the look of rough texture and dullness (AHAs)\n- Helps clear congested pores and blackheads (BHA)\n- Can make skin more sensitive to the sun\n\n## Who it suits\n\nAHAs: dull, rough or uneven-looking skin. BHA: oily, congested or blemish-prone skin. Sensitive skin should start slowly or choose gentler forms.\n\n## How to use it\n\n1. Start two or three times a week, usually in the evening\n2. Do not use on broken, sunburnt or freshly shaved skin\n3. Wear sunscreen daily — AHAs increase sun sensitivity\n\n## Take care\n\n- Over-use causes redness, stinging and a damaged barrier\n- Avoid the same night as retinoids until skin tolerates both\n- If pregnant or breastfeeding, check leave-on acids with a pharmacist\n\n## What it pairs with\n\nFollow with a ceramide or hyaluronic-acid moisturiser. Keep retinoids and strong vitamin C for different nights or times.\n\n## Products in the catalogue that list it\n\n- [The Ordinary Glycolic Acid 7% Exfoliating Toner](https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner)\n- [COSRX Low pH Good Morning Gel Cleanser](https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser)\n\n## Questions\n\n### What is the difference between AHA and BHA?\n\nAHAs are water-soluble and work on the skin’s surface; BHA (salicylic acid) is oil-soluble and can work inside pores, which is why it is favoured for oily and blemish-prone skin.\n\n### How often should I exfoliate with acids?\n\nStart two or three times a week and adjust to your skin. Daily use suits only some formulas and skin types.\n\n### Can I use AHA or BHA with retinol?\n\nNot in the same routine to begin with. The Ordinary says not to use its glycolic acid toner with other direct acids or strong retinoids in the same routine, because of the risk of irritation; alternate nights, or keep one for the morning and one for the evening.\n\n### Can I use two exfoliating acids together?\n\nBrands generally advise against layering separate acid products: The Ordinary says not to use its glycolic acid toner with other direct acids such as salicylic acid in the same routine. A single product formulated with more than one acid is a different matter — follow its directions.\n\n## Sources\n\n- [DermNet — Salicylic acid](https://dermnetnz.org/topics/salicylic-acid)\n- [DermNet — Chemical peels](https://dermnetnz.org/topics/chemical-peels)\n- [American Academy of Dermatology — Understand sunscreen labels](https://www.aad.org/public/everyday-care/sun-protection/shade-clothing-sunscreen/understand-sunscreen-labels)\n- [The Ordinary — Glycolic Acid 7% Exfoliating Toner (directions and FAQs)](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/hyaluronic-acid","markdownUrl":"https://thecastindex.com/beauty/ingredients/hyaluronic-acid.md","title":"Hyaluronic acid","lastmod":"2026-10-01","sha256":"6120b341cc9ebf786319cafa2224c13695943d1b38f350289b99cee2f86824a4","bytes":3372,"markdown":"# Hyaluronic acid\n\n> Source: https://thecastindex.com/beauty/ingredients/hyaluronic-acid — updated 2026-10-01\n\nHyaluronic acid is a humectant: it attracts and holds water, helping skin feel and look more hydrated and plump. The body makes it naturally, and cosmetic formulas often combine several molecular sizes. It suits almost every skin type and works best under a moisturiser that seals hydration in.\n\n- Also on labels as: Sodium hyaluronate, Hyaluronan, HA\n- Type: Humectant\n\n## What it does\n\n- Draws water into the upper layers of skin for a hydrated, plumper look\n- Gives serums and tints a light, non-greasy slip\n- Supports comfort in dry or dehydrated skin\n\n## Who it suits\n\nAll skin types, including oily skin that feels tight or dehydrated.\n\n## How to use it\n\n1. Apply to slightly damp skin after cleansing\n2. Follow with a moisturiser to reduce water loss, especially in dry air\n3. Use morning and evening\n\n## Take care\n\n- Rarely irritating; reactions are more often to other ingredients in the formula\n- In very dry environments, always layer a moisturiser on top\n\n## What it pairs with\n\nPairs with almost everything — niacinamide, ceramides, retinoids and vitamin C formulas often include it.\n\n## Products in the catalogue that list it\n\n- [The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)](https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides)\n- [CeraVe Hydrating Facial Cleanser](https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser)\n- [CeraVe Moisturising Lotion](https://thecastindex.com/beauty/cerave-moisturising-lotion)\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence)\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer)\n- [ILIA Super Serum Skin Tint](https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40)\n- [Saie Slip Tint](https://thecastindex.com/beauty/saie-slip-tint)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream)\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum)\n- [Biodance Bio-Collagen Real Deep Mask](https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask)\n\n## Questions\n\n### Is hyaluronic acid good for oily skin?\n\nYes. It hydrates without oil, so it suits oily and combination skin that still feels dehydrated.\n\n### Does hyaluronic acid need a moisturiser on top?\n\nIt helps. Hyaluronic acid attracts water; a moisturiser helps keep that water in the skin, particularly in dry or heated air.\n\n### What is sodium hyaluronate?\n\nThe salt form of hyaluronic acid, commonly used in skincare. On labels it does the same job.\n\n### Does hyaluronic acid go before or after moisturiser?\n\nBefore. Apply a hyaluronic acid serum to slightly damp skin after cleansing, then moisturiser on top, and sunscreen last in the morning.\n\n## Sources\n\n- [Papakonstantinou et al., “Hyaluronic acid: A key molecule in skin aging”, Dermato-Endocrinology, 2012](https://pmc.ncbi.nlm.nih.gov/articles/PMC3583886/)\n- [DermNet — Emollients and moisturisers](https://dermnetnz.org/topics/emollients-and-moisturisers)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/niacinamide","markdownUrl":"https://thecastindex.com/beauty/ingredients/niacinamide.md","title":"Niacinamide","lastmod":"2026-10-01","sha256":"bc6ba155f44cb96b46971249298322d7bf8a75536fcf481a496d8a2e51df5b18","bytes":5015,"markdown":"# Niacinamide\n\n> Source: https://thecastindex.com/beauty/ingredients/niacinamide — updated 2026-10-01\n\nNiacinamide is a form of vitamin B3 used in serums, moisturisers, sunscreens and tints. Studies associate it with a more even-looking tone, less visible redness and blotchiness, and support for the skin barrier. It is generally well tolerated, which is why it appears in so many everyday formulas.\n\n- Also on labels as: Nicotinamide, Vitamin B3\n- Type: Vitamin\n\n## What it does\n\n- Helps skin look more even in tone, including the look of blotchiness and redness\n- Supports the skin barrier and helps limit water loss\n- Appears in oil-control formulas for skin that looks shiny through the day\n\n## Who it suits\n\nMost skin types, including oily, combination and sensitive skin. It is a useful first active for people new to serums.\n\n## How to use it\n\n1. Use morning, evening or both; follow the product’s directions\n2. Apply after cleansing and water-based steps, before moisturiser\n3. Finish with sunscreen in the morning\n\n## Take care\n\n- Higher strengths (around 10%) can feel tingly or cause flushing on reactive skin — patch test first\n- Stop if skin stings persistently, and ask a pharmacist if irritation continues\n\n## What it pairs with\n\nPairs well with hyaluronic acid, ceramides and sunscreen. Older advice warned against using it with vitamin C; follow each product’s directions, as some brands still recommend keeping them in separate routines.\n\n## Products in the catalogue that list it\n\n- [The Ordinary Niacinamide 10% + Zinc 1%](https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1)\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide)\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream)\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum)\n- [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++](https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50)\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50)\n- [ILIA Super Serum Skin Tint](https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40)\n- [Estée Lauder Double Wear LongWear Matte Foundation SPF 10](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation)\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion)\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum)\n\n## Questions\n\n### What does niacinamide do for skin?\n\nIt is used to help skin look more even in tone and less red, and to support the skin barrier. A 2005 study in Dermatologic Surgery reported improvements in the appearance of fine lines, blotchiness and redness with topical niacinamide.\n\n### Can I use niacinamide every day?\n\nYes, most formulas are designed for daily use, morning and evening. Start with one product and a lower strength if your skin is sensitive.\n\n### Is niacinamide the same as vitamin B3?\n\nNiacinamide (nicotinamide) is one form of vitamin B3. On ingredient lists it usually appears as “niacinamide”.\n\n### Can I use niacinamide with vitamin C?\n\nBrands disagree, so follow the directions on your products. The Ordinary recommends using its niacinamide serum and vitamin C in separate routines, saying the combination may decrease effectiveness; other brands put both in one formula, such as Round Lab’s Birch Juice sun cream. A simple split is vitamin C in the morning and niacinamide at night, or on alternate days.\n\n### Can I use niacinamide with retinol?\n\nYes, they are commonly combined. La Roche-Posay’s 0.3% Retinol + Vitamin B3 Serum puts both in one bottle. If you use separate products, apply the retinoid at night as its directions say, and introduce one new product at a time.\n\n### Should niacinamide go before or after moisturiser?\n\nBefore. Apply a water-based niacinamide serum after cleansing and before moisturiser, then finish with sunscreen in the morning. See our skincare routine order guide for the full sequence.\n\n## Sources\n\n- [Bissett et al., “Niacinamide: A B vitamin that improves aging facial skin appearance”, Dermatologic Surgery, 2005](https://pubmed.ncbi.nlm.nih.gov/16029679/)\n- [DermNet — Nicotinamide](https://dermnetnz.org/topics/nicotinamide)\n- [The Ordinary — Niacinamide 10% + Zinc 1% (directions and FAQs)](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html)\n- [La Roche-Posay UK — 0.3% Retinol + Vitamin B3 Serum](https://www.laroche-posay.co.uk/en_GB/retinol-b3-anti-ageing-serum-for-sensitive-skin-30ml/LRP_115.html)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/pdrn","markdownUrl":"https://thecastindex.com/beauty/ingredients/pdrn.md","title":"PDRN","lastmod":"2026-10-01","sha256":"7008f23f5950862ec710b8ee1c2691f23f2200bafd1b6b3fc3bdf276b6c174d8","bytes":4517,"markdown":"# PDRN\n\n> Source: https://thecastindex.com/beauty/ingredients/pdrn — updated 2026-10-01\n\nPDRN (polydeoxyribonucleotide) is a mixture of DNA fragments, usually purified from salmon sperm, that is also a registered drug used in tissue repair. In skincare it appears in serums and creams, often listed as sodium DNA. Most research involves injections or wound care; evidence for PDRN applied to the skin at home is thin, so treat skincare claims cautiously.\n\n- Also on labels as: Polydeoxyribonucleotide, Sodium DNA, Salmon DNA\n- Type: DNA-derived ingredient\n\n## What it does\n\n- In pharmacology research, PDRN acts on adenosine A2A receptors — the mechanism behind its use in tissue repair and wound healing\n- Clinics use injectable PDRN and related polynucleotides; those are medical procedures, not the same thing as a serum\n- In skincare, brands use it for hydration and “skin-boosting” claims, but a 2026 systematic review found no randomised trials of PDRN as a cosmetic product applied to the skin\n\n## Who it suits\n\nAnyone curious about the ingredient who is happy to treat a PDRN serum as a hydrating cosmetic step rather than a treatment. Salmon-derived PDRN is not suitable for vegans; check which source a product uses.\n\n## How to use it\n\n1. Use as the product directs — usually after cleansing and before moisturiser\n2. Introduce one new serum at a time\n3. Finish with sunscreen in the morning, as with any routine\n\n## Take care\n\n- Evidence for topical PDRN is thin: a 2026 systematic review of randomised trials found studies of injections and of wound care, but none of cosmetic serums or creams\n- Do not confuse a “salmon DNA” serum with PDRN or polynucleotide injections offered by clinics, which are medical procedures\n- One PDRN may not behave like another: a 2017 pharmacology review links its activity to DNA origin, molecular weight and manufacturing process\n- Read the full ingredient list — Medicube’s vegan “rose PDRN” version lists rose extract alongside sodium DNA, and its salmon version also lists fragrance\n\n## What it pairs with\n\nUsually formulated in hydrating serums alongside niacinamide and peptides, as in Medicube’s PDRN Pink Peptide Serum. Layer it like any serum, before moisturiser, and follow each product’s directions.\n\n## Products in the catalogue that list it\n\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum)\n\n## Questions\n\n### What does PDRN mean in skincare?\n\nPDRN stands for polydeoxyribonucleotide: fragments of DNA, usually purified from salmon or trout sperm. Pharmacologists describe it as a registered drug for tissue repair, and cosmetic brands now add it to serums and creams, where it is often listed as sodium DNA.\n\n### Does PDRN skincare work?\n\nThere is not enough evidence to say. A 2026 systematic review of randomised trials found PDRN studied as injections and in wound care, but no trials of cosmetic PDRN applied to the skin. Treat a PDRN serum as a hydrating step and judge it on its whole formula.\n\n### Is a PDRN serum the same as a salmon DNA injection?\n\nNo. Injectable PDRN and polynucleotides are given by clinicians and are the subject of most of the research. A serum you apply yourself is a cosmetic product, and results from injection studies cannot be assumed to apply to it.\n\n### Is PDRN vegan?\n\nNot usually: PDRN is typically salmon-derived. Some brands sell plant-labelled versions — Medicube offers a rose PDRN option it labels vegan — so check the variant and its ingredient list.\n\n### Snail mucin vs PDRN: which is better?\n\nNeither has strong evidence as a skincare ingredient. Snail mucin has a few small cosmetic studies behind its hydrating and fine-line claims; PDRN’s research is mostly on injections and wound healing. If you want hydration, both are optional extras to a basic routine of cleanser, moisturiser and sunscreen.\n\n## Sources\n\n- [Squadrito F et al., “Pharmacological activity and clinical use of PDRN”, Frontiers in Pharmacology, 2017](https://pmc.ncbi.nlm.nih.gov/articles/PMC5405115/)\n- [Alhussain AM et al., “Polynucleotides and polydeoxyribonucleotides for skin rejuvenation, postoperative scar prevention, and wound healing: a systematic review of randomized clinical trials”, Cureus, July 2026](https://pmc.ncbi.nlm.nih.gov/articles/PMC13453133/)\n- [Medicube US — PDRN Pink Peptide Serum (variants and ingredient lists)](https://medicube.us/products/rose-pdrn-pink-peptide-serum)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/peptides","markdownUrl":"https://thecastindex.com/beauty/ingredients/peptides.md","title":"Peptides","lastmod":"2026-10-01","sha256":"cae498780c245a4b7ab6fb61148ed9a65c6dacabf30e711c83ae88879a9fa74f","bytes":2692,"markdown":"# Peptides\n\n> Source: https://thecastindex.com/beauty/ingredients/peptides — updated 2026-10-01\n\nPeptides are short chains of amino acids. In cosmetics they are used to condition skin, lips, lashes and hair, and some are marketed as “signal” peptides for the look of firmness. Evidence varies widely between specific peptides, so treat broad claims cautiously and judge each formula on its full ingredient list.\n\n- Also on labels as: Palmitoyl tripeptide, Palmitoyl pentapeptide-4, Acetyl hexapeptide-8, Copper peptides\n- Type: Signal and conditioning molecules\n\n## What it does\n\n- Conditions and softens lips, skin and hair in many formulas\n- Some peptides are studied for the appearance of fine lines, with mixed evidence\n- Hair “bond” and repair treatments use peptide technology to condition damaged hair\n\n## Who it suits\n\nMost people; peptides are generally gentle and suit sensitive skin.\n\n## How to use it\n\n1. Use as directed — peptides appear in serums, lip treatments, masks and hair treatments\n2. Layer skincare peptides before moisturiser\n\n## Take care\n\n- Evidence differs by peptide; brand claims are often based on the brand’s own studies\n- Some brands advise against mixing copper peptides with strong acids or vitamin C\n\n## What it pairs with\n\nGenerally compatible with hydrators and moisturisers. Follow product directions on combining with acids or vitamin C.\n\n## Products in the catalogue that list it\n\n- [Rhode Peptide Lip Treatment](https://thecastindex.com/beauty/rhode-peptide-lip-treatment)\n- [Rhode Peptide Lip Tint](https://thecastindex.com/beauty/rhode-peptide-lip-tint)\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum)\n- [Fenty Beauty Gloss Bomb Universal Lip Luminizer](https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer)\n- [K18 Leave-In Molecular Repair Hair Mask](https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask)\n- [Olaplex Bond Shaper Curl Rebuilding Treatment](https://thecastindex.com/beauty/olaplex-bond-shaper-curl-rebuilding-treatment)\n\n## Questions\n\n### Do peptides really work?\n\nIt depends on the peptide. Some have published studies, often small or brand-funded; others have little evidence. They are generally gentle conditioning ingredients.\n\n### Why are peptides in lip products?\n\nThey are used as conditioning ingredients alongside emollients such as shea butter to keep lips feeling soft and smooth.\n\n## Sources\n\n- [Ferreira et al., “Cosmeceutical Peptides in the Framework of Sustainable Wellness Economy”, Frontiers in Chemistry, 2020](https://pubmed.ncbi.nlm.nih.gov/33195061/)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/retinoids","markdownUrl":"https://thecastindex.com/beauty/ingredients/retinoids.md","title":"Retinol and retinal","lastmod":"2026-10-01","sha256":"aa23a1f6e4b57c4e4cc8c9c4385904e4be46e8054916c8bf55efbee70844315a","bytes":5086,"markdown":"# Retinol and retinal\n\n> Source: https://thecastindex.com/beauty/ingredients/retinoids — updated 2026-10-01\n\nRetinol and retinal (retinaldehyde) are vitamin A derivatives used in evening skincare. They are among the best-studied ingredients for the appearance of fine lines, uneven texture and tone. Retinal is one conversion step closer to the active form than retinol. Both can irritate at first, so build up slowly.\n\n- Also on labels as: Retinoids, Retinaldehyde, Retinal, Retinol, Vitamin A\n- Type: Vitamin A derivative\n\n## What it does\n\n- Speeds up skin cell turnover, which can refine the look of texture\n- Associated with improvements in the appearance of fine lines with regular use over months\n- Can help skin look more even in tone\n\n## Who it suits\n\nAdults concerned with texture, fine lines or uneven tone who can commit to gradual introduction and daily sunscreen. Very sensitive skin may do better with low strengths or advice from a pharmacist.\n\n## How to use it\n\n1. Use in the evening only, on dry skin, after cleansing\n2. Start two or three nights a week and increase as tolerated\n3. Begin with the lowest strength in a range and step up slowly\n4. Wear broad-spectrum sunscreen every morning\n\n## Take care\n\n- Dryness, flaking and stinging are common in the first weeks\n- Do not use if pregnant, trying to conceive or breastfeeding without medical advice\n- Avoid using on the same night as exfoliating acids until your skin tolerates both\n\n## What it pairs with\n\nPairs well with moisturisers containing ceramides or hyaluronic acid. Keep exfoliating acids and vitamin C for different times of day unless a product is formulated to combine them.\n\n## Products in the catalogue that list it\n\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal)\n- [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion)\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum)\n- [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10)\n\n## Questions\n\n### What is the difference between retinol and retinal?\n\nBoth are converted in the skin to retinoic acid. Retinal (retinaldehyde) needs one conversion step; retinol needs two. Strengths are therefore not directly comparable between the two.\n\n### How long does retinol take to work?\n\nClinical studies of retinoids typically measure changes in the appearance of fine lines and texture over three to six months of regular use.\n\n### Can I use retinol when pregnant?\n\nRetinoids are generally avoided during pregnancy. Speak to a doctor, midwife or pharmacist about any skincare you use while pregnant, trying to conceive or breastfeeding.\n\n### Can I use retinol with vitamin C?\n\nUse them at different times of day. The American Academy of Dermatology suggests vitamin C in the morning, before sunscreen, and a retinoid at night; The Ordinary says its Retinal 0.2% Emulsion should not be used with vitamin C.\n\n### Can I use retinol with niacinamide?\n\nYes. They are often combined: La Roche-Posay’s 0.3% Retinol + Vitamin B3 Serum contains both. Keep to one retinoid product at a time.\n\n### Can I use retinol with AHA or BHA acids?\n\nNot in the same routine, at least at first. The Ordinary advises against using its glycolic acid toner with strong retinoids in the same routine because of the risk of irritation, and suggests alternating or splitting them between morning and evening. Many people simply use acids and retinoids on different nights.\n\n### How much retinol should I use?\n\nA pea-sized amount for the whole face is the usual direction — it is what The Ordinary specifies for its retinal — starting once or twice a week and building up as your skin tolerates it. Always follow the directions on your product.\n\n### Should I apply moisturiser before or after retinol?\n\nUsually after: retinoid on clean, dry skin, then moisturiser. If a retinoid feels too drying, the American Academy of Dermatology suggests moisturising straight after washing and applying the retinoid 20 to 30 minutes later.\n\n## Sources\n\n- [Mukherjee et al., “Retinoids in the treatment of skin aging”, Clinical Interventions in Aging, 2006](https://pmc.ncbi.nlm.nih.gov/articles/PMC2699641/)\n- [DermNet — Topical retinoids](https://dermnetnz.org/topics/topical-retinoids)\n- [NHS — Medicines in pregnancy](https://www.nhs.uk/pregnancy/keeping-well/medicines/)\n- [American Academy of Dermatology — Dermatologist-recommended skin care for your 20s](https://www.aad.org/public/everyday-care/skin-care-basics/care/skin-care-in-your-20s)\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol)\n- [The Ordinary — Retinal 0.2% Emulsion (directions)](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html)\n- [The Ordinary — Glycolic Acid 7% Exfoliating Toner (FAQs)](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/snail-mucin","markdownUrl":"https://thecastindex.com/beauty/ingredients/snail-mucin.md","title":"Snail mucin","lastmod":"2026-10-01","sha256":"5484257bf26b5cc121132fa04314cca22f0b091e04214978fae3c0f7a7df42c2","bytes":5486,"markdown":"# Snail mucin\n\n> Source: https://thecastindex.com/beauty/ingredients/snail-mucin — updated 2026-10-01\n\nSnail mucin, listed on labels as snail secretion filtrate, is filtered snail mucus used in essences, serums and creams as a hydrating, skin-conditioning ingredient. Researchers describe it as a mix of mucopolysaccharides, hyaluronic acid, allantoin and glycolic acid. Most studies are small or preclinical, and because it comes from snails it is not vegan.\n\n- Also on labels as: Snail secretion filtrate, Snail mucus, Cryptomphalus aspersa (Helix aspersa) secretion, SSF\n- Type: Animal-derived hydrator\n\n## What it does\n\n- Adds light hydration and slip, usually alongside humectants such as hyaluronic acid\n- A small 2013 randomised, double-blind split-face study of 25 adults reported a better look to fine lines around the eyes after 12 weeks with 8% and 40% snail secretion products\n- Researchers are interested in soothing, wound-healing and pigmentation uses, but a 2024 review found most evidence is preclinical or from small clinical studies\n\n## Who it suits\n\nMost skin types that want a light hydrating layer, including oily and combination skin that finds creams heavy. It is not for vegan routines, and anyone who knows they react to snail-derived ingredients should avoid it.\n\n## How to use it\n\n1. Apply after cleansing and any toner, before moisturiser — COSRX directs patting its essence in, then following with moisturiser\n2. Use morning or evening; in the morning, finish with sunscreen\n3. Introduce it on its own for a week or two so you can tell how your skin responds\n\n## Take care\n\n- Animal-derived, so not vegan; statements about how snails are treated during collection are the brands’ own\n- A 2024 review lists allergy among the areas that still need investigating — patch test first, and avoid it if you have a known snail allergy\n- Headline percentages on product pages usually come from small, brand-reported studies; COSRX’s come from a 20-adult study run in Korea in 2025\n\n## What it pairs with\n\nSits comfortably with hyaluronic acid, niacinamide, ceramide moisturisers and sunscreen. It is a hydrator rather than an exfoliant; when a routine also includes a retinoid or acid, follow the directions of that stronger product.\n\n## Products in the catalogue that list it\n\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence)\n\n## Questions\n\n### What does snail mucin do for skin?\n\nIt is used as a hydrating, skin-conditioning ingredient that gives a light, cushioned layer of moisture. A small 2013 split-face study reported a better look to fine lines after 12 weeks, but a 2024 review in the Journal of Cosmetic Dermatology concluded that most evidence is preclinical or from small clinical studies, and called for larger trials.\n\n### Is snail mucin good for skin?\n\nIt is a reasonable hydrating ingredient for most skin types. The stronger claims — repair, anti-ageing, fading marks — rest on small studies, so judge a product on its whole formula and price rather than the snail percentage alone.\n\n### Can snail mucin cause acne or breakouts?\n\nNo good study has looked at whether snail mucin causes or prevents breakouts. A breakout after a new product can come from any ingredient in the formula, so introduce one product at a time and patch test. The NHS advises seeing a pharmacist or GP about acne that is not improving.\n\n### Where does snail mucin come from?\n\nIt is mucus produced by snails, filtered for cosmetic use. Most published research concerns the garden snail, Cryptomphalus (Helix) aspersa. COSRX says it collects mucin without applying pressure or harm to its snails; that is the brand’s statement, not an independent certification.\n\n### Is snail mucin vegan?\n\nNo. Snail secretion filtrate is animal-derived. COSRX itself describes its Advanced Snail 96 essence as not vegan.\n\n### How do you use snail mucin?\n\nAfter cleansing and toner, pat a small amount of a snail essence or serum into the skin, then follow with moisturiser — and sunscreen in the morning. See our skincare routine order guide for where it sits among other steps.\n\n### Snail mucin vs PDRN: what is the difference?\n\nSnail mucin is a whole secretion used mainly as a hydrator, with a small body of cosmetic studies. PDRN is a purified DNA fraction, usually from salmon, that is also a registered drug and is studied mostly as an injection or in wound care; evidence for PDRN in skincare you apply yourself is thinner still. Salmon PDRN, like snail mucin, is animal-derived.\n\n## Sources\n\n- [Singh N, Brown AN, Gold MH, “Snail extract for skin: A review of uses, projections, and limitations”, Journal of Cosmetic Dermatology, 2024](https://pubmed.ncbi.nlm.nih.gov/38429932/)\n- [Fabi SG et al., “The effects of filtrate of the secretion of the Cryptomphalus aspersa on photoaged skin”, Journal of Drugs in Dermatology, 2013](https://pubmed.ncbi.nlm.nih.gov/23652894/)\n- [Gugliandolo E et al., “The protective effect of snail secretion filtrate in an experimental model of excisional wounds in mice”, Veterinary Sciences, 2021 (composition described in the introduction)](https://pmc.ncbi.nlm.nih.gov/articles/PMC8402640/)\n- [COSRX — Advanced Snail 96 Mucin Power Essence (directions, fact pack and FAQs)](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence)\n- [NHS — Acne](https://www.nhs.uk/conditions/acne/)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/sunscreen-filters","markdownUrl":"https://thecastindex.com/beauty/ingredients/sunscreen-filters.md","title":"Sunscreen filters (UV filters)","lastmod":"2026-10-01","sha256":"939d6fe77b30058652c3824f19044fd48be59be433fd059f74f5a94ca7c95415","bytes":4137,"markdown":"# Sunscreen filters (UV filters)\n\n> Source: https://thecastindex.com/beauty/ingredients/sunscreen-filters — updated 2026-10-01\n\nSunscreen filters absorb or reflect ultraviolet light. SPF measures protection against UVB, the main cause of sunburn; UVA protection is shown by a UVA logo or star rating in the UK and by PA ratings on Korean and Japanese products. Mineral filters (zinc oxide, titanium dioxide) and modern chemical filters can both protect well.\n\n- Also on labels as: SPF, Zinc oxide, Titanium dioxide, Avobenzone, Tinosorb S, Mineral and chemical filters, PA++++\n- Type: UV protection\n\n## What it does\n\n- Reduces sunburn, sun-related skin damage and the risk of skin cancer\n- Helps prevent the look of premature ageing and dark marks from UV\n- Supports results from actives such as retinoids and acids\n\n## Who it suits\n\nEveryone. The NHS recommends SPF 30 or higher with at least four-star UVA protection.\n\n## How to use it\n\n1. Apply generously as the last step of your morning routine\n2. Reapply regularly outdoors, and after swimming, sweating or towelling\n3. Use enough — most people apply far less than the amount used in testing\n\n## Take care\n\n- SPF in make-up alone is rarely applied thickly enough for full protection\n- Mineral formulas can leave a white cast on deeper skin tones; tinted versions help\n\n## What it pairs with\n\nAlways the final skincare step in the morning; wait for serums to settle first.\n\n## Products in the catalogue that list it\n\n- [La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+](https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50)\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide)\n- [Beauty of Joseon Daily Relief Sunscreen SPF 40](https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream)\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum)\n- [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++](https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50)\n- [ILIA Sun Serum Mineral Sunscreen SPF 50](https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50)\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50)\n\n## Questions\n\n### What SPF should I use?\n\nThe NHS advises SPF 30 or higher, with UVA protection of at least four stars (or the UVA logo in a circle), applied generously and reapplied.\n\n### What does PA++++ mean?\n\nPA is a UVA rating used on many Asian sunscreens; PA++++ is the highest grade. It is broadly comparable to a high UVA star rating.\n\n### Are mineral sunscreens better than chemical ones?\n\nNot inherently. Both can offer high, broad-spectrum protection. The best sunscreen is one you will apply generously every day.\n\n### Does sunscreen go before or after moisturiser and make-up?\n\nAfter moisturiser and before make-up. The American Academy of Dermatology advises putting sunscreen on after other skincare products and beneath make-up. The British Association of Dermatologists recommends applying it 15 to 30 minutes before going out.\n\n## Sources\n\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/)\n- [American Academy of Dermatology — Understand sunscreen labels](https://www.aad.org/public/everyday-care/sun-protection/shade-clothing-sunscreen/understand-sunscreen-labels)\n- [DermNet — Sun protection](https://dermnetnz.org/topics/sun-protection)\n- [American Academy of Dermatology — Dermatologist-recommended skin care for your 20s](https://www.aad.org/public/everyday-care/skin-care-basics/care/skin-care-in-your-20s)\n- [British Association of Dermatologists — Sun protection fact sheet](https://www.skinhealthinfo.org.uk/sun-awareness/the-sunscreen-fact-sheet/)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/ingredients/vitamin-c","markdownUrl":"https://thecastindex.com/beauty/ingredients/vitamin-c.md","title":"Vitamin C","lastmod":"2026-10-01","sha256":"b7c95821deada03b1f2aa8dbe95688e6e42663ebde2fbd4ea9c97e3df2912227","bytes":3457,"markdown":"# Vitamin C\n\n> Source: https://thecastindex.com/beauty/ingredients/vitamin-c — updated 2026-10-01\n\nVitamin C is an antioxidant used in serums to help skin look brighter and more even, and to support protection against environmental damage alongside sunscreen. Pure L-ascorbic acid is the most studied form but the least stable; derivatives are gentler and more stable, though evidence for them is more limited.\n\n- Also on labels as: L-ascorbic acid, Ascorbic acid, Tetrahexyldecyl ascorbate, 3-O-ethyl ascorbic acid, Ascorbyl glucoside\n- Type: Antioxidant\n\n## What it does\n\n- Antioxidant support that complements, but never replaces, sunscreen\n- Helps the look of dullness and uneven tone\n- Plays a role in collagen production in skin\n\n## Who it suits\n\nMost skin types looking for brightness. Sensitive skin may prefer a derivative or a lower-strength formula.\n\n## How to use it\n\n1. Usually applied in the morning after cleansing, before moisturiser and sunscreen\n2. Store as directed — many formulas degrade with air, light and heat\n3. Discard if a pure L-ascorbic acid serum turns dark orange or brown\n\n## Take care\n\n- High strengths of L-ascorbic acid can tingle or sting\n- Patch test if you have sensitive skin\n\n## What it pairs with\n\nWorks well with vitamin E and ferulic acid, and before sunscreen. Keep strong exfoliating acids and retinoids for the evening unless a product says otherwise.\n\n## Products in the catalogue that list it\n\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic)\n- [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra)\n- [The Ordinary Vitamin C Suspension 23% + HA Spheres 2%](https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2)\n- [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c)\n\n## Questions\n\n### Should vitamin C be used morning or night?\n\nMost people use it in the morning, under sunscreen, for its antioxidant role. Follow the directions on your specific product.\n\n### What is the most effective form of vitamin C?\n\nL-ascorbic acid has the most research behind it but is unstable and can irritate. Derivatives such as tetrahexyldecyl ascorbate and 3-O-ethyl ascorbic acid are more stable and usually gentler.\n\n### Why did my vitamin C serum turn orange?\n\nL-ascorbic acid oxidises when exposed to air, light and heat, which darkens the serum. A strongly darkened serum is past its best.\n\n### Can I use vitamin C with niacinamide?\n\nIt depends on the products. The Ordinary recommends keeping niacinamide and vitamin C in separate routines, while some brands combine them in one formula. When in doubt, use vitamin C in the morning and niacinamide in the evening.\n\n### Can I use vitamin C with retinol?\n\nUse them at different times. The American Academy of Dermatology suggests applying vitamin C after washing in the morning, before sunscreen, and a retinoid at night.\n\n## Sources\n\n- [Pullar et al., “The Roles of Vitamin C in Skin Health”, Nutrients, 2017](https://pmc.ncbi.nlm.nih.gov/articles/PMC5579659/)\n- [American Academy of Dermatology — Dermatologist-recommended skin care for your 20s](https://www.aad.org/public/everyday-care/skin-care-basics/care/skin-care-in-your-20s)\n- [The Ordinary — Niacinamide 10% + Zinc 1% (FAQs)](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/jung-saem-mool-essential-skin-nuder-cushion","markdownUrl":"https://thecastindex.com/beauty/jung-saem-mool-essential-skin-nuder-cushion.md","title":"Jung Saem Mool Essential Skin Nuder Cushion","lastmod":"2026-09-08","sha256":"a7dd1323bd6ea9e0477f20b3431d2771a41c878851e63856380b7366779284e4","bytes":2239,"markdown":"# Jung Saem Mool Essential Skin Nuder Cushion\n\n> Jung Saem Mool describes Essential Skin Nuder Cushion as a light-coverage base with a hydrated, natural glow. Refill bundles, shade assortments and SPF labelling differ between regional listings.\n\n- Canonical: https://thecastindex.com/beauty/jung-saem-mool-essential-skin-nuder-cushion\n- Category: Complexion\n- Format: Cushion foundation\n- Finish: Natural glow\n- Best for: Light coverage with a portable cushion applicator\n- Official: https://jungsaemmool-th.com/en/collections/cushion/products/jungsaemmool-essential-skin-nuder-cushion-8809467630162\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA lighter-coverage cushion alternative for readers who want a natural finish and controlled touch-ups.\n\n## Selection evidence\n\nNew US retail arrival: The brand’s Sephora US debut on 21 August 2026 included ten exclusive cushion shades. This is a retail and shade-range expansion, not the original product launch.\n\nSource: https://www.prnewswire.com/news-releases/jung-saem-mool-beauty-marks-sephora-launch-with-times-square-takeover-and-nationwide-consumer-activations-302862392.html\nChecked: 2026-09-08\n\n## Who should consider it?\n\nConsider this if you prefer a lighter veil of foundation. Compare coverage with TIRTIR’s Mask Fit Red Cushion rather than treating all cushions as the same formula. Check the shade on the face and neck, after it has settled.\n\n## What should you check before buying?\n\nA shade name or SPF label from one market may not describe the item sold elsewhere. Confirm the exact listing, whether a refill is included and whether the selected depth is available locally.\n\n## How to use it\n\n1. Use a clean cushion puff and pick up a small amount.\n2. Press lightly over the areas where coverage is wanted.\n3. Close the inner lid securely and follow the brand’s puff-cleaning guidance.\n\n## Questions and answers\n\n### Was Essential Skin Nuder Cushion first launched in August 2026?\n\nNo. August 2026 marks the brand’s Sephora US debut and expanded local shade offering. The cushion was already sold in other markets.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask","markdownUrl":"https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask.md","title":"K18 Leave-In Molecular Repair Hair Mask","lastmod":"2026-07-28","sha256":"1210eef419b6f74961b973119e99338cdca24754ad0f55e826c4360ba2713511","bytes":4802,"markdown":"# K18 Leave-In Molecular Repair Hair Mask\n\n> K18 Leave-In Molecular Repair Hair Mask is a four-minute, no-rinse treatment built on patented K18PEPTIDE for cosmetic repair of bleach, colour, chemical and heat damage as claimed by the brand. The Cast Index assigns it to Hair as silhouette as leave-in maintenance that keeps casting length workable between salon services.\n\n- Canonical: https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask\n- Category: Hair\n- Format: Leave-in peptide hair mask\n- Finish: Strengthened, smooth feel\n- Best for: Post-chemical and heat-damage maintenance\n- Official: https://www.k18hair.com/products/leave-in-molecular-repair-hair-mask-50-ml\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nLeave-in peptide mask for Hair as silhouette — keeps chemically worked length workable between salon weeks.\n\n## The formula\n\nK18’s Leave-In Molecular Repair Hair Mask is built around K18PEPTIDE, a biotech peptide the brand says reconnects broken polypeptide chains and supports disulfide bonds damaged by bleach, colour, chemical services and heat. It is leave-in: the peptide stays; you do not rinse after the four-minute window.\n\nBrand language uses “repair” and “reverse damage.” Treat those as manufacturer cosmetic claims. The Cast Index does not present K18 as a medical or laboratory service. Strength and elasticity percentages published with mist-plus-mask bleaching protocols are omitted from the catalogue fact to avoid overstating a system study.\n\n## Season finish — Hair as silhouette\n\nHair as silhouette needs length that still holds a line — soft volume, wet-slick, or deliberate undoing. Chemically worked hair frays that line. K18 is the between-salon maintenance mask that keeps texture workable so the silhouette remains a casting decision, not a damage distraction.\n\nUse with Dream Coat when the week needs both internal soft strength and external humidity polish — mask on wash day, Dream Coat on the sleek-set day. Do not collapse both into one Amazon card note.\n\n## Working kit\n\nIn shower: shampoo only — skip conditioner before K18. Out of shower: towel-dry thoroughly. Start with one pump, add by length and density, ends toward roots. Wait a full four minutes. Do not rinse. Then comb and style; add leave-in conditioner only after the window if still needed. Brand suggests intensive use for the first 4–6 washes post-service, then every few washes.\n\nWrong if the wearer insists on conditioning before the mask — K18 says that blocks the method. Wrong as a daily heavy cream on fine hair without dosage control. Differentiate from Olaplex No.3: No.3 is a pre-shampoo treatment; K18 is a post-shampoo leave-in.\n\n## Limitations and brand cautions\n\nContains fragrance allergens on the INCI (e.g. geraniol, linalool, hexyl cinnamal) — check pack if sensitive. Keep out of eyes. Results vary by hair history. Clarifying shampoo first if product build-up is heavy, per brand do’s. Not a substitute for professional assessment of severely compromised hair.\n\n## How to use it\n\n1. Shampoo; do not apply conditioner before the mask\n2. Towel-dry thoroughly\n3. Apply 1–3 pumps from ends toward roots, adding by length and density\n4. Leave for 4 minutes; do not rinse\n5. Comb and style as usual\n\n## Questions and answers\n\n### Do you rinse out K18 Leave-In Molecular Repair Hair Mask?\n\nNo. K18 directs a four-minute leave-in activation and explicitly says not to rinse. Style after the wait time.\n\n### Should you condition before K18 Leave-In Molecular Repair Hair Mask?\n\nNo. K18’s method is shampoo only, towel-dry, then apply the mask. Conditioner before application is listed among the brand’s don’ts.\n\n### How is K18 different from Olaplex No.3?\n\nK18 is a post-shampoo, four-minute leave-in peptide mask. Olaplex No.3 is an at-home bond treatment used before shampoo. Same Hair as silhouette desk, different format and timing.\n\n### How long does K18 Leave-In Molecular Repair Hair Mask need to sit?\n\nK18 directs a four-minute leave-in wait after applying to towel-dried, shampooed hair. Do not rinse. The Cast Index files it under Hair as silhouette as between-salon maintenance for worked length.\n\n### What peptide is in K18 Leave-In Molecular Repair Hair Mask?\n\nK18 markets patented K18PEPTIDE, listed on ingredient decks as sh-Oligopeptide-78, as the biomimetic peptide that reconnects broken keratin chains in its cosmetic repair story.\n\n### Can K18 replace Olaplex No.3 in a Hair as silhouette kit?\n\nThey are not format twins. K18 is a leave-in post-shampoo mask; Olaplex No.3 is used before shampoo. A kit may hold both, but each profile should own its own query.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50","markdownUrl":"https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50.md","title":"La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+","lastmod":"2026-07-28","sha256":"c9c09804d7fcd36149dccf6943220b0e687bdc2fc6b88968502bc1c50911cf11","bytes":5210,"markdown":"# La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+\n\n> La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+ is a broad-spectrum facial sunscreen using Mexoryl 400 for ultra-long UVA up to 400nm in an invisible, non-greasy fluid. The Cast Index assigns it to Couture glass skin as the daytime protect layer that should not leave a white cast under luminous casting makeup.\n\n- Canonical: https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50\n- Category: SPF\n- Format: Invisible fluid sunscreen\n- Finish: Invisible, lightweight\n- Best for: Daily broad-spectrum protect under glass skin\n- Official: https://www.laroche-posay.co.uk/en_GB/anthelios-uvmune-400-invisible-fluid-spf50-sun-cream-for-sensitive-skin-50ml/LRP_026.html\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe protect step under Couture glass skin — SPF50+ fluid that stays invisible so luminosity, not white cast, carries the photograph.\n\n## The formula\n\nAnthelios UVMune 400 Invisible Fluid SPF50+ is La Roche-Posay’s ultra-fluid facial sunscreen built around Mexoryl 400, which the brand describes as protecting against ultra-long UVA up to 400nm, alongside broader UVB/UVA filtering and NETLOCK technology for an invisible, resistant film. Texture claims on brand pages: non-greasy, non-sticky, no white marks, with La Roche-Posay thermal spring water in the story.\n\nThis desk treats SPF as a labelled protect step, not a medical treatment. Brand language about deep cell damage is manufacturer positioning; The Cast Index will not translate it into disease-prevention claims. Use the product as directed for sun protection only.\n\n## Season finish — Couture glass skin\n\nGlass skin collapses when the SPF leaves a cast, pills under base, or migrates into the eyes under lights. An invisible SPF50+ fluid is the practical protect layer for Paris-coded luminous skin: hydration and radiance stay visible; the sunscreen does not become the story.\n\nOn the Season Beauty Index this SKU is the daytime seal after moisturiser and before optional glow booster or sheer foundation — coverage still only where the camera needs it.\n\n## Working kit\n\nOrder: cleanse → treat → moisturise → Anthelios fluid → makeup. Apply generously before exposure. Re-apply frequently, especially after sweat or towelling — brand instruction, non-negotiable for labelled protection. Pair with CeraVe moisturiser beneath and Halo Glow Liquid Filter above when the brief wants filter glow without skipping SPF.\n\nWrong as the only product on a full beach day without reapplication. Wrong if the wearer needs a tinted SPF for evening tone — this fluid is invisible, not a skin tint. Foundation SPF does not replace adequate, even application of a dedicated sunscreen.\n\n## Limitations and brand cautions\n\nFollow pack warnings for the market of purchase. Brand materials emphasise testing on sensitive, reactive skin and around the eyes with anti-eye-stinging claims — still patch-test if the wearer is reactive. Keep out of eyes; rinse if contact occurs. Reapplication after perspiration is required to maintain protection. Not a treatment for sun allergy or photodermatosis; those need clinical advice.\n\n## How to use it\n\n1. Complete skincare first; apply the fluid as the final skincare step before makeup\n2. Apply generously and evenly to face (and neck if exposed) just before sun exposure\n3. Re-apply frequently and generously to maintain protection, especially after perspiring or towelling\n4. Do not rely on makeup SPF alone for the labelled protection of this fluid\n\n## Questions and answers\n\n### What SPF is La Roche-Posay Anthelios UVMune 400 Invisible Fluid?\n\nIt is labelled SPF50+. La Roche-Posay also highlights Mexoryl 400 for ultra-long UVA protection up to 400nm within the UVMune 400 system.\n\n### Does Anthelios UVMune 400 Invisible Fluid leave a white cast?\n\nLa Roche-Posay positions the Invisible Fluid as a non-greasy, non-sticky texture that does not leave white marks, designed for an invisible finish under makeup or alone.\n\n### How often should Anthelios UVMune 400 Invisible Fluid be reapplied?\n\nThe brand directs application just before exposure and frequent, generous reapplication to maintain protection, especially after perspiring or towelling.\n\n### Why is Anthelios UVMune 400 Invisible Fluid in the Couture glass skin kit?\n\nCouture glass skin is hydrated, light-catching skin. La Roche-Posay’s SPF50+ Invisible Fluid with Mexoryl 400 is filed as the protect step that aims to stay transparent so luminosity, not cast, remains the photograph’s story.\n\n### What is Mexoryl 400 in Anthelios UVMune 400?\n\nMexoryl 400 is La Roche-Posay’s named UV filter in the UVMune 400 system, described by the brand as addressing ultra-long UVA wavelengths up to 400nm within a very high SPF50+ fluid.\n\n### Can foundation replace Anthelios UVMune 400 Invisible Fluid?\n\nNo. Foundation is usually applied too thinly for labelled SPF protection. Use this dedicated fluid as directed, then makeup. Reapply the sunscreen when exposure continues.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum","markdownUrl":"https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum.md","title":"La Roche-Posay 0.3% Retinol + Vitamin B3 Serum","lastmod":"2026-09-25","sha256":"ebe72dac540bd4916bbd51ee0b6a1d9b3b9f9e4f42b7bbbaf2ac207aa8d4c9a6","bytes":3016,"markdown":"# La Roche-Posay 0.3% Retinol + Vitamin B3 Serum\n\n> La Roche-Posay Retinol B3 Serum, labelled 0.3% Retinol + Vitamin B3 Serum in the UK, combines 0.3% retinol with niacinamide, retinyl palmitate and hyaluronic acid. The brand directs evening use once or twice a week at first, building towards nightly, with SPF by day. It was £48 for 30ml at LOOKFANTASTIC on 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum\n- Category: Skin prep\n- Format: Retinol serum\n- Finish: Lightweight serum\n- Best for: A measured first retinol routine\n- Official: https://www.laroche-posay.co.uk/en_GB/retinol-b3-anti-ageing-serum-for-sensitive-skin-30ml/LRP_115.html\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA measured first retinol at 0.3%, with niacinamide and a gradual schedule on the pack, at £48. It suits a cautious start — but it contains fragrance and denatured alcohol despite the sensitive-skin positioning.\n\nSkip this if you want a fragrance-free retinoid, are pregnant or breastfeeding, or already tolerate a stronger retinoid.\n\nA measured evening retinol at the 0.3% level — a night-routine treatment, kept apart from daytime base.\n\n## The formula\n\nLa Roche-Posay’s Retinol B3 Serum, labelled in the UK as 0.3% Retinol + Vitamin B3 Serum, combines retinol at 0.3% with niacinamide, retinyl palmitate and hyaluronic acid in a lightweight dropper serum. The brand positions its range for sensitive skin.\n\nThe 0.3% figure also matches the maximum retinol equivalent the EU now allows in most leave-on cosmetics under Regulation (EU) 2024/996. Great Britain had not adopted an equivalent limit when checked in September 2026.\n\n## Who it’s for\n\nA first retinol for readers who want a measured strength from a pharmacy skincare brand, with a gradual schedule written into the directions.\n\n## What should you check before buying?\n\nIt contains fragrance and denatured alcohol — worth weighing if your skin is reactive, despite the sensitive-skin positioning. Use it in the evening only, follow the gradual start and wear SPF every morning. Speak to a pharmacist or GP before using retinoids in pregnancy.\n\n## How to use it\n\n1. Apply three drops in the evening, after cleansing\n2. Use once or twice a week at first, building to five to seven evenings as tolerated\n3. Follow with moisturiser\n4. Use SPF every morning\n\n## Questions and answers\n\n### How strong is La Roche-Posay Retinol B3 Serum?\n\nLa Roche-Posay UK labels it 0.3% retinol, alongside niacinamide (vitamin B3).\n\n### Does La Roche-Posay Retinol B3 Serum contain fragrance?\n\nYes. Parfum and denatured alcohol appear in the ingredient list.\n\n### How often should I use La Roche-Posay Retinol B3 Serum?\n\nThe brand directs evening use once or twice a week at first, building up to five to seven evenings a week, with SPF in the morning.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/laneige-lip-sleeping-mask","markdownUrl":"https://thecastindex.com/beauty/laneige-lip-sleeping-mask.md","title":"Laneige Lip Sleeping Mask","lastmod":"2026-08-13","sha256":"84558cec9c0af1509f9aa12ea63fadfcf518b3ac0ed1cfc22df65f1a77076c47","bytes":5422,"markdown":"# Laneige Lip Sleeping Mask\n\n> Laneige Lip Sleeping Mask is a leave-on overnight lip treatment, listed at £21 for 20g by UK retailers on 25 September 2026, built around Berry Fruit Complex, murumuru seed butter and shea. The Cast Index files it as overnight prep under Wet lip signal — moisture before colour, not a lipstick substitute. This is an evidence-led desk review of official specifications, not a hands-on test.\n\n- Canonical: https://thecastindex.com/beauty/laneige-lip-sleeping-mask\n- Category: Lips\n- Format: Overnight lip mask\n- Finish: Nourished\n- Best for: Softening lips overnight before colour\n- Official: https://www.laneigeuk.com/p/lip-sleeping-mask/\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nUse this as overnight lip prep before a Wet lip signal, not as daytime colour. Laneige UK describes a leave-on mask with Berry Fruit Complex, murumuru seed butter and shea; UK retailers listed the 20g jar at £21 when re-checked on 25 September 2026. The Cast Index files it as moisture for the mouth — not opaque lipstick, and not a medical treatment for cracked lips.\n\nSkip this if you need opaque lip colour, a daytime gloss, or a clinical treatment for severely damaged lips. Skip also if you want a vegan formula without checking the current INCI — this review does not certify vegan status.\n\nOvernight lip cushion that softens the mouth before a Wet lip signal — prep, not opaque colour.\n\n## The formula\n\nLaneige UK describes Lip Sleeping Mask as a leave-on treatment powered by Korean skincare, designed to soften lips overnight while delivering moisture and antioxidants. The brand’s key-ingredient story is Berry Mix Complex for a smoother, supple-looking mouth, with coconut oil, shea butter and murumuru seed butter for lasting moisture, plus vitamin C as an antioxidant support. Those are manufacturer claims about look and feel — not independent laboratory results from this desk.\n\nThe product is a mask, not a lipstick. It is meant to sit on the lips through the night and be wiped or licked away in the morning, leaving a softer canvas for Wet lip signal shine. Ingredient lists can change by shade and market, so anyone managing allergies should recheck the current pack or official page before use.\n\n## Who it’s for\n\nThe desk keeps this in the edit for show-week mouths that need overnight moisture before a clear or tinted shine, not for a mapped-out lip look. It is useful when the brief is a wet, low-opacity mouth and the lips themselves look dry in close-up. It does not replace colour, liner or a high-shine oil such as Dior Addict Lip Glow Oil.\n\nLaneige’s own marketing leans on global unit-sales language and US prestige ranking. That commercial heat is not why the product is here. Inclusion is editorial: overnight lip cushion that serves Wet lip signal without competing with the face.\n\n## Why it’s in the edit\n\nParis-coded Wet lip signal needs a mouth that can take shine. A dry lip under gloss reads as texture, not light. This mask is the prep step: apply at night, then use a lip oil or gloss in the morning. It is not a finish on its own.\n\nThis page is an evidence-led desk review of the current Laneige UK product page. It does not imply a Cast Index wear test, and it does not treat brand sales claims as independent proof of performance.\n\n## How to use it\n\n1. Apply a generous layer to clean lips as the last step of the evening\n2. Leave on overnight; do not rinse immediately\n3. In the morning, blot or wipe residual balm before applying colour or a wet-lip oil\n4. Recheck the current ingredient list if you have nut, fragrance or other sensitivities\n\n## How it compares\n\n| Role | Laneige Lip Sleeping Mask | Summer Fridays Lip Butter Balm | Dior Addict Lip Glow Oil |\n| --- | --- | --- | --- |\n| When | Overnight leave-on | Daytime balm | On-camera shine |\n| Finish | Nourished, not coloured | Soft sheen, optional tint | High shine |\n| Kit job | Prep the mouth | Everyday moisture | Wet lip signal itself |\n| Official UK guide | £21 (20g) | From £23 | Brand site / authorised retailers |\n\n## Questions and answers\n\n### Is Laneige Lip Sleeping Mask a lipstick?\n\nNo. Laneige UK positions it as a leave-on overnight lip mask for moisture. Use it as prep, then add colour or gloss if the look needs a Wet lip signal.\n\n### How much does Laneige Lip Sleeping Mask cost in the UK?\n\nLaneige UK listed the mask from £14 when this page was first checked on 13 August 2026. When re-checked on 25 September 2026, LOOKFANTASTIC and Space NK listed the 20g jar at £21. Retailer prices change; treat these figures as guides, not live checkout prices.\n\n### Can I wear Laneige Lip Sleeping Mask under lip oil?\n\nThe desk files it as overnight prep. For daytime Wet lip signal, blot in the morning, then apply a lip oil or gloss. Layering a thick overnight mask under shine can dull the camera read.\n\n### What season finish does Laneige Lip Sleeping Mask serve?\n\nWet lip signal — overnight moisture so a clear or tinted shine can sit on a softer mouth. It is not the shine product itself.\n\n### Does The Cast Index test Laneige Lip Sleeping Mask in-house?\n\nNo. This is an evidence-led desk review of official specifications. Inclusion is editorial and independent of affiliate relationships.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free","markdownUrl":"https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free.md","title":"Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30","lastmod":"2026-10-01","sha256":"5fd44f343e50d6b30dc590f3862c7a7d33f1fa408e2d69d95b0723f8ceaf54f5","bytes":2211,"markdown":"# Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30\n\n> Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30 is an oil-free tint with sheer-to-light, buildable coverage and a blurred matte finish. Laura Mercier UK listed 20 shades at £39 on 1 October 2026. Its 24-hour shine-control figures come from the brand’s 30-person clinical study.\n\n- Canonical: https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free\n- Category: Complexion\n- Format: Oil-free tinted moisturiser\n- Finish: Blurred matte\n- Best for: Sheer, shine-controlled colour on oily skin\n- Official: https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe skin tint for oily skin: oil-free, non-comedogenic, sheer-to-light coverage with a blurred matte finish in 20 shades, labelled SPF 30, at £39.\n\nSkip this if your skin is dry and you want a dewy finish — Laura Mercier sells a separate Natural Dewy version.\n\nA skin tint that keeps shine down without a heavy base — the matte counterpart to the dewy tints in the edit.\n\n## Who it’s for\n\nOily and combination skin that wants a sheer base without midday shine. The brand also describes it as gentle enough for sensitive skin.\n\n## What should you check before buying?\n\nA tint is applied too thinly to rely on for its SPF: wear a dedicated sunscreen underneath. Laura Mercier sells several tinted moisturisers — Natural Dewy, Blurred Matte and Light Revealer — so check the name.\n\n## Questions and answers\n\n### Is Laura Mercier Blurred Matte tinted moisturiser oil-free?\n\nYes. Laura Mercier UK names it Tinted Moisturizer Blurred Matte Oil Free SPF 30 and labels it non-comedogenic and non-acnegenic.\n\n### What is the difference between Laura Mercier Blurred Matte and Natural Dewy?\n\nFinish and skin type. Blurred Matte Oil Free is built for shine control on oily skin; Natural Dewy gives a hydrated, dewy finish. Both come in 20 shades at £39 on Laura Mercier UK.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder","markdownUrl":"https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder.md","title":"Laura Mercier Translucent Loose Setting Powder","lastmod":"2026-09-25","sha256":"4a4b7a1d63d804d5df7389fe04101a38e9af7bbae59e38d5704db57ac323c15e","bytes":2879,"markdown":"# Laura Mercier Translucent Loose Setting Powder\n\n> Laura Mercier Translucent Loose Setting Powder is a fragrance-free, matte loose powder in four shades, sold at £38.50 for 30g on Laura Mercier UK on 25 September 2026. Talc is its first ingredient; the separate Ultra-Blur version is talc-free, in five shades, at £44 for 20g.\n\n- Canonical: https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder\n- Category: Setting\n- Format: Loose setting powder\n- Finish: Matte\n- Best for: Setting and shine control without visible colour\n- Official: https://www.lauramercier.co.uk/products/translucent-loose-setting-powder\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe reference loose powder: a fragrance-free, matte, talc-based powder in four shades, £38.50 for 30g. Choose the separate Ultra-Blur version if you want a talc-free formula with a more natural finish.\n\nSkip this if you avoid talc (choose Ultra-Blur), want a luminous finish, or prefer a pressed powder for touch-ups.\n\nThe reference loose powder: set only where shine shows, so the rest of the face keeps its light.\n\n## The formula\n\nThe original Translucent Loose Setting Powder is a finely milled, talc-based powder with vitamin C and E powders and a plant-derived blurring powder, designed to set makeup with a matte finish. Laura Mercier says it avoids photo flashback; that is a brand claim, not a Cast Index test.\n\nUltra-Blur is a separate, talc-free formula with silica powders and hyaluronic acid, aimed at normal to dry skin.\n\n## Who it’s for\n\nAnyone who wants to control shine in selected areas without adding visible colour. Four shades, from Translucent to Translucent Medium Deep, cover more depths than a single “universal” powder.\n\n## What should you check before buying?\n\nChoose between the talc-based original and talc-free Ultra-Blur. Match the shade to your depth: a translucent powder can still leave a cast on deeper skin if the shade is too light. Apply sparingly on dry areas.\n\n## How to use it\n\n1. Tap a small amount into the lid and remove the excess from a puff or brush\n2. Press onto areas that shine, such as the centre of the face\n3. Leave the outer cheeks unset if you want to keep some glow\n\n## Questions and answers\n\n### Is Laura Mercier Translucent Loose Setting Powder talc-free?\n\nThe original is not: talc is its first ingredient. Laura Mercier sells a separate talc-free version called Ultra-Blur.\n\n### How many shades does Laura Mercier setting powder come in?\n\nThe original comes in four shades on Laura Mercier UK; Ultra-Blur comes in five.\n\n### Is Laura Mercier setting powder fragrance-free?\n\nYes. Laura Mercier UK describes both the original and Ultra-Blur as fragrance-free.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/setting\n"},{"url":"https://thecastindex.com/beauty/living-proof-perfect-hair-day-dry-shampoo","markdownUrl":"https://thecastindex.com/beauty/living-proof-perfect-hair-day-dry-shampoo.md","title":"Living Proof Perfect Hair Day Dry Shampoo","lastmod":"2026-10-05","sha256":"3d8dbbfe77056dc2c31a5b74d86c69cbb57e7ad3daebb04ae8a0b5a6a33f27ca","bytes":937,"markdown":"# Living Proof Perfect Hair Day Dry Shampoo\n\n> Living Proof UK describes a dry shampoo that absorbs oil, sweat and odour with a microporous mineral powder blend and an encapsulated, time-release fragrance; its Healthy Hair Molecule is meant to ease powder removal, and the brand says some white residue is normal, especially on dark hair, and brushes out.\n\n- Canonical: https://thecastindex.com/beauty/living-proof-perfect-hair-day-dry-shampoo\n- Category: Hair\n- Format: Dry shampoo\n- Finish: Clean volume\n- Best for: Refreshing hair between washes on show week\n- Official: https://www.livingproof.co.uk/products/perfect-hair-day-dry-shampoo\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nHair-as-silhouette support — keeps texture workable between call times.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment","markdownUrl":"https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment.md","title":"L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment","lastmod":"2026-09-25","sha256":"3b9e17921fa57720a669baabb369414656b459e56abcdccd443db7f6a49668ca","bytes":2697,"markdown":"# L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment\n\n> L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment is a 200ml citric acid complex treatment applied to damp hair for five minutes once a week, then rinsed before shampoo. Boots listed it at £16.99 RRP on 25 September 2026. It contains fragrance and fragrance allergens.\n\n- Canonical: https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment\n- Category: Hair\n- Format: Pre-shampoo hair treatment\n- Finish: Conditioned feel\n- Best for: A weekly bond-care step at a high-street price\n- Official: https://www.loreal-paris.co.uk/elvive/bond-repair/pre-shampoo-treatment\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA weekly, five-minute pre-shampoo treatment with a citric acid complex, £16.99 RRP for 200ml and often discounted. The budget pre-wash step — but the brand’s results come from using it with the full Bond Repair routine, and it is fragranced.\n\nSkip this if you avoid fragrance, want a leave-in, or do not want another step before shampoo.\n\nAn accessible weekly pre-wash step for colour- and heat-worked hair between salon visits.\n\n## The formula\n\nL’Oréal Paris builds this pre-shampoo treatment around a citric acid complex, applied to damp hair and rinsed after five minutes. The brand designs it as the first step of its Bond Repair range.\n\nIts headline breakage and shine figures come from testing the pre-shampoo, shampoo and conditioner together, so they are not claims about the treatment alone.\n\n## Who it’s for\n\nColour- or heat-worked hair that wants a weekly pre-wash step without a salon-brand price.\n\n## What should you check before buying?\n\nIt is fragranced. It is a rinse-out pre-wash step, not a leave-in, and the UK name differs from the “Rescue Treatment” sold in other markets.\n\n## How to use it\n\n1. Apply generously to damp hair from scalp to ends\n2. Leave for five minutes\n3. Rinse, then shampoo and condition; use once a week\n\n## Questions and answers\n\n### How do you use Elvive Bond Repair Pre-Shampoo Treatment?\n\nApply it to damp hair from scalp to ends, leave for five minutes, rinse, then shampoo and condition. L’Oréal Paris suggests weekly use.\n\n### Is Elvive Bond Repair the same as Olaplex No.3PLUS?\n\nNo. Both are pre-shampoo treatments, but the formulas, timings and claims differ. Follow the directions for the product you buy.\n\n### Does Elvive Bond Repair Pre-Shampoo contain fragrance?\n\nYes. The ingredient list includes parfum, limonene, linalool and hexyl cinnamal.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara","markdownUrl":"https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara.md","title":"L’Oréal Paris Telescopic Lift Mascara","lastmod":"2026-09-25","sha256":"904b015ccbb13495cfd12aa93069f8e37de0275b7e459b3a674a7b94b231d834","bytes":2725,"markdown":"# L’Oréal Paris Telescopic Lift Mascara\n\n> L’Oréal Paris Telescopic Lift Mascara uses a double-sided brush and a ceramide formula; the brand claims up to 5mm longer-looking lashes and up to 24-hour lift for the washable version. It was £12.99 at Boots and Superdrug on 25 September 2026, in Black, Extra Black and Waterproof Black.\n\n- Canonical: https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara\n- Category: Eyes & brows\n- Format: Lengthening mascara\n- Finish: Lifted length\n- Best for: Lengthening and lifting straight lashes\n- Official: https://www.loreal-paris.co.uk/telescopic/telescopic-lift-mascara-black\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA lengthening, lifting mascara with a double-sided brush and ceramides at £12.99. Choose it for length and lift on straight lashes; choose the separate waterproof version for humid days.\n\nSkip this if you want dramatic volume, or a mascara with a wide colour range.\n\nA lengthening lash mark at a high-street price — length and lift rather than heavy volume.\n\n## The formula\n\nTelescopic Lift pairs a double-sided brush with a ceramide formula designed to lengthen and lift. L’Oréal Paris UK claims up to 5mm longer-looking lashes and up to 24-hour lift for the washable version; the waterproof version carries separate claims.\n\nIt is a different product from the original Telescopic and from Telescopic Extensionist, so check the name on the tube.\n\n## Who it’s for\n\nStraight or downward-facing lashes that need lift and length, on a high-street budget.\n\n## What should you check before buying?\n\nChoose washable or waterproof deliberately: waterproof formulas need an appropriate remover. US and UK claims differ, so rely on the UK pack. Retailer listings vary on size.\n\n## How to use it\n\n1. Wiggle the brush from the lash roots to the tips\n2. Use the flat side for length and the curved side for lift\n3. Remove gently at night with a remover suited to the formula\n\n## Questions and answers\n\n### Is L’Oréal Telescopic Lift waterproof?\n\nThe standard version is washable. L’Oréal Paris sells a separate Telescopic Lift Waterproof Mascara.\n\n### Is Telescopic Lift the same as the original Telescopic mascara?\n\nNo. Telescopic Lift is a separate product with a double-sided brush and a ceramide formula; the original Telescopic and Telescopic Extensionist are different mascaras.\n\n### Is Telescopic Lift suitable for sensitive eyes?\n\nL’Oréal Paris says it is suitable for sensitive eyes and contact lens wearers. Stop using any eye product that irritates.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation","markdownUrl":"https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation.md","title":"Maybelline Fit Me Matte + Poreless Foundation","lastmod":"2026-09-25","sha256":"1ec73b698d85ffa95ad77fb9ecc9c159fdd4c7d66609f49cfb9e13ad3218e072","bytes":2867,"markdown":"# Maybelline Fit Me Matte + Poreless Foundation\n\n> Maybelline Fit Me Matte + Poreless Foundation is an oil-free, non-comedogenic liquid foundation with micro-powders for a matte finish, listed in 38 shades on Maybelline UK. Boots listed the 30ml bottle at £8.99–£9.99 on 25 September 2026. It carries no SPF.\n\n- Canonical: https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Natural matte\n- Best for: Everyday medium coverage with shine control\n- Official: https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe accessible matte foundation for oily skin: oil-free, non-comedogenic, 38 UK shades and medium coverage, from £8.99. Choose it for everyday shine control without a long-wear film; it contains denatured alcohol and has no SPF.\n\nSkip this if you want full coverage, long-wear transfer resistance, SPF in your base, or a formula without alcohol or parabens.\n\nAn accessible matte base that controls shine without a heavy mask — the simple starting point in the oily-skin edit.\n\n## The formula\n\nFit Me Matte + Poreless is Maybelline’s oil-free, non-comedogenic matte foundation, using micro-powders to control shine and soften the look of pores. Maybelline UK lists 38 shades in a 30ml bottle; in the US, the same ingredient list is sold as Matte + Poreless Blurring Foundation.\n\nShine-control and pore-blurring language is the brand’s. The Cast Index has not tested coverage or longevity.\n\n## Who it’s for\n\nNormal to oily skin that wants medium, shine-controlled coverage without a long-wear film, and anyone trying a matte foundation for the first time.\n\n## What should you check before buying?\n\nDenatured alcohol and parabens appear in the ingredient list — relevant if you avoid either. There is no SPF. Shade names and counts differ between UK and US ranges, so match in daylight from a UK tester.\n\n## How to use it\n\n1. Apply over a settled sunscreen\n2. Shake and blend a small amount from the centre of the face outwards\n3. Add a second thin layer where more coverage is wanted\n4. Remove at night with your usual cleanser\n\n## Questions and answers\n\n### Is Maybelline Fit Me Matte + Poreless non-comedogenic?\n\nYes. Maybelline UK labels it oil-free and non-comedogenic, and says it is dermatologist- and allergy-tested.\n\n### How many shades does Fit Me Matte + Poreless have in the UK?\n\nMaybelline UK lists 38 shades; some retailer listings show 40. Check the shade on your local retailer’s page.\n\n### Does Fit Me Matte + Poreless contain SPF?\n\nNo. Use a separate sunscreen beneath it.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara","markdownUrl":"https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara.md","title":"Maybelline Lash Sensational Sky High Mascara","lastmod":"2026-07-28","sha256":"ba5267839a66271007aa5992012a601939669220ede59495cacb60ef6b9141c1","bytes":4605,"markdown":"# Maybelline Lash Sensational Sky High Mascara\n\n> Maybelline Lash Sensational Sky High Mascara is a bamboo-extract, Flex Tower mascara for buildable length and volume in nine washable shades. The Cast Index places it in Graphic punctuation as the single lash beat against an otherwise clean New York-coded face.\n\n- Canonical: https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara\n- Category: Eyes & brows\n- Format: Lengthening and volumising mascara\n- Finish: Length + volume\n- Best for: A single graphic lash moment\n- Official: https://www.maybelline.co.uk/all-products/eye-makeup/mascara/lash-sensational-sky-high-washable-mascara-makeup\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nOne lash mark for Graphic punctuation — length that reads as punctuation against an otherwise clean New York face.\n\n## The formula and brush\n\nMaybelline Lash Sensational Sky High is a lengthening and volumising mascara built on a lightweight bamboo-extract formula and the Flex Tower wand. The brand’s pitch is limitless length plus full volume, with a spiral brush that bends to coat from root to tip and mixed bristle lengths to separate lashes.\n\nUK shade count at check: nine, including classic blacks and colourways such as Burgundy Haze, Blue Mist and Navy Records. Washable and waterproof formulas are both marketed — this desk entry tracks the washable hero unless a brief needs waterproof.\n\n## Season finish — Graphic punctuation\n\nGraphic punctuation is brief: a hard brow, a single liner, or a lash moment against otherwise clean skin. New York AW26 used eye marks as punctuation, then returned to restraint. Sky High is the lash half of that sentence — length that registers on camera without a full smoky eye.\n\nKeep brows soft or let liner do the other mark — not mascara plus heavy shadow plus block brow. Differentiate from Charlotte Tilbury Exagger-Eyes: Sky High owns accessible length; Exagger-Eyes owns prestige volume claims.\n\n## Working kit\n\nMaybelline directions: use the inner curve at the base, sweep to tips, do not let coats dry between layers, remove with oil-free eye makeup remover. Pair with clean glass skin and quiet lips when lashes are the punctuation.\n\nWrong for tubing-mascara devotees seeking tube peel-off removal — brand does not market Sky High as tubing. Wrong if the brief forbids mascara entirely. Cap tightly; dried product changes the Flex Tower story.\n\n## Limitations and brand cautions\n\nBrand states no specific precautions under normal use, with allergy and ophthalmologist testing claimed. Still: stop if irritation occurs; avoid scraping the eye. Replace mascara on a regular hygiene schedule for kit use. Contact lens wearers should follow their own eye-care guidance.\n\n## How to use it\n\n1. Wiggle the Flex Tower brush at the lash base using the inner curve\n2. Sweep through to the tips without letting coats dry between passes\n3. Build only until the Graphic punctuation lash read is clear — then stop\n4. Remove with an oil-free eye makeup remover at the end of wear\n\n## Questions and answers\n\n### How many shades does Maybelline Sky High Mascara come in?\n\nMaybelline UK lists Lash Sensational Sky High Washable Mascara in nine shades, from black intensities through brown and colour options such as blue, burgundy and navy.\n\n### What brush does Maybelline Sky High Mascara use?\n\nMaybelline’s exclusive Flex Tower flexible wand is designed to bend and coat lashes from root to tip with mixed bristles for separation and buildable length and volume.\n\n### Is Maybelline Sky High Mascara suitable for sensitive eyes?\n\nMaybelline states the mascara is allergy tested and ophthalmologist tested, and suitable for sensitive eyes and contact lens wearers. Individual tolerance still varies.\n\n### Why is Maybelline Sky High filed under Graphic punctuation?\n\nGraphic punctuation is a single eye or brow mark on clean skin. Sky High’s length-and-volume mascara is the lash version of that mark — camera-readable without a full eye costume.\n\n### Does Maybelline Sky High use a special brush?\n\nYes. Maybelline’s Flex Tower flexible wand is designed to bend and coat lashes from root to tip, supporting the brand’s limitless length and full volume claim.\n\n### How many shades does Maybelline Sky High Washable Mascara offer?\n\nMaybelline UK lists nine washable Sky High shades, including multiple blacks, True Brown, and colourways such as Blue Mist, Burgundy Haze and Navy Records.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum","markdownUrl":"https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum.md","title":"Medicube PDRN Pink Peptide Serum","lastmod":"2026-09-08","sha256":"2b1e6a289df1e7ada3b9f516ca13039babaad366fd7557b99491dc8b8a04c946","bytes":2117,"markdown":"# Medicube PDRN Pink Peptide Serum\n\n> Medicube’s US listing offers salmon-DNA PDRN and rose-PDRN variants with peptides and niacinamide. Ingredient source and vegan status depend on the selected variant; this record does not treat the two as identical.\n\n- Canonical: https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum\n- Category: Skin prep\n- Format: Hydrating serum\n- Finish: Dewy\n- Best for: An optional hydrating layer before moisturiser\n- Official: https://medicube.us/products/rose-pdrn-pink-peptide-serum\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA useful place to separate a popular ingredient name from the practical question: does this serum fit your existing prep routine?\n\n## Selection evidence\n\nBrand-listed bestseller: PDRN Pink Peptide Serum appears in Medicube US’s Best Sellers collection, checked on 8 September 2026. No independent sales position is claimed.\n\nSource: https://medicube.us/collections/best-sellers?page=1\nChecked: 2026-09-08\n\n## Who should consider it?\n\nConsider it as a cosmetic hydration step if your existing moisturiser leaves you wanting a lighter layer underneath. Introduce one new product at a time so you can tell what changes the feel of your routine.\n\n## What should you check before buying?\n\nA topical serum is not an injectable treatment, and this desk makes no claims about tissue regeneration or medical outcomes. Check the selected variant’s ingredient source if you avoid animal-derived ingredients or have relevant sensitivities.\n\n## How to use it\n\n1. Check the exact variant and ingredient list before applying.\n2. Follow the bottle directions for a small layer on clean skin.\n3. Let it settle before moisturiser or makeup; stop if it irritates.\n\n## Questions and answers\n\n### Is Medicube PDRN Pink Peptide Serum vegan?\n\nThe US page offers a rose-PDRN option labelled vegan alongside a salmon-DNA PDRN option. Verify the selected bottle; the range name alone does not establish vegan status.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/medik8-c-tetra","markdownUrl":"https://thecastindex.com/beauty/medik8-c-tetra.md","title":"Medik8 C-Tetra","lastmod":"2026-09-25","sha256":"6044e021a5bb76aaad807abf0f52f518b7808eb54847217e5ba8b163f7574ead","bytes":2857,"markdown":"# Medik8 C-Tetra\n\n> Medik8 C-Tetra is a lightweight, water-free vitamin C oil with 7% tetrahexyldecyl ascorbate and vitamin E, directed for morning use before sunscreen. It cost £45 for 30ml, or £15 for an 8ml travel size, on Medik8 UK on 25 September 2026. The formula contains grapefruit peel oil.\n\n- Canonical: https://thecastindex.com/beauty/medik8-c-tetra\n- Category: Skin prep\n- Format: Vitamin C oil serum\n- Finish: Lightweight oil\n- Best for: A water-free morning vitamin C step\n- Official: https://www.medik8.com/products/c-tetra\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA water-free vitamin C oil with 7% tetrahexyldecyl ascorbate and vitamin E, used in the morning before sunscreen, at £45. The derivative is stable but less studied than L-ascorbic acid, and grapefruit oil adds fragrance allergens.\n\nSkip this if you want pure L-ascorbic acid, avoid fragrance allergens such as limonene and citral, or dislike oil textures in the morning.\n\nA water-free vitamin C layer for morning prep — a fine oil to let settle before sunscreen and base.\n\n## The formula\n\nC-Tetra uses tetrahexyldecyl ascorbate, an oil-soluble derivative of vitamin C, at 7% in a lightweight, water-free oil with vitamin E. Derivatives like this are more stable than L-ascorbic acid in the bottle, but there is less published evidence on how much becomes active vitamin C in skin.\n\nMedik8 sells stronger siblings — C-Tetra Luxe at 14% and C-Tetra Advanced at 20% — built on the same derivative.\n\n## Who it’s for\n\nReaders who prefer an oil texture in the morning, or who have found low-pH L-ascorbic acid serums uncomfortable, and anyone wanting a mid-priced first vitamin C with a travel size to try first.\n\n## What should you check before buying?\n\nDespite the “no artificial fragrance” wording, grapefruit peel oil adds fragrance allergens — relevant for fragrance-sensitive skin. The 7% derivative is not directly comparable with 15% or 23% L-ascorbic acid. Let the oil settle before sunscreen so the layers do not slide.\n\n## How to use it\n\n1. Patch test 24 hours before first use\n2. Apply four drops in the morning after cleansing\n3. Allow to settle, then apply sunscreen\n\n## Questions and answers\n\n### Is Medik8 C-Tetra fragrance-free?\n\nNot strictly. Medik8 says there is no artificial fragrance, but the ingredient list includes grapefruit peel oil and fragrance allergens such as limonene and citral.\n\n### What form of vitamin C is in Medik8 C-Tetra?\n\nTetrahexyldecyl ascorbate at 7%, an oil-soluble vitamin C derivative, with vitamin E.\n\n### Should I use Medik8 C-Tetra in the morning?\n\nYes. Medik8 directs four drops in the morning after cleansing, followed by sunscreen.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/medik8-crystal-retinal","markdownUrl":"https://thecastindex.com/beauty/medik8-crystal-retinal.md","title":"Medik8 Crystal Retinal","lastmod":"2026-09-25","sha256":"b069cdd1818cfe6d93ae84910ff160a98027c0c6990b2a7e9c338fc23ad93931","bytes":3376,"markdown":"# Medik8 Crystal Retinal\n\n> Medik8 Crystal Retinal is a retinaldehyde night serum sold in six strengths, from Crystal Retinal 1 (0.01%) to Crystal Retinal 24 (0.24%), each 30ml and priced £45–£114 on Medik8 UK on 25 September 2026. Medik8 directs evening use, a gradual build-up and next-morning sunscreen, and advises avoiding vitamin A in pregnancy.\n\n- Canonical: https://thecastindex.com/beauty/medik8-crystal-retinal\n- Category: Skin prep\n- Format: Retinal night serum\n- Finish: Serum\n- Best for: A graduated retinal routine, from first use to expert strength\n- Official: https://www.medik8.com/products/crystal-retinal\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe clearest retinal ladder in the UK: six numbered strengths from 0.01% to 0.24% retinaldehyde, each 30ml, from £45. Start low, follow Medik8’s build-up schedule and finish a tube before moving up. It is not strictly fragrance-free.\n\nSkip this if you are pregnant or breastfeeding, want a strictly fragrance-free formula, or want a single low-cost bottle rather than a strength system.\n\nAn evening treatment with a clear strength ladder — kept to night routines so daytime base sits on settled skin.\n\n## The formula\n\nCrystal Retinal uses retinaldehyde (retinal), a retinoid one step closer to retinoic acid than retinol, in six numbered strengths from 0.01% to 0.24%. Medik8 pairs it with hyaluronic acid and vitamin E; squalane and two vitamin C derivatives also appear in the ingredient list.\n\nThe numbered system is the point: it lets a first-time user start low and move up only after finishing a tube. Crystal Retinal 24, added in 2024, is intended only for users who have completed Crystal Retinal 20.\n\n## Who it’s for\n\nSomeone new to retinoids who wants a clear route from a low starting strength to an advanced one, and experienced users who prefer retinal to retinol.\n\n## What should you check before buying?\n\nStart with the lowest strength if you are new to vitamin A, and follow the brand’s build-up schedule. It is not fragrance-free in the strict sense: coumarin, tonka bean and vanilla extracts appear in the ingredient list. Medik8 advises avoiding vitamin A during pregnancy and breastfeeding; speak to a GP or midwife.\n\n## How to use it\n\n1. Apply two pumps to face and neck in the evening, after cleansing\n2. Start twice a week for two weeks, then every other night for two weeks, then nightly, as Medik8 directs\n3. Finish a tube before moving up a strength\n4. Wear sunscreen the next morning\n\n## Questions and answers\n\n### Which Medik8 Crystal Retinal strength should I start with?\n\nThe range runs upwards from Crystal Retinal 1, and Medik8 advises finishing a tube before moving up. New retinoid users start at a low strength; Crystal Retinal 24 is only for users who have completed Crystal Retinal 20.\n\n### Can I use Crystal Retinal while pregnant?\n\nMedik8 generally recommends avoiding vitamin A while pregnant or breastfeeding and suggests speaking to your GP or midwife.\n\n### Is retinal stronger than retinol?\n\nRetinal is one step closer to retinoic acid, the form skin uses, so products use lower percentages. Compare strengths within the same retinoid rather than across retinal and retinol.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/merit-flush-balm","markdownUrl":"https://thecastindex.com/beauty/merit-flush-balm.md","title":"Merit Flush Balm","lastmod":"2026-08-13","sha256":"fa73c99742556eebbc7e39ba11ea8bc4b8d1c758479b93e988631e7026534156","bytes":4623,"markdown":"# Merit Flush Balm\n\n> Merit Flush Balm is a fragrance-free, vegan cream cheek tint with a satin, lit-from-within finish. Official US price was $30 on 13 August 2026; Merit’s UK store listed £26 on 25 September 2026. Merit positions it as blendable, lightweight and multi-use. The Cast Index files it in the Soft flush cheek kit beside Rare Beauty Soft Pinch.\n\n- Canonical: https://thecastindex.com/beauty/merit-flush-balm\n- Category: Cheek\n- Format: Cream blush balm\n- Finish: Soft sheen\n- Best for: Buildable cheek and lip colour\n- Official: https://www.meritbeauty.com/products/flush-balm\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe cream-balm route to Soft flush cheek when fingers beat a doe-foot. Merit describes a lightweight, buildable cream tint that melts into skin for all-day flush, with vitamin E, a satin finish, and a multi-use brief for cheeks (and the wider Merit colour story). Official US price was $30 when checked 13 August 2026; Merit’s UK store listed £26 when re-checked on 25 September 2026. Fragrance-free, vegan, Leaping Bunny-certified per Merit. No Amazon: brand or Sephora until that programme is live.\n\nSkip this if you need a liquid one-dot formula, a heavily scented blush, or full-coverage cream that hides texture. Skip also if you want this desk to certify “stays flush all day” as an independent wear test.\n\nSoft-flush cheek language in stick form — travel-friendly for casting kits.\n\n## The formula\n\nFlush Balm is Merit’s cream tint: microfine pigment in a lightweight balm meant to melt in rather than sit as powder. The brand highlights blendability, a satin finish, and vitamin E. “Stays flush all day” is Merit’s own wear language, not a Cast Index timed study.\n\nFragrance-free and vegan is the reason it sits in a casting kit that also carries scented body creams and honey lip oils. If the brief is unscented colour on cheeks, start here or with Soft Pinch.\n\n## Who it’s for\n\nUse this when Soft flush cheek should look like skin, applied with fingers, travel-friendly, no extra brush required. It is the wrong product if you need Rare Beauty’s ultra-sheer liquid one-dot, or a powder blush for oily T-zones that eat cream.\n\nMerit’s acne-prone and sensitive-skin language is a brand positioning statement. Check the current INCI and patch-test; this desk does not certify non-comedogenic results for every face.\n\n## Why it’s in the edit\n\nThe Soft flush cheek kit needs both a liquid and a cream. Flush Balm is the cream: US-founded, fragrance-free, vegan. Soft Pinch remains the liquid reference. Neither is a contour.\n\nAffiliate path: official Merit URL until Sephora UK Awin is configured. No Amazon search.\n\n## How to use it\n\n1. Apply a small amount to the back of the hand or directly to cheeks\n2. Blend with fingers until the edge disappears into skin\n3. Build in thin layers; cream tints go muddy if you dump product in one place\n4. Can be tapped onto lips for a matching wash if the current shade and INCI allow — recheck the pack\n\n## How it compares\n\n| Role | Merit Flush Balm | Rare Beauty Soft Pinch | Rhode Peptide Lip Tint |\n| --- | --- | --- | --- |\n| Zone | Cheeks (multi-use colour) | Cheeks, liquid | Lips |\n| Texture | Cream balm | Weightless liquid | Tinted gloss |\n| Official guide | $30 US / £26 UK | $25 US | $20 US |\n| Amazon on this site | No | No | No |\n\n## Questions and answers\n\n### Is Merit Flush Balm vegan and fragrance-free?\n\nMerit states Flush Balm is vegan, Leaping Bunny-certified and fragrance-free. Recheck the current pack for the shade you buy.\n\n### Can I use Flush Balm on lips?\n\nMerit frames it as cheek colour with a multi-use, blendable formula. If you use it on lips, treat that as optional and recheck the current INCI — this review does not certify every shade for lip use.\n\n### How much does Merit Flush Balm cost?\n\nThe official US page listed $30 when checked on 13 August 2026. Merit’s UK store listed £26 when re-checked on 25 September 2026. Treat those as brand-page guides, not live checkout prices.\n\n### What finish does Merit Flush Balm serve?\n\nSoft flush cheek — cream colour that melts in with fingers, not a sculpted contour and not a liquid one-dot.\n\n### Is Flush Balm a replacement for Soft Pinch Liquid Blush?\n\nNo. They share a finish family. Soft Pinch is the liquid; Flush Balm is the cream. Choose by texture and application, not by which one “ranks higher” — product pages are not a paid ranking.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/cheek\n"},{"url":"https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer","markdownUrl":"https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer.md","title":"Milk Makeup Hydro Grip Gel Concealer","lastmod":"2026-10-01","sha256":"e0d9f6f8438b44e45d6f4d12be150c06c6b449fa0e1c7447d840d67fe26d0822","bytes":3698,"markdown":"# Milk Makeup Hydro Grip Gel Concealer\n\n> Milk Makeup lists 25 shades with triple-powered hyaluronic acid and blue agave extract, claiming up to 12 hours of wear.\n\n- Canonical: https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer\n- Category: Complexion\n- Format: Gel-to-cream concealer stick\n- Finish: Dewy\n- Best for: Targeted correcting or all-over wear\n- Official: https://milkmakeup.com/products/hydro-grip-gel-concealer\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA concealer stick for readers who prefer targeted coverage and a dewy finish.\n\n## The formula\n\nThis concealer extends Milk Makeup’s Hydro Grip technology — built around Blue Agave Extract — from the brand’s original primer into a concealer stick with lightweight, buildable coverage. The formula adds Triple-Powered Hyaluronic Acid for hydration, a Skin Barrier Strengthening Complex, a Youth Peptide aimed at the look of fine lines, and squalane plus aloe butter to calm and cushion the skin. Optical brighteners are built in specifically to visually lift dark circles rather than just cover them.\n\nIn a brand-reported consumer study of 43 people, 97% said the concealer didn’t look dry or patchy after 12 hours of wear, 95% said it stayed longwearing without looking cakey, and 90% said it fully covered redness after 12 hours. A separate brand-reported hydration study measured a 22% boost in skin hydration 30 minutes after application.\n\n## Who it’s for\n\nMilk Makeup formulates it as fragrance-free and dermatologist-tested, positioning it as suitable for sensitive skin, and the gel-to-cream texture is specifically engineered not to settle into fine lines — a common frustration for concealer worn under the eyes over a full day. The 25-shade range covers very fair through very deep, across warm, cool, olive and neutral undertones.\n\n## Why it’s in the edit\n\nMilk Makeup grew out of Milk Studios, the New York creative hub co-founded by Mazdack Rassi, and launched in 2016 with an explicitly genderless, skincare-forward approach to colour cosmetics. This concealer is the newest extension of that founding philosophy, and its 2026 rollout — Space NK exclusive first, then Sephora and Boots — is the most recent launch the Beauty Desk is tracking in the complexion category.\n\n## How to use it\n\n1. Turn the dial at the base of the stick until you hear it click and product is exposed\n2. Swipe directly onto skin, or apply with a concealer brush for more control\n3. Blend with a brush, sponge or fingertips\n\n## Questions and answers\n\n### How many shades does Milk Makeup Hydro Grip Gel Concealer come in?\n\nIt comes in 25 shades, spanning very fair to very deep across warm, cool, olive and neutral undertones.\n\n### Is Milk Makeup Hydro Grip Gel Concealer good for dry under-eyes?\n\nThe brand formulated it specifically to avoid settling into fine lines, with hydrating ingredients including hyaluronic acid, squalane and aloe butter; a brand-reported study found 97% of testers said it didn’t look dry or patchy after 12 hours.\n\n### Where can I buy Milk Makeup Hydro Grip Gel Concealer?\n\nIt launched exclusively at Space NK before rolling out more widely to Sephora and Boots. Space NK UK listed it at £26 when checked on 1 October 2026.\n\n### Does Milk Hydro Grip Gel Concealer settle into fine lines?\n\nMilk Makeup says the gel-to-cream formula won’t settle into fine lines or wrinkles. That is the brand’s claim; the desk has not wear-tested it. It is why the concealer is our pick for mature skin in the best concealers guide.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/nars-light-reflecting-foundation","markdownUrl":"https://thecastindex.com/beauty/nars-light-reflecting-foundation.md","title":"NARS Light Reflecting Foundation","lastmod":"2026-10-05","sha256":"a728841e098b73effb52f21a547dd20d8fc2d9db5dbbec8633a5b8115f14c12f","bytes":919,"markdown":"# NARS Light Reflecting Foundation\n\n> NARS UK lists 46 shades of this medium, buildable-coverage foundation with a natural, radiant finish, describing a vegan makeup-skincare hybrid with biomimetic oat, Japanese lilyturf, milk thistle and cacao peptides; 30ml (checked 1 October 2026).\n\n- Canonical: https://thecastindex.com/beauty/nars-light-reflecting-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Natural radiant\n- Best for: Medium coverage that keeps skin looking like skin\n- Official: https://www.narscosmetics.co.uk/en/light-reflecting%E2%84%A2-foundation/999NAC0000141.html\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA glass-skin base option when the desk wants radiance without a heavy filter finish.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/nars-radiant-creamy-concealer","markdownUrl":"https://thecastindex.com/beauty/nars-radiant-creamy-concealer.md","title":"NARS Radiant Creamy Concealer","lastmod":"2026-10-01","sha256":"ee06395fede6207e4d7d16d9bd0ac8e3e4e4daa8d7aa9ab307a76f04ba806bc0","bytes":2452,"markdown":"# NARS Radiant Creamy Concealer\n\n> NARS Radiant Creamy Concealer is a 6ml liquid concealer with medium, buildable coverage and a radiant finish. NARS UK listed 30 shades at £29.50 on 1 October 2026, with no alcohol, parabens or fragrance and a non-comedogenic label. Its wear, hydration and crease-resistance figures are brand claims.\n\n- Canonical: https://thecastindex.com/beauty/nars-radiant-creamy-concealer\n- Category: Complexion\n- Format: Liquid concealer with doe-foot wand\n- Finish: Radiant\n- Best for: Medium, buildable coverage with a luminous finish\n- Official: https://www.narscosmetics.co.uk/en/radiant-creamy-concealer/999NACRCC0001.html\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe all-round concealer pick: medium, buildable coverage with a radiant finish, 30 shades with undertone notes and a fragrance-free, non-comedogenic label, at £29.50 for 6ml.\n\nSkip this if you want a matte, oil-controlling finish or full coverage in one layer.\n\nThe reference creamy concealer: enough coverage for shadows and redness while the finish still catches light.\n\n## Who it’s for\n\nAnyone who wants concealer to look like skin rather than a mask: the radiant finish suits under-eyes and normal to dry skin. NARS describes it as suitable for all skin types.\n\n## What should you check before buying?\n\nThe radiant finish can look shiny on very oily skin, where a matte concealer such as Estée Lauder Double Wear may last better. Match the shade in daylight; NARS suggests going one to three shades lighter only when using it as a highlighter.\n\n## How to use it\n\n1. Apply directly from the applicator, with fingertips or a brush\n2. Build in thin layers where more coverage is needed\n3. To highlight, choose one to three shades lighter, as NARS suggests\n\n## Questions and answers\n\n### How many shades does NARS Radiant Creamy Concealer come in?\n\nNARS UK listed 30 shades on 1 October 2026, from Chantilly (very light, neutral) to deep shades, each with an undertone note.\n\n### Is NARS Radiant Creamy Concealer fragrance-free?\n\nYes. NARS UK lists it as free from alcohol, parabens and fragrance, and as non-comedogenic.\n\n### How much is NARS Radiant Creamy Concealer in the UK?\n\n£29.50 for 6ml on NARS UK when checked on 1 October 2026; a promotion was running that day.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/nyx-epic-ink-liner","markdownUrl":"https://thecastindex.com/beauty/nyx-epic-ink-liner.md","title":"NYX Professional Makeup Epic Ink Liner","lastmod":"2026-07-28","sha256":"a527c5e7b45483a546967aeb91824220182e0c00c82783e2aabbc17ea4714297","bytes":4044,"markdown":"# NYX Professional Makeup Epic Ink Liner\n\n> NYX Professional Makeup Epic Ink Liner is a vegan, cruelty-free waterproof brush-tip liquid eyeliner with up to 24-hour wear claims and fifteen US shades. The Cast Index files it under Graphic punctuation as a single hard line against an otherwise clean face.\n\n- Canonical: https://thecastindex.com/beauty/nyx-epic-ink-liner\n- Category: Eyes & brows\n- Format: Waterproof liquid eyeliner pen\n- Finish: Intense line\n- Best for: Precise graphic liner punctuation\n- Official: https://www.nyxcosmetics.com/eye/eyeliner/epic-ink-waterproof-liquid-eyeliner/NYX_409.html\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nSingle liner stroke for Graphic punctuation — hard edge, then back to clean skin.\n\n## The formula and applicator\n\nNYX Epic Ink Liner is a waterproof liquid eyeliner pen with a slender, flexible brush tip. The brand positions one-stroke intense pigment, smooth fluid application, and up to 24-hour wear that resists water, smudging and flaking. It is marketed as vegan and cruelty-free.\n\nShade count on the US official page at check: fifteen, spanning black and brown neutrals through nudes, denim-inspired and glitz finishes. Regional assortments may be narrower — confirm the market page before stating a local count in UI copy.\n\n## Season finish — Graphic punctuation\n\nWhen the season goes graphic, it goes briefly. Epic Ink is the hard liner option: a precise wing or tightline against clean skin, then stop. New York AW26 logic — punctuation, not costume.\n\nChoose a liner for the eyelid and a brow product for brow definition. Keep one feature dominant if you prefer a simpler eye look.\n\n## Working kit\n\nShake if directed on pack. Brace the elbow; draw from inner to outer lid in short connected strokes or a single flick. Set with a moment of stillness before blinking hard. Pair with glass skin and muted mouth when liner is the signal.\n\nWrong for smudgy pencil aesthetics. Wrong if the wearer cannot remove waterproof liner gently — use a suitable remover to protect lashes. Store tip-down or as brand recommends to keep ink flow.\n\n## Limitations and brand cautions\n\nWaterproof formulas need proper remover. Discontinue if eye irritation occurs. Keep away from children. Glitter/metallic SKUs read louder on camera — reserve for briefs that want visible sparkle; matte black remains the Index default for strict punctuation.\n\n## How to use it\n\n1. Shake the pen if the pack directs\n2. Draw a thin line along the lash line; thicken or flick as the Graphic punctuation brief requires\n3. Allow the line to set before heavy blinking\n4. Remove with a waterproof-safe eye makeup remover\n\n## Questions and answers\n\n### How long does NYX Epic Ink Liner last?\n\nNYX claims up to 24-hour wear for Epic Ink Waterproof Liquid Eyeliner, with waterproof, smudge-proof and flake-resistant performance. That is a brand wear claim, not a Cast Index test.\n\n### How many shades does NYX Epic Ink Liner come in?\n\nThe US NYX product page lists Epic Ink Waterproof Liquid Eyeliner in 15 shades across matte, glitter and metallic finishes. Local ranges may differ.\n\n### Is NYX Epic Ink Liner vegan?\n\nYes. NYX states Epic Ink Waterproof Liquid Eyeliner is vegan and cruelty-free.\n\n### What finish does NYX Epic Ink Liner serve on The Cast Index?\n\nGraphic punctuation — a brief eye mark on otherwise clean skin. Epic Ink’s waterproof brush-tip liner is the hard-line version of that mark for New York-coded restraint.\n\n### Is NYX Epic Ink Liner waterproof?\n\nYes. NYX markets Epic Ink as a waterproof liquid eyeliner pen with up to 24-hour, smudge-proof and flake-resistant wear claims on the official product page.\n\n### Should NYX Epic Ink Liner replace a brow pen in the Graphic punctuation kit?\n\nNo. Epic Ink is a lid liner. Brow punctuation stays with tools such as MicroStroke or REFY Brow Sculpt. Choose by the feature you want to define.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/olaplex-bond-shaper-curl-rebuilding-treatment","markdownUrl":"https://thecastindex.com/beauty/olaplex-bond-shaper-curl-rebuilding-treatment.md","title":"Olaplex Bond Shaper Curl Rebuilding Treatment","lastmod":"2026-07-15","sha256":"31efeaa8e860ce5ab3bb8973050739273519110fdf5bfcf2f166b372b2452552","bytes":3241,"markdown":"# Olaplex Bond Shaper Curl Rebuilding Treatment\n\n> Olaplex describes a patented Bond Shaping Technology using a 23-amino-acid peptide to reconnect broken bonds, with frizz control claimed through 15 washes.\n\n- Canonical: https://thecastindex.com/beauty/olaplex-bond-shaper-curl-rebuilding-treatment\n- Category: Hair\n- Format: In-salon bond-building treatment\n- Finish: Redefined curl\n- Best for: Rebuilding damaged or loosened curl pattern\n- Official: https://olaplex.com/products/pro-olaplex-bond-shaper-curl\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nProfessional-only salon treatment — desk context for curl rebuilding; not a retail cart item on this site.\n\n## The technology\n\nBond Shaper is built on Olaplex’s newly patented Bond Shaping Technology, centred on a proprietary peptide built from 23 amino acids that penetrates to the hair’s cortex and reconnects up to six points along broken disulfide bonds. It extends the brand’s original, well-documented Bond Building Technology — the same disulfide-bond chemistry Olaplex patented at its 2014 founding — into the brand’s first major product line built specifically for curl repair rather than general damage repair. Coconut-avocado milk and a Curl Retention Compound round out the formula, aimed at fortifying strands while helping curls hold their shape and shine.\n\n## The salon service\n\nThis is explicitly a professional, in-salon treatment rather than a retail product, delivered in three steps. Step 1, Repair, is applied and processed for 10 minutes at the professional-strength concentration of Bond Shaping Technology. Step 2, Enhance, is sprayed on and processed for another 10 minutes, acting as a catalyst that boosts penetration and locks in Step 1’s work. Step 3, Define, is distributed root to tip to create a curl-defining \"cast\" using the stylist’s preferred technique. No heat is required, though a diffuser may be used during Step 3, and a full appointment typically runs 1 to 1.5 hours depending on hair length and density.\n\n## Why it’s in the edit\n\nBond Shaper is the reference point when a look depends on curl definition holding through a full day rather than fading by the afternoon. Olaplex marked the technology’s launch with a trade event at the Four Seasons Las Vegas on 24 July 2024, and it’s been treated across salon trade press — Salon Today, American Salon, Modern Salon and Beauty Launchpad — as one of the brand’s most significant technology launches since its original Bond Building system.\n\n## Questions and answers\n\n### Can I buy Olaplex Bond Shaper Curl Rebuilding Treatment to use at home?\n\nNo — it’s a professional, in-salon-only service delivered in three steps by a stylist, not a retail product.\n\n### What curl types is Olaplex Bond Shaper designed for?\n\nIt’s formulated to work across the full curl spectrum, from wavy (2a–2c) through curly (3a–3c) to coily (4a–4c).\n\n### How long does an Olaplex Bond Shaper appointment take?\n\nA full three-step appointment typically runs 1 to 1.5 hours, depending on hair length and density, with no heat required.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/olaplex-no-3-hair-perfector","markdownUrl":"https://thecastindex.com/beauty/olaplex-no-3-hair-perfector.md","title":"Olaplex No.3 Hair Perfector","lastmod":"2026-08-13","sha256":"a4a602161b58e0a65fcac438f2b7b24a83ff0f4759bbcad369c594e2f86ef432","bytes":4971,"markdown":"# Olaplex No.3 Hair Perfector\n\n> Olaplex No.3 Hair Perfector is an at-home pre-shampoo bond treatment. The brand’s manual directs application on damp hair for at least ten minutes, then rinse and shampoo, one to three times a week. It is not a protein mask. Olaplex now markets Nº.3PLUS as the successor; this review covers No.3 as listed in the Cast Index kit.\n\n- Canonical: https://thecastindex.com/beauty/olaplex-no-3-hair-perfector\n- Category: Hair\n- Format: At-home bond-building treatment\n- Finish: Strengthened feel\n- Best for: Weekly at-home bond maintenance\n- Official: https://olaplex.com/products/no-3-hair-perfector\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nWeekly at-home bond care for Hair as silhouette — used on damp hair before shampoo, not as a conditioner. Olaplex’s manual still describes No.3 as a pre-shampoo treatment left on for at least ten minutes, then rinsed. The brand’s current product URL now pushes Nº.3PLUS, a different formula. This page reviews No.3, which remains widely sold.\n\nSkip this if you want a rinse-out mask used after shampoo, a protein treatment, or specifically the newer Nº.3PLUS three-minute formula. This is also not the salon-only Bond Shaper curl service.\n\nAt-home bond care for Hair as silhouette weeks — weekly maintenance before shampoo, not a salon-only step.\n\n## The formula\n\nNo.3 is the at-home expression of Olaplex’s bond-building story: a treatment meant to reduce breakage and restore the look of strength from inside the strand. The brand is explicit that it is not a protein treatment and not a hydrating mask. If the hair needs moisture, that is a different product after you shampoo.\n\nIn February 2026 Olaplex published guidance that Nº.3PLUS Complete Repair Treatment is the newly formulated replacement, used for up to three minutes in the shower. That successor is not this review. Bottles labelled Hair Perfector still follow the ten-minute pre-shampoo method in the No.3 manual.\n\n## Who it’s for\n\nHair as silhouette weeks need fibre that holds a shape — sleek, cropped, or controlled volume — without snapping. No.3 is maintenance between salon bond services, not a substitute for a colour-service additive. Fine hair still uses it before shampoo; the brand’s later 3PLUS copy talks about mid-lengths to ends, but that is the other formula.\n\nIf a listing only shows 3PLUS, read the name on the pack. This desk will not pretend the two products are interchangeable.\n\n## Why it’s in the edit\n\nThe Season Beauty Index tracks hair as a silhouette, not as a product bestseller list. No.3 is the retail step that keeps chemically treated or heat-styled hair in the conversation between appointments. Salon-only Bond Shaper stays in the archive as context and is not a shop CTA.\n\nAmazon search is live because No.3 is a widely distributed retail SKU. Check the product title. Do not assume a third-party bottle matches the current official successor.\n\n## How to use it\n\n1. Start with damp, towel-dried hair — not dripping\n2. Apply No.3 from roots to ends and comb through\n3. Leave on for a minimum of 10 minutes (brand manual for Hair Perfector)\n4. Rinse thoroughly, then shampoo and condition — the brand cites No.4 and No.5 as the follow-on pair\n5. Use 1–2 times a week on healthy hair, or 2–3 times if hair is compromised, per Olaplex\n\n## How it compares\n\n| Role | Olaplex No.3 Hair Perfector | Olaplex Nº.3PLUS | K18 Leave-In Mask |\n| --- | --- | --- | --- |\n| When | Before shampoo, ≥10 minutes | Before shampoo, up to 3 minutes (brand, successor) | Leave-in after wash |\n| What it is | Bond treatment, not a mask | Brand’s current replacement formula | Peptide leave-in |\n| This page | Yes — reviewed here | Noted only, not reviewed as No.3 | Separate profile |\n| Kit | Hair as silhouette | Not this archive slug | Hair as silhouette |\n\n## Questions and answers\n\n### Do you use Olaplex No.3 before or after shampoo?\n\nBefore. Apply to damp hair, leave at least 10 minutes, rinse, then shampoo. It is not a leave-in and not a conditioner substitute.\n\n### Is Olaplex No.3 the same as No.3PLUS?\n\nNo. Olaplex now markets Nº.3PLUS Complete Repair Treatment as the replacement for Hair Perfector, with a shorter in-shower time. This review covers No.3 Hair Perfector.\n\n### Is Olaplex No.3 a protein treatment?\n\nOlaplex’s own manual says it is not a protein treatment or a hydrating mask. It is a pre-shampoo bond-building treatment.\n\n### What finish does Olaplex No.3 serve on The Cast Index?\n\nHair as silhouette — weekly at-home bond maintenance so hair can hold a shape between salon visits.\n\n### Should I buy Olaplex Bond Shaper instead of No.3?\n\nBond Shaper Curl Rebuilding Treatment is a professional salon service in this archive, not a retail cart item. No.3 is the at-home step.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment","markdownUrl":"https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment.md","title":"Olaplex No.3PLUS Complete Repair Treatment","lastmod":"2026-09-08","sha256":"280e5875ad430f854313961cdb9415a1c291bb4a5b1a9bbe55e809c6b70e8743","bytes":2038,"markdown":"# Olaplex No.3PLUS Complete Repair Treatment\n\n> Olaplex describes No.3PLUS as the successor to No.3 Hair Perfector, with a three-minute pre-wash routine. It remains a rinse-out treatment before shampoo, rather than a leave-in conditioner.\n\n- Canonical: https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment\n- Category: Hair\n- Format: Pre-shampoo hair treatment\n- Finish: Conditioned feel\n- Best for: A short treatment step before washing\n- Official: https://olaplex.com/products/olaplex-n-3plus-complete-repair-treatment-100ml\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe current successor deserves its own page: the shorter routine should not be confused with the original No.3 instructions.\n\n## Selection evidence\n\n2026 formula update: Olaplex’s 23 February 2026 comparison explains the change from No.3 Hair Perfector to No.3PLUS. The two products retain separate records here.\n\nSource: https://olaplex.com/blogs/news/no3-vs-no3plus\nChecked: 2026-09-08\n\n## Who should consider it?\n\nConsider a pre-wash treatment when you can make room for a separate step before shampooing. If you need immediate styling slip after washing, compare a leave-in instead. More treatments are not automatically a better routine.\n\n## What should you check before buying?\n\nCheck whether your bottle says No.3 or No.3PLUS before applying instructions. Manufacturer repair claims are not a guarantee that damaged hair will behave like unprocessed hair.\n\n## How to use it\n\n1. Follow No.3PLUS directions to apply before shampooing.\n2. Allow the specified three-minute treatment time.\n3. Rinse, then shampoo and condition as directed on the bottle.\n\n## Questions and answers\n\n### Can I leave No.3PLUS in as a styling product?\n\nNo. Olaplex positions it as a pre-shampoo treatment that is rinsed out. A leave-in such as Redken Acidic Bonding Concentrate has a different place in the routine.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/opi-rapidry-quick-dry-lacquer","markdownUrl":"https://thecastindex.com/beauty/opi-rapidry-quick-dry-lacquer.md","title":"OPI RapiDry Quick-Dry Lacquer","lastmod":"2026-07-15","sha256":"d76ef4576a87de6effb8d711c3d5822e7e09b12fdf4218cc58e07365fc76c8a0","bytes":2747,"markdown":"# OPI RapiDry Quick-Dry Lacquer\n\n> OPI lists a 30-shade range plus a 3-in-1 clear coat, pairing its Drip Dry Drops with faster-drying solvents for a 60-second dry claim.\n\n- Canonical: https://thecastindex.com/beauty/opi-rapidry-quick-dry-lacquer\n- Category: Nails\n- Format: Nail lacquer\n- Finish: Crème, shimmer or glitter\n- Best for: A fast, smudge-proof manicure\n- Official: https://www.opi.com/collections/rapidry\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA practical addition for backstage and travel kits, where a manicure often has to dry between calls.\n\n## The problem it solves\n\nOPI built RapiDry around what it calls \"smudge-stration\" — its own term for the smudged, not-quite-dry manicure that ruins a fresh coat of polish before it’s had time to set. The formula pairs \"Drip Dry Drops\" with fast-acting solvents for a claimed 60-second dry time and up to 5 days of wear with two coats. It’s applied with a Speedy Rush Brush carrying roughly 200 extra bristles in a wider, fanning shape, designed to pick up and spread pigment faster and more evenly than a standard brush.\n\n## The range\n\nOPI relaunched RapiDry as a full range in January 2025, through parent company Wella Company: 30 lacquer shades across crème, shimmer and glitter finishes, plus a dedicated 3-in-1 clear coat that can function as base coat, top coat, or a glossy final layer on its own. The formulas are vegan and described as \"9-free,\" meaning they exclude nine ingredients commonly restricted across the nail-polish industry.\n\n## Why it’s in the edit\n\nThis is a practical addition for backstage and travel kits, where a manicure often has to dry between calls rather than under a lamp. OPI is a professional nail brand owned by Wella Company, and RapiDry is positioned as a mainstream problem-solver — fixing the smudged, soft manicure — rather than a limited seasonal collection.\n\n## How to use it\n\n1. Shake well before use\n2. Prep nails — push back cuticles, trim and file, buff if needed\n3. Apply one thin coat, capping the free edge\n4. Follow with the RapiDry Top Coat for a final glossy seal, if used\n\n## Questions and answers\n\n### How fast does OPI RapiDry Quick-Dry Lacquer actually dry?\n\nOPI claims a 60-second dry time, driven by its \"Drip Dry Drops\" formula and Speedy Rush Brush.\n\n### How many shades does OPI RapiDry come in?\n\nThe January 2025 relaunch includes 30 lacquer shades across crème, shimmer and glitter finishes, plus a 3-in-1 clear coat.\n\n### Is OPI RapiDry vegan?\n\nYes — the formulas are vegan and \"9-free,\" excluding nine ingredients commonly restricted in nail polish.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/nails\n"},{"url":"https://thecastindex.com/beauty/pat-mcgrath-skin-fetish-sublime-perfection-foundation","markdownUrl":"https://thecastindex.com/beauty/pat-mcgrath-skin-fetish-sublime-perfection-foundation.md","title":"Pat McGrath Labs Skin Fetish: Sublime Perfection Foundation","lastmod":"2026-07-15","sha256":"71c21917de7dbc24256525c39c03f32d5c3e835c86876c0132b19cec265a381e","bytes":3436,"markdown":"# Pat McGrath Labs Skin Fetish: Sublime Perfection Foundation\n\n> The official range spans 36 shades and is designed to build from sheer to medium coverage.\n\n- Canonical: https://thecastindex.com/beauty/pat-mcgrath-skin-fetish-sublime-perfection-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Natural\n- Best for: Custom sheer-to-medium coverage\n- Official: https://www.patmcgrath.com/products/foundation\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA flexible pro-style base for when skin texture should remain visible and coverage needs to change by area.\n\n## The formula\n\nPat McGrath Labs built this foundation around what it calls a Vita-Serum Complex, formulated to activate the skin’s own production of hyaluronic acid and ceramides as the coverage wears — a skincare-forward approach rather than a purely cosmetic one. The brand’s Diamond Core Powder Technology handles the optical side, converting and scattering light for a blurred, soft-focus effect rather than a flat, opaque one.\n\nThe result is a serum-like, oil-free texture designed to build from light to medium coverage depending on how it’s applied, rather than a single fixed finish. It’s also formulated without parabens, phthalates, sulfates (SLS/SLES) or talc, and is vegan, cruelty-free and non-comedogenic.\n\n## Two ways to wear it\n\nPat McGrath Labs documents two distinct application methods on its own site. For the lightest, most \"filtered\" effect, the brand recommends the fingertip method — dropping the formula onto the back of the hand, then dotting and patting it onto the face. For more visible, medium coverage, the brush method uses the dedicated Sublime Perfection Foundation Brush in sweeping motions, building coverage in layers rather than applying it all at once.\n\n## The shade range\n\nThe range spans 36 shades organised into five bands — Light (L1–L7), Light-Medium (LM8–LM14), Medium (M15–M21), Medium-Deep (MD22–MD28) and Deep (D29–D36) — with an online SHADEFINDER tool to help narrow the match before buying.\n\n## Why it’s in the edit\n\nPat McGrath is widely regarded as one of the most influential makeup artists working today, and this foundation is built directly from that backstage experience: a base engineered to hold up under repeated touch-ups and changing light, while still letting real skin texture show through rather than flattening it. It sits within the wider Skin Fetish range — a line that has built a genuinely devoted following since the brand’s 2015 launch.\n\n## Questions and answers\n\n### How do you apply Pat McGrath Labs Skin Fetish: Sublime Perfection Foundation?\n\nThe brand recommends two methods: a fingertip application (dotting and patting from the back of the hand) for the lightest, most natural coverage, or the dedicated Sublime Perfection Foundation Brush for buildable, medium coverage.\n\n### How many shades does Skin Fetish: Sublime Perfection Foundation come in?\n\nIt’s available in 36 shades across five depth bands, from Light to Deep, and Pat McGrath Labs offers an online SHADEFINDER tool to help match your shade.\n\n### Is Pat McGrath Labs Skin Fetish: Sublime Perfection Foundation vegan?\n\nYes — it’s formulated to be vegan and cruelty-free, and is free of parabens, phthalates and sulfates.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush","markdownUrl":"https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush.md","title":"Rare Beauty Soft Pinch Liquid Blush","lastmod":"2026-08-13","sha256":"cabf508fd97a4e83b66b6c1346efe038eee24298dfc09d0c9e6a30f09bbd0bf0","bytes":5060,"markdown":"# Rare Beauty Soft Pinch Liquid Blush\n\n> Rare Beauty Soft Pinch Liquid Blush is a weightless liquid blush in 16 shades (four matte, twelve dewy), applied with one or two dots. The brand claims up to 12 hours of wear and cites a 32-person consumer study for blend and comfort. Official US price was $25 when checked 13 August 2026. The Cast Index files it under Soft flush cheek. Shopping stays brand-direct / Sephora — not Amazon.\n\n- Canonical: https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush\n- Category: Cheek\n- Format: Liquid blush\n- Finish: Dewy or matte\n- Best for: Buildable, weightless colour\n- Official: https://www.rarebeauty.com/products/soft-pinch-liquid-blush\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe one-dot liquid for Soft flush cheek when you need temperature on skin, not a sculpted apple. Rare Beauty lists 16 shades in matte and dewy, a botanical blend of lotus, gardenia and white water lily, and up to 12 hours of wear. Consumer figures on the official page come from a 32-person study — labelled here, not a Cast Index test. $25 on Rare Beauty when checked 13 August 2026. No Amazon path: shop the brand or Sephora until an authorised programme is configured.\n\nSkip this if you need a cream stick, a mapped contour blush, or an Amazon checkout. Skip also if you want this desk to certify “12-hour wear on every skin” — that is a brand claim plus a small consumer study.\n\nA one-dot formula built for a natural flush rather than a mapped-out cheek shape.\n\n## The formula\n\nSoft Pinch Liquid Blush suspends pure colour pigment in a weightless, transparent base, formulated with a botanical blend of lotus, gardenia and white water lily intended to soothe and nourish skin as it wears. The brand’s core pitch is application simplicity — true-to-tone colour that blends with just one dot — and the formula is vegan, cruelty-free, paraben-free and allergy-tested for sensitive skin, with up to 12 hours of wear that layers over both liquid and powder foundation without disturbing what’s underneath.\n\n## The shade range\n\n16 shades split into two finish families: four matte (Bliss, Love, Grace, Faith) and twelve dewy (Hope, Happy, Lucky, Grateful, Encourage, Believe, Worth, Virtue, Joy, Adore, Spirited, Resilience) — the range has grown steadily since launch, with three new dewy shades added in 2025.\n\n## A launch product that became a phenomenon\n\nSoft Pinch Liquid Blush was part of Rare Beauty’s original September 2020 launch lineup, alongside 48 foundation shades. Bloomberg reported the original shade alone had sold roughly $70 million worth by July 2022, and trade outlet Glossy describes Soft Pinch as the brand’s most popular franchise, since expanded into a lip oil stain, a powder blush and a liquid contour. It won an Allure Best of Beauty Award, and was among the earliest breakout viral beauty products on TikTok.\n\nSelena Gomez founded Rare Beauty in September 2020, naming it after her album Rare, having spoken publicly for years about her own mental health, including in the 2022 documentary My Mind & Me. The brand co-founded the Rare Impact Fund the same year it launched, committing 1% of all Rare Beauty sales toward a $100 million goal supporting youth mental-health resources.\n\n## How to use it\n\n1. Apply 1–2 dots per cheek using the built-in doe-foot applicator\n2. Blend with fingertips or a brush\n3. For more control, dab a small amount onto the back of your hand first\n4. Layer with Rare Beauty’s Positive Light Liquid Luminizer for added glow\n\n## How it compares\n\n| Role | Soft Pinch Liquid Blush | Merit Flush Balm |\n| --- | --- | --- |\n| Format | Liquid, doe-foot | Cream balm, multi-use |\n| Application | One or two dots | Fingers, melt in |\n| Official guide | $25 US (13 Aug 2026) | $30 US / £26 UK (25 Sep 2026) |\n| Amazon on this site | No — brand / Sephora | No — brand / Sephora |\n\n## Questions and answers\n\n### How many shades does Rare Beauty Soft Pinch Liquid Blush come in?\n\nIt comes in 16 shades — four matte and twelve dewy — including three dewy shades added in 2025.\n\n### Has Rare Beauty Soft Pinch Liquid Blush won any awards?\n\nYes — it won an Allure Best of Beauty Award, and Bloomberg reported roughly $70 million in sales of the original shade by mid-2022.\n\n### Where does the money from Rare Beauty sales go?\n\nRare Beauty directs 1% of all sales to the Rare Impact Fund, which the brand co-founded in 2020 with a $100 million goal supporting youth mental-health resources.\n\n### What finish does Soft Pinch Liquid Blush serve?\n\nSoft flush cheek — a one-dot temperature on the skin, not a sculpted apple or contour replacement.\n\n### Does The Cast Index sell Soft Pinch on Amazon?\n\nNo. Rare Beauty is sold brand-direct and through authorised retailers such as Sephora. This site keeps the official URL until an authorised affiliate programme is configured.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/cheek\n"},{"url":"https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in","markdownUrl":"https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in.md","title":"Redken Acidic Bonding Concentrate Leave-In Treatment","lastmod":"2026-09-08","sha256":"30dedcdbee2cc182acc2ffe475792f3a1133e5064d4dfd086f0624834a60a977","bytes":2016,"markdown":"# Redken Acidic Bonding Concentrate Leave-In Treatment\n\n> Redken describes a citric-acid and Bonding Care Complex formula applied to clean, damp hair and left in. It is a different step from the range’s rinse-out mask and pre-treatment.\n\n- Canonical: https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in\n- Category: Hair\n- Format: Leave-in conditioning treatment\n- Finish: Smooth, conditioned\n- Best for: Conditioning damp hair before styling\n- Official: https://www.redken.com/hair-care/acidic-bonding-concentrate-leave-in-treatment.html\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nAdds a leave-in option to a treatment-heavy hair shelf. Useful when you want a conditioning step that stays in during styling.\n\n## Selection evidence\n\nNew to our edit: Selected for its format and role in a routine. This label records our catalogue addition, not its launch date or a sales ranking.\n\nSource: https://www.redken.com/hair-care/acidic-bonding-concentrate-leave-in-treatment.html\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a leave-in when your routine needs conditioning after washing. Use the amount suited to your hair density; a fine strand and a dense curl do not necessarily want the same quantity.\n\n## What should you check before buying?\n\nThe name Acidic Bonding Concentrate covers several products. Read the full label so the leave-in is not confused with a rinse-out treatment. Manufacturer repair claims do not make styling technique or heat settings irrelevant.\n\n## How to use it\n\n1. Apply to clean, damp hair as directed by Redken.\n2. Leave in without rinsing.\n3. Style as usual and avoid contact with the eyes.\n\n## Questions and answers\n\n### Should this Redken treatment be rinsed out?\n\nNo. The Leave-In Treatment stays on clean, damp hair. Other products in the Acidic Bonding Concentrate range have different instructions.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/hair\n"},{"url":"https://thecastindex.com/beauty/refy-brow-sculpt","markdownUrl":"https://thecastindex.com/beauty/refy-brow-sculpt.md","title":"REFY Brow Sculpt","lastmod":"2026-10-05","sha256":"f17350968a08696171efdf31ea05379b040a4530121c74b5a849d5ffafe7ffc9","bytes":670,"markdown":"# REFY Brow Sculpt\n\n> REFY describes a dual-ended brow sculpt with a brush and pomade-gel formula designed to lift and define brows.\n\n- Canonical: https://thecastindex.com/beauty/refy-brow-sculpt\n- Category: Eyes & brows\n- Format: Brow gel-pomade\n- Finish: Sculpted\n- Best for: Holding brow shape with soft fill\n- Official: https://refybeauty.com/products/brow-sculpt\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nUK graphic-punctuation brow tool — holds shape without a drawn-on block.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/rhode-peptide-lip-tint","markdownUrl":"https://thecastindex.com/beauty/rhode-peptide-lip-tint.md","title":"Rhode Peptide Lip Tint","lastmod":"2026-08-13","sha256":"02cc39032e873a11fe9fc8cbceb2fdd5e3ea3a746d4e8b42888d68a53a9a34ea","bytes":4158,"markdown":"# Rhode Peptide Lip Tint\n\n> Rhode Peptide Lip Tint is a 10ml vegan, fragrance-free lip tint with Palmitoyl Tripeptide-1, shea butter, babassu and cupuaçu. Official US price was $20 on 13 August 2026. The brand describes sheer-but-buildable colour and a glossy finish. The Cast Index files it as Wet lip adjacent — tinted moisture, not a lipstick.\n\n- Canonical: https://thecastindex.com/beauty/rhode-peptide-lip-tint\n- Category: Lips\n- Format: Lip tint treatment\n- Finish: Soft tint\n- Best for: Hydrated tinted lips\n- Official: https://www.rhodeskin.com/products/peptide-lip-tint\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA fragrance-free, vegan tinted gloss for Wet lip signal when the brief is sheer colour plus care, not a scented honey oil. Rhode lists Palmitoyl Tripeptide-1, shea, babassu and cupuaçu in a 10ml tube at $20 on the official site when checked 13 August 2026. “Visibly plumps over time” is a brand claim, not a Cast Index clinical finding. No Amazon: rhode.com until an authorised programme is configured.\n\nSkip this if you need opaque lipstick, a strongly scented oil, or a medical treatment for lip lines. Skip also if the shade you want is waitlisted — this desk does not invent stock.\n\nWet-lip adjacent — sheer tint with care claims, not opaque lipstick.\n\n## The formula\n\nRhode calls this “the tinted lip layer”: a nourishing gloss with a hint of tint. Palmitoyl Tripeptide-1 is the named peptide; shea, babassu and cupuaçu do the emollient work. The brand says the complete collection now uses an improved formula with a lasting smooth texture. That is a manufacturer update, not a side-by-side Cast Index assay of old versus new.\n\nFragrance-free matters for a desk that also files Gisou’s scented honey oil. If the brief is unscented Wet lip, this is the cleaner match. If the brief is gourmand honey, it is the wrong product.\n\n## Who it’s for\n\nUse this when the mouth needs a wash of colour that still reads as care. It will not replace a mapped lipstick. Awards cited on the brand page (Vogue Beauty Awards 2024; Byrdie 2023) are press recognition Rhode displays — not Cast Index scores.\n\nStock can be waitlisted by shade. This page does not promise availability.\n\n## Why it’s in the edit\n\nWet lip kits need a vegan, unscented option beside Dior and Gisou. Peptide Lip Tint is that option: 10ml, $20, sheer tint. It is not overnight Laneige prep and not a cream blush.\n\nAffiliate path: official Rhode URL. No Amazon search.\n\n## How to use it\n\n1. Swipe onto lips day or night for sheer colour\n2. Layer for more tint; Rhode also suggests wearing it over Peptide Lip Shape and Pocket Blush\n3. Do not treat plumping language as a medical outcome\n4. Confirm the live shade name — limited editions rotate\n\n## How it compares\n\n| Role | Rhode Peptide Lip Tint | Gisou Honey Infused Lip Oil | Summer Fridays Lip Butter Balm |\n| --- | --- | --- | --- |\n| Colour | Sheer tint, buildable | Sheer to tinted, optional shimmer | Balm sheen, optional tint |\n| Scent (brand) | Fragrance-free | Honey / fruit by shade | Flavoured (e.g. Vanilla) |\n| Vegan (brand) | Yes | No — honey | Yes |\n| Official guide | $20 US | $28 US | $24 US |\n\n## Questions and answers\n\n### Is Rhode Peptide Lip Tint vegan?\n\nRhode states the formula is vegan, cruelty-free, gluten-free and fragrance-free. Recheck the current pack if you need a certified logo.\n\n### What size is Peptide Lip Tint?\n\n10ml / 0.3 fl oz, per the official product page checked on 13 August 2026.\n\n### Does Peptide Lip Tint plump lips?\n\nRhode says it smooths the look of fine lines and visibly plumps over time. That is a brand appearance claim, not a Cast Index clinical finding.\n\n### What finish does Rhode Peptide Lip Tint serve?\n\nWet lip signal as a sheer, fragrance-free tinted gloss — not opaque lipstick and not a scented honey oil.\n\n### Why is there no Amazon link for Rhode Peptide Lip Tint?\n\nRhode is sold brand-direct. This site does not add Amazon search for brand-exclusive SKUs.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/rhode-peptide-lip-treatment","markdownUrl":"https://thecastindex.com/beauty/rhode-peptide-lip-treatment.md","title":"Rhode Peptide Lip Treatment","lastmod":"2026-10-01","sha256":"0eeec8057914c50322e2edc2c5c4c8164b5b0a0c48d2a805e452c29e3bf7065b","bytes":3484,"markdown":"# Rhode Peptide Lip Treatment\n\n> Rhode Peptide Lip Treatment is an untinted, glossy lip treatment in a 10ml tube with palmitoyl tripeptide-1, shea, babassu and cupuaçu butters and vitamin E. Rhode launched with it in June 2022. It cost £20 on Rhode UK on 1 October 2026; the unscented version is labelled fragrance-free. In the UK it is sold by Rhode and Sephora UK.\n\n- Canonical: https://thecastindex.com/beauty/rhode-peptide-lip-treatment\n- Category: Lips\n- Format: Lip treatment\n- Finish: Glossy, high shine\n- Best for: Untinted daily lip care with shine\n- Official: https://www.rhodeskin.com/en-gb/products/peptide-lip-treatment\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nRhode’s original, untinted lip treatment: a glossy, high-shine layer with peptides and plant butters, £20 for 10ml. Choose unscented if you want fragrance-free; choose Peptide Lip Tint if you want sheer colour.\n\nSkip this if you want colour, SPF lip protection, or a flavoured balm that is also fragrance-free.\n\nThe clear counterpart to Peptide Lip Tint: glossy care that reads as healthy lips rather than colour.\n\n## The formula\n\nRhode’s Peptide Lip Treatment is the untinted original of the brand’s lip range: a glossy, balm-meets-gloss formula with palmitoyl tripeptide-1, shea, babassu and cupuaçu butters and vitamin E. Rhode says the range now uses an improved formula, without giving a date.\n\nSmoothing or plumping language around peptides is a brand claim; The Cast Index treats the product as a high-shine conditioning layer.\n\n## Who it’s for\n\nAnyone who wants a clear, glossy lip that looks cared-for rather than coloured. Choose the unscented version for a fragrance-free option.\n\n## What should you check before buying?\n\nOnly the unscented version is labelled fragrance-free; the flavoured versions are not. For sheer colour, Peptide Lip Tint is the separate tinted product. There is no SPF.\n\n## How to use it\n\n1. Squeeze a small amount and apply directly to lips\n2. Wear alone for shine, or over liner for definition\n3. Reapply as wanted through the day\n\n## Questions and answers\n\n### What is the difference between Rhode Peptide Lip Treatment and Peptide Lip Tint?\n\nThe Treatment is untinted and glossy; the Lip Tint adds sheer colour. They share key ingredients but are sold as separate products.\n\n### Is Rhode Peptide Lip Treatment fragrance-free?\n\nOnly the unscented version, which is labelled fragrance-free. The salted caramel, vanilla and watermelon slice versions list fragrance, and strawberry glaze lists flavour. Every version, including unscented, contains stevioside, a sweetener.\n\n### Where can I buy Rhode in the UK?\n\nFrom Rhode’s own UK site and from Sephora UK, which has sold the brand online and in its UK stores since 10 November 2025. On 30 September 2026 Rhode also launched at Sephora in 19 further European markets, including France, Germany, Italy and Spain, online and in more than 500 stores. For that launch, Rhode announced early access to its Peptide Lip Tint in Pretzel and a limited return of Lemontini at Sephora in Europe and the UK.\n\n### Is Rhode sold at Sephora in Europe?\n\nYes, since 30 September 2026. Rhode’s announcement lists 19 new markets, from Belgium and Denmark to Switzerland and Turkey, adding to the 2025 launches with Sephora in the US, Canada and the UK.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/rhode-pocket-blush","markdownUrl":"https://thecastindex.com/beauty/rhode-pocket-blush.md","title":"Rhode Pocket Blush","lastmod":"2026-09-08","sha256":"e8f4677d7891e147f466d118cb2294decdf5e86461a71115b1a23c5f55d0b967","bytes":1950,"markdown":"# Rhode Pocket Blush\n\n> Rhode describes Pocket Blush as a 5.3 g cream blush for cheeks and lips with a diffused, satiny finish. The brand recommends tapping it on with fingers or a brush.\n\n- Canonical: https://thecastindex.com/beauty/rhode-pocket-blush\n- Category: Cheek\n- Format: Cream blush stick\n- Finish: Satiny flush\n- Best for: Portable, buildable cheek colour\n- Official: https://www.rhodeskin.com/products/pocket-blush-sprinkle\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe cream-stick counterpart to liquid blush: useful when you prefer to pick up a little colour and build it in place.\n\n## Selection evidence\n\nNew to our edit: Selected for its format and role in a routine. This label records our catalogue addition, not its launch date or a sales ranking.\n\nSource: https://www.rhodeskin.com/products/pocket-blush-sprinkle\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a cream format for controlled, small applications and a softly blended edge. Try shade swatches on a similar skin tone; the stick’s appearance in packaging does not tell you how sheerly it will blend.\n\n## What should you check before buying?\n\nA glowy cream is not the same finish as a matte powder blush. Apply lightly over set makeup to avoid moving the base, and use clean fingers or a clean brush.\n\n## How to use it\n\n1. Pick up a small amount with a clean finger or brush.\n2. Tap onto the cheeks and soften the edges.\n3. Add colour gradually, following the brand’s directions for lip use.\n\n## Questions and answers\n\n### How does Pocket Blush differ from Rare Beauty Soft Pinch Liquid Blush?\n\nPocket Blush is a cream stick with a satiny finish. Soft Pinch is a liquid blush with different finish options. Choose by application preference and shade rather than assuming equal pigment from the same amount.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/cheek\n"},{"url":"https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream","markdownUrl":"https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream.md","title":"Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++","lastmod":"2026-09-25","sha256":"b41b4965bb4837ad462bbf23fc012781a120b85984740844b4e216ef3e6cd25e","bytes":3613,"markdown":"# Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++\n\n> Round Lab Birch Juice Moisturizing Sun Cream is an SPF50+ PA++++ Korean sunscreen using Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone, with birch juice, hyaluronic acid and niacinamide. UK retailers listed it at £21 for 50ml in 2026. This is desk research from published specifications, not a hands-on test.\n\n- Canonical: https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream\n- Category: SPF\n- Format: Cream sunscreen\n- Finish: Moisturising, no white cast\n- Best for: Daily SPF with a moisturising cream texture\n- Official: https://roundlab.co.kr/product/detail.html?product_no=138\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA moisturising SPF50+ PA++++ cream with modern UK/EU filters, birch juice and hyaluronic acid, at around £21. Choose it when you want the sunscreen to double as the last moisturising layer. It has no added parfum but does list botanical oils.\n\nSkip this if you want a strictly fragrance-free formula with no botanical oils, a water-resistant sunscreen, or a very light fluid for oily skin.\n\nThe moisturising cream in the Korean SPF edit: one comfortable layer between skincare and a sheer base.\n\n## The formula\n\nRound Lab’s Birch Juice Moisturizing Sun Cream is a chemical sunscreen labelled SPF50+ PA++++ on UK retailer listings. It uses four modern filters permitted in the UK and EU — Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone — while birch juice, hyaluronic acid and niacinamide make it read as a moisturiser as much as a sunscreen.\n\nRetailers describe a soft, creamy texture with no white cast. Boots and LOOKFANTASTIC publish slightly different ingredient panels — pine leaf extract versus oil, and German versus Roman chamomile — so check the pack you receive if you avoid specific botanicals.\n\n## Who it’s for\n\nNormal to dry skin, or anyone who wants the sunscreen to double as the final moisturising step in the morning. Oilier skin may find a serum or fluid sunscreen easier to wear under foundation.\n\n## What should you check before buying?\n\nBuy the international SPF50+ PA++++ version from an authorised UK retailer: Round Lab’s US store sells different, US-market sunscreens. No water resistance is claimed. The botanical oils mean it is not strictly fragrance-free for readers who react to essential oils.\n\n## How to use it\n\n1. Apply as the final step of morning skincare, before makeup\n2. Use enough to cover face, neck and ears evenly\n3. Reapply at least every two hours outdoors, and after swimming, sweating or towelling\n4. Check the botanical ingredients on your pack if you have fragrance sensitivities\n\n## Questions and answers\n\n### Is Round Lab Birch Juice Moisturizing Sun Cream fragrance-free?\n\nThere is no added parfum, but UK listings include chamomile and pine-leaf botanicals, which some readers with fragrance sensitivities avoid. Check the ingredient list on your pack.\n\n### Is it the same as the Round Lab sunscreen sold in the US?\n\nNo. Round Lab’s US store sells US-market sunscreens with different filters. The SPF50+ PA++++ sun cream sold by UK retailers is the international formula.\n\n### Does Round Lab Birch Juice Sun Cream leave a white cast?\n\nRetailers describe no white cast, and the formula contains no zinc oxide or titanium dioxide. That is a formula description, not a Cast Index wear test.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/saie-slip-tint","markdownUrl":"https://thecastindex.com/beauty/saie-slip-tint.md","title":"Saie Slip Tint","lastmod":"2026-10-05","sha256":"9cc8e1ca941d52f05e5a8bff9144645d76d9337f8974f940cabcca1cb34b9373","bytes":907,"markdown":"# Saie Slip Tint\n\n> Saie lists 14 shades of a sheer, dewy tinted moisturiser with 15% zinc oxide, hyaluronic acid, liquorice root and pansy extracts; its US page labels the formula SPF 35, while the UK retailer listing names the zinc oxide and broad-spectrum protection without an SPF number. Beeswax is in the formula, so it is not vegan.\n\n- Canonical: https://thecastindex.com/beauty/saie-slip-tint\n- Category: Complexion\n- Format: Mineral tinted moisturiser\n- Finish: Dewy\n- Best for: Hydrated sheer colour over skincare\n- Official: https://saiehello.com/products/slip-tint-tinted-moisturizer\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nDewy prep-and-tint in one step — useful under wet-lip, low-makeup casting photos.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/shark-cryoglow-led-face-mask","markdownUrl":"https://thecastindex.com/beauty/shark-cryoglow-led-face-mask.md","title":"Shark Beauty CryoGlow LED Face Mask","lastmod":"2026-07-15","sha256":"e5275564ec3962f91ff5fe756fd9b8c6aea7282d3c1a8b6057fcba91e07708a2","bytes":4236,"markdown":"# Shark Beauty CryoGlow LED Face Mask\n\n> Shark Beauty combines red, blue and infrared LED light therapy with under-eye cooling via its InstaChill technology, controlled with a USB-C remote.\n\n- Canonical: https://thecastindex.com/beauty/shark-cryoglow-led-face-mask\n- Category: Tools\n- Format: LED device with cooling\n- Finish: N/A\n- Best for: At-home red, blue and infrared light therapy\n- Official: https://www.sharkninja.com/shark-cryoglow-red-blue-infrared-iqled-face-mask-under-eye-cooling---blue-frost/FW312.html\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nAt-home LED device — catalogue context only; this desk leads with consumable kit steps, not devices.\n\n## The technology\n\nCryoGlow combines two things most at-home devices treat separately: light therapy and cooling. Its iQLED system uses 160 tri-wick LEDs — 480 individual light points — delivering red (630nm), blue and infrared (830nm) wavelengths across four treatment modes: Better Aging (red + infrared, 6 minutes), Skin Clearing (blue + infrared + red, 8 minutes), Skin Sustain (a maintenance blend of all three, 4 minutes), and Under-Eye Revive, a cooling-focused mode usable multiple times a day for 5–15 minutes. The InstaChill system adds clip-on chill pads with three adjustable temperature levels, worn at the same time as the LED treatment, controlled via a remote with an LCD display and charged over USB-C.\n\n## The clinical backing\n\nThe device is FDA-cleared and was developed in partnership with board-certified dermatologists. In a 12-week clinical study of 119 adult participants — with a 59-person sub-cohort specifically testing the Skin Clearing mode for acne — expert dermatological graders found clearer skin and reduced breakouts by week 4 with once-daily Skin Clearing use, and firmer skin with improved fine lines by week 8 with once-daily Better Aging use, with results tracked through week 16 in ongoing maintenance mode.\n\n## The reviews\n\nShark Beauty is a beauty-device offshoot of SharkNinja, the appliance company best known for vacuums and kitchen technology, applying that same engineering approach to skincare devices. Speaking to trade outlet Glossy, Shark Beauty’s Danielle Lessing explained the reasoning behind combining light and cooling in one device: \"We realized that existing skin-care solutions were single-minded and narrow in what they did.\" As of December 2025, Circana named Shark Beauty the #1 skincare facial devices brand in the US, with CryoGlow cited as the category’s top-selling device.\n\nIndependent press has taken notice. Tom’s Guide’s review is headlined \"Shark CryoGlow review: It really works.\" Who What Wear ran a 67-day hands-on test and called it \"a multifaceted device that reduces acne, stimulates collagen, eases fine lines,\" and CNN Underscored published a long-term review after more than a year of use. At $349.99, it also undercuts comparable devices — Therabody’s TheraFace Mask runs $599 and Dr. Dennis Gross’s DRx SpectraLite FaceWare Pro runs $455 — while adding the built-in cooling most competitor masks don’t offer at all.\n\n## How to use it\n\n1. Select a treatment mode via the remote: Better Aging, Skin Clearing, Skin Sustain or Under-Eye Revive\n2. Use once daily for the LED treatment modes, per the clinical study protocol\n3. The Under-Eye Revive cooling mode can be used multiple times a day, for 5–15 minutes as needed\n\n## Questions and answers\n\n### Is the Shark CryoGlow LED Face Mask FDA-cleared?\n\nYes — it’s an FDA-cleared device, developed in partnership with board-certified dermatologists and backed by a 12-week clinical study of 119 participants.\n\n### How does Shark CryoGlow compare in price to other LED masks?\n\nAt $349.99, it undercuts Therabody’s TheraFace Mask ($599) and Dr. Dennis Gross’s DRx SpectraLite FaceWare Pro ($455), while adding built-in cooling that those competitors don’t include.\n\n### What does the InstaChill cooling feature do?\n\nIt’s a set of clip-on chill pads with three adjustable temperature levels, worn during the LED treatment to help depuff the under-eye area.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/tools\n"},{"url":"https://thecastindex.com/beauty/shark-flexstyle-air-styler-hair-dryer","markdownUrl":"https://thecastindex.com/beauty/shark-flexstyle-air-styler-hair-dryer.md","title":"Shark FlexStyle 5-in-1 Air Styler & Hair Dryer","lastmod":"2026-10-01","sha256":"9c8d992d9d224db8a1d3eeb486a42cf27702486a46b833c7f8a78a95a741d1fc","bytes":2427,"markdown":"# Shark FlexStyle 5-in-1 Air Styler & Hair Dryer\n\n> The Shark FlexStyle 5-in-1 Air Styler & Hair Dryer (HD446UK) is a 1,650W hair dryer that twists into a Coanda-effect styling wand. SharkNinja UK listed it at £269.99 RRP, and £229.99, on 1 October 2026, with six attachments and a storage case. Its heat-protection statements are brand claims.\n\n- Canonical: https://thecastindex.com/beauty/shark-flexstyle-air-styler-hair-dryer\n- Category: Tools\n- Format: Hair dryer that twists into an air styler\n- Finish: Curl, smooth or volume\n- Best for: Drying and air-styling from one twisting device\n- Official: https://www.sharkninja.co.uk/shark-flexstyle-5-in-1-air-styler-hair-dryer-with-storage-case-black-hd446uk/HD446UK.html\n- Reviewed: 2026-10-01\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe lower-priced multi-styler: a 1,650W dryer that twists into a styling wand, with two Auto-Wrap curlers, two brushes, a concentrator and a diffuser, at £269.99 RRP.\n\nSkip this if you want an air-straightening attachment in the box or published airflow figures.\n\nA dryer-first alternative to a multi-styler: one twist turns it into a wand, and a diffuser comes in the box.\n\n## Who it’s for\n\nAnyone who wants a hair dryer and an air styler in one at a lower price than Dyson’s Airwrap, especially if they rough-dry first or want a diffuser for curls.\n\n## What should you check before buying?\n\nShark sells several FlexStyle sets, including newer IonCurl models; check the model number and what is in the box. Wattage and heat-protection statements are manufacturer figures, not independent findings.\n\n## Questions and answers\n\n### What comes with the Shark FlexStyle 5-in-1?\n\nThe HD446UK set includes the unit, two Auto-Wrap curlers (left and right), a paddle brush, an oval brush, a styling concentrator, a curl-defining diffuser and a storage case, per SharkNinja UK.\n\n### How much is the Shark FlexStyle in the UK?\n\nThe HD446UK set had an RRP of £269.99 and was £229.99 on SharkNinja UK on 1 October 2026.\n\n### Is the Shark FlexStyle like a Dyson Airwrap?\n\nIt is the closest-format alternative: both use the Coanda effect to wrap hair around a curling barrel. The attachments, power and heat settings differ; see our side-by-side comparison. We have not tested either device.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/tools\n"},{"url":"https://thecastindex.com/beauty/shiseido-synchro-skin-radiant-lifting-foundation","markdownUrl":"https://thecastindex.com/beauty/shiseido-synchro-skin-radiant-lifting-foundation.md","title":"Shiseido Synchro Skin Radiant Lifting Foundation","lastmod":"2026-07-15","sha256":"1220f48ca772b3a698ac7961f786731f563b6fe050978d4f2c45d4c7349abc75","bytes":3644,"markdown":"# Shiseido Synchro Skin Radiant Lifting Foundation\n\n> Shiseido lists 30 shades across five depth levels and describes a radiant, weightless finish.\n\n- Canonical: https://thecastindex.com/beauty/shiseido-synchro-skin-radiant-lifting-foundation\n- Category: Complexion\n- Format: Liquid foundation\n- Finish: Radiant\n- Best for: Buildable, luminous complexion\n- Official: https://www.shiseido.co.uk/gb/en/shiseido-synchro-skin-radiant-lifting-foundation-729238217850.html\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe polished-skin option: coverage without losing the light-reflective finish central to modern runway complexion.\n\n## The formula\n\nShiseido builds this foundation around Light-Adjusting Technology, a finish engineered to catch and reflect ambient light so fine lines and texture soften on camera and in daylight rather than sitting flat on the skin. Bio-Hyaluronic Acid and safflower extract carry the moisture and smoothing work, while a NatureSurge Complex is formulated to absorb pollutants and suppress oxidation, and a Profense CEL complex targets early wrinkle formation and uneven tone — both claims tested in vitro by the brand.\n\nThe base itself blends argan oil and glycerin with radiant microcrystals, luminous pearls and optical filters, aiming for medium-to-full, buildable coverage that reads as skin rather than mask. The formula carries SPF 30, but foundation is typically applied too thinly and unevenly to replace a dedicated, adequately applied sunscreen.\n\n## The shade range\n\nShiseido lists 30 shades on its own site, spanning five depth bands — Fair (Alabaster, Ivory, Opal, Porcelaine, Lace, Shell), Light, Light-Medium, Medium, Tan and Deep (Suede, Rosewood, Henna, Mahogany, Jasper, Obsidian) — with balanced, golden, rose, reddish and olive undertone options built in rather than treated as an afterthought. Individual retailers may carry only a subset at any given time, so the full range is best checked directly on Shiseido’s own site.\n\n## Why it’s in the edit\n\nThis is the Beauty Desk’s reference point for a polished, lifted base that still reads as skin under runway and studio lighting. The reflective finish is designed for changing light rather than a flat matte effect. Shiseido reports wear and hydration testing with small participant groups; those manufacturer studies are useful context, not an independent Cast Index product test.\n\n## How to use it\n\n1. Shake the bottle before use to remix the formula\n2. Dispense by pressing down on the pump\n3. Apply over a dedicated sunscreen; do not rely on foundation alone for the labelled SPF protection\n4. Avoid direct application to the eye area\n\n## Questions and answers\n\n### How many shades does Shiseido Synchro Skin Radiant Lifting Foundation come in?\n\nShiseido lists 30 shades on its official site, across five depth ranges from Fair through Deep, with balanced, golden, rose, reddish and olive undertone options.\n\n### Does Shiseido Synchro Skin Radiant Lifting Foundation contain SPF?\n\nYes, it is labelled SPF 30. Foundation is usually applied too thinly and unevenly to substitute for dedicated sunscreen, so use it as makeup rather than your only sun-protection step.\n\n### Is Shiseido Synchro Skin Radiant Lifting Foundation suitable for sensitive skin?\n\nThe brand describes it as fragrance-free, non-comedogenic and dermatologist-tested. Those labels do not guarantee compatibility with every sensitivity, so check the current ingredient list and patch test where appropriate.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/skin","markdownUrl":"https://thecastindex.com/beauty/skin.md","title":"Shop by skin type and concern","lastmod":"2026-10-01","sha256":"18b4fa1005cf04389b968abfe2b9808c819a86b34113ad904e3e5e887a2c41da","bytes":4067,"markdown":"# Shop by skin type and concern\n\n> Source: https://thecastindex.com/beauty/skin — brand claims checked 2026-10-01\n\nA product appears on a hub only where its own brand (product page, or an authorised UK retailer listing carrying the brand's copy) says it suits that skin type or names that concern. Each claim is quoted and linked. \"All skin types\" on its own does not qualify. Advice is sourced to the British Skin Foundation, the British Association of Dermatologists, the NHS and the American Academy of Dermatology. General information, not medical advice.\n\n## Skin types\n\n- [Oily skin](https://thecastindex.com/beauty/skin/oily-skin) — 12 products. Oily skin produces excess sebum and can look shiny by the end of the day, the British Skin Foundation explains. Dermatologists suggest a gentle foaming cleanser up to twice a day, lighter gel or lotion moisturisers, and products labelled oil-free and non-comedogenic. Below are products whose brands say they suit oily skin or target excess oil.\n- [Dry skin](https://thecastindex.com/beauty/skin/dry-skin) — 16 products. Dry skin produces less sebum and can feel tight or flaky, the British Skin Foundation explains. Dermatologists suggest short, warm showers, a gentle fragrance-free cleanser and creams or ointments with ingredients such as ceramides, hyaluronic acid, glycerin or petrolatum. Below are products whose brands say they suit dry skin.\n- [Combination skin](https://thecastindex.com/beauty/skin/combination-skin) — 9 products. Combination skin produces too much sebum in some areas, usually the forehead and nose, while other areas are normal or dry, the British Skin Foundation explains. Dermatologists suggest treating the zones differently: moisturise the dry spots, go lighter where you are oily. Below are products whose brands say they suit combination skin.\n- [Sensitive skin](https://thecastindex.com/beauty/skin/sensitive-skin) — 21 products. People with sensitive skin may feel burning or itching after applying products and may develop a rash, the British Skin Foundation says. It suggests avoiding harsh products, choosing fragrance-free formulas and trying anything new on the forearm for a few days first. Below are products whose brands say they suit sensitive skin.\n- [Acne-prone & blemish-prone skin](https://thecastindex.com/beauty/skin/acne-prone-skin) — 7 products. For acne-prone skin, the NHS suggests washing twice a day with a gentle cleanser, removing make-up at night and choosing non-comedogenic products, which will not clog pores. Cosmetics are not acne treatments: a pharmacist or GP can help if spots persist. Below are products whose brands say they suit acne-prone or blemish-prone skin.\n- [Mature skin](https://thecastindex.com/beauty/skin/mature-skin) — 12 products. As we age, skin becomes drier and fine lines appear, the American Academy of Dermatology notes. It calls sunscreen and moisturiser the two most effective anti-ageing products, suggests a cream moisturiser from perimenopause or 50, and advises tackling one concern at a time. Below are products whose brands name mature skin or visible signs of ageing.\n\n## Concerns\n\n- [Dark spots & uneven tone](https://thecastindex.com/beauty/skin/dark-spots-uneven-tone) — 13 products. Sunscreen comes first: the American Academy of Dermatology says treating dark spots begins with daily broad-spectrum SPF 30 or higher, ideally tinted with iron oxide. It lists azelaic acid, glycolic acid, retinoids and vitamin C as ingredients that can fade spots, usually over six to 12 months. Below are products whose brands target dark spots or uneven tone.\n- [Pores & texture](https://thecastindex.com/beauty/skin/pores-and-texture) — 13 products. Pores look larger when they are clogged, when skin is oily and when sun damage reduces firmness, the American Academy of Dermatology explains. It suggests non-comedogenic products, cleansing twice a day with warm water, salicylic acid or retinol, gentle exfoliation and daily sunscreen. Below are products whose brands target the look of pores or texture.\n"},{"url":"https://thecastindex.com/beauty/skin/acne-prone-skin","markdownUrl":"https://thecastindex.com/beauty/skin/acne-prone-skin.md","title":"Skincare and make-up for acne-prone skin","lastmod":"2026-10-01","sha256":"ed085c667f7e0a1820e12e91ef9d640882c408a0c50f9e440821252d45d68ad8","bytes":6127,"markdown":"# Skincare and make-up for acne-prone skin\n\n> Source: https://thecastindex.com/beauty/skin/acne-prone-skin — brand claims checked 2026-10-01\n\n## What suits acne-prone skin?\n\nFor acne-prone skin, the NHS suggests washing twice a day with a gentle cleanser, removing make-up at night and choosing non-comedogenic products, which will not clog pores. Cosmetics are not acne treatments: a pharmacist or GP can help if spots persist. Below are products whose brands say they suit acne-prone or blemish-prone skin.\n\n## What to look for\n\n- **Non-comedogenic, oil-free labels.** The NHS suggests skincare and make-up labelled non-comedogenic. For make-up, the American Academy of Dermatology looks for “oil-free”, “won’t clog pores” or “non-comedogenic” on the pack.\n- **A gentle cleanser, twice a day.** The NHS advises washing twice a day with a gentle cleanser and not scrubbing, which can make acne worse.\n- **Niacinamide, with realistic expectations.** The Ordinary describes its Niacinamide 10% + Zinc 1% as a serum for blemish-prone skin. It is a cosmetic, not an acne treatment; our guide covers what the ingredient does. [Niacinamide, explained](https://thecastindex.com/beauty/ingredients/niacinamide)\n- **A mild chemical exfoliant, if any.** People with acne-prone skin may prefer a washcloth and a mild chemical exfoliator to scrubs, according to the American Academy of Dermatology. [AHA and BHA acids, explained](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n\n## What to avoid, and when to patch test\n\n- **Picking and scrubbing.** The NHS warns against picking or squeezing spots, which can cause scars, and against scrubbing the skin.\n- **Sleeping in make-up.** Remove make-up, including eye make-up, before bed, and clean make-up brushes every week, the American Academy of Dermatology advises.\n- **Products that seem to cause breakouts.** The American Academy of Dermatology suggests stopping any cosmetic, such as a foundation, blush or concealer, that appears to cause breakouts.\n- **Waiting too long for help.** A pharmacist can advise on over-the-counter treatments; the NHS suggests seeing a GP if they have not worked, if spots are severe, or if acne is affecting how you feel.\n\n## Products whose brands say they suit acne-prone & blemish-prone skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [The Ordinary Niacinamide 10% + Zinc 1%](https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1) — \"A universal serum for blemish-prone skin that smooths, brightens, and supports.\" ([The Ordinary UK](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html))\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence) — \"suitable for all skin types, including sensitive and acne-prone skin\" ([COSRX](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence))\n- [ILIA Sun Serum Mineral Sunscreen SPF 50](https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50) — \"Is this sunscreen suitable for sensitive or breakout-prone skin? Yes, Sun Serum is safe for sensitive skin, non-comedogenic … and formulated without fragrance.\" ([ILIA Beauty](https://iliabeauty.com/products/sun-serum-mineral-sunscreen-spf-50))\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation) — \"Is this good for oily skin or acne-prone skin? Yes, Pro Filt’r Fluid Flex Foundation is non-comedogenic and reduces surface oil and mattifies skin for up to 12 hours.\" ([Fenty Beauty UK](https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w))\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion) — \"Breathable, non-cakey texture suitable for sensitive and acne-prone skin.\" ([TIRTIR](https://tirtir.global/products/mask-fit-red-cushion))\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) — \"for all skin types, including sensitive and acne-prone skin\" ([Milk Makeup](https://milkmakeup.com/products/hydro-grip-gel-concealer))\n- [Merit Flush Balm](https://thecastindex.com/beauty/merit-flush-balm) — \"safe for sensitive and acne-prone skin\" ([Merit Beauty](https://www.meritbeauty.com/products/flush-balm))\n\n## Questions\n\n### What make-up is best for acne-prone skin?\n\nMake-up labelled oil-free, “won’t clog pores” or non-comedogenic, as the American Academy of Dermatology suggests, removed every night. On this page, Milk Makeup, Merit and TIRTIR each say their product suits acne-prone skin.\n\n### Is niacinamide good for acne?\n\nThe Ordinary describes its Niacinamide 10% + Zinc 1% as “a universal serum for blemish-prone skin”. We list it as a cosmetic, not an acne treatment: for acne itself, the NHS suggests asking a pharmacist about treatments and seeing a GP if they do not work.\n\n### Does non-comedogenic mean a product won’t cause spots?\n\nNot with certainty. The NHS explains non-comedogenic means a product will not clog pores; it is a manufacturer label. The American Academy of Dermatology suggests stopping any cosmetic that seems to cause breakouts.\n\n### How do you decide which products suit acne-prone skin?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, says it suits acne-prone, blemish-prone or breakout-prone skin. Each claim is quoted with a link to where we read it. None is presented as an acne treatment.\n\n## Sources\n\n- [NHS — Acne](https://www.nhs.uk/conditions/acne/)\n- [American Academy of Dermatology — Is it okay to wear makeup if you have acne?](https://www.aad.org/public/diseases/acne/causes/makeup)\n- [American Academy of Dermatology — How to safely exfoliate at home](https://www.aad.org/public/everyday-care/skin-care-secrets/routine/safely-exfoliate-at-home)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/combination-skin","markdownUrl":"https://thecastindex.com/beauty/skin/combination-skin.md","title":"Skincare and make-up for combination skin","lastmod":"2026-10-01","sha256":"33dd1c374876b7a2cf7416f1ca532eccaf27d010d77be7d3c688da64d8943f01","bytes":6193,"markdown":"# Skincare and make-up for combination skin\n\n> Source: https://thecastindex.com/beauty/skin/combination-skin — brand claims checked 2026-10-01\n\n## What suits combination skin?\n\nCombination skin produces too much sebum in some areas, usually the forehead and nose, while other areas are normal or dry, the British Skin Foundation explains. Dermatologists suggest treating the zones differently: moisturise the dry spots, go lighter where you are oily. Below are products whose brands say they suit combination skin.\n\n## What to look for\n\n- **Different products for different zones.** The British Skin Foundation suggests applying different products to different areas of the face. The American Academy of Dermatology puts it as treating your face as though it is two faces.\n- **Light, non-comedogenic textures for the T-zone.** The British Skin Foundation’s advice for oily skin — lighter gels or lotions rather than thick products — suits oilier areas, and the American Academy of Dermatology suggests products labelled oil-free and non-comedogenic.\n- **Humectants for drier areas.** Hyaluronic acid, urea and glycerine are among the ingredients the British Skin Foundation lists for dry skin. [Hyaluronic acid, explained](https://thecastindex.com/beauty/ingredients/hyaluronic-acid)\n- **A light daily sunscreen.** For oilier skin, the American Academy of Dermatology suggests a broad-spectrum SPF 30 or higher without added fragrance or oils. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n\n## What to avoid, and when to patch test\n\n- **A harsh face wash.** A cleanser that is too harsh can irritate skin and trigger more oil, the American Academy of Dermatology warns. Choose a mild, gentle one.\n- **One heavy cream everywhere.** The American Academy of Dermatology suggests moisturising the dry spots and skipping, or going lighter on, the oily areas.\n- **Changing everything at once.** Finding the right routine takes patience, the British Skin Foundation notes. Add one product at a time and patch test it first.\n\n## Products whose brands say they suit combination skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum) — \"Skin Type: Dry, Combination\" ([Medicube (US)](https://medicube.us/products/rose-pdrn-pink-peptide-serum))\n- [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) — \"great for all skin types, including combination, oily skin\" ([Geek & Gorgeous](https://geekgorgeous.co.uk/products/a-game-10))\n- [Beauty of Joseon Daily Relief Sunscreen SPF 40](https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen) — \"suitable for all skin types, including dry, oily, and combination\" ([Beauty of Joseon (US product information page)](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us))\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion) — \"the hydrating formula with hyaluronic acid provides moisture balance, making it perfect for dry or combination skin types\" ([TIRTIR](https://tirtir.global/products/mask-fit-red-cushion))\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50) — \"designed for oily, normal/combination, dry skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50))\n- [e.l.f. Cosmetics Halo Glow Liquid Filter](https://thecastindex.com/beauty/elf-halo-glow-liquid-filter) — \"Great for: dry, oily, and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-liquid-filter))\n- [e.l.f. Cosmetics Hydrating Camo Concealer](https://thecastindex.com/beauty/elf-hydrating-camo-concealer) — \"Great for: Oily, Dry, and Combination Skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer))\n- [e.l.f. Cosmetics Camo Liquid Blush](https://thecastindex.com/beauty/elf-camo-liquid-blush) — \"Great for: Dry, oily and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/camo-liquid-blush))\n- [Laura Mercier Translucent Loose Setting Powder](https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder) — \"Suitable for all skin types, including oily skin, dry skin, and combination skin\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/translucent-loose-setting-powder))\n\n## Questions\n\n### What is combination skin?\n\nSkin that produces too much sebum in some areas, often the forehead and nose (the T-zone), while other areas are normal or dry, as the British Skin Foundation defines it.\n\n### What moisturiser suits combination skin?\n\nOften two textures. The American Academy of Dermatology suggests treating the face as though it is two faces: moisturise the dry spots and skip or go lighter on the oily areas.\n\n### Which skin tint suits combination skin?\n\nIn our catalogue, e.l.f. says Halo Glow Skin Tint SPF 50 is designed for oily, normal/combination and dry skin. Our best skin tints guide compares four tints by finish, shade range and UK SPF label.\n\n### How do you decide which products suit combination skin?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, names combination skin. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [British Skin Foundation — Identifying your skin type (Dr Jonathan Kentley, 2026)](https://www.britishskinfoundation.org.uk/resources/identifying-your-skin-type-a-guide-by-dr-jonathan-kentley)\n- [American Academy of Dermatology — How to pick the right moisturizer for your skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/pick-moisturizer)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/dark-spots-uneven-tone","markdownUrl":"https://thecastindex.com/beauty/skin/dark-spots-uneven-tone.md","title":"Skincare and make-up for dark spots and uneven tone","lastmod":"2026-10-01","sha256":"15961e0ce9df5197b7547498a4de0ddf7bc53829797bfcaf1f4ad7bbdf194e22","bytes":7981,"markdown":"# Skincare and make-up for dark spots and uneven tone\n\n> Source: https://thecastindex.com/beauty/skin/dark-spots-uneven-tone — brand claims checked 2026-10-01\n\n## What helps dark spots and uneven skin tone?\n\nSunscreen comes first: the American Academy of Dermatology says treating dark spots begins with daily broad-spectrum SPF 30 or higher, ideally tinted with iron oxide. It lists azelaic acid, glycolic acid, retinoids and vitamin C as ingredients that can fade spots, usually over six to 12 months. Below are products whose brands target dark spots or uneven tone.\n\n## What to look for\n\n- **Daily sunscreen, ideally tinted.** The American Academy of Dermatology recommends a tinted sunscreen with iron oxide — broad-spectrum, SPF 30 or higher, water-resistant — because visible light is also a cause of dark spots. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n- **Vitamin C.** Named by the American Academy of Dermatology among ingredients that can fade dark spots. [Vitamin C, explained](https://thecastindex.com/beauty/ingredients/vitamin-c)\n- **Retinoids.** Retinol and other retinoids are on the same list. Introduce them gradually and wear sunscreen by day. [Retinol and retinal, explained](https://thecastindex.com/beauty/ingredients/retinoids)\n- **Glycolic acid.** Also on the American Academy of Dermatology’s list. The Ordinary’s directions for its glycolic toner include a sunburn alert, so follow the brand’s directions and wear sunscreen. [AHA and BHA acids, explained](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n\n## What to avoid, and when to patch test\n\n- **Unverified “lightening” products.** The American Academy of Dermatology warns against products containing hidden steroids or mercury, and against ever using liquid bleach on skin.\n- **Expecting overnight results.** A spot a few shades darker than your natural skin colour usually fades within six to 12 months; deeper colour can take years, according to the American Academy of Dermatology.\n- **Stacking actives.** Focus on one concern at a time; several new products within a few days or weeks can irritate the skin, the American Academy of Dermatology advises.\n- **Confusing cover with care.** Make-up listed here conceals the look of dark spots while you wear it; it does not change the spots. Skincare claims are the brands’ own.\n\n## Products whose brands say they suit dark spots & uneven tone\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c) — \"Skin Concern: Pigmentation, Dark spots\" ([Beauty of Joseon](https://beautyofjoseon.com/products/light-on-serum-centella-vita-c))\n- [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra) — \"works to visibly brighten uneven skin tone and reduce the look of fine lines and wrinkles\" ([Medik8](https://www.medik8.com/products/c-tetra))\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic) — \"Over time, the potent formula helps improve the look of fine lines, uneven tone, and visible firmness.\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/))\n- [The Ordinary Vitamin C Suspension 23% + HA Spheres 2%](https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2) — \"Targets: Dullness, Antioxidant Support, Signs of Aging, Uneven Skin Tone\" ([The Ordinary UK](https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html))\n- [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion) — \"a very high strength retinoid formula that rapidly firms and smooths skin, while noticeably reducing the appearance of dark spots\" ([The Ordinary UK](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html))\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal) — \"effectively targets the appearance of fine lines and wrinkles, hyperpigmentation, uneven skin texture and loss of firmness\" ([Medik8](https://www.medik8.com/products/crystal-retinal))\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum) — \"Improves appearance of uneven skin texture and tone\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/la-roche-posay-retinol-b3-anti-wrinkle-anti-ageing-serum-with-retinol-and-vitamin-b3-suitable-for-sensitive-skin-30ml/12382710/))\n- [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) — \"Skin concern: lines & wrinkles, loss of firmness, uneven skin, pigmentation, dullness, lack of radiance\" ([Geek & Gorgeous](https://geekgorgeous.co.uk/products/a-game-10))\n- [The Ordinary Glycolic Acid 7% Exfoliating Toner](https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner) — \"A daily glycolic acid toner that smooths skin texture, evens tone, and enhances luminosity.\" ([The Ordinary UK](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html))\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum) — \"This advanced glow serum addresses uneven skin tone and enhances skin elasticity\" ([Medicube (US)](https://medicube.us/products/rose-pdrn-pink-peptide-serum))\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence) — \"Post-breakout marks: Helps improve the looks of spots and evens skin tone\" ([COSRX](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence))\n- [NARS Light Reflecting Foundation](https://thecastindex.com/beauty/nars-light-reflecting-foundation) — \"helps conceal blemishes, dark spots, and redness\" ([NARS UK](https://www.narscosmetics.co.uk/en/light-reflecting%E2%84%A2-foundation/999NAC0000141.html))\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) — \"blends in seamlessly to cover dark circles, blemishes, and hyperpigmentation\" ([Milk Makeup](https://milkmakeup.com/products/hydro-grip-gel-concealer))\n\n## Questions\n\n### How long do dark spots take to fade?\n\nA spot a few shades darker than your natural skin colour usually fades within six to 12 months, according to the American Academy of Dermatology. Colour that lies deeper in the skin can take years.\n\n### Do I need sunscreen if I am treating dark spots?\n\nYes. The American Academy of Dermatology says effective treatment begins with sunscreen, ideally a tinted one with iron oxide, broad-spectrum and SPF 30 or higher.\n\n### Can make-up cover dark spots?\n\nYes, while you wear it. NARS says Light Reflecting Foundation “helps conceal blemishes, dark spots, and redness”, and Milk Makeup says Hydro Grip Gel Concealer covers hyperpigmentation. Concealing changes how spots look, not the spots themselves.\n\n### How do you decide which products target dark spots?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, names dark spots, pigmentation or uneven tone. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [American Academy of Dermatology — How to fade dark spots in darker skin tones](https://www.aad.org/public/everyday-care/skin-care-secrets/routine/fade-dark-spots)\n- [American Academy of Dermatology — How to select anti-aging skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/selecting-anti-aging-products)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/dry-skin","markdownUrl":"https://thecastindex.com/beauty/skin/dry-skin.md","title":"Skincare and make-up for dry skin","lastmod":"2026-10-01","sha256":"070df2c7d2395152ea4d457965cfa24fadf039ea89866d66998798b3f596c4ee","bytes":8907,"markdown":"# Skincare and make-up for dry skin\n\n> Source: https://thecastindex.com/beauty/skin/dry-skin — brand claims checked 2026-10-01\n\n## What suits dry skin?\n\nDry skin produces less sebum and can feel tight or flaky, the British Skin Foundation explains. Dermatologists suggest short, warm showers, a gentle fragrance-free cleanser and creams or ointments with ingredients such as ceramides, hyaluronic acid, glycerin or petrolatum. Below are products whose brands say they suit dry skin.\n\n## What to look for\n\n- **Ceramides.** The British Skin Foundation lists ceramides and emollients among the ingredients to seek out for dry skin. [Ceramides, explained](https://thecastindex.com/beauty/ingredients/ceramides)\n- **Humectants such as hyaluronic acid.** Hyaluronic acid, urea and glycerine appear on the British Skin Foundation’s list for dry skin; the American Academy of Dermatology adds glycerin, lactic acid and dimethicone. [Hyaluronic acid, explained](https://thecastindex.com/beauty/ingredients/hyaluronic-acid)\n- **Creams and ointments over lotions.** Creams add more moisture and preserve more water than lotions, and ointments more still, according to the American Academy of Dermatology. It also names petrolatum, shea butter, lanolin and mineral oil.\n- **Moisturise often, on damp skin.** The American Academy of Dermatology suggests applying moisturiser frequently, especially while skin is still damp.\n\n## What to avoid, and when to patch test\n\n- **Fragrance and alcohol.** The American Academy of Dermatology suggests stopping products that contain alcohol or fragrance, and choosing fragrance-free rather than “unscented”, which can still contain masking chemicals.\n- **Drying actives, all at once.** Retinoids are on the American Academy of Dermatology’s list of products that can worsen dry skin, and the British Skin Foundation suggests introducing potentially drying ingredients slowly. [Retinol and retinal, explained](https://thecastindex.com/beauty/ingredients/retinoids)\n- **Long, hot showers.** Limit baths and showers to five to ten minutes in warm water, then pat skin dry, as the American Academy of Dermatology advises.\n- **Patch test first.** Try a new product on a small area such as the forearm for a few days before using it on the face, as the British Skin Foundation suggests.\n\n## Products whose brands say they suit dry skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [CeraVe Hydrating Facial Cleanser](https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser) — \"Suitable for normal to dry skin\" ([CeraVe UK](https://www.cerave.co.uk/skincare/cleansers/hydrating-cleanser))\n- [CeraVe Moisturising Lotion](https://thecastindex.com/beauty/cerave-moisturising-lotion) — \"Lightweight lotion for normal to dry skin\" ([CeraVe UK](https://www.cerave.co.uk/skincare/moisturisers/moisturising-lotion))\n- [The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)](https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides) — \"How does Hyaluronic Acid 2% + B5 Serum (with Ceramides) benefit dry skin? We formulated our Hyaluronic Acid 2% + B5 Serum (with Ceramides) to deeply penetrate the skin’s surface layers, providing intense hydration.\" ([The Ordinary UK](https://theordinary.com/en-gb/hyaluronic-acid-2-b5-serum-with-ceramides-769915233506.html))\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence) — \"Dry & dehydrated skin: For anyone struggling with dryness or tightness.\" ([COSRX](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence))\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum) — \"Skin Type: Dry, Combination\" ([Medicube (US)](https://medicube.us/products/rose-pdrn-pink-peptide-serum))\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic) — \"Designed for normal to dry skin\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/))\n- [Aquaphor Healing Ointment](https://thecastindex.com/beauty/aquaphor-healing-ointment) — \"this multi-purpose ointment protects and soothes extremely dry skin\" ([Aquaphor](https://www.aquaphorus.com/products/aquaphor-repairing-ointment/aquaphor-healing-ointment-1,-d-,75oz))\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum) — \"Skin Type: Sensitive, Normal, Dry\" ([SKIN1004](https://www.skin1004.com/products/hyalu-cica-water-fit-sun-serum-spf50-pa?country=GB))\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide) — \"Perfect for skin types in need of a moisture boost\" ([Beauty of Joseon UK](https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP))\n- [Beauty of Joseon Daily Relief Sunscreen SPF 40](https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen) — \"suitable for all skin types, including dry, oily, and combination\" ([Beauty of Joseon (US product information page)](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us))\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion) — \"the hydrating formula with hyaluronic acid provides moisture balance, making it perfect for dry or combination skin types\" ([TIRTIR](https://tirtir.global/products/mask-fit-red-cushion))\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50) — \"designed for oily, normal/combination, dry skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50))\n- [e.l.f. Cosmetics Halo Glow Liquid Filter](https://thecastindex.com/beauty/elf-halo-glow-liquid-filter) — \"Great for: dry, oily, and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-liquid-filter))\n- [e.l.f. Cosmetics Hydrating Camo Concealer](https://thecastindex.com/beauty/elf-hydrating-camo-concealer) — \"Great for: Oily, Dry, and Combination Skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer))\n- [e.l.f. Cosmetics Camo Liquid Blush](https://thecastindex.com/beauty/elf-camo-liquid-blush) — \"Great for: Dry, oily and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/camo-liquid-blush))\n- [Laura Mercier Translucent Loose Setting Powder](https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder) — \"Suitable for all skin types, including oily skin, dry skin, and combination skin\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/translucent-loose-setting-powder))\n\n## Questions\n\n### Is a cream or a lotion better for dry skin?\n\nA cream, or an ointment for very dry areas. The American Academy of Dermatology says creams add more moisture and preserve more water than lotions, and ointments even more so.\n\n### Is hyaluronic acid good for dry skin?\n\nIt is one of the ingredients the British Skin Foundation and the American Academy of Dermatology list for dry skin. The Ordinary’s Hyaluronic Acid 2% + B5 and CeraVe’s Moisturising Lotion, both on this page, contain it.\n\n### Can I use retinol if my skin is dry?\n\nGo slowly. The American Academy of Dermatology lists retinoids among products that can worsen dry skin, and the British Skin Foundation suggests introducing potentially drying ingredients gradually. Follow the brand’s directions and moisturise.\n\n### How do you decide which products suit dry skin?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, says it suits dry skin. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [British Skin Foundation — Identifying your skin type (Dr Jonathan Kentley, 2026)](https://www.britishskinfoundation.org.uk/resources/identifying-your-skin-type-a-guide-by-dr-jonathan-kentley)\n- [American Academy of Dermatology — Dermatologists’ top tips for relieving dry skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/dermatologists-tips-relieve-dry-skin)\n- [American Academy of Dermatology — How to pick the right moisturizer for your skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/pick-moisturizer)\n- [American Academy of Dermatology — How to safely exfoliate at home](https://www.aad.org/public/everyday-care/skin-care-secrets/routine/safely-exfoliate-at-home)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/mature-skin","markdownUrl":"https://thecastindex.com/beauty/skin/mature-skin.md","title":"Skincare and make-up for mature skin","lastmod":"2026-10-01","sha256":"4ca7da6885ea1a8772a783a94f8b05381039219564b61c10d8a6f649b5cbe490","bytes":8736,"markdown":"# Skincare and make-up for mature skin\n\n> Source: https://thecastindex.com/beauty/skin/mature-skin — brand claims checked 2026-10-01\n\n## What suits mature skin?\n\nAs we age, skin becomes drier and fine lines appear, the American Academy of Dermatology notes. It calls sunscreen and moisturiser the two most effective anti-ageing products, suggests a cream moisturiser from perimenopause or 50, and advises tackling one concern at a time. Below are products whose brands name mature skin or visible signs of ageing.\n\n## What to look for\n\n- **Daily broad-spectrum sunscreen.** Sun protection is the foundation of every anti-ageing plan, the American Academy of Dermatology says: broad-spectrum, SPF 30 or higher and water-resistant, every day. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n- **A cream moisturiser.** Perimenopausal people and everyone over 50 should use a cream-based moisturiser, according to the American Academy of Dermatology. [Ceramides, explained](https://thecastindex.com/beauty/ingredients/ceramides)\n- **Retinoids, introduced gradually.** Every retinoid on this page comes with brand directions for evening use, a gradual start and sunscreen by day. Our guide explains retinol versus retinal. [Retinol and retinal, explained](https://thecastindex.com/beauty/ingredients/retinoids)\n- **Vitamin C and peptides.** Both appear in products below. Read what each ingredient does, and how strong the evidence is, before adding it. [Vitamin C, explained](https://thecastindex.com/beauty/ingredients/vitamin-c)\n\n## What to avoid, and when to patch test\n\n- **Several new actives at once.** Using more than one anti-ageing product within a few days or weeks can irritate the skin, the American Academy of Dermatology warns. Focus on one concern, such as wrinkles or dark spots.\n- **Exaggerated promises.** Anti-ageing products deliver modest results, and promises such as looking ten years younger overnight are too good to be true, according to the American Academy of Dermatology.\n- **Retinoids in pregnancy.** The NHS advises against topical retinoids in pregnancy, and brands including Medik8 and Geek & Gorgeous direct against vitamin A use while pregnant.\n- **Skipping the patch test.** Try a new active on the underside of the arm twice a day for seven to ten days first, as the American Academy of Dermatology suggests.\n\n## Products whose brands say they suit mature skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum) — \"A retinol and vitamin B3 serum to reduce the look of fine lines and promote a visibly radiant and refined complexion.\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/la-roche-posay-retinol-b3-anti-wrinkle-anti-ageing-serum-with-retinol-and-vitamin-b3-suitable-for-sensitive-skin-30ml/12382710/))\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal) — \"effectively targets the appearance of fine lines and wrinkles, hyperpigmentation, uneven skin texture and loss of firmness\" ([Medik8](https://www.medik8.com/products/crystal-retinal))\n- [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion) — \"Targets: Advanced Signs of Aging, Textural Irregularities, Uneven Skin Tone\" ([The Ordinary UK](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html))\n- [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) — \"Skin concern: lines & wrinkles, loss of firmness, uneven skin, pigmentation, dullness, lack of radiance\" ([Geek & Gorgeous](https://geekgorgeous.co.uk/products/a-game-10))\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic) — \"Over time, the potent formula helps improve the look of fine lines, uneven tone, and visible firmness.\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/))\n- [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra) — \"works to visibly brighten uneven skin tone and reduce the look of fine lines and wrinkles\" ([Medik8](https://www.medik8.com/products/c-tetra))\n- [The Ordinary Vitamin C Suspension 23% + HA Spheres 2%](https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2) — \"to help visibly reduce signs of aging by brightening and balancing uneven skin tone\" ([The Ordinary UK](https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html))\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum) — \"Skin Concerns: Loss of Firmness, Dryness, Dullness, Uneven Skin\" ([Medicube (US)](https://medicube.us/products/rose-pdrn-pink-peptide-serum))\n- [Charlotte Tilbury Airbrush Flawless Foundation](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation) — \"PHYTOYOUTH ESSENCE™: Targets signs of ageing and hydrates for up to 24 hours\" ([Charlotte Tilbury UK](https://www.charlottetilbury.com/uk/product/airbrush-flawless-foundation-shade-4-neutral))\n- [Shiseido Synchro Skin Radiant Lifting Foundation](https://thecastindex.com/beauty/shiseido-synchro-skin-radiant-lifting-foundation) — \"Light-Adjusting™ Technology instantly adapts and responds to every light source to smooth and diffuse fine lines and create a luminous, lifted effect on the skin\" ([Shiseido UK](https://www.shiseido.co.uk/gb/en/shiseido-synchro-skin-radiant-lifting-foundation-729238217850.html))\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation) — \"Will this settle into fine lines or wrinkles on mature skin? Pro Filt’r Fluid Flex Foundation resists creasing, cracking + settling, so you can look smooth all day.\" ([Fenty Beauty UK](https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w))\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) — \"Won’t settle into fine lines\" ([Milk Makeup](https://milkmakeup.com/products/hydro-grip-gel-concealer))\n\n## Questions\n\n### What is the best anti-ageing product for mature skin?\n\nSunscreen and moisturiser, according to the American Academy of Dermatology, which calls them the two most effective anti-ageing products you can buy. Add other actives one at a time.\n\n### What foundation suits mature skin?\n\nAsked about fine lines on mature skin, Fenty Beauty says Pro Filt’r Fluid Flex “resists creasing, cracking + settling”, and Milk Makeup says Hydro Grip Gel Concealer “won’t settle into fine lines”. The American Academy of Dermatology suggests a cream moisturiser underneath from perimenopause onwards.\n\n### Should I use retinol or retinal for mature skin?\n\nBoth are vitamin A derivatives sold without prescription; our retinoids guide explains the difference. La Roche-Posay, Medik8, The Ordinary and Geek & Gorgeous all direct evening use, a gradual start and sunscreen by day.\n\n### How do you decide which products suit mature skin?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, names mature skin or visible signs of ageing such as fine lines, wrinkles or loss of firmness. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [American Academy of Dermatology — Skin care in your 40s and 50s](https://www.aad.org/public/everyday-care/skin-care-basics/care/skin-care-in-your-40s-and-50s)\n- [American Academy of Dermatology — How to select anti-aging skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/selecting-anti-aging-products)\n- [American Academy of Dermatology — How to pick the right moisturizer for your skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/pick-moisturizer)\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol)\n- [NHS — Acne treatment (topical retinoids and pregnancy)](https://www.nhs.uk/conditions/acne/treatment/)\n- [American Academy of Dermatology — How to test skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/prevent-skin-problems/test-skin-care-products)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/oily-skin","markdownUrl":"https://thecastindex.com/beauty/skin/oily-skin.md","title":"Skincare and make-up for oily skin","lastmod":"2026-10-01","sha256":"5009c91e32732a314f65549b55865fce5142153f2ed41afb785138c090e815d3","bytes":8136,"markdown":"# Skincare and make-up for oily skin\n\n> Source: https://thecastindex.com/beauty/skin/oily-skin — brand claims checked 2026-10-01\n\n## What suits oily skin?\n\nOily skin produces excess sebum and can look shiny by the end of the day, the British Skin Foundation explains. Dermatologists suggest a gentle foaming cleanser up to twice a day, lighter gel or lotion moisturisers, and products labelled oil-free and non-comedogenic. Below are products whose brands say they suit oily skin or target excess oil.\n\n## What to look for\n\n- **Oil-free and non-comedogenic labels.** The American Academy of Dermatology suggests cleansers, moisturisers and make-up labelled oil-free and non-comedogenic, and oil-free, water-based make-up with a matte finish. These are manufacturer labels, not guarantees, but they are a sensible first filter. [Best foundations for oily skin](https://thecastindex.com/beauty/best/best-foundations-for-oily-skin)\n- **Lighter textures.** The British Skin Foundation recommends lighter, non-comedogenic oil-free moisturisers — gels or lotions rather than thick creams.\n- **Salicylic, glycolic and lactic acids.** The American Academy of Dermatology lists these acids as ingredients that can reduce oiliness, while warning they may irritate sensitive skin. [AHA and BHA acids, explained](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n- **Niacinamide.** Several products below list niacinamide. Our ingredient guide sets out what it does and how strong the evidence is before you buy. [Niacinamide, explained](https://thecastindex.com/beauty/ingredients/niacinamide)\n- **A light daily sunscreen.** The American Academy of Dermatology suggests broad-spectrum SPF 30 or higher, and sunscreens without added fragrance or oils for oily skin. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n\n## What to avoid, and when to patch test\n\n- **Harsh or oil-based cleansers.** The American Academy of Dermatology advises against oil-based or alcohol-based cleansers and against scrubbing, which irritates skin — and irritated skin can produce more oil.\n- **Skipping moisturiser.** Oily skin still needs moisture, the American Academy of Dermatology says. Swap a heavy cream for a lighter gel or lotion rather than leaving it out.\n- **Sleeping in make-up.** Remove make-up before bed and try not to touch your face through the day, as the American Academy of Dermatology advises.\n- **Patch test new actives.** Before using a new product all over, the American Academy of Dermatology suggests applying it to a quarter-sized spot on the underside of the arm or the bend of the elbow twice a day for seven to ten days.\n\n## Products whose brands say they suit oily skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [The Ordinary Niacinamide 10% + Zinc 1%](https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1) — \"target dullness, uneven texture, and excess oil\" ([The Ordinary UK](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html))\n- [Geek & Gorgeous A-Game 10](https://thecastindex.com/beauty/geek-and-gorgeous-a-game-10) — \"great for all skin types, including combination, oily skin\" ([Geek & Gorgeous](https://geekgorgeous.co.uk/products/a-game-10))\n- [Beauty of Joseon Daily Relief Sunscreen SPF 40](https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen) — \"suitable for all skin types, including dry, oily, and combination\" ([Beauty of Joseon (US product information page)](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us))\n- [Maybelline Fit Me Matte + Poreless Foundation](https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation) — \"Ideal for normal to oily skin\" ([Maybelline UK](https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation))\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation) — \"Is this good for oily skin or acne-prone skin? Yes, Pro Filt’r Fluid Flex Foundation is non-comedogenic and reduces surface oil and mattifies skin for up to 12 hours.\" ([Fenty Beauty UK](https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w))\n- [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free) — \"24+ hour comfortable shine control that improves the appearance of pores\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30))\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50) — \"designed for oily, normal/combination, dry skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-skin-tint-spf-50))\n- [e.l.f. Cosmetics Halo Glow Liquid Filter](https://thecastindex.com/beauty/elf-halo-glow-liquid-filter) — \"Great for: dry, oily, and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/halo-glow-liquid-filter))\n- [e.l.f. Cosmetics Hydrating Camo Concealer](https://thecastindex.com/beauty/elf-hydrating-camo-concealer) — \"Great for: Oily, Dry, and Combination Skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/hydrating-camo-concealer))\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) — \"it works with all skin types, including oily skin\" ([Milk Makeup](https://milkmakeup.com/products/hydro-grip-gel-concealer))\n- [e.l.f. Cosmetics Camo Liquid Blush](https://thecastindex.com/beauty/elf-camo-liquid-blush) — \"Great for: Dry, oily and combination skin\" ([e.l.f. Cosmetics UK](https://www.elfcosmetics.co.uk/products/camo-liquid-blush))\n- [Laura Mercier Translucent Loose Setting Powder](https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder) — \"Provides extended shine control, great for normal to oily skin types\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/translucent-loose-setting-powder))\n\n## Questions\n\n### What is the best foundation for oily skin?\n\nLook for an oil-free, non-comedogenic formula with a matte or natural-matte finish, as the American Academy of Dermatology suggests. Maybelline says Fit Me Matte + Poreless is “ideal for normal to oily skin”; our best foundations for oily skin guide compares five options.\n\n### Should oily skin still use a moisturiser?\n\nYes. The American Academy of Dermatology says oily skin still needs moisture, and the British Skin Foundation suggests lighter, oil-free, non-comedogenic gels or lotions rather than thick creams.\n\n### How often should I wash oily skin?\n\nUp to twice a day and after sweating, using a mild, gentle foaming cleanser without scrubbing, according to the American Academy of Dermatology.\n\n### How do you decide which products suit oily skin?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, says it suits oily skin or targets excess oil or shine. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [British Skin Foundation — Identifying your skin type (Dr Jonathan Kentley, 2026)](https://www.britishskinfoundation.org.uk/resources/identifying-your-skin-type-a-guide-by-dr-jonathan-kentley)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n- [American Academy of Dermatology — How to pick the right moisturizer for your skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/pick-moisturizer)\n- [American Academy of Dermatology — How to test skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/prevent-skin-problems/test-skin-care-products)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/pores-and-texture","markdownUrl":"https://thecastindex.com/beauty/skin/pores-and-texture.md","title":"Skincare and make-up for large pores and texture","lastmod":"2026-10-01","sha256":"f266c4c42d75601b2dd3407f38d88488aeaea5fe1ce31917cbcb1a9bd22e467b","bytes":8065,"markdown":"# Skincare and make-up for large pores and texture\n\n> Source: https://thecastindex.com/beauty/skin/pores-and-texture — brand claims checked 2026-10-01\n\n## What helps large pores and uneven texture?\n\nPores look larger when they are clogged, when skin is oily and when sun damage reduces firmness, the American Academy of Dermatology explains. It suggests non-comedogenic products, cleansing twice a day with warm water, salicylic acid or retinol, gentle exfoliation and daily sunscreen. Below are products whose brands target the look of pores or texture.\n\n## What to look for\n\n- **Non-comedogenic products.** When pores clog, they expand and look more noticeable, so the American Academy of Dermatology suggests only non-comedogenic skincare and make-up.\n- **Salicylic and glycolic acids.** Studies show salicylic acid can unclog pores, and exfoliating may make pores less noticeable, according to the American Academy of Dermatology. [AHA and BHA acids, explained](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n- **Retinol.** If skin is oily or less firm than it was, a product with retinol or retinyl palmitate may help, the American Academy of Dermatology says. [Retinol and retinal, explained](https://thecastindex.com/beauty/ingredients/retinoids)\n- **Niacinamide.** The Ordinary says its niacinamide serum helps reduce the appearance of pores. Read what the evidence supports first. [Niacinamide, explained](https://thecastindex.com/beauty/ingredients/niacinamide)\n- **Daily sunscreen.** Sun damage reduces firmness, which makes pores more noticeable, the American Academy of Dermatology explains. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n\n## What to avoid, and when to patch test\n\n- **Hot water and scrubbing.** Hot water and scrubbing can irritate skin and make pores look larger; the American Academy of Dermatology suggests warm water and a gentle wash.\n- **Over-exfoliating.** Over-exfoliating can leave skin red and irritated, and exfoliating while using retinol may worsen dryness, the American Academy of Dermatology warns. Never exfoliate sunburned skin.\n- **Expecting make-up to change pores.** Blurring primers, powders and foundations change how pores look while you wear them, not the pores themselves.\n\n## Products whose brands say they suit pores & texture\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [COSRX Low pH Good Morning Gel Cleanser](https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser) — \"While refining the skin texture, the cleanser will help cleanse with no stripping.\" ([COSRX](https://www.cosrx.com/products/low-ph-good-morning-gel-cleanser))\n- [The Ordinary Glycolic Acid 7% Exfoliating Toner](https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner) — \"A daily glycolic acid toner that smooths skin texture, evens tone, and enhances luminosity.\" ([The Ordinary UK](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html))\n- [The Ordinary Niacinamide 10% + Zinc 1%](https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1) — \"It also helps reduce the appearance of pores\" ([The Ordinary UK](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html))\n- [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c) — \"A lightweight vitamin C serum with Centella asiatica that helps brighten, target skin texture, and soothe.\" ([Beauty of Joseon](https://beautyofjoseon.com/products/light-on-serum-centella-vita-c))\n- [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion) — \"It helps refine skin texture, while targeting uneven tone and boosting luminosity\" ([The Ordinary UK](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html))\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal) — \"effectively targets the appearance of fine lines and wrinkles, hyperpigmentation, uneven skin texture and loss of firmness\" ([Medik8](https://www.medik8.com/products/crystal-retinal))\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum) — \"Improves appearance of uneven skin texture and tone\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/la-roche-posay-retinol-b3-anti-wrinkle-anti-ageing-serum-with-retinol-and-vitamin-b3-suitable-for-sensitive-skin-30ml/12382710/))\n- [Biodance Bio-Collagen Real Deep Mask](https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask) — \"It refines enlarged pores\" ([Biodance](https://biodance.com/products/biodance-bio-collagen-real-deep-mask))\n- [Maybelline Fit Me Matte + Poreless Foundation](https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation) — \"our exclusive matte foundation formula features micro-powders to control shine and blur pores\" ([Maybelline UK](https://www.maybelline.co.uk/all-products/face-makeup/foundation/fit-me-matte-poreless-foundation))\n- [NARS Light Reflecting Foundation](https://thecastindex.com/beauty/nars-light-reflecting-foundation) — \"instantly blurs imperfections, smooths the look of textured skin and pores\" ([NARS UK](https://www.narscosmetics.co.uk/en/light-reflecting%E2%84%A2-foundation/999NAC0000141.html))\n- [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free) — \"Improves Appearance of Pores from Day 1\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30))\n- [Huda Beauty Easy Bake Loose Baking & Setting Powder](https://thecastindex.com/beauty/huda-beauty-easy-bake-loose-powder) — \"helps to blur the appearance of pores and fine lines\" ([Huda Beauty](https://hudabeauty.com/en-us/products/easy-bake-loose-baking-setting-powder-hb00140m))\n- [Danessa Myricks Beauty Yummy Skin Blurring Balm Powder](https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder) — \"A texture reducing, coverage boosting, blurring balm\" ([Danessa Myricks Beauty](https://danessamyricksbeauty.com/products/yummy-skin-blurring-balm-powder))\n\n## Questions\n\n### Can you shrink large pores?\n\nProducts can make pores look less noticeable. The American Academy of Dermatology lists non-comedogenic products, twice-daily cleansing with warm water, salicylic acid, retinol, gentle exfoliation and daily sunscreen.\n\n### What foundation blurs large pores?\n\nMaybelline says Fit Me Matte + Poreless uses micro-powders to “control shine and blur pores”, NARS says Light Reflecting Foundation “smooths the look of textured skin and pores”, and Laura Mercier’s oil-free tint claims to improve the appearance of pores. These are brand claims.\n\n### Does niacinamide shrink pores?\n\nThe Ordinary says its Niacinamide 10% + Zinc 1% “helps reduce the appearance of pores”, which is a claim about how pores look. Our niacinamide guide sets out the evidence.\n\n### How do you decide which products target pores and texture?\n\nWe list a product here only when its brand, on its own page or a UK retailer listing, names pores or skin texture. Each claim is quoted with a link to where we read it. Suitability is the brand’s own claim, not a verdict from hands-on use.\n\n## Sources\n\n- [American Academy of Dermatology — What can treat large facial pores?](https://www.aad.org/public/everyday-care/skin-care-secrets/face/treat-large-pores)\n- [American Academy of Dermatology — How to safely exfoliate at home](https://www.aad.org/public/everyday-care/skin-care-secrets/routine/safely-exfoliate-at-home)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin/sensitive-skin","markdownUrl":"https://thecastindex.com/beauty/skin/sensitive-skin.md","title":"Skincare and make-up for sensitive skin","lastmod":"2026-10-01","sha256":"d06fb4287584e3973f83046cabf64413fd0f589214f9b4929dea2800e1e87185","bytes":11004,"markdown":"# Skincare and make-up for sensitive skin\n\n> Source: https://thecastindex.com/beauty/skin/sensitive-skin — brand claims checked 2026-10-01\n\n## What suits sensitive skin?\n\nPeople with sensitive skin may feel burning or itching after applying products and may develop a rash, the British Skin Foundation says. It suggests avoiding harsh products, choosing fragrance-free formulas and trying anything new on the forearm for a few days first. Below are products whose brands say they suit sensitive skin.\n\n## What to look for\n\n- **Fragrance-free formulas.** The British Skin Foundation suggests fragrance-free options for sensitive skin.\n- **“Sensitive skin” on the label.** If you have sensitive skin, the American Academy of Dermatology says you want to see the words “sensitive skin” on the label. That is the brand’s claim, so still patch test.\n- **Mineral sunscreen filters.** The British Skin Foundation mentions mineral sunscreen filters as an option for sensitive skin when needed. [Sunscreen filters, explained](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n- **A gentle exfoliant, if any.** People with dry, sensitive or acne-prone skin may prefer just a washcloth and a mild chemical exfoliator, according to the American Academy of Dermatology. [AHA and BHA acids, explained](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n\n## What to avoid, and when to patch test\n\n- **Skipping the patch test.** The American Academy of Dermatology suggests applying a new product to a quarter-sized spot on the underside of the arm or the bend of the elbow twice a day for seven to ten days, and using it only if there is no redness, itching or swelling.\n- **Trusting “hypoallergenic” alone.** There is no official standard for a hypoallergenic product in the UK, the British Association of Dermatologists notes; research presented at its 2023 meeting found 38% of products marketed that way contained common allergens. If you know your allergens, check the ingredient list.\n- **Strong acids and advanced retinoids.** The Ordinary does not recommend its Glycolic Acid 7% toner on sensitive, peeling or compromised skin, and says advanced retinoids may cause irritation, especially for sensitive skin. [Retinol and retinal, explained](https://thecastindex.com/beauty/ingredients/retinoids)\n- **Ignoring repeat reactions.** Cosmetics, skincare, fragrances and sunscreen are among the common causes of allergic contact dermatitis, the British Skin Foundation says; finding and avoiding the cause is the main approach, and specialist patch testing is done in a dermatology department. Speak to a pharmacist or GP if reactions keep happening.\n\n## Products whose brands say they suit sensitive skin\n\nListed only where the brand's own product page (or an authorised UK retailer listing carrying the brand's copy) names this skin type or concern. Suitability is the brand's claim, not a guarantee.\n\n- [COSRX Low pH Good Morning Gel Cleanser](https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser) — \"Great for sensitive skin\" ([COSRX](https://www.cosrx.com/products/low-ph-good-morning-gel-cleanser))\n- [Anua Heartleaf 77% Soothing Toner](https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner) — \"to help soothe stressed, sensitive-feeling skin\" ([Anua](https://anua.com/products/heartleaf-77-soothing-toner))\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence) — \"Suitable for all skin types including sensitive & barrier-weakened skin\" ([COSRX](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence))\n- [The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)](https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides) — \"ideal for sensitive skin types. However, we recommend doing a patch test first.\" ([The Ordinary UK](https://theordinary.com/en-gb/hyaluronic-acid-2-b5-serum-with-ceramides-769915233506.html))\n- [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra) — \"The perfect option for those who are new to vitamin C, or those with sensitive skin.\" ([Medik8](https://www.medik8.com/products/c-tetra))\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic) — \"Ideal for normal, dry and sensitive skin types\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/))\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum) — \"Specially formulated with sensitive skin in mind\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/la-roche-posay-retinol-b3-anti-wrinkle-anti-ageing-serum-with-retinol-and-vitamin-b3-suitable-for-sensitive-skin-30ml/12382710/))\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal) — \"Crystal Retinal 1 (0.01% retinaldehyde): For those with sensitive skin\" ([Medik8](https://www.medik8.com/products/crystal-retinal))\n- [Biodance Bio-Collagen Real Deep Mask](https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask) — \"It is completely safe for sensitive skin.\" ([Biodance](https://biodance.com/products/biodance-bio-collagen-real-deep-mask))\n- [Tower 28 SOS Daily Rescue Facial Spray](https://thecastindex.com/beauty/tower-28-sos-daily-rescue-facial-spray) — \"Sensitive Skin Safe\" ([Tower 28 Beauty](https://www.tower28beauty.com/products/sos-daily-facial-rescue-spray))\n- [La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+](https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50) — \"A lightweight daily sunscreen with SPF50+ specifically formulated for sensitive skin types.\" ([LOOKFANTASTIC UK (authorised retailer)](https://www.lookfantastic.com/p/la-roche-posay-anthelios-uvmune-400-invisible-fluid-non-perfumed-suncream-spf50-50ml/13494906/))\n- [ILIA Sun Serum Mineral Sunscreen SPF 50](https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50) — \"safe for sensitive skin\" ([ILIA Beauty](https://iliabeauty.com/products/sun-serum-mineral-sunscreen-spf-50))\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum) — \"Skin Type: Sensitive, Normal, Dry\" ([SKIN1004](https://www.skin1004.com/products/hyalu-cica-water-fit-sun-serum-spf50-pa?country=GB))\n- [ILIA Super Serum Skin Tint](https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40) — \"Makeup + skincare + SPF—made with sensitive skin in mind.\" ([ILIA Beauty (US product page)](https://iliabeauty.com/products/super-serum-skin-tint-spf-40-tinted-moisturizer))\n- [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free) — \"Safe for Sensitive Skin: Gentle formula won’t irritate sensitive skin, clog pores or cause acne.\" ([Laura Mercier UK](https://www.lauramercier.co.uk/products/tinted-moisturizer-blurred-matte-broad-spectrum-spf-30))\n- [NARS Light Reflecting Foundation](https://thecastindex.com/beauty/nars-light-reflecting-foundation) — \"Suitable for most skin types, including sensitive skin\" ([NARS UK](https://www.narscosmetics.co.uk/en/light-reflecting%E2%84%A2-foundation/999NAC0000141.html))\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation) — \"Pro Filt’r Fluid Flex Foundation is suitable for sensitive skin.\" ([Fenty Beauty UK](https://fentybeauty.co.uk/products/pro-filtr-fluid-flex-natural-matte-longwear-foundation-386w))\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion) — \"Breathable, non-cakey texture suitable for sensitive and acne-prone skin.\" ([TIRTIR](https://tirtir.global/products/mask-fit-red-cushion))\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer) — \"Safe for sensitive skin\" ([Milk Makeup](https://milkmakeup.com/products/hydro-grip-gel-concealer))\n- [Merit Flush Balm](https://thecastindex.com/beauty/merit-flush-balm) — \"Safe for sensitive skin\" ([Merit Beauty](https://www.meritbeauty.com/products/flush-balm))\n- [Rare Beauty Soft Pinch Liquid Blush](https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush) — \"Suitable for Sensitive Skin\" ([Rare Beauty](https://www.rarebeauty.com/products/soft-pinch-liquid-blush))\n\n## Questions\n\n### What does “suitable for sensitive skin” mean?\n\nIt is the brand’s own claim, not a guarantee for every skin. The American Academy of Dermatology suggests looking for “sensitive skin” on the label, and the British Skin Foundation suggests testing a new product on the forearm for a few days first.\n\n### How do I patch test a new skincare product?\n\nThe American Academy of Dermatology suggests applying it to a quarter-sized spot on the underside of the arm or the bend of the elbow twice a day for seven to ten days. If there is no redness, itching or swelling, go ahead.\n\n### Can sensitive skin use retinol?\n\nSome brands say so: Medik8 describes Crystal Retinal 1 as “for those with sensitive skin”, and La Roche-Posay’s Retinol B3 serum is sold as formulated with sensitive skin in mind. The Ordinary warns that advanced retinoids may irritate sensitive skin. Start slowly and patch test.\n\n### Is hypoallergenic make-up safe for sensitive skin?\n\nNot automatically. The British Association of Dermatologists notes there is no official UK standard for “hypoallergenic”, and research presented at its 2023 meeting found 38% of products marketed that way contained common allergens.\n\n## Sources\n\n- [British Skin Foundation — Identifying your skin type (Dr Jonathan Kentley, 2026)](https://www.britishskinfoundation.org.uk/resources/identifying-your-skin-type-a-guide-by-dr-jonathan-kentley)\n- [American Academy of Dermatology — How to select anti-aging skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/selecting-anti-aging-products)\n- [American Academy of Dermatology — How to test skin care products](https://www.aad.org/public/everyday-care/skin-care-secrets/prevent-skin-problems/test-skin-care-products)\n- [British Association of Dermatologists — More than a third of “hypoallergenic” products feature common allergens (2023)](https://www.skinhealthinfo.org.uk/warning-to-consumers-as-more-than-a-third-of-hypoallergenic-products-feature-common-allergens/)\n- [British Skin Foundation — Contact dermatitis](https://www.britishskinfoundation.org.uk/conditions/contact-dermatitis)\n- [American Academy of Dermatology — How to safely exfoliate at home](https://www.aad.org/public/everyday-care/skin-care-secrets/routine/safely-exfoliate-at-home)\n\nGeneral information, not medical advice.\n"},{"url":"https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum","markdownUrl":"https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum.md","title":"SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum","lastmod":"2026-09-25","sha256":"5bfe898cc1c8a24720c8e30f0b387b2eda570ca0a4aba9c704c8951578412a67","bytes":3779,"markdown":"# SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum\n\n> SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum is an SPF50+ PA++++ serum sunscreen using Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone, with centella and hyaluronic acid. UK retailers listed it at £16–£19 for 50ml on 25 September 2026. This is desk research from published specifications, not a hands-on test.\n\n- Canonical: https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum\n- Category: SPF\n- Format: SPF50+ PA++++ serum sunscreen\n- Finish: Dewy, no white cast\n- Best for: A lightweight daily SPF layer under makeup\n- Official: https://www.skin1004.com/products/hyalu-cica-water-fit-sun-serum-spf50-pa?country=GB\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA serum-texture SPF50+ PA++++ with modern UK/EU filters, centella and hyaluronic acid, at around £18. Choose it when a cream sunscreen feels heavy under makeup. It is not water resistant, and the US “Sun Serum UV” is a different formula.\n\nSkip this if you need a water-resistant sunscreen for swimming or sport, a mineral-only formula, or a matte finish on very oily skin.\n\nA serum-weight protect step with a dewy surface for base to sit on — sun protection that should not show up in the photograph.\n\n## The formula\n\nSKIN1004’s Hyalu-Cica Water-Fit Sun Serum is a chemical sunscreen in a serum texture, labelled SPF50+ PA++++. The filters named on UK retailer listings — Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone — are modern filters permitted in the UK and EU but not in US sunscreens. Around them sit Madagascar centella asiatica extract, hyaluronic acid and niacinamide.\n\nThe brand and retailers describe a light, dewy finish with no white cast. Those are manufacturer descriptions of texture; The Cast Index has not tested SPF, UVA protection or wear.\n\n## Who it’s for\n\nReaders who find cream sunscreens heavy under makeup and want a protect step that behaves more like a serum. The dewy finish suits normal to dry skin, or sits well under a matte base; very oily skin may want to set the centre of the face.\n\n## What should you check before buying?\n\nCheck the name: the international Water-Fit Sun Serum and the US Sun Serum UV share branding but not filters. There is no UK brand shop — the global store prices in US dollars and the buyer pays import charges — so authorised UK retailers are the simpler route. No water resistance is claimed; reapply after swimming, sweating or towelling.\n\n## How to use it\n\n1. Apply as the last step of morning skincare, before makeup\n2. Use enough to cover face, neck and ears evenly — a thin layer gives less protection than the label states\n3. Reapply at least every two hours outdoors, and after swimming, sweating or towelling\n4. Remove at night with your usual cleanser\n\n## Questions and answers\n\n### Is SKIN1004 Hyalu-Cica Water-Fit Sun Serum a mineral sunscreen?\n\nNo. The UK listing names four chemical UV filters — Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone — and no zinc oxide or titanium dioxide.\n\n### Is SKIN1004 Hyalu-Cica Water-Fit Sun Serum water resistant?\n\nNo water resistance is claimed. Reapply after swimming, sweating or towelling, and choose a water-resistant sunscreen for swimming or sport.\n\n### Is the US SKIN1004 sun serum the same formula?\n\nNo. SKIN1004 sells a US “Sun Serum UV” SPF 50 with avobenzone, homosalate, octisalate and octocrylene. The SPF50+ PA++++ formula sold by UK retailers uses different filters.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/spf\n"},{"url":"https://thecastindex.com/beauty/skinceuticals-c-e-ferulic","markdownUrl":"https://thecastindex.com/beauty/skinceuticals-c-e-ferulic.md","title":"SkinCeuticals C E Ferulic","lastmod":"2026-09-25","sha256":"8d6951443964e279be9dadb409c7f8a5cffcd464e0c21de4c75242b886e563f2","bytes":3101,"markdown":"# SkinCeuticals C E Ferulic\n\n> SkinCeuticals C E Ferulic combines 15% L-ascorbic acid, 1% vitamin E and 0.5% ferulic acid in a fragrance-free morning serum. UK retailers listed it at £169 for 30ml on 25 September 2026. A reformulated US version was announced in July 2026; UK ingredient lists had not changed when checked.\n\n- Canonical: https://thecastindex.com/beauty/skinceuticals-c-e-ferulic\n- Category: Skin prep\n- Format: Antioxidant serum\n- Finish: Light, silky\n- Best for: A morning L-ascorbic acid step under sunscreen\n- Official: https://www.skinceuticals.co.uk/en_GB/c-e-ferulic-antioxidant-serum/635494363210.html\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe L-ascorbic acid benchmark: 15% vitamin C with 1% vitamin E and 0.5% ferulic acid, fragrance-free and used in the morning under sunscreen. The trade-off is price — £169 for 30ml.\n\nSkip this if you want a budget vitamin C, prefer a derivative for stability, or react to low-pH serums.\n\nThe L-ascorbic acid benchmark: a clear, light morning layer that sits under sunscreen and base without adding shine.\n\n## The formula\n\nC E Ferulic combines three antioxidants at stated strengths: 15% L-ascorbic acid, the most studied form of topical vitamin C, with 1% vitamin E and 0.5% ferulic acid. The short UK ingredient list keeps the focus on those actives, with glycerin and hyaluronic acid in a light, silky serum.\n\nL-ascorbic acid is effective but unstable: it oxidises on exposure to air and light, which can darken a serum over time. Keeping the bottle closed and following the brand’s storage guidance matters.\n\n## Who it’s for\n\nSomeone who wants the most-researched form of vitamin C in a single, simple morning step under moisturiser and sunscreen, and is prepared to pay for it.\n\n## What should you check before buying?\n\nPrice is the obvious trade-off at £169 for 30ml. SkinCeuticals announced a reformulated US version in July 2026 with additional ingredients; UK ingredient lists checked on 25 September 2026 still showed the established formula, so check the pack. Patch test if your skin is reactive to acidic serums.\n\n## How to use it\n\n1. Apply four to five drops each morning to dry skin after cleansing\n2. Cover face, neck and chest\n3. Follow with moisturiser and a broad-spectrum sunscreen\n4. Keep the bottle closed and store as the brand directs\n\n## Questions and answers\n\n### What is in SkinCeuticals C E Ferulic?\n\n15% L-ascorbic acid, 1% vitamin E (tocopherol) and 0.5% ferulic acid, in a serum with glycerin and sodium hyaluronate.\n\n### When should I apply SkinCeuticals C E Ferulic?\n\nSkinCeuticals directs four to five drops each morning on dry skin after cleansing, followed by moisturiser and broad-spectrum sunscreen.\n\n### Why has my vitamin C serum changed colour?\n\nL-ascorbic acid oxidises over time, which can darken the serum. Keep the bottle closed, store it as the brand directs and follow its guidance on colour change.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/sol-de-janeiro-brazilian-bum-bum-cream","markdownUrl":"https://thecastindex.com/beauty/sol-de-janeiro-brazilian-bum-bum-cream.md","title":"Sol de Janeiro Brazilian Bum Bum Cream","lastmod":"2026-08-13","sha256":"33661193eb983fef0025330e045cf9bd5fdb65d91061a2db5d25088fde64d176","bytes":5138,"markdown":"# Sol de Janeiro Brazilian Bum Bum Cream\n\n> Sol de Janeiro Brazilian Bum Bum Cream is a body moisturiser scented with Cheirosa 62 and formulated with guaraná, cupuaçu butter and plant squalane. The brand says not to use it on the face and reports a 34-person, four-week study for visible firming. The Cast Index treats it as scented body moisture, not as medicine.\n\n- Canonical: https://thecastindex.com/beauty/sol-de-janeiro-brazilian-bum-bum-cream\n- Category: Body\n- Format: Body cream\n- Finish: Scented, firming-feel\n- Best for: Body moisture with a signature scent\n- Official: https://www.soldejaneiro.com/products/brazilian-bum-bum-cream\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA fast-absorbing, scented body cream for casting-kit bodycare — not a face moisturiser and not a medical cellulite treatment. Sol de Janeiro scents it with Cheirosa 62 and cites guaraná, cupuaçu butter and plant squalane. Firming figures come from a brand study of 34 people over four weeks. This desk files it as moisture plus a signature scent.\n\nSkip this if you need unscented bodycare, a facial moisturiser, a nut-free formula (the INCI includes Brazil nut), or a clinically proven medical treatment for cellulite or stretch marks.\n\nBody moisture with a signature scent — casting-kit bodycare that sits outside complexion shade decisions.\n\n## The formula\n\nBum Bum Cream is a thick, fast-absorbing body cream with a mica shimmer the brand describes as a subtle light-reflecting effect. Guaraná is the caffeine-rich extract used in the firming story; cupuaçu butter and squalane do the moisture-lock work. The fragrance is the commercial signature: Cheirosa 62, which the house translates as smelling “incredibly delicious.”\n\nThe published INCI includes Brazil nut seed oil and a long fragrance-allergen list (limonene, linalool-adjacent materials such as citral, coumarin, benzyl salicylate). Anyone with nut or fragrance sensitivity should read the current pack, not this summary.\n\n## Who it’s for\n\nThe desk keeps a body cream in the archive because casting kits are not only faces. A scented, quick-absorbing moisturiser is useful when the brief is body on camera and the complexion products should not migrate. It is the wrong product for a glass-skin face, and the brand says so: facial skin is more sensitive; they did not test this cream there.\n\nFirming and cellulite language on the official page is about the look of skin after a small brand study. This is not a prescription, not a guarantee, and not a treatment for medical lipodystrophy. Pregnancy and breastfeeding: the brand has not tested the cream for those uses and tells you to ask a clinician.\n\n## Why it’s in the edit\n\nBodycare sits outside shade decisions, which is exactly why it is easy to forget on a beauty index built around faces. Bum Bum Cream is here as the scent-led moisture reference — a kit item that does not compete with Hollywood Flawless Filter or a glass base.\n\nAmazon UK/US search is live. Confirm you are buying Sol de Janeiro’s cream, not a dupe oil. Refill pods on the brand site cut plastic; marketplace jars may not match that packaging story.\n\n## How to use it\n\n1. Use on clean, dry body skin — the brand suggests after bathing\n2. Massage in circular motions on legs, torso, arms or wherever you want moisture\n3. Allow to absorb before dressing; the cream is not a face product\n4. Do not apply to broken or irritated skin; the brand also cautions against treating this as sunburn medicine beyond basic moisture\n\n## How it compares\n\n| Role | Bum Bum Cream | Bevel Body Cream | Face moisturiser (e.g. CeraVe) |\n| --- | --- | --- | --- |\n| Zone | Body only | Body / grooming | Face |\n| Scent | Cheirosa 62 gourmand | Lower-scent grooming | Usually low or none |\n| Desk job | Scented kit bodycare | Non-greasy moisture | Barrier under makeup |\n| Firming claims | Brand 34-person study — labelled | Not this product’s brief | Not applicable |\n\n## Questions and answers\n\n### Can I use Brazilian Bum Bum Cream on my face?\n\nSol de Janeiro says the cream was created for the body and was not tested on the face. Facial skin is more sensitive; do not treat this as a face moisturiser.\n\n### Does Bum Bum Cream treat cellulite?\n\nThe brand talks about reducing the look of cellulite after a 34-person, four-week study. That is a cosmetic appearance claim from a manufacturer study, not a medical treatment and not a Cast Index clinical finding.\n\n### Does Bum Bum Cream contain nuts?\n\nYes. The official INCI lists Bertholletia excelsa (Brazil nut) seed oil. The brand states the product contains nuts.\n\n### What is Cheirosa 62?\n\nCheirosa 62 is Sol de Janeiro’s scent for Bum Bum Cream: pistachio and almond, heliotrope and jasmine, then vanilla, salted caramel and sandalwood, per the official product page.\n\n### Is Bum Bum Cream part of a season face finish?\n\nNo. It is bodycare in the product archive. It does not change Couture glass skin or Wet lip signal kits.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/body\n"},{"url":"https://thecastindex.com/beauty/sol-de-janeiro-cheirosa-74-intense-perfume-mist","markdownUrl":"https://thecastindex.com/beauty/sol-de-janeiro-cheirosa-74-intense-perfume-mist.md","title":"Sol de Janeiro Cheirosa 74 Intense Perfume Mist","lastmod":"2026-09-08","sha256":"49905a7b15ef1a76c43bb33ca8b100f119e397ab80fd86bf4bb3b2174b663e73","bytes":2313,"markdown":"# Sol de Janeiro Cheirosa 74 Intense Perfume Mist\n\n> Cheirosa 74 combines pineapple and bergamot with orange flower, plum, vanilla and a solar ambery accord. The 90 ml mist contains alcohol; the brand’s ten-hour scent claim comes from a trained-panel study.\n\n- Canonical: https://thecastindex.com/beauty/sol-de-janeiro-cheirosa-74-intense-perfume-mist\n- Category: Fragrance\n- Format: Intense perfume mist\n- Finish: Amber floral\n- Best for: A fruit-and-amber fragrance with a fuller trail\n- Official: https://soldejaneiro.com/products/cheirosa-74-intense-perfume-mist\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe pineapple-and-amber addition to the fragrance edit: sample its dry-down before deciding whether you want a full bottle.\n\n## Selection evidence\n\nAugust 2026 launch: The brand announced US availability from 23 August at its own store and Ulta. The Sephora and Amazon rollout was announced for 29 September and is still upcoming at this review.\n\nSource: https://www.prnewswire.com/news-releases/sol-de-janeiro-introduces-intense-perfume-mist-a-new-fragrance-format-in-prestige-body-fragrance-302852217.html\nChecked: 2026-09-08\n\n## Who should consider it?\n\nThis is the warm, fruit-led option when you want fragrance to register beyond the first spray. Compare it on skin with an existing favourite and give both time to settle; the opening notes alone cannot make that decision.\n\n## What should you check before buying?\n\nThe ten-hour claim is manufacturer evidence, not a promise of identical longevity on every wearer. Fragrance is optional in shared studios, fitting rooms and workplaces. Confirm the local retailer’s launch and stock separately.\n\n## How to use it\n\n1. Follow the bottle directions and avoid eyes and irritated skin.\n2. Start lightly and allow the scent to settle before adding more.\n3. Store according to the label, away from heat and flames.\n\n## Questions and answers\n\n### Is Cheirosa 74 Intense an eau de parfum?\n\nSol de Janeiro labels it an Intense Perfume Mist. A stronger-sounding name does not make it directly interchangeable with an eau de parfum; compare the scent and format rather than assuming equal concentration.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/fragrance\n"},{"url":"https://thecastindex.com/beauty/summer-fridays-lip-butter-balm","markdownUrl":"https://thecastindex.com/beauty/summer-fridays-lip-butter-balm.md","title":"Summer Fridays Lip Butter Balm","lastmod":"2026-08-13","sha256":"7577d1aa9b85bb5b5f2efb7ebb9935f0f6e7d277b887ee62245bc912dbde2fd1","bytes":5003,"markdown":"# Summer Fridays Lip Butter Balm\n\n> Summer Fridays Lip Butter Balm is a vegan lip balm with shea butter and murumuru seed butter, sold at $24 on the official US site when checked 13 August 2026. Vanilla is one scent among several. A 39-person consumer study is brand-reported. The Cast Index files it as everyday moisture under Wet lip signal, not as the shine product itself.\n\n- Canonical: https://thecastindex.com/beauty/summer-fridays-lip-butter-balm\n- Category: Lips\n- Format: Lip balm\n- Finish: Soft sheen\n- Best for: Everyday lip moisture with light colour options\n- Official: https://www.summerfridays.com/products/lip-butter-balm\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nDaytime lip moisture with a soft sheen — prep or wear-alone under Wet lip signal, not the mirror-shine oil. Summer Fridays describes a vegan balm with shea and murumuru seed butters. Vanilla is one scent in a range, not the only SKU. Official US price was $24 when checked 13 August 2026; this site’s UK guide remains from £23. A 39-person consumer study is labelled as such. No Amazon: brand or authorised beauty retailers.\n\nSkip this if you need opaque colour, a high-shine oil, or a clinical treatment for cracked lips. Skip also if you want this desk to treat “100% agreed lips looked healthier” as an independent trial — that is a 39-person brand consumer study immediately after application.\n\nEveryday lip balm with a soft sheen — useful under Wet lip signal when the mouth needs moisture, not opacity.\n\n## The formula\n\nSummer Fridays positions Lip Butter Balm as a vegan balm that conditions and softens dry lips with a hint of flavour — Vanilla on the page checked, with shea and murumuru seed butters plus a plant-based lipid complex. The brand says it can be used for instant moisture and shine, or at bedtime as an overnight mask. That dual use is why it sits next to Laneige in the kit: Laneige is the dedicated overnight mask; this is the portable daytime balm.\n\nIngredient lists change by scent. The Vanilla INCI on the official page includes shea, murumuru, vanillin, mica and BHT. Anyone managing fragrance or wax sensitivities should recheck the current pack, not this summary.\n\n## Who it’s for\n\nUse this when the mouth needs a soft sheen and moisture, not opacity and not a Dior-level mirror. It is useful under a lip oil, or alone for a no-makeup mouth. It will not replace Lip Glow Oil on camera.\n\nThe 39-person study is an immediate after-application consumer test, not a 24-hour instrumental hydration assay. Do not quote those percentages as independent proof.\n\n## Why it’s in the edit\n\nWet lip signal fails on a dry mouth. This balm is the daytime cushion: vegan, widely recognised, and sold as care rather than colour. Award language on the brand site (“2024 Best Lip Balm”) is press recognition the brand cites — not a Cast Index award.\n\nAffiliate path: official Summer Fridays URL until Cult Beauty or Lookfantastic Awin IDs are live. No Amazon search — marketplace listings are typically third-party.\n\n## How to use it\n\n1. Swipe onto clean lips when they feel dry, day or night\n2. For overnight, apply a thicker layer as a mask — the brand lists this as an official use\n3. Blot before a high-shine oil if the look needs Wet lip signal rather than balm sheen\n4. Recheck the current INCI for the scent you buy; Vanilla is not the only formula\n\n## How it compares\n\n| Role | Lip Butter Balm | Laneige Lip Sleeping Mask | Dior Addict Lip Glow Oil |\n| --- | --- | --- | --- |\n| When | Daytime (or overnight mask) | Overnight leave-on | On-camera shine |\n| Finish | Soft sheen, optional tint | Nourished, not coloured | High shine |\n| Vegan (brand) | Yes — brand states vegan | Not certified here | Not certified here |\n| Amazon on this site | No — brand / authorised | Amazon search live | No — Dior / authorised |\n\n## Questions and answers\n\n### Is Summer Fridays Lip Butter Balm vegan?\n\nSummer Fridays states its products are not tested on animals and contain no animal by-products. Recheck the current pack if you need a certified vegan logo.\n\n### Is Vanilla the only Lip Butter Balm?\n\nNo. Vanilla is one scent. The range includes other flavours and sheer tints. Match the SKU on the official page, not a generic “lip butter” listing.\n\n### How much does Lip Butter Balm cost?\n\nThe official US page listed $24 when checked on 13 August 2026. This site’s UK guide is from £23. Treat both as brand-page guides, not live checkout prices.\n\n### What finish does Lip Butter Balm serve?\n\nWet lip signal as daytime moisture — a soft sheen so a lip oil can sit on a less dry mouth. It is not the shine product itself.\n\n### Is the 100% healthier-lips figure a Cast Index test?\n\nNo. It is from a 39-person brand consumer study immediately after application, labelled as manufacturer research.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/summer-fridays-softline-lip-liner","markdownUrl":"https://thecastindex.com/beauty/summer-fridays-softline-lip-liner.md","title":"Summer Fridays SoftLine Lip Liner","lastmod":"2026-09-08","sha256":"0f1946334f7711dfd5787ec5f77a5cae86e2ea8645feb5b9e11a4ec77745cf41","bytes":2202,"markdown":"# Summer Fridays SoftLine Lip Liner\n\n> Summer Fridays lists SoftLine as a creamy lip pencil in eight shades, from Sugar and Rosé to Espresso and Brownie, each sold as its own listing on the brand site. It is a colour-and-definition step, separate from Lip Butter Balm. Summer Fridays has no UK store, so this record links to Cult Beauty UK, which lists all eight shades at £21 for 1.02g (checked 1 October 2026).\n\n- Canonical: https://thecastindex.com/beauty/summer-fridays-softline-lip-liner\n- Category: Lips\n- Format: Lip pencil\n- Finish: Defined colour\n- Best for: Outlining a lip before balm or gloss\n- Official: https://www.cultbeauty.co.uk/p/summer-fridays-softline-lip-liner-various-shades-1.02g/17638898/\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nFills the missing lip-liner role in a balm-heavy catalogue. Choose depth and undertone first, then decide how visible the outline should be.\n\n## Selection evidence\n\nNew to our edit: Selected for its format and role in a routine. This label records our catalogue addition, not its launch date or a sales ranking.\n\nSource: https://summerfridays.com/collections/softline-lip-liners\nChecked: 2026-09-08\n\n## Who should consider it?\n\nUse a shade near your lip colour for a softer outline or a deeper shade for visible definition. Blend the edge inward before gloss if you want the colour transition to stay gentle.\n\n## What should you check before buying?\n\nA creamy liner is not an overnight lip treatment or a substitute for sun protection. Cult Beauty UK listed the same eight shades as the brand’s US site on 1 October 2026; check the actual shade swatches before choosing depth.\n\n## How to use it\n\n1. Start with a light outline following the natural lip edge.\n2. Blend inward where a softer transition is wanted.\n3. Add balm or gloss according to the finish you prefer.\n\n## Questions and answers\n\n### Does SoftLine replace Lip Butter Balm?\n\nNo. SoftLine is a lip pencil for colour and definition. Lip Butter Balm is a separate moisturising balm. Use one or both according to the result you want.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner","markdownUrl":"https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner.md","title":"The Ordinary Glycolic Acid 7% Exfoliating Toner","lastmod":"2026-08-13","sha256":"1c56ea2eb05b517ce1da5409c496a8c3dd88448e6bfdb9457648247ac28e379b","bytes":5516,"markdown":"# The Ordinary Glycolic Acid 7% Exfoliating Toner\n\n> The Ordinary Glycolic Acid 7% Exfoliating Toner is a water-based AHA toner with 7% glycolic acid and a stated pH of about 3.6. The brand directs evening use, patch testing, and a sunburn alert, and says not to use it on sensitive or compromised skin. The Cast Index files it as an optional texture step — never a substitute for SPF.\n\n- Canonical: https://thecastindex.com/beauty/the-ordinary-glycolic-acid-7-exfoliating-toner\n- Category: Skin prep\n- Format: AHA toner\n- Finish: Exfoliated\n- Best for: Evening texture when skin is not compromised\n- Official: https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html\n- Reviewed: 2026-08-13\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nAn evening texture step when skin is intact — not a clinical peel and not for compromised skin. The Ordinary describes a water-based toner with 7% glycolic acid, pH about 3.6, Tasmanian pepperberry to soothe, and a sunburn alert. Follow the brand’s patch-test, limited-frequency and SPF directions. This desk does not treat it as medical care.\n\nSkip this if your skin is sensitive, peeling, broken or already irritated, or you will not use sunscreen the next day. Do not stack it with other direct acids or strong retinoids in the same routine. Beginners should start less often than daily.\n\nAn AHA texture step for evenings when skin is not compromised — follow the brand’s patch-test and SPF guidance; not a clinical treatment.\n\n## The formula\n\nThis is a straightforward AHA toner: 7% glycolic acid at a low pH, with amino acids for hydration support, ginseng for the look of uneven tone, and Tasmanian pepperberry as a soothing extract. The Ordinary notes that the pepperberry can cause seasonal colour variation in the liquid. Highlights on the official page include vegan, cruelty-free, alcohol-free, oil-free and silicone-free.\n\nGlycolic acid is a small-molecule AHA used to loosen dead surface cells. That is exfoliation, not “resurfacing surgery.” Over-use reads as shine from irritation, which fights Couture glass skin rather than serving it. The brand’s own compatibility note: do not combine with other direct acids or strong retinoids in the same routine.\n\n## Who it’s for\n\nThe desk files this for evenings when texture is the brief and the barrier is not already angry. It is optional in a glass-skin kit, not a daily mandatory. If the face is peeling, freshly retinol-ed, or sunburnt, skip it. The Ordinary also suggests using it on small areas of rough body skin — still with the same sun and irritation caveats.\n\nNew users are told to start two to three times a week even though the default direction is once daily in the evening. That frequency ladder matters more than the 7% number on the label.\n\n## Why it’s in the edit\n\nCasting close-ups punish uneven texture. A well-timed AHA can help the look of smoothness; a badly timed AHA photographs as redness. This product is in the archive because the specification is clear, the price is accessible, and the warnings are printed — not because acids are fashionable.\n\nAmazon search links are available. Do not treat a marketplace bottle as a different formula; check you are buying The Ordinary’s glycolic toner and follow the pack in your hand.\n\n## How to use it\n\n1. Patch test on the inner forearm first, as The Ordinary describes\n2. If tolerated, apply once daily in the evening to face and neck with a pad or fingers — start 2–3 nights a week if you are new to acids\n3. Do not rinse; avoid eyes; do not use on broken, peeling or sensitive skin\n4. Use a dedicated sunscreen the next day, and for a week after stopping, per the sunburn alert\n5. Do not combine with other direct acids or strong retinoids in the same routine\n\n## How it compares\n\n| Role | Glycolic 7% Toner | Ordinary HA 2% + B5 | Ordinary Niacinamide 10% |\n| --- | --- | --- | --- |\n| Job | Chemical exfoliation | Hydration | Oil / texture look |\n| When | Evening, limited frequency | Morning and evening | As directed on that profile |\n| Skip if | Barrier is compromised | Rarely — patch test | See niacinamide page |\n| SPF the next day | Required (sunburn alert) | Still wear SPF | Still wear SPF |\n\n## Questions and answers\n\n### Can I use The Ordinary Glycolic Acid 7% every night?\n\nThe brand’s default is once daily in the evening, but it also says contact with skin must be of limited frequency or duration, and newcomers should start 2–3 times a week. Do not use it on sensitive, peeling or compromised skin.\n\n### Can I use glycolic toner with retinol or other acids?\n\nThe Ordinary advises against using this toner with other direct acids or strong retinoids in the same routine. Alternate days or AM/PM instead.\n\n### Does glycolic acid replace sunscreen?\n\nNo. The product carries a sunburn alert. AHAs can increase sun sensitivity. Use sunscreen, protective clothing and limited sun exposure while using it and for a week afterwards.\n\n### Is The Ordinary Glycolic Acid 7% a medical peel?\n\nNo. It is a consumer AHA toner. This desk does not present it as a clinical peel or a treatment for skin disease.\n\n### What pH is The Ordinary Glycolic Acid 7% Exfoliating Toner?\n\nThe Ordinary describes a carefully calibrated pH of approximately 3.6, with highlighted values in the 3.5–3.9 range on the product page checked 13 August 2026.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides","markdownUrl":"https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides.md","title":"The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)","lastmod":"2026-07-15","sha256":"f487163ef65f6c35037f319de1f0dc5d972423f8bed2a5923dc5a671c67fe941","bytes":3561,"markdown":"# The Ordinary Hyaluronic Acid 2% + B5 (with Ceramides)\n\n> The formula combines five forms of hyaluronic acid with ceramides and pro-vitamin B5.\n\n- Canonical: https://thecastindex.com/beauty/the-ordinary-hyaluronic-acid-2-b5-ceramides\n- Category: Skin prep\n- Format: Water-based serum\n- Finish: Hydrated\n- Best for: Lightweight hydration before makeup\n- Official: https://theordinary.com/en-gb/hyaluronic-acid-2-b5-serum-with-ceramides-769915233506.html\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA straightforward prep layer when makeup needs hydration beneath it without a heavy cream texture.\n\n## The formula\n\nThis is the second-generation version of The Ordinary’s original Hyaluronic Acid 2% + B5, and the addition is in the name: ceramides. The formula combines five forms of hyaluronic acid — low-, medium- and high-molecular-weight HA, an HA crosspolymer, and hydrolysed HA — to hydrate skin at multiple depths simultaneously, rather than sitting only on the surface. Ceramides, described by the brand as natural lipids that lock in moisture and reinforce the skin barrier, are paired with pro-vitamin B5, which The Ordinary says supports the skin’s own ceramide and fatty-acid production.\n\nRefinery29’s review of the reformulation reported the update took roughly 18 months to develop, specifically to solve the original formula’s tacky, sticky-feeling finish while keeping the same 2% hyaluronic acid concentration — describing the new texture as noticeably lighter and less sticky, with the added ceramides delivering longer-lasting, dewier hydration.\n\n## How it fits a routine\n\nThe Ordinary positions this as a lightweight, non-tacky layer for morning and evening, applied after cleansing and before heavier creams or oils — a few drops are enough. It’s also positioned as suitable for use after microneedling, where hydration support matters most. The brand states it’s appropriate for all skin types, calling out dry and sensitive skin specifically.\n\n## Why it’s in the edit\n\nThis is the Beauty Desk’s straightforward hydration layer — the step that goes on before makeup needs to grip, without adding the weight of a heavier cream. The Ordinary’s wider positioning, under DECIEM, is built around clinical, no-frills formulations at accessible prices, and this reformulation is a direct example of that approach: keeping the proven actives, fixing the one thing (texture) that stood between the original formula and daily, layer-under-anything use.\n\n## How to use it\n\n1. Apply a few drops to cleansed skin, morning and evening\n2. Use before heavier creams or facial oils\n3. Patch test before first use\n\n## Questions and answers\n\n### What’s the difference between The Ordinary’s Hyaluronic Acid 2% + B5 and the version with Ceramides?\n\nThe ceramide version is a reformulation that keeps the original 2% hyaluronic acid concentration but adds ceramides and a lighter, less tacky texture — Refinery29 reported the update took about 18 months to develop.\n\n### Can I use The Ordinary Hyaluronic Acid 2% + B5 with Ceramides on sensitive skin?\n\nThe Ordinary states the formula is suitable for all skin types, specifically calling out dry and sensitive skin, though a patch test is recommended before regular use.\n\n### When should I apply The Ordinary Hyaluronic Acid 2% + B5?\n\nApply a few drops after cleansing and before heavier creams or oils, morning and evening.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1","markdownUrl":"https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1.md","title":"The Ordinary Niacinamide 10% + Zinc 1%","lastmod":"2026-07-28","sha256":"2956bf622b6dad3cf079c9b37b49c9aad33bafe71674b8a0e7ddef64451e0a00","bytes":4660,"markdown":"# The Ordinary Niacinamide 10% + Zinc 1%\n\n> The Ordinary Niacinamide 10% + Zinc 1% is a water-based serum with 10% niacinamide and zinc PCA for brightness, texture and oil-appearance support. The brand says it suits blemish-prone skin; it is a cosmetic, not an acne treatment.\n\n- Canonical: https://thecastindex.com/beauty/the-ordinary-niacinamide-10-zinc-1\n- Category: Skin prep\n- Format: Water-based serum\n- Finish: Balanced, clarified look\n- Best for: Texture and shine support before makeup\n- Official: https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nThe treat step under Couture glass skin when shine and texture need quieting before light hits the face.\n\n## The formula\n\nThe Ordinary’s Niacinamide 10% + Zinc 1% is a water-based treat serum. The brand states a high 10% concentration of niacinamide with zinc PCA, aimed at brightness, smoother texture, barrier support, the look of pores and excess oil. Format notes on the PDP include alcohol-free, oil-free, silicone-free, vegan and cruelty-free highlights.\n\nThe Ordinary positions this serum for blemish-prone skin and visible signs of congestion; it does not claim to treat acne, and it is a cosmetic rather than a medicine. Persistent acne is a matter for a pharmacist or GP (NHS). The Cast Index will not imply clinical acne therapy.\n\n## Season finish — Couture glass skin\n\nGlass skin is luminosity with restraint. Excess surface oil can read as grease under lights; uneven texture breaks the “skin as skin” brief. This serum is the optional treat layer when the desk needs oil and texture support before moisturiser and SPF — not a glow oil and not a foundation.\n\nIt sits beside hydrating essences (for example COSRX Snail 96) rather than replacing them: niacinamide for balance, mucin or HA for slip.\n\n## Working kit\n\nThe Ordinary recommends a few drops morning and evening after cleansing, before heavier moisturisers. Do not combine with direct or indirect vitamin C in the same routine per brand guidance — split AM/PM if both are required. Follow with moisturiser and, in daytime, Anthelios or another dedicated SPF.\n\nWrong for anyone seeking an acne drug. Wrong if the wearer cannot patch-test and has reactive skin — start slow. Wrong as a moisturiser replacement on dehydrated skin without a cream or lotion after.\n\n## Limitations and brand cautions\n\nPatch test on the forearm as The Ordinary documents: apply, keep dry, watch for redness, burning, itching or blistering; do not use if irritation appears. Use only as directed on unbroken skin. Keep out of reach of children. Brand-reported timing claims (plumpness in minutes, pore changes over weeks) are manufacturer results, not Cast Index tests.\n\n## How to use it\n\n1. Cleanse first\n2. Apply a few drops to the face morning and evening\n3. Follow with moisturiser; add dedicated SPF in the daytime\n4. Do not combine in the same routine with direct or indirect vitamin C per The Ordinary\n5. Patch test before first use; rinse and stop if irritation occurs\n\n## Questions and answers\n\n### Is The Ordinary Niacinamide 10% + Zinc 1% an acne treatment?\n\nNo. The Ordinary describes it as a serum for blemish-prone skin that targets visible signs of congestion, but it is a cosmetic, not an acne treatment. The NHS advises seeing a pharmacist or GP about acne that persists.\n\n### Can I use The Ordinary Niacinamide 10% + Zinc 1% with vitamin C?\n\nThe Ordinary recommends using niacinamide and vitamin C in separate routines, noting that combining them may decrease effectiveness.\n\n### How often should The Ordinary Niacinamide 10% + Zinc 1% be applied?\n\nThe brand recommends twice daily — morning and evening — after cleansing and before heavier moisturisers or treatments.\n\n### Does The Ordinary Niacinamide 10% + Zinc 1% treat acne?\n\nNo. The brand describes it as suitable for blemish-prone skin, but it is a cosmetic serum, not an acne treatment; persistent acne needs a pharmacist or GP (NHS), not this page.\n\n### How does Niacinamide 10% + Zinc 1% serve Couture glass skin?\n\nCouture glass skin needs light-catching skin without greasy shine. The Ordinary’s water-based 10% niacinamide and zinc PCA serum is filed as a treat step for the look of texture and oil before moisturiser and SPF.\n\n### Should Niacinamide 10% + Zinc 1% be patched before use?\n\nYes. The Ordinary advises patch testing, use on unbroken skin only, and stopping if irritation occurs — rinse off and consult a physician if needed.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion","markdownUrl":"https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion.md","title":"The Ordinary Retinal 0.2% Emulsion","lastmod":"2026-09-25","sha256":"a2da2f38ece407c53f59fc6cc90510247956cf42583ee42c485df5be8a19c5ae","bytes":3004,"markdown":"# The Ordinary Retinal 0.2% Emulsion\n\n> The Ordinary Retinal 0.2% Emulsion, launched in March 2024, delivers 0.2% retinaldehyde with a synthetic oat analogue and hydroxyapatite for experienced retinoid users. The brand directs evening use starting once a week and building to twice a week. It cost £15.20 for 15ml on The Ordinary UK on 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion\n- Category: Skin prep\n- Format: Retinal serum emulsion\n- Finish: Light emulsion\n- Best for: Experienced retinoid users\n- Official: https://theordinary.com/en-gb/retinal-02-emulsion-100646.html\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nHigh-strength retinal at a modest price — £15.20 for 15ml — for readers already used to retinoids. The Ordinary directs a once-weekly start, building only to twice a week. It is not a first retinoid.\n\nSkip this if you are new to retinoids, pregnant or breastfeeding, or already using another retinoid.\n\nA high-strength evening step for experienced users — not a product to introduce in the week before a shoot.\n\n## The formula\n\nThe Ordinary’s Retinal 0.2% Emulsion delivers retinaldehyde at 0.2% in a serum emulsion, with a synthetic oat analogue and hydroxyapatite in the supporting formula. The brand launched it in March 2024 for users already accustomed to retinoids.\n\nThe direction to start once a week and build only to twice a week reflects its strength. Frequency, not quantity, is the lever.\n\n## Who it’s for\n\nExperienced retinoid users who want retinal at a modest price. It is not a starting point for someone new to vitamin A.\n\n## What should you check before buying?\n\nFollow the brand’s low-frequency schedule and do not layer it with another retinoid. The Ordinary notes its products have not been tested on people who are pregnant or breastfeeding; speak to a doctor. At 15ml, the bottle is half the size of most serums in this category.\n\n## How to use it\n\n1. Apply a pea-sized amount in the evening, after cleansing\n2. Start once a week and build gradually to twice a week, a few days apart\n3. Do not combine with other retinoids\n4. Use sun protection during the day\n\n## Questions and answers\n\n### Is The Ordinary Retinal 0.2% Emulsion suitable for beginners?\n\nThe brand positions it for experienced retinoid users, with a once-weekly start. A lower-strength retinol or retinal is the more usual first step.\n\n### How often should I use The Ordinary Retinal 0.2% Emulsion?\n\nThe Ordinary directs a pea-sized amount in the evening, starting weekly and building to twice a week, a few days apart.\n\n### Can I use Retinal 0.2% Emulsion with vitamin C?\n\nKeep them apart. The Ordinary advises against combining its 23% vitamin C suspension with retinoids; vitamin C in the morning and retinal in the evening keeps the steps separate.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2","markdownUrl":"https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2.md","title":"The Ordinary Vitamin C Suspension 23% + HA Spheres 2%","lastmod":"2026-09-25","sha256":"4f78b51a6f47fba99f56a4bf44606a05b060f118297a0c5dc9a29de799eee44d","bytes":3050,"markdown":"# The Ordinary Vitamin C Suspension 23% + HA Spheres 2%\n\n> The Ordinary Vitamin C Suspension 23% + HA Spheres 2% suspends 23% L-ascorbic acid in a water-free base with hyaluronic acid spheres. The brand describes a slightly granular texture, expected tingling and once-daily use, ideally in the evening. It cost £7.70 for 30ml on The Ordinary UK on 25 September 2026.\n\n- Canonical: https://thecastindex.com/beauty/the-ordinary-vitamin-c-suspension-23-ha-spheres-2\n- Category: Skin prep\n- Format: Water-free vitamin C suspension\n- Finish: Slightly granular\n- Best for: High-strength L-ascorbic acid for evening use\n- Official: https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nL-ascorbic acid for £7.70 — the lowest price for the most-studied form of vitamin C. The trade-offs are stated by the brand: a slightly granular texture, expected tingling and directions for evening use.\n\nSkip this if you want a morning antioxidant step, a smooth serum texture, or to layer vitamin C with niacinamide or retinoids.\n\nAn evening vitamin C step, kept away from the morning base while its granular texture absorbs.\n\n## The formula\n\nThe Ordinary suspends 23% L-ascorbic acid in a water-free base with hyaluronic acid spheres. Keeping water out is a stability strategy: L-ascorbic acid degrades quickly in water.\n\nThe concentration is higher than most serums. Research summarised by Telang (2013) suggests benefits from L-ascorbic acid rise with concentration only up to about 20%, so the extra strength is not automatically extra benefit.\n\n## Who it’s for\n\nBudget-conscious readers who want L-ascorbic acid and can accommodate an evening step with a gritty texture.\n\n## What should you check before buying?\n\nThe brand warns of tingling and suggests it can be diluted; patch test first. It is directed for evening use, so it does not fit a morning antioxidant routine. Check the list of ingredients The Ordinary says not to combine it with, including niacinamide and retinoids.\n\n## How to use it\n\n1. Patch test before first use\n2. Apply once a day, ideally in the evening, after cleansing\n3. Do not combine with the ingredients the brand lists, including niacinamide and retinoids\n4. Use sunscreen during the day\n\n## Questions and answers\n\n### Why does The Ordinary Vitamin C Suspension feel gritty?\n\nThe brand describes a slightly granular texture: the vitamin C is suspended rather than dissolved in a water-free base.\n\n### Should I use The Ordinary Vitamin C Suspension in the morning or evening?\n\nThe Ordinary directs once-daily use, ideally in the evening, with sunscreen during the day.\n\n### Can I use The Ordinary Vitamin C Suspension with niacinamide?\n\nThe brand advises against combining it with niacinamide, retinoids, peptides, copper peptides, direct acids and other direct vitamin C.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion","markdownUrl":"https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion.md","title":"TIRTIR Mask Fit Red Cushion","lastmod":"2026-07-15","sha256":"d0d3afbe0c2c30e44f089105220dec865b6c2bade5e0c11accf028c6dc4ca073","bytes":3139,"markdown":"# TIRTIR Mask Fit Red Cushion\n\n> TIRTIR offers the cushion in 40 shades — among the widest ranges in Korean cushion foundation — built on a silicone base with hyaluronic acid and botanical extracts.\n\n- Canonical: https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion\n- Category: Complexion\n- Format: Cushion foundation\n- Finish: Semi-matte\n- Best for: Full coverage that still moves with skin\n- Official: https://tirtir.global/products/mask-fit-red-cushion\n- Reviewed: 2026-07-15\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA cult-status K-beauty pick the Beauty Desk keeps returning to for its shade range alone.\n\n## The formula\n\nTIRTIR builds the Mask Fit Red Cushion on niacinamide and glycerin for brightening and moisture, adenosine for its cell-signalling, calming properties, and astaxanthin — an antioxidant with UV-protective potential — alongside hibiscus, rosa rugosa, water lily and propolis extracts. It carries SPF 40 PA++ via a titanium dioxide UV filter, and the brand describes the finish as \"radiant matte\": full coverage without the heavy, cakey feel that often comes with higher-coverage cushions.\n\n## A real, well-documented viral product\n\nThis is one of the clearest TikTok breakout stories in recent complexion makeup, nicknamed \"the red egg\" for its round red compact. Grazia Daily reported a 561% year-on-year increase in global TikTok views and a 64% surge in UK Google searches for the product. Who What Wear’s Eleanor Vousden wore it from around 6am to 9pm and reported that it still looked freshly applied and resisted transfer. That is useful hands-on evidence for a long day, but it does not independently validate the brand’s full 72-hour claim.\n\n## The shade range\n\nTIRTIR lists 40 shades on its official site, from 10C Shell to 55N Espresso, spanning cool, neutral and warm undertones — one of the widest ranges available in Korean cushion foundation. Vousden’s review noted the range is strongest in fair-to-medium tones and thinner at the deepest end, a fair, real caveat worth knowing before buying.\n\n## How to use it\n\n1. Complete a skincare routine first\n2. Lightly press the included puff into the cushion\n3. Tap off excess product on the compact’s lid before applying\n4. Apply in thin, buildable layers with light patting motions, adding extra layers only where more coverage is needed\n\n## Questions and answers\n\n### How many shades does TIRTIR Mask Fit Red Cushion come in?\n\nIt comes in 40 shades, from 10C Shell to 55N Espresso, spanning cool, neutral and warm undertones — though the range is strongest in fair-to-medium tones.\n\n### Does TIRTIR Mask Fit Red Cushion actually last 72 hours?\n\nTIRTIR claims up to 72-hour wear. Who What Wear’s Eleanor Vousden reported that it still looked freshly applied after a roughly 15-hour day, but that test did not run for 72 hours, so the maximum claim remains manufacturer-reported.\n\n### Does TIRTIR Mask Fit Red Cushion have SPF?\n\nYes — it carries SPF 40 PA++ via a titanium dioxide UV filter.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/complexion\n"},{"url":"https://thecastindex.com/beauty/too-faced-better-than-sex-mascara","markdownUrl":"https://thecastindex.com/beauty/too-faced-better-than-sex-mascara.md","title":"Too Faced Better Than Sex Mascara","lastmod":"2026-09-25","sha256":"1607b013660b73c3365c405dbaf2e06fc2f0a17294b5120d1e70a26eac907dcc","bytes":2507,"markdown":"# Too Faced Better Than Sex Mascara\n\n> Too Faced Better Than Sex Mascara uses an hourglass-shaped brush with film-forming polymers to hold curl and peptides to condition lashes. It cost £28 for 8ml on Too Faced UK on 25 September 2026, in Black and Chocolate, with a separate waterproof version.\n\n- Canonical: https://thecastindex.com/beauty/too-faced-better-than-sex-mascara\n- Category: Eyes & brows\n- Format: Volumising mascara\n- Finish: Volume and curl\n- Best for: Full, curled lashes from an hourglass brush\n- Official: https://www.toofaced.co.uk/product/23484/59115/eye-makeup/mascara/better-than-sex-mascara/voluptuous-volume-mascara\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nA volume-and-curl mascara with an hourglass brush, curl-holding polymers and conditioning peptides, £28 for 8ml. Choose it for full, curled lashes; the waterproof version is separate.\n\nSkip this if you want natural, separated length, or a mascara in more than two core shades.\n\nA volume-and-curl lash with an hourglass brush — lashes as the feature, the rest of the eye kept quiet.\n\n## The formula\n\nBetter Than Sex pairs an hourglass-shaped brush with film-forming polymers designed to hold curl and peptides to condition lashes. The standard formula is washable; Too Faced sells a separate waterproof version.\n\nVolume and curl descriptions are the brand’s; The Cast Index has not wear-tested it.\n\n## Who it’s for\n\nAnyone who wants lashes to be the main feature, with fullness and curl. Chocolate gives a softer outline than black.\n\n## What should you check before buying?\n\nChoose washable or waterproof deliberately. Volume mascaras can look heavy on very fine lashes; build a second coat only after the first has set.\n\n## How to use it\n\n1. Wiggle the brush from the lash roots to the tips\n2. Build a second coat before the first dries if you want more volume\n3. Remove gently at night\n\n## Questions and answers\n\n### Is Too Faced Better Than Sex Mascara waterproof?\n\nThe standard version is washable. Too Faced sells a separate waterproof version.\n\n### What shades does Better Than Sex come in?\n\nToo Faced UK lists Black and Chocolate; limited-edition colours appear at some retailers.\n\n### Is Better Than Sex Mascara vegan?\n\nBoots describes it as vegan-friendly and cruelty-free. Check the current pack if vegan status matters to you.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/beauty/tower-28-sos-daily-rescue-facial-spray","markdownUrl":"https://thecastindex.com/beauty/tower-28-sos-daily-rescue-facial-spray.md","title":"Tower 28 SOS Daily Rescue Facial Spray","lastmod":"2026-10-05","sha256":"126ee8a79eb5a34e66fea8782093345382f27660ed7485524d6c104225f99ddc","bytes":851,"markdown":"# Tower 28 SOS Daily Rescue Facial Spray\n\n> Tower 28, which now shortens the name to SOS Rescue Spray, describes a 120ml hypochlorous-acid facial spray to calm the look of irritation and redness, labelled alcohol-free, fragrance-free and safe for sensitive skin.\n\n- Canonical: https://thecastindex.com/beauty/tower-28-sos-daily-rescue-facial-spray\n- Category: Skin prep\n- Format: Hypochlorous facial spray\n- Finish: Calmed\n- Best for: Soothing prep before makeup\n- Official: https://www.tower28beauty.com/products/sos-daily-facial-rescue-spray\n- Reviewed: 2026-10-05\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nPrep spray for compromised show-week skin — desk context, not a medical claim.\n\n\n\n## Questions and answers\n\n\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/skin-prep\n"},{"url":"https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray","markdownUrl":"https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray.md","title":"Urban Decay All Nighter Waterproof Makeup Setting Spray","lastmod":"2026-09-25","sha256":"176d4b00a0c0ef3bd3e53b263083526fba152c54167f5c3d79c0e2c2f388290d","bytes":2959,"markdown":"# Urban Decay All Nighter Waterproof Makeup Setting Spray\n\n> Urban Decay All Nighter Waterproof Makeup Setting Spray is a reformulated setting mist with Power Set Film Formers and glycerin, claimed by the brand to hold makeup for up to 24 hours in a 102-person consumer test. UK retailers list 30ml at £16.50, 118ml at £29.50 and 240ml at £43 RRP.\n\n- Canonical: https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray\n- Category: Setting\n- Format: Setting spray\n- Finish: Natural, soft-focus\n- Best for: Long-wear setting through heat and sweat\n- Official: https://www.urbandecay.com/all-nighter-waterproof-makeup-setting-spray/ud1301.html\n- Reviewed: 2026-09-25\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\n## Should you buy this?\n\nThe long-wear setting spray: waterproof, transfer- and sweat-resistant, with a brand claim of up to 24 hours, from £16.50 for 30ml. It contains fragrance and denatured alcohol, and Urban Decay’s UK site has closed, so buy from retailers.\n\nSkip this if you avoid fragrance or denatured alcohol, or want a spray that adds glow or a matte finish (those are separate All Nighter versions).\n\nThe long-wear final step: a fine mist that keeps a base in place without changing its finish.\n\n## The formula\n\nAll Nighter is a film-forming setting spray: Power Set Film Formers and glycerin, sprayed over finished makeup. The reformulated version claims up to 24 hours of wear, waterproof and transfer-resistant, from the brand’s own consumer test of 102 people.\n\nRetailers still list some older-formula codes with a 16-hour claim, so check which version you are buying. The Cast Index has not wear-tested either.\n\n## Who it’s for\n\nLong days, humid weather and events where makeup needs to stay put. It sets without changing a natural finish; Urban Decay sells separate matte and glow versions if you want the spray to change the finish.\n\n## What should you check before buying?\n\nIt contains fragrance and denatured alcohol, which not every skin tolerates. Urban Decay’s UK site has closed, so compare prices and formula codes at UK retailers. A setting spray does not add sun protection.\n\n## How to use it\n\n1. Shake well\n2. Hold the bottle at arm’s length and mist over finished makeup in an X and T shape\n3. Let it dry without touching the face\n\n## Questions and answers\n\n### How long does Urban Decay All Nighter last?\n\nUrban Decay claims up to 24-hour wear for the reformulated spray, based on its own consumer test of 102 people. Older listings may still quote the previous formula’s 16-hour claim.\n\n### Does Urban Decay All Nighter contain fragrance?\n\nYes. The ingredient list includes fragrance (parfum) and denatured alcohol.\n\n### Where can I buy Urban Decay in the UK?\n\nUrban Decay’s UK website has closed and directs buyers to retailers such as Boots and LOOKFANTASTIC.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/setting\n"},{"url":"https://thecastindex.com/beauty/vaseline-lip-therapy-original","markdownUrl":"https://thecastindex.com/beauty/vaseline-lip-therapy-original.md","title":"Vaseline Lip Therapy Original","lastmod":"2026-07-28","sha256":"ebc8018bb975986ad12f99de76d805b2c7d63fedfb0a2dce17ec50304ef68ca8","bytes":4430,"markdown":"# Vaseline Lip Therapy Original\n\n> Vaseline Lip Therapy Original is a UK Lip Therapy tin with a Petrolatum (100%) ingredient statement, used to lock in moisture and leave a natural shine. The Cast Index assigns it to Wet lip signal as a clear occlusive, not as a medical healing agent.\n\n- Canonical: https://thecastindex.com/beauty/vaseline-lip-therapy-original\n- Category: Lips\n- Format: Petrolatum lip occlusive\n- Finish: Natural shine\n- Best for: Occlusive moisture lock before wet-lip shine\n- Official: https://www.vaseline.com/uk/p/vaseline-lip-therapy-original.html/05099802150117\n- Reviewed: 2026-07-28\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nClear occlusive for Wet lip signal — locks moisture and leaves a natural shine the photograph can read before colour oils.\n\n## The formula\n\nVaseline Lip Therapy Original on the UK site carries a simple ingredient statement: Petrolatum (100%). That is an occlusive film-former. It sits on the lip surface and reduces transepidermal water loss; it does not “treat disease.” Brand marketing may use comfort language around dry lips — the desk keeps the mechanism accurate: occlusion and shine.\n\nVitamin E appears in some Vaseline marketing sentences for this SKU; it does not appear on the UK ingredient statement checked (100% petrolatum). This profile therefore does not claim vitamin E.\n\n## Season finish — Wet lip signal\n\nWet lip signal is a single reflective focal point — clear or tinted shine — while eyes and brows stay quiet. A 100% petrolatum tin is the clearest, lowest-opacity way to wet the mouth for camera: shine without pigment politics.\n\nUse alone when the brief wants pure reflection, or as the cushion under a sheer lip oil (Dior, Gisou) when colour is optional. It is prep and signal, not a lipstick.\n\n## Working kit\n\nApply a thin coat to clean lips. For casting: blot once if the shine reads too wet for the lens, or leave high-gloss for a true wet-lip frame. Pair with glass skin and soft flush; keep eyes minimal.\n\nWrong under matte liquid lipstick that needs a dry base. Wrong if the wearer cannot tolerate petrolatum. Differentiate from Aquaphor: Vaseline tin here is 100% petrolatum lip shine; Aquaphor is a multi-purpose 41% petrolatum ointment with a greasier, kit-seal role.\n\n## Limitations and brand cautions\n\nCosmetic / skin-care occlusive use only. Not for ingestion. Discontinue if irritation occurs. Do not present as a medicine for infected or severely cracked lips — that needs clinical care. Keep the tin clean for backstage hygiene.\n\n## How to use it\n\n1. Apply liberally to the lips as required\n2. For Wet lip signal, wear alone for clear shine or under a sheer lip oil\n3. Blot lightly if the camera needs less specular reflection\n4. Do not use as a substitute for medical treatment of severe lip conditions\n\n## Questions and answers\n\n### What is in Vaseline Lip Therapy Original?\n\nThe Vaseline UK ingredient statement for Lip Therapy Original lists Petrolatum (100%). It is an occlusive petrolatum product positioned for dry, chapped lips and moisture lock.\n\n### How does Vaseline Lip Therapy Original serve Wet lip signal?\n\nWet lip signal is reflective mouth shine with quiet eyes. 100% petrolatum leaves a natural glossy film that can carry that photograph without opaque lipstick colour.\n\n### Is Vaseline Lip Therapy Original a medical healing treatment?\n\nNo. The Cast Index treats it as an occlusive moisturiser that locks in moisture. Brand comfort claims for dry lips are not clinical treatment of disease.\n\n### Is Vaseline Lip Therapy Original 100% petrolatum?\n\nYes. The Vaseline UK product page ingredient statement for Lip Therapy Original lists Petrolatum (100%). The Cast Index files it as a clear occlusive for Wet lip signal shine.\n\n### How should Vaseline Lip Therapy Original be used before a wet-lip look?\n\nApply liberally to clean lips as Vaseline directs. Wear alone for clear reflection, or as a thin occlusive cushion under a sheer lip oil when Wet lip signal needs a hint of tint.\n\n### Vaseline or Aquaphor for Wet lip signal?\n\nVaseline Lip Therapy Original is 100% petrolatum with a natural shiny finish for the mouth. Aquaphor Healing Ointment is a 41% petrolatum multi-purpose ointment — thicker seal, different kit job. Pick by texture need, not by “healing” language.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/lips\n"},{"url":"https://thecastindex.com/beauty/vs","markdownUrl":"https://thecastindex.com/beauty/vs.md","title":"This or that, answered","lastmod":"2026-10-01","sha256":"d2d8ce97faf2a7ceef1f67665df58d32da8c39d452f767dbc08bd48391e2fb59","bytes":4216,"markdown":"# This or that, answered\n\n> Desk-researched head-to-head beauty comparisons with specifications, UK prices and “choose this if” verdicts. Not lab or hands-on tested; inclusion is never sold.\n\n- Canonical: https://thecastindex.com/beauty/vs\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-09-25\n\n## [Crystal Retinal vs The Ordinary Retinal 0.2%](https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal)\n\n- Option A: Medik8 Crystal Retinal\n- Option B: The Ordinary Retinal 0.2% Emulsion\n\nChoose Medik8 Crystal Retinal if you are new to retinoids or want a graduated route: six strengths from 0.01%. Choose The Ordinary Retinal 0.2% if you already tolerate retinoids and want high-strength retinal cheaply — £15.20 for 15ml, against £104 for 30ml of Medik8’s equivalent 0.2% strength. Both are evening-only.\n\nMarkdown: https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal.md\n\n## [C E Ferulic vs C-Tetra](https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra)\n\n- Option A: SkinCeuticals C E Ferulic\n- Option B: Medik8 C-Tetra\n\nChoose SkinCeuticals C E Ferulic if you want the most-studied form of vitamin C — 15% L-ascorbic acid with vitamin E and ferulic acid, fragrance-free — and accept £169. Choose Medik8 C-Tetra at £45 for a stable, water-free oil with 7% tetrahexyldecyl ascorbate. Both go on in the morning, under sunscreen.\n\nMarkdown: https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra.md\n\n## [Relief Sun vs Birch Juice Sun Cream](https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice)\n\n- Option A: Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+\n- Option B: Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++\n\nBoth list the same four UV filters and SPF50+ PA++++, so choose by texture and ingredients. Pick Beauty of Joseon Relief Sun for a dewy, fragrance-free cream at about £15. Pick Round Lab Birch Juice for a more moisturising cream on dry skin, at £21, accepting chamomile and pine-leaf botanicals.\n\nMarkdown: https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice.md\n\n## [Dior Lip Glow Oil vs Rhode Lip Treatment](https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment)\n\n- Option A: Dior Addict Lip Glow Oil\n- Option B: Rhode Peptide Lip Treatment\n\nChoose Dior Addict Lip Glow Oil if you want shine with a choice of colour — 19 UK shades from sheer Juicy to saturated Glaze — at £34 for 6ml; it contains fragrance and menthol. Choose Rhode Peptide Lip Treatment for untinted, glossy conditioning with peptides and plant butters at £20 for 10ml, fragrance-free in its unscented version.\n\nMarkdown: https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment.md\n\n## [Airbrush Flawless vs Double Wear](https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear)\n\n- Option A: Charlotte Tilbury Airbrush Flawless Foundation\n- Option B: Estée Lauder Double Wear LongWear Matte Foundation SPF 10\n\nChoose Estée Lauder Double Wear if you want oil-free, non-comedogenic, fragrance-free long wear and the widest shade match: 60 shades, natural matte, £39.50. Choose Charlotte Tilbury Airbrush Flawless for full coverage with a blurred soft-matte finish in 44 shades at £40, accepting menthol and no SPF. Re-match either: both changed formula recently.\n\nMarkdown: https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear.md\n\n## [Dyson Airwrap vs Shark FlexStyle](https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle)\n\n- Option A: Dyson Airwrap Co-anda2x Multi-styler and Dryer\n- Option B: Shark FlexStyle 5-in-1 Air Styler & Hair Dryer\n\nChoose the Dyson Airwrap Co-anda2x if you want an air-straightening attachment, Dyson’s automated i.d. curl sequence and the higher stated power, and the £579.99 UK price is acceptable. Choose the Shark FlexStyle if price leads: £269.99 RRP for a dryer that twists into a styling wand, with a diffuser in the box.\n\nMarkdown: https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle.md\n"},{"url":"https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice","markdownUrl":"https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice.md","title":"Beauty of Joseon Relief Sun vs Round Lab Birch Juice Sun Cream.","lastmod":"2026-09-25","sha256":"db83f464d01e654e43d9a945edd8fe2be20b62b959d6d2b613b78f82f3590fac","bytes":5903,"markdown":"# Beauty of Joseon Relief Sun vs Round Lab Birch Juice Sun Cream.\n\n> Two Korean SPF50+ PA++++ creams built on the same four UV filters. The differences are texture, supporting ingredients, botanicals and price.\n\n- Canonical: https://thecastindex.com/beauty/vs/beauty-of-joseon-relief-sun-vs-round-lab-birch-juice\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Option A: [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide)\n- Option B: [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy Beauty of Joseon Relief Sun or Round Lab Birch Juice Sun Cream?**\n\nBoth list the same four UV filters and SPF50+ PA++++, so choose by texture and ingredients. Pick Beauty of Joseon Relief Sun for a dewy, fragrance-free cream at about £15. Pick Round Lab Birch Juice for a more moisturising cream on dry skin, at £21, accepting chamomile and pine-leaf botanicals.\n\n## Side by side\n\n| Specification | Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ | Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++ |\n| --- | --- | --- |\n| Format | SPF50+ PA++++ cream sunscreen | Cream sunscreen |\n| Finish | Dewy, lightweight cream | Moisturising, no white cast |\n| Protection | SPF50+ PA++++ | SPF50+ PA++++ |\n| UV filters | Uvinul A Plus, ethylhexyl triazone, Tinosorb M, diethylhexyl butamido triazone | Uvinul A Plus, ethylhexyl triazone, Tinosorb M, diethylhexyl butamido triazone |\n| Key ingredients | Rice extract (30%, per the brand), rice germ, niacinamide, ferment extracts | Birch juice, hyaluronic acid, niacinamide, allantoin, vitamins C and E |\n| Texture | Creamy yet lightweight, dewy | Soft, moisturising cream |\n| Fragrance | Fragrance-free and alcohol-free, per the brand | No added parfum; chamomile and pine-leaf botanicals listed |\n| Size and UK price | 50ml, £15 (brand UK store); £15.50 RRP at retailers | 50ml, £21 RRP at Boots and LOOKFANTASTIC |\n| Water resistance | None claimed | None claimed |\n| Market note | Renamed from Rice + Probiotics; not sold in the US | Round Lab’s US store sells different US-market sunscreens |\n| Guide price | £15 | £21 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## Choose Relief Sun: Rice + Niacinamide SPF50+ if\n\n- You want a fragrance-free, alcohol-free formula\n- You prefer a lighter, dewy cream\n- You want the lower price\n- Your skin is normal to combination\n\n## Choose Birch Juice Moisturizing Sun Cream SPF50+ PA++++ if\n\n- Your skin is dry and you want the sunscreen to double as moisturiser\n- You like hyaluronic acid and allantoin in the formula\n- You do not react to chamomile or pine botanicals\n- The brand’s own UK stock of Relief Sun is sold out\n\n## What they have in common\n\n- The same four UV filters, all permitted in the UK and EU (concentrations are not published)\n- SPF50+ PA++++ on both labels\n- Niacinamide in both formulas\n- No water resistance claimed — reapply after swimming, sweating or towelling\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Do Relief Sun and Round Lab Birch Juice use the same UV filters?\n\nYes. UK listings for both name Uvinul A Plus, ethylhexyl triazone, Tinosorb M and diethylhexyl butamido triazone. The brands do not publish filter concentrations, so identical filter lists do not make the formulas identical.\n\n### Which is better for oily skin?\n\nNeither is a matte formula. Relief Sun’s lighter, dewy cream is the easier fit for combination skin; very oily skin may prefer a fluid such as COSRX Ultra-Light Invisible Sunscreen.\n\n### Is Beauty of Joseon Relief Sun still sold in the UK?\n\nYes. Beauty of Joseon’s UK page now calls it Relief Sun: Rice + Niacinamide and says the formula is unchanged from Rice + Probiotics. It was withdrawn from the US market in early 2025.\n\n### Are either of them water resistant?\n\nNeither claims water resistance. Use a water-resistant sunscreen for swimming or sport and reapply after towelling.\n\n## Sources\n\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+ — official product page](https://beautyofjoseon.com/products/relief-sun-rice-probiotics-spf50-pa-uk?country=GB&currency=GBP)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++ — official product page](https://roundlab.co.kr/product/detail.html?product_no=138)\n- [Beauty of Joseon — authorised online retailers](https://beautyofjoseon.com/pages/authorized-online-retailers)\n- [LOOKFANTASTIC — Round Lab Birch Juice Sun Cream 50ml](https://www.lookfantastic.com/p/round-lab-birch-juice-sun-cream-spf50-pa-50ml/16858531/)\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/)\n- [Japan Cosmetic Industry Association — SPF and PA measurement standards](https://www.jcia.org/en/common/download/top/jcia-notifications-spf-pa.pdf)\n\n## Related best-of guides\n\n- [Best Korean sunscreens (UK)](https://thecastindex.com/beauty/best/best-korean-sunscreens-uk)\n- [Best affordable beauty under £20](https://thecastindex.com/beauty/best/best-affordable-beauty-under-20)\n"},{"url":"https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear","markdownUrl":"https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear.md","title":"Charlotte Tilbury Airbrush Flawless vs Estée Lauder Double Wear.","lastmod":"2026-09-25","sha256":"da1f8f3325714110816bb50260968cb8b0daa8e04a366052d1da7e621778ad73","bytes":5518,"markdown":"# Charlotte Tilbury Airbrush Flawless vs Estée Lauder Double Wear.\n\n> Two long-wear matte foundations, both reformulated within the past year: full soft-matte coverage against oil-free natural matte with the wider shade range.\n\n- Canonical: https://thecastindex.com/beauty/vs/charlotte-tilbury-airbrush-flawless-vs-estee-lauder-double-wear\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Option A: [Charlotte Tilbury Airbrush Flawless Foundation](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation)\n- Option B: [Estée Lauder Double Wear LongWear Matte Foundation SPF 10](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy Charlotte Tilbury Airbrush Flawless or Estée Lauder Double Wear?**\n\nChoose Estée Lauder Double Wear if you want oil-free, non-comedogenic, fragrance-free long wear and the widest shade match: 60 shades, natural matte, £39.50. Choose Charlotte Tilbury Airbrush Flawless for full coverage with a blurred soft-matte finish in 44 shades at £40, accepting menthol and no SPF. Re-match either: both changed formula recently.\n\n## Side by side\n\n| Specification | Charlotte Tilbury Airbrush Flawless Foundation | Estée Lauder Double Wear LongWear Matte Foundation SPF 10 |\n| --- | --- | --- |\n| Format | Liquid foundation | Liquid foundation |\n| Finish | Soft matte | Natural matte |\n| Coverage | Full | Buildable medium to full |\n| Shades | 44 | 60 |\n| SPF | None | SPF 10 |\n| Oil-free / non-comedogenic | No claim on the UK page | Both claimed |\n| Fragrance | No fragrance-free claim; menthol and alcohol listed | Fragrance-free, per the brand |\n| Brand wear claims | Up to 24 hours (305-person consumer test); waterproof, transfer-proof | Up to 36 hours; transfer-proof, waterproof colour |\n| Size and UK price | 30ml, £40 | 30ml, £39.50 (pump sold separately) |\n| Latest formula | August 2025, with a new shade range | February 2026 in the UK |\n| Guide price | £40 | £39.50 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## Choose Airbrush Flawless Foundation if\n\n- You want full coverage from the first layer\n- You like a blurred, soft-focus matte finish\n- You do not need an oil-free or fragrance-free label\n- Your shade is within the 44-shade range\n\n## Choose Double Wear LongWear Matte Foundation SPF 10 if\n\n- Your skin is oily or breakout-prone and you look for oil-free, non-comedogenic labels\n- You want a fragrance-free formula\n- You need the wider 60-shade range\n- You prefer to build coverage only where needed\n\n## What they have in common\n\n- Long-wear, matte-leaning finishes designed for shine control\n- Both reformulated within the past year — previous wearers are advised to re-match\n- Both 30ml at around £40\n- Neither replaces a dedicated sunscreen\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Which lasts longer, Airbrush Flawless or Double Wear?\n\nEstée Lauder claims up to 36 hours for Double Wear and Charlotte Tilbury up to 24 hours for Airbrush Flawless. Both are brand claims from their own testing; we have not wear-tested either.\n\n### Which is better for oily skin?\n\nDouble Wear carries oil-free and non-comedogenic claims, which the American Academy of Dermatology suggests looking for on oily skin. Airbrush Flawless makes no such claim on its UK page, though it is designed for shine control.\n\n### Do I need to re-match my shade?\n\nYes, for either. Charlotte Tilbury replaced its shade range with the August 2025 formula, and Estée Lauder advises previous Double Wear users to re-match after the 2026 reformulation.\n\n### Does either foundation have SPF?\n\nDouble Wear is labelled SPF 10; Airbrush Flawless has none. Foundation SPF is not a substitute for sunscreen, so wear a dedicated sunscreen underneath either.\n\n## Sources\n\n- [Charlotte Tilbury Airbrush Flawless Foundation — official product page](https://www.charlottetilbury.com/uk/product/airbrush-flawless-foundation-shade-4-neutral)\n- [Estée Lauder Double Wear LongWear Matte Foundation SPF 10 — official product page](https://www.esteelauder.co.uk/product/643/143007/product-catalog/makeup/face/foundations/double-wear-stay-in-place/longwear-matte-foundation-spf-10)\n- [Charlotte Tilbury — the new Airbrush Flawless Foundation formula](https://www.charlottetilbury.com/uk/secrets/new-airbrush-flawless-foundation-formula)\n- [Cosmetics Business — Estée Lauder reformulates Double Wear](https://cosmeticsbusiness.com/est%C3%A9e-lauder-reformulates-hero-foundation-double-wear)\n- [American Academy of Dermatology — How to control oily skin](https://www.aad.org/public/everyday-care/skin-care-basics/dry/oily-skin)\n\n## Related best-of guides\n\n- [Best foundations for oily skin](https://thecastindex.com/beauty/best/best-foundations-for-oily-skin)\n"},{"url":"https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment","markdownUrl":"https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment.md","title":"Dior Addict Lip Glow Oil vs Rhode Peptide Lip Treatment.","lastmod":"2026-10-01","sha256":"e02602502d686209d14da81c5d217bddeb9ef9ca9d53208ea5fba750c1e75825","bytes":5724,"markdown":"# Dior Addict Lip Glow Oil vs Rhode Peptide Lip Treatment.\n\n> A tinted luxury lip oil with a wide shade choice, against an untinted peptide treatment in a squeeze tube.\n\n- Canonical: https://thecastindex.com/beauty/vs/dior-lip-glow-oil-vs-rhode-peptide-lip-treatment\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-10-01\n- Option A: [Dior Addict Lip Glow Oil](https://thecastindex.com/beauty/dior-addict-lip-glow-oil)\n- Option B: [Rhode Peptide Lip Treatment](https://thecastindex.com/beauty/rhode-peptide-lip-treatment)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy Dior Addict Lip Glow Oil or Rhode Peptide Lip Treatment?**\n\nChoose Dior Addict Lip Glow Oil if you want shine with a choice of colour — 19 UK shades from sheer Juicy to saturated Glaze — at £34 for 6ml; it contains fragrance and menthol. Choose Rhode Peptide Lip Treatment for untinted, glossy conditioning with peptides and plant butters at £20 for 10ml, fragrance-free in its unscented version.\n\n## Side by side\n\n| Specification | Dior Addict Lip Glow Oil | Rhode Peptide Lip Treatment |\n| --- | --- | --- |\n| Format | Lip oil | Lip treatment |\n| Finish | High shine | Glossy, high shine |\n| Colour | 19 shades on Dior UK: Juicy, Sparkly, Glaze and Pop Glow | Untinted (Peptide Lip Tint is the tinted version) |\n| Key ingredients | Cherry seed oil; Dior’s Color Reviver technology | Palmitoyl tripeptide-1, shea, babassu and cupuaçu butters, vitamin E |\n| Applicator | Wand | Squeeze tube |\n| Size and UK price | 6ml, £34 | 10ml, £20 |\n| Price per ml | About £5.67 | £2 |\n| Fragrance | Contains parfum, vanillin, menthol and peppermint oil | Unscented version labelled fragrance-free; flavoured versions list fragrance or flavour; all contain stevioside, a sweetener |\n| Where to buy in the UK | Dior and authorised retailers | Rhode’s UK site and Sephora UK (online and in stores since November 2025) |\n| Guide price | £34 | £20 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## Choose Dior Addict Lip Glow Oil if\n\n- You want colour as well as shine\n- You like choosing between sheer, shimmering and more saturated finishes\n- You prefer a wand applicator\n- You enjoy a scented, slightly cooling lip product — it lists menthol and peppermint oil\n\n## Choose Peptide Lip Treatment if\n\n- You want untinted, cared-for lips\n- You avoid fragrance — choose the unscented version\n- You want more product for less: £20 for 10ml\n- You prefer a vegan formula, per the brand\n\n## What they have in common\n\n- Both give a glossy, high-shine finish\n- Both can be worn alone or over a lip liner\n- Neither carries an SPF\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Is Dior Lip Glow Oil or Rhode Peptide Lip Treatment more moisturising?\n\nWe have not wear-tested either. Rhode’s formula is built around plant butters and a peptide; Dior’s around cherry seed oil. Choose Rhode if conditioning is the priority and Dior if colour and shine lead.\n\n### Does Rhode Peptide Lip Treatment have colour?\n\nNo. The Treatment is untinted. Rhode sells tinted versions separately as Peptide Lip Tint.\n\n### How many shades does Dior Addict Lip Glow Oil come in?\n\nDior UK listed 19 shades when re-checked on 1 October 2026: 16 core shades across Juicy, Sparkly and Glaze, including 012 Rosewood and 015 Cherry, plus three limited-edition Pop Glow shades.\n\n### Where can I buy Rhode in the UK?\n\nFrom Rhode’s UK site and Sephora UK, online and in stores, since 10 November 2025. On 30 September 2026 Rhode added Sephora in 19 further European markets; Dior Addict Lip Glow Oil is sold by Dior and authorised UK retailers.\n\n### Which is better value?\n\nBy volume, Rhode: £20 for 10ml is £2 per ml, against about £5.67 per ml for Dior’s £34, 6ml oil.\n\n### Does Dior Addict Lip Glow Oil contain fragrance?\n\nYes. The Dior UK ingredient lists checked include parfum (fragrance), vanillin, ethyl vanillin, menthol and peppermint oil. Rhode’s unscented Peptide Lip Treatment is the fragrance-free alternative.\n\n## Sources\n\n- [Dior Addict Lip Glow Oil — official product page](https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html)\n- [Rhode Peptide Lip Treatment — official product page](https://www.rhodeskin.com/en-gb/products/peptide-lip-treatment)\n- [Dior UK — Dior Addict Lip Glow Oil](https://www.dior.com/en_gb/beauty/products/dior-addict-lip-glow-oil-Y0000163.html)\n- [Rhode UK — FAQ and sales channels](https://www.rhodeskin.com/en-gb/pages/faq)\n- [Cosmetics Business — Sephora UK confirms Rhode launch date (21 October 2025)](https://cosmeticsbusiness.com/sephora-uk-confirms-launch-date-of-hailey-biebers-rhode)\n- [Business Wire — rhode launches at Sephora in Europe across 19 new markets (30 September 2026)](https://www.businesswire.com/news/home/20260929500812/en/rhode-Launches-at-Sephora-in-Europe-Marking-Its-First-Retail-Presence-Across-19-New-Markets)\n\n## Related best-of guides\n\n- [Best lip oils, balms & glosses](https://thecastindex.com/beauty/best/best-lip-oils-and-balms)\n"},{"url":"https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle","markdownUrl":"https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle.md","title":"Dyson Airwrap Co-anda2x vs Shark FlexStyle.","lastmod":"2026-10-01","sha256":"e4dffb2b3173e8e99081f03c4158237f0bfc91f590fbe8613db9c64aa9c38ee9","bytes":6915,"markdown":"# Dyson Airwrap Co-anda2x vs Shark FlexStyle.\n\n> Two Coanda-effect hair stylers compared on the manufacturers’ own UK specifications: what comes in the box, power, heat settings, how each dries hair and what each costs.\n\n- Canonical: https://thecastindex.com/beauty/vs/dyson-airwrap-vs-shark-flexstyle\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-10-01\n- Updated: 2026-10-01\n- Option A: [Dyson Airwrap Co-anda2x Multi-styler and Dryer](https://thecastindex.com/beauty/dyson-airwrap-co-anda2x)\n- Option B: [Shark FlexStyle 5-in-1 Air Styler & Hair Dryer](https://thecastindex.com/beauty/shark-flexstyle-air-styler-hair-dryer)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy the Dyson Airwrap Co-anda2x or the Shark FlexStyle?**\n\nChoose the Dyson Airwrap Co-anda2x if you want an air-straightening attachment, Dyson’s automated i.d. curl sequence and the higher stated power, and the £579.99 UK price is acceptable. Choose the Shark FlexStyle if price leads: £269.99 RRP for a dryer that twists into a styling wand, with a diffuser in the box.\n\n## Side by side\n\n| Specification | Dyson Airwrap Co-anda2x Multi-styler and Dryer | Shark FlexStyle 5-in-1 Air Styler & Hair Dryer |\n| --- | --- | --- |\n| Format | Multi-attachment hair styler | Hair dryer that twists into an air styler |\n| Finish | Curl, shape or smooth | Curl, smooth or volume |\n| UK set compared | Straight+Wavy, Ceramic pink/Rose gold | HD446UK, Black, with storage case |\n| How it dries hair | Fast dryer 2x attachment | The handle twists into a conventional hair dryer |\n| Attachments in the box | Six: Conical and 40mm Co-anda2x curling barrels, Air straightener 2x, Large round volumising brush 2x, Anti-snag loop brush 2x, Fast dryer 2x | Six: two Auto-Wrap curlers (left and right), paddle brush, oval brush, styling concentrator, curl-defining diffuser |\n| Case | Presentation case | Storage case |\n| Power | 1,700W | 1,650W |\n| Heat and airflow settings | Four heat, three speed | Three heat, three airflow |\n| Motor and airflow (brand figures) | Up to 150,000rpm; 13.3 litres per second; 7kPa of pressure | Not stated on the UK product page |\n| Heat monitoring (brand claim) | Measures air temperature more than 1,000 times a second | Measures heat 1,000 times a second |\n| Weight as listed | 0.716kg (device) | 3.6kg, listed with box-sized dimensions, so not comparable |\n| Cable | 2m | Not stated on the UK product page |\n| UK price, 1 October 2026 | £579.99 on Dyson UK | £269.99 RRP; £229.99 on SharkNinja UK |\n| Guarantee | 2 years | 2 years |\n| Guide price | £579.99 | £269.99 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-10-01; they may have changed.\n\n## Choose Airwrap Co-anda2x Multi-styler and Dryer if\n\n- You want an air-straightening attachment in the box\n- You like the idea of Dyson’s one-touch i.d. curl sequence and the MyDyson app\n- You want the higher stated power and published airflow figures\n- You already own Co-anda2x attachments — earlier Airwrap ones do not fit\n\n## Choose FlexStyle 5-in-1 Air Styler & Hair Dryer if\n\n- Price leads: the RRP is less than half the Dyson’s\n- You want a conventional hair-dryer shape for rough-drying\n- You have curly hair and want a diffuser in the box\n- You prefer to add individual attachments later, at £24.99 each on SharkNinja UK\n\n## What they have in common\n\n- Both use the Coanda effect to wrap hair around a curling barrel with air\n- Both claim to monitor temperature 1,000 or more times a second to limit heat damage\n- Both include six attachments and a case in the UK sets compared\n- Both come with a two-year guarantee from the manufacturer\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Is the Shark FlexStyle a Dyson Airwrap dupe?\n\nIt is the closest-format alternative rather than a copy. Both use the Coanda effect to wrap hair around a curling barrel, but the attachments, power and heat settings differ, and the Shark’s handle twists into a hair dryer. We have not tested the two side by side.\n\n### Which is cheaper, the Dyson Airwrap or the Shark FlexStyle?\n\nThe Shark. On 1 October 2026 the FlexStyle HD446UK set had an RRP of £269.99 and was £229.99 on SharkNinja UK; the Dyson Airwrap Co-anda2x Straight+Wavy set was £579.99 on Dyson UK.\n\n### Does the Shark FlexStyle have a straightener attachment?\n\nNot in the HD446UK set. It includes a paddle brush and an oval brush for smoothing; SharkNinja sells other attachments separately. The Dyson Straight+Wavy set includes the Air straightener 2x.\n\n### Do Dyson Airwrap attachments fit the Shark FlexStyle?\n\nNo — they are separate systems. Dyson also says earlier Airwrap attachments do not fit the Co-anda2x.\n\n### Do they damage hair?\n\nBoth brands say their devices limit heat damage by monitoring temperature many times a second. Those are manufacturer claims, not independent findings; the heat setting you choose and how often you style still matter.\n\n### Which is more powerful?\n\nOn paper, the Dyson: 1,700W against the Shark’s 1,650W, and Dyson publishes motor speed, airflow and pressure figures that Shark does not list on its UK page. Wattage alone does not tell you how a styler will perform on your hair.\n\n## Sources\n\n- [Dyson Airwrap Co-anda2x Multi-styler and Dryer — official product page](https://www.dyson.co.uk/hair-care/hair-stylers/airwrap-co-anda2x/straight-wavy-ceramic-pink-rose-gold)\n- [Shark FlexStyle 5-in-1 Air Styler & Hair Dryer — official product page](https://www.sharkninja.co.uk/shark-flexstyle-5-in-1-air-styler-hair-dryer-with-storage-case-black-hd446uk/HD446UK.html)\n- [Dyson UK — Airwrap Co-anda2x multi-styler and dryer, Straight+Wavy (specifications and in the box)](https://www.dyson.co.uk/hair-care/hair-stylers/airwrap-co-anda2x/straight-wavy-ceramic-pink-rose-gold)\n- [SharkNinja UK — Shark FlexStyle 5-in-1 Air Styler & Hair Dryer with Storage Case, HD446UK (product details and in the box)](https://www.sharkninja.co.uk/shark-flexstyle-5-in-1-air-styler-hair-dryer-with-storage-case-black-hd446uk/HD446UK.html)\n- [PR Newswire — Dyson relaunches Airwrap Co-anda2x with four new attachments (9 July 2026)](https://www.prnewswire.com/news-releases/dyson-relaunches-its-fastest-most-powerful-airwrap-coanda2x-multi-styler-with-four-new-attachments-302821378.html)\n"},{"url":"https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal","markdownUrl":"https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal.md","title":"Medik8 Crystal Retinal vs The Ordinary Retinal 0.2%.","lastmod":"2026-09-25","sha256":"59e4dc12513a32c6ab6039a91a74200d7085fad585e455c32752fed62ddbd217","bytes":5278,"markdown":"# Medik8 Crystal Retinal vs The Ordinary Retinal 0.2%.\n\n> Two retinaldehyde serums with very different price points and starting points: a six-step strength ladder against a single high-strength emulsion.\n\n- Canonical: https://thecastindex.com/beauty/vs/medik8-crystal-retinal-vs-the-ordinary-retinal\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Option A: [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal)\n- Option B: [The Ordinary Retinal 0.2% Emulsion](https://thecastindex.com/beauty/the-ordinary-retinal-02-emulsion)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy Medik8 Crystal Retinal or The Ordinary Retinal 0.2%?**\n\nChoose Medik8 Crystal Retinal if you are new to retinoids or want a graduated route: six strengths from 0.01%. Choose The Ordinary Retinal 0.2% if you already tolerate retinoids and want high-strength retinal cheaply — £15.20 for 15ml, against £104 for 30ml of Medik8’s equivalent 0.2% strength. Both are evening-only.\n\n## Side by side\n\n| Specification | Medik8 Crystal Retinal | The Ordinary Retinal 0.2% Emulsion |\n| --- | --- | --- |\n| Format | Retinal night serum | Retinal serum emulsion |\n| Finish | Serum | Light emulsion |\n| Retinoid | Retinaldehyde, 0.01%–0.24% across six strengths | Retinaldehyde, 0.2% |\n| Size | 30ml per strength | 15ml |\n| At 0.2% strength | Crystal Retinal 20: £104 for 30ml | £15.20 for 15ml |\n| Supporting ingredients | Hyaluronic acid, vitamin E, squalane, vitamin C derivatives | Synthetic oat analogue, hydroxyapatite |\n| Fragrance | “No artificial fragrance”, but coumarin, tonka bean and vanilla extracts are listed | No fragrance on the ingredient list |\n| Starting schedule | Twice a week for two weeks, alternate nights for two, then nightly | Once a week, building to twice a week |\n| Aimed at | First-time to expert users, one strength at a time | Experienced retinoid users |\n| Pregnancy guidance | Medik8 advises avoiding vitamin A | Not tested in pregnancy; speak to a doctor |\n| Guide price | from £45 | £15.20 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## Choose Crystal Retinal if\n\n- You are new to retinoids and want to start at a very low strength\n- You like a clear path — finish a tube, then move up\n- You want a 30ml bottle\n- You prefer a single brand routine with written build-up steps\n\n## Choose Retinal 0.2% Emulsion if\n\n- You already use a retinoid comfortably\n- You want 0.2% retinal for £15.20\n- You prefer a formula with no fragrance on the ingredient list\n- You are happy with a low-frequency schedule of once or twice a week\n\n## What they have in common\n\n- Both use retinaldehyde (retinal), one step closer to retinoic acid than retinol\n- Both are evening treatments, with sunscreen the next morning\n- Both are vegan, according to the brands\n- Neither is covered by the EU’s 0.3% retinol limit, which applies to retinol and its esters, not retinal\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Is The Ordinary Retinal 0.2% the same strength as Medik8 Crystal Retinal 20?\n\nBoth are 0.2% retinaldehyde by stated concentration. The supporting formulas, sizes and directions differ, so the products are not interchangeable one-for-one.\n\n### Which is better for a retinoid beginner?\n\nMedik8 Crystal Retinal, because the range starts at 0.01% and asks you to finish a tube before moving up. The Ordinary positions its 0.2% emulsion for experienced users.\n\n### Can I use both together?\n\nNo. The Ordinary says not to combine its retinal with other retinoids, and layering two retinal serums increases the risk of irritation. Choose one.\n\n### Which is better value?\n\nAt the same 0.2% strength, The Ordinary costs about £1 per ml and Medik8 Crystal Retinal 20 about £3.47 per ml. Medik8’s lower strengths cost less, from £45 for 30ml.\n\n## Sources\n\n- [Medik8 Crystal Retinal — official product page](https://www.medik8.com/products/crystal-retinal)\n- [The Ordinary Retinal 0.2% Emulsion — official product page](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html)\n- [Medik8 — Crystal Retinal 24 strength](https://www.medik8.com/pages/new-strength-formula-crystal-retinal-24)\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol)\n- [EUR-Lex — Regulation (EU) 2024/996 on vitamin A in cosmetics](https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX%3A32024R0996)\n\n## Related best-of guides\n\n- [Best retinol & retinal serums](https://thecastindex.com/beauty/best/best-retinol-serums)\n"},{"url":"https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra","markdownUrl":"https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra.md","title":"SkinCeuticals C E Ferulic vs Medik8 C-Tetra.","lastmod":"2026-09-25","sha256":"496b3fb7978b506e9f90528bb3cac66401ec53e0934952c8ffbfb88b3dad8619","bytes":5264,"markdown":"# SkinCeuticals C E Ferulic vs Medik8 C-Tetra.\n\n> The most-studied form of vitamin C at a premium price, against a stable, water-free derivative at a quarter of the cost.\n\n- Canonical: https://thecastindex.com/beauty/vs/skinceuticals-c-e-ferulic-vs-medik8-c-tetra\n- Author: Kaiser Khan (Founder & Editor)\n- Published: 2026-09-25\n- Updated: 2026-09-25\n- Option A: [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic)\n- Option B: [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra)\n- Method: desk research from published formulas, specifications and brand/retailer information — not lab or hands-on tested\n\n## The verdict\n\n**Should I buy SkinCeuticals C E Ferulic or Medik8 C-Tetra?**\n\nChoose SkinCeuticals C E Ferulic if you want the most-studied form of vitamin C — 15% L-ascorbic acid with vitamin E and ferulic acid, fragrance-free — and accept £169. Choose Medik8 C-Tetra at £45 for a stable, water-free oil with 7% tetrahexyldecyl ascorbate. Both go on in the morning, under sunscreen.\n\n## Side by side\n\n| Specification | SkinCeuticals C E Ferulic | Medik8 C-Tetra |\n| --- | --- | --- |\n| Format | Antioxidant serum | Vitamin C oil serum |\n| Finish | Light, silky | Lightweight oil |\n| Vitamin C form | L-ascorbic acid, 15% | Tetrahexyldecyl ascorbate, 7% |\n| Other antioxidants | Vitamin E 1%, ferulic acid 0.5% | Vitamin E |\n| Base | Water-based serum | Water-free lightweight oil |\n| Size and price | 30ml, £169 | 30ml, £45 (8ml travel size £15) |\n| Fragrance | Listed as fragrance-free by Space NK | Grapefruit peel oil; limonene, citral, linalool and geraniol listed |\n| Directions | Four to five drops each morning on dry skin, then moisturiser and SPF | Four drops each morning, then sunscreen; patch test first |\n| Stability | L-ascorbic acid oxidises and can darken over time | Derivative designed to resist oxidation |\n| Where to buy in the UK | Authorised retailers such as LOOKFANTASTIC, Cult Beauty and Space NK | Medik8’s UK store and UK retailers |\n| Guide price | £169 | £45 |\n\nPrices are UK guide prices from the brand’s official page or a named UK retailer, checked 2026-09-25; they may have changed.\n\n## Choose C E Ferulic if\n\n- You want L-ascorbic acid, the form with the deepest research base\n- You want stated percentages for three antioxidants\n- You prefer a fragrance-free formula\n- Price is not the deciding factor\n\n## Choose C-Tetra if\n\n- You want a vitamin C serum under £50\n- L-ascorbic acid serums have felt uncomfortable on your skin\n- You like a water-free oil texture\n- You want to try a travel size first\n\n## What they have in common\n\n- Both are morning antioxidant steps, used under sunscreen\n- Both include vitamin E\n- Both come in 30ml bottles with a dropper or pipette\n- Neither replaces sunscreen\n\n## How we compared\n\nThis comparison is desk research. We lined up the two products’ published formulas, ingredient lists, sizes, directions and UK prices from official pages or named UK retailers on 25 September 2026. Neither product was tested in a laboratory or worn by our editors for this page.\n\nThere is no overall score. Two well-made products can suit different skin, budgets and routines, so the verdict is framed as “choose this if”. Brand claims are reported as brand claims, and no brand paid to be compared.\n\n## Questions\n\n### Is L-ascorbic acid better than tetrahexyldecyl ascorbate?\n\nL-ascorbic acid has far more published research. Tetrahexyldecyl ascorbate is more stable in the bottle, but there is less evidence on how much becomes active vitamin C in skin. “Better” depends on whether you prioritise evidence or stability and comfort.\n\n### Why is C E Ferulic so much more expensive?\n\nSkinCeuticals prices it at £169 for 30ml at UK retailers. The formula combines three stated antioxidants; price alone is not evidence that one serum outperforms another.\n\n### Does Medik8 C-Tetra contain fragrance?\n\nMedik8 says there is no artificial fragrance, but grapefruit peel oil and fragrance allergens such as limonene and citral appear in the ingredient list.\n\n### Has SkinCeuticals C E Ferulic been reformulated?\n\nA reformulated US version was announced in July 2026. UK retailer ingredient lists checked on 25 September 2026 still showed the established formula, so check the pack you buy.\n\n## Sources\n\n- [SkinCeuticals C E Ferulic — official product page](https://www.skinceuticals.co.uk/en_GB/c-e-ferulic-antioxidant-serum/635494363210.html)\n- [Medik8 C-Tetra — official product page](https://www.medik8.com/products/c-tetra)\n- [LOOKFANTASTIC — SkinCeuticals C E Ferulic 30ml](https://www.lookfantastic.com/p/skinceuticals-c-e-ferulic-antioxidant-vitamin-c-serum-for-normal-and-dry-skin-30ml/11705727/)\n- [Space NK — SkinCeuticals C E Ferulic](https://www.spacenk.com/uk/skincare/treatment/serums/c-e-ferulic-MUK200066059.html)\n- [Pullar JM, Carr AC, Vissers MCM (2017) — The Roles of Vitamin C in Skin Health, Nutrients](https://pmc.ncbi.nlm.nih.gov/articles/PMC5579659/)\n- [Telang PS (2013) — Vitamin C in dermatology, Indian Dermatology Online Journal](https://pmc.ncbi.nlm.nih.gov/articles/PMC3673383/)\n\n## Related best-of guides\n\n- [Best vitamin C serums](https://thecastindex.com/beauty/best/best-vitamin-c-serums)\n"},{"url":"https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara","markdownUrl":"https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara.md","title":"Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara","lastmod":"2026-09-08","sha256":"00979fa58b0f3cf266c38eaca5b4e2442b04155e56b6dc7acf641ff1b0fb7f47","bytes":2122,"markdown":"# Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara\n\n> YSL Beauty’s US range lists Lash Clash Extreme Volume Mascara in black, brown, green and blue. The standard and waterproof mascaras are separate products; check the exact variant.\n\n- Canonical: https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara\n- Category: Eyes & brows\n- Format: Volumising mascara\n- Finish: Bold lashes\n- Best for: Lashes as the main makeup focus\n- Official: https://www.yslbeautyus.com/makeup/eye-makeup/mascara/lash-clash-extreme-volume-mascara/3614273601092.html\n- Reviewed: 2026-09-08\n- Method: evidence-led desk review of official specifications — not an implied hands-on test\n\nA volume-focused alternative to the existing lengthening mascara edit, with brown and colour options for different levels of definition.\n\n## Selection evidence\n\nBrand bestseller edit: YSL Beauty includes Lash Clash Extreme Volume Mascara in its US Shop Bestsellers edit. Shade stock is separate from this category listing.\n\nSource: https://www.yslbeautyus.com/bestsellers/shop-bestsellers/\nChecked: 2026-09-08\n\n## Who should consider it?\n\nChoose a volume-focused mascara when lashes will be the main feature. Brown can give a gentler-looking outline than black, while blue or green makes colour part of the look. Compare with the brush shape you already like.\n\n## What should you check before buying?\n\nDo not assume the standard mascara is waterproof. Removal method matters as much as wear; choose a formula you can remove comfortably and avoid sharing eye products.\n\n## How to use it\n\n1. Follow the selected mascara’s application instructions.\n2. Build gradually from the lash base, keeping the wand clear of the eye.\n3. Remove gently with a remover suited to the exact formula.\n\n## Questions and answers\n\n### Is standard Lash Clash Extreme Volume Mascara waterproof?\n\nYSL sells a separate Lash Clash waterproof product. This record covers the standard Extreme Volume version; verify the product name rather than assuming the range is all waterproof.\n\n## Explore the category\n\nhttps://thecastindex.com/beauty/category/eyes-brows\n"},{"url":"https://thecastindex.com/casting/shows/copenhagen-fashion-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/copenhagen-fashion-week-2026.md","title":"Who walked at Copenhagen Fashion Week SS27? Verified casting","lastmod":"2026-10-05","sha256":"48c090ca48782ec703729c2b360f7fd233f23dfa92992e4d37fbdf146ad49def","bytes":1351,"markdown":"# Who walked at Copenhagen Fashion Week SS27? Verified casting\n\n> The Cast Index ledger records 1 verified runway walk at Copenhagen Fashion Week SS27 (3–7 August 2026, Copenhagen) by 1 model across 1 house: By Malene Birger. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/copenhagen-fashion-week-2026\n- Event guide: https://thecastindex.com/events/copenhagen-fashion-week-2026\n- Dates: 3–7 August 2026\n- City: Copenhagen, Denmark\n- Season: SS27\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [By Malene Birger](https://thecastindex.com/houses/by-malene-birger) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-08-04 | [source](https://schonmagazine.com/by-malene-birger-ss27-a-grand-return/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Copenhagen Fashion Week SS27\", https://thecastindex.com/casting/shows/copenhagen-fashion-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/london-fashion-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/london-fashion-week-2026.md","title":"Who walked at London Fashion Week AW26? Verified casting","lastmod":"2026-10-05","sha256":"a9ea5b087b9bc111ece1b75dc92c006be13e08b264bfd43f3157b8595e93d109","bytes":1341,"markdown":"# Who walked at London Fashion Week AW26? Verified casting\n\n> The Cast Index ledger records 1 verified runway walk at London Fashion Week AW26 (19–23 February 2026, London) by 1 model across 1 house: Burberry. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/london-fashion-week-2026\n- Event guide: https://thecastindex.com/events/london-fashion-week-2026\n- Dates: 19–23 February 2026\n- City: London, United Kingdom\n- Season: AW26\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Burberry](https://thecastindex.com/houses/burberry) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | AW25 | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — London Fashion Week AW26\", https://thecastindex.com/casting/shows/london-fashion-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/london-fashion-week-ss27","markdownUrl":"https://thecastindex.com/casting/shows/london-fashion-week-ss27.md","title":"Who walked at London Fashion Week SS27? Verified casting","lastmod":"2026-10-05","sha256":"78dfb6bdadf728e5937b2da175b23a2bba176ddc8ec7cab9c147233573c5f1fd","bytes":3457,"markdown":"# Who walked at London Fashion Week SS27? Verified casting\n\n> The Cast Index ledger records 8 verified runway walks at London Fashion Week SS27 (17–21 September 2026, London) by 7 models across 5 houses: Harris Reed, H&M, Marks & Spencer, Richard Quinn and Alexander McQueen. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/london-fashion-week-ss27\n- Event guide: https://thecastindex.com/events/london-fashion-week-ss27\n- Dates: 17–21 September 2026\n- City: London, United Kingdom\n- Season: SS27\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Harris Reed](https://thecastindex.com/houses/harris-reed) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | 2026-09-17 | [source](https://wwd.com/runway/spring-2027/london/harris-reed/review/) |\n\n### [H&M](https://thecastindex.com/houses/h-and-m) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Alex Consani](https://thecastindex.com/models/alex-consani) | 2026-09-17 | [source](https://www.wmagazine.com/fashion/hm-london-fashion-week-show-autumn-2026) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n\n### [Marks & Spencer](https://thecastindex.com/houses/marks-and-spencer) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Lara Stone](https://thecastindex.com/models/lara-stone) | 2026-09-18 | [source](https://wwd.com/runway/fall-2026/london/marks-spencer/review/) |\n\n### [Richard Quinn](https://thecastindex.com/houses/richard-quinn) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Helena Christensen](https://thecastindex.com/models/helena-christensen) | 2026-09-19 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/richard-quinn) |\n\n### [Alexander McQueen](https://thecastindex.com/houses/alexander-mcqueen) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | 2026-09-20 | [source](https://www.elle.com/runway/a73813037/mcqueen-spring-2027-review/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — London Fashion Week SS27\", https://thecastindex.com/casting/shows/london-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/milan-fashion-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/milan-fashion-week-2026.md","title":"Who walked at Milan Fashion Week AW26? Verified casting","lastmod":"2026-10-05","sha256":"350d90ec3241dfad1831ecd40536cb6880cb500f2ea389bfc4aa64ac28b8f8d4","bytes":1595,"markdown":"# Who walked at Milan Fashion Week AW26? Verified casting\n\n> The Cast Index ledger records 2 verified runway walks at Milan Fashion Week AW26 (24 February–2 March 2026, Milan) by 2 models across 2 houses: Del Core and Gucci. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/milan-fashion-week-2026\n- Event guide: https://thecastindex.com/events/milan-fashion-week-2026\n- Dates: 24 February–2 March 2026\n- City: Milan, Italy\n- Season: AW26\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Del Core](https://thecastindex.com/houses/del-core) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | SS25 | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n\n### [Gucci](https://thecastindex.com/houses/gucci) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | 2026-02-01 | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Milan Fashion Week AW26\", https://thecastindex.com/casting/shows/milan-fashion-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/milan-fashion-week-menswear-ss27","markdownUrl":"https://thecastindex.com/casting/shows/milan-fashion-week-menswear-ss27.md","title":"Who walked at Milan Fashion Week Menswear SS27? Verified casting","lastmod":"2026-10-05","sha256":"7aafac5a02a3c2b67e64a88ffaf7bdacdde70997cefbce3e5f99ea895b8670e9","bytes":1359,"markdown":"# Who walked at Milan Fashion Week Menswear SS27? Verified casting\n\n> The Cast Index ledger records 1 verified runway walk at Milan Fashion Week Menswear SS27 (19–23 June 2026, Milan) by 1 model across 1 house: Ralph Lauren. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/milan-fashion-week-menswear-ss27\n- Event guide: https://thecastindex.com/events/milan-fashion-week-menswear-ss27\n- Dates: 19–23 June 2026\n- City: Milan, Italy\n- Season: SS27 Menswear\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Kit Butler](https://thecastindex.com/models/kit-butler) | 2026-06-19 | [source](https://www.gq.com/story/ralph-lauren-spring-2027-milan-fashion-week) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Milan Fashion Week Menswear SS27\", https://thecastindex.com/casting/shows/milan-fashion-week-menswear-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/milan-fashion-week-ss27","markdownUrl":"https://thecastindex.com/casting/shows/milan-fashion-week-ss27.md","title":"Who walked at Milan Fashion Week SS27? Verified casting","lastmod":"2026-10-05","sha256":"5b4c15e154c6a5db2f13dc1b2fa607da86db040d80cbd62e0a75788f148622f0","bytes":9930,"markdown":"# Who walked at Milan Fashion Week SS27? Verified casting\n\n> The Cast Index ledger records 34 verified runway walks at Milan Fashion Week SS27 (22–28 September 2026, Milan) by 15 models across 13 houses: Gucci, Bottega Veneta, Marni, Tod’s, Blumarine, The Attico and others. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/milan-fashion-week-ss27\n- Event guide: https://thecastindex.com/events/milan-fashion-week-ss27\n- Dates: 22–28 September 2026\n- City: Milan, Italy\n- Season: SS27\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Gucci](https://thecastindex.com/houses/gucci) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-09-25 | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| Walked | [Elsa Hosk](https://thecastindex.com/models/elsa-hosk) | 2026-09-25 | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | 2026-09-25 | [source](https://www.marieclaire.com/fashion/gucci-spring-2027-show/) |\n\n### [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Kendall Jenner](https://thecastindex.com/models/kendall-jenner) | 2026-09-26 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| Walked | [Fei Fei Sun](https://thecastindex.com/models/fei-fei-sun) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/fei-fei-sun-walks-the-runway-at-the-bottega-veneta-fashion-news-photo/2297364780) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-bottega-veneta-news-photo/2297364599) |\n\n### [Marni](https://thecastindex.com/houses/marni) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | 2026-09-24 | [source](https://wwd.com/runway/spring-2027/milan/marni/review/) |\n\n### [Tod’s](https://thecastindex.com/houses/tods) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | 2026-09-25 | [source](https://wwd.com/runway/spring-2027/milan/tods/review/) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-25 | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | 2026-09-25 | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n\n### [Blumarine](https://thecastindex.com/houses/blumarine) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | 2026-09-25 | [source](https://wwd.com/runway/spring-2027/milan/blumarine/review/) |\n\n### [The Attico](https://thecastindex.com/houses/the-attico) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-25 | [source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-the-attico-fashion-news-photo/2297140077) |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-the-attico-fashion-show-news-photo/2297140133) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/mariacarla-boscono-walks-the-runway-at-the-attico-fashion-news-photo/2297158942) |\n\n### [Ferragamo](https://thecastindex.com/houses/ferragamo) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-09-26 | [source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297276979) |\n| Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/hejia-li-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275135) |\n| Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275114) |\n\n### [Dolce & Gabbana](https://thecastindex.com/houses/dolce-gabbana) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-26 | [source](https://www.thefashionspot.com/runway-news/974229-forum-members-review-the-quintessentially-sicilian-dolce-gabbana-spring-2027-collection) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-dolce-gabbana-news-photo/2297257130) |\n\n### [Etro](https://thecastindex.com/houses/etro) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-etro-fashion-show-news-photo/2296807363) |\n\n### [Fendi](https://thecastindex.com/houses/fendi) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/canadian-model-awar-odhiang-walks-the-runway-during-the-news-photo/2296134286) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088) |\n\n### [Jil Sander](https://thecastindex.com/houses/jil-sander) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Edie Campbell](https://thecastindex.com/models/edie-campbell) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/edie-campbell-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786789) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786702) |\n\n### [Max Mara](https://thecastindex.com/houses/max-mara) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/model-angelina-kendall-walks-the-runway-at-the-max-mara-news-photo/2296968035) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-max-mara-fashion-show-news-photo/2296967731) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/model-mona-tougaard-walks-the-runway-at-the-max-mara-news-photo/2296969148) |\n\n### [Alberta Ferretti](https://thecastindex.com/houses/alberta-ferretti) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-alberta-ferretti-news-photo/2296928605) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Milan Fashion Week SS27\", https://thecastindex.com/casting/shows/milan-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/new-york-fashion-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/new-york-fashion-week-2026.md","title":"Who walked at New York Fashion Week AW26? Verified casting","lastmod":"2026-10-05","sha256":"f8b69b066c062e5b621af9faac8622ebbb2ee65fea08b96fccf8463c1550ccf7","bytes":2301,"markdown":"# Who walked at New York Fashion Week AW26? Verified casting\n\n> The Cast Index ledger records 5 verified runway walks at New York Fashion Week AW26 (11–16 February 2026, New York) by 5 models across 3 houses: Ralph Lauren, Prabal Gurung and Christian Siriano. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/new-york-fashion-week-2026\n- Event guide: https://thecastindex.com/events/new-york-fashion-week-2026\n- Dates: 11–16 February 2026\n- City: New York, United States\n- Season: AW26\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | AW26 | [source](https://models.com/models/gigi-hadid) |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | 2024-09-01 | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n| Walked | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | 2024-09-01 | [source](https://www.the-sun.com/entertainment/12388498/supermodel-christy-turlington-glowing-ralph-lauren-show/) |\n\n### [Prabal Gurung](https://thecastindex.com/houses/prabal-gurung) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Neelam Gill](https://thecastindex.com/models/neelam-gill) | AW26 | [source](https://models.com/models/neelam-gill) |\n\n### [Christian Siriano](https://thecastindex.com/houses/christian-siriano) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | AW25 | [source](https://models.com/models/winnie-harlow) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — New York Fashion Week AW26\", https://thecastindex.com/casting/shows/new-york-fashion-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/new-york-fashion-week-ss27","markdownUrl":"https://thecastindex.com/casting/shows/new-york-fashion-week-ss27.md","title":"Who walked at New York Fashion Week SS27? Verified casting","lastmod":"2026-10-05","sha256":"0c9e422e6556de2a819f9d354621471cde3a1f11ba8a1b3346d2e0f5fec6d206","bytes":8083,"markdown":"# Who walked at New York Fashion Week SS27? Verified casting\n\n> The Cast Index ledger records 27 verified runway walks at New York Fashion Week SS27 (10–15 September 2026, New York) by 19 models across 13 houses: Ralph Lauren, Tommy Hilfiger, Tory Burch, Michael Kors Collection, Calvin Klein Collection, Khaite and others. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/new-york-fashion-week-ss27\n- Event guide: https://thecastindex.com/events/new-york-fashion-week-ss27\n- Dates: 10–15 September 2026\n- City: New York, United States\n- Season: SS27\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-09 | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n| Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | 2026-09-09 | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n\n### [Tommy Hilfiger](https://thecastindex.com/houses/tommy-hilfiger) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | 2026-09-10 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/tommy-hilfiger) |\n\n### [Tory Burch](https://thecastindex.com/houses/tory-burch) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Liu Wen](https://thecastindex.com/models/liu-wen) | 2026-09-10 | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| Closed | [Liu Wen](https://thecastindex.com/models/liu-wen) | 2026-09-10 | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| Walked | [Emily Ratajkowski](https://thecastindex.com/models/emily-ratajkowski) | 2026-09-10 | [source](https://www.marieclaire.co.uk/fashion/new-york-fashion-week-september-2026-best-looks) |\n| Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | 2026-09-10 | [source](https://www.vogue.com/slideshow/lulu-tenney-model-diary) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072090) |\n| Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072070) |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294071947) |\n\n### [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Alex Consani](https://thecastindex.com/models/alex-consani) | 2026-09-11 | [source](https://www.wmagazine.com/fashion/michael-kors-spring-2027-runway-photos) |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | 2026-09-11 | [source](https://www.thefashionspot.com/runway-news/971323-forum-members-review-the-spring-2027-michael-kors-collection-inspired-by-mid-century-modernism/) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n\n### [Calvin Klein Collection](https://thecastindex.com/houses/calvin-klein) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | 2026-09-11 | [source](https://www.thefader.com/2026/09/18/7-surprising-takeaways-from-new-york-fashion-week-spring-2027) |\n\n### [Khaite](https://thecastindex.com/houses/khaite) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | 2026-09-12 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite) |\n\n### [Conner Ives](https://thecastindex.com/houses/conner-ives) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Hari Nef](https://thecastindex.com/models/hari-nef) | 2026-09-12 | [source](https://www.wmagazine.com/fashion/surprising-celebrity-models-fashion-week-spring-2027) |\n| Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | 2026-09-12 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Walked | [Iris Law](https://thecastindex.com/models/iris-law) | 2026-09-12 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n\n### [Carolina Herrera](https://thecastindex.com/houses/carolina-herrera) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Closed | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | 2026-09-14 | [source](https://www.wmagazine.com/fashion/carolina-herrera-spring-2027-runway-photos) |\n\n### [Sabyasachi](https://thecastindex.com/houses/sabyasachi) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | 2026-09-15 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/sabyasachi) |\n\n### [Proenza Schouler](https://thecastindex.com/houses/proenza-schouler) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-proenza-schouler-news-photo/2294845432) |\n\n### [Monse](https://thecastindex.com/houses/monse) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | 2026-09-11 | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-monse-ready-to-news-photo/2294849855) |\n\n### [Heirlome](https://thecastindex.com/houses/heirlome) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-heirlome-ready-to-news-photo/2295537976) |\n\n### [Thom Browne](https://thecastindex.com/houses/thom-browne) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Adriana Lima](https://thecastindex.com/models/adriana-lima) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/adriana-lima-walks-the-runway-during-the-thom-browne-ready-news-photo/2295634434) |\n| Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-thom-browne-news-photo/2295634479) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — New York Fashion Week SS27\", https://thecastindex.com/casting/shows/new-york-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/paris-fashion-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/paris-fashion-week-2026.md","title":"Who walked at Paris Fashion Week AW26? Verified casting","lastmod":"2026-10-05","sha256":"4ea9d9bf99d6fb8764dee462bc3ded50682265849f165dbffc983695343fe9d3","bytes":3384,"markdown":"# Who walked at Paris Fashion Week AW26? Verified casting\n\n> The Cast Index ledger records 9 verified runway walks at Paris Fashion Week AW26 (2–10 March 2026, Paris) by 6 models across 8 houses: Givenchy, Chloé, Chanel, Alexander McQueen, Jean Paul Gaultier, Nina Ricci and others. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/paris-fashion-week-2026\n- Event guide: https://thecastindex.com/events/paris-fashion-week-2026\n- Dates: 2–10 March 2026\n- City: Paris, France\n- Season: AW26\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Givenchy](https://thecastindex.com/houses/givenchy) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | AW26 | [source](https://models.com/models/vittoria-ceretti) |\n| Closed | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | 2025-10-01 | [source](https://models.com/models/kaia-gerber) |\n\n### [Chloé](https://thecastindex.com/houses/chloe) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | AW26 | [source](https://models.com/models/vittoria-ceretti) |\n\n### [Chanel](https://thecastindex.com/houses/chanel) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | AW26 | [source](https://models.com/models/alex-consani) |\n\n### [Alexander McQueen](https://thecastindex.com/houses/alexander-mcqueen) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | AW26 | [source](https://models.com/models/alex-consani) |\n\n### [Jean Paul Gaultier](https://thecastindex.com/houses/jean-paul-gaultier) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | AW26 | [source](https://models.com/models/alex-consani) |\n\n### [Nina Ricci](https://thecastindex.com/houses/nina-ricci) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | AW26 | [source](https://models.com/models/ashley-graham) |\n\n### [Sacai](https://thecastindex.com/houses/sacai) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | 2025-10-01 | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n\n### [Vetements](https://thecastindex.com/houses/vetements) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | SS26 | [source](https://models.com/models/winnie-harlow) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Paris Fashion Week AW26\", https://thecastindex.com/casting/shows/paris-fashion-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/paris-fashion-week-menswear-ss27","markdownUrl":"https://thecastindex.com/casting/shows/paris-fashion-week-menswear-ss27.md","title":"Who walked at Paris Fashion Week Menswear SS27? Verified casting","lastmod":"2026-10-05","sha256":"36a6977f59f5d3b13a5faf1681f6b5bdf1d6762eaa8a1c321e9867c4547c35fb","bytes":2038,"markdown":"# Who walked at Paris Fashion Week Menswear SS27? Verified casting\n\n> The Cast Index ledger records 3 verified runway walks at Paris Fashion Week Menswear SS27 (23–28 June 2026, Paris) by 3 models across 3 houses: Saint Laurent, Louis Vuitton and Vetements. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/paris-fashion-week-menswear-ss27\n- Event guide: https://thecastindex.com/events/paris-fashion-week-menswear-ss27\n- Dates: 23–28 June 2026\n- City: Paris, France\n- Season: SS27 Menswear\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Saint Laurent](https://thecastindex.com/houses/saint-laurent) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Loli Bahia](https://thecastindex.com/models/loli-bahia) | 2026-06-23 | [source](https://www.vogue.fr/article/saint-laurent-madonna-charlie-xcx-defile-homme-printemps-ete-2027) |\n\n### [Louis Vuitton](https://thecastindex.com/houses/louis-vuitton) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Cindy Bruna](https://thecastindex.com/models/cindy-bruna) | 2026-06-23 | [source](https://www.vanityfair.fr/article/louis-vuitton-invite-a-levasion-et-a-la-fraicheur-en-plein-paris) |\n\n### [Vetements](https://thecastindex.com/houses/vetements) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Alek Wek](https://thecastindex.com/models/alek-wek) | 2026-06-26 | [source](https://wwd.com/runway/mens-spring-2027/paris/vetements/review/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Paris Fashion Week Menswear SS27\", https://thecastindex.com/casting/shows/paris-fashion-week-menswear-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/paris-fashion-week-ss27","markdownUrl":"https://thecastindex.com/casting/shows/paris-fashion-week-ss27.md","title":"Who walked at Paris Fashion Week SS27? Verified casting","lastmod":"2026-10-05","sha256":"3bdde7fe7877482b240f8b19223f5c1596423e0127af1ff848ecefab121655c6","bytes":5918,"markdown":"# Who walked at Paris Fashion Week SS27? Verified casting\n\n> The Cast Index ledger records 19 verified runway walks at Paris Fashion Week SS27 (28 September–6 October 2026, Paris) by 16 models across 7 houses: Dior, Saint Laurent, Stella McCartney, Tom Ford, Balmain, Acne Studios and others. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/paris-fashion-week-ss27\n- Event guide: https://thecastindex.com/events/paris-fashion-week-ss27\n- Dates: 28 September–6 October 2026\n- City: Paris, France\n- Season: SS27\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Dior](https://thecastindex.com/houses/dior) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | 2026-09-29 | [source](https://www.harpersbazaar.com/fashion/fashion-week/a73944985/dior-spring-summer-2027-review/) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-christian-dior-news-photo/2297743015) |\n\n### [Saint Laurent](https://thecastindex.com/houses/saint-laurent) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Anja Rubik](https://thecastindex.com/models/anja-rubik) | 2026-09-29 | [source](https://www.wmagazine.com/fashion/saint-laurent-spring-2027-runway-photos) |\n| Walked | [Binx Walton](https://thecastindex.com/models/binx-walton) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/binx-walton-walks-the-runway-during-the-saint-laurent-ready-news-photo/2297790369) |\n| Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mica-arganaraz-walks-the-runway-during-the-saint-laurent-news-photo/2297790043) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-saint-laurent-news-photo/2297790456) |\n\n### [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | 2026-09-30 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/stella-mccartney) |\n| Walked | [Amber Valletta](https://thecastindex.com/models/amber-valletta) | 2026-09-30 | [source](https://pagesix.com/2026/09/30/style/miranda-kerr-makes-surprise-return-to-the-stella-mccartney-runway-after-nearly-a-decade/) |\n| Walked | [Mayowa Nicholas](https://thecastindex.com/models/mayowa-nicholas) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/mayowa-nicholas-walks-the-runway-during-the-stella-news-photo/2297949657) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-during-the-stella-news-photo/2298020938) |\n| Walked | [Luiza Perote](https://thecastindex.com/models/luiza-perote) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/luiza-perote-walks-the-runway-during-the-stella-mccartney-news-photo/2297955342) |\n| Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-stella-mccartney-news-photo/2297954911) |\n\n### [Tom Ford](https://thecastindex.com/houses/tom-ford) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | 2026-09-30 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n\n### [Balmain](https://thecastindex.com/houses/balmain) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-balmain-womenswear-news-photo/2297943317) |\n\n### [Acne Studios](https://thecastindex.com/houses/acne-studios) (tier C)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Diane Chiu](https://thecastindex.com/models/diane-chiu) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/chinese-model-diane-chiu-presents-a-creation-for-the-acne-news-photo/2297365777) |\n\n### [Chloé](https://thecastindex.com/houses/chloe) (tier B)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Natasha Poly](https://thecastindex.com/models/natasha-poly) | 2026-10-01 | [source](https://www.gettyimages.com/detail/news-photo/natasha-poly-walks-the-runway-with-models-during-the-chlo%C3%A9-news-photo/2298030966) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Paris Fashion Week SS27\", https://thecastindex.com/casting/shows/paris-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/casting/shows/paris-haute-couture-week-2026","markdownUrl":"https://thecastindex.com/casting/shows/paris-haute-couture-week-2026.md","title":"Who walked at Paris Haute Couture Week AW26? Verified casting","lastmod":"2026-10-05","sha256":"1eb8d66b462832507dc2000dd1c49544b8c4b7de066f3fcdbefd0507916ec82c","bytes":2645,"markdown":"# Who walked at Paris Haute Couture Week AW26? Verified casting\n\n> The Cast Index ledger records 9 verified runway walks at Paris Haute Couture Week AW26 (6–9 July 2026, Paris) by 4 models across 3 houses: Balenciaga, Chanel and Schiaparelli. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/paris-haute-couture-week-2026\n- Event guide: https://thecastindex.com/events/paris-haute-couture-week-2026\n- Dates: 6–9 July 2026\n- City: Paris, France\n- Season: AW26 Couture\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Balenciaga](https://thecastindex.com/houses/balenciaga) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Opened | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | AW26 Couture | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | AW26 Couture | [source](https://models.com/models/liu-wen) |\n| Walked | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | AW26 Couture | [source](https://models.com/models/gigi-hadid) |\n\n### [Chanel](https://thecastindex.com/houses/chanel) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | AW26 Couture | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | AW26 Couture | [source](https://models.com/models/liu-wen) |\n\n### [Schiaparelli](https://thecastindex.com/houses/schiaparelli) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Paris Haute Couture Week AW26\", https://thecastindex.com/casting/shows/paris-haute-couture-week-2026.\n"},{"url":"https://thecastindex.com/casting/shows/paris-haute-couture-week-spring-2026","markdownUrl":"https://thecastindex.com/casting/shows/paris-haute-couture-week-spring-2026.md","title":"Who walked at Paris Haute Couture Week SS26? Verified casting","lastmod":"2026-10-05","sha256":"20eb23b716f0410858e5dfed5838adcd85bf717ae353c8f31305cd34e73a03cb","bytes":1358,"markdown":"# Who walked at Paris Haute Couture Week SS26? Verified casting\n\n> The Cast Index ledger records 1 verified runway walk at Paris Haute Couture Week SS26 (26–29 January 2026, Paris) by 1 model across 1 house: Schiaparelli. Each walk links a published source; the record is incomplete by design.\n\n- Canonical: https://thecastindex.com/casting/shows/paris-haute-couture-week-spring-2026\n- Event guide: https://thecastindex.com/events/paris-haute-couture-week-spring-2026\n- Dates: 26–29 January 2026\n- City: Paris, France\n- Season: SS26 Couture\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## Verified cast by house\n\n### [Schiaparelli](https://thecastindex.com/houses/schiaparelli) (tier A)\n\n| Role | Model | Date | Source |\n| --- | --- | --- | --- |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | 2024-01-01 | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n\n## How this ledger works\n\nA walk is recorded only when a published source names the model, the house and the show. Casts are never inferred or completed from memory, so absence from this list is not evidence that a model did not walk. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Casting — Paris Haute Couture Week SS26\", https://thecastindex.com/casting/shows/paris-haute-couture-week-spring-2026.\n"},{"url":"https://thecastindex.com/corrections","markdownUrl":"https://thecastindex.com/corrections.md","title":"Corrections log","lastmod":"2026-10-05","sha256":"849890ca511f396138f6ebb24d53ec9e443874cb7ba650dd61cda7c64f1de0d1","bytes":381,"markdown":"# Corrections log\n\n- Canonical: https://thecastindex.com/corrections\n- Editor: Kaiser Khan\n\nMaterial corrections to The Cast Index are listed here with the date they landed on the public site. Absence of an entry is not a claim that a page has never been edited for copy; it means no material factual correction has been logged yet.\n\nTo request a correction: desk@thecastindex.com\n"},{"url":"https://thecastindex.com/creatives/aly-saab","markdownUrl":"https://thecastindex.com/creatives/aly-saab.md","title":"Aly Saab","lastmod":"2026-10-05","sha256":"ab42e95fbe4101ca7441148b0439d1d330cb9dd20ce20ca0bc7aae171c8308ed","bytes":574,"markdown":"# Aly Saab\n\n> A Beirut fashion photographer known for un-staged, intimate imagery.\n\n- Canonical: https://thecastindex.com/creatives/aly-saab\n- Discipline: Photographer\n- Based: Beirut, Lebanon\n- Known for: Fashion and fine-art photographer for Beirut labels and independent magazines\n- Editor: Kaiser Khan\n\nAly Saab is a Beirut-based Lebanese photographer who studied fine-art photography at the Glasgow School of Art before moving into fashion. His un-staged, intimate work appears with Beirut labels and independent magazines including A Magazine and L’Officiel Levant.\n"},{"url":"https://thecastindex.com/creatives/anaita-shroff-adajania","markdownUrl":"https://thecastindex.com/creatives/anaita-shroff-adajania.md","title":"Anaita Shroff Adajania","lastmod":"2026-10-05","sha256":"c651fa82fe8fb4cfdaf487172f0ed5895903452d4c34a51feaf0e29ce742c300","bytes":669,"markdown":"# Anaita Shroff Adajania\n\n> A defining Indian fashion stylist — Vogue India’s long-running fashion director and Deepika Padukone’s red-carpet stylist.\n\n- Canonical: https://thecastindex.com/creatives/anaita-shroff-adajania\n- Discipline: Stylist\n- Based: Mumbai, India\n- Known for: Fashion Director of Vogue India, 2006–2019; founder of styling agency Style Cell\n- Editor: Kaiser Khan\n\nAnaita Shroff Adajania is an Indian fashion stylist and costume designer who was Fashion Director of Vogue India for thirteen years. She has designed costumes for Bollywood films including Dhoom 2, Love Aaj Kal, Ra.One and Cocktail, and founded the styling agency Style Cell.\n"},{"url":"https://thecastindex.com/creatives/bassam-fattouh","markdownUrl":"https://thecastindex.com/creatives/bassam-fattouh.md","title":"Bassam Fattouh","lastmod":"2026-10-05","sha256":"2d082796411786fb0f57b9e8ea5ad063b53ef292007f53d567a2a1a7eacd9e5f","bytes":596,"markdown":"# Bassam Fattouh\n\n> A pioneering Lebanese makeup artist and the first Middle Eastern spokesperson for Clarins.\n\n- Canonical: https://thecastindex.com/creatives/bassam-fattouh\n- Discipline: Makeup Artist\n- Based: Beirut, Lebanon\n- Known for: Pioneer of the modern Middle Eastern makeup industry; own cosmetics line\n- Editor: Kaiser Khan\n\nBassam Fattouh is a Lebanese makeup artist based in Beirut who trained at the Carita Beauty Institute in Paris and opened his first institute in Beirut in 1997. He was the first spokesperson for Clarins in the Middle East and launched his own cosmetics line.\n"},{"url":"https://thecastindex.com/creatives/carine-roitfeld","markdownUrl":"https://thecastindex.com/creatives/carine-roitfeld.md","title":"Carine Roitfeld","lastmod":"2026-10-05","sha256":"2bd43485badba1a5da3410a5e60dd89353eb2d69babaa5e9afb050995657a3e4","bytes":565,"markdown":"# Carine Roitfeld\n\n> Former editor-in-chief of Vogue Paris; founder of CR Fashion Book.\n\n- Canonical: https://thecastindex.com/creatives/carine-roitfeld\n- Discipline: Stylist\n- Based: New York, United States\n- Known for: Former editor-in-chief, Vogue Paris (2001–2011); founder and editor-in-chief, CR Fashion Book\n- Editor: Kaiser Khan\n\nCarine Roitfeld is a French fashion editor, former fashion model and writer. She was editor-in-chief of Vogue Paris from 2001 to 2011, and in 2012 founded CR Fashion Book, a biannual print magazine headquartered in New York.\n"},{"url":"https://thecastindex.com/creatives/charlotte-tilbury","markdownUrl":"https://thecastindex.com/creatives/charlotte-tilbury.md","title":"Charlotte Tilbury","lastmod":"2026-10-05","sha256":"704554a0ad19f1d509a89fe945200d13115295e67e5cafde9b335b66ca7c177d","bytes":614,"markdown":"# Charlotte Tilbury\n\n> Founder of the global Charlotte Tilbury beauty brand and a contributing beauty editor for British Vogue.\n\n- Canonical: https://thecastindex.com/creatives/charlotte-tilbury\n- Discipline: Makeup Artist\n- Based: London, United Kingdom\n- Known for: Founder, president and chief creative officer, Charlotte Tilbury Beauty\n- Editor: Kaiser Khan\n\nCharlotte Emma Bow Tilbury is a London beauty entrepreneur and make-up artist. She founded, and is chairman and chief creative officer of, the make-up and skincare brand Charlotte Tilbury Beauty, and is a contributing beauty editor for British Vogue.\n"},{"url":"https://thecastindex.com/creatives/cuneyt-akeroglu","markdownUrl":"https://thecastindex.com/creatives/cuneyt-akeroglu.md","title":"Cüneyt Akeroğlu","lastmod":"2026-10-05","sha256":"cc677607c27ba2b4e77363ceb580fb5c21ba8170688d771ca6d2b6f591b50d02","bytes":629,"markdown":"# Cüneyt Akeroğlu\n\n> A Turkish fashion photographer working across the international Vogue editions from London.\n\n- Canonical: https://thecastindex.com/creatives/cuneyt-akeroglu\n- Discipline: Photographer\n- Based: London, Turkey\n- Known for: Fashion photographer for Vogue Paris, Vogue Türkiye, Vogue Arabia and W\n- Editor: Kaiser Khan\n\nCüneyt Akeroğlu is a Turkish fashion photographer who committed to fashion photography in the early 2000s and relocated to London in 2009. His work appears in Vogue Paris, Vogue Türkiye, Vogue Arabia and W; he shot the Vogue Arabia July/August 2017 cover with Jourdan Dunn in Istanbul.\n"},{"url":"https://thecastindex.com/creatives/edward-enninful","markdownUrl":"https://thecastindex.com/creatives/edward-enninful.md","title":"Edward Enninful","lastmod":"2026-10-05","sha256":"500610da4852fe4cfa2485606ae65c8bda5a1704e37eba0c64ab39584f4875ea","bytes":471,"markdown":"# Edward Enninful\n\n> Former editor-in-chief of British Vogue.\n\n- Canonical: https://thecastindex.com/creatives/edward-enninful\n- Discipline: Stylist\n- Based: London, United Kingdom\n- Known for: Former editor-in-chief, British Vogue; former European editorial director, Condé Nast\n- Editor: Kaiser Khan\n\nEdward Kobina Enninful is a Ghanaian-born British editor and stylist who served as editor-in-chief of British Vogue and as European editorial director of Condé Nast.\n"},{"url":"https://thecastindex.com/creatives/frieha-altaf","markdownUrl":"https://thecastindex.com/creatives/frieha-altaf.md","title":"Frieha Altaf","lastmod":"2026-10-05","sha256":"e4087d58dd545cb26ac3ea9934b92e8774e15ca25de7bd01c1ec824b16feb4a3","bytes":602,"markdown":"# Frieha Altaf\n\n> The producer and choreographer behind many of Pakistan’s major fashion weeks and awards shows.\n\n- Canonical: https://thecastindex.com/creatives/frieha-altaf\n- Discipline: Creative Director\n- Based: Karachi, Pakistan\n- Known for: Founder/CEO of Catwalk Event Management & Productions\n- Editor: Kaiser Khan\n\nFrieha Altaf is a Pakistani event producer, former model and television host who founded Catwalk Event Management in 1989. She is a central producer and choreographer of Pakistan’s major fashion events and received a Lifetime Achievement Award at the 2018 Lux Style Awards.\n"},{"url":"https://thecastindex.com/creatives/katie-grand","markdownUrl":"https://thecastindex.com/creatives/katie-grand.md","title":"Katie Grand","lastmod":"2026-10-05","sha256":"333daf99a36e1b4b46bab350b80a45eb31cb2cd783711376665a79cda7187387","bytes":479,"markdown":"# Katie Grand\n\n> Stylist and creative director behind two influential fashion magazines.\n\n- Canonical: https://thecastindex.com/creatives/katie-grand\n- Discipline: Stylist\n- Based: London, United Kingdom\n- Known for: Founder, LOVE magazine (2009) and Perfect (2020)\n- Editor: Kaiser Khan\n\nKatie Grand is a British stylist, creative director and fashion journalist. She founded the fashion magazine LOVE in 2009, followed by the fashion title and creative agency Perfect in 2020.\n"},{"url":"https://thecastindex.com/creatives/mario-sorrenti","markdownUrl":"https://thecastindex.com/creatives/mario-sorrenti.md","title":"Mario Sorrenti","lastmod":"2026-10-05","sha256":"fc7b16ada215152430f9602c4f6007f90d5857ffb0c2cee41497b6829536ce15","bytes":466,"markdown":"# Mario Sorrenti\n\n> Best known for his editorial spreads in Vogue and Harper’s Bazaar.\n\n- Canonical: https://thecastindex.com/creatives/mario-sorrenti\n- Discipline: Photographer\n- Based: New York, United States\n- Known for: Editorial and campaign photography for Vogue and Harper’s Bazaar\n- Editor: Kaiser Khan\n\nMario Sorrenti is an Italian-American photographer and director best known for his editorial photography in the pages of Vogue and Harper’s Bazaar.\n"},{"url":"https://thecastindex.com/creatives/mau-piodena","markdownUrl":"https://thecastindex.com/creatives/mau-piodena.md","title":"Mau Piodena IV","lastmod":"2026-10-05","sha256":"fcb39d820c051f5cddc99de9a94f145f92a793644ea114c33af14ea93f7b39ef","bytes":512,"markdown":"# Mau Piodena IV\n\n> A Filipino hair-and-makeup artist who has worked Milan and Paris Fashion Weeks.\n\n- Canonical: https://thecastindex.com/creatives/mau-piodena\n- Discipline: Makeup Artist\n- Based: Dubai, Philippines\n- Known for: Filipino hair and makeup artist working internationally from Dubai\n- Editor: Kaiser Khan\n\nMau Piodena IV is a Filipino hair and makeup artist based in Dubai. He has worked with international luxury brands and at Milan and Paris Fashion Weeks, including with designer Michael Cinco.\n"},{"url":"https://thecastindex.com/creatives/mert-alas","markdownUrl":"https://thecastindex.com/creatives/mert-alas.md","title":"Mert Alas","lastmod":"2026-10-05","sha256":"40f0c5f8f2988d9634c53696f7ea6177042c19f2718c761efc8f960f20d581b6","bytes":626,"markdown":"# Mert Alas\n\n> Half of Mert and Marcus, among the most influential fashion-photography duos of the past three decades.\n\n- Canonical: https://thecastindex.com/creatives/mert-alas\n- Discipline: Photographer\n- Based: London, Turkey\n- Known for: One half of the photography duo Mert and Marcus\n- Editor: Kaiser Khan\n\nMert Alaş is a Turkish-born fashion photographer who, with Marcus Piggott, forms the duo Mert and Marcus. Since 1994 the pair have shot for Vogue, W and Interview and created campaigns for Dior, Louis Vuitton, Gucci, Yves Saint Laurent and Givenchy; they won the Isabella Blow Award for Fashion Creator in 2018.\n"},{"url":"https://thecastindex.com/creatives/mickey-contractor","markdownUrl":"https://thecastindex.com/creatives/mickey-contractor.md","title":"Mickey Contractor","lastmod":"2026-10-05","sha256":"e9e18cc3a11b2cf1c6144e7522570dc93a2224789130c9d97e8ed41b1eb8d938","bytes":598,"markdown":"# Mickey Contractor\n\n> A three-decade Bollywood makeup authority and M·A·C India’s director of makeup artistry.\n\n- Canonical: https://thecastindex.com/creatives/mickey-contractor\n- Discipline: Makeup Artist\n- Based: Mumbai, India\n- Known for: M·A·C Cosmetics’ Director of Makeup Artistry for India\n- Editor: Kaiser Khan\n\nMickey Contractor is an Indian makeup artist with a career spanning more than three decades, serving as M·A·C Cosmetics’ Director of Makeup Artistry for India. He is a two-time winner of the IIFA Award for Best Makeup and has a namesake M·A·C product collection.\n"},{"url":"https://thecastindex.com/creatives/nabila-maqsood","markdownUrl":"https://thecastindex.com/creatives/nabila-maqsood.md","title":"Nabila Maqsood","lastmod":"2026-10-05","sha256":"61235e8b6a392bd4357d9f92ccabeb717d6eacc5a7ed6418f7e728841046aceb","bytes":556,"markdown":"# Nabila Maqsood\n\n> Pakistan’s most prominent hair-and-makeup entrepreneur, working under the single name Nabila.\n\n- Canonical: https://thecastindex.com/creatives/nabila-maqsood\n- Discipline: Makeup Artist\n- Based: Karachi, Pakistan\n- Known for: Founder of the Nabila salon network and the brand ZERO Makeup\n- Editor: Kaiser Khan\n\nNabila Maqsood is a Pakistani hair-and-makeup entrepreneur who opened her first salon in Karachi in 1986 and built the Nabila salon network across Karachi, Lahore and Islamabad. She founded the cosmetics brand ZERO Makeup.\n"},{"url":"https://thecastindex.com/creatives/namrata-soni","markdownUrl":"https://thecastindex.com/creatives/namrata-soni.md","title":"Namrata Soni","lastmod":"2026-10-05","sha256":"68216107bd74b92927d406b8028450cb825c94aacfbcfcfadbec034dd28cc747","bytes":599,"markdown":"# Namrata Soni\n\n> One of India’s leading celebrity makeup artists, long associated with Sonam Kapoor and Deepika Padukone.\n\n- Canonical: https://thecastindex.com/creatives/namrata-soni\n- Discipline: Makeup Artist\n- Based: Mumbai, India\n- Known for: Celebrity makeup artist; founder of vegan beauty brand Simply Nam\n- Editor: Kaiser Khan\n\nNamrata Soni is an Indian celebrity makeup artist who trained at the Delamar Academy in London. She shared the IIFA Award for Best Make-up for Om Shanti Om (2007), is known for Sonam Kapoor’s Cannes red-carpet looks, and founded the vegan brand Simply Nam.\n"},{"url":"https://thecastindex.com/creatives/nick-knight","markdownUrl":"https://thecastindex.com/creatives/nick-knight.md","title":"Nick Knight","lastmod":"2026-10-05","sha256":"ea6623830eb7738353bfdff2a80d943857ff2cfdeea0ae853e40c54baf821363","bytes":563,"markdown":"# Nick Knight\n\n> Founder of SHOWstudio, an early pioneer of fashion film and online image-making.\n\n- Canonical: https://thecastindex.com/creatives/nick-knight\n- Discipline: Photographer\n- Based: London, United Kingdom\n- Known for: Founder and director, SHOWstudio.com\n- Editor: Kaiser Khan\n\nNicholas David Gordon Knight is a British fashion photographer and the founder and director of SHOWstudio.com. He is an honorary professor at University of the Arts London, and in 2016 his 1992 campaign photograph for Jil Sander sold at auction for a record HK$2,360,000.\n"},{"url":"https://thecastindex.com/creatives/pam-quinones","markdownUrl":"https://thecastindex.com/creatives/pam-quinones.md","title":"Pam Quiñones","lastmod":"2026-10-05","sha256":"96adae85bdd3272721cc2217c653a1f6634fc767ce9fea897817c8b61b1f42a7","bytes":534,"markdown":"# Pam Quiñones\n\n> A leading Philippine fashion stylist and Vogue Philippines’ fashion director.\n\n- Canonical: https://thecastindex.com/creatives/pam-quinones\n- Discipline: Stylist\n- Based: Manila, Philippines\n- Known for: Fashion Director of Vogue Philippines; founder of Qurator Studio\n- Editor: Kaiser Khan\n\nPam Quiñones is a Philippine fashion stylist who serves as Fashion Director of Vogue Philippines. She founded Qurator Studio in 2014 to mentor emerging stylists and co-founded the fashion-rental platform Vestido Manila.\n"},{"url":"https://thecastindex.com/creatives/paolo-roversi","markdownUrl":"https://thecastindex.com/creatives/paolo-roversi.md","title":"Paolo Roversi","lastmod":"2026-10-05","sha256":"af862acc19a93891eb4fa6cbd20f039905a47e03e214ad75b7cd0d4fc368da3b","bytes":457,"markdown":"# Paolo Roversi\n\n> Decades of atmospheric, painterly fashion photography from his Paris studio.\n\n- Canonical: https://thecastindex.com/creatives/paolo-roversi\n- Discipline: Photographer\n- Based: Paris, France\n- Known for: Paris-based fashion photographer since the 1970s\n- Editor: Kaiser Khan\n\nPaolo Roversi is an Italian-born fashion photographer who has lived and worked in Paris for most of his career, known for a distinctive, atmospheric studio style.\n"},{"url":"https://thecastindex.com/creatives/pat-mcgrath","markdownUrl":"https://thecastindex.com/creatives/pat-mcgrath.md","title":"Pat McGrath","lastmod":"2026-10-05","sha256":"11fc60c8be2fec00fb87d2618fa0dacf515e73ddbfea798d10538dd9c5bb778e","bytes":679,"markdown":"# Pat McGrath\n\n> Widely described by Vogue and others as the most influential make-up artist in the world.\n\n- Canonical: https://thecastindex.com/creatives/pat-mcgrath\n- Discipline: Makeup Artist\n- Based: London, United Kingdom\n- Known for: Founder, Pat McGrath Labs; creative director of cosmetics, La Beauté Louis Vuitton (2025–)\n- Editor: Kaiser Khan\n\nBritish make-up artist Dame Patricia Ann McGrath is the first make-up artist made a Dame Commander of the British Empire and was named to Time’s 100 most influential people in 2019. She founded the make-up brand Pat McGrath Labs and was announced as creative director of cosmetics for La Beauté Louis Vuitton in 2025.\n"},{"url":"https://thecastindex.com/creatives/rohan-shrestha","markdownUrl":"https://thecastindex.com/creatives/rohan-shrestha.md","title":"Rohan Shrestha","lastmod":"2026-10-05","sha256":"21645615d01e74e40e62233050f4b50416da8d14d4f9e59d724018f706bdaaf1","bytes":681,"markdown":"# Rohan Shrestha\n\n> A leading Indian celebrity photographer whose subjects span Bollywood and global names from Messi to Ryan Reynolds.\n\n- Canonical: https://thecastindex.com/creatives/rohan-shrestha\n- Discipline: Photographer\n- Based: Mumbai, India\n- Known for: Celebrity and fashion photographer for Vogue, GQ and Harper’s Bazaar India\n- Editor: Kaiser Khan\n\nRohan Shrestha is an Indian fashion and celebrity photographer based in Mumbai, the son of veteran photographer Rakesh Shrestha. His editorial and campaign work appears across Vogue, GQ and Harper’s Bazaar India, and he has photographed international figures including Lionel Messi, Oprah Winfrey and Ryan Reynolds.\n"},{"url":"https://thecastindex.com/creatives/sam-mcknight","markdownUrl":"https://thecastindex.com/creatives/sam-mcknight.md","title":"Sam McKnight","lastmod":"2026-10-05","sha256":"2349f2ec156cf42cdb84ed19ad66c816b55818f91a474de7637f031f91f59b30","bytes":516,"markdown":"# Sam McKnight\n\n> Decades of runway hair for Chanel, Fendi, Balmain and Burberry.\n\n- Canonical: https://thecastindex.com/creatives/sam-mcknight\n- Discipline: Hair Stylist\n- Based: London, United Kingdom\n- Known for: Session hairstylist for Princess Diana, Kate Moss and Lady Gaga\n- Editor: Kaiser Khan\n\nSamuel McKnight is a British hairstylist known for his work with Princess Diana, Kate Moss and Lady Gaga, and for his long-running collaborations with fashion houses including Chanel, Fendi, Balmain and Burberry.\n"},{"url":"https://thecastindex.com/creatives/shaira-luna","markdownUrl":"https://thecastindex.com/creatives/shaira-luna.md","title":"Shaira Luna","lastmod":"2026-10-05","sha256":"46c6feee90ef369bbf9bfccfd8a74cee9c92e03d4f3f4634923ff0cc3956d599","bytes":590,"markdown":"# Shaira Luna\n\n> A Philippine fashion and advertising photographer who shoots Vogue Philippines covers and fashion-week coverage.\n\n- Canonical: https://thecastindex.com/creatives/shaira-luna\n- Discipline: Photographer\n- Based: Manila, Philippines\n- Known for: Fashion and commercial photographer for Vogue Philippines\n- Editor: Kaiser Khan\n\nShaira Luna is a Filipino fashion and commercial photographer represented by Artists & Company Manila. She photographed the Vogue Philippines February 2023 cover story with H.E.R. and has shot Paris Fashion Week backstage coverage for the magazine.\n"},{"url":"https://thecastindex.com/creatives/tapu-javeri","markdownUrl":"https://thecastindex.com/creatives/tapu-javeri.md","title":"Tapu Javeri","lastmod":"2026-10-05","sha256":"8092d7a503c9fe36e4a8ac98a270f86d34c372397eddeebed41e6bef55b90b25","bytes":605,"markdown":"# Tapu Javeri\n\n> A defining figure in Pakistani fashion photography, also a jeweller and broadcaster.\n\n- Canonical: https://thecastindex.com/creatives/tapu-javeri\n- Discipline: Photographer\n- Based: Karachi, Pakistan\n- Known for: One of Pakistan’s best-known fashion and art photographers\n- Editor: Kaiser Khan\n\nTapu Javeri is a Pakistani fashion and art photographer, television personality and jewellery designer. He has photographed for magazines including Libas, Newsline and Herald, served as a Lux Style Awards juror, and exhibited internationally, including at the Whitechapel Gallery in London.\n"},{"url":"https://thecastindex.com/creatives/tariq-amin","markdownUrl":"https://thecastindex.com/creatives/tariq-amin.md","title":"Tariq Amin","lastmod":"2026-10-05","sha256":"e43592a965432f75a2c9cd87d379a511e85fdc23231abd6257b7de506c3abfb5","bytes":508,"markdown":"# Tariq Amin\n\n> A pioneer of the Pakistani fashion-styling industry, active since the early 1980s.\n\n- Canonical: https://thecastindex.com/creatives/tariq-amin\n- Discipline: Hair Stylist\n- Based: Karachi, Pakistan\n- Known for: Pioneering Pakistani celebrity hairstylist and wardrobe stylist\n- Editor: Kaiser Khan\n\nTariq Amin is a Pakistani hairstylist and wardrobe stylist who has worked in fashion since 1983, with salons in Karachi, Lahore and Islamabad. He headed Islamabad’s first fashion week in 2011.\n"},{"url":"https://thecastindex.com/events/amfar-gala-cannes-2026","markdownUrl":"https://thecastindex.com/events/amfar-gala-cannes-2026.md","title":"amfAR Gala Cannes 2026","lastmod":"2026-10-05","sha256":"bb81cdcc6e32ae91001c03cc159c6f308e94059b7a3abe538b3290a81328722d","bytes":1039,"markdown":"# amfAR Gala Cannes 2026\n\n> The amfAR Gala Cannes took place on 21 May 2026 at the Hôtel du Cap-Eden-Roc, Cap d’Antibes, during the Cannes Film Festival. The annual benefit for AIDS research pairs its black-tie auction with one of the season’s most-covered runway shows, cast with international models.\n\n- Canonical: https://thecastindex.com/events/amfar-gala-cannes-2026\n- Dates: 21 May 2026\n- City: Cannes, France\n- Venue: Hôtel du Cap-Eden-Roc, Cap d’Antibes\n- Season: Gala 2026\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was the amfAR Gala Cannes 2026?\n\nThe amfAR Gala Cannes 2026 took place on 21 May 2026 in Cannes, France.\n\n## Who leads hair and makeup?\n\nBeauty looks are chosen by each attendee and their appointed artists; the index does not attribute a single beauty team to the gala. Hair credits: Artist-appointed teams. Makeup credits: Artist-appointed artists.\n\nCite as: The Cast Index, \"amfAR Gala Cannes 2026\", https://thecastindex.com/events/amfar-gala-cannes-2026.\n"},{"url":"https://thecastindex.com/events/arab-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/arab-fashion-week-2026.md","title":"Dubai Fashion Week SS27","lastmod":"2026-10-05","sha256":"687943dfe7b3d88771e89d7262b52345698be3b03e71f12c17d00b58290ae75c","bytes":1288,"markdown":"# Dubai Fashion Week SS27\n\n> Dubai Fashion Week, launched on 7 February 2023 by Dubai Design District (d3) and the Arab Fashion Council as the successor to Arab Fashion Week, stages its Spring/Summer 2027 edition on 22–26 October 2026. The organisers describe it as the city’s only official industry platform on the international calendar.\n\n- Canonical: https://thecastindex.com/events/arab-fashion-week-2026\n- Dates: 22–26 October 2026\n- City: Dubai, United Arab Emirates\n- Venue: Dubai · venue to be announced\n- Season: SS27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Dubai Fashion Week SS27?\n\nDubai Fashion Week SS27 runs 22–26 October 2026 in Dubai, United Arab Emirates. Official source: [Dubai Fashion Week — about the week and 2026 dates](https://dubaifashionweek.org/about/), checked 1 October 2026.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [Dubai Fashion Week — about the week and 2026 dates](https://dubaifashionweek.org/about/)\n\nCite as: The Cast Index, \"Dubai Fashion Week SS27\", https://thecastindex.com/events/arab-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/australian-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/australian-fashion-week-2026.md","title":"Australian Fashion Week Resort 26","lastmod":"2026-10-05","sha256":"16ccde69a0f4b0579e5ee2152402906e9168fb181cee2c1fcce65c12e6eaf372","bytes":3851,"markdown":"# Australian Fashion Week Resort 26\n\n> Marking its 30th anniversary, Australian Fashion Week 2026 ran 11–15 May at a new home, the Museum of Contemporary Art Australia at Circular Quay, after thirteen years at Carriageworks. Organised for the first time by the Australian Fashion Council following IMG’s 2024 exit, the week remains the first international fashion week to present Resort collections each year.\n\n- Canonical: https://thecastindex.com/events/australian-fashion-week-2026\n- Dates: 11–15 May 2026\n- City: Sydney, Australia\n- Venue: Museum of Contemporary Art Australia, Circular Quay\n- Season: Resort 26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Australian Fashion Week Resort 26?\n\nAustralian Fashion Week Resort 26 ran 11–15 May 2026 in Sydney, Australia.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Buluuy Mirrii, Van Ermel Scherer, Nagnata.\n\n## A PR consultant’s 1996 launch\n\nAustralian Fashion Week was founded in 1996 in Sydney by PR consultant Simon Lock, through his company Australian Fashion Innovators. Its inaugural season featured designers including Akira Isogawa, Alex Perry and Wayne Cooper, establishing Sydney as the anchor city for the country’s fashion calendar from the outset.\n\n## From Rosemount to the Australian Fashion Council\n\nLock sold the event to global sports and entertainment agency IMG in 2005, which ran it for nearly two decades before Lock himself departed the company in 2010. The week carried a succession of title sponsors over the following years — Rosemount Estate from 2006, Mercedes-Benz from 2011, and Afterpay through the early 2020s — before IMG withdrew as organiser and backer in November 2024, leaving the event’s future uncertain.\n\nIn 2025, the Australian Fashion Council — the industry’s peak body — stepped in as primary organiser, contracting independent agency Bashful Group to lead production, with Simon Lock returning to help lock in dates for that year’s edition.\n\n## A platform for First Nations design\n\nIn 2021, the week introduced dedicated First Nations designer showcases, featuring 13 Indigenous designers on the official schedule — part of a broader effort to widen who gets a platform at the event beyond its earlier, narrower roster.\n\n## Thirty years, a new home\n\nAustralian Fashion Week marked its 30th anniversary in 2026, moving to a new central venue, the Museum of Contemporary Art Australia at Circular Quay, after thirteen years based at Carriageworks. The 2026 season, Resort 26, ran 11–15 May and for the first time opened six runway events to the public rather than trade and media alone — continuing the week’s longstanding role as the first international fashion week to preview Resort collections each year.\n\n## Quick facts\n\n- Founded in 1996 in Sydney by PR consultant Simon Lock, with an inaugural lineup including Akira Isogawa, Alex Perry and Wayne Cooper\n- Sold to global sports and entertainment agency IMG in 2005, which organised the week for nearly two decades\n- Carried a succession of title sponsors — Rosemount, then Mercedes-Benz, then Afterpay — before running unsponsored under the Australian Fashion Council from 2025\n- The first international fashion week to present Resort collections each season\n- Introduced dedicated First Nations designer showcases in 2021, featuring 13 Indigenous designers\n- Marked its 30th anniversary in 2026 with a move to the Museum of Contemporary Art Australia at Circular Quay\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Australian Fashion Week Resort 26\", https://thecastindex.com/events/australian-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/berlin-fashion-week-ss27","markdownUrl":"https://thecastindex.com/events/berlin-fashion-week-ss27.md","title":"Berlin Fashion Week SS27","lastmod":"2026-10-05","sha256":"ec41616b44b7305caea0cbd253e2b8ef496f6be9f70c8aa3b2286a8f78093a99","bytes":1005,"markdown":"# Berlin Fashion Week SS27\n\n> Berlin Fashion Week’s Spring/Summer 2027 edition ran 30 June–3 July 2026, organised by the Fashion Council Germany with the support of the Berlin Senate. First staged in 2007, the week anchors the city’s contemporary and sustainability-led positioning on the European calendar.\n\n- Canonical: https://thecastindex.com/events/berlin-fashion-week-ss27\n- Dates: 30 June–3 July 2026\n- City: Berlin, Germany\n- Venue: Berlin · venues vary by designer\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Berlin Fashion Week SS27?\n\nBerlin Fashion Week SS27 ran 30 June–3 July 2026 in Berlin, Germany.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Berlin Fashion Week SS27\", https://thecastindex.com/events/berlin-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/events/cfda-fashion-awards-2026","markdownUrl":"https://thecastindex.com/events/cfda-fashion-awards-2026.md","title":"CFDA Fashion Awards 2026","lastmod":"2026-10-05","sha256":"63cde065a3ae5a948f8fbd17db1ae2d12c64bc02b90a89b98aaff8b96787760c","bytes":3942,"markdown":"# CFDA Fashion Awards 2026\n\n> The 2026 CFDA Fashion Awards, presented by Amazon Fashion, take place on Monday 2 November 2026 at the American Museum of Natural History in New York, hosted by Keke Palmer. The CFDA announced its nominees and honorees on 9 September 2026; Anthony Vaccarello receives the International Designer of the Year Award for Saint Laurent.\n\n- Canonical: https://thecastindex.com/events/cfda-fashion-awards-2026\n- Dates: 2 November 2026\n- City: New York, United States\n- Venue: American Museum of Natural History, New York\n- Season: Awards 2026\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is the CFDA Fashion Awards 2026?\n\nThe CFDA Fashion Awards 2026 takes place on 2 November 2026 in New York, United States. Official source: [CFDA — the nominees and honorees of the 2026 CFDA Fashion Awards (9 September 2026)](https://cfda.com/news/the-nominees-honorees-of-the-2026-cfda-fashion-awards-presented-by-amazon-fashion/), checked 1 October 2026.\n\n## American fashion’s own honours\n\nThe CFDA Fashion Awards are the annual honours of the Council of Fashion Designers of America, the trade association founded in 1962 to further the position of American design. First presented in the early 1980s, the awards grew into the American industry’s principal ceremony — often likened to the Oscars of fashion — recognising womenswear, menswear, accessories and emerging talent alongside honorary and international categories.\n\n## The 2 November 2026 ceremony\n\nThe 2026 CFDA Fashion Awards, presented by Amazon Fashion, take place on Monday 2 November 2026 at the American Museum of Natural History in New York, the ceremony’s fourth year there, hosted by Keke Palmer. The CFDA announced its nominees and honorees on 9 September 2026.\n\nAmerican Womenswear Designer of the Year nominees are Catherine Holstein for Khaite, Michael Kors, Rachel Scott for Diotima, Tory Burch and Wes Gordon for Carolina Herrera. American Menswear nominees are Dao-Yi Chow and Maxwell Osborne for Public School New York, Ralph Lauren, Thom Browne, Todd Snyder and Willy Chavarria. American Accessory nominees are Ana Khouri, Mary-Kate and Ashley Olsen for The Row, Raul Lopez for Luar, Sophie Buhai and Stuart Vevers for Coach.\n\nHonorees include Anthony Vaccarello (International Designer of the Year, Saint Laurent), Tory Burch (Positive Change Award), Inez van Lamsweerde and Vinoodh Matadin (Geoffrey Beene Lifetime Achievement Award) and Eva Chen (Media Award in honour of Eugenia Sheppard).\n\n## Quick facts\n\n- The annual honours of the Council of Fashion Designers of America, the trade body founded in 1962\n- Often described as American fashion’s highest honours, covering womenswear, menswear, accessories and emerging talent\n- Categories include American Womenswear, Menswear and Accessories Designer of the Year, plus international and honorary awards\n- The 2026 ceremony takes place on Monday 2 November 2026 at the American Museum of Natural History, its fourth year at the venue, hosted by Keke Palmer (CFDA)\n- Anthony Vaccarello receives the 2026 International Designer of the Year Award for Saint Laurent (CFDA)\n\n## Who leads hair and makeup?\n\nBeauty looks are chosen by each attendee and their appointed artists; the index does not attribute a single beauty team to the ceremony. Hair credits: Artist-appointed teams. Makeup credits: Artist-appointed artists.\n\n## Sources\n\n- [CFDA — the nominees and honorees of the 2026 CFDA Fashion Awards (9 September 2026)](https://cfda.com/news/the-nominees-honorees-of-the-2026-cfda-fashion-awards-presented-by-amazon-fashion/)\n- [CFDA — the nominees and honorees of the 2026 CFDA Fashion Awards (9 September 2026)](https://cfda.com/news/the-nominees-honorees-of-the-2026-cfda-fashion-awards-presented-by-amazon-fashion/)\n\nCite as: The Cast Index, \"CFDA Fashion Awards 2026\", https://thecastindex.com/events/cfda-fashion-awards-2026.\n"},{"url":"https://thecastindex.com/events/copenhagen-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/copenhagen-fashion-week-2026.md","title":"Copenhagen Fashion Week SS27","lastmod":"2026-10-05","sha256":"a93393d2d7ba69aa2d49d85d95e089315eb064e713d80e6a4c45bccf2538df83","bytes":4393,"markdown":"# Copenhagen Fashion Week SS27\n\n> Copenhagen Fashion Week marks 20 years across 2026. Since 2023, every brand on the official schedule must meet CPHFW’s binding Sustainability Requirements — minimum standards the organisation was first to introduce, in 2020.\n\n- Canonical: https://thecastindex.com/events/copenhagen-fashion-week-2026\n- Dates: 3–7 August 2026\n- City: Copenhagen, Denmark\n- Venue: Copenhagen · citywide venues\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Copenhagen Fashion Week SS27?\n\nCopenhagen Fashion Week SS27 ran 3–7 August 2026 in Copenhagen, Denmark.\n\n## When is the next edition?\n\nThe next edition, [Copenhagen Fashion Week AW27](https://thecastindex.com/events/copenhagen-fashion-week-aw27), is scheduled for 1–5 February 2027.\n\n## Merging two trade fairs\n\nCopenhagen Fashion Week in its current form dates to 2006, when two older Danish clothing trade fairs — Dansk Modeuge (Danish Fashion Week) and Dansk Herremodeuge (Danish Menswear Week), both with roots stretching back to the 1950s — were merged into a single, unified event.\n\n## The Danish Fashion Institute\n\nThe week is organised by the Danish Fashion Institute, a non-profit whose funding comes roughly 15% from public sources and 85% from commercial partnerships. Its official programme runs over four days of runway shows, presentations and events, staged alongside two adjacent trade shows, CIFF and Revolver, which bring buyers and wholesale business to the same week.\n\n## Toward binding sustainability standards\n\nUnder CEO Cecilie Thorsmark, the organisation established Futurum, a dedicated sustainability advisory institute, in 2018. It published its first formal set of minimum sustainability requirements for participating brands in 2020 — initially a voluntary benchmark — before converting those requirements into a binding condition of appearing on the official schedule starting in 2023. The standard requires that at least 50% of a brand’s collection be composed of certified, preferred, up-cycled or recycled materials, alongside documented due diligence across the supply chain.\n\n## Twenty years, 2026\n\nCopenhagen Fashion Week marks twenty years since its 2006 founding across the 2026 season. Its Spring/Summer 2027 edition is scheduled for 3–7 August 2026, continuing the binding sustainability requirements introduced in 2023 as a condition for every brand on the official schedule.\n\n## Quick facts\n\n- Formed in 2006 through the merger of two older Danish trade fairs, Dansk Modeuge and Dansk Herremodeuge, both dating back to the 1950s\n- Organised by the Danish Fashion Institute as a non-profit, funded roughly 15% publicly and 85% through commercial partnerships\n- Runs alongside two trade shows, CIFF and Revolver, across a four-day programme of runway shows, presentations and events\n- Under CEO Cecilie Thorsmark, established the sustainability advisory body Futurum in 2018\n- Published its first formal sustainability requirements for participating brands in 2020, then made them binding for every brand on the official schedule starting in 2023\n- The binding standard requires a minimum of 50% of each collection to be made from certified, preferred, up-cycled or recycled materials\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Closed | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [By Malene Birger](https://thecastindex.com/houses/by-malene-birger) | 2026-08-04 | [source](https://schonmagazine.com/by-malene-birger-ss27-a-grand-return/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/copenhagen-fashion-week-2026\n\n## Ranked models tracked at this edition\n\n- #7 [Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Brand-appointed teams. Makeup credits: Brand-appointed artists.\n\n## FAQ\n\n### When is Copenhagen Fashion Week 2027?\n\nCopenhagen Fashion Week lists its Autumn/Winter 2027 edition for 1–5 February 2027 (checked 1 October 2026).\n\nCite as: The Cast Index, \"Copenhagen Fashion Week SS27\", https://thecastindex.com/events/copenhagen-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/copenhagen-fashion-week-aw27","markdownUrl":"https://thecastindex.com/events/copenhagen-fashion-week-aw27.md","title":"Copenhagen Fashion Week AW27","lastmod":"2026-10-05","sha256":"cc3788679c13e6c21e20243f9b72e63a05f894b9713df6dd66c418991f55aad5","bytes":3911,"markdown":"# Copenhagen Fashion Week AW27\n\n> Copenhagen Fashion Week lists 1–5 February 2027 for its Autumn/Winter 2027 edition, the first major womenswear week of the February season. The official schedule is published by CPHFW closer to the season.\n\n- Canonical: https://thecastindex.com/events/copenhagen-fashion-week-aw27\n- Dates: 1–5 February 2027\n- City: Copenhagen, Denmark\n- Venue: Copenhagen · venues vary by brand\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Copenhagen Fashion Week AW27?\n\nCopenhagen Fashion Week AW27 runs 1–5 February 2027 in Copenhagen, Denmark. Official source: [Copenhagen Fashion Week — official site](https://copenhagenfashionweek.com/), checked 1 October 2026.\n\n## Merging two trade fairs\n\nCopenhagen Fashion Week in its current form dates to 2006, when two older Danish clothing trade fairs — Dansk Modeuge (Danish Fashion Week) and Dansk Herremodeuge (Danish Menswear Week), both with roots stretching back to the 1950s — were merged into a single, unified event.\n\n## The Danish Fashion Institute\n\nThe week is organised by the Danish Fashion Institute, a non-profit whose funding comes roughly 15% from public sources and 85% from commercial partnerships. Its official programme runs over four days of runway shows, presentations and events, staged alongside two adjacent trade shows, CIFF and Revolver, which bring buyers and wholesale business to the same week.\n\n## Toward binding sustainability standards\n\nUnder CEO Cecilie Thorsmark, the organisation established Futurum, a dedicated sustainability advisory institute, in 2018. It published its first formal set of minimum sustainability requirements for participating brands in 2020 — initially a voluntary benchmark — before converting those requirements into a binding condition of appearing on the official schedule starting in 2023. The standard requires that at least 50% of a brand’s collection be composed of certified, preferred, up-cycled or recycled materials, alongside documented due diligence across the supply chain.\n\n## The February 2027 season\n\nCopenhagen Fashion Week lists 1–5 February 2027 for its Autumn/Winter 2027 edition, ahead of New York (8–12 February 2027, CFDA) and the rest of the February–March womenswear circuit. The official schedule is published by CPHFW closer to the season.\n\n## Quick facts\n\n- Formed in 2006 through the merger of two older Danish trade fairs, Dansk Modeuge and Dansk Herremodeuge, both dating back to the 1950s\n- Organised by the Danish Fashion Institute as a non-profit, funded roughly 15% publicly and 85% through commercial partnerships\n- Runs alongside two trade shows, CIFF and Revolver, across a four-day programme of runway shows, presentations and events\n- Under CEO Cecilie Thorsmark, established the sustainability advisory body Futurum in 2018\n- Published its first formal sustainability requirements for participating brands in 2020, then made them binding for every brand on the official schedule starting in 2023\n- The binding standard requires a minimum of 50% of each collection to be made from certified, preferred, up-cycled or recycled materials\n- The Autumn/Winter 2027 edition runs 1–5 February 2027 (CPHFW)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Brand-appointed teams. Makeup credits: Brand-appointed artists.\n\n## FAQ\n\n### When is Copenhagen Fashion Week 2027?\n\nCopenhagen Fashion Week lists its Autumn/Winter 2027 edition for 1–5 February 2027 (checked 1 October 2026).\n\n## Sources\n\n- [Copenhagen Fashion Week — official site](https://copenhagenfashionweek.com/)\n- [Copenhagen Fashion Week — official site](https://copenhagenfashionweek.com/)\n\nCite as: The Cast Index, \"Copenhagen Fashion Week AW27\", https://thecastindex.com/events/copenhagen-fashion-week-aw27.\n"},{"url":"https://thecastindex.com/events/dakar-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/dakar-fashion-week-2026.md","title":"Dakar Fashion Week 2026","lastmod":"2026-10-05","sha256":"dc0ffae7b56bf7a9d35b97386381eb44bc98ed45b35b9ae994642e2ec4739b9c","bytes":3334,"markdown":"# Dakar Fashion Week 2026\n\n> Founded in 2002 by the designer Adama Ndiaye (Adama Paris), Dakar Fashion Week is one of the most respected fashion weeks on the African continent. The organiser’s 2026 programme, themed around “25 ans de mode africaine” (25 years of African fashion), runs from a press conference on 1 December to a closing party on 6 December, with the young designers’ show on 4 December and the official grand show on 5 December.\n\n- Canonical: https://thecastindex.com/events/dakar-fashion-week-2026\n- Dates: 1–6 December 2026\n- City: Dakar, Senegal\n- Venue: Dakar · Pullman Dakar Teranga and other venues\n- Season: 2026 edition\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Dakar Fashion Week 2026?\n\nDakar Fashion Week 2026 runs 1–6 December 2026 in Dakar, Senegal. Official source: [Dakar Fashion Week — 2026 programme](https://dakarfashionweek.com/), checked 1 October 2026.\n\n## Founded out of necessity\n\nDakar Fashion Week was founded in 2002 by Adama Ndiaye, a Senegalese designer who works under the name Adama Paris. Ndiaye, who was born in Kinshasa and raised in Europe by diplomat parents, returned to Senegal in 2002 shortly after launching her own eponymous label. Finding no existing platform in the country to showcase her designs, she launched Dakar Fashion Week herself, initially to give her own brand visibility before expanding it into a showcase for the wider Senegalese and African design community.\n\n## Africa’s longest-running fashion week\n\nOver more than two decades, the event has grown into what is widely described as Africa’s longest-running fashion week, known in particular for staging shows in public space — including outdoor and street settings — rather than confining the programme to conventional trade venues. That choice has become one of the week’s defining characteristics, distinguishing it from the enclosed-venue format of most Western fashion weeks.\n\n## The 2026 edition\n\nDakar Fashion Week marks its 25th edition in 2026, continuing its focus on designers from Senegal and across the African continent alongside its long-standing emphasis on sustainable fashion, ethical production and local craftsmanship — themes Ndiaye has built into the event’s identity since its earliest seasons.\n\n## Quick facts\n\n- Founded in 2002 by the Senegalese designer Adama Ndiaye, known professionally as Adama Paris\n- Ndiaye launched the week shortly after founding her own label, Adama Paris, when she found no existing platform in Senegal to showcase it\n- Widely credited as Africa’s longest-running fashion week\n- Known for staging shows in public space, including outdoor and street settings, rather than exclusively in trade venues\n- Focuses on designers from Senegal and across the African continent, alongside a broader emphasis on sustainable fashion and local craftsmanship\n- Marks its 25th edition in 2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [Dakar Fashion Week — 2026 programme](https://dakarfashionweek.com/)\n\nCite as: The Cast Index, \"Dakar Fashion Week 2026\", https://thecastindex.com/events/dakar-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/india-couture-week-2026","markdownUrl":"https://thecastindex.com/events/india-couture-week-2026.md","title":"India Couture Week 2026","lastmod":"2026-10-05","sha256":"8578c152457d00e607ef5d51e00d4cd0a0531e274a8a530583ca26b077f380ec","bytes":1598,"markdown":"# India Couture Week 2026\n\n> The 19th Hyundai India Couture Week, staged with the Fashion Design Council of India, opened on 23 July 2026 with an Anamika Khanna showcase at the Taj Falaknuma Palace in Hyderabad, the platform’s first presentation outside Delhi, and continued at the Taj Palace, New Delhi, from 24 to 29 July.\n\n- Canonical: https://thecastindex.com/events/india-couture-week-2026\n- Dates: 23–29 July 2026\n- City: New Delhi, India\n- Venue: Taj Palace, New Delhi\n- Season: Couture 2026\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was India Couture Week 2026?\n\nIndia Couture Week 2026 ran 23–29 July 2026 in New Delhi, India. Official source: [Hyundai Motor India and the FDCI — 19th Hyundai India Couture Week announcement](https://www.hyundai.com/in/en/hyundai-story/media-center/press-release/19th-edition-hyundai-india-couture-week), checked 1 October 2026.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Anamika Khanna, Rahul Mishra, Kunal Rawal, Rimzim Dadu, Arpita Mehta, Jayanti Reddy.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [Hyundai Motor India and the FDCI — 19th Hyundai India Couture Week announcement](https://www.hyundai.com/in/en/hyundai-story/media-center/press-release/19th-edition-hyundai-india-couture-week)\n\nCite as: The Cast Index, \"India Couture Week 2026\", https://thecastindex.com/events/india-couture-week-2026.\n"},{"url":"https://thecastindex.com/events/jakarta-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/jakarta-fashion-week-2026.md","title":"Jakarta Fashion Week 2026","lastmod":"2026-10-05","sha256":"1f4dacf6880d31ccfe45386d4e21226ded70d98b9725c0aac224b5236931f696","bytes":3991,"markdown":"# Jakarta Fashion Week 2026\n\n> The 18th edition, JFW 2026, ran 27 October–2 November 2025 at City Hall, Pondok Indah Mall 3, under the theme “The Legacy of Style”. More than 100 designers took part, and 30 JFW Fresh Faces were selected from 150 candidates at the JFW 2026 Model Search casting. Jakarta Fashion Week names each edition after the following year.\n\n- Canonical: https://thecastindex.com/events/jakarta-fashion-week-2026\n- Dates: 27 October–2 November 2025\n- City: Jakarta, Indonesia\n- Venue: City Hall, Pondok Indah Mall 3, Jakarta\n- Season: 2026 edition\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Jakarta Fashion Week 2026?\n\nJakarta Fashion Week 2026 ran 27 October–2 November 2025 in Jakarta, Indonesia.\n\n## When is the next edition?\n\nThe next edition, [Jakarta Fashion Week 2027](https://thecastindex.com/events/jakarta-fashion-week-2027), is scheduled for 26 October–1 November 2026.\n\n## A 2008 launch by Femina Group\n\nJakarta Fashion Week was first staged in 2008, initiated by Femina Group with backing from the DKI Jakarta Tourism Office and Indonesia’s two established national designer associations, APPMI and IPMI. The inaugural edition, held at Pacific Place Jakarta, featured 47 designers — a figure that grew quickly, reaching 108 designers in 2009 and 159 by 2010.\n\n## Growth and relocation\n\nThe week moved venues as it grew, relocating to Plaza Senayan and later Senayan City between 2012 and 2019, before a 2019 rebrand under new ownership by GCM Group introduced a new logo and identity. It adapted to digital broadcasting during the COVID-19 disruption of 2020–2021, and has run from Pondok Indah Mall 3 since 2022.\n\n## Southeast Asia’s largest fashion event\n\nJakarta Fashion Week is billed as the largest fashion event in Southeast Asia, with participation growing to roughly 270 designers in recent editions — a scale reflecting Indonesia’s position as one of the region’s largest garment and textile economies. The week continues to run in partnership with the Indonesian Fashion Chamber.\n\n## JFW 2026: “The Legacy of Style”\n\nEditions are named for the following year: JFW 2026, the 18th, opened on 27 October 2025 at City Hall, Pondok Indah Mall 3, and closed on 2 November 2025. More than 100 designers took part under the theme “The Legacy of Style”, alongside the JFW Fresh Faces programme — 30 new models chosen from 150 candidates at the JFW 2026 Model Search casting — and searches for make-up artists and hairstylists.\n\nEstablished names returned to the runway too: Paula Verhoeven and Kimmy Jayanti walked together in a collection by Ayu Dyah Andari with the Central Kalimantan provincial government. JFW 2027 is scheduled for 26 October–1 November 2026 at the same venue.\n\n## Quick facts\n\n- First held in 2008, initiated by Femina Group with support from the DKI Jakarta Tourism Office and Indonesia’s two national designer associations, APPMI and IPMI\n- The inaugural 2008 edition, staged at Pacific Place Jakarta, featured 47 designers; by 2010 that number had grown to 159\n- Billed as the largest fashion event in Southeast Asia, with roughly 270 designers participating in recent editions\n- Relocated venues several times over its history — Pacific Place (2008), Plaza Senayan and Senayan City (2012–2019), and Pondok Indah Mall 3 (2022–present)\n- Rebranded under new ownership by GCM Group in 2019\n- Runs in continued partnership with the Indonesian Fashion Chamber\n- JFW 2026, the 18th edition, ran 27 October–2 November 2025 under the theme “The Legacy of Style”; JFW 2027 is scheduled for 26 October–1 November 2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Jakarta Fashion Week 2026\", https://thecastindex.com/events/jakarta-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/jakarta-fashion-week-2027","markdownUrl":"https://thecastindex.com/events/jakarta-fashion-week-2027.md","title":"Jakarta Fashion Week 2027","lastmod":"2026-10-05","sha256":"57a22d069cf685b490b51d58cc656d8588b5975e982930807639f817fb003a7d","bytes":5431,"markdown":"# Jakarta Fashion Week 2027\n\n> JFW 2027, the 19th edition, runs 26 October–1 November 2026 at City Hall, Pondok Indah Mall 3, according to the organiser, which names each edition after the following year. Founded in 2008, Jakarta Fashion Week is chaired by Svida Alisjahbana (GCM Group), is billed as the largest fashion event in Southeast Asia and runs in partnership with the Indonesian Fashion Chamber.\n\n- Canonical: https://thecastindex.com/events/jakarta-fashion-week-2027\n- Dates: 26 October–1 November 2026\n- City: Jakarta, Indonesia\n- Venue: City Hall, Pondok Indah Mall 3, Jakarta\n- Season: 2027 edition\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Jakarta Fashion Week 2027?\n\nJakarta Fashion Week 2027 runs 26 October–1 November 2026 in Jakarta, Indonesia. Official source: [Jakarta Fashion Week — official site](https://www.jakartafashionweek.co.id/), checked 1 October 2026.\n\n## A 2008 launch by Femina Group\n\nJakarta Fashion Week was first staged in 2008, initiated by Femina Group with backing from the DKI Jakarta Tourism Office and Indonesia’s two established national designer associations, APPMI and IPMI. The inaugural edition, held at Pacific Place Jakarta, featured 47 designers — a figure that grew quickly, reaching 108 designers in 2009 and 159 by 2010.\n\n## Growth and relocation\n\nThe week moved venues as it grew, relocating to Plaza Senayan and later Senayan City between 2012 and 2019, before a 2019 rebrand under new ownership by GCM Group introduced a new logo and identity. It adapted to digital broadcasting during the COVID-19 disruption of 2020–2021, and has run from Pondok Indah Mall 3 since 2022.\n\n## Southeast Asia’s largest fashion event\n\nJakarta Fashion Week is billed as the largest fashion event in Southeast Asia, with participation growing to roughly 270 designers in recent editions — a scale reflecting Indonesia’s position as one of the region’s largest garment and textile economies. The week continues to run in partnership with the Indonesian Fashion Chamber.\n\n## JFW 2026: “The Legacy of Style”\n\nEditions are named for the following year: JFW 2026, the 18th, opened on 27 October 2025 at City Hall, Pondok Indah Mall 3, and closed on 2 November 2025. More than 100 designers took part under the theme “The Legacy of Style”, alongside the JFW Fresh Faces programme — 30 new models chosen from 150 candidates at the JFW 2026 Model Search casting — and searches for make-up artists and hairstylists.\n\nEstablished names returned to the runway too: Paula Verhoeven and Kimmy Jayanti walked together in a collection by Ayu Dyah Andari with the Central Kalimantan provincial government. JFW 2027 is scheduled for 26 October–1 November 2026 at the same venue.\n\n## JFW 2027: dates, venue and what is confirmed\n\nJakarta Fashion Week names each edition after the following year, so JFW 2027, the 19th edition, takes place from 26 October to 1 November 2026. The organiser lists City Hall, Pondok Indah Mall 3 as the venue, the same home as JFW 2026.\n\nWhen this page was checked on 1 October 2026, the official schedule page still read “coming soon”, so this index lists no JFW 2027 designers yet. The organiser has confirmed that the eight finalists of the 2026 LPM Menswear design competition (Lomba Perancang Mode Menswear) will show collections interpreting the theme “Modern Archetype” at JFW 2027.\n\n## Quick facts\n\n- First held in 2008, initiated by Femina Group with support from the DKI Jakarta Tourism Office and Indonesia’s two national designer associations, APPMI and IPMI\n- The inaugural 2008 edition, staged at Pacific Place Jakarta, featured 47 designers; by 2010 that number had grown to 159\n- Billed as the largest fashion event in Southeast Asia, with roughly 270 designers participating in recent editions\n- Relocated venues several times over its history — Pacific Place (2008), Plaza Senayan and Senayan City (2012–2019), and Pondok Indah Mall 3 (2022–present)\n- Rebranded under new ownership by GCM Group in 2019\n- Runs in continued partnership with the Indonesian Fashion Chamber\n- JFW 2027, the 19th edition, runs 26 October–1 November 2026 at City Hall, Pondok Indah Mall 3 (organiser)\n- Editions are named for the following year: JFW 2026 ran 27 October–2 November 2025\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### Where is Jakarta Fashion Week 2027 held?\n\nAt City Hall, Pondok Indah Mall 3, Jakarta, according to the organiser (checked 1 October 2026).\n\n### Why is the October 2026 edition called JFW 2027?\n\nJakarta Fashion Week names each edition after the following year. JFW 2026 ran 27 October–2 November 2025; JFW 2027 runs 26 October–1 November 2026.\n\n## Sources\n\n- [Jakarta Fashion Week — official site](https://www.jakartafashionweek.co.id/)\n- [Jakarta Fashion Week — official site (dates and venue)](https://www.jakartafashionweek.co.id/)\n- [Jakarta Fashion Week — the eight LPMM 2026 finalists heading to JFW 2027 (30 September 2026)](https://www.jakartafashionweek.co.id/lomba-perancang-mode/mengenal-8-finalis-lpmm-2026-menuju-jakarta-fashion-week-2027/)\n\nCite as: The Cast Index, \"Jakarta Fashion Week 2027\", https://thecastindex.com/events/jakarta-fashion-week-2027.\n"},{"url":"https://thecastindex.com/events/lagos-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/lagos-fashion-week-2026.md","title":"Lagos Fashion Week 2026","lastmod":"2026-10-05","sha256":"873607a8bd8122976a36a9e0306b1b5e542fc0d38364420e98a473ea12438efd","bytes":3604,"markdown":"# Lagos Fashion Week 2026\n\n> Founded in 2011 by Omoyemi Akerele, also the founder of the fashion-development agency Style House Files, Lagos Fashion Week is Africa’s largest clothing trade show and has helped propel designers including Orange Culture, Lisa Folawiyo and Christie Brown to international recognition.\n\n- Canonical: https://thecastindex.com/events/lagos-fashion-week-2026\n- Dates: 28 October–1 November 2026\n- City: Lagos, Nigeria\n- Venue: Lagos · venue to be announced\n- Season: 2026 edition\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Lagos Fashion Week 2026?\n\nLagos Fashion Week 2026 runs 28 October–1 November 2026 in Lagos, Nigeria.\n\n## Founding Africa’s largest clothing trade show\n\nLagos Fashion Week was founded in 2011 by Omoyemi Akerele, who also founded the fashion business development agency that produces it, Style House Files. The inaugural edition featured more than 40 designers; the week has since grown into what is widely described as Africa’s largest clothing trade show, showcasing over 60 Nigerian and African designers to a global audience of more than 40,000 retailers, media and consumers each season.\n\nFrom its first edition, the week has run the Fashion Focus Fund, an annual competition and development programme for emerging designers, reflecting an emphasis on industry infrastructure — mentorship, funding and production support — alongside the runway programme itself.\n\n## Designers it has launched\n\nThe platform has helped propel a number of designers to international recognition, including Orange Culture, Lisa Folawiyo and Christie Brown — labels that built early visibility on the Lagos schedule before expanding into international retail and press coverage.\n\n## Institutional recognition\n\nThe week’s standing within the wider fashion and museum world has grown alongside its commercial scale. Akerele joined the advisory committee for MoMA’s \"Items: Is Fashion Modern?\" exhibition in 2017, and runway footage from Lagos Fashion Week was included in the Victoria and Albert Museum’s major 2022 exhibition \"Africa Fashion.\" During the COVID-19 disruption of 2020, Akerele launched the Woven Threads initiative to promote a circular fashion economy among participating designers, and in 2021 she was appointed Zero Oil Ambassador for Nigeria alongside a 500 million naira grant she secured to support 30 Nigerian fashion brands.\n\n## Quick facts\n\n- Founded in 2011 by Omoyemi Akerele and produced by the fashion business development agency Style House Files, which she also founded\n- The inaugural 2011 edition featured more than 40 designers; the week now showcases over 60 designers to a global audience of more than 40,000 retailers, media and consumers\n- The Fashion Focus Fund, an annual competition for emerging talent, has run alongside the week since its first edition in 2011\n- Has helped propel designers including Orange Culture, Lisa Folawiyo and Christie Brown to international recognition\n- Runway footage from the event was featured in the Victoria and Albert Museum’s 2022 \"Africa Fashion\" exhibition\n- Akerele launched the Woven Threads initiative during the 2020 COVID-19 disruption to promote a circular fashion economy among participating designers\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Lagos Fashion Week 2026\", https://thecastindex.com/events/lagos-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/lakme-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/lakme-fashion-week-2026.md","title":"Lakmé Fashion Week SS26","lastmod":"2026-10-05","sha256":"c967427041d54faf3bd15cc19ddeeee10415d9adfc2c32849c14b8f48015bd53","bytes":3257,"markdown":"# Lakmé Fashion Week SS26\n\n> Now in its 26th edition and staged in partnership with the Fashion Design Council of India (FDCI), Lakmé Fashion Week is India’s longest-running fashion week and a proving ground for both marquee couturiers and emerging talent.\n\n- Canonical: https://thecastindex.com/events/lakme-fashion-week-2026\n- Dates: 19–22 March 2026\n- City: Mumbai, India\n- Venue: Jio World Convention Centre\n- Season: SS26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Lakmé Fashion Week SS26?\n\nLakmé Fashion Week SS26 ran 19–22 March 2026 in Mumbai, India.\n\n## A joint venture from 2000\n\nLakmé Fashion Week was inaugurated in 2000 as a joint venture between the sports and entertainment company IMG Reliance and the Indian cosmetics brand Lakmé, which serves as title sponsor. The event now runs under the branding \"Lakmé Fashion Week X FDCI,\" reflecting its ongoing partnership with the Fashion Design Council of India, the country’s primary designer trade body.\n\n## Two cities, two seasons\n\nThe week operates on a bi-annual schedule split across two Indian cities: a Summer-Resort show staged in March in Mumbai, and a Winter-Festive show staged in October in Delhi — a structure that lets the event showcase both India’s lighter seasonal fabrics and its heavier festive and bridal-wear traditions within the same calendar year.\n\n## A launchpad for Indian design\n\nLakmé Fashion Week has been credited with launching the careers of major Indian designers, most notably Sabyasachi Mukherjee, alongside established names including Manish Malhotra, Rohit Bal, Tarun Tahiliani and Ritu Beri, who have shown collections there. Its guest list has regularly included Bollywood stars such as Priyanka Chopra Jonas and Deepika Padukone, and the event has drawn international participation from figures including Naomi Campbell as well as global luxury houses Louis Vuitton and Dolce & Gabbana.\n\n## The 2026 edition\n\nNow in its 26th edition, staged in partnership with FDCI, the Spring/Summer 2026 Summer-Resort show ran 19–22 March 2026 at Mumbai’s Jio World Convention Centre — continuing the event’s long-standing position as India’s longest-running fashion week.\n\n## Quick facts\n\n- Inaugurated in 2000 and jointly run by IMG Reliance Limited and Lakmé, with Lakmé as title sponsor\n- Operates in partnership with the Fashion Design Council of India (FDCI) under the branding \"Lakmé Fashion Week X FDCI\"\n- A bi-annual event: the Summer-Resort show runs in March in Mumbai, and the Winter-Festive show in October in Delhi\n- Credited with launching the careers of major Indian designers, including Sabyasachi Mukherjee\n- Has featured Bollywood stars including Priyanka Chopra Jonas and Deepika Padukone, and drawn international participation from Naomi Campbell, Louis Vuitton and Dolce & Gabbana\n- Now in its 26th edition, staged in continued partnership with FDCI\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Lakmé Fashion Week SS26\", https://thecastindex.com/events/lakme-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/london-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/london-fashion-week-2026.md","title":"London Fashion Week AW26","lastmod":"2026-10-05","sha256":"b51dd1b171c2e6ed2da9d8bde2c203b384a81b6db12ec9bcc921fede6edd8402","bytes":4585,"markdown":"# London Fashion Week AW26\n\n> The British Fashion Council’s provisional Fall/Winter 2026 schedule ran 19–23 February 2026 with 38 shows and 12 presentations, including the returns of Temperley London and Julien Macdonald.\n\n- Canonical: https://thecastindex.com/events/london-fashion-week-2026\n- Dates: 19–23 February 2026\n- City: London, United Kingdom\n- Venue: London · venues vary by designer\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was London Fashion Week AW26?\n\nLondon Fashion Week AW26 ran 19–23 February 2026 in London, United Kingdom.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Burberry, Simone Rocha, Erdem, Richard Quinn.\n\n## A car park in Kensington\n\nLondon Fashion Week began modestly: its first edition, staged by the newly formed British Fashion Council in February/March 1984, was held in a marquee erected in the car park of the Commonwealth Institute in Kensington. Fifteen catwalk shows made up the inaugural schedule, including Vivienne Westwood, David Fielden, Ghost and Betty Jackson — a small roster compared to the hundreds of designers the week hosts today.\n\nPublicist Lynne Franks is widely credited with helping generate the idea of consolidating London’s previously scattered individual designer shows into one coordinated, scheduled week, giving international press and buyers a single reason to visit the city each season.\n\n## Finding a home\n\nFor much of its history, London Fashion Week has been defined as much by its search for a permanent venue as by its shows. It moved to the Duke of York’s Barracks on King’s Road in September 1984, relocated to the larger Olympia London in March 1986, and shifted to The Ritz Hotel in 1992 — the season at which a young Alexander McQueen showed, shortly after his graduate collection had drawn industry attention.\n\nThe week moved again to marquees on the grounds of the Natural History Museum in 1994, then settled at Somerset House from 2009 until September 2015, before its most recent move, to Store Studios at 180 Strand, in February 2017.\n\n## Setting industry standards\n\nIn September 2018, London became the first major global fashion week to be fur-free, a policy shift by the British Fashion Council that put pressure on other fashion capitals to follow. The week today showcases more than 250 designers to over 5,000 press and buyers each season, with estimated orders placed during the week exceeding £100 million.\n\n## The 2026 season\n\nThe British Fashion Council’s provisional Fall/Winter 2026 schedule ran 19–23 February 2026, with 38 shows and 12 presentations. The season was notable for the scheduled returns of two houses with deep ties to London’s fashion history, Temperley London and Julien Macdonald, alongside anchor names including Burberry, Simone Rocha, Erdem and Richard Quinn.\n\n## Quick facts\n\n- First staged in February/March 1984 in a marquee in the Commonwealth Institute car park in Kensington, with 15 catwalk shows including Vivienne Westwood and Betty Jackson\n- Organised from the outset by the British Fashion Council (BFC), with publicist Lynne Franks widely credited with helping originate the idea of a single scheduled week\n- Moved venues repeatedly over four decades: Duke of York’s Barracks (Sept 1984), Olympia (March 1986), The Ritz (1992, where Alexander McQueen showed after his graduate collection), the Natural History Museum grounds (1994), Somerset House (2009–2015), and 180 Strand (from Feb 2017)\n- Became the first major global fashion week to go fur-free, in September 2018\n- Today spans over 250 designers shown to more than 5,000 press and buyers, generating estimated orders above £100 million per season\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Closed | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Burberry](https://thecastindex.com/houses/burberry) |  | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/london-fashion-week-2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"London Fashion Week AW26\", https://thecastindex.com/events/london-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/london-fashion-week-ss27","markdownUrl":"https://thecastindex.com/events/london-fashion-week-ss27.md","title":"London Fashion Week SS27","lastmod":"2026-10-01","sha256":"32240f8ae276afd45cc8368d5927efc2039a009e4220e96190b9660fa88b9c15","bytes":6903,"markdown":"# London Fashion Week SS27\n\n> The British Fashion Council listed 17–21 September 2026 for its Spring/Summer 2027 edition, the second stop of the four-city womenswear circuit. Consult the BFC calendar for individual shows and presentations.\n\n- Canonical: https://thecastindex.com/events/london-fashion-week-ss27\n- Dates: 17–21 September 2026\n- City: London, United Kingdom\n- Venue: London · venues vary by designer\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was London Fashion Week SS27?\n\nLondon Fashion Week SS27 ran 17–21 September 2026 in London, United Kingdom. Official source: [British Fashion Council — London Fashion Week](https://www.britishfashioncouncil.co.uk/London-Fashion-Week), checked 1 October 2026.\n\n## A council for British fashion\n\nThe British Fashion Council was founded in 1983 to promote the British fashion industry at home and abroad, and it staged the first London Fashion Week the following year. The event gave the city’s designers — then scattered across independent showrooms — a single organised platform, and it grew through the 1990s and 2000s into one of the four anchors of the international womenswear calendar.\n\nAlongside the twice-yearly fashion week, the BFC runs designer-support schemes including NEWGEN and the BFC/Vogue Designer Fashion Fund, and organises The Fashion Awards, its annual fundraiser, held on 30 November in 2026. London Fashion Week today combines runway shows and presentations with a public-facing city celebration programme.\n\n## The September 2026 season\n\nThe Spring/Summer 2027 edition ran from Thursday 17 to Monday 21 September 2026. According to the British Fashion Council’s closing report, the week brought 47 catwalk shows, 23 presentations, 10 digital activations and 53 evening events, with accredited buyer attendance up 19% year on year and accredited international buyers up 41%.\n\nThe season marked MCQUEEN’s return to the LFW schedule for the first time since 2001, under Seán McGirr; Christopher Kane’s first collection for Mulberry; and the LFW debut of Marks & Spencer. BFC NEWGEN newcomers included Francesca Lake, Gui Rosa and Petra Fagerström, and Fashion East returned to the official schedule.\n\n## Quick facts\n\n- London Fashion Week was first staged in 1984, organised by the British Fashion Council, founded the previous year to promote British design\n- The British Fashion Council is a non-profit that also runs NEWGEN and the BFC/Vogue Designer Fashion Fund\n- London is the second stop of the four-city womenswear season, between New York and Milan\n- The Spring/Summer 2027 edition ran 17–21 September 2026 (BFC)\n- The BFC counted 47 catwalk shows, 23 presentations, 10 digital activations and 53 evening events, with accredited international buyer attendance up 41% year on year\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Opened | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | [Harris Reed](https://thecastindex.com/houses/harris-reed) | 2026-09-17 | [source](https://wwd.com/runway/spring-2027/london/harris-reed/review/) |\n| Opened | [Alex Consani](https://thecastindex.com/models/alex-consani) | [H&M](https://thecastindex.com/houses/h-and-m) | 2026-09-17 | [source](https://www.wmagazine.com/fashion/hm-london-fashion-week-show-autumn-2026) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [H&M](https://thecastindex.com/houses/h-and-m) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | [H&M](https://thecastindex.com/houses/h-and-m) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [H&M](https://thecastindex.com/houses/h-and-m) | 2026-09-17 | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| Walked | [Lara Stone](https://thecastindex.com/models/lara-stone) | [Marks & Spencer](https://thecastindex.com/houses/marks-and-spencer) | 2026-09-18 | [source](https://wwd.com/runway/fall-2026/london/marks-spencer/review/) |\n| Closed | [Helena Christensen](https://thecastindex.com/models/helena-christensen) | [Richard Quinn](https://thecastindex.com/houses/richard-quinn) | 2026-09-19 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/richard-quinn) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [Alexander McQueen](https://thecastindex.com/houses/alexander-mcqueen) | 2026-09-20 | [source](https://www.elle.com/runway/a73813037/mcqueen-spring-2027-review/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/london-fashion-week-ss27\n\n## Ranked models tracked at this edition\n\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #16 [Lila Moss](https://thecastindex.com/models/lila-moss)\n- #28 [Ashley Graham](https://thecastindex.com/models/ashley-graham)\n- [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser)\n- [Lara Stone](https://thecastindex.com/models/lara-stone)\n- [Helena Christensen](https://thecastindex.com/models/helena-christensen)\n- [Angelina Kendall](https://thecastindex.com/models/angelina-kendall)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### When is London Fashion Week February 2027?\n\nThe British Fashion Council had not published its February 2027 dates when this page was checked on 1 October 2026; its London Fashion Week page still listed the September 2026 edition. The dates will be added here once the BFC confirms them.\n\n## Sources\n\n- [British Fashion Council — London Fashion Week](https://www.britishfashioncouncil.co.uk/London-Fashion-Week)\n- [British Fashion Council — LFW closes with international buyer growth (21 September 2026)](https://www.britishfashioncouncil.co.uk/BFCNews/5106/LFW-CLOSES-WITH-INTERNATIONAL-BUYER-GROWTH-MAJOR-BRITISH-RETURNS-AND-A-NEW-GENERATION-OF-TALENT)\n- [British Fashion Council — London Fashion Week](https://www.britishfashioncouncil.co.uk/London-Fashion-Week)\n\nCite as: The Cast Index, \"London Fashion Week SS27\", https://thecastindex.com/events/london-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/events/mbfw-madrid-ss27","markdownUrl":"https://thecastindex.com/events/mbfw-madrid-ss27.md","title":"Mercedes-Benz Fashion Week Madrid SS27","lastmod":"2026-10-05","sha256":"c894b7bdc427685b6fc55a49ba1a474f07ec7f59d9ee339157f177c448e94629","bytes":1643,"markdown":"# Mercedes-Benz Fashion Week Madrid SS27\n\n> IFEMA MADRID’s Spring/Summer 2027 Mercedes-Benz Fashion Week Madrid ran 14–19 September 2026 across three official venues: it opened at the Crystal Palace greenhouse in Arganzuela, Palacio de Cibeles returned in a renewed format and much of the programme moved to Nebrija University’s Madrid campus. Pedro del Hierro opened the schedule and Palomo marked its tenth anniversary.\n\n- Canonical: https://thecastindex.com/events/mbfw-madrid-ss27\n- Dates: 14–19 September 2026\n- City: Madrid, Spain\n- Venue: Madrid · three official venues, including Palacio de Cibeles\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Mercedes-Benz Fashion Week Madrid SS27?\n\nMercedes-Benz Fashion Week Madrid SS27 ran 14–19 September 2026 in Madrid, Spain. Official source: [IFEMA MADRID — MBFWMadrid Spring/Summer 2027 calendar (21 July 2026)](https://www.ifema.es/en/mbfw-madrid/news/calendar-september-2026), checked 1 October 2026.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Pedro del Hierro, Simorra, Adolfo Domínguez, Agua by Agua Bendita, Palomo.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [IFEMA MADRID — MBFWMadrid Spring/Summer 2027 calendar (21 July 2026)](https://www.ifema.es/en/mbfw-madrid/news/calendar-september-2026)\n\nCite as: The Cast Index, \"Mercedes-Benz Fashion Week Madrid SS27\", https://thecastindex.com/events/mbfw-madrid-ss27.\n"},{"url":"https://thecastindex.com/events/met-gala-2026","markdownUrl":"https://thecastindex.com/events/met-gala-2026.md","title":"Met Gala 2026","lastmod":"2026-10-05","sha256":"79064c482048e7a9f0c08213e8777e04a45586a5063535d8a81e675ad3af08ff","bytes":3182,"markdown":"# Met Gala 2026\n\n> The 2026 Met Gala took place on Monday 4 May 2026 — the first Monday in May, as is tradition — at the Metropolitan Museum of Art in New York. The gala is the annual fundraising benefit for the museum’s Costume Institute and remains fashion’s most-watched red carpet.\n\n- Canonical: https://thecastindex.com/events/met-gala-2026\n- Dates: 4 May 2026\n- City: New York, United States\n- Venue: Metropolitan Museum of Art, New York\n- Season: Gala 2026\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was the Met Gala 2026?\n\nThe Met Gala 2026 took place on 4 May 2026 in New York, United States.\n\n## When is the next edition?\n\nThe next edition, [Met Gala 2027](https://thecastindex.com/events/met-gala-2027), does not have a confirmed date yet.\n\n## A midnight supper for the Costume Institute\n\nThe Met Gala began in 1948, when fashion publicist Eleanor Lambert — who had created New York’s Press Week five years earlier — organised a midnight supper to raise funds for the Costume Institute, the fashion collection that had just become part of the Metropolitan Museum of Art. Tickets for the first dinner are reported to have cost fifty dollars.\n\nOver the following decades the event grew from a society dinner into the institute’s primary annual fundraiser, its guest list expanding from New York society to a cross-section of fashion, film, music and sport. The gala’s proceeds fund the Costume Institute’s exhibitions and acquisitions.\n\n## The first Monday in May\n\nThe gala’s modern form took shape under Anna Wintour, who has chaired or co-chaired the event since 1995, turning it into fashion’s most-watched red carpet: arrival looks are commissioned around the year’s exhibition theme and generate days of global coverage. The gala is traditionally held on the first Monday in May — the 2020 edition was cancelled and later editions briefly moved off the date before the tradition resumed.\n\n## The 2026 gala\n\nThe 2026 Met Gala took place on Monday 4 May 2026 at the Metropolitan Museum of Art, accompanying the Costume Institute’s spring exhibition. As with every edition, beauty and styling on the carpet were directed by each attendee’s own appointed team rather than a single event credit.\n\n## Quick facts\n\n- Founded in 1948 by publicist Eleanor Lambert as a fundraising midnight supper for the newly founded Costume Institute\n- The gala is the Costume Institute’s primary annual fundraiser, and the evening traditionally marks the opening of the institute’s spring exhibition\n- Vogue’s Anna Wintour has chaired or co-chaired the gala since 1995, with rare exceptions\n- Traditionally held on the first Monday in May, with pandemic-era exceptions in 2020–2022\n- The 2026 edition took place on Monday 4 May 2026 at the Metropolitan Museum of Art\n\n## Who leads hair and makeup?\n\nBeauty looks are chosen by each attendee and their appointed artists; the index does not attribute a single beauty team to the gala. Hair credits: Artist-appointed teams. Makeup credits: Artist-appointed artists.\n\nCite as: The Cast Index, \"Met Gala 2026\", https://thecastindex.com/events/met-gala-2026.\n"},{"url":"https://thecastindex.com/events/met-gala-2027","markdownUrl":"https://thecastindex.com/events/met-gala-2027.md","title":"Met Gala 2027","lastmod":"2026-10-05","sha256":"000bdb953da92e8e52000c528564f498be4d87491ce735aba6c4a3857cb13268","bytes":5704,"markdown":"# Met Gala 2027\n\n> The Met has not yet confirmed the date or the exhibition for the 2027 Met Gala. Its planned spring 2027 Costume Institute exhibition, John Galliano: Horizons, was withdrawn on 31 August 2026, and the museum says a new exhibition and the 2027 gala will be announced at a later date. The gala is traditionally held on the first Monday in May.\n\n- Canonical: https://thecastindex.com/events/met-gala-2027\n- Dates: to be confirmed by the organiser\n- City: New York, United States\n- Venue: Metropolitan Museum of Art, New York\n- Season: Gala 2027\n- Status: date to be confirmed\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is the Met Gala 2027?\n\nThe Met has not yet confirmed the date or the exhibition for the 2027 Met Gala. Its planned spring 2027 Costume Institute exhibition, John Galliano: Horizons, was withdrawn on 31 August 2026, and the museum says a new exhibition and the 2027 gala will be announced at a later date. The gala is traditionally held on the first Monday in May. Official source: [The Met — announcement on the spring 2027 Costume Institute exhibition (31 August 2026)](https://www.metmuseum.org/press-releases/spring-ci-2027-announcement), checked 1 October 2026.\n\n## A midnight supper for the Costume Institute\n\nThe Met Gala began in 1948, when fashion publicist Eleanor Lambert — who had created New York’s Press Week five years earlier — organised a midnight supper to raise funds for the Costume Institute, the fashion collection that had just become part of the Metropolitan Museum of Art. Tickets for the first dinner are reported to have cost fifty dollars.\n\nOver the following decades the event grew from a society dinner into the institute’s primary annual fundraiser, its guest list expanding from New York society to a cross-section of fashion, film, music and sport. The gala’s proceeds fund the Costume Institute’s exhibitions and acquisitions.\n\n## The first Monday in May\n\nThe gala’s modern form took shape under Anna Wintour, who has chaired or co-chaired the event since 1995, turning it into fashion’s most-watched red carpet: arrival looks are commissioned around the year’s exhibition theme and generate days of global coverage. The gala is traditionally held on the first Monday in May — the 2020 edition was cancelled and later editions briefly moved off the date before the tradition resumed.\n\n## The 2027 gala: what we know\n\nPlans for the spring 2027 Costume Institute exhibition, John Galliano: Horizons, were made public on 31 July 2026; it would have opened in May 2027 alongside the gala (The Art Newspaper). On 31 August 2026 the Met and Galliano jointly announced that the exhibition “will not proceed as planned”. In the museum’s statement, Galliano said he remained “fully accountable for the pain caused by my words in the past”.\n\nThe Met says information on a new spring Costume Institute exhibition and the 2027 Met Gala will be announced at a later date. When this page was checked on 1 October 2026, the museum had not announced a replacement exhibition, theme or gala date.\n\nThe gala is traditionally held on the first Monday in May, which in 2027 falls on 3 May. NPR noted that this date coincides with Holocaust Remembrance Day in 2027 and that a change had been speculated; the Met has not confirmed a date. This page does not publish theme predictions.\n\n## Quick facts\n\n- Founded in 1948 by publicist Eleanor Lambert as a fundraising midnight supper for the newly founded Costume Institute\n- The gala is the Costume Institute’s primary annual fundraiser, and the evening traditionally marks the opening of the institute’s spring exhibition\n- Vogue’s Anna Wintour has chaired or co-chaired the gala since 1995, with rare exceptions\n- Traditionally held on the first Monday in May, with pandemic-era exceptions in 2020–2022\n- The Met’s planned spring 2027 Costume Institute exhibition, John Galliano: Horizons, was withdrawn on 31 August 2026 (The Met)\n- The Met says a new spring exhibition and the 2027 gala will be announced at a later date; no date or theme had been confirmed by 1 October 2026\n\n## Who leads hair and makeup?\n\nBeauty looks are chosen by each attendee and their appointed artists; the index does not attribute a single beauty team to the gala. Hair credits: Artist-appointed teams. Makeup credits: Artist-appointed artists.\n\n## FAQ\n\n### What is the Met Gala 2027 theme?\n\nThere is no confirmed theme. The exhibition first planned for spring 2027, John Galliano: Horizons, was withdrawn on 31 August 2026, and the Met says a new Costume Institute exhibition will be announced later. This page does not publish theme predictions.\n\n### Has the Met Gala 2027 been cancelled?\n\nNo. The planned John Galliano exhibition was withdrawn, not the gala. The Met says the new exhibition and the 2027 Met Gala will be announced at a later date.\n\n## Sources\n\n- [The Met — announcement on the spring 2027 Costume Institute exhibition (31 August 2026)](https://www.metmuseum.org/press-releases/spring-ci-2027-announcement)\n- [The Met — announcement on the spring 2027 Costume Institute exhibition (31 August 2026)](https://www.metmuseum.org/press-releases/spring-ci-2027-announcement)\n- [The Art Newspaper — Met and John Galliano cancel planned exhibition (31 August 2026, press)](https://www.theartnewspaper.com/2026/08/31/metropolitan-museum-costume-institute-john-galliano-exhibition-cancelled)\n- [NPR — museum cancels planned Met Gala exhibit (1 September 2026, press)](https://www.npr.org/2026/09/01/g-s1-141347/met-gala-john-galliano-exhibit-canceled)\n\nCite as: The Cast Index, \"Met Gala 2027\", https://thecastindex.com/events/met-gala-2027.\n"},{"url":"https://thecastindex.com/events/miami-swim-week-2026","markdownUrl":"https://thecastindex.com/events/miami-swim-week-2026.md","title":"Miami Swim Week 2026","lastmod":"2026-10-05","sha256":"bf920636d23a45003d41f972f1611bc2ef429531423d29203ce9b65a84bac55d","bytes":3446,"markdown":"# Miami Swim Week 2026\n\n> Miami Swim Week 2026 ran across an extended late-May window, with Paraiso Miami Beach’s core programme staged 28–31 May alongside concurrent producers including Art Hearts Fashion and Miami Swim Week — The Shows, together spanning more than 20 venues and over 150 designers.\n\n- Canonical: https://thecastindex.com/events/miami-swim-week-2026\n- Dates: 28–31 May 2026\n- City: Miami Beach, United States\n- Venue: Miami Beach · venues vary by producer\n- Season: Swim 26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Miami Swim Week 2026?\n\nMiami Swim Week 2026 ran 28–31 May 2026 in Miami Beach, United States.\n\n## A fragmented origin\n\nUnlike the ready-to-wear weeks in Paris or Milan, Miami Swim Week has no single founder or organising body — it is a loose ecosystem of independently produced swimwear shows that grew up around Miami Beach’s fashion and hospitality calendar. Funkshion launched runway shows in the city in 2003, adding dedicated swimwear programming the following year, the same year IMG Fashion partnered with the Greater Miami Convention & Visitors Bureau to launch Mercedes-Benz Fashion Week Swim at the Raleigh Hotel — long the anchor production of the swim calendar.\n\n## Rebrands and new producers\n\nIMG postponed and rebranded its event in 2015 after Mercedes-Benz ended its sponsorship, a shift that decentralised the ecosystem into competing, independently run shows. Funkshion itself rebranded as Paraiso Miami Beach in July 2018, and in 2020 producer Moh Ducis founded a rival event, Miami Swim Week — The Shows, which grew to more than 150 designers across over 20 venues by 2025; Ducis died in October 2025, and the event has continued under new management. The competing use of the \"Miami Swim Week\" name among rival producers has led to an active, unresolved trademark dispute in federal court as of 2026.\n\n## The 2026 season\n\nThe 2026 season ran across an extended late-May window, with Paraiso Miami Beach’s core programme staged 28–31 May alongside concurrent producers including the Art Hearts Fashion Swim Show, the Flying Solo Cabana Show and Destination Miami by Coterie, together spanning more than 20 venues — continuing the ecosystem’s role as the swimwear industry’s dedicated counterpart to the general ready-to-wear fashion-week calendar.\n\n## Quick facts\n\n- No single founder — the event is a loose ecosystem of independently produced swimwear shows rather than one organising body\n- Funkshion launched runway shows in Miami in 2003, adding dedicated swimwear programming the following year\n- IMG Fashion partnered with the Greater Miami Convention & Visitors Bureau to launch Mercedes-Benz Fashion Week Swim at the Raleigh Hotel in 2004\n- Funkshion rebranded as Paraiso Miami Beach in July 2018, now one of the week’s main producers\n- Miami Swim Week — The Shows was founded by Moh Ducis in 2020 and had grown to more than 150 designers across 20-plus venues by 2025\n- The \"Miami Swim Week\" name is the subject of an active, unresolved trademark dispute between rival producers as of 2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Miami Swim Week 2026\", https://thecastindex.com/events/miami-swim-week-2026.\n"},{"url":"https://thecastindex.com/events/milan-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/milan-fashion-week-2026.md","title":"Milan Fashion Week AW26","lastmod":"2026-10-05","sha256":"5b5e54bfd13277069aa89bb12618aec1197ee4885dfb7eb48aa79f5056c26452","bytes":4773,"markdown":"# Milan Fashion Week AW26\n\n> Milan’s official Fall/Winter 2026 calendar, organised by Camera Nazionale della Moda Italiana, ran 24 February–2 March 2026, with 25–27 February anchored by the city’s heritage houses.\n\n- Canonical: https://thecastindex.com/events/milan-fashion-week-2026\n- Dates: 24 February–2 March 2026\n- City: Milan, Italy\n- Venue: Milan · venues vary by house\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Milan Fashion Week AW26?\n\nMilan Fashion Week AW26 ran 24 February–2 March 2026 in Milan, Italy.\n\n## When is the next edition?\n\nThe next edition, [Milan Fashion Week AW27](https://thecastindex.com/events/milan-fashion-week-aw27), is scheduled for 23 February–1 March 2027.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Prada, Gucci, Fendi, Ferragamo, Bottega Veneta.\n\n## Founding the Camera Sindacale\n\nMilan Fashion Week traces its institutional roots to 11 June 1958, when the Camera Sindacale della Moda Italiana was set up as a semi-annual clothing trade showcase. Its founding members were drawn from the leading couture houses and ateliers of the day — figures including Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani — who organised to promote and professionalise the Italian fashion sector as a unified industry rather than a collection of independent houses.\n\n## From Camera Sindacale to CNMI\n\nThe original Camera Sindacale evolved into the Camera Nazionale della Moda Italiana (CNMI), the non-profit trade body that coordinates, disciplines and promotes Italian fashion today. CNMI sets the official show calendar, manages accreditation, and represents Italian fashion houses collectively in trade and policy matters — functioning as Milan’s counterpart to Paris’s FHCM or New York’s CFDA.\n\n## How Milan became Italy’s fashion capital\n\nFashion power in Italy was not always centred on Milan — Florence’s Sala Bianca shows had been the country’s main showcase for foreign buyers through the 1950s and 60s. That began to shift through the 1970s, as a new generation of ready-to-wear designers chose Milan over Florence or Rome, drawn by the city’s industrial and textile infrastructure. Giorgio Armani founded his eponymous house there in 1975; Gianni Versace followed in 1978. Their decisions, and those of peers who followed, moved the centre of gravity of Italian fashion decisively to Milan by the end of the decade.\n\n## The 2026 season\n\nMilan’s official Fall/Winter 2026 calendar, organised by CNMI, ran 24 February–2 March 2026, with 25–27 February anchored by the city’s heritage houses — Prada, Gucci, Fendi, Ferragamo and Bottega Veneta among them, the same houses whose 1970s-era arrival in Milan originally established its status as a fashion capital.\n\n## Quick facts\n\n- Established on 11 June 1958 as the Camera Sindacale della Moda Italiana, the forerunner of today’s Camera Nazionale della Moda Italiana (CNMI)\n- Founding members included couturiers and ateliers such as Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani\n- CNMI is a non-profit body that coordinates, disciplines and promotes the development of Italian fashion nationally and internationally\n- Runs semi-annually with separate women’s and men’s calendars, slotted into the international sequence of New York, London, Milan, then Paris\n- A wave of ready-to-wear houses — including Giorgio Armani (founded 1975) and Gianni Versace (founded 1978) — chose to show in Milan rather than Florence through the 1970s, cementing the city as Italy’s runway capital\n- The Fall/Winter 2026 calendar, organised by CNMI, ran 24 February–2 March 2026\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Del Core](https://thecastindex.com/houses/del-core) |  | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Gucci](https://thecastindex.com/houses/gucci) | 2026-02-01 | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/milan-fashion-week-2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\nCite as: The Cast Index, \"Milan Fashion Week AW26\", https://thecastindex.com/events/milan-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/milan-fashion-week-aw27","markdownUrl":"https://thecastindex.com/events/milan-fashion-week-aw27.md","title":"Milan Fashion Week AW27","lastmod":"2026-10-05","sha256":"c469c4b5987c6d8198d5d89f25cea82253c38ff10af2b8802c684c25019690ff","bytes":4707,"markdown":"# Milan Fashion Week AW27\n\n> Camera Nazionale della Moda Italiana lists 23 February–1 March 2027 for Milano Moda Donna’s Autumn/Winter 2027/2028 womenswear collections. The official show calendar is published by CNMI closer to the season.\n\n- Canonical: https://thecastindex.com/events/milan-fashion-week-aw27\n- Dates: 23 February–1 March 2027\n- City: Milan, Italy\n- Venue: Milan · venues vary by house\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Milan Fashion Week AW27?\n\nMilan Fashion Week AW27 runs 23 February–1 March 2027 in Milan, Italy. Official source: [Camera Nazionale della Moda Italiana — Milano Moda Donna dates](https://www.cameramoda.it/en/milano-moda-donna/), checked 1 October 2026.\n\n## Founding the Camera Sindacale\n\nMilan Fashion Week traces its institutional roots to 11 June 1958, when the Camera Sindacale della Moda Italiana was set up as a semi-annual clothing trade showcase. Its founding members were drawn from the leading couture houses and ateliers of the day — figures including Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani — who organised to promote and professionalise the Italian fashion sector as a unified industry rather than a collection of independent houses.\n\n## From Camera Sindacale to CNMI\n\nThe original Camera Sindacale evolved into the Camera Nazionale della Moda Italiana (CNMI), the non-profit trade body that coordinates, disciplines and promotes Italian fashion today. CNMI sets the official show calendar, manages accreditation, and represents Italian fashion houses collectively in trade and policy matters — functioning as Milan’s counterpart to Paris’s FHCM or New York’s CFDA.\n\n## How Milan became Italy’s fashion capital\n\nFashion power in Italy was not always centred on Milan — Florence’s Sala Bianca shows had been the country’s main showcase for foreign buyers through the 1950s and 60s. That began to shift through the 1970s, as a new generation of ready-to-wear designers chose Milan over Florence or Rome, drawn by the city’s industrial and textile infrastructure. Giorgio Armani founded his eponymous house there in 1975; Gianni Versace followed in 1978. Their decisions, and those of peers who followed, moved the centre of gravity of Italian fashion decisively to Milan by the end of the decade.\n\n## The February 2027 season\n\nCamera Nazionale della Moda Italiana lists 23 February–1 March 2027 for Milano Moda Donna Autumn/Winter 2027/2028, between New York (8–12 February, CFDA) and Paris (1–9 March, FHCM). Milano Moda Uomo’s Autumn/Winter 2027/2028 menswear runs earlier, on 15–19 January 2027.\n\nCNMI publishes the official show calendar closer to the season; this index does not publish lineups before they appear on it.\n\n## Quick facts\n\n- Established on 11 June 1958 as the Camera Sindacale della Moda Italiana, the forerunner of today’s Camera Nazionale della Moda Italiana (CNMI)\n- Founding members included couturiers and ateliers such as Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani\n- CNMI is a non-profit body that coordinates, disciplines and promotes the development of Italian fashion nationally and internationally\n- Milan is the third stop of the four-city womenswear season, between London and Paris\n- A wave of ready-to-wear houses — including Giorgio Armani (founded 1975) and Gianni Versace (founded 1978) — chose to show in Milan rather than Florence through the 1970s, cementing the city as Italy’s runway capital\n- Milano Moda Donna Autumn/Winter 2027/2028 runs 23 February–1 March 2027 (CNMI)\n- The following womenswear season, Spring/Summer 2028, is set for 21–27 September 2027 (CNMI)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### When is Milan Fashion Week 2027?\n\nCamera Nazionale della Moda Italiana lists women’s Autumn/Winter 2027/2028 for 23 February–1 March 2027 and Spring/Summer 2028 for 21–27 September 2027. Men’s shows run 15–19 January and 18–22 June 2027.\n\n## Sources\n\n- [Camera Nazionale della Moda Italiana — Milano Moda Donna dates](https://www.cameramoda.it/en/milano-moda-donna/)\n- [Camera Nazionale della Moda Italiana — Milano Moda Donna dates](https://www.cameramoda.it/en/milano-moda-donna/)\n- [Camera Nazionale della Moda Italiana — Milano Moda Uomo and Donna dates](https://www.cameramoda.it/en/)\n\nCite as: The Cast Index, \"Milan Fashion Week AW27\", https://thecastindex.com/events/milan-fashion-week-aw27.\n"},{"url":"https://thecastindex.com/events/milan-fashion-week-menswear-aw27","markdownUrl":"https://thecastindex.com/events/milan-fashion-week-menswear-aw27.md","title":"Milan Fashion Week Menswear AW27","lastmod":"2026-10-05","sha256":"69f9094733623e29b234463c972f503772102957423d500f3774dd5301b1cda8","bytes":4014,"markdown":"# Milan Fashion Week Menswear AW27\n\n> Camera Nazionale della Moda Italiana lists 15–19 January 2027 for Milano Moda Uomo’s Autumn/Winter 2027/2028 menswear collections, immediately before Paris Fashion Week Menswear (19–24 January). CNMI publishes the show schedule closer to the season.\n\n- Canonical: https://thecastindex.com/events/milan-fashion-week-menswear-aw27\n- Dates: 15–19 January 2027\n- City: Milan, Italy\n- Venue: Milan · venues vary by house\n- Season: AW27 Menswear\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Milan Fashion Week Menswear AW27?\n\nMilan Fashion Week Menswear AW27 runs 15–19 January 2027 in Milan, Italy. Official source: [Camera Nazionale della Moda Italiana — Milano Moda Uomo dates](https://www.cameramoda.it/en/), checked 1 October 2026.\n\n## Founding the Camera Sindacale\n\nMilan Fashion Week traces its institutional roots to 11 June 1958, when the Camera Sindacale della Moda Italiana was set up as a semi-annual clothing trade showcase. Its founding members were drawn from the leading couture houses and ateliers of the day — figures including Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani — who organised to promote and professionalise the Italian fashion sector as a unified industry rather than a collection of independent houses.\n\n## From Camera Sindacale to CNMI\n\nThe original Camera Sindacale evolved into the Camera Nazionale della Moda Italiana (CNMI), the non-profit trade body that coordinates, disciplines and promotes Italian fashion today. CNMI sets the official show calendar, manages accreditation, and represents Italian fashion houses collectively in trade and policy matters — functioning as Milan’s counterpart to Paris’s FHCM or New York’s CFDA.\n\n## How Milan became Italy’s fashion capital\n\nFashion power in Italy was not always centred on Milan — Florence’s Sala Bianca shows had been the country’s main showcase for foreign buyers through the 1950s and 60s. That began to shift through the 1970s, as a new generation of ready-to-wear designers chose Milan over Florence or Rome, drawn by the city’s industrial and textile infrastructure. Giorgio Armani founded his eponymous house there in 1975; Gianni Versace followed in 1978. Their decisions, and those of peers who followed, moved the centre of gravity of Italian fashion decisively to Milan by the end of the decade.\n\n## The January 2027 menswear season\n\nCamera Nazionale della Moda Italiana lists 15–19 January 2027 for Milano Moda Uomo Autumn/Winter 2027/2028, immediately before Paris Fashion Week Menswear (19–24 January 2027, FHCM). CNMI publishes the show schedule closer to the season.\n\n## Quick facts\n\n- Established on 11 June 1958 as the Camera Sindacale della Moda Italiana, the forerunner of today’s Camera Nazionale della Moda Italiana (CNMI)\n- Founding members included couturiers and ateliers such as Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani\n- CNMI is a non-profit body that coordinates, disciplines and promotes the development of Italian fashion nationally and internationally\n- Milano Moda Uomo Autumn/Winter 2027/2028 runs 15–19 January 2027 (CNMI)\n- The following menswear season, Spring/Summer 2028, is set for 18–22 June 2027 (CNMI)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## Sources\n\n- [Camera Nazionale della Moda Italiana — Milano Moda Uomo dates](https://www.cameramoda.it/en/)\n- [Camera Nazionale della Moda Italiana — Milano Moda Uomo and Donna dates](https://www.cameramoda.it/en/)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n\nCite as: The Cast Index, \"Milan Fashion Week Menswear AW27\", https://thecastindex.com/events/milan-fashion-week-menswear-aw27.\n"},{"url":"https://thecastindex.com/events/milan-fashion-week-menswear-ss27","markdownUrl":"https://thecastindex.com/events/milan-fashion-week-menswear-ss27.md","title":"Milan Fashion Week Menswear SS27","lastmod":"2026-10-05","sha256":"34906ceaf3677ec0e4b3c62ce30fd7a636118762f0ed9847c62619fc3edb995e","bytes":1806,"markdown":"# Milan Fashion Week Menswear SS27\n\n> Milan’s Spring/Summer 2027 menswear calendar, organised by Camera Nazionale della Moda Italiana, ran 19–23 June 2026. The edition sat between Pitti Uomo in Florence and the Paris menswear shows, as is customary on the June menswear circuit.\n\n- Canonical: https://thecastindex.com/events/milan-fashion-week-menswear-ss27\n- Dates: 19–23 June 2026\n- City: Milan, Italy\n- Venue: Milan · venues vary by house\n- Season: SS27 Menswear\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Milan Fashion Week Menswear SS27?\n\nMilan Fashion Week Menswear SS27 ran 19–23 June 2026 in Milan, Italy.\n\n## When is the next edition?\n\nThe next edition, [Milan Fashion Week Menswear AW27](https://thecastindex.com/events/milan-fashion-week-menswear-aw27), is scheduled for 15–19 January 2027.\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Kit Butler](https://thecastindex.com/models/kit-butler) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) | 2026-06-19 | [source](https://www.gq.com/story/ralph-lauren-spring-2027-milan-fashion-week) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/milan-fashion-week-menswear-ss27\n\n## Ranked models tracked at this edition\n\n- [Kit Butler](https://thecastindex.com/models/kit-butler)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\nCite as: The Cast Index, \"Milan Fashion Week Menswear SS27\", https://thecastindex.com/events/milan-fashion-week-menswear-ss27.\n"},{"url":"https://thecastindex.com/events/milan-fashion-week-ss27","markdownUrl":"https://thecastindex.com/events/milan-fashion-week-ss27.md","title":"Milan Fashion Week SS27","lastmod":"2026-10-01","sha256":"86b62b6c2885b1fb4ba25dc1b5bf7b197053bc98ed2e945537c05f8626c29e71","bytes":14777,"markdown":"# Milan Fashion Week SS27\n\n> Milan’s Spring/Summer 2027 womenswear calendar, organised by Camera Nazionale della Moda Italiana, ran 22–28 September 2026, the third stop of the four-city season. The next womenswear edition, Autumn/Winter 2027/2028, runs 23 February–1 March 2027 (CNMI).\n\n- Canonical: https://thecastindex.com/events/milan-fashion-week-ss27\n- Dates: 22–28 September 2026\n- City: Milan, Italy\n- Venue: Milan · venues vary by house\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Milan Fashion Week SS27?\n\nMilan Fashion Week SS27 ran 22–28 September 2026 in Milan, Italy. Official source: [Camera Nazionale della Moda Italiana — calendar](https://www.cameramoda.it/en/milano-moda-donna/calendar/), checked 1 October 2026.\n\n## When is the next edition?\n\nThe next edition, [Milan Fashion Week AW27](https://thecastindex.com/events/milan-fashion-week-aw27), is scheduled for 23 February–1 March 2027.\n\n## Founding the Camera Sindacale\n\nMilan Fashion Week traces its institutional roots to 11 June 1958, when the Camera Sindacale della Moda Italiana was set up as a semi-annual clothing trade showcase. Its founding members were drawn from the leading couture houses and ateliers of the day — figures including Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani — who organised to promote and professionalise the Italian fashion sector as a unified industry rather than a collection of independent houses.\n\n## From Camera Sindacale to CNMI\n\nThe original Camera Sindacale evolved into the Camera Nazionale della Moda Italiana (CNMI), the non-profit trade body that coordinates, disciplines and promotes Italian fashion today. CNMI sets the official show calendar, manages accreditation, and represents Italian fashion houses collectively in trade and policy matters — functioning as Milan’s counterpart to Paris’s FHCM or New York’s CFDA.\n\n## How Milan became Italy’s fashion capital\n\nFashion power in Italy was not always centred on Milan — Florence’s Sala Bianca shows had been the country’s main showcase for foreign buyers through the 1950s and 60s. That began to shift through the 1970s, as a new generation of ready-to-wear designers chose Milan over Florence or Rome, drawn by the city’s industrial and textile infrastructure. Giorgio Armani founded his eponymous house there in 1975; Gianni Versace followed in 1978. Their decisions, and those of peers who followed, moved the centre of gravity of Italian fashion decisively to Milan by the end of the decade.\n\n## The September 2026 season\n\nMilan’s Spring/Summer 2027 womenswear calendar, organised by CNMI, ran 22–28 September 2026, the third stop of the four-city season between London and Paris. The official show calendar is published on CNMI’s site; this index does not publish lineups that do not appear on it.\n\n## Quick facts\n\n- Established on 11 June 1958 as the Camera Sindacale della Moda Italiana, the forerunner of today’s Camera Nazionale della Moda Italiana (CNMI)\n- Founding members included couturiers and ateliers such as Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani\n- CNMI is a non-profit body that coordinates, disciplines and promotes the development of Italian fashion nationally and internationally\n- Milan is the third stop of the four-city womenswear season, between London and Paris\n- A wave of ready-to-wear houses — including Giorgio Armani (founded 1975) and Gianni Versace (founded 1978) — chose to show in Milan rather than Florence through the 1970s, cementing the city as Italy’s runway capital\n- The Spring/Summer 2027 womenswear calendar ran 22–28 September 2026 (CNMI)\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Gucci](https://thecastindex.com/houses/gucci) | 2026-09-25 | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| Walked | [Elsa Hosk](https://thecastindex.com/models/elsa-hosk) | [Gucci](https://thecastindex.com/houses/gucci) | 2026-09-25 | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Gucci](https://thecastindex.com/houses/gucci) | 2026-09-25 | [source](https://www.marieclaire.com/fashion/gucci-spring-2027-show/) |\n| Closed | [Kendall Jenner](https://thecastindex.com/models/kendall-jenner) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | 2026-09-26 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Closed | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Marni](https://thecastindex.com/houses/marni) | 2026-09-24 | [source](https://wwd.com/runway/spring-2027/milan/marni/review/) |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Tod’s](https://thecastindex.com/houses/tods) | 2026-09-25 | [source](https://wwd.com/runway/spring-2027/milan/tods/review/) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Tod’s](https://thecastindex.com/houses/tods) | 2026-09-25 | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Tod’s](https://thecastindex.com/houses/tods) | 2026-09-25 | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n| Opened | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Blumarine](https://thecastindex.com/houses/blumarine) | 2026-09-25 | [source](https://wwd.com/runway/spring-2027/milan/blumarine/review/) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [The Attico](https://thecastindex.com/houses/the-attico) | 2026-09-25 | [source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027) |\n| Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | 2026-09-26 | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Dolce & Gabbana](https://thecastindex.com/houses/dolce-gabbana) | 2026-09-26 | [source](https://www.thefashionspot.com/runway-news/974229-forum-members-review-the-quintessentially-sicilian-dolce-gabbana-spring-2027-collection) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Etro](https://thecastindex.com/houses/etro) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-etro-fashion-show-news-photo/2296807363) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Fendi](https://thecastindex.com/houses/fendi) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/canadian-model-awar-odhiang-walks-the-runway-during-the-news-photo/2296134286) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Fendi](https://thecastindex.com/houses/fendi) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088) |\n| Walked | [Edie Campbell](https://thecastindex.com/models/edie-campbell) | [Jil Sander](https://thecastindex.com/houses/jil-sander) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/edie-campbell-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786789) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Jil Sander](https://thecastindex.com/houses/jil-sander) | 2026-09-23 | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786702) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Max Mara](https://thecastindex.com/houses/max-mara) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/model-angelina-kendall-walks-the-runway-at-the-max-mara-news-photo/2296968035) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Max Mara](https://thecastindex.com/houses/max-mara) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-max-mara-fashion-show-news-photo/2296967731) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Max Mara](https://thecastindex.com/houses/max-mara) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/model-mona-tougaard-walks-the-runway-at-the-max-mara-news-photo/2296969148) |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Alberta Ferretti](https://thecastindex.com/houses/alberta-ferretti) | 2026-09-24 | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-alberta-ferretti-news-photo/2296928605) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [The Attico](https://thecastindex.com/houses/the-attico) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-the-attico-fashion-news-photo/2297140077) |\n| Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [The Attico](https://thecastindex.com/houses/the-attico) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-the-attico-fashion-show-news-photo/2297140133) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [The Attico](https://thecastindex.com/houses/the-attico) | 2026-09-25 | [source](https://www.gettyimages.com/detail/news-photo/mariacarla-boscono-walks-the-runway-at-the-attico-fashion-news-photo/2297158942) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297276979) |\n| Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/hejia-li-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275135) |\n| Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | [Ferragamo](https://thecastindex.com/houses/ferragamo) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275114) |\n| Walked | [Fei Fei Sun](https://thecastindex.com/models/fei-fei-sun) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/fei-fei-sun-walks-the-runway-at-the-bottega-veneta-fashion-news-photo/2297364780) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Bottega Veneta](https://thecastindex.com/houses/bottega-veneta) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-bottega-veneta-news-photo/2297364599) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Dolce & Gabbana](https://thecastindex.com/houses/dolce-gabbana) | 2026-09-26 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-dolce-gabbana-news-photo/2297257130) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/milan-fashion-week-ss27\n\n## Ranked models tracked at this edition\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #7 [Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n- #10 [Kendall Jenner](https://thecastindex.com/models/kendall-jenner)\n- #13 [Irina Shayk](https://thecastindex.com/models/irina-shayk)\n- #45 [Elsa Hosk](https://thecastindex.com/models/elsa-hosk)\n- [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser)\n- [Fei Fei Sun](https://thecastindex.com/models/fei-fei-sun)\n- [Edie Campbell](https://thecastindex.com/models/edie-campbell)\n- [Małgosia Bela](https://thecastindex.com/models/malgosia-bela)\n- [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono)\n- [Awar Odhiang](https://thecastindex.com/models/awar-odhiang)\n- [Angelina Kendall](https://thecastindex.com/models/angelina-kendall)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### When is Milan Fashion Week 2027?\n\nCamera Nazionale della Moda Italiana lists women’s Autumn/Winter 2027/2028 for 23 February–1 March 2027 and Spring/Summer 2028 for 21–27 September 2027. Men’s shows run 15–19 January and 18–22 June 2027.\n\n## Sources\n\n- [Camera Nazionale della Moda Italiana — calendar](https://www.cameramoda.it/en/milano-moda-donna/calendar/)\n\nCite as: The Cast Index, \"Milan Fashion Week SS27\", https://thecastindex.com/events/milan-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/events/new-york-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/new-york-fashion-week-2026.md","title":"New York Fashion Week AW26","lastmod":"2026-10-05","sha256":"38584ee09b0af6ed102dd149909673d5e24a33d3f0c559d5fa7cae75aade24d4","bytes":5601,"markdown":"# New York Fashion Week AW26\n\n> The CFDA’s official Fall/Winter 2026 schedule ran 11–16 February 2026 across more than 60 runway shows and presentations, opening with Rachel Scott’s runway debut for Proenza Schouler.\n\n- Canonical: https://thecastindex.com/events/new-york-fashion-week-2026\n- Dates: 11–16 February 2026\n- City: New York, United States\n- Venue: New York · venues vary by designer\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was New York Fashion Week AW26?\n\nNew York Fashion Week AW26 ran 11–16 February 2026 in New York, United States.\n\n## When is the next edition?\n\nThe next edition, [New York Fashion Week AW27](https://thecastindex.com/events/new-york-fashion-week-aw27), is scheduled for 8–12 February 2027.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Proenza Schouler, Ralph Lauren.\n\n## Eleanor Lambert’s Press Week\n\nNew York Fashion Week began in 1943 as \"Press Week,\" created by the publicist Eleanor Lambert, then press director of the New York Dress Institute. The event’s purpose was explicit: with wartime travel restrictions cutting fashion editors off from Paris, Lambert organised a coordinated showcase to redirect press attention toward American designers, who had largely been ignored in favour of French collections up to that point. The strategy worked — publications including Vogue increasingly began featuring American design in the seasons that followed.\n\n## From Press Week to \"7th on Sixth\"\n\nThe event, known by the 1950s as \"Press Week of New York,\" continued on an annual basis for decades before its modern consolidation. In 1993, the newly organised Council of Fashion Designers of America (CFDA), under president Stan Herman and executive director Fern Mallis, unified the city’s scattered individual designer shows into a single scheduled event staged in white tents at Bryant Park, branded \"7th on Sixth\" after New York’s Garment District thoroughfare.\n\n## IMG, Lincoln Center, Spring Studios\n\nThe commercial rights to \"7th on Sixth\" were acquired by the sports and entertainment company IMG in 2001, which ran the week’s production for over a decade. The tents left Bryant Park in 2010 for Lincoln Center, before the week moved to its current primary venue, Spring Studios in Lower Manhattan, in 2015 — reflecting a broader shift in the schedule away from a single anchor tent complex toward shows staged across multiple venues citywide.\n\n## The 2026 season\n\nThe CFDA’s official Fall/Winter 2026 schedule ran 11–16 February 2026 across more than 60 runway shows and presentations, opening with Rachel Scott’s runway debut for Proenza Schouler. In December 2025, the CFDA announced that official NYFW events would prohibit animal fur starting with the September 2026 season, aligning New York with London’s 2018 fur-free policy.\n\n## Quick facts\n\n- Founded in 1943 as \"Press Week\" by publicist Eleanor Lambert, director of the New York Dress Institute\n- Created to redirect fashion press attention toward American designers after wartime travel restrictions cut off access to Paris collections\n- Consolidated into a single citywide event in 1993 by the CFDA under president Stan Herman and executive director Fern Mallis, staged in tents at Bryant Park under the \"7th on Sixth\" banner\n- Sold to sports and entertainment company IMG in 2001, which ran the commercial side of the week for over a decade\n- Relocated from Bryant Park to Lincoln Center in 2010, then to Spring Studios in Lower Manhattan in 2015, its current primary venue\n- The CFDA announced in December 2025 that it will prohibit animal fur at official NYFW events starting September 2026\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) |  | [source](https://models.com/models/gigi-hadid) |\n| Walked | [Neelam Gill](https://thecastindex.com/models/neelam-gill) | [Prabal Gurung](https://thecastindex.com/houses/prabal-gurung) |  | [source](https://models.com/models/neelam-gill) |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) | 2024-09-01 | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n| Walked | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) | 2024-09-01 | [source](https://www.the-sun.com/entertainment/12388498/supermodel-christy-turlington-glowing-ralph-lauren-show/) |\n| Opened | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Christian Siriano](https://thecastindex.com/houses/christian-siriano) |  | [source](https://models.com/models/winnie-harlow) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/new-york-fashion-week-2026\n\n## Ranked models tracked at this edition\n\n- #5 [Gigi Hadid](https://thecastindex.com/models/gigi-hadid)\n- [Neelam Gill](https://thecastindex.com/models/neelam-gill)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"New York Fashion Week AW26\", https://thecastindex.com/events/new-york-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/new-york-fashion-week-aw27","markdownUrl":"https://thecastindex.com/events/new-york-fashion-week-aw27.md","title":"New York Fashion Week AW27","lastmod":"2026-10-05","sha256":"ee6902ab96814f39d1eb59ef73988a5112f3956bebcd5089bf083b8899469d60","bytes":3635,"markdown":"# New York Fashion Week AW27\n\n> The CFDA’s Fashion Calendar lists Monday 8 to Friday 12 February 2027 for New York Fashion Week Fall/Winter 2027, which opens the four-city womenswear season. The official show schedule is published by the CFDA closer to the season.\n\n- Canonical: https://thecastindex.com/events/new-york-fashion-week-aw27\n- Dates: 8–12 February 2027\n- City: New York, United States\n- Venue: New York · venues vary by designer\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is New York Fashion Week AW27?\n\nNew York Fashion Week AW27 runs 8–12 February 2027 in New York, United States. Official source: [CFDA Fashion Calendar — important dates, 2027](https://fashioncalendar.com/important-dates/2027), checked 1 October 2026.\n\n## Press Week, 1943\n\nNew York’s fashion week began as \"Press Week,\" a 1943 showcase created by fashion publicist Eleanor Lambert. With transatlantic travel restricted during the Second World War, American editors could no longer cover the Paris collections, and Lambert’s event redirected their attention to American ready-to-wear designers working in New York. Press Week is widely cited as the first organised fashion week of its kind, and it established New York as a permanent stop on the international calendar.\n\nThe event evolved through the decades — renamed Fashion Week, consolidated under centralised venues in the 1990s, and later decentralised again into a citywide calendar of independently produced shows. The official schedule today is maintained by the Council of Fashion Designers of America, the trade body founded in 1962, whose Fashion Calendar lists the season’s confirmed shows and presentations.\n\n## The February 2027 season\n\nThe CFDA’s Fashion Calendar lists Monday 8 to Friday 12 February 2027 for New York Fashion Week Fall/Winter 2027, which opens the four-city womenswear season ahead of Milan (23 February–1 March, CNMI) and Paris (1–9 March, FHCM). London’s dates had not been published by the British Fashion Council when this page was checked on 1 October 2026.\n\nThe CFDA publishes the official show schedule closer to the season; this index does not publish lineups before they appear on it.\n\n## Quick facts\n\n- New York’s fashion week traces to \"Press Week,\" created in 1943 by publicist Eleanor Lambert to give American designers a platform while wartime travel cut off access to Paris\n- The Council of Fashion Designers of America (CFDA), founded in 1962, publishes the official schedule through its Fashion Calendar\n- New York opens the four-city international womenswear season each September and February, ahead of London, Milan and Paris\n- The Fall/Winter 2027 edition runs Monday 8 to Friday 12 February 2027 (CFDA Fashion Calendar)\n- The CFDA has owned and organised the Fashion Calendar and the Official New York Fashion Week Schedule since 2014\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### When is New York Fashion Week February 2027?\n\nThe CFDA’s Fashion Calendar lists New York Fashion Week Fall/Winter 2027 for 8–12 February 2027 (checked 1 October 2026).\n\n## Sources\n\n- [CFDA Fashion Calendar — important dates, 2027](https://fashioncalendar.com/important-dates/2027)\n- [CFDA Fashion Calendar — important dates, 2027](https://fashioncalendar.com/important-dates/2027)\n\nCite as: The Cast Index, \"New York Fashion Week AW27\", https://thecastindex.com/events/new-york-fashion-week-aw27.\n"},{"url":"https://thecastindex.com/events/new-york-fashion-week-ss27","markdownUrl":"https://thecastindex.com/events/new-york-fashion-week-ss27.md","title":"New York Fashion Week SS27","lastmod":"2026-10-01","sha256":"b5426ba93ddd114bb59d77cac42b7d9be037f6577c3eb93d0ff0371b1b3caf2d","bytes":12073,"markdown":"# New York Fashion Week SS27\n\n> The CFDA published 10–15 September 2026 as the Spring/Summer 2027 New York Fashion Week dates, opening the four-city womenswear circuit ahead of London, Milan and Paris. Consult the CFDA Fashion Calendar for the individual show and presentation record.\n\n- Canonical: https://thecastindex.com/events/new-york-fashion-week-ss27\n- Dates: 10–15 September 2026\n- City: New York, United States\n- Venue: New York · venues vary by designer\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was New York Fashion Week SS27?\n\nNew York Fashion Week SS27 ran 10–15 September 2026 in New York, United States. Official source: [CFDA — official September 2026 schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/), checked 1 October 2026.\n\n## When is the next edition?\n\nThe next edition, [New York Fashion Week AW27](https://thecastindex.com/events/new-york-fashion-week-aw27), is scheduled for 8–12 February 2027.\n\n## Press Week, 1943\n\nNew York’s fashion week began as \"Press Week,\" a 1943 showcase created by fashion publicist Eleanor Lambert. With transatlantic travel restricted during the Second World War, American editors could no longer cover the Paris collections, and Lambert’s event redirected their attention to American ready-to-wear designers working in New York. Press Week is widely cited as the first organised fashion week of its kind, and it established New York as a permanent stop on the international calendar.\n\nThe event evolved through the decades — renamed Fashion Week, consolidated under centralised venues in the 1990s, and later decentralised again into a citywide calendar of independently produced shows. The official schedule today is maintained by the Council of Fashion Designers of America, the trade body founded in 1962, whose Fashion Calendar lists the season’s confirmed shows and presentations.\n\n## The September 2026 season\n\nThe Spring/Summer 2027 edition ran 10–15 September 2026, opening the four-city womenswear season ahead of London, Milan and Paris. The CFDA’s preliminary schedule opened with Henry Zankov’s debut for Diane von Furstenberg on 10 September and concluded with Thom Browne on 15 September; the full show record is on the CFDA Fashion Calendar.\n\n## Quick facts\n\n- New York’s fashion week traces to \"Press Week,\" created in 1943 by publicist Eleanor Lambert to give American designers a platform while wartime travel cut off access to Paris\n- The Council of Fashion Designers of America (CFDA), founded in 1962, publishes the official schedule through its Fashion Calendar\n- New York opens the four-city international womenswear season each September and February, ahead of London, Milan and Paris\n- The Spring/Summer 2027 edition ran 10–15 September 2026 (CFDA)\n- The CFDA’s preliminary schedule opened with Henry Zankov’s debut for Diane von Furstenberg on 10 September and closed with Thom Browne on 15 September\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) | 2026-09-09 | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n| Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | [Ralph Lauren](https://thecastindex.com/houses/ralph-lauren) | 2026-09-09 | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n| Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [Tommy Hilfiger](https://thecastindex.com/houses/tommy-hilfiger) | 2026-09-10 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/tommy-hilfiger) |\n| Opened | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| Closed | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| Walked | [Emily Ratajkowski](https://thecastindex.com/models/emily-ratajkowski) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://www.marieclaire.co.uk/fashion/new-york-fashion-week-september-2026-best-looks) |\n| Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://www.vogue.com/slideshow/lulu-tenney-model-diary) |\n| Closed | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | 2026-09-11 | [source](https://www.wmagazine.com/fashion/michael-kors-spring-2027-runway-photos) |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | 2026-09-11 | [source](https://www.thefashionspot.com/runway-news/971323-forum-members-review-the-spring-2027-michael-kors-collection-inspired-by-mid-century-modernism/) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | [Michael Kors Collection](https://thecastindex.com/houses/michael-kors) | 2026-09-11 | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Calvin Klein Collection](https://thecastindex.com/houses/calvin-klein) | 2026-09-11 | [source](https://www.thefader.com/2026/09/18/7-surprising-takeaways-from-new-york-fashion-week-spring-2027) |\n| Opened | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Khaite](https://thecastindex.com/houses/khaite) | 2026-09-12 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite) |\n| Walked | [Hari Nef](https://thecastindex.com/models/hari-nef) | [Conner Ives](https://thecastindex.com/houses/conner-ives) | 2026-09-12 | [source](https://www.wmagazine.com/fashion/surprising-celebrity-models-fashion-week-spring-2027) |\n| Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | [Conner Ives](https://thecastindex.com/houses/conner-ives) | 2026-09-12 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Walked | [Iris Law](https://thecastindex.com/models/iris-law) | [Conner Ives](https://thecastindex.com/houses/conner-ives) | 2026-09-12 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Closed | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Carolina Herrera](https://thecastindex.com/houses/carolina-herrera) | 2026-09-14 | [source](https://www.wmagazine.com/fashion/carolina-herrera-spring-2027-runway-photos) |\n| Opened | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | [Sabyasachi](https://thecastindex.com/houses/sabyasachi) | 2026-09-15 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/sabyasachi) |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [Proenza Schouler](https://thecastindex.com/houses/proenza-schouler) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-proenza-schouler-news-photo/2294845432) |\n| Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072090) |\n| Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072070) |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [Tory Burch](https://thecastindex.com/houses/tory-burch) | 2026-09-10 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294071947) |\n| Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | [Monse](https://thecastindex.com/houses/monse) | 2026-09-11 | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-monse-ready-to-news-photo/2294849855) |\n| Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [Heirlome](https://thecastindex.com/houses/heirlome) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-heirlome-ready-to-news-photo/2295537976) |\n| Walked | [Adriana Lima](https://thecastindex.com/models/adriana-lima) | [Thom Browne](https://thecastindex.com/houses/thom-browne) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/adriana-lima-walks-the-runway-during-the-thom-browne-ready-news-photo/2295634434) |\n| Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | [Thom Browne](https://thecastindex.com/houses/thom-browne) | 2026-09-15 | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-thom-browne-news-photo/2295634479) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/new-york-fashion-week-ss27\n\n## Ranked models tracked at this edition\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #4 [Liu Wen](https://thecastindex.com/models/liu-wen)\n- #5 [Gigi Hadid](https://thecastindex.com/models/gigi-hadid)\n- #16 [Lila Moss](https://thecastindex.com/models/lila-moss)\n- #23 [Kaia Gerber](https://thecastindex.com/models/kaia-gerber)\n- #32 [Emily Ratajkowski](https://thecastindex.com/models/emily-ratajkowski)\n- #35 [Devyn Garcia](https://thecastindex.com/models/devyn-garcia)\n- #37 [Hari Nef](https://thecastindex.com/models/hari-nef)\n- #42 [Iris Law](https://thecastindex.com/models/iris-law)\n- #49 [Lineisy Montero](https://thecastindex.com/models/lineisy-montero)\n- [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser)\n- [Karlie Kloss](https://thecastindex.com/models/karlie-kloss)\n- [Adriana Lima](https://thecastindex.com/models/adriana-lima)\n- [Christy Turlington](https://thecastindex.com/models/christy-turlington)\n- [Awar Odhiang](https://thecastindex.com/models/awar-odhiang)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### When is New York Fashion Week February 2027?\n\nThe CFDA’s Fashion Calendar lists New York Fashion Week Fall/Winter 2027 for 8–12 February 2027 (checked 1 October 2026).\n\n## Sources\n\n- [CFDA — official September 2026 schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/)\n- [CFDA — preliminary September 2026 official NYFW schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/)\n\nCite as: The Cast Index, \"New York Fashion Week SS27\", https://thecastindex.com/events/new-york-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/events/paris-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/paris-fashion-week-2026.md","title":"Paris Fashion Week AW26","lastmod":"2026-10-01","sha256":"68fd9578508e23594064933a0c637e42532277a32a08a2beda5624b496d84475","bytes":6635,"markdown":"# Paris Fashion Week AW26\n\n> The official women’s Fall/Winter 2026 calendar, published by the Fédération de la Haute Couture et de la Mode, ran 2–10 March 2026 and included Jonathan Anderson’s second womenswear collection for Dior and Matthieu Blazy’s second collection for Chanel.\n\n- Canonical: https://thecastindex.com/events/paris-fashion-week-2026\n- Dates: 2–10 March 2026\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Paris Fashion Week AW26?\n\nParis Fashion Week AW26 ran 2–10 March 2026 in Paris, France.\n\n## When is the next edition?\n\nThe next edition, [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27), is scheduled for 28 September–6 October 2026.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Christian Dior, Saint Laurent, Chanel, Louis Vuitton, Miu Miu.\n\n## The 1973 gala at Versailles\n\nThe Palace of Versailles dates its celebrated fashion gala to 28 November 1973. Held at the Royal Opera to support restoration of the palace, the event brought French and American designers together and became known as the Battle of Versailles.\n\nThe palace’s account credits Gérald Van der Kemp and Baroness Marie-Hélène de Rothschild with organising the fundraising reception. Its history should not be confused with the dates of the regular fashion-week schedule.\n\n## Building a ready-to-wear calendar\n\nIn the years after 1973, Paris formalized a recurring ready-to-wear schedule sitting alongside its older couture calendar. Oversight ultimately consolidated under the Fédération de la Haute Couture et de la Mode, the umbrella body descended from the Chambre Syndicale de la Couture Parisienne (1868), which today sets official dates for all three Paris calendars — couture, ready-to-wear and menswear — and enforces membership criteria for participating houses.\n\n## Scale today\n\nUnlike the couture calendar’s small, invitation-only circle of ateliers, Paris’s ready-to-wear week is citywide and industrial in scale: each season now features a little over 100 official collections shown across venues throughout Paris, alongside hundreds more off-schedule presentations and showroom appointments during the same window.\n\nThe Fall/Winter 2026 women’s calendar ran 2–10 March 2026 and was closely watched for the second outings of two new creative directors — Jonathan Anderson’s second womenswear collection for Dior and Matthieu Blazy’s second for Chanel — both houses continuing to define the direction set at their couture debuts earlier in the year.\n\n## Quick facts\n\n- The Battle of Versailles was a fundraising fashion gala held on 28 November 1973; it is distinct from the recurring Paris Fashion Week calendar\n- That inaugural event pitted five French couturiers against five American ready-to-wear designers and was organised with help from Eleanor Lambert, the American publicist who had created New York’s Fashion Week thirty years earlier\n- Paris Fashion Week is run by the Fédération de la Haute Couture et de la Mode, whose lineage traces to the Chambre Syndicale de la Couture Parisienne, founded in 1868\n- The modern calendar combines haute couture, ready-to-wear and menswear across roughly four dedicated weeks a year, with each ready-to-wear season featuring upward of 100 official shows and presentations\n- The Fall/Winter 2026 women’s calendar ran 2–10 March 2026 and marked Jonathan Anderson’s second womenswear collection for Dior and Matthieu Blazy’s second for Chanel\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Givenchy](https://thecastindex.com/houses/givenchy) |  | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chloé](https://thecastindex.com/houses/chloe) |  | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Chanel](https://thecastindex.com/houses/chanel) |  | [source](https://models.com/models/alex-consani) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Alexander McQueen](https://thecastindex.com/houses/alexander-mcqueen) |  | [source](https://models.com/models/alex-consani) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Jean Paul Gaultier](https://thecastindex.com/houses/jean-paul-gaultier) |  | [source](https://models.com/models/alex-consani) |\n| Walked | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | [Nina Ricci](https://thecastindex.com/houses/nina-ricci) |  | [source](https://models.com/models/ashley-graham) |\n| Closed | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Givenchy](https://thecastindex.com/houses/givenchy) | 2025-10-01 | [source](https://models.com/models/kaia-gerber) |\n| Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Sacai](https://thecastindex.com/houses/sacai) | 2025-10-01 | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n| Walked | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Vetements](https://thecastindex.com/houses/vetements) |  | [source](https://models.com/models/winnie-harlow) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/paris-fashion-week-2026\n\n## Ranked models tracked at this edition\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #2 [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti)\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #4 [Liu Wen](https://thecastindex.com/models/liu-wen)\n- #7 [Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n- #23 [Kaia Gerber](https://thecastindex.com/models/kaia-gerber)\n- #28 [Ashley Graham](https://thecastindex.com/models/ashley-graham)\n\n## Who leads hair and makeup?\n\nBeauty direction varies by house; the index does not assign a single lead team to an entire fashion week. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## Sources\n\n- [Palace of Versailles — Gala of 28 November 1973](https://en.chateauversailles.fr/discover/history/key-dates/gala-28-november-1973)\n\nCite as: The Cast Index, \"Paris Fashion Week AW26\", https://thecastindex.com/events/paris-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/paris-fashion-week-aw27","markdownUrl":"https://thecastindex.com/events/paris-fashion-week-aw27.md","title":"Paris Fashion Week AW27","lastmod":"2026-10-05","sha256":"9c49482f1665eb9cb33d423bef2cdc7dcaf33d8615eeaa74cfe70a24988d50b0","bytes":4457,"markdown":"# Paris Fashion Week AW27\n\n> The Fédération de la Haute Couture et de la Mode has set Monday 1 to Tuesday 9 March 2027 for Paris Fashion Week Womenswear Autumn/Winter 2027-2028, which closes the four-city season. The federation publishes the official calendar of houses ahead of the season.\n\n- Canonical: https://thecastindex.com/events/paris-fashion-week-aw27\n- Dates: 1–9 March 2027\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Paris Fashion Week AW27?\n\nParis Fashion Week AW27 runs 1–9 March 2027 in Paris, France. Official source: [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026.\n\n## The 1973 gala at Versailles\n\nThe Palace of Versailles dates its celebrated fashion gala to 28 November 1973. Held at the Royal Opera to support restoration of the palace, the event brought French and American designers together and became known as the Battle of Versailles.\n\nThe palace’s account credits Gérald Van der Kemp and Baroness Marie-Hélène de Rothschild with organising the fundraising reception. Its history should not be confused with the dates of the regular fashion-week schedule.\n\n## Building a ready-to-wear calendar\n\nIn the years after 1973, Paris formalized a recurring ready-to-wear schedule sitting alongside its older couture calendar. Oversight ultimately consolidated under the Fédération de la Haute Couture et de la Mode, the umbrella body descended from the Chambre Syndicale de la Couture Parisienne (1868), which today sets official dates for all three Paris calendars — couture, ready-to-wear and menswear — and enforces membership criteria for participating houses.\n\n## The March 2027 season\n\nThe FHCM has set Monday 1 to Tuesday 9 March 2027 for the Womenswear Fall/Winter 2027-2028 calendar. It follows Paris Fashion Week Menswear (19–24 January 2027) and Haute Couture Week (25–28 January 2027), and closes the four-city womenswear season after New York and Milan. London’s February 2027 dates had not been published by the British Fashion Council when this page was checked on 1 October 2026.\n\nThe FHCM publishes the official calendar of houses ahead of the season; this index does not list houses before they appear on it.\n\n## Quick facts\n\n- Organised by the Fédération de la Haute Couture et de la Mode (FHCM), which coordinates Paris Fashion Week® and Haute Couture Week\n- Paris Fashion Week runs four times a year: womenswear in March and September, menswear in January and June (FHCM)\n- The Womenswear Fall/Winter 2027-2028 calendar runs Monday 1 to Tuesday 9 March 2027 (FHCM)\n- Paris closes the four-city season, after New York (8–12 February 2027, CFDA) and Milan (23 February–1 March 2027, CNMI)\n- The following womenswear season, Spring/Summer 2028, is set for 27 September–5 October 2027 (FHCM)\n\n## Who leads hair and makeup?\n\nBeauty direction varies by house; the index does not assign a single lead team to an entire fashion week. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### When is Paris Fashion Week 2027?\n\nThe FHCM has set two womenswear weeks for 2027: Autumn/Winter 2027-2028 on 1–9 March and Spring/Summer 2028 on 27 September–5 October. Menswear runs 19–24 January and 22–27 June 2027, and Haute Couture Week runs 25–28 January and 5–8 July 2027.\n\n### How many Paris Fashion Weeks are there a year?\n\nFour Paris Fashion Week® editions (womenswear in March and September, menswear in January and June) plus two Haute Couture Weeks, in January and July, according to the FHCM.\n\n## Sources\n\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — Paris Fashion Week® and Haute Couture Week](https://www.fhcm.paris/en/the-events-of-fhcm)\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n- [Palace of Versailles — Gala of 28 November 1973](https://en.chateauversailles.fr/discover/history/key-dates/gala-28-november-1973)\n\nCite as: The Cast Index, \"Paris Fashion Week AW27\", https://thecastindex.com/events/paris-fashion-week-aw27.\n"},{"url":"https://thecastindex.com/events/paris-fashion-week-menswear-aw27","markdownUrl":"https://thecastindex.com/events/paris-fashion-week-menswear-aw27.md","title":"Paris Fashion Week Menswear AW27","lastmod":"2026-10-05","sha256":"eed9dae94408b42c5c2937cf08676c2fdd3b96d53d85cfc5f5d4d30f7c431b2b","bytes":2674,"markdown":"# Paris Fashion Week Menswear AW27\n\n> The Fédération de la Haute Couture et de la Mode has set Tuesday 19 to Sunday 24 January 2027 for Paris Fashion Week Menswear Autumn/Winter 2027-2028, followed directly by Haute Couture Week (25–28 January). The official calendar of houses is published by the FHCM closer to the season.\n\n- Canonical: https://thecastindex.com/events/paris-fashion-week-menswear-aw27\n- Dates: 19–24 January 2027\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: AW27 Menswear\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Paris Fashion Week Menswear AW27?\n\nParis Fashion Week Menswear AW27 runs 19–24 January 2027 in Paris, France. Official source: [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026.\n\n## The January 2027 menswear season\n\nThe FHCM has set Tuesday 19 to Sunday 24 January 2027 for Paris Fashion Week Menswear Fall/Winter 2027-2028. Milan’s menswear shows run just before it, on 15–19 January 2027 (Camera Nazionale della Moda Italiana), and Paris Haute Couture Week follows on 25–28 January.\n\nThe FHCM’s Menswear Committee stems from the Chambre Syndicale de la Mode Masculine, founded on 8 October 1973, the same day as its womenswear counterpart. The official calendar of houses is published by the FHCM closer to the season.\n\n## Quick facts\n\n- Organised by the FHCM, whose Menswear Committee stems from the Chambre Syndicale de la Mode Masculine, founded on 8 October 1973\n- Paris Fashion Week Menswear runs twice a year: autumn/winter in January and spring/summer in June (FHCM)\n- The Menswear Fall/Winter 2027-2028 calendar runs Tuesday 19 to Sunday 24 January 2027 (FHCM)\n- Haute Couture Week follows directly, on 25–28 January 2027 (FHCM)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## Sources\n\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n- [Camera Nazionale della Moda Italiana — Milano Moda Uomo and Donna dates](https://www.cameramoda.it/en/)\n\nCite as: The Cast Index, \"Paris Fashion Week Menswear AW27\", https://thecastindex.com/events/paris-fashion-week-menswear-aw27.\n"},{"url":"https://thecastindex.com/events/paris-fashion-week-menswear-ss27","markdownUrl":"https://thecastindex.com/events/paris-fashion-week-menswear-ss27.md","title":"Paris Fashion Week Menswear SS27","lastmod":"2026-10-05","sha256":"342ad446e953928b695e1d79335988b2a1e308c2d24c1fcb91b574519664d609","bytes":2393,"markdown":"# Paris Fashion Week Menswear SS27\n\n> The Spring/Summer 2027 menswear calendar, published by the Fédération de la Haute Couture et de la Mode, ran 23–28 June 2026, closing the June menswear season ahead of the July couture shows in Paris.\n\n- Canonical: https://thecastindex.com/events/paris-fashion-week-menswear-ss27\n- Dates: 23–28 June 2026\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: SS27 Menswear\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Paris Fashion Week Menswear SS27?\n\nParis Fashion Week Menswear SS27 ran 23–28 June 2026 in Paris, France.\n\n## When is the next edition?\n\nThe next edition, [Paris Fashion Week Menswear AW27](https://thecastindex.com/events/paris-fashion-week-menswear-aw27), is scheduled for 19–24 January 2027.\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Loli Bahia](https://thecastindex.com/models/loli-bahia) | [Saint Laurent](https://thecastindex.com/houses/saint-laurent) | 2026-06-23 | [source](https://www.vogue.fr/article/saint-laurent-madonna-charlie-xcx-defile-homme-printemps-ete-2027) |\n| Walked | [Cindy Bruna](https://thecastindex.com/models/cindy-bruna) | [Louis Vuitton](https://thecastindex.com/houses/louis-vuitton) | 2026-06-23 | [source](https://www.vanityfair.fr/article/louis-vuitton-invite-a-levasion-et-a-la-fraicheur-en-plein-paris) |\n| Walked | [Alek Wek](https://thecastindex.com/models/alek-wek) | [Vetements](https://thecastindex.com/houses/vetements) | 2026-06-26 | [source](https://wwd.com/runway/mens-spring-2027/paris/vetements/review/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/paris-fashion-week-menswear-ss27\n\n## Ranked models tracked at this edition\n\n- #29 [Alek Wek](https://thecastindex.com/models/alek-wek)\n- #44 [Cindy Bruna](https://thecastindex.com/models/cindy-bruna)\n- [Loli Bahia](https://thecastindex.com/models/loli-bahia)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\nCite as: The Cast Index, \"Paris Fashion Week Menswear SS27\", https://thecastindex.com/events/paris-fashion-week-menswear-ss27.\n"},{"url":"https://thecastindex.com/events/paris-fashion-week-ss27","markdownUrl":"https://thecastindex.com/events/paris-fashion-week-ss27.md","title":"Paris Fashion Week SS27","lastmod":"2026-10-01","sha256":"c973101952a83cc0e617343ecd8bc42eb228da020ed75d24caaaf382a101da67","bytes":10849,"markdown":"# Paris Fashion Week SS27\n\n> The Fédération de la Haute Couture et de la Mode closes the Spring/Summer 2027 womenswear season in Paris, 28 September–6 October 2026 — the largest of the four international weeks. The official calendar is published by the FHCM ahead of the season.\n\n- Canonical: https://thecastindex.com/events/paris-fashion-week-ss27\n- Dates: 28 September–6 October 2026\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: SS27\n- Status: happening now\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Paris Fashion Week SS27?\n\nParis Fashion Week SS27 runs 28 September–6 October 2026 in Paris, France. Official source: [FHCM — upcoming seasons](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026.\n\n## When is the next edition?\n\nThe next edition, [Paris Fashion Week AW27](https://thecastindex.com/events/paris-fashion-week-aw27), is scheduled for 1–9 March 2027.\n\n## The 1973 gala at Versailles\n\nThe Palace of Versailles dates its celebrated fashion gala to 28 November 1973. Held at the Royal Opera to support restoration of the palace, the event brought French and American designers together and became known as the Battle of Versailles.\n\nThe palace’s account credits Gérald Van der Kemp and Baroness Marie-Hélène de Rothschild with organising the fundraising reception. Its history should not be confused with the dates of the regular fashion-week schedule.\n\n## Building a ready-to-wear calendar\n\nIn the years after 1973, Paris formalized a recurring ready-to-wear schedule sitting alongside its older couture calendar. Oversight ultimately consolidated under the Fédération de la Haute Couture et de la Mode, the umbrella body descended from the Chambre Syndicale de la Couture Parisienne (1868), which today sets official dates for all three Paris calendars — couture, ready-to-wear and menswear — and enforces membership criteria for participating houses.\n\n## The September 2026 season\n\nThe Spring/Summer 2027 calendar runs 28 September–6 October 2026, closing the four-city womenswear season with the largest official schedule of the four. The lineup is published by the FHCM ahead of the season; this index does not list houses before they appear on the federation’s calendar.\n\n## Quick facts\n\n- The Battle of Versailles was a fundraising fashion gala held on 28 November 1973; it is distinct from the recurring Paris Fashion Week calendar\n- That inaugural event pitted five French couturiers against five American ready-to-wear designers and was organised with help from Eleanor Lambert, the American publicist who had created New York’s Fashion Week thirty years earlier\n- Paris Fashion Week is run by the Fédération de la Haute Couture et de la Mode, whose lineage traces to the Chambre Syndicale de la Couture Parisienne, founded in 1868\n- Paris closes the four-city womenswear season, with the largest official calendar of the four\n- The Spring/Summer 2027 calendar runs 28 September–6 October 2026\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | [Dior](https://thecastindex.com/houses/dior) | 2026-09-29 | [source](https://www.harpersbazaar.com/fashion/fashion-week/a73944985/dior-spring-summer-2027-review/) |\n| Walked | [Anja Rubik](https://thecastindex.com/models/anja-rubik) | [Saint Laurent](https://thecastindex.com/houses/saint-laurent) | 2026-09-29 | [source](https://www.wmagazine.com/fashion/saint-laurent-spring-2027-runway-photos) |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/stella-mccartney) |\n| Walked | [Amber Valletta](https://thecastindex.com/models/amber-valletta) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://pagesix.com/2026/09/30/style/miranda-kerr-makes-surprise-return-to-the-stella-mccartney-runway-after-nearly-a-decade/) |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | 2026-09-30 | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Tom Ford](https://thecastindex.com/houses/tom-ford) | 2026-09-30 | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Dior](https://thecastindex.com/houses/dior) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-christian-dior-news-photo/2297743015) |\n| Walked | [Binx Walton](https://thecastindex.com/models/binx-walton) | [Saint Laurent](https://thecastindex.com/houses/saint-laurent) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/binx-walton-walks-the-runway-during-the-saint-laurent-ready-news-photo/2297790369) |\n| Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | [Saint Laurent](https://thecastindex.com/houses/saint-laurent) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mica-arganaraz-walks-the-runway-during-the-saint-laurent-news-photo/2297790043) |\n| Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Saint Laurent](https://thecastindex.com/houses/saint-laurent) | 2026-09-29 | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-saint-laurent-news-photo/2297790456) |\n| Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | [Balmain](https://thecastindex.com/houses/balmain) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-balmain-womenswear-news-photo/2297943317) |\n| Walked | [Mayowa Nicholas](https://thecastindex.com/models/mayowa-nicholas) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/mayowa-nicholas-walks-the-runway-during-the-stella-news-photo/2297949657) |\n| Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-during-the-stella-news-photo/2298020938) |\n| Walked | [Luiza Perote](https://thecastindex.com/models/luiza-perote) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/luiza-perote-walks-the-runway-during-the-stella-mccartney-news-photo/2297955342) |\n| Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | [Stella McCartney](https://thecastindex.com/houses/stella-mccartney) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-stella-mccartney-news-photo/2297954911) |\n| Walked | [Diane Chiu](https://thecastindex.com/models/diane-chiu) | [Acne Studios](https://thecastindex.com/houses/acne-studios) | 2026-09-30 | [source](https://www.gettyimages.com/detail/news-photo/chinese-model-diane-chiu-presents-a-creation-for-the-acne-news-photo/2297365777) |\n| Walked | [Natasha Poly](https://thecastindex.com/models/natasha-poly) | [Chloé](https://thecastindex.com/houses/chloe) | 2026-10-01 | [source](https://www.gettyimages.com/detail/news-photo/natasha-poly-walks-the-runway-with-models-during-the-chlo%C3%A9-news-photo/2298030966) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/paris-fashion-week-ss27\n\n## Ranked models tracked at this edition\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #7 [Mona Tougaard](https://thecastindex.com/models/mona-tougaard)\n- #17 [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz)\n- #19 [Mayowa Nicholas](https://thecastindex.com/models/mayowa-nicholas)\n- #36 [Binx Walton](https://thecastindex.com/models/binx-walton)\n- [Karlie Kloss](https://thecastindex.com/models/karlie-kloss)\n- [Natasha Poly](https://thecastindex.com/models/natasha-poly)\n- [Małgosia Bela](https://thecastindex.com/models/malgosia-bela)\n- [Amber Valletta](https://thecastindex.com/models/amber-valletta)\n- [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono)\n- [Luiza Perote](https://thecastindex.com/models/luiza-perote)\n- [Angelina Kendall](https://thecastindex.com/models/angelina-kendall)\n- [Anja Rubik](https://thecastindex.com/models/anja-rubik)\n- [Diane Chiu](https://thecastindex.com/models/diane-chiu)\n- [Yilan Hua](https://thecastindex.com/models/yilan-hua)\n\n## Who leads hair and makeup?\n\nBeauty direction varies by house; the index does not assign a single lead team to an entire fashion week. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### When is Paris Fashion Week 2027?\n\nThe FHCM has set two womenswear weeks for 2027: Autumn/Winter 2027-2028 on 1–9 March and Spring/Summer 2028 on 27 September–5 October. Menswear runs 19–24 January and 22–27 June 2027, and Haute Couture Week runs 25–28 January and 5–8 July 2027.\n\n### How many Paris Fashion Weeks are there a year?\n\nFour Paris Fashion Week® editions (womenswear in March and September, menswear in January and June) plus two Haute Couture Weeks, in January and July, according to the FHCM.\n\n## Sources\n\n- [FHCM — upcoming seasons](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [Palace of Versailles — Gala of 28 November 1973](https://en.chateauversailles.fr/discover/history/key-dates/gala-28-november-1973)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n\nCite as: The Cast Index, \"Paris Fashion Week SS27\", https://thecastindex.com/events/paris-fashion-week-ss27.\n"},{"url":"https://thecastindex.com/events/paris-haute-couture-week-2026","markdownUrl":"https://thecastindex.com/events/paris-haute-couture-week-2026.md","title":"Paris Haute Couture Week AW26","lastmod":"2026-10-05","sha256":"8b805b6da7f3d0de54ca2bff4a9f4aba2e589e35cc227977773bda8c36965aa7","bytes":8306,"markdown":"# Paris Haute Couture Week AW26\n\n> The official haute couture calendar, published by the Fédération de la Haute Couture et de la Mode, ran 6–9 July 2026.\n\n- Canonical: https://thecastindex.com/events/paris-haute-couture-week-2026\n- Dates: 6–9 July 2026\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: AW26 Couture\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Paris Haute Couture Week AW26?\n\nParis Haute Couture Week AW26 ran 6–9 July 2026 in Paris, France.\n\n## When is the next edition?\n\nThe next edition, [Paris Haute Couture Week SS27](https://thecastindex.com/events/paris-haute-couture-week-ss27), is scheduled for 25–28 January 2027.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Schiaparelli, Chanel, Balenciaga, Jean Paul Gaultier.\n\n## What is haute couture?\n\nIn France, haute couture is a protected designation rather than a general word for expensive fashion. The Fédération de la Haute Couture et de la Mode (FHCM) describes its Haute Couture Committee as bringing together houses that hold Haute Couture accreditation and meet criteria on craftsmanship expertise, personalisation, collection schedules and the know-how of their ateliers. The committee continues the Chambre Syndicale de la Haute Couture, established in 1911, which built on the first chamber initiated by Charles Frederick Worth in 1868.\n\nSpeaking to AFP in January 2026, FHCM executive president Pascal Morand said the designation has been legally protected since 1945 under the French Ministry of Industry, and is granted by ministerial decision on the advice of a commission within the FHCM, for one year at a time. Pieces must be original, made to measure and made by hand in the house’s workshops in France, which must include separate tailleur and flou ateliers and at least 20 staff. Houses show in Paris each January and July, with a minimum of 25 looks, although Morand said the rules allow some tolerance for smaller houses.\n\nThe FHCM’s official Haute Couture Week calendar combines members of the Chambre Syndicale de la Haute Couture with corresponding members and guest members selected each season by the Haute Couture Committee. Morand told AFP that 13 houses held the accreditation and seven corresponding members, based outside Paris, also showed.\n\n## From chamber to federation\n\nThe FHCM traces its Haute Couture Committee to the Chambre Syndicale de la Haute Couture of 1911, itself built on the first chamber initiated by Charles Frederick Worth in 1868. The federation also has womenswear and menswear committees, descended from chambers founded on 8 October 1973, and today coordinates both Paris Fashion Week® and Haute Couture Week.\n\nHaute Couture Week takes place twice a year, with spring/summer collections in January and autumn/winter in July. During the week the Chambre Syndicale de la Haute Couture also organises the Haute Joaillerie calendar for fine-jewellery houses, and since 2020 the official calendar has had a digital as well as a physical dimension, according to the FHCM.\n\n## The July 2026 season\n\nThe Autumn/Winter 2026 couture calendar, published by the FHCM, ran 6–9 July 2026. The July edition traditionally follows the January couture season and precedes the autumn ready-to-wear shows, giving houses such as Schiaparelli, Chanel, Balenciaga and Jean Paul Gaultier a dedicated platform for their most elaborate, made-to-measure work of the year, distinct from the larger-scale collections shown at Paris Fashion Week proper.\n\n## Quick facts\n\n- Organised by the Fédération de la Haute Couture et de la Mode (FHCM), whose Haute Couture Committee continues the Chambre Syndicale de la Haute Couture, established in 1911 on foundations laid by Charles Frederick Worth’s first chamber of 1868\n- “Haute couture” is a protected designation: the FHCM says accredited houses must meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how\n- Legally protected since 1945 under the French Ministry of Industry and granted for one year at a time, according to FHCM executive president Pascal Morand (AFP, January 2026)\n- Held twice a year in Paris: spring/summer in January and autumn/winter in July (FHCM)\n- The official calendar brings together members of the Chambre Syndicale de la Haute Couture, corresponding members and guest members selected by the Haute Couture Committee (FHCM)\n- The Autumn/Winter 2026 season, held 6–9 July 2026, included collections from Schiaparelli, Chanel, Balenciaga and Jean Paul Gaultier\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Opened | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Balenciaga](https://thecastindex.com/houses/balenciaga) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Chanel](https://thecastindex.com/houses/chanel) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Schiaparelli](https://thecastindex.com/houses/schiaparelli) | 2026-07-08 | [source](https://models.com/models/anok-yai) |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Chanel](https://thecastindex.com/houses/chanel) |  | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Balenciaga](https://thecastindex.com/houses/balenciaga) |  | [source](https://models.com/models/vittoria-ceretti) |\n| Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Balenciaga](https://thecastindex.com/houses/balenciaga) |  | [source](https://models.com/models/liu-wen) |\n| Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Chanel](https://thecastindex.com/houses/chanel) |  | [source](https://models.com/models/liu-wen) |\n| Walked | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [Balenciaga](https://thecastindex.com/houses/balenciaga) |  | [source](https://models.com/models/gigi-hadid) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/paris-haute-couture-week-2026\n\n## Ranked models tracked at this edition\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #2 [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti)\n- #4 [Liu Wen](https://thecastindex.com/models/liu-wen)\n- #5 [Gigi Hadid](https://thecastindex.com/models/gigi-hadid)\n\n## Who leads hair and makeup?\n\nBeauty direction varies by couture house; individual show credits are verified at show level before publication. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### What is haute couture?\n\nIn France, haute couture is a protected designation. The FHCM grants Haute Couture accreditation to houses that meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how; FHCM executive president Pascal Morand told AFP in January 2026 that it has been legally protected since 1945 and requires original, made-to-measure, hand-made pieces from the house’s own French workshops.\n\n### How many haute couture weeks are there a year?\n\nTwo, both in Paris: spring/summer collections in January and autumn/winter in July, according to the FHCM. In 2027 they run 25–28 January and 5–8 July.\n\n## Sources\n\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n- [FHCM — Paris Fashion Week® and Haute Couture Week](https://www.fhcm.paris/en/the-events-of-fhcm)\n- [FashionUnited (AFP), “Haute couture, a French exception under high protection”, January 2026 (press source for the legal criteria)](https://fashionunited.com/news/fashion/haute-couture-a-french-exception-under-high-protection/2026012670211)\n\nCite as: The Cast Index, \"Paris Haute Couture Week AW26\", https://thecastindex.com/events/paris-haute-couture-week-2026.\n"},{"url":"https://thecastindex.com/events/paris-haute-couture-week-spring-2026","markdownUrl":"https://thecastindex.com/events/paris-haute-couture-week-spring-2026.md","title":"Paris Haute Couture Week SS26","lastmod":"2026-10-05","sha256":"4194514b65950baf69822ffbc794760b3aaac71b923dee96d9bc4912ee9186a9","bytes":6885,"markdown":"# Paris Haute Couture Week SS26\n\n> The official Spring/Summer 2026 haute couture calendar, published by the Fédération de la Haute Couture et de la Mode, ran 26–29 January 2026 with 35 runway shows and 32 presentations, and included Jonathan Anderson’s debut couture collection for Dior and Matthieu Blazy’s debut couture collection for Chanel.\n\n- Canonical: https://thecastindex.com/events/paris-haute-couture-week-spring-2026\n- Dates: 26–29 January 2026\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: SS26 Couture\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Paris Haute Couture Week SS26?\n\nParis Haute Couture Week SS26 ran 26–29 January 2026 in Paris, France.\n\n## When is the next edition?\n\nThe next edition, [Paris Haute Couture Week SS27](https://thecastindex.com/events/paris-haute-couture-week-ss27), is scheduled for 25–28 January 2027.\n\n## Which brands showed?\n\nBrands confirmed for this edition: Dior, Chanel.\n\n## What is haute couture?\n\nIn France, haute couture is a protected designation rather than a general word for expensive fashion. The Fédération de la Haute Couture et de la Mode (FHCM) describes its Haute Couture Committee as bringing together houses that hold Haute Couture accreditation and meet criteria on craftsmanship expertise, personalisation, collection schedules and the know-how of their ateliers. The committee continues the Chambre Syndicale de la Haute Couture, established in 1911, which built on the first chamber initiated by Charles Frederick Worth in 1868.\n\nSpeaking to AFP in January 2026, FHCM executive president Pascal Morand said the designation has been legally protected since 1945 under the French Ministry of Industry, and is granted by ministerial decision on the advice of a commission within the FHCM, for one year at a time. Pieces must be original, made to measure and made by hand in the house’s workshops in France, which must include separate tailleur and flou ateliers and at least 20 staff. Houses show in Paris each January and July, with a minimum of 25 looks, although Morand said the rules allow some tolerance for smaller houses.\n\nThe FHCM’s official Haute Couture Week calendar combines members of the Chambre Syndicale de la Haute Couture with corresponding members and guest members selected each season by the Haute Couture Committee. Morand told AFP that 13 houses held the accreditation and seven corresponding members, based outside Paris, also showed.\n\n## From chamber to federation\n\nThe FHCM traces its Haute Couture Committee to the Chambre Syndicale de la Haute Couture of 1911, itself built on the first chamber initiated by Charles Frederick Worth in 1868. The federation also has womenswear and menswear committees, descended from chambers founded on 8 October 1973, and today coordinates both Paris Fashion Week® and Haute Couture Week.\n\nHaute Couture Week takes place twice a year, with spring/summer collections in January and autumn/winter in July. During the week the Chambre Syndicale de la Haute Couture also organises the Haute Joaillerie calendar for fine-jewellery houses, and since 2020 the official calendar has had a digital as well as a physical dimension, according to the FHCM.\n\n## The January 2026 season\n\nThe Spring/Summer 2026 couture calendar, published by the FHCM, ran 26–29 January 2026 with 35 runway shows and 32 presentations. The season carried particular weight for two of the industry’s largest houses: it marked Jonathan Anderson’s first couture collection since being named creative director of Dior, and Matthieu Blazy’s first couture collection since taking over at Chanel — both closely watched successions in a season that reset expectations for two of the calendar’s most-covered ateliers.\n\n## Quick facts\n\n- Organised by the Fédération de la Haute Couture et de la Mode (FHCM), whose Haute Couture Committee continues the Chambre Syndicale de la Haute Couture, established in 1911 on foundations laid by Charles Frederick Worth’s first chamber of 1868\n- “Haute couture” is a protected designation: the FHCM says accredited houses must meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how\n- Legally protected since 1945 under the French Ministry of Industry and granted for one year at a time, according to FHCM executive president Pascal Morand (AFP, January 2026)\n- Held twice a year in Paris: spring/summer in January and autumn/winter in July (FHCM)\n- The official calendar brings together members of the Chambre Syndicale de la Haute Couture, corresponding members and guest members selected by the Haute Couture Committee (FHCM)\n- The Spring/Summer 2026 season, held 26–29 January 2026, included Jonathan Anderson’s debut couture collection for Dior and Matthieu Blazy’s debut for Chanel\n\n## Who walked? Verified casting\n\n| Role | Model | House | Date | Source |\n| --- | --- | --- | --- | --- |\n| Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Schiaparelli](https://thecastindex.com/houses/schiaparelli) | 2024-01-01 | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n\nWalks are recorded only when a published source names the model, the house and the show. Full casting page: https://thecastindex.com/casting/shows/paris-haute-couture-week-spring-2026\n\n## Who leads hair and makeup?\n\nBeauty direction varies by couture house; individual show credits are verified at show level before publication. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### What is haute couture?\n\nIn France, haute couture is a protected designation. The FHCM grants Haute Couture accreditation to houses that meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how; FHCM executive president Pascal Morand told AFP in January 2026 that it has been legally protected since 1945 and requires original, made-to-measure, hand-made pieces from the house’s own French workshops.\n\n### How many haute couture weeks are there a year?\n\nTwo, both in Paris: spring/summer collections in January and autumn/winter in July, according to the FHCM. In 2027 they run 25–28 January and 5–8 July.\n\n## Sources\n\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n- [FHCM — Paris Fashion Week® and Haute Couture Week](https://www.fhcm.paris/en/the-events-of-fhcm)\n- [FashionUnited (AFP), “Haute couture, a French exception under high protection”, January 2026 (press source for the legal criteria)](https://fashionunited.com/news/fashion/haute-couture-a-french-exception-under-high-protection/2026012670211)\n\nCite as: The Cast Index, \"Paris Haute Couture Week SS26\", https://thecastindex.com/events/paris-haute-couture-week-spring-2026.\n"},{"url":"https://thecastindex.com/events/paris-haute-couture-week-ss27","markdownUrl":"https://thecastindex.com/events/paris-haute-couture-week-ss27.md","title":"Paris Haute Couture Week SS27","lastmod":"2026-10-05","sha256":"bd864a0ee2a138e894e8b976e4965f081ced5dafeb99d52d92306cea2eab9b03","bytes":6660,"markdown":"# Paris Haute Couture Week SS27\n\n> The Fédération de la Haute Couture et de la Mode has set Monday 25 to Thursday 28 January 2027 for Haute Couture Week Spring/Summer 2027 in Paris, directly after the January menswear shows. The member and guest-house lineup is confirmed by the FHCM closer to the season; the Autumn/Winter 2027 couture week follows on 5–8 July 2027.\n\n- Canonical: https://thecastindex.com/events/paris-haute-couture-week-ss27\n- Dates: 25–28 January 2027\n- City: Paris, France\n- Venue: Paris · venues vary by house\n- Season: SS27 Couture\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Paris Haute Couture Week SS27?\n\nParis Haute Couture Week SS27 runs 25–28 January 2027 in Paris, France. Official source: [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026.\n\n## What is haute couture?\n\nIn France, haute couture is a protected designation rather than a general word for expensive fashion. The Fédération de la Haute Couture et de la Mode (FHCM) describes its Haute Couture Committee as bringing together houses that hold Haute Couture accreditation and meet criteria on craftsmanship expertise, personalisation, collection schedules and the know-how of their ateliers. The committee continues the Chambre Syndicale de la Haute Couture, established in 1911, which built on the first chamber initiated by Charles Frederick Worth in 1868.\n\nSpeaking to AFP in January 2026, FHCM executive president Pascal Morand said the designation has been legally protected since 1945 under the French Ministry of Industry, and is granted by ministerial decision on the advice of a commission within the FHCM, for one year at a time. Pieces must be original, made to measure and made by hand in the house’s workshops in France, which must include separate tailleur and flou ateliers and at least 20 staff. Houses show in Paris each January and July, with a minimum of 25 looks, although Morand said the rules allow some tolerance for smaller houses.\n\nThe FHCM’s official Haute Couture Week calendar combines members of the Chambre Syndicale de la Haute Couture with corresponding members and guest members selected each season by the Haute Couture Committee. Morand told AFP that 13 houses held the accreditation and seven corresponding members, based outside Paris, also showed.\n\n## From chamber to federation\n\nThe FHCM traces its Haute Couture Committee to the Chambre Syndicale de la Haute Couture of 1911, itself built on the first chamber initiated by Charles Frederick Worth in 1868. The federation also has womenswear and menswear committees, descended from chambers founded on 8 October 1973, and today coordinates both Paris Fashion Week® and Haute Couture Week.\n\nHaute Couture Week takes place twice a year, with spring/summer collections in January and autumn/winter in July. During the week the Chambre Syndicale de la Haute Couture also organises the Haute Joaillerie calendar for fine-jewellery houses, and since 2020 the official calendar has had a digital as well as a physical dimension, according to the FHCM.\n\n## The January 2027 season\n\nThe FHCM has set Monday 25 to Thursday 28 January 2027 for Haute Couture Week Spring/Summer 2027, immediately after Paris Fashion Week Menswear (19–24 January 2027). The July edition, for Autumn/Winter 2027-2028 collections, follows on 5–8 July 2027.\n\nThe official calendar of members, corresponding members and guest houses is published by the FHCM closer to the season; this index does not list houses before they appear on it.\n\n## Quick facts\n\n- Organised by the Fédération de la Haute Couture et de la Mode (FHCM), whose Haute Couture Committee continues the Chambre Syndicale de la Haute Couture, established in 1911 on foundations laid by Charles Frederick Worth’s first chamber of 1868\n- “Haute couture” is a protected designation: the FHCM says accredited houses must meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how\n- Legally protected since 1945 under the French Ministry of Industry and granted for one year at a time, according to FHCM executive president Pascal Morand (AFP, January 2026)\n- Held twice a year in Paris: spring/summer in January and autumn/winter in July (FHCM)\n- The official calendar brings together members of the Chambre Syndicale de la Haute Couture, corresponding members and guest members selected by the Haute Couture Committee (FHCM)\n- Haute Couture Week Spring/Summer 2027 runs Monday 25 to Thursday 28 January 2027, straight after the January menswear shows (FHCM)\n- The Autumn/Winter 2027-2028 couture week follows on 5–8 July 2027 (FHCM)\n\n## Who leads hair and makeup?\n\nBeauty direction varies by couture house; individual show credits are verified at show level before publication. Hair credits: House-appointed teams. Makeup credits: House-appointed artists.\n\n## FAQ\n\n### What is haute couture?\n\nIn France, haute couture is a protected designation. The FHCM grants Haute Couture accreditation to houses that meet criteria on craftsmanship, personalisation, collection schedules and atelier know-how; FHCM executive president Pascal Morand told AFP in January 2026 that it has been legally protected since 1945 and requires original, made-to-measure, hand-made pieces from the house’s own French workshops.\n\n### How many haute couture weeks are there a year?\n\nTwo, both in Paris: spring/summer collections in January and autumn/winter in July, according to the FHCM. In 2027 they run 25–28 January and 5–8 July.\n\n### When is Haute Couture Week 2027?\n\nSpring/Summer 2027 couture runs 25–28 January 2027 and Autumn/Winter 2027-2028 runs 5–8 July 2027, both in Paris, according to the FHCM.\n\n## Sources\n\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n- [FHCM — Paris Fashion Week® and Haute Couture Week](https://www.fhcm.paris/en/the-events-of-fhcm)\n- [FHCM — the Fédération and its Haute Couture Committee](https://www.fhcm.paris/en/federation-de-la-haute-couture-et-de-la-mode)\n- [FashionUnited (AFP), “Haute couture, a French exception under high protection”, January 2026 (press source for the legal criteria)](https://fashionunited.com/news/fashion/haute-couture-a-french-exception-under-high-protection/2026012670211)\n\nCite as: The Cast Index, \"Paris Haute Couture Week SS27\", https://thecastindex.com/events/paris-haute-couture-week-ss27.\n"},{"url":"https://thecastindex.com/events/pitti-uomo-110","markdownUrl":"https://thecastindex.com/events/pitti-uomo-110.md","title":"Pitti Uomo SS27 Menswear","lastmod":"2026-10-05","sha256":"9786ed3455f8eb208abf621136f4dc7a539aa7134b685fcc1a327534f5b41584","bytes":978,"markdown":"# Pitti Uomo SS27 Menswear\n\n> The 110th edition of Pitti Immagine Uomo ran 16–19 June 2026 at the Fortezza da Basso in Florence, opening the Spring/Summer 2027 menswear season. The fair pairs the season’s largest menswear trade exhibition with guest-designer runway shows and presentations staged across the city.\n\n- Canonical: https://thecastindex.com/events/pitti-uomo-110\n- Dates: 16–19 June 2026\n- City: Florence, Italy\n- Venue: Fortezza da Basso, Florence\n- Season: SS27 Menswear\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Pitti Uomo SS27 Menswear?\n\nPitti Uomo SS27 Menswear ran 16–19 June 2026 in Florence, Italy.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the fair as a whole. Hair credits: Brand-appointed teams. Makeup credits: Brand-appointed artists.\n\nCite as: The Cast Index, \"Pitti Uomo SS27 Menswear\", https://thecastindex.com/events/pitti-uomo-110.\n"},{"url":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026","markdownUrl":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026.md","title":"Rakuten Fashion Week Tokyo AW26","lastmod":"2026-10-05","sha256":"bde99a0ea6150de7c263f03378290063922f49d5e01a82f96dd7997b2c0282e3","bytes":3455,"markdown":"# Rakuten Fashion Week Tokyo AW26\n\n> The Autumn/Winter 2026 season of Rakuten Fashion Week Tokyo ran 16–21 March 2026 at Shibuya Hikarie, the week’s long-standing home, continuing a platform first organised in 2005 and widely described as Asia’s largest fashion week.\n\n- Canonical: https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026\n- Dates: 16–21 March 2026\n- City: Tokyo, Japan\n- Venue: Shibuya Hikarie\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Rakuten Fashion Week Tokyo AW26?\n\nRakuten Fashion Week Tokyo AW26 ran 16–21 March 2026 in Tokyo, Japan.\n\n## When is the next edition?\n\nThe next edition, [Rakuten Fashion Week Tokyo AW27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27), is scheduled for 15–20 March 2027.\n\n## From Tokyo Collection to a unified platform\n\nWhat is now Rakuten Fashion Week Tokyo traces to the Tokyo Collection, run informally by a designers’ council from the 1980s. In 2005, industry stakeholders — designers, manufacturers and apparel companies — reorganised the platform under a single body, the Japan Fashion Week Organisation (JFWO), giving Tokyo’s fashion calendar the unified structure it has today; the event’s own 20th-anniversary marketing for its 2025 season dates the platform to that 2005 founding.\n\n## A changing roster of title sponsors\n\nThe JFWO signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile, and the following year Mercedes-Benz became the week’s first title sponsor, launching \"Mercedes-Benz Fashion Week Tokyo.\" Amazon took over as title sponsor in 2016, branding it \"Amazon Fashion Week Tokyo\" and adding see-now-buy-now e-commerce features, before Rakuten became title sponsor in 2019 under the event’s current name.\n\n## The 2026 season\n\nRakuten Fashion Week Tokyo is held biannually at Shibuya Hikarie, and is widely described as Asia’s largest fashion week and one of fashion’s \"Big Five\" alongside New York, London, Milan and Paris, known for its avant-garde and street-style presentations — streetwear label A Bathing Ape marked its 30th anniversary with a runway show there in 2023. The Autumn/Winter 2026 season ran 16–21 March 2026, continuing a refocus on live Official Designer Shows, Partnership Shows and Incubation Shows that began with the 2025 edition, after the week dropped its digital-only programming.\n\n## Quick facts\n\n- Its unified organising body, the Japan Fashion Week Organisation, was formed in 2005 out of what had previously been an informally run Tokyo Collection\n- Signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile\n- Carried three successive title sponsors — Mercedes-Benz from 2011, Amazon from 2016, and Rakuten from 2019\n- Widely described as Asia’s largest fashion week and one of fashion’s \"Big Five\" alongside New York, London, Milan and Paris\n- Streetwear label A Bathing Ape marked its 30th anniversary with a runway show at the event in 2023\n- Runs biannually from its long-standing home at Shibuya Hikarie\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Rakuten Fashion Week Tokyo AW26\", https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026.\n"},{"url":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27","markdownUrl":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27.md","title":"Rakuten Fashion Week Tokyo AW27","lastmod":"2026-10-05","sha256":"2dd65e4568939fb5cbba6a93ae3c7ce6ea821aaff4ca5a1ac35b48cde8dfe791","bytes":3351,"markdown":"# Rakuten Fashion Week Tokyo AW27\n\n> The Japan Fashion Week Organization lists Monday 15 to Saturday 20 March 2027 for Rakuten Fashion Week TOKYO 2027 A/W. The show schedule and venues are published by the organiser closer to the season.\n\n- Canonical: https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27\n- Dates: 15–20 March 2027\n- City: Tokyo, Japan\n- Venue: Tokyo · venue to be confirmed\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is Rakuten Fashion Week Tokyo AW27?\n\nRakuten Fashion Week Tokyo AW27 runs 15–20 March 2027 in Tokyo, Japan. Official source: [Japan Fashion Week Organization — Rakuten Fashion Week TOKYO official site](https://rakutenfashionweektokyo.com/en/), checked 1 October 2026.\n\n## From Tokyo Collection to a unified platform\n\nWhat is now Rakuten Fashion Week Tokyo traces to the Tokyo Collection, run informally by a designers’ council from the 1980s. In 2005, industry stakeholders — designers, manufacturers and apparel companies — reorganised the platform under a single body, the Japan Fashion Week Organisation (JFWO), giving Tokyo’s fashion calendar the unified structure it has today; the event’s own 20th-anniversary marketing for its 2025 season dates the platform to that 2005 founding.\n\n## A changing roster of title sponsors\n\nThe JFWO signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile, and the following year Mercedes-Benz became the week’s first title sponsor, launching \"Mercedes-Benz Fashion Week Tokyo.\" Amazon took over as title sponsor in 2016, branding it \"Amazon Fashion Week Tokyo\" and adding see-now-buy-now e-commerce features, before Rakuten became title sponsor in 2019 under the event’s current name.\n\n## The March 2027 season\n\nThe Japan Fashion Week Organization lists Monday 15 to Saturday 20 March 2027 for Rakuten Fashion Week TOKYO 2027 A/W. The venue and show schedule had not been published when this page was checked on 1 October 2026; the previous edition, 2027 S/S, was held primarily at Shibuya Hikarie.\n\n## Quick facts\n\n- Its unified organising body, the Japan Fashion Week Organisation, was formed in 2005 out of what had previously been an informally run Tokyo Collection\n- Signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile\n- Carried three successive title sponsors — Mercedes-Benz from 2011, Amazon from 2016, and Rakuten from 2019\n- Widely described as Asia’s largest fashion week and one of fashion’s \"Big Five\" alongside New York, London, Milan and Paris\n- Streetwear label A Bathing Ape marked its 30th anniversary with a runway show at the event in 2023\n- The 2027 A/W edition runs Monday 15 to Saturday 20 March 2027 (JFWO)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [Japan Fashion Week Organization — Rakuten Fashion Week TOKYO official site](https://rakutenfashionweektokyo.com/en/)\n- [Rakuten Fashion Week TOKYO (JFWO) — official site](https://rakutenfashionweektokyo.com/en/)\n\nCite as: The Cast Index, \"Rakuten Fashion Week Tokyo AW27\", https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27.\n"},{"url":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27","markdownUrl":"https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27.md","title":"Rakuten Fashion Week Tokyo SS27","lastmod":"2026-10-05","sha256":"ebb4040504003a57c3957d3f870344fc8e04aeeb60a56f7859431715da1c097d","bytes":4887,"markdown":"# Rakuten Fashion Week Tokyo SS27\n\n> Rakuten Fashion Week TOKYO 2027 S/S, organised by the Japan Fashion Week Organization, ran 31 August–5 September 2026, primarily at Shibuya Hikarie. The organiser counted 27 collections: 24 official designer shows, four of them by first-time participants, and three partnership shows, with nine international participants.\n\n- Canonical: https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27\n- Dates: 31 August–5 September 2026\n- City: Tokyo, Japan\n- Venue: Shibuya Hikarie\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Rakuten Fashion Week Tokyo SS27?\n\nRakuten Fashion Week Tokyo SS27 ran 31 August–5 September 2026 in Tokyo, Japan. Official source: [JFWO — Rakuten Fashion Week TOKYO 2027 S/S season close (9 September 2026)](https://rakutenfashionweektokyo.com/en/topics/information/art_20260909_01/), checked 1 October 2026.\n\n## When is the next edition?\n\nThe next edition, [Rakuten Fashion Week Tokyo AW27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27), is scheduled for 15–20 March 2027.\n\n## Which brands showed?\n\nBrands confirmed for this edition: yoshiokubo, ENFÖLD, KHOKI, soduk, ANNA CHOI, pillings, yushokobayashi.\n\n## From Tokyo Collection to a unified platform\n\nWhat is now Rakuten Fashion Week Tokyo traces to the Tokyo Collection, run informally by a designers’ council from the 1980s. In 2005, industry stakeholders — designers, manufacturers and apparel companies — reorganised the platform under a single body, the Japan Fashion Week Organisation (JFWO), giving Tokyo’s fashion calendar the unified structure it has today; the event’s own 20th-anniversary marketing for its 2025 season dates the platform to that 2005 founding.\n\n## A changing roster of title sponsors\n\nThe JFWO signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile, and the following year Mercedes-Benz became the week’s first title sponsor, launching \"Mercedes-Benz Fashion Week Tokyo.\" Amazon took over as title sponsor in 2016, branding it \"Amazon Fashion Week Tokyo\" and adding see-now-buy-now e-commerce features, before Rakuten became title sponsor in 2019 under the event’s current name.\n\n## The 2027 S/S season\n\nRakuten Fashion Week TOKYO 2027 S/S, organised by the Japan Fashion Week Organization (JFWO), ran from Monday 31 August to Saturday 5 September 2026, primarily at the season’s official venue, Shibuya Hikarie. The organiser counted 27 collections: 24 official designer shows, four of them by first-time participants, and three partnership shows, with nine international participants.\n\nThe schedule opened with yoshiokubo and closed with soduk, and past TOKYO FASHION AWARD winners ANNA CHOI (formerly HAENGNAE), pillings, RequaL≡ and yushokobayashi showed during the week. Several shows were streamed on YouTube Live, and a Shibuya Hikarie collaboration offered public events including a street-snap project and a draw for show tickets.\n\n## Quick facts\n\n- Its unified organising body, the Japan Fashion Week Organisation, was formed in 2005 out of what had previously been an informally run Tokyo Collection\n- Signed a five-year partnership with IMG Fashion in 2010 to raise Tokyo’s international profile\n- Carried three successive title sponsors — Mercedes-Benz from 2011, Amazon from 2016, and Rakuten from 2019\n- Widely described as Asia’s largest fashion week and one of fashion’s \"Big Five\" alongside New York, London, Milan and Paris\n- Streetwear label A Bathing Ape marked its 30th anniversary with a runway show at the event in 2023\n- The 2027 S/S edition ran 31 August–5 September 2026, primarily at Shibuya Hikarie (JFWO)\n- 27 collections: 24 official designer shows, four by first-time participants, and three partnership shows, with nine international participants (JFWO)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### When is Tokyo Fashion Week 2027?\n\nThe Japan Fashion Week Organization lists Rakuten Fashion Week TOKYO 2027 A/W for Monday 15 to Saturday 20 March 2027 (checked 1 October 2026).\n\n## Sources\n\n- [JFWO — Rakuten Fashion Week TOKYO 2027 S/S season close (9 September 2026)](https://rakutenfashionweektokyo.com/en/topics/information/art_20260909_01/)\n- [JFWO — Rakuten Fashion Week TOKYO 2027 S/S season close (9 September 2026)](https://rakutenfashionweektokyo.com/en/topics/information/art_20260909_01/)\n- [JFWO — 27SS event information and show schedule (5 August 2026)](https://rakutenfashionweektokyo.com/en/topics/pickup/rakutenfwt2027ss/)\n\nCite as: The Cast Index, \"Rakuten Fashion Week Tokyo SS27\", https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27.\n"},{"url":"https://thecastindex.com/events/sao-paulo-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/sao-paulo-fashion-week-2026.md","title":"São Paulo Fashion Week N61","lastmod":"2026-10-05","sha256":"d68ba8801093ad9d27c7b76aedb91ccfe8525c2293acee255e4eb1ae8a6ebe10","bytes":3006,"markdown":"# São Paulo Fashion Week N61\n\n> São Paulo Fashion Week’s 2026 edition runs 13–18 October with its hub at the Pavilhão das Culturas Brasileiras (Pacubra), as the week marks 30 years. Founded in 1995 by Paulo Borges and organised by Grupo Luminosidade, SPFW is Latin America’s pre-eminent fashion event.\n\n- Canonical: https://thecastindex.com/events/sao-paulo-fashion-week-2026\n- Dates: 13–18 October 2026\n- City: São Paulo, Brazil\n- Venue: Pavilhão das Culturas Brasileiras (Pacubra), São Paulo\n- Season: N61\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is São Paulo Fashion Week N61?\n\nSão Paulo Fashion Week N61 runs 13–18 October 2026 in São Paulo, Brazil. Official source: [São Paulo Fashion Week — official site](https://spfw.com.br/), checked 1 October 2026.\n\n## Founding Latin America’s leading fashion week\n\nSão Paulo Fashion Week was founded in 1995 by Paulo Borges and has been organised by his company, Grupo Luminosidade, ever since. It is widely regarded as Latin America’s pre-eminent fashion event, running twice yearly and anchoring Brazil’s position as the region’s largest fashion and textile market.\n\n## Diversity on the runway\n\nIn 2009, São Paulo Fashion Week became one of the first major fashion weeks in the world to introduce binding diversity quotas, requiring that at least 10% of models cast in any given runway show be Black or Indigenous. The rule followed direct pressure from anti-racism organisations and Brazilian public prosecutors, and predated similar diversity commitments later adopted elsewhere in the industry. A decade later, in 2019, Sam Porto became the first transgender man to walk in the event’s history.\n\n## A single October edition\n\nSince the 2026 debut of a separate Rio Fashion Week earlier in the year, São Paulo Fashion Week now runs as a single consolidated edition each October, positioning the two Brazilian weeks as complementary rather than overlapping events on the national calendar.\n\n## Quick facts\n\n- Founded in 1995 by Paulo Borges and organised by Grupo Luminosidade\n- Widely described as Latin America’s pre-eminent fashion event, running semi-annually since its founding\n- Introduced diversity quotas in 2009 requiring at least 10% of models on any runway to be Black or Indigenous, following pressure from anti-racism groups and prosecutors\n- In 2019, Sam Porto became the first transgender man to walk in the event’s history\n- Since the 2026 debut of Rio Fashion Week earlier in the year, São Paulo Fashion Week now runs as a single edition each October\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [São Paulo Fashion Week — official site](https://spfw.com.br/)\n\nCite as: The Cast Index, \"São Paulo Fashion Week N61\", https://thecastindex.com/events/sao-paulo-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/seoul-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/seoul-fashion-week-2026.md","title":"Seoul Fashion Week SS27","lastmod":"2026-10-05","sha256":"7c6890fe0ca79f42864929baa6bd3b5f46ec87c321384c9b956554c68657209d","bytes":4969,"markdown":"# Seoul Fashion Week SS27\n\n> The 2027 S/S edition of Seoul Fashion Week, organised by the Seoul Metropolitan Government, ran 1–6 September 2026. DDP Art Hall hosted 17 designer runways and eight presentations, with 97 brands in the trade show, while Lotte World Tower in Jamsil staged the opening runway, a first for the week. Major shows were livestreamed on the official YouTube channel.\n\n- Canonical: https://thecastindex.com/events/seoul-fashion-week-2026\n- Dates: 1–6 September 2026\n- City: Seoul, South Korea\n- Venue: Dongdaemun Design Plaza (DDP) and Lotte World Tower, Seoul\n- Season: SS27\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Seoul Fashion Week SS27?\n\nSeoul Fashion Week SS27 ran 1–6 September 2026 in Seoul, South Korea. Official source: [Seoul Metropolitan Government — 2027 S/S Seoul Fashion Week announcement (21 August 2026)](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/), checked 1 October 2026.\n\n## A government-backed launch\n\nSeoul Fashion Week was launched in 2000 as part of a Seoul Metropolitan Government initiative aimed at raising the international profile of the South Korean fashion industry — a deliberate, publicly-backed effort distinct from the trade-association or syndicate origins of the Western Big Four weeks.\n\n## Restructuring for global reach\n\nThe event is organised by the Seoul Design Foundation, operating under the Seoul Metropolitan Government. In 2015, the city restructured the programme to sharpen its focus on developing local design talent and supporting the international expansion of Korean designers, shifting emphasis from a purely domestic trade showcase toward a platform aimed at global buyers and press.\n\n## Dongdaemun and street style\n\nSince the mid-2010s, the week’s main venue has been the Dongdaemun Design Plaza (DDP), Zaha Hadid’s landmark building in Seoul’s historic garment and textile district. The choice of venue reinforces the event’s close association with Seoul’s street-fashion culture, distinguishing its identity from the couture-and-heritage-house framing of Paris or Milan.\n\n## The 2027 S/S season: DDP and Lotte World Tower\n\nThe Seoul Metropolitan Government announced that the 2027 S/S edition would run from Tuesday 1 to Sunday 6 September 2026, at Dongdaemun Design Plaza and around Lotte World Tower in Jamsil. DDP remained the business hub, with 17 designer runways and eight presentations in DDP Art Hall and 97 brands in the trade show, while Lotte World Tower hosted the week’s opening runway for the first time, in collaboration with Lotte Department Store.\n\nThe city framed the season as a festival for residents and visitors as well as buyers, with an Adidas exhibition at World Park, K-pop programming with NCT, citizen invitations and livestreams of major shows on the official Seoul Fashion Week YouTube channel. The government says 367 brands have presented 2,247 runway shows since the week launched in 2000.\n\n## Quick facts\n\n- Launched in 2000 as part of a Seoul Metropolitan Government initiative to raise the international profile of Korean fashion\n- Organised by the Seoul Design Foundation, a body operating under the Seoul Metropolitan Government\n- Restructured in 2015 to place greater emphasis on developing local design talent and supporting Korean designers’ international expansion\n- Its main venue since the mid-2010s has been the Dongdaemun Design Plaza (DDP), and the week is closely associated with Seoul’s street-fashion culture\n- Held twice yearly, previewing spring/summer and autumn/winter collections\n- Marked its 25th anniversary season in 2025, per the Seoul Metropolitan Government\n- The 2027 S/S edition ran 1–6 September 2026 at DDP and Lotte World Tower, which hosted the opening runway for the first time (Seoul Metropolitan Government)\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## FAQ\n\n### Is Seoul Fashion Week open to the public?\n\nPartly. Designer runways at DDP are industry-led, but for the 2027 S/S season the Seoul Metropolitan Government added public-facing programming at Lotte World Tower, citizen invitation events and YouTube livestreams of major shows.\n\n## Sources\n\n- [Seoul Metropolitan Government — 2027 S/S Seoul Fashion Week announcement (21 August 2026)](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/)\n- [Seoul Metropolitan Government — 2027 S/S Seoul Fashion Week announcement (21 August 2026)](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/)\n\nCite as: The Cast Index, \"Seoul Fashion Week SS27\", https://thecastindex.com/events/seoul-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/shanghai-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/shanghai-fashion-week-2026.md","title":"Shanghai Fashion Week AW26","lastmod":"2026-10-05","sha256":"4b45eb993f3ff19219738c54389f4aab8db89f3a553b615ddf611f13e4019686","bytes":3540,"markdown":"# Shanghai Fashion Week AW26\n\n> The Autumn/Winter 2026 season, themed \"Design Ahead, Fashion Ascends,\" ran 25 March–1 April 2026 across Shanghai’s Huangpu, Jing’an and Pudong districts, opening with a show from HPLY and closing with Shanghai-based label EP Yaying. Maison Margiela staged the global debut of its Autumn/Winter 2026 collection on 1 April, followed by a dedicated exhibition.\n\n- Canonical: https://thecastindex.com/events/shanghai-fashion-week-2026\n- Dates: 25 March–1 April 2026\n- City: Shanghai, China\n- Venue: Shanghai · venues across Huangpu, Jing’an and Pudong New Area\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Shanghai Fashion Week AW26?\n\nShanghai Fashion Week AW26 ran 25 March–1 April 2026 in Shanghai, China.\n\n## Which brands showed?\n\nBrands confirmed for this edition: HPLY, EP Yaying, Maison Margiela.\n\n## A government-backed founding\n\nShanghai Fashion Week was founded in 2001, supported by China’s Ministry of Commerce and hosted under the Shanghai Municipal Government, organised in coordination with the Shanghai Textile (Group) Corporation as part of the broader Shanghai International Fashion Culture Festival. It runs twice yearly, previewing spring/summer and autumn/winter collections each season.\n\n## Design by Shanghai and Labelhood\n\nIn 2013, the week launched the \"Design by Shanghai\" programme in partnership with the British Fashion Council, giving independent local designers international exposure, the same year its trade-show component, Mode Shanghai, partnered with New York-based ENK International. In 2016, Labelhood debuted as an official satellite platform, growing out of stylist Tasha Liu’s Dongliang concept store, founded in 2009; the two formally merged in 2018. Labelhood has since grown into a major designer-incubation platform, supporting more than 100 designers across roughly 180 shows over nine-plus seasons, charging emerging designers a modest fee rather than commercial runway costs to lower the barrier to showing internationally.\n\n## The 2026 season\n\nThe Autumn/Winter 2026 season, themed \"Design Ahead, Fashion Ascends,\" ran 25 March–1 April 2026 across venues in Shanghai’s Huangpu, Jing’an and Pudong New Area districts. HPLY opened the season and Shanghai-based label EP Yaying closed it, while Maison Margiela staged the global debut of its Autumn/Winter 2026 collection on 1 April, followed by a dedicated exhibition running through 6 April.\n\n## Quick facts\n\n- Founded in 2001 with support from China’s Ministry of Commerce and the Shanghai Municipal Government\n- Held twice yearly as part of the broader Shanghai International Fashion Culture Festival\n- Partnered with the British Fashion Council on the \"Design by Shanghai\" programme from 2013, giving independent local designers international exposure\n- Its Labelhood platform, launched in 2016 out of Tasha Liu’s Dongliang concept store, has supported more than 100 emerging designers across roughly 180 shows\n- The Autumn/Winter 2026 season ran under the theme \"Design Ahead, Fashion Ascends\"\n- Maison Margiela staged the global debut of its Autumn/Winter 2026 collection in Shanghai on 1 April 2026\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Shanghai Fashion Week AW26\", https://thecastindex.com/events/shanghai-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/south-african-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/south-african-fashion-week-2026.md","title":"South African Fashion Week AW27","lastmod":"2026-10-05","sha256":"f8006c484121a7f3243c50455b139bf3aaae1112aa086c3027bd4a6ff1227f8a","bytes":1300,"markdown":"# South African Fashion Week AW27\n\n> South African Fashion Week presents its Autumn/Winter 2027 collections on 20–25 October 2026 at The Forum, Hyde Park Corner, Johannesburg. Founded in 1997 by Lucilla Booyzen, SAFW is the country’s longest-running designer platform, staging seasonal luxury and contemporary collections.\n\n- Canonical: https://thecastindex.com/events/south-african-fashion-week-2026\n- Dates: 20–25 October 2026\n- City: Johannesburg, South Africa\n- Venue: The Forum, Hyde Park Corner, Johannesburg\n- Season: AW27\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is South African Fashion Week AW27?\n\nSouth African Fashion Week AW27 runs 20–25 October 2026 in Johannesburg, South Africa. Official source: [South African Fashion Week — official site](https://www.safashionweek.co.za/), checked 1 October 2026.\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\n## Sources\n\n- [South African Fashion Week — official site](https://www.safashionweek.co.za/)\n\nCite as: The Cast Index, \"South African Fashion Week AW27\", https://thecastindex.com/events/south-african-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/tbilisi-fashion-week-2026","markdownUrl":"https://thecastindex.com/events/tbilisi-fashion-week-2026.md","title":"Mercedes-Benz Fashion Week Tbilisi AW26","lastmod":"2026-10-05","sha256":"f0ddfb389195fd22ca19e87ddf4de0a324be8d5973ffa201e313df4a558ec92b","bytes":2975,"markdown":"# Mercedes-Benz Fashion Week Tbilisi AW26\n\n> Founded in 2015 and largely self-financed by Sofia Tchkonia, Mercedes-Benz Fashion Week Tbilisi has built its reputation on designers including George Keburia and Situationist, turning the Georgian capital into an unlikely incubator for directional new design.\n\n- Canonical: https://thecastindex.com/events/tbilisi-fashion-week-2026\n- Dates: 7–10 May 2026\n- City: Tbilisi, Georgia\n- Venue: Factory Tbilisi\n- Season: AW26\n- Status: finished\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When was Mercedes-Benz Fashion Week Tbilisi AW26?\n\nMercedes-Benz Fashion Week Tbilisi AW26 ran 7–10 May 2026 in Tbilisi, Georgia.\n\n## A self-financed founding\n\nMercedes-Benz Fashion Week Tbilisi was founded in 2015 by Sofia Tchkonia, who saw potential in Georgia’s local design talent and wanted to build a platform capable of generating international attention for it. Tchkonia drew on a network she had built over years working between Paris, London and New York, and largely financed the event out of her own pocket in its early seasons — continuing to direct it almost single-handedly since.\n\n## BENEXT and emerging talent\n\nAlongside the runway programme, the week runs BENEXT, an initiative focused on supporting emerging Georgian designers and helping them build the connections needed to enter larger international conversations — a deliberate emphasis on talent development rather than runway spectacle alone.\n\n## An unlikely incubator\n\nThe week has built its international reputation on designers including George Keburia and Situationist, whose work helped establish Tbilisi’s reputation for directional, conceptually driven design. That reputation has turned the Georgian capital into what international press has repeatedly described as an unlikely incubator for new design talent, drawing buyers and editors to a city not traditionally on the fashion-week circuit.\n\n## Quick facts\n\n- Founded in 2015 by Sofia Tchkonia, who largely self-financed the event and continues to direct it almost single-handedly\n- Tchkonia built the week on a network she developed over years working between Paris, London and New York before returning to Georgia\n- Branded Mercedes-Benz Fashion Week Tbilisi under a title sponsorship with the automaker\n- Runs the BENEXT initiative, a programme supporting emerging Georgian designers and helping them enter international conversations\n- Built its international reputation on designers including George Keburia and Situationist\n- Widely credited with turning Tbilisi into an unlikely incubator for directional, internationally-covered design\n\n## Who leads hair and makeup?\n\nBeauty credits are tracked by individual show, not attributed to the week as a whole. Hair credits: Designer-appointed teams. Makeup credits: Designer-appointed artists.\n\nCite as: The Cast Index, \"Mercedes-Benz Fashion Week Tbilisi AW26\", https://thecastindex.com/events/tbilisi-fashion-week-2026.\n"},{"url":"https://thecastindex.com/events/the-fashion-awards-2026","markdownUrl":"https://thecastindex.com/events/the-fashion-awards-2026.md","title":"The Fashion Awards 2026","lastmod":"2026-10-05","sha256":"ce72baeed2a99419b1e57a4c95e9349a3c48a05ad58d7f6b702417b2929804c6","bytes":5495,"markdown":"# The Fashion Awards 2026\n\n> The Fashion Awards 2026, organised by the British Fashion Council, take place on Monday 30 November 2026 at the Royal Albert Hall in London. The BFC announced the nominees on 16 September 2026; Designer of the Year nominees are Anthony Vaccarello (Saint Laurent), Ashley and Mary-Kate Olsen (The Row), Haider Ackermann (Tom Ford), Matthieu Blazy (Chanel), Michael Rider (Celine) and Sarah Burton (Givenchy).\n\n- Canonical: https://thecastindex.com/events/the-fashion-awards-2026\n- Dates: 30 November 2026\n- City: London, United Kingdom\n- Venue: Royal Albert Hall, London\n- Season: Awards 2026\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is The Fashion Awards 2026?\n\nThe Fashion Awards 2026 takes place on 30 November 2026 in London, United Kingdom. Official source: [British Fashion Council — nominees for The Fashion Awards 2026 (16 September 2026)](https://www.britishfashioncouncil.co.uk/BFCNews/5104/BRITISH-FASHION-COUNCIL-ANNOUNCES-NOMINEES-FOR-THE-FASHION-AWARDS-2026), checked 1 October 2026.\n\n## From the British Fashion Awards\n\nThe Fashion Awards trace to the British Fashion Awards, first presented in 1989 to honour achievement in British fashion. Organised throughout by the British Fashion Council, the ceremony was renamed The Fashion Awards in 2016 as its scope widened from a domestic industry dinner to an international fundraiser staged at the Royal Albert Hall.\n\n## A fundraiser for talent\n\nThe ceremony is the BFC’s annual flagship fundraiser, raising money for the council’s talent-support schemes, including NEWGEN, the BFC/Vogue Designer Fashion Fund and BFC scholarships. Awards span Designer of the Year, British womenswear and menswear design, and the Model of the Year award, which recognises a model’s global impact over the preceding year; nominees and winners are voted on by an international panel of industry figures.\n\n## The 2026 ceremony and nominees\n\nThe British Fashion Council announced on 16 September 2026 that The Fashion Awards 2026 will take place on Monday 30 November at the Royal Albert Hall, London. Winners are announced on the night; Pandora is the presenting partner.\n\nDesigner of the Year: Anthony Vaccarello for Saint Laurent, Ashley and Mary-Kate Olsen for The Row, Haider Ackermann for Tom Ford, Matthieu Blazy for Chanel, Michael Rider for Celine and Sarah Burton for Givenchy.\n\nBritish Womenswear Designer of the Year: Clare Waight Keller for Uniqlo, Erdem Moralıoğlu for Erdem, Louise Trotter for Bottega Veneta, Sarah Burton for Givenchy and Simone Rocha. British Menswear Designer of the Year: Foday Dumbuya for Labrum, Kiko Kostadinov, Nick Wakeman for Studio Nicholson, Simon Holloway for Dunhill and Simone Rocha. Vanguard Award: Conner Ives, Ellie Misner, Steve O Smith and Tolu Coker.\n\nSandra Choi of Jimmy Choo will receive a Special Recognition Award, the BFC announced on 14 September 2026. The BFC had not announced Model of the Year nominees when this page was checked on 1 October 2026.\n\n## Quick facts\n\n- Organised by the British Fashion Council as its annual flagship fundraiser for fashion talent\n- Traces to the British Fashion Awards, first presented in 1989, and renamed The Fashion Awards in 2016\n- Staged at the Royal Albert Hall in London, with a red carpet that doubles as a showcase for British and international design\n- Categories announced for 2026 are Designer of the Year, British Womenswear Designer of the Year, British Menswear Designer of the Year and the Vanguard Award\n- The 2026 ceremony takes place on Monday 30 November 2026 at the Royal Albert Hall (BFC)\n- Nominees were chosen by a jury of 18 critics, editors and buyers; a voting committee of industry figures decides the winners (BFC)\n\n## Who leads hair and makeup?\n\nBeauty looks are chosen by each attendee and their appointed artists; the index does not attribute a single beauty team to the ceremony. Hair credits: Artist-appointed teams. Makeup credits: Artist-appointed artists.\n\n## FAQ\n\n### Who is nominated for Designer of the Year at The Fashion Awards 2026?\n\nAnthony Vaccarello (Saint Laurent), Ashley and Mary-Kate Olsen (The Row), Haider Ackermann (Tom Ford), Matthieu Blazy (Chanel), Michael Rider (Celine) and Sarah Burton (Givenchy), according to the British Fashion Council’s announcement of 16 September 2026.\n\n### Is there a Model of the Year award at The Fashion Awards 2026?\n\nThe BFC’s 16 September 2026 announcement covered Designer of the Year, British Womenswear, British Menswear and the Vanguard Award only. No Model of the Year nominees had been announced when this page was checked on 1 October 2026; any announcement will be added with its source.\n\n## Sources\n\n- [British Fashion Council — nominees for The Fashion Awards 2026 (16 September 2026)](https://www.britishfashioncouncil.co.uk/BFCNews/5104/BRITISH-FASHION-COUNCIL-ANNOUNCES-NOMINEES-FOR-THE-FASHION-AWARDS-2026)\n- [British Fashion Council — nominees for The Fashion Awards 2026 (16 September 2026)](https://www.britishfashioncouncil.co.uk/BFCNews/5104/BRITISH-FASHION-COUNCIL-ANNOUNCES-NOMINEES-FOR-THE-FASHION-AWARDS-2026)\n- [British Fashion Council — Sandra Choi Special Recognition Award (14 September 2026)](https://www.britishfashioncouncil.co.uk/BFCNews/5103/SANDRA-CHOI-TO-BE-HONOURED-WITH-A-SPECIAL-RECOGNITION-AWARD-AT-THE-FASHION-AWARDS-2026)\n\nCite as: The Cast Index, \"The Fashion Awards 2026\", https://thecastindex.com/events/the-fashion-awards-2026.\n"},{"url":"https://thecastindex.com/events/victorias-secret-fashion-show-2026","markdownUrl":"https://thecastindex.com/events/victorias-secret-fashion-show-2026.md","title":"Victoria’s Secret Fashion Show 2026","lastmod":"2026-10-05","sha256":"77d5bd4621eb5b2e418902bb5227c7605eca0601c97df34bb4c9d23ba4d765c8","bytes":5037,"markdown":"# Victoria’s Secret Fashion Show 2026\n\n> The 2026 Victoria’s Secret Fashion Show streams live from Los Angeles on Sunday 18 October 2026 at 4:30pm PT / 7:30pm ET, which is 00:30 BST on Monday 19 October in the UK, on YouTube, Instagram and TikTok. KATSEYE, Megan Moroney, Megan Thee Stallion and Tate McRae perform; Gigi Hadid, Alex Consani, Paloma Elsesser and Abby Champion are among the models the brand has announced.\n\n- Canonical: https://thecastindex.com/events/victorias-secret-fashion-show-2026\n- Dates: 18 October 2026\n- City: Los Angeles, United States\n- Venue: Los Angeles · venue not announced\n- Season: Show 2026\n- Status: upcoming\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n\n## When is the Victoria’s Secret Fashion Show 2026?\n\nThe Victoria’s Secret Fashion Show 2026 takes place on 18 October 2026 in Los Angeles, United States. It starts at 4:30pm PT / 7:30pm ET, which is 00:30 BST on Monday 19 October in the UK, and streams on YouTube, Instagram and TikTok. Official source: [Victoria’s Secret — VS Insider: Fashion Show ’26](https://www.victoriassecret.com/us/vs/vsinsider/fashionshow), checked 1 October 2026.\n\n## A mall-brand spectacle\n\nVictoria’s Secret staged its first fashion show in 1995 at the Plaza Hotel in New York. Through the late 1990s and 2000s the production grew into an annual televised spectacle — supermodel \"Angels,\" musical headliners and diamond-set Fantasy Bras — that functioned as much as a marketing broadcast as a runway show.\n\n## Cancellation and return\n\nThe show was cancelled in 2019 following declining ratings and sustained criticism of the brand’s narrow casting, part of a wider reckoning that reshaped the company’s marketing. Victoria’s Secret revived the format in 2024 with a reimagined production staged in Brooklyn, reframed around a broader cast, and has staged the show annually since.\n\n## The 2026 show: Los Angeles, 18 October\n\nVictoria’s Secret says the 2026 Fashion Show comes “LIVE from LA” on Sunday 18 October, at 4:30pm PT / 7:30pm ET. In the UK that is 00:30 BST on Monday 19 October (British Summer Time runs until 25 October). The brand had not named the venue when this page was checked on 1 October 2026.\n\nThe show streams on Victoria’s Secret’s YouTube channel and on its Instagram and TikTok accounts. In the US, the brand says the show will also be screened live at 10 selected AMC cinemas.\n\nThe musical line-up is all women: KATSEYE, Megan Moroney, Megan Thee Stallion and Tate McRae. The brand is announcing the cast in stages; by 1 October 2026 it had named Gigi Hadid, Alex Consani, Paloma Elsesser and Abby Champion. Further names will be added here once Victoria’s Secret confirms them.\n\n## Quick facts\n\n- First staged in 1995 at the Plaza Hotel in New York\n- Grew into an annual televised spectacle combining runway, musical performances and diamond-set \"Fantasy Bras\"\n- Cancelled in 2019 following declining ratings and sustained criticism of the brand’s narrow casting\n- Revived in 2024 with a reimagined production staged in Brooklyn, New York\n- The 2026 show streams live from Los Angeles on Sunday 18 October 2026 at 4:30pm PT / 7:30pm ET, which is 00:30 BST on Monday 19 October in the UK (Victoria’s Secret)\n- Watch on YouTube, Instagram or TikTok; in the US, 10 selected AMC cinemas are screening it live (Victoria’s Secret)\n- Performers: KATSEYE, Megan Moroney, Megan Thee Stallion and Tate McRae (Victoria’s Secret)\n\n## Who leads hair and makeup?\n\nBeauty credits for the show are verified against the production’s appointed leads before publication. Hair credits: Production-appointed teams. Makeup credits: Production-appointed artists.\n\n## FAQ\n\n### What time is the Victoria’s Secret Fashion Show 2026 in the UK?\n\n00:30 BST on Monday 19 October 2026. The show starts at 4:30pm PT / 7:30pm ET on Sunday 18 October in the US, according to Victoria’s Secret.\n\n### How can I watch the Victoria’s Secret Fashion Show 2026?\n\nVictoria’s Secret is streaming it live on YouTube and on its Instagram and TikTok accounts. In the US it is also being screened live at 10 selected AMC cinemas.\n\n### Who is performing at the Victoria’s Secret Fashion Show 2026?\n\nKATSEYE, Megan Moroney, Megan Thee Stallion and Tate McRae, according to Victoria’s Secret.\n\n### Which models are walking the Victoria’s Secret Fashion Show 2026?\n\nBy 1 October 2026 Victoria’s Secret had announced Gigi Hadid, Alex Consani, Paloma Elsesser and Abby Champion. The brand is naming the cast in stages, and this page adds models only once the brand confirms them.\n\n## Sources\n\n- [Victoria’s Secret — VS Insider: Fashion Show ’26](https://www.victoriassecret.com/us/vs/vsinsider/fashionshow)\n- [Victoria’s Secret — VS Insider: Fashion Show ’26 (date, time, streaming, performers, cast)](https://www.victoriassecret.com/us/vs/vsinsider/fashionshow)\n\nCite as: The Cast Index, \"Victoria’s Secret Fashion Show 2026\", https://thecastindex.com/events/victorias-secret-fashion-show-2026.\n"},{"url":"https://thecastindex.com/fashion-weeks","markdownUrl":"https://thecastindex.com/fashion-weeks.md","title":"Fashion week calendar 2026–27","lastmod":"2026-10-01","sha256":"3e85f03790638f1ecf851436d463845d88d6cdd61e4cb56a1ec2e626c17e40b0","bytes":14552,"markdown":"# Fashion week calendar 2026–27\n\n> Fashion week runs twice a year: autumn/winter collections show in February–March and spring/summer collections in September–October, with menswear and haute couture weeks in January and June–July. Every date below comes from the organiser named beside it.\n\n- Canonical: https://thecastindex.com/fashion-weeks\n- Updated: 2026-10-01\n- Author: Kaiser Khan (Founder & Editor)\n- Calendar file (September fashion month): https://thecastindex.com/fashion-month.ics\n\n## What fashion week is on now, and what is next?\n\nOn now: [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27), 28 September–6 October 2026.\n\n1. [São Paulo Fashion Week N61](https://thecastindex.com/events/sao-paulo-fashion-week-2026) (São Paulo): 13–18 October 2026\n2. [South African Fashion Week AW27](https://thecastindex.com/events/south-african-fashion-week-2026) (Johannesburg): 20–25 October 2026\n3. [Dubai Fashion Week SS27](https://thecastindex.com/events/arab-fashion-week-2026) (Dubai): 22–26 October 2026\n\nGenerated from the calendar on 2026-10-01.\n\n## When is fashion week? Spring/Summer 2027 womenswear (September–October 2026)\n\n| City | Dates | Status | Official source |\n| --- | --- | --- | --- |\n| [New York](https://thecastindex.com/events/new-york-fashion-week-ss27) | 10–15 September 2026 | Finished | [CFDA](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/) |\n| [London](https://thecastindex.com/events/london-fashion-week-ss27) | 17–21 September 2026 | Finished | [British Fashion Council](https://www.britishfashioncouncil.co.uk/London-Fashion-Week) |\n| [Milan](https://thecastindex.com/events/milan-fashion-week-ss27) | 22–28 September 2026 | Finished | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/milano-moda-donna/calendar/) |\n| [Paris](https://thecastindex.com/events/paris-fashion-week-ss27) | 28 September–6 October 2026 | On now | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) |\n\nChecked 1 October 2026.\n\n## When is fashion week 2027? Autumn/Winter 2027 womenswear (February–March 2027)\n\n| City | Dates | Confirmed by | Checked |\n| --- | --- | --- | --- |\n| [Copenhagen](https://thecastindex.com/events/copenhagen-fashion-week-aw27) | 1–5 February 2027 | [Copenhagen Fashion Week](https://copenhagenfashionweek.com/) | 1 October 2026 |\n| [New York](https://thecastindex.com/events/new-york-fashion-week-aw27) | 8–12 February 2027 | [CFDA Fashion Calendar](https://fashioncalendar.com/important-dates/2027) | 1 October 2026 |\n| [Milan](https://thecastindex.com/events/milan-fashion-week-aw27) | 23 February–1 March 2027 | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/milano-moda-donna/) | 1 October 2026 |\n| [Paris](https://thecastindex.com/events/paris-fashion-week-aw27) | 1–9 March 2027 | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) | 1 October 2026 |\n| [Tokyo](https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27) | 15–20 March 2027 | [Japan Fashion Week Organization](https://rakutenfashionweektokyo.com/en/) | 1 October 2026 |\n| London | Awaiting official confirmation | [British Fashion Council](https://www.britishfashioncouncil.co.uk/London-Fashion-Week) | 1 October 2026 |\n\n## January 2027: menswear and haute couture\n\n| Week | Dates | Confirmed by | Checked |\n| --- | --- | --- | --- |\n| [Milan Fashion Week Menswear AW27](https://thecastindex.com/events/milan-fashion-week-menswear-aw27) | 15–19 January 2027 | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/) | 1 October 2026 |\n| [Paris Fashion Week Menswear AW27](https://thecastindex.com/events/paris-fashion-week-menswear-aw27) | 19–24 January 2027 | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) | 1 October 2026 |\n| [Paris Haute Couture Week SS27](https://thecastindex.com/events/paris-haute-couture-week-ss27) | 25–28 January 2027 | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) | 1 October 2026 |\n\n## Full calendar (46 events, upcoming first)\n\n| Event | City | Season | Dates | Status | Source |\n| --- | --- | --- | --- | --- | --- |\n| [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | Paris, France | SS27 | 28 September–6 October 2026 | On now | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026 |\n| [São Paulo Fashion Week N61](https://thecastindex.com/events/sao-paulo-fashion-week-2026) | São Paulo, Brazil | N61 | 13–18 October 2026 | Upcoming | [São Paulo Fashion Week](https://spfw.com.br/), checked 1 October 2026 |\n| [Victoria’s Secret Fashion Show 2026](https://thecastindex.com/events/victorias-secret-fashion-show-2026) | Los Angeles, United States | Show 2026 | 18 October 2026 | Upcoming | [Victoria’s Secret](https://www.victoriassecret.com/us/vs/vsinsider/fashionshow), checked 1 October 2026 |\n| [South African Fashion Week AW27](https://thecastindex.com/events/south-african-fashion-week-2026) | Johannesburg, South Africa | AW27 | 20–25 October 2026 | Upcoming | [South African Fashion Week](https://www.safashionweek.co.za/), checked 1 October 2026 |\n| [Dubai Fashion Week SS27](https://thecastindex.com/events/arab-fashion-week-2026) | Dubai, United Arab Emirates | SS27 | 22–26 October 2026 | Upcoming | [Dubai Fashion Week](https://dubaifashionweek.org/about/), checked 1 October 2026 |\n| [Jakarta Fashion Week 2027](https://thecastindex.com/events/jakarta-fashion-week-2027) | Jakarta, Indonesia | 2027 edition | 26 October–1 November 2026 | Upcoming | [Jakarta Fashion Week](https://www.jakartafashionweek.co.id/), checked 1 October 2026 |\n| [Lagos Fashion Week 2026](https://thecastindex.com/events/lagos-fashion-week-2026) | Lagos, Nigeria | 2026 edition | 28 October–1 November 2026 | Upcoming |  |\n| [CFDA Fashion Awards 2026](https://thecastindex.com/events/cfda-fashion-awards-2026) | New York, United States | Awards 2026 | 2 November 2026 | Upcoming | [CFDA](https://cfda.com/news/the-nominees-honorees-of-the-2026-cfda-fashion-awards-presented-by-amazon-fashion/), checked 1 October 2026 |\n| [The Fashion Awards 2026](https://thecastindex.com/events/the-fashion-awards-2026) | London, United Kingdom | Awards 2026 | 30 November 2026 | Upcoming | [British Fashion Council](https://www.britishfashioncouncil.co.uk/BFCNews/5104/BRITISH-FASHION-COUNCIL-ANNOUNCES-NOMINEES-FOR-THE-FASHION-AWARDS-2026), checked 1 October 2026 |\n| [Dakar Fashion Week 2026](https://thecastindex.com/events/dakar-fashion-week-2026) | Dakar, Senegal | 2026 edition | 1–6 December 2026 | Upcoming | [Dakar Fashion Week](https://dakarfashionweek.com/), checked 1 October 2026 |\n| [Milan Fashion Week Menswear AW27](https://thecastindex.com/events/milan-fashion-week-menswear-aw27) | Milan, Italy | AW27 Menswear | 15–19 January 2027 | Upcoming | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/), checked 1 October 2026 |\n| [Paris Fashion Week Menswear AW27](https://thecastindex.com/events/paris-fashion-week-menswear-aw27) | Paris, France | AW27 Menswear | 19–24 January 2027 | Upcoming | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026 |\n| [Paris Haute Couture Week SS27](https://thecastindex.com/events/paris-haute-couture-week-ss27) | Paris, France | SS27 Couture | 25–28 January 2027 | Upcoming | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026 |\n| [Copenhagen Fashion Week AW27](https://thecastindex.com/events/copenhagen-fashion-week-aw27) | Copenhagen, Denmark | AW27 | 1–5 February 2027 | Upcoming | [Copenhagen Fashion Week](https://copenhagenfashionweek.com/), checked 1 October 2026 |\n| [New York Fashion Week AW27](https://thecastindex.com/events/new-york-fashion-week-aw27) | New York, United States | AW27 | 8–12 February 2027 | Upcoming | [CFDA Fashion Calendar](https://fashioncalendar.com/important-dates/2027), checked 1 October 2026 |\n| [Milan Fashion Week AW27](https://thecastindex.com/events/milan-fashion-week-aw27) | Milan, Italy | AW27 | 23 February–1 March 2027 | Upcoming | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/milano-moda-donna/), checked 1 October 2026 |\n| [Paris Fashion Week AW27](https://thecastindex.com/events/paris-fashion-week-aw27) | Paris, France | AW27 | 1–9 March 2027 | Upcoming | [FHCM](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions), checked 1 October 2026 |\n| [Rakuten Fashion Week Tokyo AW27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27) | Tokyo, Japan | AW27 | 15–20 March 2027 | Upcoming | [Japan Fashion Week Organization](https://rakutenfashionweektokyo.com/en/), checked 1 October 2026 |\n| [Met Gala 2027](https://thecastindex.com/events/met-gala-2027) | New York, United States | Gala 2027 | To be confirmed | Date to be confirmed | [The Met](https://www.metmuseum.org/press-releases/spring-ci-2027-announcement), checked 1 October 2026 |\n| [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | Milan, Italy | SS27 | 22–28 September 2026 | Finished | [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/milano-moda-donna/calendar/), checked 1 October 2026 |\n| [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | London, United Kingdom | SS27 | 17–21 September 2026 | Finished | [British Fashion Council](https://www.britishfashioncouncil.co.uk/London-Fashion-Week), checked 1 October 2026 |\n| [Mercedes-Benz Fashion Week Madrid SS27](https://thecastindex.com/events/mbfw-madrid-ss27) | Madrid, Spain | SS27 | 14–19 September 2026 | Finished | [IFEMA MADRID](https://www.ifema.es/en/mbfw-madrid/news/calendar-september-2026), checked 1 October 2026 |\n| [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | New York, United States | SS27 | 10–15 September 2026 | Finished | [CFDA](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/), checked 1 October 2026 |\n| [Seoul Fashion Week SS27](https://thecastindex.com/events/seoul-fashion-week-2026) | Seoul, South Korea | SS27 | 1–6 September 2026 | Finished | [Seoul Metropolitan Government](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/), checked 1 October 2026 |\n| [Rakuten Fashion Week Tokyo SS27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27) | Tokyo, Japan | SS27 | 31 August–5 September 2026 | Finished | [JFWO](https://rakutenfashionweektokyo.com/en/topics/information/art_20260909_01/), checked 1 October 2026 |\n| [Copenhagen Fashion Week SS27](https://thecastindex.com/events/copenhagen-fashion-week-2026) | Copenhagen, Denmark | SS27 | 3–7 August 2026 | Finished |  |\n| [India Couture Week 2026](https://thecastindex.com/events/india-couture-week-2026) | New Delhi, India | Couture 2026 | 23–29 July 2026 | Finished | [Hyundai Motor India and the FDCI](https://www.hyundai.com/in/en/hyundai-story/media-center/press-release/19th-edition-hyundai-india-couture-week), checked 1 October 2026 |\n| [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | Paris, France | AW26 Couture | 6–9 July 2026 | Finished |  |\n| [Berlin Fashion Week SS27](https://thecastindex.com/events/berlin-fashion-week-ss27) | Berlin, Germany | SS27 | 30 June–3 July 2026 | Finished |  |\n| [Paris Fashion Week Menswear SS27](https://thecastindex.com/events/paris-fashion-week-menswear-ss27) | Paris, France | SS27 Menswear | 23–28 June 2026 | Finished |  |\n| [Milan Fashion Week Menswear SS27](https://thecastindex.com/events/milan-fashion-week-menswear-ss27) | Milan, Italy | SS27 Menswear | 19–23 June 2026 | Finished |  |\n| [Pitti Uomo SS27 Menswear](https://thecastindex.com/events/pitti-uomo-110) | Florence, Italy | SS27 Menswear | 16–19 June 2026 | Finished |  |\n| [Miami Swim Week 2026](https://thecastindex.com/events/miami-swim-week-2026) | Miami Beach, United States | Swim 26 | 28–31 May 2026 | Finished |  |\n| [amfAR Gala Cannes 2026](https://thecastindex.com/events/amfar-gala-cannes-2026) | Cannes, France | Gala 2026 | 21 May 2026 | Finished |  |\n| [Australian Fashion Week Resort 26](https://thecastindex.com/events/australian-fashion-week-2026) | Sydney, Australia | Resort 26 | 11–15 May 2026 | Finished |  |\n| [Mercedes-Benz Fashion Week Tbilisi AW26](https://thecastindex.com/events/tbilisi-fashion-week-2026) | Tbilisi, Georgia | AW26 | 7–10 May 2026 | Finished |  |\n| [Met Gala 2026](https://thecastindex.com/events/met-gala-2026) | New York, United States | Gala 2026 | 4 May 2026 | Finished |  |\n| [Shanghai Fashion Week AW26](https://thecastindex.com/events/shanghai-fashion-week-2026) | Shanghai, China | AW26 | 25 March–1 April 2026 | Finished |  |\n| [Lakmé Fashion Week SS26](https://thecastindex.com/events/lakme-fashion-week-2026) | Mumbai, India | SS26 | 19–22 March 2026 | Finished |  |\n| [Rakuten Fashion Week Tokyo AW26](https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026) | Tokyo, Japan | AW26 | 16–21 March 2026 | Finished |  |\n| [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | Paris, France | AW26 | 2–10 March 2026 | Finished |  |\n| [Milan Fashion Week AW26](https://thecastindex.com/events/milan-fashion-week-2026) | Milan, Italy | AW26 | 24 February–2 March 2026 | Finished |  |\n| [London Fashion Week AW26](https://thecastindex.com/events/london-fashion-week-2026) | London, United Kingdom | AW26 | 19–23 February 2026 | Finished |  |\n| [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | New York, United States | AW26 | 11–16 February 2026 | Finished |  |\n| [Paris Haute Couture Week SS26](https://thecastindex.com/events/paris-haute-couture-week-spring-2026) | Paris, France | SS26 Couture | 26–29 January 2026 | Finished |  |\n| [Jakarta Fashion Week 2026](https://thecastindex.com/events/jakarta-fashion-week-2026) | Jakarta, Indonesia | 2026 edition | 27 October–2 November 2025 | Finished |  |\n\nProvisional or unconfirmed dates are marked rather than estimated. Individual show times, invitations and livestreams come from each organiser. Corrections: https://thecastindex.com/corrections\n\nCite as: The Cast Index, \"Fashion week calendar 2026–27\", https://thecastindex.com/fashion-weeks.\n"},{"url":"https://thecastindex.com/guide/fashion-week-calendar-explained","markdownUrl":"https://thecastindex.com/guide/fashion-week-calendar-explained.md","title":"The fashion week calendar, explained","lastmod":"2026-10-01","sha256":"eed3305d6b54bf78a108378d8f087a030373887b976a534c3c4d0056b42bcf54","bytes":7245,"markdown":"# The fashion week calendar, explained\n\n> What SS27 and AW26 mean, why shows run six months ahead, and how couture, menswear and resort fit around the Big Four, with the 2026–27 dates.\n\n- Canonical: https://thecastindex.com/guide/fashion-week-calendar-explained\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Calendar\n\nThe single most confusing thing about fashion is that the clothes you see on the runway aren’t for the season you’re in — they’re for the season ahead. Here’s how the calendar actually works.\n\n## The short answer\n\nReady-to-wear shows run about six months ahead of the season they are named for: February/March for Autumn/Winter, September/October for Spring/Summer. SS and AW name the season the clothes are for, not when they walked. Skip this if you only need a single city’s 2026 dates — use the live calendar instead.\n\n## At a glance\n\n- **Feb–March:** Autumn/Winter (AW) shows\n- **Sept–Oct:** Spring/Summer (SS) shows\n- **Lead time:** ~6 months before retail\n- **Also on the year:** Couture · menswear · resort / pre-fall\n\n## Why do fashion shows happen months before the season?\n\nSo retailers can see collections, place wholesale orders, and market them in time — and so manufacturers can produce them. Ready-to-wear shows typically run about six months before the clothes reach stores. That is why a coat walks in February for the following autumn, and a swimsuit in September for next spring.\n\nWhen you read “AW26” or “SS27,” it refers to the season the collection is for, not when it was shown. The Cast Index labels events with both the human date range and the season code so those two clocks cannot be confused.\n\nSome brands now stage “see now, buy now” or destination shows. Those are exceptions. The default wholesale calendar is still ahead of retail, which is why a recap written in March is not a shopping list for March.\n\n## What do SS and AW mean?\n\nSS is Spring/Summer and AW is Autumn/Winter (also written FW, Fall/Winter). The letters name the season the collection is designed for. Menswear, haute couture, resort and pre-fall are separate calendars that sit around those two main ready-to-wear blocks.\n\nMenswear typically shows in January and June. Haute couture — made-to-measure, largely in Paris — shows in January and July. Resort (cruise) and pre-fall collections sit between the main seasons and quietly account for a large share of luxury sales even though they get less pavement photography.\n\n| Calendar | Typical months | What it is for |\n| --- | --- | --- |\n| Women’s ready-to-wear AW | February–March | Clothes for the following autumn/winter |\n| Women’s ready-to-wear SS | September–October | Clothes for the following spring/summer |\n| Haute couture | January and July | Made-to-measure Paris collections |\n| Menswear | January and June | Men’s ready-to-wear, often Milan/Paris |\n| Resort / pre-fall | Between main seasons | Commercial collections, high wholesale share |\n\n## What is the order within a season?\n\nEach ready-to-wear season the Big Four run New York, then London, then Milan, then Paris, across about four weeks. Emerging and regional weeks slot around them through the year. That order is a convention of the international press-and-buyer circuit, not a ranking of quality.\n\nA model who “does the four cities” in one season is logging a specific kind of stamina and demand. A model who dominates one national week may still belong on Rising rather than the Global 50 until cross-market evidence exists. The methodology spells out that distinction; geography never subtracts points.\n\n## How should you read a 2026–27 date sheet?\n\nStart from the organiser, not a screenshot. CFDA, BFC, CNMI and FHCM publish the official sheets. Then check the Cast Index event page for the edition’s dates, confirmed houses, and whether the week is upcoming, live or complete. Do not treat a blog’s “NYFW is always this Monday” as a booking.\n\nFor AW26, the desk’s sourced sheets included New York 11–16 February 2026, London 19–23 February, Milan 24 February–2 March, and Paris 2–10 March, with couture on its own January and July calendars. For SS27, London ran 17–21 September 2026 (BFC) and Paris womenswear 28 September–6 October 2026 (FHCM). Always re-check the live event page: organisers amend.\n\nLooking ahead, the FHCM has published its 2027 Paris dates: menswear AW27 19–24 January, haute couture SS27 25–28 January, womenswear AW27 1–9 March, menswear SS28 22–27 June, haute couture AW27 5–8 July and womenswear SS28 27 September–5 October. Copenhagen Fashion Week lists AW27 for 1–5 February 2027. We had not confirmed London, Milan or New York AW27 dates on their organisers’ sites when we checked on 1 October 2026, so we do not list them.\n\n| Week | 2027 dates | Organiser |\n| --- | --- | --- |\n| Paris menswear AW27 | 19–24 January 2027 | FHCM |\n| Paris haute couture SS27 | 25–28 January 2027 | FHCM |\n| Copenhagen AW27 | 1–5 February 2027 | Copenhagen Fashion Week |\n| Paris womenswear AW27 | 1–9 March 2027 | FHCM |\n| Paris menswear SS28 | 22–27 June 2027 | FHCM |\n| Paris haute couture AW27 | 5–8 July 2027 | FHCM |\n| Paris womenswear SS28 | 27 September–5 October 2027 | FHCM |\n\n## Common questions\n\n### Why do fashion shows happen months before the season?\n\nSo retailers can see collections, place wholesale orders, and market them in time — and so manufacturers can produce them. Shows typically run about six months before the clothes reach stores.\n\n### What do SS and AW mean?\n\nSS is Spring/Summer and AW is Autumn/Winter (also written FW, Fall/Winter). The letters name the season the collection is designed for, not when it was shown.\n\n### When is haute couture shown?\n\nHaute couture — made-to-measure collections, largely in Paris — is typically shown in January and July, separately from the ready-to-wear seasons.\n\n### Where do I find this season’s dates?\n\nUse each city’s official organiser calendar, then the Cast Index Fashion Weeks page and the individual event page. Those pages carry the edition’s dates and status; this handbook explains the system, not a single year.\n\n### When is Paris Fashion Week 2027?\n\nThe FHCM lists Paris womenswear AW27 for 1–9 March 2027 and womenswear SS28 for 27 September–5 October 2027. Menswear AW27 runs 19–24 January 2027 and haute couture SS27 25–28 January 2027.\n\n## Sources\n\n- [Fashion week — Wikipedia](https://en.wikipedia.org/wiki/Fashion_week) (checked 13 Aug 2026)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) (checked 1 Oct 2026)\n- [Copenhagen Fashion Week — AW27 dates](https://copenhagenfashionweek.com/) (checked 1 Oct 2026)\n- [London Fashion Week — about and dates](https://londonfashionweek.co.uk/about) (checked 1 Oct 2026)\n- [The Cast Index — Fashion Weeks](https://thecastindex.com/fashion-weeks) (checked 13 Aug 2026)\n\n## Related\n\n- [What is Fashion Week?](https://thecastindex.com/guide/what-is-fashion-week)\n- [Fashion Weeks calendar](https://thecastindex.com/fashion-weeks)\n- [Paris Fashion Week insider guide](https://thecastindex.com/guide/paris-fashion-week-guide)\n"},{"url":"https://thecastindex.com/guide/fashion-week-modelling-guide","markdownUrl":"https://thecastindex.com/guide/fashion-week-modelling-guide.md","title":"Modelling at fashion week: the complete guide","lastmod":"2026-10-01","sha256":"5dc5ab81e262b398a62e5acda96478f66a3388b1c5a756ebab8e677a63345db8","bytes":6819,"markdown":"# Modelling at fashion week: the complete guide\n\n> How casting really works, what you need, the legitimate routes in, money, under-18 rules, and the scams to avoid.\n\n- Canonical: https://thecastindex.com/guide/fashion-week-modelling-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Careers\n\nWalking a fashion week show is the goal for many aspiring models — and the path there is more structured, and more honest, than the internet suggests. This is the complete, no-nonsense guide: how casting works, what you need, the legitimate routes in, how money works, the rules if you’re under 18, and the scams to avoid.\n\n## The short answer\n\nWalking a fashion week show is a casting-director process run through agencies: submit, option, go-see, fit, confirm — often at the last minute. You never pay to walk. A reputable agency never charges to sign. Skip this path if someone is selling you a show; that is not how the official calendar works.\n\n## At a glance\n\n- **Best route:** A reputable agency\n- **Cost to sign:** Reputable agencies charge £0 upfront\n- **Portfolio:** Start with simple digitals\n- **Golden rule:** Never pay to walk a show\n\n## How does fashion week casting actually work?\n\nAn agency submits models to a show’s casting director. The team options faces they like. Models attend a casting or go-see and walk. Chosen models are fitted in the looks. Bookings confirm — often at the last minute. Very little is decided far in advance. Your job is to be represented, prepared and reachable.\n\nOpening and closing looks are prestige slots, usually given to a house’s most important models that season. An exclusive — walking only one house — is a demand signal, not a participation trophy. The Cast Index weights documented exclusives in the runway pillar; it does not invent them.\n\n## What do you need before fashion week?\n\nSimple un-retouched digitals, height and measurements, and a reputable agency. Once signed, the agency builds a book, a comp card, and for runway a short walking clip. A tidy social presence can help. It is not a substitute for representation and a strong walk.\n\nRequirements vary widely by market. Emerging weeks are a real on-ramp. They are not a shortcut around the no-pay rule.\n\n## What are the legitimate routes in?\n\nThree honest routes: signing with a reputable agency, attending that agency’s official open call, and legitimate model-development programmes the agency or a recognised council actually runs. Research rosters you can verify — The Cast Index lists agencies beside models who work — and submit only through official channels.\n\nThere is no fourth route called “pay this producer to walk during fashion week.” If the show is on an official calendar, models are booked, not ticketed.\n\n## How does money work during the weeks?\n\nAgencies work on commission. You are usually self-employed, so budget for tax. Some agencies offer advances against future earnings — those are debts. Understand the contract before the first go-see, not after a chaotic Saturday in Paris. See the money guide for the traps.\n\nShow fees vary wildly by market, house and whether you are opening, closing or walking mid-cast. Anyone quoting a single glamorous number for “what models earn at fashion week” is selling a story.\n\n## What if you are under 18?\n\nExtra protections apply: parental consent, chaperones, hour limits, education. Work only through a reputable agency with a guardian involved. The Cast Index does not accept listings or nominations from anyone under 18. That is a welfare policy, not a talent judgement.\n\nRead the under-18 guide before you send a single photo to anyone who contacted you in a DM.\n\n## How do you avoid fashion-week scams?\n\nYou never pay to walk a show, and a reputable agency never charges you to be signed. Treat upfront fees, mandatory expensive shoots, registration charges, or payment to appear as a red flag. Never send money or sensitive financial details to an unverified contact.\n\nIf a pitch uses The Cast Index’s name to imply we can get you cast, it is false. We rank and record; we do not book.\n\n## How do you look after yourself on the circuit?\n\nA long career depends on health as much as look. Show weeks compress sleep, food, skin barrier and rejection into a few days. The Wellbeing desk covers mental health, body image, fuelling and life on the road, with links to support. It is editorial, not medical advice.\n\nIf you are in crisis, contact a clinician or a local helpline — not a comment section.\n\n## Common questions\n\n### How do you become a fashion week model?\n\nGet signed by a reputable modelling agency using simple digital photos and your measurements. The agency submits you to casting directors, who option, cast and fit models for each show. You never pay to walk, and a reputable agency never charges to sign you.\n\n### Do you have to pay to walk in a fashion show?\n\nNo. Paying to walk a show is a hallmark of a scam. Legitimate shows and agencies do not charge models to appear; agencies earn a commission when you work.\n\n### What do I need to start modelling?\n\nSimple, un-retouched digitals (front, side and full-length in plain clothing), your height and measurements, and a way to submit them to reputable agencies. Professional photos come later, built by your agency.\n\n### Do fashion week models get paid?\n\nModels booked through an agency are paid through it, minus the agency’s agreed commission, and in the UK an agency must pass client money on within ten days of receiving it. Show fees vary, and we have found no verified public data on them, so we quote none.\n\n### Does a Cast Index listing get me into fashion week?\n\nNo. A directory listing is a paid findability product, firewalled from rankings and from casting. Fashion week walks are booked by agencies and casting directors.\n\n## Sources\n\n- [Model (person) — Wikipedia](https://en.wikipedia.org/wiki/Model_(person)) (checked 13 Aug 2026)\n- [Fashion week — Wikipedia](https://en.wikipedia.org/wiki/Fashion_week) (checked 13 Aug 2026)\n- [Cast Index — casting ledger](https://thecastindex.com/casting) (checked 13 Aug 2026)\n- [Conduct of Employment Agencies and Employment Businesses Regulations 2003, reg. 25](https://www.legislation.gov.uk/uksi/2003/3319/regulation/25) (checked 1 Oct 2026)\n- [GOV.UK — fees for fashion and photographic models](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models) (checked 1 Oct 2026)\n\n## Related\n\n- [How to become a model in the UK](https://thecastindex.com/guide/how-to-become-a-model)\n- [Managing money as a new model](https://thecastindex.com/guide/managing-money-as-a-model)\n- [Modelling under 18](https://thecastindex.com/guide/modelling-under-18)\n- [Model agencies](https://thecastindex.com/agencies)\n"},{"url":"https://thecastindex.com/guide/fashion-week-tickets","markdownUrl":"https://thecastindex.com/guide/fashion-week-tickets.md","title":"Can you buy fashion week tickets? An honest answer, city by city","lastmod":"2026-10-01","sha256":"fe0999767bd6af698028be8624929138dd2a30c05a6037417aafb2c576b084c5","bytes":10506,"markdown":"# Can you buy fashion week tickets? An honest answer, city by city\n\n> The main fashion week shows are invitation-only and have no ticket price. What London, Paris, Milan, New York, Copenhagen and Seoul open to the public.\n\n- Canonical: https://thecastindex.com/guide/fashion-week-tickets\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Basics\n\n“How much are fashion week tickets?” has a short answer: the main shows are not for sale. This guide sets out what each city’s organiser actually says, what is genuinely open to the public, and how to watch the shows for free — with the date we checked each source.\n\n## The short answer\n\nYou cannot buy a ticket to the main shows: Milan’s organiser says its events are invitation-only, and Paris marks its physical shows “by invitation”. What you can do is watch the organisers’ livestreams and go to the public events some of them run. Treat anyone selling a front-row seat as a scam.\n\n## At a glance\n\n- **Ticket price, main shows:** None — they are not sold\n- **How seats are given:** Invitation and accreditation\n- **Free to watch:** Livestreams: Paris, Milan, Seoul\n- **Red flag:** Anyone selling a front-row seat\n\n## Can you buy tickets to fashion week?\n\nNot for the main shows. Camera Nazionale della Moda Italiana says Milan Fashion Week events are accessible by invitation only and warns against third parties selling tickets. The Paris federation’s official calendar marks physical shows “by invitation”. London’s accreditation is for press and buyers. Fashion week is a trade event first.\n\nSeats go to buyers, press, clients and each designer’s guests, which is why none of the organisers we checked publishes a price list. What some organisers do run is a public layer around the week: livestreams, screenings, exhibitions and open events. Those are set out city by city below.\n\nBrand parties, pop-ups and paid “experiences” in the same week are run by other companies on their own terms. They are not the official show calendar.\n\n## What does each city’s organiser say about public access?\n\nWe checked each organiser’s own website on 1 October 2026. London, Copenhagen and Seoul published public events for their latest editions; Paris and Milan stream shows online; New York’s CFDA has run public screenings. None of them sells tickets to the official shows.\n\nPublic programmes change every season, so treat this table as a record of the latest edition and check the organiser’s site before the next one.\n\n| City | Organiser | Main shows | What the public can do |\n| --- | --- | --- | --- |\n| London | British Fashion Council (BFC) | Press and buyer accreditation | September 2026 (17–21 September): the BFC’s Fashion Britain programme of public events in eight UK cities, a BFC Jewellery Showcase at Dover Street Market open to the public daily, the British Vogue x Nike Café at 180 Strand open to all on 19–20 September, and a livestreamed eBay pre-loved runway show |\n| Paris | Fédération de la Haute Couture et de la Mode (FHCM) | Physical shows marked “by invitation” on the official calendar | Watch: many shows carry a “Livestream” label on the FHCM calendar and stream at fhcm.paris |\n| Milan | Camera Nazionale della Moda Italiana (CNMI) | Invitation only, CNMI says | Watch live or on demand at milanofashionweek.cameramoda.it |\n| New York | CFDA (official schedule) | No ticket route published by the CFDA | NYFW Live at Rockefeller Center: CFDA public screenings of shows, 11–16 September 2025 (its page had not listed a later edition when we checked) |\n| Copenhagen | Copenhagen Fashion Week | Official show and presentation schedule | The official event and talk schedule includes events that can be open to the public, with RSVP details on each event page. AW27 runs 1–5 February 2027 |\n| Seoul | Seoul Metropolitan Government (SMG) | Designer runways at Dongdaemun Design Plaza | SS27 (1–6 September 2026): a public-facing outdoor runway at Lotte World Tower, livestreams of major shows on the official YouTube channel, and a ticket giveaway on the official Instagram with two tickets per winner |\n\n## How much are fashion week tickets?\n\nThere is no official price, because the organisers we checked do not sell seats to the main shows. A price you see online is being set by someone else, usually a reseller or a package seller with no say over the guest list. Milan’s organiser explicitly warns against buying from third parties.\n\nSome public events around the week are simply open: the BFC listed its September 2026 Jewellery Showcase at Dover Street Market as open to the public daily, and Seoul’s organiser gave show tickets away through its official Instagram. Check each organiser’s site for the edition you want; the public programme changes every season.\n\n## How can you watch fashion week shows for free?\n\nUse the organisers’ own streams. The FHCM calendar marks many Paris shows “Livestream” at fhcm.paris; CNMI streams Milan at milanofashionweek.cameramoda.it; Seoul’s organiser said major SS27 shows would stream on the official Seoul Fashion Week YouTube channel. In September 2026 the BFC pointed London viewers to a livestreamed eBay show.\n\nAfter the week, The Cast Index casting ledger records who walked which verified show, and the Season Beauty Index tracks the hair and make-up looks.\n\n## How do you spot a fashion week ticket scam?\n\nAssume any seller of official show seats is not the organiser. CNMI, which runs Milan, says its events are invitation-only and warns against third-party ticket advertising. Walk away from “VIP packages”, front-row “guarantees”, payment by bank transfer to an individual, and any offer you cannot check on the organiser’s own website.\n\n\n\n- Check the organiser first: the BFC (London), FHCM (Paris), CNMI (Milan), CFDA (New York), Copenhagen Fashion Week and the Seoul Metropolitan Government list their own public events.\n- Invitations come from the brands showing and their teams. A social media account selling them is not that.\n- Models never pay to walk a legitimate show, so a paid “walk in fashion week” package is the same scam aimed at a different buyer.\n- If you have already paid a stranger and suspect fraud, contact your bank straight away.\n\n## Can you volunteer or work at fashion week instead?\n\nSometimes, but only through real employers. NYFW: The Shows says on its contact page that it does not work with volunteers. Copenhagen Fashion Week lists vacancies on its own careers page, and the BFC publishes contract opportunities. Do not pay anyone a fee for the chance to “volunteer”.\n\nIf you want to model at fashion week, the route is an agency, not a ticket. Our modelling guides explain how casting works and why you never pay to walk.\n\n## Common questions\n\n### How much are fashion week tickets?\n\nThe main shows have no ticket price because they are not sold: seats go to invited buyers, press and guests. Milan’s organiser says its events are invitation-only and warns against third-party ticket sellers. Public events and livestreams around the week are run separately.\n\n### Is London Fashion Week open to the public?\n\nThe catwalk shows are for accredited press and buyers and invited guests, but the BFC runs a public layer. In September 2026 it listed Fashion Britain public events in eight UK cities, a jewellery showcase at Dover Street Market open to the public and a livestreamed show.\n\n### Can you buy Paris Fashion Week tickets?\n\nNo. The FHCM’s official calendar marks physical shows “by invitation”. Many are livestreamed: look for the “Livestream” label on the calendar at fhcm.paris.\n\n### Is Milan Fashion Week open to the public?\n\nNot the official events. Camera Nazionale della Moda Italiana says Milano Fashion Week events are accessible by invitation only, and it streams shows at milanofashionweek.cameramoda.it.\n\n### Can the public attend Seoul Fashion Week?\n\nPartly. For SS27 (1–6 September 2026) the Seoul Metropolitan Government added a public-facing outdoor runway at Lotte World Tower, livestreamed major shows on YouTube and gave away show tickets through the official Instagram account.\n\n### Can I watch fashion week shows online?\n\nYes. Paris (fhcm.paris), Milan (milanofashionweek.cameramoda.it) and Seoul (the official Seoul Fashion Week YouTube channel) stream shows through their organisers. Check each organiser’s site during the week.\n\n## Sources\n\n- [BFC — London Fashion Week September 2026 release](https://www.britishfashioncouncil.co.uk/BFCNews/5105/LONDON-FASHION-WEEK-SEPTEMBER-2026-IS-A-CELEBRATION-OF-BRITISH-FASHION) (checked 1 Oct 2026)\n- [London Fashion Week — Fashion Britain](https://londonfashionweek.co.uk/fashion-britain) (checked 1 Oct 2026)\n- [London Fashion Week — press and buyer accreditation](https://londonfashionweek.co.uk/accreditation) (checked 1 Oct 2026)\n- [FHCM — Paris Fashion Week calendar](https://www.fhcm.paris/en/paris-fashion-week) (checked 1 Oct 2026)\n- [CNMI — Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/) (checked 1 Oct 2026)\n- [CNMI — Milano Fashion Week live](https://milanofashionweek.cameramoda.it/it) (checked 1 Oct 2026)\n- [CFDA — New York Fashion Week](https://cfda.com/home/nyfw/) (checked 1 Oct 2026)\n- [NYFW: The Shows — contact](https://nyfw.com/contact/) (checked 1 Oct 2026)\n- [Copenhagen Fashion Week — event and talk schedule](https://copenhagenfashionweek.com/application/event-talk-schedule-information) (checked 1 Oct 2026)\n- [Copenhagen Fashion Week — AW27 dates](https://copenhagenfashionweek.com/) (checked 1 Oct 2026)\n- [Copenhagen Fashion Week — careers](https://copenhagenfashionweek.com/careers) (checked 1 Oct 2026)\n- [Seoul Metropolitan Government — SS27 Seoul Fashion Week (21 Aug 2026)](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/) (checked 1 Oct 2026)\n- [BFC — contract opportunities](https://www.britishfashioncouncil.co.uk/Contract-Opportunities) (checked 1 Oct 2026)\n\n## Related\n\n- [What is fashion week?](https://thecastindex.com/guide/what-is-fashion-week)\n- [Fashion week calendar](https://thecastindex.com/fashion-weeks)\n- [London Fashion Week guide](https://thecastindex.com/guide/london-fashion-week-guide)\n- [Paris Fashion Week guide](https://thecastindex.com/guide/paris-fashion-week-guide)\n- [Modelling at fashion week](https://thecastindex.com/guide/fashion-week-modelling-guide)\n"},{"url":"https://thecastindex.com/guide/how-to-become-a-model","markdownUrl":"https://thecastindex.com/guide/how-to-become-a-model.md","title":"How to become a model in the UK (honestly)","lastmod":"2026-10-01","sha256":"77ef656d623461b146ce3378d9f721491433c7c13ee8f90e11485aee737983ab","bytes":14615,"markdown":"# How to become a model in the UK (honestly)\n\n> How to become a model with no experience: what scouts look for, how to submit digitals to a reputable agency, height realities and scams to avoid.\n\n- Canonical: https://thecastindex.com/guide/how-to-become-a-model\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Careers\n\nThere’s a lot of bad, expensive advice online about “becoming a model.” This is the honest version for the UK — how agencies really scout and sign new faces, what the law says about fees, and what agencies actually publish about height — written for the newcomers The Cast Index’s Rising board exists to champion.\n\n## The short answer\n\nThe legitimate route is a reputable agency: simple un-retouched digitals, the agency’s own application page or walk-in, no upfront fee. In the UK that last part is the law: agencies cannot charge fashion and photographic models upfront fees for finding work. No London agency we checked publishes a minimum height. Skip anyone who charges to sign you, guarantees fashion week, or sells a “show package.”\n\n## At a glance\n\n- **Cost to sign:** £0 — UK law bars upfront fees for models\n- **What to send:** Simple, natural digitals\n- **Minimum height:** None stated on 10 London agency forms\n- **Red flag:** Anyone asking for money to sign\n\n## What do casting directors actually look for?\n\nOn the runway they look for proportions, a distinctive look, a strong natural walk, professionalism, and a point of difference. Requirements vary by market and category. Reliability and how you carry yourself matter as much as measurements. You do not need professional photos or experience to start.\n\nAgencies prefer simple, un-retouched digitals: a few clear photos in plain clothing against a blank wall — front, side, and full-length — plus your height and basic measurements. Models 1, for example, asks for three photos taken on a phone, in colour, with no make-up, filters or retouching. Heavy filters and studio glamour sets make you harder to cast, not easier.\n\nThe industry is more open on age, size and background than the clichés suggest. It is not more open on scams. The two facts can be true at once.\n\n## Do you have to be tall to be a model?\n\nNot by any published rule. On 1 October 2026 we read the application pages of 10 London agencies, including IMG, Elite, Storm, Next, Premier and Select. Most ask for your height; none states a minimum. The British Fashion Model Agents Association (BFMA) says its members rarely restrict talent by height. There is no industry-wide minimum.\n\nThat is not the same as saying height never matters. Agencies decide case by case, and none of the pages explains how height is weighed. The one figure we found in print is in the BFMA’s own category guide, which gives a 172 cm (5 ft 8 in) minimum for curve modelling. Treat it as the trade body’s guidance, not a law or an agency rule.\n\nWikidata records a height for 36 of the 50 models on the current Global 50 (snapshot 5 October 2026). Those recorded heights run from 162 cm (5 ft 4 in) to 185 cm (6 ft 1 in), with a median of 177 cm. That describes who is on one ranked list, not who can get signed.\n\nEvery agency, what its page says and the date we read it are in our model height requirements guide. We do not publish height-and-weight charts.\n\n## How do you find a real modelling agency?\n\nUse the agency’s own website application page, or a walk-in the agency itself advertises. Research the agencies that already represent models whose work you can verify. The Cast Index lists agencies next to Global 50 rosters, and links every London office’s official application page, so you can see who actually works. Never send money or identity documents to an unverified contact.\n\nIn London, Storm, MiLK and The Squad advertised walk-in hours when we checked on 1 October 2026; Next said its open calls were cancelled until further notice. Hours change, so check the agency’s site the day you go.\n\nThe BFMA, the UK trade association for model agencies, publishes a current-members list. Membership is optional, so an agency missing from it is not automatically suspect; members agree to follow the association’s code of conduct and its best-practice guide, drawn up with the British Fashion Council.\n\nEmerging markets are a genuine route in: Lagos, Jakarta, São Paulo, Mumbai, Dakar and others produce faces that later walk the Big Four. That is why Rising tracks them. It is not a reason to skip due diligence on the agency.\n\n## Do modelling agencies charge to sign you?\n\nNo — and in the UK that is the law, not just good practice. GOV.UK guidance says agencies cannot charge photographic and fashion models any upfront fees for finding work, including for putting them on a website or in a publication. A reputable agency earns commission from work it has found you. You also never pay to walk a legitimate show.\n\nThe rule comes from section 6 of the Employment Agencies Act 1973 and regulation 26 of the Conduct of Employment Agencies and Employment Businesses Regulations 2003. For photographic and fashion models (listed in Schedule 3), an agency may charge only a fee or commission paid out of your earnings from work it has found. The exception that lets agencies charge actors, other performers and some entertainment workers to appear in a publication before any work is found expressly excludes models. Breaking section 6 is a criminal offence.\n\nAgencies may offer separate paid services, such as photos. GOV.UK says they cannot make you use those services as a condition of finding you work, cannot charge for them until 30 days after the contract starts, and must let you cancel within those 30 days without paying. Your terms and any fees must be agreed in writing before anything is charged.\n\nIf you are under 18, involve a parent or guardian in every meeting and message. The Cast Index does not accept profile submissions or People’s Choice nominations from anyone under 18. Build experience through a reputable youth division, then come back.\n\n| Signal | Legitimate | Walk away |\n| --- | --- | --- |\n| Money to sign | £0. Commission on work found (UK law). | Registration fees, “training packs”, paid show slots |\n| Photos | Simple digitals first | Mandatory expensive test shoots before a meeting |\n| Contact | Official agency site / known scout | DM with a Gmail, no company page, urgency |\n| Promises | No guaranteed jobs | “Guaranteed NYFW” or “we place everyone” |\n\n## How do you become a model for brands and clothing websites?\n\nThrough an agency’s commercial or e-commerce work, not by applying to the brand. The BFMA lists commercial print and digital/e-commerce as their own categories, separate from high fashion, with brands choosing models to suit their customers. You apply the same way: natural digitals through the agency’s official form, and no fees.\n\nAccording to the BFMA’s category guide, e-commerce has taken over much of the old catalogue work and can mean frequent bookings for retailers’ websites, while advertising fees depend on factors such as exclusivity, usage and territory. It says clients pick models across age, ethnicity, size and more to match the people they sell to.\n\nThis guide names no brand casting routes, because we have not verified any. If someone says they are casting for a brand, check the brand’s own verified website or ask the agency that supposedly holds the job. The BFMA’s scam guide says no agency will ask for your bank details online.\n\n## How do you spot a fake scout or modelling scam?\n\nCheck the contact, not the compliment. Storm, Premier, Models 1 and VIVA publish the only email domains their staff use; IMG, Next, Elite and Premier say they never ask for payment or for nude or lingerie photos. A fee to sign, a mandatory photoshoot, or a “casting” in a hotel are the classic warning signs.\n\nThe British Fashion Model Agents Association describes the common patterns. If you think a UK agency has charged you an unlawful fee, you can complain to the Fair Work Agency, which replaced the Employment Agency Standards Inspectorate on 7 April 2026. It investigates breaches of the 1973 Act and the 2003 Regulations in England, Scotland and Wales, and does not charge for doing so. In Northern Ireland the regulator is the Employment Agency Inspectorate.\n\n- Fake scouts: messages that borrow a real agency’s name but come from an email address with an odd prefix or domain. Compare it with the contact details on the agency’s own website.\n- Rogue photographers: you do not need to buy a portfolio. The BFMA says a headshot and a full-length snapshot are enough for an agency to judge you, and the agency arranges test shoots if it takes you on.\n- Fake casting calls: the BFMA advises phoning the named agency to check any advertised open call, and never going to one alone or outside working hours.\n- Paid “placement” websites: paying for space on a site that claims to pass you to agencies is, the BFMA warns, just a way to take your money.\n- Pressure and private channels: urgency, “guaranteed” work, or a push to WhatsApp or Telegram (Premier names both in its own warning) are reasons to stop and verify.\n\n## What happens after you are signed?\n\nThe agency builds digitals into a book, submits you to castings, and negotiates bookings. Fashion week is a cluster of go-sees, options and last-minute confirms — not a single audition. Your job is to be reachable, on time, and honest about measurements. Their job is to get you seen by casting directors.\n\nRead the money guide before you sign anything that mentions advances. An advance is a debt against future work. Stacking advances is how new models end up owing the agency.\n\n## Common questions\n\n### How do you become a model in the UK with no experience?\n\nSend simple, un-retouched phone photos (headshot, profile and full length) and your height through a reputable agency’s own application page, or go to a walk-in the agency advertises. You do not need experience or professional photos, and UK law bars agencies from charging models upfront fees for finding work.\n\n### How do you become a runway model?\n\nSubmit simple, natural digitals (clear photos in plain clothing, plus height and measurements) to a reputable modelling agency via its open call or official submission page. If they’re interested, they’ll invite you to meet. You do not pay to be signed.\n\n### Do you have to be tall to be a model?\n\nThere is no published industry-wide minimum height. None of the ten London agency application pages we read on 1 October 2026 states one, and the BFMA says its members rarely restrict talent by height. Agencies still decide case by case.\n\n### Do modelling agencies charge to sign you?\n\nNo. In the UK, agencies cannot charge photographic and fashion models upfront fees for finding work; they may only take an agreed commission from work they have found you. Being asked to pay upfront for courses, photoshoots or registration is a major red flag.\n\n### How do you become a model for clothing brands?\n\nThrough a modelling agency’s commercial and e-commerce work. The BFMA lists commercial print and digital/e-commerce as their own categories, with brands choosing models to suit their customers. Apply to agencies, not to strangers who say they are casting for a brand.\n\n### How do you know if a modelling agency is legit?\n\nApply only through the agency’s own website, check that emails come from the domain it publishes, and walk away from any fee to sign, mandatory photoshoot or request for nude photos. In the UK, charging a model upfront for finding work breaks the 2003 Conduct Regulations.\n\n### Do you need professional photos to start modelling?\n\nNo. Agencies prefer simple, un-retouched digitals — front, side, and full-length photos in plain clothing against a blank wall — over professional or heavily edited images.\n\n### Can I submit to The Cast Index to get signed?\n\nNo. The Cast Index is an editorial index, not an agency. A paid directory listing does not get you cast and does not affect rankings. Go to a reputable agency first.\n\n## Sources\n\n- [GOV.UK — fees for fashion and photographic models](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models) (checked 1 Oct 2026)\n- [GOV.UK — fees for other services](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-other-services) (checked 1 Oct 2026)\n- [Conduct of Employment Agencies and Employment Businesses Regulations 2003, reg. 26](https://www.legislation.gov.uk/uksi/2003/3319/regulation/26) (checked 1 Oct 2026)\n- [Employment Agencies Act 1973, s. 6](https://www.legislation.gov.uk/ukpga/1973/35/section/6) (checked 1 Oct 2026)\n- [GOV.UK — complaining to the Fair Work Agency](https://www.gov.uk/government/publications/making-a-complaint-to-the-fair-work-agency-about-your-recruitment-agency/making-a-complaint-to-the-employment-agency-standards-inspectorate-eas-about-your-recruitment-agency) (checked 1 Oct 2026)\n- [BFMA — do I have what it takes?](https://bfma.fashion/what-it-takes/) (checked 1 Oct 2026)\n- [BFMA — what kind of modelling can I do?](https://bfma.fashion/what-kind-of-modelling-can-i-do/) (checked 1 Oct 2026)\n- [BFMA — avoiding frauds and scams](https://bfma.fashion/avoiding-frauds-and-scams/) (checked 1 Oct 2026)\n- [BFMA — current members](https://bfma.fashion/current-members/) (checked 1 Oct 2026)\n- [Storm — about the BFMA](https://www.stormmanagement.com/legal/bfma/) (checked 1 Oct 2026)\n- [Premier — staying safe](https://www.premiermodelmanagement.com/staying-safe/) (checked 1 Oct 2026)\n- [IMG Models — recruitment warning](https://imgmodels.com/recruitmentwarning/) (checked 1 Oct 2026)\n- [Storm — walk-ins and FAQ](https://www.stormmanagement.com/info/) (checked 1 Oct 2026)\n- [Model (person) — Wikipedia](https://en.wikipedia.org/wiki/Model_(person)) (checked 13 Aug 2026)\n- [The Cast Index — modelling agencies in London](https://thecastindex.com/agencies/london) (checked 1 Oct 2026)\n- [Modelling under 18](https://thecastindex.com/guide/modelling-under-18) (checked 13 Aug 2026)\n\n## Related\n\n- [Model height requirements](https://thecastindex.com/guide/model-height-requirements)\n- [Modelling agencies in London](https://thecastindex.com/agencies/london)\n- [Modelling at fashion week: the complete guide](https://thecastindex.com/guide/fashion-week-modelling-guide)\n- [Managing money as a model](https://thecastindex.com/guide/managing-money-as-a-model)\n- [Rising — new faces to watch](https://thecastindex.com/rising)\n"},{"url":"https://thecastindex.com/guide/how-to-read-the-cast-index","markdownUrl":"https://thecastindex.com/guide/how-to-read-the-cast-index.md","title":"How to read the Cast Index (and when to ignore a rank)","lastmod":"2026-08-13","sha256":"6207bb3a84af2011234bf20cc2cc694304b70fc5d793225657ba6d6a671290e3","bytes":5240,"markdown":"# How to read the Cast Index (and when to ignore a rank)\n\n> What an Index Rating is, what it is not, when Rising beats a number, and who should skip the Global 50 entirely.\n\n- Canonical: https://thecastindex.com/guide/how-to-read-the-cast-index\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: Basics\n\nA number without a method is gossip. This is how to read the Cast Index so you do not treat a rank as a moral verdict — or ignore the Rising board because it has no numbers.\n\n## The short answer\n\nThe Cast Index is an independent editorial score of current professional influence — runway 40%, campaigns 30%, editorial 20%, cultural impact 10% — with published decay and confidence labels. It is not a beauty contest, a popularity vote, or a thing you can buy. Skip it if you need a booking agent; use a reputable agency for that.\n\n## At a glance\n\n- **Score:** 0–100 Index Rating\n- **Weights:** 40 / 30 / 20 / 10\n- **For sale?:** Never\n- **Separate:** People’s Choice · paid listings\n\n## What does an Index Rating actually measure?\n\nCurrent professional influence from dated, citable work: runway presence and exclusives, blue-chip campaigns, editorial authority, and cultural impact. Historic fame without recent evidence decays. The desk assigns pillar totals against a public rubric; the weights are then applied automatically. Every ranked profile shows evidence, sources and a confidence label.\n\nTime decay is public: current-year evidence keeps 100% of its value, the following year 50%, older work 10%. A historic career remains visible; it does not hold a rank on nostalgia. Ties break by higher runway sub-score, then more recent dated evidence, then alphabetical order.\n\nThe score is an editorial assessment, not a statement about a person’s worth. If a profile is labelled provisional or medium confidence, read the evidence list before quoting the number.\n\n## When should you ignore a rank?\n\nIgnore a rank when you need a booking, when the confidence label is provisional and the evidence is thin, or when you are comparing a Global 50 number with People’s Choice votes. Those are different products. Also ignore anyone selling “placement on the Index”; placements are not for sale.\n\nPaid directory listings, event listings and the community vote are firewalled from the editorial ranking. A listing can help people find a profile; it cannot buy a number. If a pitch implies otherwise, it is not from this desk.\n\nRising / Watch names are unnumbered on purpose. Absence of a Global 50 rank is not a negative claim — it means the desk has not yet attached enough verified major-brand or cross-market evidence. That is an honest empty state, not a dunk.\n\n## How do casting and beauty fit next to the ranking?\n\nThe ranking scores faces. The casting ledger records verified walks (house × model × week). The Season Beauty Index ranks finishes — the hair and makeup language of the season — not products as a shopping dump. Use all three if you are a desk; use one if you only need a single question answered.\n\nA model can sit high on the Index and still have no verified walk in the current ledger if the evidence is campaigns and covers. Conversely, a new face can appear in the ledger and on Rising before a numbered rank exists. Do not force those layers to say the same sentence.\n\n## Who is this Index for — and who should skip it?\n\nIt is for casting, beauty and press desks that need a citable, dated read of who is working, and for readers who want the method in public. Skip it if you want a paid boost, a talent-agency substitute, or medical or legal advice. Those are different jobs, and this site will not pretend to do them.\n\nCite the canonical profile URL plus the methodology version. Formula changes ship on the changelog; scores are not silently rewritten. Corrections go to the desk and are logged when they change the public record.\n\n## Common questions\n\n### Can a model or agency pay for a Cast Index rank?\n\nNo. Editorial rankings are never for sale. Paid directory listings and People’s Choice voting are separate products and cannot buy, move or soften an Index Rating.\n\n### What are the four pillars?\n\nRunway presence 40%, campaigns 30%, editorial authority 20%, cultural impact 10%, with published time decay. Full tables live on the methodology page.\n\n### Why are some models unnumbered?\n\nRising / Watch is an unnumbered board for names the desk is tracking before Global 50 evidence is complete. It is not a lower score; it is a different list.\n\n### Is the score an objective fact?\n\nNo. Bookings can be counted, but prestige weighting requires editorial judgement. The formula, cited evidence, update date and confidence label are published so the assessment can be challenged.\n\n## Sources\n\n- [Cast Index methodology](https://thecastindex.com/methodology) (checked 13 Aug 2026)\n- [Editorial & sourcing policy](https://thecastindex.com/legal/editorial-policy) (checked 13 Aug 2026)\n- [Methodology changelog](https://thecastindex.com/methodology/changelog) (checked 13 Aug 2026)\n\n## Related\n\n- [Methodology](https://thecastindex.com/methodology)\n- [Live Global 50](https://thecastindex.com/rankings)\n- [Casting ledger](https://thecastindex.com/casting)\n"},{"url":"https://thecastindex.com/guide/jakarta-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/jakarta-fashion-week-guide.md","title":"Jakarta Fashion Week: the insider guide","lastmod":"2026-09-25","sha256":"f5483d3f3682eaa9ca9cac01fea594c7174a5b5a35607e47507c1032a00c37c2","bytes":4516,"markdown":"# Jakarta Fashion Week: the insider guide\n\n> Southeast Asia’s largest week: 2008 origins, modest fashion, batik, and why it belongs on a global casting map.\n\n- Canonical: https://thecastindex.com/guide/jakarta-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-09-25\n- Category: City guide\n\nJakarta Fashion Week is one of the largest fashion events in Southeast Asia and a leading showcase for Indonesian designers, batik heritage, and modest fashion — a fast-growing global category.\n\n## The short answer\n\nJakarta Fashion Week, first held in 2008, is billed as Southeast Asia’s largest fashion event — from 47 designers at launch to roughly 270 in recent editions. Use it for Indonesian design, batik heritage and modest fashion. Skip a Big-Four-only map; this is a regional engine, not a side show.\n\n## At a glance\n\n- **City:** Jakarta, Indonesia\n- **First held:** 2008 · Femina Group\n- **Known for:** Modest fashion & Indonesian design\n- **Tier:** Emerging circuit\n\n## What is Jakarta Fashion Week?\n\nA major regional platform first staged in 2008 by Femina Group with support from the DKI Jakarta Tourism Office and Indonesia’s designer associations APPMI and IPMI. The inaugural edition at Pacific Place featured 47 designers; that rose to 159 by 2010. It is billed as the largest fashion event in Southeast Asia, with roughly 270 designers in recent editions.\n\nOwnership rebranded under GCM Group in 2019. The week has run from Pondok Indah Mall 3 since 2022, after earlier homes at Pacific Place, Plaza Senayan and Senayan City. It continues in partnership with the Indonesian Fashion Chamber.\n\n## What is Jakarta Fashion Week known for?\n\nIndonesian design, batik and craft, and a serious modest-fashion conversation — a category where the region leads globally. For casting desks, it is a volume market and a specialist one. For the Cast Index, it is a Rising-board geography, not a novelty.\n\nScale reflects Indonesia’s position as one of the region’s largest garment and textile economies. Scale is not the same as a Global 50 automatic entry; cross-market evidence still has to be sourced.\n\n## Who should skip Jakarta — and who should not?\n\nSkip it only if your brief is strictly Big Four heritage houses. Do not skip it if you cover modest fashion, Southeast Asian design, or new faces. The same scam rules apply: no paying to walk, official agency channels only.\n\nCite the event page for the edition in front of you. This handbook explains the week’s job on the circuit, not a single year’s guest list.\n\n## Common questions\n\n### Where is Jakarta Fashion Week held?\n\nJakarta, Indonesia. It is billed as the largest fashion week in Southeast Asia. Recent editions have been staged at Pondok Indah Mall 3.\n\n### What is Jakarta Fashion Week known for?\n\nIndonesian design, batik heritage, and modest fashion, with participation growing from 47 designers in 2008 to roughly 270 in recent editions.\n\n### When did Jakarta Fashion Week start?\n\n2008, initiated by Femina Group with support from the DKI Jakarta Tourism Office and national designer associations APPMI and IPMI.\n\n### When is Jakarta Fashion Week 2027?\n\nJFW 2027 is scheduled for 26 October–1 November 2026 at City Hall, Pondok Indah Mall 3. JFW names each edition after the following year, so JFW 2026 ran 27 October–2 November 2025.\n\n### Which models are linked to Jakarta Fashion Week?\n\nJFW names official faces and icons, including Wita Juwita (2017), Adam Rosyadi (2019), Devona Cools and Axel Jan Thierry (2020), Maria Karina (2021) and Viknes Waren (2023). Paula Verhoeven and Kimmy Jayanti walked JFW 2026, and 30 JFW Fresh Faces were selected at the JFW 2026 Model Search.\n\n## Sources\n\n- [Jakarta Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Jakarta_Fashion_Week) (checked 13 Aug 2026)\n- [Jakarta Fashion Week — official site (JFW 2027 dates)](https://www.jakartafashionweek.co.id/) (checked 2026-09-25)\n- [Jakarta Fashion Week — JFW 2026 opening, 28 October 2025](https://www.jakartafashionweek.co.id/jfw-2026/jakarta-fashion-week-2026-perayaan-warisan-gaya-dan-regenerasi-di-industri-mode-indonesia/) (checked 2026-09-25)\n\n## Related\n\n- [Jakarta Fashion Week 2027 (26 Oct–1 Nov 2026)](https://thecastindex.com/events/jakarta-fashion-week-2027)\n- [Jakarta Fashion Week 2026 (Oct–Nov 2025)](https://thecastindex.com/events/jakarta-fashion-week-2026)\n- [Jakarta desk](https://thecastindex.com/markets/indonesia)\n- [Rising — new faces](https://thecastindex.com/rising)\n"},{"url":"https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow","markdownUrl":"https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow.md","title":"K-beauty vs J-beauty vs UK glow","lastmod":"2026-10-01","sha256":"ea7bcf50b406bec197f0add59fb259d8cf75557def2077135ba30f9046cfe8c7","bytes":7191,"markdown":"# K-beauty vs J-beauty vs UK glow\n\n> K-beauty, J-beauty and British glow compared: Korean prep, Japanese complexion polish and UK glow finishes, the products behind each, who should skip it.\n\n- Canonical: https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Beauty\n\nOlive Young sells K-beauty as a destination. @cosme ranks J-beauty as a review graph. UK counters sell glow as a celebrity filter. The Cast Index does none of those jobs. It asks which origin-market formula actually serves a season finish — Couture glass skin, Wet lip, London glow — and links the official page, with affiliate labelling when a programme is live.\n\n## The short answer\n\nK-beauty in this archive is prep (essence, SPF, overnight lip). J-beauty is polished complexion (Shiseido’s radiant lift). UK glow is the multi-use highlighter-as-skin language Charlotte Tilbury named Hollywood Filter. They are not interchangeable “glass skin” products. Skip this if you want a 12-step routine or a medical claim — the desk does not write either.\n\n## At a glance\n\n- **K-beauty job:** Prep: essence, SPF, lip mask\n- **J-beauty job:** Polished radiant complexion\n- **UK glow job:** Multi-use filter-as-skin\n- **Not this:** A medical or bestseller ranking\n\n## What is the difference between K-beauty, J-beauty and UK glow?\n\nOn this desk they are origin-market jobs, not moods. Korean formulas in the archive are lightweight prep under a finish. Japanese complexion is buildable radiance with coverage still present. UK glow is a sheer booster worn alone, under, mixed with or over base. “Glass skin” is a Paris season read, not a synonym for any one country’s catalogue.\n\nK-beauty, as sold into the UK and US, is often a multi-step hydration story: essence, sunscreen, overnight lip. The products we keep — COSRX Advanced Snail 96 Mucin Power Essence, Beauty of Joseon Daily Relief Sunscreen SPF 40, Laneige Lip Sleeping Mask — are here because they serve Couture glass skin or Wet lip prep, not because they trend on a retailer homepage.\n\nJ-beauty in this archive is narrower: Shiseido Synchro Skin Radiant Lifting Foundation, 30 shades across five depth levels, described by the brand as a radiant, weightless finish. That is a complexion product with coverage, not a toner ritual.\n\nUK glow is Charlotte Tilbury Hollywood Flawless Filter — a multi-use booster the brand says can be worn alone, under, mixed with or over foundation. It is the London-adjacent glow language the Season Beauty Index actually uses, not a generic highlighter.\n\n| Origin | Job on the face | Desk examples | Skip if |\n| --- | --- | --- | --- |\n| South Korea | Prep under a finish | COSRX essence, Joseon SPF, Laneige lip mask | You need opaque coverage |\n| Japan | Radiant base with lift | Shiseido Synchro Skin | You only want a skin tint with no coverage |\n| United Kingdom | Sheer glow booster | Hollywood Flawless Filter | You need a full foundation range first |\n\n## Which season finishes do these products actually serve?\n\nCouture glass skin (Paris) is the complexion read that K-beauty prep and UK glow both get asked to support — one underneath, one on top. Wet lip (Paris) is where Laneige’s overnight mask sits as prep, not as colour. Shiseido is the polished-skin option when the finish still wants coverage. Always open the finish page; do not infer a show credit from a product origin.\n\nA Korean SPF does not make a Seoul Fashion Week look. A British filter does not make a London show. Origin is a shopping and formulation fact. The finish is a runway read tied to verified weeks on the Season Beauty Index.\n\nIf you are building a kit, start at the finish, then pick origin-market products that match the job: slip and protection (Korea), radiant lift (Japan), sheer glow (UK). The Seoul, Tokyo and London world desks collect those products next to the faces.\n\n## Who should skip this comparison?\n\nSkip it if you want Olive Young’s full Korean aisle, @cosme’s review graph, or a dermatologist. Skip it if you need a 12-step order of operations — the desk does not publish routines as medical advice. Use the individual product reviews for formula facts, shade notes and official directions.\n\nShopping links on those reviews may be affiliates. When live they are labelled Ad or Paid link, use rel=\"sponsored\", and never change a ranking. Amazon links rewrite at the Cloudflare edge to the UK or US marketplace.\n\nUnder-18 readers: this is product intelligence for casting and beauty desks, not a routine to copy. Patch-test and read the current INCI on the brand page.\n\n## Common questions\n\n### Is glass skin the same as K-beauty?\n\nNo. Glass skin on The Cast Index is a Paris season finish — Couture glass skin — not a synonym for Korean products. Some K-beauty prep in the archive supports that finish; the finish is still a runway read.\n\n### What is J-beauty on this desk?\n\nJapan-origin formulas in the archive. The current complexion reference is Shiseido Synchro Skin Radiant Lifting Foundation. It is not a ranking of every Japanese brand.\n\n### What is UK glow?\n\nThe multi-use sheer booster language associated with Charlotte Tilbury Hollywood Flawless Filter — worn alone, under, mixed with or over base — not a claim that British makeup is “glowy” as a national style.\n\n### Does K-beauty really work, and which K-beauty brand is best?\n\nThere is no best brand, only better-suited formulas. Judge a K-beauty product as you would any other: by its ingredients, directions and labelling. Korean sunscreens sold in the UK, for example, often use newer UV filters and carry a PA rating; our best-of guides compare Korean sunscreens and a K-beauty routine for oily skin by formula and UK price.\n\n### Are these affiliate links?\n\nThey may be. When a programme is live, links are labelled and use rel=\"sponsored\". Inclusion is editorial. Rankings cannot be bought.\n\n## Sources\n\n- [Laneige UK — Lip Sleeping Mask](https://www.laneigeuk.com/p/lip-sleeping-mask/) (checked 13 Aug 2026)\n- [COSRX — Advanced Snail 96 Mucin Power Essence](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence) (checked 13 Aug 2026)\n- [Beauty of Joseon — Daily Relief Sunscreen (US market product information)](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us) (checked 1 Oct 2026)\n- [Shiseido UK — Synchro Skin Radiant Lifting Foundation](https://www.shiseido.co.uk/gb/en/shiseido-synchro-skin-radiant-lifting-foundation-729238217850.html) (checked 13 Aug 2026)\n- [Charlotte Tilbury — Hollywood Flawless Filter](https://www.charlottetilbury.com/uk/products/makeup/face/hollywood-flawless-filter) (checked 13 Aug 2026)\n\n## Related\n\n- [Seoul desk](https://thecastindex.com/markets/south-korea)\n- [Tokyo desk](https://thecastindex.com/markets/japan)\n- [London desk](https://thecastindex.com/markets/united-kingdom)\n- [Season Beauty Index](https://thecastindex.com/beauty)\n- [Desk shop](https://thecastindex.com/shop)\n- [Best Korean sunscreens](https://thecastindex.com/beauty/best/best-korean-sunscreens-uk)\n- [Snail mucin explained](https://thecastindex.com/beauty/ingredients/snail-mucin)\n"},{"url":"https://thecastindex.com/guide/lagos-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/lagos-fashion-week-guide.md","title":"Lagos Fashion Week: the insider guide","lastmod":"2026-08-13","sha256":"1450e5c87535b5bcbae766af1b76cf8775d18429f32eba763d714627d57331b6","bytes":3907,"markdown":"# Lagos Fashion Week: the insider guide\n\n> West Africa’s flagship week: Omoyemi Akerele, Style House Files, why it is a talent engine, and who should skip a Big-Four-only map.\n\n- Canonical: https://thecastindex.com/guide/lagos-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: City guide\n\nLagos Fashion Week is the most influential fashion event in West Africa and one of the most important on the emerging global circuit. It is a launchpad for African designers, a champion of sustainability, and a source of the new faces The Cast Index tracks on its Rising board.\n\n## The short answer\n\nLagos Fashion Week, founded in 2011 by Omoyemi Akerele and produced by Style House Files, is West Africa’s flagship week and a launchpad for African designers and faces. Use it as a real circuit, not a footnote. Skip it only if you refuse to track any week outside the Big Four — that refusal is the mistake.\n\n## At a glance\n\n- **City:** Lagos, Nigeria\n- **Founded:** 2011 · Omoyemi Akerele\n- **Known for:** African design & infrastructure\n- **Tier:** Emerging circuit\n\n## What is Lagos Fashion Week?\n\nNigeria’s flagship fashion week and a pan-African platform, founded in 2011 by Omoyemi Akerele and produced by her agency Style House Files. The first edition featured more than 40 designers; the week now showcases over 60 designers to a global audience of more than 40,000 retailers, media and consumers, and is widely described as Africa’s largest clothing trade show.\n\nFrom the first edition it has run the Fashion Focus Fund, a competition and development programme for emerging designers. The week is built as industry infrastructure — mentorship, funding, production support — not only as a runway spectacle.\n\n## What is Lagos Fashion Week known for?\n\nNew design talent, textile and craft innovation, and a serious sustainability thread (including the Woven Threads circular-economy initiative during 2020). Designers including Orange Culture, Lisa Folawiyo and Christie Brown built early visibility here. Faces that break out in Lagos increasingly go on to walk the Big Four — which is why Rising exists.\n\nRunway footage from the week was included in the Victoria and Albert Museum’s 2022 “Africa Fashion” exhibition. That is institutional recognition, not a substitute for the trade show itself.\n\n## Who should skip a Big-Four-only map?\n\nAnyone who thinks influence only counts after Paris. Geography never subtracts points on the Cast Index; a Global 50 rank still needs verified major-brand or cross-market evidence. Lagos can be the first signal. Treating it as unofficial is how desks miss the next cast.\n\nIf you are a new model, the same no-pay rule applies as everywhere else. A reputable agency in this market is still an agency; a paid “Lagos package” is still a warning.\n\n## Common questions\n\n### Where is Lagos Fashion Week held?\n\nLagos, Nigeria. It is regarded as West Africa’s flagship fashion week and is widely described as Africa’s largest clothing trade show.\n\n### Who founded Lagos Fashion Week?\n\nOmoyemi Akerele founded it in 2011 and produces it through Style House Files, the fashion business development agency she also founded.\n\n### What is Lagos Fashion Week known for?\n\nChampioning African design talent, textile and craft innovation, designer-development infrastructure such as the Fashion Focus Fund, and launching new faces onto the global circuit.\n\n## Sources\n\n- [Lagos Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Lagos_Fashion_Week) (checked 13 Aug 2026)\n- [Cast Index — Lagos Fashion Week 2026](https://thecastindex.com/events/lagos-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Lagos Fashion Week 2026](https://thecastindex.com/events/lagos-fashion-week-2026)\n- [Lagos desk](https://thecastindex.com/markets/nigeria)\n- [Rising — new faces](https://thecastindex.com/rising)\n"},{"url":"https://thecastindex.com/guide/london-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/london-fashion-week-guide.md","title":"London Fashion Week: the insider guide","lastmod":"2026-10-01","sha256":"22e9d2f1138113fbedab53fa79fd043a57b0d067e433a8450ccde653c8d757b3","bytes":6761,"markdown":"# London Fashion Week: the insider guide\n\n> How London Fashion Week works: BFC dates, why London is the talent pipeline, and which public events and livestreams you can actually attend.\n\n- Canonical: https://thecastindex.com/guide/london-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: City guide\n\nLondon Fashion Week is the Big Four’s laboratory — the week most associated with experimentation, emerging designers, and creative risk. It runs second each season, after New York and before Milan, and is organised by the British Fashion Council.\n\n## The short answer\n\nLondon Fashion Week is the Big Four’s most experimental stop, organised by the British Fashion Council since 1984, running after New York and before Milan. Use it to track new designers and new faces. Skip it if you only want heritage-house theatre — that is Milan and Paris.\n\n## At a glance\n\n- **When:** Feb (AW) · Sept (SS)\n- **Order:** Second of the Big Four\n- **Organiser:** British Fashion Council\n- **Known for:** Experimentation & new talent\n\n## When is London Fashion Week?\n\nLondon shows immediately after New York each ready-to-wear season — February for autumn/winter, September for spring/summer — then hands over to Milan. For AW26 the BFC’s provisional sheet ran 19–23 February 2026 with 38 shows and 12 presentations; the September 2026 (SS27) edition ran Thursday 17 to Monday 21 September. Dates move; use the live event page.\n\nThe week has never had a single permanent home. It began in a Kensington car-park marquee in 1984 and has since passed through the Duke of York’s Barracks, Olympia, The Ritz, the Natural History Museum grounds, Somerset House, and 180 Strand.\n\n## Who runs London Fashion Week?\n\nThe British Fashion Council, from the first edition in February/March 1984. Publicist Lynne Franks is widely credited with helping originate the idea of one scheduled week instead of scattered individual shows. The BFC still sets the official calendar and has used it to set industry standards, including going fur-free in September 2018 — the first major global week to do so.\n\nThe inaugural edition had 15 catwalk shows, including Vivienne Westwood and Betty Jackson. The BFC now describes a week of more than 250 designers shown to more than 5,000 press and buyers, with estimated orders above £100 million per season. Treat those as organiser-scale figures, not a promise that every graduate show sells at that clip.\n\n## What is London Fashion Week known for?\n\nDirectional design and a graduate pipeline — Central Saint Martins and peers — more than a locked list of heritage houses. That is why Rising watches London closely. It is also why a quiet London season for a ranked model is not automatically a career crisis; the city’s job is often to mint the next cast, not to confirm last year’s.\n\nAnchor names still show. AW26’s sourced sheet included Burberry, Simone Rocha, Erdem and Richard Quinn, plus scheduled returns for Temperley London and Julien Macdonald. The mix is the point.\n\n## Is London Fashion Week open to the public?\n\nThe catwalk shows are not: accreditation is for press and buyers, and seats go to invited guests. But the BFC runs a public layer. For September 2026 it listed Fashion Britain public events in eight UK cities, a BFC Jewellery Showcase at Dover Street Market open to the public daily, a café at 180 Strand open to all, and a livestreamed eBay show.\n\nFashion Britain, which the BFC describes as a nationwide programme of public events, designer panels, cultural collaborations and retail experiences, launched in September 2026 across Bristol, Cardiff, Dundee, Edinburgh, Liverpool, London, Manchester and Newcastle. The BFC’s year-round site, londonfashionweek.co.uk, is free for anyone to browse collections and designer profiles.\n\nThe public programme changes every season. Check the BFC’s own announcements before the next edition, and see our fashion week tickets guide for the other cities.\n\n## Who should skip London Fashion Week?\n\nSkip it if you need couture craft at Paris scale, or if you are buying a “LFW pass” from a stranger. Use it if you care about new designers, new faces, and BFC policy (including fur-free). For who walked, use the casting ledger, not a street-style dump.\n\nLondon is a poor place to learn the wholesale calendar from celebrity seating plans. It is a strong place to see whether a new name can survive a professional week.\n\n## Common questions\n\n### When is London Fashion Week?\n\nTwice a year, in February and September, immediately after New York and before Milan. The September 2026 edition ran 17–21 September. Check the current Cast Index event page for the next edition’s dates.\n\n### Is London Fashion Week open to the public?\n\nThe catwalk shows are for accredited press and buyers and invited guests. The BFC does run public events: in September 2026 these included its Fashion Britain programme in eight UK cities, a jewellery showcase at Dover Street Market open to the public and a livestreamed show.\n\n### Who runs London Fashion Week?\n\nThe British Fashion Council, which has organised the week since 1984 and is known for supporting emerging and experimental designers.\n\n### Was London the first fur-free major fashion week?\n\nYes. In September 2018 London became the first major global fashion week to go fur-free, a BFC policy later echoed by other capitals — including a CFDA rule for official NYFW events from September 2026.\n\n## Sources\n\n- [London Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/London_Fashion_Week) (checked 13 Aug 2026)\n- [BFC — London Fashion Week September 2026 release](https://www.britishfashioncouncil.co.uk/BFCNews/5105/LONDON-FASHION-WEEK-SEPTEMBER-2026-IS-A-CELEBRATION-OF-BRITISH-FASHION) (checked 1 Oct 2026)\n- [London Fashion Week — about and dates](https://londonfashionweek.co.uk/about) (checked 1 Oct 2026)\n- [London Fashion Week — Fashion Britain](https://londonfashionweek.co.uk/fashion-britain) (checked 1 Oct 2026)\n- [London Fashion Week — press and buyer accreditation](https://londonfashionweek.co.uk/accreditation) (checked 1 Oct 2026)\n- [Cast Index — LFW 2026](https://thecastindex.com/events/london-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Can you buy fashion week tickets?](https://thecastindex.com/guide/fashion-week-tickets)\n- [Modelling agencies in London](https://thecastindex.com/agencies/london)\n- [London Fashion Week 2026](https://thecastindex.com/events/london-fashion-week-2026)\n- [London desk](https://thecastindex.com/markets/united-kingdom)\n- [K-beauty vs J-beauty vs UK glow](https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow)\n- [Rising — new faces](https://thecastindex.com/rising)\n"},{"url":"https://thecastindex.com/guide/managing-money-as-a-model","markdownUrl":"https://thecastindex.com/guide/managing-money-as-a-model.md","title":"Managing money as a new model","lastmod":"2026-10-01","sha256":"33263c539c8653baa8fdf1ba4ccf54a204c688e4a03cb2d4bac2c1ee4bae8beb","bytes":9457,"markdown":"# Managing money as a new model\n\n> How models are paid, what official data says models earn (there is no UK figure), how fast a UK agency must pass on your money, and the traps to avoid.\n\n- Canonical: https://thecastindex.com/guide/managing-money-as-a-model\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Careers\n\nModelling income is irregular, often self-employed, and full of small print. Understanding how the money works — before you sign — protects you from the most common (and costly) mistakes.\n\n## The short answer\n\nAgencies take commission on what you earn; in the UK they cannot charge fashion and photographic models upfront fees for finding work. There is no official UK figure for model pay, and the US median ($23.30 an hour, May 2025) excludes the self-employed. You are usually self-employed, so set aside tax from every payment, and skip advances you do not understand.\n\n## At a glance\n\n- **Agency cut:** Commission on what you earn\n- **US median pay:** $23.30/hour (BLS, May 2025)\n- **UK official figure:** None published for models\n- **Never:** Pay upfront to be signed\n\n## How do models get paid?\n\nAgencies work on commission — an agreed percentage of what you earn when you work, rather than charging you upfront. You are usually engaged as self-employed, which means the money that lands is not all yours to keep. Some agencies offer advances against future earnings; treat those as debt.\n\nThe exact commission is in your contract and varies by market. The key test is direction of money: they earn when you work. If money flows from you to them before any job exists, stop.\n\nIn the UK that test is backed by law. GOV.UK guidance says agencies cannot charge photographic and fashion models upfront fees for finding work. Only after they have found you work can they charge for listing you in a publication or on a website, or a work-finding fee that you agreed before they started looking. The British Fashion Model Agents Association’s advice to new models starts from the same point: modelling is a business, and you will be self-employed.\n\n## How much do models earn?\n\nThere is no reliable UK figure. The closest official number is American: the US Bureau of Labor Statistics puts the median wage for models at $23.30 an hour (May 2025), across 3,780 employed models. It excludes self-employed workers, and the BFMA says models working through UK agencies are self-employed, so treat it as context, not a rate card.\n\nThe figures come from the BLS Occupational Employment and Wage Statistics (OEWS) for Models, occupation 41-9012, May 2025, released on 15 May 2026. They supersede the May 2023 and May 2024 figures still quoted elsewhere. The survey covers wage and salary workers only. The annual figures equal the hourly rates multiplied by 2,080 hours, a full-time year.\n\nThere is no UK equivalent. The Office for National Statistics codes fashion models inside a broader occupation group, “Actors, entertainers and presenters” (SOC 2020 unit group 3413), and its Annual Survey of Hours and Earnings publishes pay by four-digit group for employees. That gives no separate figure for models.\n\nDay rates quoted online, and headlines about what models earn at fashion week, are not verifiable data. Your agency contract and your own invoices are the only numbers that apply to you.\n\n| US BLS OEWS, Models (41-9012), May 2025 | Hourly | Annual |\n| --- | --- | --- |\n| 10th percentile | $16.44 | $34,190 |\n| 25th percentile | $17.17 | $35,710 |\n| Median | $23.30 | $48,470 |\n| Mean | $35.00 | $72,800 |\n| 75th percentile | $47.75 | $99,320 |\n| 90th percentile | $63.21 | $131,470 |\n\n## How quickly must a UK agency pass on your money?\n\nWithin ten days. Under UK rules, an agency that collects your fees from a client must hold them in a client account as your trustee and pay them on within ten days of receiving them, unless you have asked it to hold them longer. Each payment must come with a statement of who paid, for which job, and what was deducted.\n\nThat is regulation 25 of the Conduct of Employment Agencies and Employment Businesses Regulations 2003. The same regulation lets an agency deduct its fee only if your contract says it can. Clients themselves may be slow to pay the agency — the BFMA notes they often take upwards of 60 days — but once the money reaches the agency, the ten-day limit applies.\n\nIf an agency withholds money it has received for your work, the Fair Work Agency investigates complaints about agencies in England, Scotland and Wales, free of charge.\n\n## How should you budget for tax?\n\nBecause income is irregular and usually self-employed, set aside a portion of every payment for tax immediately, and keep records of what you earn and spend on work. Rates and rules vary by country. Once you are earning regularly, a qualified accountant usually pays for themselves.\n\nThis page is not tax advice. It is a warning not to spend a gross fee as if it were a salary.\n\n## What money traps should new models avoid?\n\nPaying upfront to be signed, paying to walk a show, mandatory expensive test shoots, registration or portfolio fees, and stacking advances. Read every contract. Get advice on anything you do not understand. A rush to sign is not a compliment; it is a tactic.\n\nGOV.UK says an agency cannot make buying its other services, such as photos, a condition of finding you work, and must give you 30 days to cancel them without paying. If a contact uses a Cast Index rank or listing to justify a fee, they are lying about how this site works.\n\n## Common questions\n\n### How much do models earn?\n\nThere is no official UK figure. In the US, the Bureau of Labor Statistics puts the median wage for models at $23.30 an hour ($48,470 a year) for May 2025, but that survey excludes the self-employed, and the BFMA says models working through UK agencies are self-employed.\n\n### How much do models earn in the UK?\n\nNo official source says. The ONS groups fashion models with actors, entertainers and presenters (SOC 2020 unit group 3413), so its earnings survey publishes no figure for models alone. Treat any single UK “average model salary” online as unsourced.\n\n### How much commission do modelling agencies take?\n\nAgencies take an agreed commission on what you earn — the exact percentage varies by agency and market and is set out in your contract. Reputable agencies earn from your work, not from upfront fees charged to you.\n\n### How long can a UK modelling agency hold my money?\n\nNo more than ten days from when it receives the money, unless you have asked it to hold it longer (regulation 25 of the Conduct Regulations 2003). It must hold the money in a client account and send a statement with each payment.\n\n### Do models have to pay tax?\n\nUsually yes. Models are typically self-employed, so income is taxable and it is wise to set aside a portion of every payment and keep good records. Rates and rules vary by country.\n\n### Should I pay upfront for a portfolio or test shoot?\n\nBe very cautious. A reputable agency does not require you to pay upfront to be signed. Mandatory, expensive portfolio or test-shoot fees are a common scam marker.\n\n## Sources\n\n- [US BLS — OEWS May 2025 occupation profile, Models (41-9012)](https://data.bls.gov/oesprofile/?year=2025&major_group=410000&occupation=419012&measure=01&areas=INDUSTRY,STATE,MSA) (checked 1 Oct 2026)\n- [US BLS — OEWS May 2025 occupation profiles index](https://www.bls.gov/oes/2025/may/oes_stru.htm) (checked 1 Oct 2026)\n- [US BLS — Occupational Employment and Wages news release (15 May 2026)](https://www.bls.gov/news.release/ocwage.htm) (checked 1 Oct 2026)\n- [US BLS — OEWS overview (coverage excludes the self-employed)](https://www.bls.gov/oes/oes_emp.htm) (checked 1 Oct 2026)\n- [ONS — SOC 2020 Volume 2 coding index](https://www.ons.gov.uk/methodology/classificationsandstandards/standardoccupationalclassificationsoc/soc2020/soc2020volume2codingrulesandconventions) (checked 1 Oct 2026)\n- [ONS — ASHE Table 14 (earnings by four-digit SOC)](https://www.ons.gov.uk/employmentandlabourmarket/peopleinwork/earningsandworkinghours/datasets/occupation4digitsoc2010ashetable14) (checked 1 Oct 2026)\n- [Conduct of Employment Agencies and Employment Businesses Regulations 2003, reg. 25](https://www.legislation.gov.uk/uksi/2003/3319/regulation/25) (checked 1 Oct 2026)\n- [GOV.UK — fees for fashion and photographic models](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models) (checked 1 Oct 2026)\n- [GOV.UK — fees for other services](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-other-services) (checked 1 Oct 2026)\n- [BFMA — advice on becoming a model](https://bfma.fashion/advice-on-becoming-a-model/) (checked 1 Oct 2026)\n- [GOV.UK — complaining to the Fair Work Agency](https://www.gov.uk/government/publications/making-a-complaint-to-the-fair-work-agency-about-your-recruitment-agency/making-a-complaint-to-the-employment-agency-standards-inspectorate-eas-about-your-recruitment-agency) (checked 1 Oct 2026)\n- [Model (person) — Wikipedia](https://en.wikipedia.org/wiki/Model_(person)) (checked 13 Aug 2026)\n\n## Related\n\n- [Modelling at fashion week: the complete guide](https://thecastindex.com/guide/fashion-week-modelling-guide)\n- [How to become a model in the UK](https://thecastindex.com/guide/how-to-become-a-model)\n- [Modelling agencies in London](https://thecastindex.com/agencies/london)\n"},{"url":"https://thecastindex.com/guide/milan-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/milan-fashion-week-guide.md","title":"Milan Fashion Week: the insider guide","lastmod":"2026-10-01","sha256":"4e602a0bf81c0c66fe86f2f1dd9f0894dce27b82e6ff2c2512d84c16c02ee61d","bytes":5068,"markdown":"# Milan Fashion Week: the insider guide\n\n> CNMI, dates, why Milan is houses and craft, and when to skip it for London experimentation or Paris couture.\n\n- Canonical: https://thecastindex.com/guide/milan-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: City guide\n\nMilan Fashion Week is defined by powerful Italian houses, glamour, and craftsmanship — tailoring, leather, and a confident sense of luxury. It runs third of the Big Four, after London and before Paris, and is organised by the National Chamber of Italian Fashion.\n\n## The short answer\n\nMilan Fashion Week is the Big Four’s house-and-craftsmanship stop, run by Camera Nazionale della Moda Italiana, third after London and before Paris. Use it for tailoring, leather and heritage casts. Skip it if you need graduate-lab energy (London) or legally protected couture (Paris, January/July).\n\n## At a glance\n\n- **When:** Feb–Mar (AW) · Sept (SS)\n- **Order:** Third of the Big Four\n- **Organiser:** Camera Nazionale della Moda Italiana\n- **Known for:** Major houses & craftsmanship\n\n## When is Milan Fashion Week?\n\nMilan shows after London and before Paris each ready-to-wear season — February/March for autumn/winter and September for spring/summer. For AW26 the CNMI calendar ran 24 February–2 March 2026, with 25–27 February anchored by heritage houses including Prada, Gucci, Fendi, Ferragamo and Bottega Veneta.\n\nMenswear has its own Milan-heavy rhythm earlier in the year. Do not collapse men’s and women’s sheets into one “Milan week” when you are citing a walk.\n\n## Who organises Milan Fashion Week?\n\nCamera Nazionale della Moda Italiana (CNMI), a non-profit that coordinates, disciplines and promotes Italian fashion. It grew from the Camera Sindacale della Moda Italiana, established 11 June 1958, with founding members including Roberto Capucci, Emilio Schuberth, Maria Antonelli, Germana Marucelli and Jole Veneziani.\n\nCNMI is Milan’s counterpart to Paris’s FHCM or New York’s CFDA: calendar, accreditation, collective representation. It is not a single venue landlord.\n\n## Why is Milan Italy’s runway capital?\n\nIt was not inevitable. Florence’s Sala Bianca had been the main showcase for foreign buyers in the 1950s and 60s. Through the 1970s a new ready-to-wear generation chose Milan for industrial and textile infrastructure — Giorgio Armani founded his house there in 1975, Gianni Versace in 1978 — and the centre of gravity moved.\n\nThat history is why Milan still reads as houses rather than a graduate circus. If you are scouting raw new faces, look at London and the emerging circuit as well; if you are scoring blue-chip runway, Milan is often where the evidence is densest.\n\n## Who should skip Milan Fashion Week?\n\nSkip it if you need couture’s legal designation, or if you are treating one house’s show as the whole week’s beauty credit. Use it for craft, heritage casts and campaign-adjacent runway. For finishes, wait until Paris has closed the month before declaring a season.\n\nAs elsewhere, you do not buy a legitimate walk. Agencies and casting directors book Milan; Instagram producers do not.\n\nNor do you buy a seat. CNMI states that Milano Fashion Week events are accessible by invitation only and warns against third parties advertising tickets or services; it streams shows at milanofashionweek.cameramoda.it instead.\n\n## Common questions\n\n### When is Milan Fashion Week?\n\nTwice a year — typically February/March and September — third in the Big Four order, after London and before Paris. Check the current event page for the edition’s dates.\n\n### What is Milan Fashion Week known for?\n\nMajor Italian houses, glamour, and craftsmanship in tailoring and leather. It is coordinated by Camera Nazionale della Moda Italiana.\n\n### Is Milan Fashion Week open to the public?\n\nNot the official events. Camera Nazionale della Moda Italiana says Milano Fashion Week events are accessible by invitation only and warns against third-party ticket sellers. Shows stream at milanofashionweek.cameramoda.it.\n\n### Was Milan always Italy’s fashion capital?\n\nNo. Florence’s Sala Bianca led for foreign buyers in the 1950s–60s. Ready-to-wear houses concentrating in Milan in the 1970s — including Armani (1975) and Versace (1978) — shifted the centre of gravity.\n\n## Sources\n\n- [Milan Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Milan_Fashion_Week) (checked 13 Aug 2026)\n- [CNMI — Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/) (checked 1 Oct 2026)\n- [CNMI — Milano Fashion Week live](https://milanofashionweek.cameramoda.it/it) (checked 1 Oct 2026)\n- [Cast Index — MFW 2026](https://thecastindex.com/events/milan-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Milan Fashion Week 2026](https://thecastindex.com/events/milan-fashion-week-2026)\n- [Milan desk](https://thecastindex.com/markets/italy)\n- [The fashion week calendar](https://thecastindex.com/guide/fashion-week-calendar-explained)\n- [Casting ledger](https://thecastindex.com/casting)\n"},{"url":"https://thecastindex.com/guide/model-height-requirements","markdownUrl":"https://thecastindex.com/guide/model-height-requirements.md","title":"Model height requirements: what agencies actually say","lastmod":"2026-10-01","sha256":"febfb5a0e6c2ca4e1045cc85be71e872ef4ce36f6df7af5655fa0117f76535f9","bytes":9379,"markdown":"# Model height requirements: what agencies actually say\n\n> Is there a minimum height to be a model? We read the application pages of IMG, Elite, Storm, Next, Premier and five more London agencies. None states one.\n\n- Canonical: https://thecastindex.com/guide/model-height-requirements\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Careers\n\nSearch for “model height requirements” and you will find confident numbers with no source. We went to the source instead: the application pages of 10 London agencies, read on 1 October 2026, and the UK trade body’s own guidance. This is exactly what they say — and what they do not.\n\n## The short answer\n\nNo industry-wide minimum height is published. On 1 October 2026 none of 10 London agency application pages — IMG, Elite, Storm, Next and Premier among them — stated one, though most ask for your height. Agencies still decide case by case. The only published figure we found is the BFMA’s 172 cm guide for curve modelling.\n\n## At a glance\n\n- **Industry-wide minimum:** None published\n- **Agency pages read:** 10 London offices\n- **Pages stating a minimum:** 0 of 10\n- **Checked:** 1 October 2026\n\n## Is there a minimum height to be a model?\n\nNo industry-wide minimum is published. Of the 10 London agency application pages we read on 1 October 2026 — including IMG, Elite, Storm, Next, Premier and Select — none states a minimum height, though most ask for yours. The British Fashion Model Agents Association says its member agencies rarely restrict talent by height.\n\nAsking for a measurement is not the same as setting a threshold. The forms want your height alongside natural photos; none of the pages explains how it is weighed, and we will not guess.\n\nAdvice online often attributes fixed height ranges to big agencies. We could not find those figures on any of the agency pages we read, so we do not repeat them.\n\n## What do IMG, Elite, Storm and other agencies say about height?\n\nEach agency below was read on its own website on 1 October 2026. Where a form asks for your height, we say so; where a page states a minimum, we would quote it — none did. Agencies change their pages, so read the live one before you apply.\n\nThe same pages are clear about money: Storm says there is no fee to apply or sign, and IMG and Next say they never require payment. Our London agencies page has each office’s address, walk-in hours and published safety warnings.\n\n| Agency (London office) | What its application page says about height | Apply at |\n| --- | --- | --- |\n| Elite Model Management London | The form asks for your height. The page states no minimum. | elitemodelmanagement.com/london/get-scouted.web |\n| IMG Models London | The Get Scouted page states no height requirement. | getscouted.imgmodels.com |\n| Storm Management | Height is a required field on the application. The page states no minimum. | stormmanagement.com/apply-to-become-a-model |\n| Premier Model Management | The form asks for your height. The page states no minimum. | premiermodelmanagement.com/become |\n| Select Model Management London | The apply and advice pages state no height requirement. | apply.selectmodel.com |\n| Next Management London | Height is a required field on the recruitment form. The page states no minimum. | nextmanagement.com/recruitment |\n| Models 1 | The apply page asks for three phone photos and states no height requirement. | models1.co.uk/apply |\n| MiLK Model Management | The form asks for your height. The page states no minimum. | milkmanagement.co.uk/apply |\n| The Squad | The form asks for your height. The page states no minimum and says professional photos are not needed. | thesquadmanagement.com/join-the-squad |\n| VIVA London | Height is a required field on the form. The page states no minimum. | viva-paris.com/become |\n\n## How tall are the models on the Global 50?\n\nWikidata records a height for 36 of the 50 models on the current Global 50 (snapshot 5 October 2026). Those recorded heights run from 162 cm (5 ft 4 in) to 185 cm (6 ft 1 in), with a median of 177 cm. That describes one ranked list of established names, not a rule for who gets signed.\n\nWikidata is an open, editable database, and a recorded height is not an independent measurement. We show the figures exactly as recorded and never estimate a missing one; each model profile shows its own source.\n\nHeight is not part of the Index Rating. The score is built from runway, campaign, editorial and cultural evidence, as the methodology explains.\n\n## Does the height you need depend on the kind of modelling?\n\nSometimes, by the trade body’s own account. The BFMA’s category guide gives a minimum of 172 cm (5 ft 8 in) for curve modelling — the only published figure we found. For commercial print and e-commerce it says brands choose models to suit their customers. None of the agency pages we read publishes a separate runway minimum.\n\nSo this guide gives no runway figure. If you see one quoted without a source, treat it as unsourced.\n\n## What should you do if you think you are too short?\n\nApply anyway, through the agency’s own form: every page we checked accepts online applications without a stated minimum, and applying costs nothing. Storm’s FAQ says there is no fee to apply or sign. If one agency passes, the BFMA says walk-in applicants are often pointed to agencies that suit their look better.\n\nDo not pay anyone who promises to make you “agency height” or to place you regardless. In the UK, agencies cannot charge models upfront fees for finding work.\n\nWe do not publish height-and-weight charts or body targets. Our wellbeing desk covers body image and the pressure of chasing numbers.\n\n## Common questions\n\n### Is there a height requirement to be a model?\n\nThere is no published industry-wide minimum. None of the 10 London agency application pages we read on 1 October 2026 states one, though most ask for your height. The BFMA says its members rarely restrict talent by height.\n\n### What is the IMG Models height requirement?\n\nIMG’s Get Scouted application page, read on 1 October 2026, states no height requirement. IMG says it never requires payment and never asks for nude or lingerie photos.\n\n### What is the Elite Model Management height requirement?\n\nElite London’s Get Scouted form asks for your height but, when we read it on 1 October 2026, stated no minimum.\n\n### Can you be a model at 5'7\" or shorter?\n\nNo agency page we checked rules it out: none of the 10 London application pages states a minimum height, and agencies decide case by case. The only published figure we found is the BFMA’s 172 cm (5 ft 8 in) guide for curve modelling.\n\n### Do curve models have a height requirement?\n\nThe BFMA’s category guide gives a minimum of 172 cm (5 ft 8 in) for curve modelling. None of the London agency pages we read states its own figure.\n\n### Why is there no height and weight chart here?\n\nBecause none of the agency pages we checked publishes one, and we do not invent figures. The Cast Index does not publish weight or body-measurement targets.\n\n## Sources\n\n- [Elite Model Management London — application page](https://elitemodelmanagement.com/london/get-scouted.web) (checked 1 Oct 2026)\n- [IMG Models London — application page](https://getscouted.imgmodels.com/) (checked 1 Oct 2026)\n- [Storm Management — application page](https://www.stormmanagement.com/apply-to-become-a-model/) (checked 1 Oct 2026)\n- [Premier Model Management — application page](https://www.premiermodelmanagement.com/become/) (checked 1 Oct 2026)\n- [Select Model Management London — application page](https://apply.selectmodel.com/) (checked 1 Oct 2026)\n- [Next Management London — application page](https://nextmanagement.com/recruitment) (checked 1 Oct 2026)\n- [Models 1 — application page](https://www.models1.co.uk/apply) (checked 1 Oct 2026)\n- [MiLK Model Management — application page](https://www.milkmanagement.co.uk/apply) (checked 1 Oct 2026)\n- [The Squad — application page](https://www.thesquadmanagement.com/join-the-squad) (checked 1 Oct 2026)\n- [VIVA London — application page](https://www.viva-paris.com/become/) (checked 1 Oct 2026)\n- [Storm — walk-ins and FAQ](https://www.stormmanagement.com/info/) (checked 1 Oct 2026)\n- [IMG Models — recruitment warning](https://imgmodels.com/recruitmentwarning/) (checked 1 Oct 2026)\n- [BFMA — do I have what it takes?](https://bfma.fashion/what-it-takes/) (checked 1 Oct 2026)\n- [BFMA — what kind of modelling can I do?](https://bfma.fashion/what-kind-of-modelling-can-i-do/) (checked 1 Oct 2026)\n- [BFMA — starting out as a model](https://bfma.fashion/starting-out-as-a-model/) (checked 1 Oct 2026)\n- [GOV.UK — fees for fashion and photographic models](https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models) (checked 1 Oct 2026)\n- [Wikidata (model heights as recorded)](https://www.wikidata.org/) (checked 5 October 2026)\n- [The Cast Index — methodology](https://thecastindex.com/methodology) (checked 1 Oct 2026)\n\n## Related\n\n- [How to become a model in the UK](https://thecastindex.com/guide/how-to-become-a-model)\n- [Modelling agencies in London](https://thecastindex.com/agencies/london)\n- [Body image and social media](https://thecastindex.com/wellbeing/body-image-and-social-media)\n- [Live Global 50](https://thecastindex.com/rankings)\n"},{"url":"https://thecastindex.com/guide/modelling-under-18","markdownUrl":"https://thecastindex.com/guide/modelling-under-18.md","title":"Modelling under 18: what you need to know","lastmod":"2026-08-13","sha256":"1f49055e37b339fae6d7ff95c6d6cad0b7a724e48a4caa5466a99adfca655628","bytes":3662,"markdown":"# Modelling under 18: what you need to know\n\n> Extra protections for young models, how to start safely, and why The Cast Index is 18+ for submissions.\n\n- Canonical: https://thecastindex.com/guide/modelling-under-18\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: Careers\n\nPlenty of models start young — but if you’re under 18, the rules are, and should be, stricter. Here’s how to start safely, and one policy to know up front: The Cast Index does not accept profile submissions or nominations from anyone under 18.\n\n## The short answer\n\nYoung people can model, but only with extra safeguards: a parent or guardian in every step, a reputable agency’s youth division, and no upfront fees. The Cast Index does not accept listings or nominations from anyone under 18. Skip any scout who wants to meet you alone or be paid first.\n\n## At a glance\n\n- **Our policy:** 18+ only for submissions\n- **Always:** A parent or guardian involved\n- **Route:** A reputable agency’s youth division\n- **Never:** Pay upfront or go it alone\n\n## Why are the rules stricter for young models?\n\nBecause the work includes travel, images, long days and adults you do not know. Safeguards include parental or guardian consent, chaperones at castings and shoots, limits on working hours, and protection of education. Exact rules vary by country. The principle does not: a responsible adult is involved and welfare comes first.\n\nCheck local child-employment and performance regulations rather than copying another market’s rumour. If a contact is impatient about that check, that is information.\n\n## How do you start modelling safely under 18?\n\nUse a reputable agency with a dedicated youth or new-faces division. A parent or guardian should be present at every meeting, casting and shoot, and should read anything before you sign. As with adults, a reputable agency never asks you to pay to be signed.\n\nNever share your address, school or financial details with an unverified contact. Do not meet anyone alone. If something feels off, it usually is.\n\n## Why does The Cast Index refuse under-18 submissions?\n\nTo protect young people. We do not accept profile submissions, paid listings or People’s Choice nominations from anyone under 18. If you are under 18, build experience through a reputable agency with a parent or guardian — and come to us when you are 18 or over.\n\nThis is not a comment on talent. It is a hard line on how this editorial platform handles personal data and public profiles.\n\n## Common questions\n\n### Can you model if you’re under 18?\n\nYes, many models start young — but with extra protections: parental or guardian consent, chaperones, limits on hours, and safeguards for your education. Rules vary by country, and you should always work through a reputable agency with a guardian involved.\n\n### Can I submit my details to The Cast Index if I’m under 18?\n\nNo. To protect young people, The Cast Index does not accept profile submissions, paid listings, or nominations from anyone under 18.\n\n### Do I need a parent or guardian?\n\nYes. If you’re under 18, a parent or guardian should be involved in every step — meetings, castings, shoots, and any contract — and should read anything before you sign.\n\n## Sources\n\n- [The Cast Index — Terms](https://thecastindex.com/legal/terms) (checked 13 Aug 2026)\n- [Model (person) — Wikipedia](https://en.wikipedia.org/wiki/Model_(person)) (checked 13 Aug 2026)\n\n## Related\n\n- [Modelling at fashion week: the complete guide](https://thecastindex.com/guide/fashion-week-modelling-guide)\n- [How to become a model in the UK](https://thecastindex.com/guide/how-to-become-a-model)\n"},{"url":"https://thecastindex.com/guide/new-york-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/new-york-fashion-week-guide.md","title":"New York Fashion Week: the insider guide","lastmod":"2026-08-13","sha256":"1f009ed269cfaa725c27f35c2bd3075453d3ab8658759b8b89942fe1fc0759a9","bytes":5188,"markdown":"# New York Fashion Week: the insider guide\n\n> Who runs NYFW, when it happens, why it opens the season, and who should skip the tents-and-celebrities version of the story.\n\n- Canonical: https://thecastindex.com/guide/new-york-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: City guide\n\nNew York Fashion Week opens the international season each February and September. It’s the most commercial of the Big Four — the home of American sportswear and ready-to-wear — and it’s also the oldest: the very first coordinated fashion week was held here in 1943.\n\n## The short answer\n\nNew York Fashion Week opens the international ready-to-wear season each February and September. It is the most commercial of the Big Four — American sportswear and ready-to-wear — and the oldest coordinated week, begun as Press Week in 1943. Skip this guide if you only need this edition’s dates; use the live event page.\n\n## At a glance\n\n- **When:** Feb (AW) · Sept (SS)\n- **Order:** Opens the Big Four\n- **Known for:** Sportswear & ready-to-wear\n- **Origin:** Press Week, 1943\n\n## When is New York Fashion Week?\n\nNew York shows first each ready-to-wear season — September for the following Spring/Summer, February for the following Autumn/Winter — before London, Milan and Paris. Exact dates move. For AW26 the CFDA sheet ran 11–16 February 2026 across more than 60 shows and presentations. Always re-check the live event page.\n\nThe week is no longer a single tent city. After Bryant Park (1993) and Lincoln Center (2010), the primary venue shifted to Spring Studios in Lower Manhattan in 2015, with shows staged across the city.\n\n## Who created New York Fashion Week, and who runs it now?\n\nPublicist Eleanor Lambert created Press Week in 1943 for the New York Dress Institute, to redirect coverage toward American designers when wartime travel cut off Paris. In 1993 the CFDA consolidated scattered shows as “7th on Sixth” in Bryant Park. Commercial production later passed through IMG. The CFDA still publishes the official calendar.\n\nLambert’s brief was explicit: American design had been ignored in favour of French collections. The strategy worked — Vogue and peers began featuring American names in the seasons that followed.\n\nIn December 2025 the CFDA announced that official NYFW events would prohibit animal fur from September 2026, aligning New York with London’s 2018 fur-free policy. That is a calendar rule, not a street-style rumour.\n\n## What is New York Fashion Week known for?\n\nA commercial, sportswear-led ready-to-wear engine rather than couture theatre. It is where American houses meet wholesale reality first each season. It is not the most experimental Big Four stop (that is London) and it is not couture (that is Paris in January and July).\n\nIf you are tracking faces, NYFW is often where a season’s American commercial cast is visible first. If you are tracking finishes, wait until the month’s other cities have shown before declaring a “season look” from New York alone.\n\n| Use NYFW for | Do not use NYFW for |\n| --- | --- |\n| Opening-season commercial cast | Haute couture credits |\n| American sportswear and RTW direction | A public ticket to every show |\n| CFDA calendar and fur-free policy from Sept 2026 | A guaranteed celebrity front row |\n\n## Who should skip New York Fashion Week coverage?\n\nSkip it if you need couture, if you need a consumer festival, or if you are quoting last year’s dates as this year’s. Use the Cast Index event page for the edition in front of you, and the ranking plus casting ledger for who actually walked.\n\nA paid “NYFW ticket” from an unverified seller is the same scam pattern as anywhere else on the circuit. Official seats are allocated, not retailed to Instagram.\n\n## Common questions\n\n### When is New York Fashion Week?\n\nTwice a year — typically September (for the following spring/summer) and February (for the following autumn/winter) — opening the international season ahead of London, Milan and Paris. Check the current event page for the edition’s dates.\n\n### What is New York Fashion Week known for?\n\nIt is the most commercial of the Big Four, historically associated with American sportswear and ready-to-wear, and it was the first coordinated fashion week, established as Press Week in 1943.\n\n### Who organises New York Fashion Week?\n\nThe modern official calendar is published by the Council of Fashion Designers of America (CFDA). The week’s production history includes the 1993 “7th on Sixth” consolidation and a later commercial period under IMG.\n\n## Sources\n\n- [New York Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/New_York_Fashion_Week) (checked 13 Aug 2026)\n- [Cast Index — NYFW 2026](https://thecastindex.com/events/new-york-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [New York Fashion Week 2026](https://thecastindex.com/events/new-york-fashion-week-2026)\n- [New York desk](https://thecastindex.com/markets/united-states)\n- [The fashion week calendar](https://thecastindex.com/guide/fashion-week-calendar-explained)\n- [What is Fashion Week?](https://thecastindex.com/guide/what-is-fashion-week)\n"},{"url":"https://thecastindex.com/guide/paris-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/paris-fashion-week-guide.md","title":"Paris Fashion Week: the insider guide","lastmod":"2026-10-01","sha256":"51cffde0c1ac900e5d6af72cbddb890b817dd9d505945b25cd8018dfce02e1f9","bytes":6227,"markdown":"# Paris Fashion Week: the insider guide\n\n> When Paris Fashion Week runs, who organises it (FHCM), how couture differs from ready-to-wear, and why there are no public tickets to the main shows.\n\n- Canonical: https://thecastindex.com/guide/paris-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: City guide\n\nParis Fashion Week closes the Big Four each season and is widely regarded as its pinnacle — the home of luxury, heritage houses, and haute couture. Ready-to-wear and couture are related, and they are not the same week.\n\n## The short answer\n\nParis Fashion Week closes the Big Four and is the luxury-house summit of ready-to-wear, organised by the Fédération de la Haute Couture et de la Mode. Haute couture is a separate, legally protected calendar in January and July. Skip this guide if you only need one edition’s 100-show sheet — use the event page.\n\n## At a glance\n\n- **When (RTW):** Late Feb–Mar (AW) · Sept–Oct (SS)\n- **Order:** Closes the Big Four\n- **Organiser:** Fédération de la Haute Couture et de la Mode\n- **Couture:** Separate: January & July\n\n## When is Paris Fashion Week — and when is couture?\n\nReady-to-wear Paris Fashion Week closes the season: late February to early March for autumn/winter, late September to early October for spring/summer. Haute couture is shown separately, typically January and July. For AW26 women’s RTW the FHCM sheet ran 2–10 March 2026. Couture SS26 ran 26–29 January; couture AW26 ran 6–9 July.\n\nEach RTW season now features upward of 100 official shows and presentations, plus off-schedule work. Couture is smaller by design: made-to-measure, membership-gated, not a scaled-down fashion week.\n\nThe FHCM’s published dates: womenswear SS27 ran 28 September–6 October 2026; womenswear AW27 is 1–9 March 2027; menswear AW27 is 19–24 January 2027; and haute couture SS27 is 25–28 January 2027. In all, the federation coordinates six official weeks a year: two womenswear, two menswear and two haute couture.\n\n## Who runs Paris Fashion Week?\n\nThe Fédération de la Haute Couture et de la Mode, whose lineage traces to the Chambre Syndicale de la Couture Parisienne (1868). The modern unified ready-to-wear week is often dated to the October 1973 Versailles fundraising gala — five French couturiers against five American RTW designers — organised with input from Eleanor Lambert, who had created New York’s Press Week thirty years earlier.\n\nCouture remains a legally protected designation in France. A 1945 update requires qualifying houses to present at least 35 original looks each season, covering day and evening. Guest and correspondent members are invited without the same binding obligations. Do not call a ready-to-wear show “couture” because it was dramatic.\n\n## What is Paris Fashion Week known for?\n\nLuxury heritage houses and the close of the international month — the last chance for a season’s face and finish to be set before retail lag. AW26 RTW was watched for Jonathan Anderson’s second Dior womenswear collection and Matthieu Blazy’s second for Chanel, after both men’s couture debuts earlier in 2026.\n\nIf you are scoring runway prestige, Paris is often the densest evidence. If you are scouting a first walk, Paris is a late, expensive, and usually agency-gated room. Rising still matters; a first Paris walk is a result, not a starter kit.\n\n## Who should skip Paris Fashion Week hype?\n\nSkip it if you think every Paris show is haute couture, if you need a public ticket, or if you are buying a “PFW package.” Use RTW week for house casts and season finishes; use couture week for the legally defined ateliers. Cite the event URL that matches the calendar you mean.\n\nThe Cast Index keeps couture and RTW as separate event records for that reason. Mixing them in a model profile would be a sourcing error, not a vibe.\n\nOn tickets, the FHCM’s official calendar marks physical shows “by invitation”; many of the same shows carry a “Livestream” label and stream at fhcm.paris. That stream is the honest public seat.\n\n## Common questions\n\n### When is Paris Fashion Week?\n\nReady-to-wear Paris Fashion Week closes the season, typically late September to early October (spring/summer) and late February to early March (autumn/winter). The FHCM lists womenswear AW27 for 1–9 March 2027. Haute couture is shown separately, usually in January and July.\n\n### How many Paris Fashion Weeks are there a year?\n\nSix official weeks, coordinated by the FHCM: two womenswear ready-to-wear weeks, two menswear weeks and two haute couture weeks.\n\n### Can you buy Paris Fashion Week tickets?\n\nNo. The FHCM’s official calendar marks physical shows “by invitation”. Many shows are livestreamed at fhcm.paris instead.\n\n### What is Paris Fashion Week known for?\n\nParis is regarded as the pinnacle of the Big Four — the home of luxury heritage houses. Haute couture is a legally protected term in France and runs on its own calendar.\n\n### Is couture the same as Paris Fashion Week?\n\nNo. Couture is a smaller, membership-based, made-to-measure calendar under the same federation. Ready-to-wear week is the large citywide RTW sheet that closes the Big Four.\n\n## Sources\n\n- [Paris Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Paris_Fashion_Week) (checked 13 Aug 2026)\n- [FHCM — upcoming seasons and previous editions](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) (checked 1 Oct 2026)\n- [FHCM — Paris Fashion Week calendar](https://www.fhcm.paris/en/paris-fashion-week) (checked 1 Oct 2026)\n- [Cast Index — PFW 2026](https://thecastindex.com/events/paris-fashion-week-2026) (checked 13 Aug 2026)\n- [Cast Index — Paris couture AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Paris Fashion Week 2026](https://thecastindex.com/events/paris-fashion-week-2026)\n- [Can you buy fashion week tickets?](https://thecastindex.com/guide/fashion-week-tickets)\n- [Paris desk](https://thecastindex.com/markets/france)\n- [What is Fashion Week?](https://thecastindex.com/guide/what-is-fashion-week)\n- [Runway beauty explained](https://thecastindex.com/guide/runway-beauty-explained)\n"},{"url":"https://thecastindex.com/guide/runway-beauty-explained","markdownUrl":"https://thecastindex.com/guide/runway-beauty-explained.md","title":"What is runway beauty? Hair, makeup and the season’s looks","lastmod":"2026-08-13","sha256":"4232bd299ff41438010d0a7a4e5c8c73ecd3f39c7cf4450a3201a164246c6768","bytes":4335,"markdown":"# What is runway beauty? Hair, makeup and the season’s looks\n\n> How show hair and makeup are decided, who leads them, and how a look travels from runway to shelf — without pretending we tested every product.\n\n- Canonical: https://thecastindex.com/guide/runway-beauty-explained\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: Beauty\n\nBefore a single garment is analysed, a show’s beauty tells you its mood. Runway beauty — the hair and makeup created for a fashion show — is a discipline of its own, led by specialist artists, and it’s where many of the beauty trends you’ll see everywhere begin.\n\n## The short answer\n\nRunway beauty is the hair and makeup designed for a fashion show by lead artists with the designer, then recreated on every model by a backstage team. It sets the show’s mood and often previews the season’s beauty language. Skip this if you want a 40-product haul; the desk publishes short kits tied to finishes, with desk-review disclosures.\n\n## At a glance\n\n- **What it is:** A show’s hair & makeup direction\n- **Who leads it:** Lead makeup & hair artists\n- **Where trends start:** Runway → editorial → shelf\n- **Tracked by:** The Cast Index Beauty desk\n\n## Who creates the makeup and hair at a fashion show?\n\nEach show has a lead makeup artist and a lead hair stylist who design one beauty look with the designer, then direct a backstage team to recreate it on every model, fast, under pressure. Nail artists often complete the picture. The Cast Index credits these specialists in the Creatives directory and on shows — not as a single “week makeup artist.”\n\nA fashion week does not have one beauty team. House-appointed artists change by show. If a recap assigns one name to an entire city week, treat it as shorthand, not a credit.\n\n## How is a season’s beauty direction set?\n\nA season’s beauty mood emerges from what the major shows do collectively — wet-look hair here, skin-first complexion there, graphic liner somewhere else. Because a small group of lead artists work across many houses, directions spread quickly, and a city can come to define a season’s face language.\n\nThe Season Beauty Index ranks those finishes with confidence labels and fashion-week context. It is not a claim that one artist authored every look, and it is not a paid shelf.\n\n## How does a runway look reach the beauty aisle?\n\nA look that dominates the shows is interpreted by editors, then by brands, and reaches consumers as products and how-tos months later. Watching the runway is a preview of the aisle, not a same-week shopping list. Kits on this site exist to interpret a named finish, with affiliate labels when a link is commercial.\n\nIf a product cannot serve a finish, it stays out of the edit. That is the same “say no” rule the rest of the Index uses on rankings: money does not buy inclusion.\n\n## Common questions\n\n### What is runway beauty?\n\nRunway beauty is the hair and makeup created for a fashion show — designed by a lead makeup artist and a lead hair stylist with the designer, then recreated on every model by a backstage team. It sets the show’s mood and often starts the season’s beauty trends.\n\n### Who does the makeup at fashion shows?\n\nEach show has a lead makeup artist (and a lead hair stylist, and often a nail artist) who designs the look and directs a backstage team. The Cast Index credits these artists on shows and lists them in its Creatives directory.\n\n### Do runway beauty trends reach ordinary consumers?\n\nYes — a look that dominates the runway is usually interpreted by editors and brands and reaches consumers as products and tutorials months later.\n\n### Are Cast Index product pages hands-on tests?\n\nNo, unless a page explicitly says so. They are evidence-led desk reviews of official specifications and named sources, with a visible method note.\n\n## Sources\n\n- [Make-up artist — Wikipedia](https://en.wikipedia.org/wiki/Make-up_artist) (checked 13 Aug 2026)\n- [Season Beauty Index](https://thecastindex.com/beauty) (checked 13 Aug 2026)\n- [Creatives directory](https://thecastindex.com/creatives) (checked 13 Aug 2026)\n\n## Related\n\n- [The Beauty desk](https://thecastindex.com/beauty)\n- [Creatives — makeup & hair](https://thecastindex.com/creatives)\n- [Finish Finder](https://thecastindex.com/beauty/finder)\n"},{"url":"https://thecastindex.com/guide/sao-paulo-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/sao-paulo-fashion-week-guide.md","title":"São Paulo Fashion Week: the insider guide","lastmod":"2026-08-13","sha256":"c0cd1e4eb705c0aea121aa77636e6c2ca9dbde50167efbe7273b3bc2fcdd1d09","bytes":3678,"markdown":"# São Paulo Fashion Week: the insider guide\n\n> Latin America’s pre-eminent week: 1995 founding, 2009 diversity quotas, and how 2026’s October edition sits next to Rio.\n\n- Canonical: https://thecastindex.com/guide/sao-paulo-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: City guide\n\nSão Paulo Fashion Week, founded in 1995, is Latin America’s pre-eminent fashion event and Brazil’s flagship showcase for design and casting.\n\n## The short answer\n\nSão Paulo Fashion Week, founded in 1995 by Paulo Borges and organised by Grupo Luminosidade, is Latin America’s pre-eminent fashion event. It introduced binding runway diversity quotas in 2009. Since Rio Fashion Week’s 2026 debut it runs as a single October edition. Skip a map that starts and ends in Europe.\n\n## At a glance\n\n- **City:** São Paulo, Brazil\n- **Founded:** 1995 · Paulo Borges\n- **Known for:** Diversity policy & Brazilian design\n- **Now:** Single October edition (from 2026)\n\n## What is São Paulo Fashion Week?\n\nBrazil’s flagship week and Latin America’s pre-eminent fashion event, founded in 1995 by Paulo Borges and organised by Grupo Luminosidade. It has run semi-annually for most of its life and anchors Brazil as the region’s largest fashion and textile market. From 2026 it consolidates to a single October edition after Rio Fashion Week’s debut earlier in the year.\n\nThe two Brazilian weeks are now complementary rather than overlapping. Cite the edition you mean; “Brazil fashion week” is not a precise name.\n\n## What is São Paulo Fashion Week known for besides design?\n\nCasting policy. In 2009 it became one of the first major weeks to introduce binding diversity quotas, requiring at least 10% of models in any runway show to be Black or Indigenous, after pressure from anti-racism groups and prosecutors. In 2019 Sam Porto became the first transgender man to walk in the event’s history.\n\nThose facts are why SPFW belongs in a global casting conversation, not only a regional design one. They predated many later diversity pledges elsewhere.\n\n## Who should skip São Paulo — and who should not?\n\nSkip it only if your brief is strictly European heritage houses this month. Do not skip it if you cover Latin American design, runway diversity policy, or new faces. Rising is built for this geography. The no-pay-to-walk rule is the same as Paris.\n\nFor who walked a given edition, use the event page and ledger, not a decade-old quota headline as if it were this year’s cast list.\n\n## Common questions\n\n### Where is São Paulo Fashion Week held?\n\nSão Paulo, Brazil. It is Latin America’s pre-eminent fashion event, founded in 1995 by Paulo Borges.\n\n### What is São Paulo Fashion Week known for?\n\nBrazilian design, a broad casting, and its 2009 binding quotas requiring at least 10% Black or Indigenous models on any runway — among the first such rules at a major week.\n\n### Is São Paulo Fashion Week still twice a year?\n\nFrom 2026 it runs as a single October edition, after Rio Fashion Week debuted earlier in the year as a complementary Brazilian week.\n\n## Sources\n\n- [São Paulo Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/S%C3%A3o_Paulo_Fashion_Week) (checked 13 Aug 2026)\n- [Cast Index — SPFW 2026](https://thecastindex.com/events/sao-paulo-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [São Paulo Fashion Week 2026](https://thecastindex.com/events/sao-paulo-fashion-week-2026)\n- [São Paulo desk](https://thecastindex.com/markets/brazil)\n- [Rising — new faces](https://thecastindex.com/rising)\n- [How to read the Cast Index](https://thecastindex.com/guide/how-to-read-the-cast-index)\n"},{"url":"https://thecastindex.com/guide/seoul-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/seoul-fashion-week-guide.md","title":"Seoul Fashion Week: the insider guide","lastmod":"2026-10-01","sha256":"e42ec6dac4dbf03977f42eb97909881d1bb3a4935830287fb2b25810b3557332","bytes":6745,"markdown":"# Seoul Fashion Week: the insider guide\n\n> Seoul Fashion Week SS27 ran 1–6 September 2026 at DDP and Lotte World Tower: who runs it, how the public can attend, and why it is not a Big Four city.\n\n- Canonical: https://thecastindex.com/guide/seoul-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: City guide\n\nSeoul Fashion Week (서울패션위크) is the week the Big Four still under-cover and K-beauty retailers never explain. It is a trade platform for Korean design, heavily inflected by street fashion and by the global reach of K-pop and K-drama, staged in a city that also supplies some of the faces on the Global 50.\n\n## The short answer\n\nSeoul Fashion Week is a biannual week organised by the Seoul Metropolitan Government. It launched in 2000 and uses Dongdaemun Design Plaza as its professional hub; the SS27 edition ran 1–6 September 2026 and added Lotte World Tower as a public-facing venue. Skip this if you only need a Paris credit sheet.\n\n## At a glance\n\n- **When:** Biannual · SS27: 1–6 Sep 2026\n- **Venue:** DDP (+ Lotte World Tower, SS27)\n- **Organiser:** Seoul Metropolitan Government\n- **Origin:** Launched 2000\n\n## When is Seoul Fashion Week?\n\nTwice a year, on the city’s own calendar. The SS27 edition ran Tuesday 1 to Sunday 6 September 2026, the Seoul Metropolitan Government announced, with Dongdaemun Design Plaza (DDP) as the professional hub and, for the first time, Lotte World Tower in Jamsil hosting the opening runway. Use the live event page, not this guide, for the next edition.\n\nUnlike the Big Four, Seoul is not locked to the New York–London–Milan–Paris September/February relay as a fifth stop. It runs on the city’s own calendar. Do not quote last year’s dates as this year’s.\n\n## Who organises Seoul Fashion Week, and when did it start?\n\nThe Seoul Metropolitan Government (SMG), which calls it Seoul’s leading global fashion business event. It launched in 2000 as a government-backed initiative to put Korean fashion on a global stage; by SMG’s count, 367 brands have presented 2,247 runway shows since then. Wikipedia credits the Seoul Design Foundation, an SMG body, with running it.\n\nThat civic backing is the opposite of a privately produced tent city. It is also why SFW belongs in a casting conversation: the week is policy as well as runway. Wikipedia records a 2015 restructure that put more weight on local talent and Korean designers’ international presence; SMG described 2026 as the event’s 26th anniversary.\n\nDongdaemun Design Plaza (DDP) is the standing main venue. Street fashion around Dongdaemun is part of the week’s public image; it is not a substitute for the official schedule.\n\n## What is Seoul Fashion Week known for?\n\nKorean design, street-fashion adjacency, and a gateway for local labels into international markets. Media coverage from Vogue, Business of Fashion and others has grown; that still does not make Seoul a Big Four city. K-fashion and K-beauty travel together in culture — they are not the same desk job.\n\nFor faces, SFW is where Korean-nationality models are visible at home as well as in Paris. For finishes, do not declare a “Seoul look” from street snaps alone; the Season Beauty Index assigns finishes to verified weeks with evidence.\n\nK-beauty products in the Cast Index archive (Laneige, COSRX, Beauty of Joseon) are origin-market prep for season finishes. They are not show credits for SFW. Open the Seoul world desk for both in one place.\n\n| Use SFW for | Do not use SFW for |\n| --- | --- |\n| Korean design and domestic casting | A Big Four date sheet |\n| DDP as the standing venue | A public ticket to every show |\n| SS27’s public runway at Lotte World Tower | A K-beauty storefront |\n\n## Who should skip Seoul Fashion Week coverage?\n\nSkip it only if your brief is strictly European heritage houses this month. Do not skip it if you cover K-fashion, Korean faces, or the relationship between Seoul’s week and K-beauty culture. The no-pay-to-walk rule is the same as Paris.\n\nA paid “Seoul Fashion Week ticket” from an unverified seller is the same scam pattern as anywhere else on the circuit. Official seats are allocated.\n\n## Can you get tickets to Seoul Fashion Week?\n\nNot by buying them from a stranger. For SS27, SMG said it was turning the week from an industry event into a festival: Lotte World Tower became a public-facing venue with an outdoor runway, major shows were livestreamed on the official Seoul Fashion Week YouTube channel, and show tickets were given away on the official Instagram, two per winner.\n\nDDP Art Hall hosted 17 designer runways and eight presentations, with 97 brands in the trade show, according to SMG’s announcement. Those runways remain the professional programme; the public routes are the ones SMG runs itself. Check the official site and Instagram (@seoulfashionweek_official) before the next edition.\n\n## Common questions\n\n### When is Seoul Fashion Week 2026?\n\nThe SS27 edition ran 1–6 September 2026 at Dongdaemun Design Plaza and Lotte World Tower, according to the Seoul Metropolitan Government. Check the live event page for the next edition.\n\n### Who organises Seoul Fashion Week?\n\nThe Seoul Metropolitan Government. The week launched in 2000.\n\n### Can you get tickets to Seoul Fashion Week?\n\nFor SS27, the Seoul Metropolitan Government gave show tickets away through the official Seoul Fashion Week Instagram account, two per winner, ran a public-facing outdoor runway at Lotte World Tower and livestreamed major shows on YouTube.\n\n### Is Seoul part of the Big Four?\n\nNo. The Big Four are New York, London, Milan and Paris. Seoul is a major Asian week with its own civic organiser and calendar.\n\n## Sources\n\n- [Seoul Metropolitan Government — SS27 Seoul Fashion Week (21 Aug 2026)](https://english.seoul.go.kr/seoul-fashion-week-to-connect-ddp-and-lotte-world-tower-turning-seoul-landmarks-into-runways/) (checked 1 Oct 2026)\n- [Seoul Fashion Week — official site](https://www.seoulfashionweek.org/enpg/fawk/main.do) (checked 1 Oct 2026)\n- [Seoul Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Seoul_Fashion_Week) (checked 13 Aug 2026)\n- [Cast Index — Seoul Fashion Week 2026](https://thecastindex.com/events/seoul-fashion-week-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Seoul Fashion Week 2026](https://thecastindex.com/events/seoul-fashion-week-2026)\n- [Can you buy fashion week tickets?](https://thecastindex.com/guide/fashion-week-tickets)\n- [Seoul desk](https://thecastindex.com/markets/south-korea)\n- [K-beauty vs J-beauty vs UK glow](https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow)\n- [The fashion week calendar](https://thecastindex.com/guide/fashion-week-calendar-explained)\n"},{"url":"https://thecastindex.com/guide/skincare-routine-order","markdownUrl":"https://thecastindex.com/guide/skincare-routine-order.md","title":"Skincare routine order: what goes first, morning and night","lastmod":"2026-10-01","sha256":"cd297d05fc6f97a40479cf6648ff8268cb1eb70ecb1bc73a24adc59a6a3c0f01","bytes":16164,"markdown":"# Skincare routine order: what goes first, morning and night\n\n> The order for a morning and night skincare routine: where vitamin C, niacinamide, retinol and acids go, SPF last and under make-up, and what to pair.\n\n- Canonical: https://thecastindex.com/guide/skincare-routine-order\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Beauty\n\nMorning: cleanse, apply any water-thin treatments such as vitamin C or niacinamide, moisturise, then sunscreen — always the last skincare step, under make-up. Night: cleanse, apply a retinoid or an exfoliating acid (not both at first), then moisturise. Everything else is detail, and the directions on your products come first.\n\n## The short answer\n\nCleanse, treat, moisturise, then protect. In the morning, sunscreen is the last skincare step and goes under make-up. At night, a retinoid or an exfoliating acid goes on after cleansing and before moisturiser — not both on the same night while your skin adjusts. When a product’s own directions differ, follow them.\n\n## At a glance\n\n- **Morning:** Cleanse → treat → moisturise → SPF\n- **Night:** Cleanse → retinoid or acid → moisturise\n- **Sunscreen:** Last skincare step, under make-up\n- **Golden rule:** Product directions beat any chart\n\n## What is the right order for a skincare routine?\n\nCleanse first, then apply treatments, then moisturiser, and in the morning finish with sunscreen. As a working rule, watery products go on before thicker creams. Two points are fixed by dermatologists’ advice: sunscreen goes on after other skincare and beneath make-up, and retinoids are for night-time use.\n\nThe American Academy of Dermatology (AAD) puts it plainly: always put sunscreen on after other skincare products, and beneath your make-up. It also advises using retinoids only at night, because they can make skin more sensitive to the sun.\n\nBetween those fixed points, the order follows texture and the products’ own directions. COSRX, for example, directs its snail essence after cleansing and toning, followed by moisturiser; The Ordinary directs its retinal emulsion onto clean, dry skin with a moisturiser afterwards. Thinner layers first, heavier creams later, is the pattern most directions follow.\n\nMore steps are not better. Every product you add is another chance of irritation, so start simple and add one active at a time.\n\n## What is the correct morning skincare routine order?\n\nCleanse, then (optionally) a toner or essence, then a vitamin C or other water-based serum, then moisturiser, then sunscreen, then make-up. Sunscreen should be SPF 30 or above with four- or five-star UVA protection, applied 15 to 30 minutes before you go out, according to the British Association of Dermatologists.\n\nThe morning routine is about protection. The AAD suggests applying vitamin C after washing your face in the morning, before sunscreen. SkinCeuticals’ directions for C E Ferulic say the same: drops on dry skin after cleansing, then moisturiser and broad-spectrum sunscreen.\n\nFor the face, the AAD suggests at least a teaspoon of sunscreen. Let it settle before make-up, and reapply every two hours outdoors, or after swimming, sweating or towelling.\n\n| Step | What | Example in our catalogue | Note |\n| --- | --- | --- | --- |\n| 1 | Cleanser | CeraVe Hydrating Facial Cleanser | A gentle wash; rinse and pat dry |\n| 2 | Toner or essence (optional) | Anua Heartleaf 77% Soothing Toner; COSRX Advanced Snail 96 essence | Both brands direct use after cleansing |\n| 3 | Vitamin C serum | SkinCeuticals C E Ferulic | Morning, on dry skin, before moisturiser and SPF |\n| 4 | Other water-based serum | The Ordinary Niacinamide 10% + Zinc 1%; a hyaluronic acid serum | The Ordinary advises keeping its niacinamide and vitamin C in separate routines |\n| 5 | Moisturiser | CeraVe Moisturising Lotion | Seals in the water-based layers |\n| 6 | Sunscreen | La Roche-Posay Anthelios UVMune 400 SPF50+ | Last skincare step; at least a teaspoon for the face |\n| 7 | Make-up | Base, concealer, powder | On top of settled sunscreen |\n\n## What is the correct night skincare routine order?\n\nRemove make-up and sunscreen and cleanse, then apply your treatment — a retinoid or an exfoliating acid — and finish with moisturiser. Keep the retinoid and the acid on separate nights while you start: The Ordinary, for example, advises against using its glycolic acid toner and strong retinoids in the same routine.\n\nThe AAD suggests applying a retinoid before bed, waiting 20 to 30 minutes after washing your face. If it feels too drying, it suggests moisturising straight after washing and applying the retinoid 20 to 30 minutes later.\n\nExfoliating acids are also usually evening products: The Ordinary directs its 7% glycolic acid toner once a day, ideally in the evening, with sunscreen the next morning.\n\n| Step | What | Example in our catalogue | Note |\n| --- | --- | --- | --- |\n| 1 | Remove make-up and sunscreen, then cleanse | CeraVe Hydrating Facial Cleanser | The AAD: always remove make-up before bed |\n| 2 | Toner or essence (optional) | Anua Heartleaf 77% Soothing Toner | Skip on nights you use an acid toner |\n| 3a | Retinoid night | Medik8 Crystal Retinal; La Roche-Posay 0.3% Retinol + B3 | Pea-sized amount on clean, dry skin; build up slowly |\n| 3b | Or exfoliating-acid night | The Ordinary Glycolic Acid 7% Exfoliating Toner | Not in the same routine as a strong retinoid |\n| 4 | Moisturiser | CeraVe Moisturising Lotion | Helps with the dryness retinoids and acids can cause |\n\n## Where does retinol go in a skincare routine?\n\nAt night, after cleansing and before moisturiser, on dry skin. Start with the lowest strength every other night or less, then build up. Use sunscreen every morning and keep exfoliating acids for other nights at first. If you are pregnant, trying to conceive or breastfeeding, ask a doctor or pharmacist first: brands such as Medik8 advise avoiding vitamin A then.\n\nThe AAD recommends the least intense formula to start and every-other-night use, building to nightly if you have no burning, peeling or redness. Brand directions are often slower still: The Ordinary starts its 0.2% retinal once a week, and Medik8 builds up gradually through six Crystal Retinal strengths.\n\nUse one retinoid at a time — The Ordinary says not to combine its retinal with other retinoid products. Retinol and retinal (retinaldehyde) are both vitamin A derivatives; our ingredient guide explains the difference.\n\n## Where do vitamin C, niacinamide and hyaluronic acid go?\n\nAll three are serum steps: after cleansing and any toner, before moisturiser. Vitamin C usually goes in the morning, under sunscreen. Niacinamide can be used morning, evening or both. Hyaluronic acid works best on slightly damp skin with moisturiser on top. If a product’s directions say otherwise, follow them.\n\nDirections vary by formula. The Ordinary’s 23% vitamin C suspension, for instance, is directed once a day, ideally in the evening — an exception to the morning rule that shows why the pack matters more than a general chart.\n\nThe Ordinary directs its niacinamide serum morning and evening, and advises keeping it in a separate routine from vitamin C. Other brands combine the two in one formula; if in doubt, split them between morning and night.\n\n## Which skincare ingredients can you use together?\n\nMost hydrators — hyaluronic acid, ceramides, snail mucin — pair with anything. The combinations to manage are actives that can irritate together: retinoids with exfoliating acids, two retinoids, or two separate acids. Vitamin C and retinoids are usually split between morning and night. Niacinamide pairs with retinol; with vitamin C, brands disagree.\n\nThe table summarises what dermatology bodies and the products’ own directions say. It describes separate products layered together; a single product formulated with several actives has already been designed as a combination, so follow its directions.\n\n| Combination | Same routine? | What the sources say |\n| --- | --- | --- |\n| Niacinamide + retinol | Yes | La Roche-Posay’s 0.3% Retinol + Vitamin B3 Serum combines them in one bottle |\n| Niacinamide + vitamin C | Brands differ | The Ordinary recommends separate routines; other brands co-formulate them. Split AM/PM if unsure |\n| Retinoid + vitamin C | Split AM / PM | The AAD suggests vitamin C in the morning and a retinoid at night; The Ordinary says not to use its retinal with vitamin C |\n| Retinoid + AHA or BHA | Not at first — alternate nights | The Ordinary advises against its glycolic toner and strong retinoids in the same routine |\n| Two retinoids | No | The Ordinary: do not use its retinal with other retinoid products |\n| Two exfoliating acids | Avoid layering | The Ordinary: not with other direct acids, such as salicylic acid, in the same routine |\n| Vitamin C + AHA, BHA or PHA | Check the product | Beauty of Joseon says not to mix its Light On vitamin C serum with AHA, BHA or PHA products |\n| Retinoid or acid + ceramide moisturiser | Yes | A moisturiser helps with dryness; the AAD suggests moisturiser as part of starting a retinoid |\n| Sunscreen + make-up | Yes — sunscreen first | The AAD: sunscreen after other skincare and beneath make-up |\n\n## Does sunscreen go before or after moisturiser and make-up?\n\nAfter moisturiser and before make-up: sunscreen is the last step of the morning skincare routine. Let it settle before foundation. SPF in moisturiser or foundation is no substitute, because, as the British Association of Dermatologists notes, those products are applied far more thinly than sunscreen and may lack UVA protection.\n\nThe British Association of Dermatologists recommends SPF 30 or above with four- or five-star UVA protection, applied 15 to 30 minutes before going out and reapplied every two hours, or after swimming, towel-drying or sport. The NHS gives the same SPF 30 and four-star advice.\n\nTexture matters when make-up goes on top. Our Korean sunscreen guide compares fluid, serum and cream sunscreens by UV filters, finish and fragrance.\n\n## What is a simple skincare routine for beginners?\n\nThree steps: a gentle cleanser, a moisturiser and, in the morning, a broad-spectrum sunscreen. Add one active at a time — a vitamin C serum in the morning or a low-strength retinoid at night — a week or two apart, so you can tell what suits your skin. Patch test new products first.\n\nBrands such as The Ordinary advise patch testing before first use: apply a small amount to the upper forearm and watch for redness, burning or itching over 24 hours.\n\nIf you have acne that is not improving, the NHS advises speaking to a pharmacist or GP; cosmetic skincare is not a treatment for a skin condition.\n\n## Common questions\n\n### What order should skincare go in?\n\nCleanser, then toner or essence if you use one, then serums, then moisturiser, then sunscreen in the morning. At night, swap sunscreen for a treatment such as a retinoid or an exfoliating acid, applied before moisturiser.\n\n### Do you put serum before or after moisturiser?\n\nBefore. Water-based serums such as vitamin C, niacinamide and hyaluronic acid go on after cleansing and before moisturiser, so the cream can sit on top.\n\n### Does SPF go before or after moisturiser?\n\nAfter. The American Academy of Dermatology advises putting sunscreen on after other skincare products and beneath make-up.\n\n### Should I use retinol in the morning or at night?\n\nAt night. The American Academy of Dermatology advises using retinoids only at night, because they can make skin more sensitive to the sun, and wearing sunscreen during the day.\n\n### Can I use vitamin C and retinol in the same routine?\n\nSplit them: vitamin C in the morning, before sunscreen, and the retinoid at night, as the American Academy of Dermatology suggests. The Ordinary says not to use its retinal with vitamin C.\n\n### Can I use niacinamide and vitamin C together?\n\nBrands disagree. The Ordinary recommends using its niacinamide and vitamin C in separate routines; other brands combine them in one formula. Splitting them between morning and night avoids the question.\n\n### How long should I wait between skincare steps?\n\nFor most steps there is no set time: let each layer settle before the next. Two cases have guidance: the American Academy of Dermatology suggests waiting 20 to 30 minutes after washing before applying a retinoid, and the British Association of Dermatologists suggests applying sunscreen 15 to 30 minutes before going out.\n\n### Where does toner go in a skincare routine?\n\nStraight after cleansing, before serums. Anua and COSRX both direct their toner and essence steps after cleansing. An exfoliating acid toner is a treatment step: use it at night, and not on the same night as a retinoid at first.\n\n## Sources\n\n- [American Academy of Dermatology — Dermatologist-recommended skin care for your 20s](https://www.aad.org/public/everyday-care/skin-care-basics/care/skin-care-in-your-20s) (checked 1 Oct 2026)\n- [American Academy of Dermatology — Retinoid or retinol?](https://www.aad.org/public/everyday-care/skin-care-secrets/anti-aging/retinoid-retinol) (checked 1 Oct 2026)\n- [American Academy of Dermatology — How to apply sunscreen](https://www.aad.org/public/everyday-care/sun-protection/shade-clothing-sunscreen/how-to-apply-sunscreen) (checked 1 Oct 2026)\n- [British Association of Dermatologists — Sun protection fact sheet](https://www.skinhealthinfo.org.uk/sun-awareness/the-sunscreen-fact-sheet/) (checked 1 Oct 2026)\n- [NHS — Sunscreen and sun safety](https://www.nhs.uk/live-well/seasonal-health/sunscreen-and-sun-safety/) (checked 1 Oct 2026)\n- [NHS — Acne](https://www.nhs.uk/conditions/acne/) (checked 1 Oct 2026)\n- [NHS — Medicines in pregnancy](https://www.nhs.uk/pregnancy/keeping-well/medicines/) (checked 1 Oct 2026)\n- [The Ordinary — Niacinamide 10% + Zinc 1% (directions and FAQs)](https://theordinary.com/en-gb/niacinamide-10-zinc-1-serum-100436.html) (checked 1 Oct 2026)\n- [The Ordinary — Retinal 0.2% Emulsion (directions)](https://theordinary.com/en-gb/retinal-02-emulsion-100646.html) (checked 1 Oct 2026)\n- [The Ordinary — Glycolic Acid 7% Exfoliating Toner (directions and FAQs)](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html) (checked 1 Oct 2026)\n- [The Ordinary — Vitamin C Suspension 23% + HA Spheres 2% (directions)](https://theordinary.com/en-gb/vitamin-c-suspension-23-ha-spheres-2-vitamin-c-100451.html) (checked 1 Oct 2026)\n- [La Roche-Posay UK — 0.3% Retinol + Vitamin B3 Serum](https://www.laroche-posay.co.uk/en_GB/retinol-b3-anti-ageing-serum-for-sensitive-skin-30ml/LRP_115.html)\n- [SkinCeuticals UK — C E Ferulic (directions)](https://www.skinceuticals.co.uk/en_GB/c-e-ferulic-antioxidant-serum/635494363210.html)\n- [COSRX — Advanced Snail 96 Mucin Power Essence (directions)](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence) (checked 1 Oct 2026)\n- [Beauty of Joseon — Light On Serum: Centella + Vita C (directions)](https://beautyofjoseon.com/products/light-on-serum-centella-vita-c)\n- [Medik8 — Crystal Retinal](https://www.medik8.com/products/crystal-retinal)\n\n## Related\n\n- [Niacinamide](https://thecastindex.com/beauty/ingredients/niacinamide)\n- [Retinol and retinal](https://thecastindex.com/beauty/ingredients/retinoids)\n- [Vitamin C](https://thecastindex.com/beauty/ingredients/vitamin-c)\n- [Hyaluronic acid](https://thecastindex.com/beauty/ingredients/hyaluronic-acid)\n- [AHA and BHA acids](https://thecastindex.com/beauty/ingredients/exfoliating-acids)\n- [Sunscreen filters](https://thecastindex.com/beauty/ingredients/sunscreen-filters)\n- [Snail mucin](https://thecastindex.com/beauty/ingredients/snail-mucin)\n- [Best retinol serums](https://thecastindex.com/beauty/best/best-retinol-serums)\n- [Best vitamin C serums](https://thecastindex.com/beauty/best/best-vitamin-c-serums)\n- [Best Korean sunscreens](https://thecastindex.com/beauty/best/best-korean-sunscreens-uk)\n- [K-beauty routine for oily skin](https://thecastindex.com/beauty/best/best-k-beauty-skincare-for-oily-skin)\n- [Skin before make-up: glass skin](https://thecastindex.com/discover/couture-glass-skin)\n"},{"url":"https://thecastindex.com/guide/tokyo-fashion-week-guide","markdownUrl":"https://thecastindex.com/guide/tokyo-fashion-week-guide.md","title":"Tokyo Fashion Week: the insider guide","lastmod":"2026-08-13","sha256":"8f755ec2dd2bdd5ce9dc188862857ac321496f500701726577d69cf7363f35cc","bytes":4991,"markdown":"# Tokyo Fashion Week: the insider guide\n\n> Rakuten Fashion Week Tokyo: Asia’s largest week, avant-garde and streetwear, and a disputed “Big Five” claim. Who runs it, and who should skip it.\n\n- Canonical: https://thecastindex.com/guide/tokyo-fashion-week-guide\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-08-13\n- Category: City guide\n\nTokyo Fashion Week is the week European coverage still treats as optional and Japanese street style treats as oxygen. It is a trade show twice a year. It is not automatically the fifth Big Four city — and the desk will not pretend the dispute does not exist.\n\n## The short answer\n\nTokyo Fashion Week (東京コレクション) is a biannual trade week, titled Rakuten Fashion Week Tokyo since 2019, long staged at Shibuya Hikarie. It is widely described as Asia’s largest fashion week and is known for avant-garde, experimental design and streetwear. Some round-ups call it a “Big Five” city; that characterisation is disputed. Skip this if you need couture credits.\n\n## At a glance\n\n- **When:** Biannual · AW26: 16–21 Mar 2026\n- **Venue:** Shibuya Hikarie\n- **Title sponsor:** Rakuten (since 2019)\n- **Known for:** Avant-garde & streetwear\n\n## When is Tokyo Fashion Week?\n\nTwice a year, for spring and autumn collections. The Cast Index AW26 record is 16–21 March 2026 at Shibuya Hikarie. The 2020 edition was cancelled because of Covid-19. Always re-check the live event page; title sponsorship and venue have changed before.\n\nThe week is not a fifth stop on the September Big Four relay. It runs on Tokyo’s own calendar. Cite the edition, not “Tokyo Fashion Week” as if it were one immortal date sheet.\n\n## Who runs Tokyo Fashion Week now?\n\nRakuten has been title sponsor since 2019, branding the event Rakuten Fashion Week Tokyo. Earlier title sponsors included Amazon Fashion and Mercedes-Benz. The platform itself is older than the current sponsor — a 2005 organisation date is the standing industry description for the modern week.\n\nSponsor changes matter for how the week is named in citations. “Amazon Fashion Week TOKYO” is a historical name, not the current one. Shiseido has been an official cosmetics sponsor in past Amazon-titled editions — that is a commercial credit, not a Cast Index finish assignment.\n\n## Is Tokyo one of the Big Five fashion weeks?\n\nSome lists include Tokyo with New York, London, Milan and Paris. Others note that its international wholesale and press influence still lags the traditional Big Four. The Cast Index tracks it as Asia’s largest week and as a world desk — not as a sixth Big Four city, and not as a footnote.\n\nWhat is not in dispute: Tokyo is a leading showcase for avant-garde and experimental fashion and for Tokyo streetwear. That is a different job from Milan’s heritage houses or Paris couture.\n\nJ-beauty in the archive (Shiseido Synchro Skin) is an origin-market complexion reference. It is not a Tokyo Fashion Week makeup credit unless a show actually names it. Open the Tokyo world desk for faces, the week and the kit together.\n\n| Use Tokyo for | Do not use Tokyo for |\n| --- | --- |\n| Avant-garde, experimental, streetwear | Haute couture credits |\n| Asia’s largest week by scale | An undisputed Big Five seat |\n| Rakuten-titled calendar since 2019 | Last decade’s Amazon or Mercedes name |\n\n## Who should skip Tokyo Fashion Week coverage?\n\nSkip it if you need couture, if you need a consumer festival with public tickets for every show, or if you are quoting a “Big Five” line as settled law. Do not skip it if you cover Japanese design, streetwear, or J-beauty as an origin market.\n\nOfficial seats are allocated. Unverified “Tokyo Fashion Week tickets” follow the same scam pattern as New York or Paris.\n\n## Common questions\n\n### When is Rakuten Fashion Week Tokyo?\n\nBiannual. The Cast Index AW26 edition ran 16–21 March 2026 at Shibuya Hikarie. Check the live event page for the next sheet.\n\n### Is Tokyo part of the Big Four?\n\nNo. The Big Four are New York, London, Milan and Paris. Tokyo is sometimes grouped as a “Big Five” city; that claim is disputed, and the desk states the dispute.\n\n### Who is the title sponsor?\n\nRakuten, since 2019. Previous title sponsors included Amazon Fashion and Mercedes-Benz.\n\n## Sources\n\n- [Tokyo Fashion Week — Wikipedia](https://en.wikipedia.org/wiki/Tokyo_Fashion_Week) (checked 13 Aug 2026)\n- [Rakuten Fashion Week Tokyo](https://rakutenfashionweektokyo.com/) (checked 13 Aug 2026)\n- [Cast Index — Rakuten Fashion Week Tokyo 2026](https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026) (checked 13 Aug 2026)\n\n## Related\n\n- [Rakuten Fashion Week Tokyo 2026](https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026)\n- [Tokyo desk](https://thecastindex.com/markets/japan)\n- [K-beauty vs J-beauty vs UK glow](https://thecastindex.com/guide/k-beauty-vs-j-beauty-vs-uk-glow)\n- [The fashion week calendar](https://thecastindex.com/guide/fashion-week-calendar-explained)\n"},{"url":"https://thecastindex.com/guide/what-is-fashion-week","markdownUrl":"https://thecastindex.com/guide/what-is-fashion-week.md","title":"What is Fashion Week? The complete guide","lastmod":"2026-10-01","sha256":"8c1422284476465d0afdc3ed2423973b2364a2716fd5972e1f9920d6d34b6c43","bytes":10708,"markdown":"# What is Fashion Week? The complete guide\n\n> Fashion week is a trade event for buyers and press, not a public festival. The Big Four, how many weeks there are, and whether the public can attend.\n\n- Canonical: https://thecastindex.com/guide/what-is-fashion-week\n- Author: Kaiser Khan (Founder & Editor)\n- Updated: 2026-10-01\n- Category: Basics\n\nA fashion week is a week-long industry event where designers, brands, and houses present their newest collections in runway shows to buyers and the press. It is where the coming season’s clothes are seen for the first time, where retailers decide what to stock, and where models and creatives build the careers that The Cast Index tracks.\n\n## The short answer\n\nFashion week is a concentrated trade event where designers show the next season’s clothes to buyers and the press so stores can order and media can cover. The Big Four — New York, London, Milan, Paris — run in that order twice a year. Skip this guide if you only want a ticketed public festival; most official shows are not that.\n\n## At a glance\n\n- **What it is:** A week of runway shows for buyers & press\n- **The Big Four:** New York · London · Milan · Paris\n- **How often:** Twice a year (plus couture, menswear)\n- **First edition:** New York Press Week, 1943\n\n## What is fashion week, and who is it actually for?\n\nFashion week is a trade event first. Its core audiences are wholesale buyers, who place orders for the stores you shop in, and the press, who decide what gets covered. Celebrities and street-style photographers are the visible layer. The business happens in showroom appointments around the shows, not on the pavement.\n\nAlthough it looks like a public spectacle, the official calendar exists so a city’s industry can be seen in one place, in one week. Buyers compare collections, editors file reviews, and casting directors lock the faces that will carry the season’s image.\n\nFor models, stylists, makeup artists, and casting directors, the weeks are the industry’s hiring season compressed into a month — which is why casting momentum across them is such a strong signal of a career on the rise. The Cast Index scores that evidence in public; it does not sell a place on the ranking.\n\n## What are the Big Four fashion weeks?\n\nThe Big Four are New York, London, Milan and Paris, shown in that order each ready-to-wear season. New York opens with a commercial, sportswear-led edge; London is the most experimental; Milan is defined by strong houses and craftsmanship; Paris closes as the luxury and couture capital. Regional weeks sit around them, not instead of them.\n\nThat sequence is a working convention, not a law of physics: each city still runs its own calendar, accreditation and membership rules. New York’s modern week grew out of Eleanor Lambert’s 1943 Press Week; London has been organised by the British Fashion Council since 1984; Milan is coordinated by Camera Nazionale della Moda Italiana; Paris sits under the Fédération de la Haute Couture et de la Mode.\n\nBeyond the Big Four, a global circuit matters more every year — Copenhagen, Tokyo, Seoul, Shanghai, Lagos, Jakarta and São Paulo among them. Faces that break out there are exactly what the Rising board exists to catch before a Global 50 rank is justified.\n\n| City | Typical slot | Organiser | What it is known for |\n| --- | --- | --- | --- |\n| New York | Opens the season (Feb / Sept) | CFDA calendar (venues vary) | Sportswear, ready-to-wear, commercial engine |\n| London | Second | British Fashion Council | Experimentation, graduate talent, new names |\n| Milan | Third | Camera Nazionale della Moda Italiana | Heritage houses, tailoring, leather, glamour |\n| Paris | Closes the season | Fédération de la Haute Couture et de la Mode | Luxury houses and haute couture |\n\n## Why does fashion week exist?\n\nThe first coordinated week was New York’s Press Week in 1943, organised so American buyers and journalists had an alternative to Paris while wartime travel to France was impossible. The format — a concentrated week of shows for the trade — worked, and it spread. Today it still exists to compress buying, press and casting into a survivable calendar.\n\nWithout a week, every house would show on its own timetable and buyers would miss half the market. The clustered format is inefficient for sleep and brutal for models; it is efficient for wholesale. That tension is the whole modern complaint about fashion week, and it has not replaced the need for a shared date sheet.\n\nCouture remains a separate, smaller Paris calendar (typically January and July) because made-to-measure work is not the same trade as ready-to-wear. If you only follow Instagram, those two calendars blur. They should not.\n\n## Can the public attend fashion week?\n\nUsually no — not the official shows. Most seats are allocated to buyers, press, clients and invited guests. Some cities stage public or livestreamed events around the week, and street-style happens on the pavement. Treat a stranger selling “front-row tickets” as a warning, not a bargain.\n\nMilan’s organiser, Camera Nazionale della Moda Italiana, says it plainly: Milano Fashion Week events are accessible by invitation only, and it warns against third parties advertising tickets. The Paris federation’s official calendar marks its physical shows “by invitation”, and many of the same shows as “Livestream”.\n\nIf you are a student, intern or emerging designer, the honest routes are organiser-run programmes, official waitlists, and working the week (castings, backstage, show production) through a legitimate employer. None of those routes involve paying a random Instagram account for a seat. Our fashion week tickets guide lists what each city’s organiser does open to the public.\n\nConsumers who want the clothes should wait for retail: shows are typically about six months ahead of the season they are named for. That lag is the point of wholesale, not a glitch.\n\n## How many fashion weeks are there in a year?\n\nEach Big Four city runs two womenswear ready-to-wear weeks a year, in February–March and September–October. Paris adds two menswear weeks and two haute couture weeks: for 2027 the FHCM lists menswear on 19–24 January and 22–27 June, and couture on 25–28 January and 5–8 July. Many other cities run their own weeks.\n\nSo a single Paris year holds six official weeks under one federation. Copenhagen, Tokyo, Seoul, Lagos, Jakarta and São Paulo run on their own calendars around the Big Four; the Cast Index fashion week calendar lists each edition with its organiser’s dates.\n\n## How should you follow fashion week if you are not invited?\n\nRead the official calendar, then the casting and beauty credits, then the clothes. Livestreams and house channels beat random recap accounts. If you care who walked, use a ledger that cites shows; if you care what the face looked like, use a finish index tied to those weeks — not a shopping dump.\n\nThe Cast Index publishes three public layers for the same week: who is ranked and why (Global 50), who walked which house (casting ledger), and which beauty finishes travelled (Season Beauty Index). Those layers are independent of People’s Choice voting and of paid directory listings.\n\nIf you are trying to break in as a model, skip the recap industrial complex and go to the career guides: digitals, reputable agencies, and the rule that you never pay to walk.\n\n## Who should skip fashion-week hype?\n\nSkip the hype if you need a public ticket, a guaranteed celebrity sighting, or a same-week purchase of the runway look. Skip paying anyone who “guarantees” a show. Use the week as a trade signal — who is working, which finish is travelling — or ignore it until retail, when the clothes actually arrive.\n\nFashion week is a poor holiday and a strong research window. The Cast Index is built for the second use: evidence, dates, and a verdict on who is actually working. It is not a nightlife guide and it will not pretend otherwise.\n\n## Common questions\n\n### What is fashion week in simple terms?\n\nFashion week is a week-long event where designers show their newest collections in runway shows to buyers and the press, so stores know what to order and the media know what to cover.\n\n### What are the Big Four fashion weeks?\n\nNew York, London, Milan, and Paris — they run in that order each ready-to-wear season and anchor the international fashion calendar.\n\n### When was the first fashion week?\n\nThe first coordinated week was New York’s Press Week in 1943, created to give American buyers an alternative to Paris during the Second World War.\n\n### Is fashion week open to the public?\n\nMost official shows are not. Seats go to buyers, press, clients and invited guests; Milan’s organiser says its events are invitation-only. Some cities add public or livestreamed events around the week; paid “front-row tickets” from strangers are a common scam marker.\n\n### How much are fashion week tickets?\n\nThe main shows have no ticket price because they are not sold. Organisers such as CNMI in Milan and the FHCM in Paris allocate seats by invitation and stream many shows online instead.\n\n### How many fashion weeks are there in a year?\n\nEach Big Four city holds two womenswear ready-to-wear weeks a year. Paris also runs two menswear and two haute couture weeks, so its federation coordinates six official weeks a year. Many other cities run their own.\n\n### How is fashion week different from haute couture week?\n\nReady-to-wear fashion weeks are the large city calendars (the Big Four and others). Haute couture is a smaller, legally protected Paris calendar, typically in January and July, for made-to-measure collections.\n\n## Sources\n\n- [Fashion week — Wikipedia](https://en.wikipedia.org/wiki/Fashion_week) (checked 13 Aug 2026)\n- [FHCM — upcoming seasons](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions) (checked 1 Oct 2026)\n- [FHCM — Paris Fashion Week calendar](https://www.fhcm.paris/en/paris-fashion-week) (checked 1 Oct 2026)\n- [Camera Nazionale della Moda Italiana](https://www.cameramoda.it/en/) (checked 1 Oct 2026)\n- [The Cast Index — Fashion Weeks calendar](https://thecastindex.com/fashion-weeks) (checked 13 Aug 2026)\n- [The Cast Index — methodology](https://thecastindex.com/methodology) (checked 13 Aug 2026)\n\n## Related\n\n- [Can you buy fashion week tickets?](https://thecastindex.com/guide/fashion-week-tickets)\n- [The fashion week calendar explained](https://thecastindex.com/guide/fashion-week-calendar-explained)\n- [How to read the Cast Index](https://thecastindex.com/guide/how-to-read-the-cast-index)\n- [The global fashion week calendar](https://thecastindex.com/fashion-weeks)\n"},{"url":"https://thecastindex.com/houses/acne-studios","markdownUrl":"https://thecastindex.com/houses/acne-studios.md","title":"Acne Studios: runway casting","lastmod":"2026-10-05","sha256":"ff83809829e150fac0ab092465bd71e1ca68cf014ae5ed51ba3ca2f3cb354cc9","bytes":1462,"markdown":"# Acne Studios: runway casting\n\n> Acne Studios is a Stockholm-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Diane Chiu. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Acne Studios has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/acne-studios\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Stockholm, Sweden\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Acne Studios?\n\nThe Cast Index ledger records 1 verified walk for Acne Studios, including Diane Chiu.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Diane Chiu](https://thecastindex.com/models/diane-chiu) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/chinese-model-diane-chiu-presents-a-creation-for-the-acne-news-photo/2297365777) |\n\n## Common questions\n\n### Which models have walked for Acne Studios?\n\nThe Cast Index ledger records 1 verified walk for Acne Studios, including Diane Chiu.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Acne Studios\", https://thecastindex.com/houses/acne-studios.\n"},{"url":"https://thecastindex.com/houses/alberta-ferretti","markdownUrl":"https://thecastindex.com/houses/alberta-ferretti.md","title":"Alberta Ferretti: runway casting","lastmod":"2026-10-05","sha256":"65b2d3943e5f9f59fc4acb6367e019294a715261fcec81be644f3ec97bd816b9","bytes":1493,"markdown":"# Alberta Ferretti: runway casting\n\n> Alberta Ferretti is a Milan-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Irina Shayk. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Alberta Ferretti has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/alberta-ferretti\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Alberta Ferretti?\n\nThe Cast Index ledger records 1 verified walk for Alberta Ferretti, including Irina Shayk.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-alberta-ferretti-news-photo/2296928605) |\n\n## Common questions\n\n### Which models have walked for Alberta Ferretti?\n\nThe Cast Index ledger records 1 verified walk for Alberta Ferretti, including Irina Shayk.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Alberta Ferretti\", https://thecastindex.com/houses/alberta-ferretti.\n"},{"url":"https://thecastindex.com/houses/alexander-mcqueen","markdownUrl":"https://thecastindex.com/houses/alexander-mcqueen.md","title":"Alexander McQueen: creative directors and runway casting","lastmod":"2026-10-05","sha256":"92a0b765756d9c3d0f904e5fc110bce838f06edbec02867564bb933f777d78c6","bytes":5249,"markdown":"# Alexander McQueen: creative directors and runway casting\n\n> Seán McGirr is Alexander McQueen’s creative director, a role announced in October 2023. Before: Sarah Burton (2010–2023). Checked 1 October 2026. Alexander McQueen has had 3 creative leads since 1992, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Alexander McQueen, by models including Alex Consani and Paloma Elsesser.\n\n- Canonical: https://thecastindex.com/houses/alexander-mcqueen\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q13882231) · [Wikipedia](https://en.wikipedia.org/wiki/Alexander_McQueen_(fashion_house))\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Alexander McQueen?\n\nSeán McGirr is Alexander McQueen’s creative director, a role announced in October 2023. Before: Sarah Burton (2010–2023). Checked 1 October 2026.\n\nMcGirr showed the spring/summer 2027 collection at London Fashion Week in September 2026, the house’s first London show since 2001. ([source](https://us.fashionnetwork.com/news/Mcgirr-waves-goodbye-to-paris-for-now-mcqueen-to-show-at-london-fashion-week-for-ss27,1841989.html))\n\nPreviously: Sarah Burton (2010–2023).\n\n## Who have been Alexander McQueen’s creative directors?\n\nIn order: Lee Alexander McQueen (founder, 1992–2010), Sarah Burton (2010–2023), Seán McGirr (2023–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1992–2010 | Lee Alexander McQueen | Founder and creative director | [Kering — Alexander McQueen and Gucci Group appoint Sarah Burton as Creative Director (27 May 2010)](https://www.kering.com/en/news/alexander-mcqueen-gucci-group-appoint-sarah-burton-as-creative-director/) |\n| 2010–2023 | Sarah Burton | Creative director | [Kering — Alexander McQueen and Sarah Burton announce the end of their collaboration (11 September 2023)](https://www.kering.com/en/news/the-alexander-mc-queen-fashion-house-and-sarah-burton-announce-the-end-of-their-collaboration/) |\n| 2023–present (current) | Seán McGirr | Creative director | [Kering — Seán McGirr appointed Creative Director of Alexander McQueen (3 October 2023)](https://www.kering.com/en/news/sean-mc-girr-appointed-creative-director-of-alexander-mc-queen/) |\n\n## Which models have walked for Alexander McQueen?\n\nThe Cast Index ledger records 2 verified walks for Alexander McQueen, including Alex Consani, Paloma Elsesser.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/alex-consani) |\n| SS27 | Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://www.elle.com/runway/a73813037/mcqueen-spring-2027-review/) |\n\n## Common questions\n\n### Who is the creative director of Alexander McQueen?\n\nSeán McGirr is Alexander McQueen’s creative director, a role announced in October 2023. Before: Sarah Burton (2010–2023). Checked 1 October 2026.\n\n### Who was the creative director of Alexander McQueen before Seán McGirr?\n\nSeán McGirr succeeded Sarah Burton (creative director, 2010–2023). The full timeline is on this page, with a source for each term.\n\n### Who have been Alexander McQueen’s creative directors?\n\nIn order: Lee Alexander McQueen (founder, 1992–2010), Sarah Burton (2010–2023), Seán McGirr (2023–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Alexander McQueen?\n\nThe Cast Index ledger records 2 verified walks for Alexander McQueen, including Alex Consani, Paloma Elsesser.\n\n## Sources\n\n- [Kering — McQueen](https://www.kering.com/en/houses/fashion-and-leather-goods/mcqueen/)\n- [FashionNetwork — McQueen to show at London Fashion Week for SS27 (22 June 2026)](https://us.fashionnetwork.com/news/Mcgirr-waves-goodbye-to-paris-for-now-mcqueen-to-show-at-london-fashion-week-for-ss27,1841989.html)\n- [Kering — Alexander McQueen and Gucci Group appoint Sarah Burton as Creative Director (27 May 2010)](https://www.kering.com/en/news/alexander-mcqueen-gucci-group-appoint-sarah-burton-as-creative-director/)\n- [Kering — Alexander McQueen and Sarah Burton announce the end of their collaboration (11 September 2023)](https://www.kering.com/en/news/the-alexander-mc-queen-fashion-house-and-sarah-burton-announce-the-end-of-their-collaboration/)\n- [Kering — Seán McGirr appointed Creative Director of Alexander McQueen (3 October 2023)](https://www.kering.com/en/news/sean-mc-girr-appointed-creative-director-of-alexander-mc-queen/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Alexander McQueen\", https://thecastindex.com/houses/alexander-mcqueen.\n"},{"url":"https://thecastindex.com/houses/balenciaga","markdownUrl":"https://thecastindex.com/houses/balenciaga.md","title":"Balenciaga: creative directors and runway casting","lastmod":"2026-10-05","sha256":"322606535916bc9507af883e8497d8259dcde1162dc801b141e16cab43d1c88d","bytes":7555,"markdown":"# Balenciaga: creative directors and runway casting\n\n> Pierpaolo Piccioli is Balenciaga’s creative director, a role announced in May 2025. Before: Demna (2015–2025). Checked 1 October 2026. Balenciaga has had 7 creative leads since 1917, each sourced on this page. The Cast Index ledger records 5 verified runway walks for Balenciaga, by models including Anok Yai, Vittoria Ceretti and Liu Wen.\n\n- Canonical: https://thecastindex.com/houses/balenciaga\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1530892) · [Wikipedia](https://en.wikipedia.org/wiki/Balenciaga)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Balenciaga?\n\nPierpaolo Piccioli is Balenciaga’s creative director, a role announced in May 2025. Before: Demna (2015–2025). Checked 1 October 2026.\n\nPiccioli took up the role on 10 July 2025 and showed his first collection in October 2025. Unconfirmed reports relayed by AFP in late September 2026 suggested Kering could make a change; neither Kering nor Balenciaga had announced one when we checked on 1 October 2026. ([source](https://fashionunited.uk/news/fashion/saint-laurent-designer-vaccarello-hints-at-change/2026092990621))\n\nPreviously: Demna (2015–2025).\n\n## Who have been Balenciaga’s creative directors?\n\nIn order: Cristóbal Balenciaga (founder, 1917–1968), Michel Goma (1987–1992), Josephus Thimister (1991–1997), Nicolas Ghesquière (1997–2012), Alexander Wang (2012–2015), Demna (2015–2025), Pierpaolo Piccioli (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1917–1968 | Cristóbal Balenciaga | Founder and couturier (Spain from 1917, Paris from 1937) | [Kering — Pierpaolo Piccioli appointed Creative Director of Balenciaga (19 May 2025)](https://www.kering.com/en/news/pierpaolo-piccioli-appointed-creative-director-of-balenciaga/) |\n| 1987–1992 | Michel Goma | Creative director | [FashionNetwork — French couturier Michel Goma dies (28 April 2022)](https://ww.fashionnetwork.com/news/French-couturier-michel-goma-dies,1400939.html) |\n| 1991–1997 | Josephus Thimister | Designer of the luxury ready-to-wear lines | [FashionNetwork — Former Balenciaga artistic director Josephus Thimister dies (14 November 2019)](https://us.fashionnetwork.com/news/Former-balenciaga-artistic-director-josephus-thimister-dies,1157985.html) |\n| 1997–2012 | Nicolas Ghesquière | Creative director | [Kering — Balenciaga and Nicolas Ghesquière end their partnership (5 November 2012)](https://www.kering.com/en/news/balenciaga-fashion-house-nicolas-ghesquiere-announce-their-joint-decision-end-their-partnership/) |\n| 2012–2015 | Alexander Wang | Creative director | [Kering — Balenciaga and Alexander Wang decide not to renew their contract (31 July 2015)](https://www.kering.com/en/news/balenciaga-alexander-wang-announce-their-joint-decision-not-renew-their-contract/) |\n| 2015–2025 | Demna | Artistic director | [Kering — Balenciaga appoints Demna Gvasalia as artistic director (7 October 2015)](https://www.kering.com/en/news/balenciaga-appoints-demna-gvasalia-as-artistic-director-collections/) |\n| 2025–present (current) | Pierpaolo Piccioli | Creative director | [Kering — Pierpaolo Piccioli appointed Creative Director of Balenciaga (19 May 2025)](https://www.kering.com/en/news/pierpaolo-piccioli-appointed-creative-director-of-balenciaga/) |\n\n## Which models have walked for Balenciaga?\n\nThe Cast Index ledger records 5 verified walks for Balenciaga, including Anok Yai, Vittoria Ceretti, Liu Wen, Gigi Hadid.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Opened | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/liu-wen) |\n| AW26 Couture | Walked | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/gigi-hadid) |\n\n## Common questions\n\n### Who is the creative director of Balenciaga?\n\nPierpaolo Piccioli is Balenciaga’s creative director, a role announced in May 2025. Before: Demna (2015–2025). Checked 1 October 2026.\n\n### Who was the creative director of Balenciaga before Pierpaolo Piccioli?\n\nPierpaolo Piccioli succeeded Demna (artistic director, 2015–2025). The full timeline is on this page, with a source for each term.\n\n### Who have been Balenciaga’s creative directors?\n\nIn order: Cristóbal Balenciaga (founder, 1917–1968), Michel Goma (1987–1992), Josephus Thimister (1991–1997), Nicolas Ghesquière (1997–2012), Alexander Wang (2012–2015), Demna (2015–2025), Pierpaolo Piccioli (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Balenciaga?\n\nThe Cast Index ledger records 5 verified walks for Balenciaga, including Anok Yai, Vittoria Ceretti, Liu Wen, Gigi Hadid.\n\n## Sources\n\n- [Kering — Pierpaolo Piccioli appointed Creative Director of Balenciaga (19 May 2025)](https://www.kering.com/en/news/pierpaolo-piccioli-appointed-creative-director-of-balenciaga/)\n- [FashionUnited / AFP — Saint Laurent designer Vaccarello hints at change (29 September 2026)](https://fashionunited.uk/news/fashion/saint-laurent-designer-vaccarello-hints-at-change/2026092990621)\n- [FashionNetwork — French couturier Michel Goma dies (28 April 2022)](https://ww.fashionnetwork.com/news/French-couturier-michel-goma-dies,1400939.html)\n- [FashionNetwork — Former Balenciaga artistic director Josephus Thimister dies (14 November 2019)](https://us.fashionnetwork.com/news/Former-balenciaga-artistic-director-josephus-thimister-dies,1157985.html)\n- [Kering — Balenciaga and Nicolas Ghesquière end their partnership (5 November 2012)](https://www.kering.com/en/news/balenciaga-fashion-house-nicolas-ghesquiere-announce-their-joint-decision-end-their-partnership/)\n- [Kering — Balenciaga and Alexander Wang decide not to renew their contract (31 July 2015)](https://www.kering.com/en/news/balenciaga-alexander-wang-announce-their-joint-decision-not-renew-their-contract/)\n- [Kering — Balenciaga appoints Demna Gvasalia as artistic director (7 October 2015)](https://www.kering.com/en/news/balenciaga-appoints-demna-gvasalia-as-artistic-director-collections/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Balenciaga\", https://thecastindex.com/houses/balenciaga.\n"},{"url":"https://thecastindex.com/houses/balmain","markdownUrl":"https://thecastindex.com/houses/balmain.md","title":"Balmain: runway casting","lastmod":"2026-10-05","sha256":"0bb12012eb1a004bc6f8cda8210387fed08297239dd0cefca9f9819082533f63","bytes":1398,"markdown":"# Balmain: runway casting\n\n> Balmain is a Paris-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Yilan Hua. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Balmain has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/balmain\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Balmain?\n\nThe Cast Index ledger records 1 verified walk for Balmain, including Yilan Hua.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-balmain-womenswear-news-photo/2297943317) |\n\n## Common questions\n\n### Which models have walked for Balmain?\n\nThe Cast Index ledger records 1 verified walk for Balmain, including Yilan Hua.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Balmain\", https://thecastindex.com/houses/balmain.\n"},{"url":"https://thecastindex.com/houses/blumarine","markdownUrl":"https://thecastindex.com/houses/blumarine.md","title":"Blumarine: runway casting","lastmod":"2026-10-05","sha256":"053f9de99daf47f7b27db905e229492f0d11be458b2a3b50e58be387240a0d90","bytes":1361,"markdown":"# Blumarine: runway casting\n\n> Blumarine is a Milan-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Irina Shayk. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Blumarine has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/blumarine\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Blumarine?\n\nThe Cast Index ledger records 1 verified walk for Blumarine, including Irina Shayk.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://wwd.com/runway/spring-2027/milan/blumarine/review/) |\n\n## Common questions\n\n### Which models have walked for Blumarine?\n\nThe Cast Index ledger records 1 verified walk for Blumarine, including Irina Shayk.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Blumarine\", https://thecastindex.com/houses/blumarine.\n"},{"url":"https://thecastindex.com/houses/bottega-veneta","markdownUrl":"https://thecastindex.com/houses/bottega-veneta.md","title":"Bottega Veneta: runway casting","lastmod":"2026-10-05","sha256":"e95b2d8b7b2f46863688c2b641dfde0f7c0300a7d16d9703424ad5e6f3577124","bytes":2894,"markdown":"# Bottega Veneta: runway casting\n\n> Bottega Veneta is a Milan-based label tracked on The Cast Index casting ledger, which records 5 verified runway walks for it across 1 season, by models including Kendall Jenner, Mariacarla Boscono and Mona Tougaard. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/bottega-veneta\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q894874) · [Wikipedia](https://en.wikipedia.org/wiki/Bottega_Veneta)\n\n## Which models have walked for Bottega Veneta?\n\nThe Cast Index ledger records 5 verified walks for Bottega Veneta, including Kendall Jenner, Mariacarla Boscono, Mona Tougaard, Fei Fei Sun, Małgosia Bela.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Kendall Jenner](https://thecastindex.com/models/kendall-jenner) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| SS27 | Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi) |\n| SS27 | Walked | [Fei Fei Sun](https://thecastindex.com/models/fei-fei-sun) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/fei-fei-sun-walks-the-runway-at-the-bottega-veneta-fashion-news-photo/2297364780) |\n| SS27 | Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-bottega-veneta-news-photo/2297364599) |\n\n## Common questions\n\n### Which models have walked for Bottega Veneta?\n\nThe Cast Index ledger records 5 verified walks for Bottega Veneta, including Kendall Jenner, Mariacarla Boscono, Mona Tougaard, Fei Fei Sun, Małgosia Bela.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Bottega Veneta\", https://thecastindex.com/houses/bottega-veneta.\n"},{"url":"https://thecastindex.com/houses/burberry","markdownUrl":"https://thecastindex.com/houses/burberry.md","title":"Burberry: creative directors and runway casting","lastmod":"2026-10-05","sha256":"4963cd116be87b3285d03a37c75132bb56a59ff27a67ba936313aaf2434f3cd0","bytes":5137,"markdown":"# Burberry: creative directors and runway casting\n\n> Daniel Lee is Burberry’s chief creative officer, a role announced in September 2022. Before: Riccardo Tisci (2018–2022). Checked 1 October 2026. Burberry has had 5 creative leads since 1856, each sourced on this page. The Cast Index ledger records 1 verified runway walk for Burberry, by Naomi Campbell.\n\n- Canonical: https://thecastindex.com/houses/burberry\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q390107) · [Wikipedia](https://en.wikipedia.org/wiki/Burberry)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Burberry?\n\nDaniel Lee is Burberry’s chief creative officer, a role announced in September 2022. Before: Riccardo Tisci (2018–2022). Checked 1 October 2026.\n\nLee oversees all Burberry collections. He showed his first, autumn/winter 2023, in London in February 2023, and presented Summer 2027 in September 2026. ([source](https://www.burberryplc.com/news/brand/2026/burberry-summer-2027))\n\nPreviously: Riccardo Tisci (2018–2022).\n\n## Who have been Burberry’s creative directors?\n\nIn order: Thomas Burberry (founder, 1856), Roberto Menichetti (1998–2001), Christopher Bailey (2001–2018), Riccardo Tisci (2018–2022), Daniel Lee (2022–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1856 | Thomas Burberry | Founder, Basingstoke | [Burberry plc — History](https://www.burberryplc.com/company/history) |\n| 1998–2001 | Roberto Menichetti | Creative director (launched Burberry Prorsum) | [WWD — Menichetti departs creative director post (8 March 2001)](https://wwd.com/fashion-news/fashion-features/article-1177971/) |\n| 2001–2018 | Christopher Bailey | Design director, then chief creative officer from 2009 (also chief executive 2014–2017) | [Vogue — Christopher Bailey’s Burberry legacy (1 November 2017)](https://www.vogue.com/article/burberry-christopher-bailey-legacy) |\n| 2018–2022 | Riccardo Tisci | Chief creative officer | [Burberry plc — Burberry appoints Riccardo Tisci as Chief Creative Officer (1 March 2018)](https://www.burberryplc.com/news/corporate/2018/burberry-appoints-riccardo-tisci-as-chief-creative-officer) |\n| 2022–present (current) | Daniel Lee | Chief creative officer | [Burberry plc — Burberry appoints Daniel Lee as new Chief Creative Officer (29 September 2022)](https://www.burberryplc.com/news/brand/2022/burberry-appoints-daniel-lee-as-new-chief-creative-officer) |\n\n## Which models have walked for Burberry?\n\nThe Cast Index ledger records 1 verified walk for Burberry, including Naomi Campbell.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW25 | Closed | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [London Fashion Week AW26](https://thecastindex.com/events/london-fashion-week-2026) | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n\n## Common questions\n\n### Who is the creative director of Burberry?\n\nDaniel Lee is Burberry’s chief creative officer, a role announced in September 2022. Before: Riccardo Tisci (2018–2022). Checked 1 October 2026.\n\n### Who was the creative director of Burberry before Daniel Lee?\n\nDaniel Lee succeeded Riccardo Tisci (chief creative officer, 2018–2022). The full timeline is on this page, with a source for each term.\n\n### Who have been Burberry’s creative directors?\n\nIn order: Thomas Burberry (founder, 1856), Roberto Menichetti (1998–2001), Christopher Bailey (2001–2018), Riccardo Tisci (2018–2022), Daniel Lee (2022–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Burberry?\n\nThe Cast Index ledger records 1 verified walk for Burberry, including Naomi Campbell.\n\n## Sources\n\n- [Burberry plc — Burberry appoints Daniel Lee as new Chief Creative Officer (29 September 2022)](https://www.burberryplc.com/news/brand/2022/burberry-appoints-daniel-lee-as-new-chief-creative-officer)\n- [Burberry plc — Burberry Summer 2027 (22 September 2026)](https://www.burberryplc.com/news/brand/2026/burberry-summer-2027)\n- [Burberry plc — History](https://www.burberryplc.com/company/history)\n- [WWD — Menichetti departs creative director post (8 March 2001)](https://wwd.com/fashion-news/fashion-features/article-1177971/)\n- [Vogue — Christopher Bailey’s Burberry legacy (1 November 2017)](https://www.vogue.com/article/burberry-christopher-bailey-legacy)\n- [Burberry plc — Burberry appoints Riccardo Tisci as Chief Creative Officer (1 March 2018)](https://www.burberryplc.com/news/corporate/2018/burberry-appoints-riccardo-tisci-as-chief-creative-officer)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Burberry\", https://thecastindex.com/houses/burberry.\n"},{"url":"https://thecastindex.com/houses/by-malene-birger","markdownUrl":"https://thecastindex.com/houses/by-malene-birger.md","title":"By Malene Birger: runway casting","lastmod":"2026-10-05","sha256":"b69e5600175a64e21217246c66177c10a038d88786fa606dbe7e5dbc6be4c2f5","bytes":1468,"markdown":"# By Malene Birger: runway casting\n\n> By Malene Birger is a Copenhagen-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Mona Tougaard. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for By Malene Birger has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/by-malene-birger\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Copenhagen, Denmark\n- House tier (methodology Appendix A): C\n\n## Which models have walked for By Malene Birger?\n\nThe Cast Index ledger records 1 verified walk for By Malene Birger, including Mona Tougaard.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Copenhagen Fashion Week SS27](https://thecastindex.com/events/copenhagen-fashion-week-2026) | [source](https://schonmagazine.com/by-malene-birger-ss27-a-grand-return/) |\n\n## Common questions\n\n### Which models have walked for By Malene Birger?\n\nThe Cast Index ledger records 1 verified walk for By Malene Birger, including Mona Tougaard.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"By Malene Birger\", https://thecastindex.com/houses/by-malene-birger.\n"},{"url":"https://thecastindex.com/houses/calvin-klein","markdownUrl":"https://thecastindex.com/houses/calvin-klein.md","title":"Calvin Klein Collection: runway casting","lastmod":"2026-10-05","sha256":"adbc3d4203c0e574fd665ca68a67aa2ac361e219ef24045f7bbe93df85bd2ef9","bytes":1684,"markdown":"# Calvin Klein Collection: runway casting\n\n> Calvin Klein Collection is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Alex Consani. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Calvin Klein Collection has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/calvin-klein\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1068628) · [Wikipedia](https://en.wikipedia.org/wiki/Calvin_Klein_(fashion_house))\n\n## Which models have walked for Calvin Klein Collection?\n\nThe Cast Index ledger records 1 verified walk for Calvin Klein Collection, including Alex Consani.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.thefader.com/2026/09/18/7-surprising-takeaways-from-new-york-fashion-week-spring-2027) |\n\n## Common questions\n\n### Which models have walked for Calvin Klein Collection?\n\nThe Cast Index ledger records 1 verified walk for Calvin Klein Collection, including Alex Consani.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Calvin Klein Collection\", https://thecastindex.com/houses/calvin-klein.\n"},{"url":"https://thecastindex.com/houses/carolina-herrera","markdownUrl":"https://thecastindex.com/houses/carolina-herrera.md","title":"Carolina Herrera: runway casting","lastmod":"2026-10-05","sha256":"6a9d0495cd5ef5e1febbc003b91a29565f0dd69c8efc76226b481cd79c432ad2","bytes":1474,"markdown":"# Carolina Herrera: runway casting\n\n> Carolina Herrera is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Karlie Kloss. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Carolina Herrera has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/carolina-herrera\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Carolina Herrera?\n\nThe Cast Index ledger records 1 verified walk for Carolina Herrera, including Karlie Kloss.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/carolina-herrera-spring-2027-runway-photos) |\n\n## Common questions\n\n### Which models have walked for Carolina Herrera?\n\nThe Cast Index ledger records 1 verified walk for Carolina Herrera, including Karlie Kloss.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Carolina Herrera\", https://thecastindex.com/houses/carolina-herrera.\n"},{"url":"https://thecastindex.com/houses/chanel","markdownUrl":"https://thecastindex.com/houses/chanel.md","title":"Chanel: creative directors and runway casting","lastmod":"2026-10-05","sha256":"eb97ab7bbfb03054de14f5af846eb0371212c5dbf2436c93ddbc40aa9b1dc077","bytes":6374,"markdown":"# Chanel: creative directors and runway casting\n\n> Matthieu Blazy is Chanel’s artistic director of fashion activities, a role announced in December 2024. Before: Virginie Viard (2019–2024). Checked 1 October 2026. Chanel has had 4 creative leads since 1910, each sourced on this page. The Cast Index ledger records 4 verified runway walks for Chanel, by models including Anok Yai, Vittoria Ceretti and Alex Consani.\n\n- Canonical: https://thecastindex.com/houses/chanel\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q218115) · [Wikipedia](https://en.wikipedia.org/wiki/Chanel)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Chanel?\n\nMatthieu Blazy is Chanel’s artistic director of fashion activities, a role announced in December 2024. Before: Virginie Viard (2019–2024). Checked 1 October 2026.\n\nBlazy joined the house in 2025 and showed his first collection, spring/summer 2026, at the Grand Palais in October 2025. He is responsible for haute couture, ready-to-wear and accessories.\n\nPreviously: Virginie Viard (2019–2024).\n\n## Who have been Chanel’s creative directors?\n\nIn order: Gabrielle Chanel (founder, 1910–1971), Studio designers (1971–1983), Karl Lagerfeld (1983–2019), Virginie Viard (2019–2024), Matthieu Blazy (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1910–1971 | Gabrielle Chanel | Founder and designer (couture house closed 1939–1954) | [CHANEL — The House of CHANEL, 1910](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1910/); [CHANEL — The House of CHANEL, 1970s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1970/) |\n| 1971–1983 | Studio designers | In-house teams after Gabrielle Chanel’s death, including Gaston Berthelot, Ramon Esparza and Philippe Guibourgé | [Encyclopedia of Clothing and Fashion — Gabrielle (Coco) Chanel](https://www.encyclopedia.com/fashion/encyclopedias-almanacs-transcripts-and-maps/chanel-gabrielle-coco-0) |\n| 1983–2019 | Karl Lagerfeld | Artistic director | [CHANEL — The House of CHANEL, 1980s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1980/); [CHANEL — The House of CHANEL, 2010s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/2010/) |\n| 2019–2024 | Virginie Viard | Artistic director of fashion collections | [CHANEL — The House of CHANEL, 2010s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/2010/); [CNN — Virginie Viard leaves Chanel (6 June 2024)](https://www.cnn.com/2024/06/06/style/virginie-viard-artistic-director-chanel-exit) |\n| 2025–present (current) | Matthieu Blazy | Artistic director of fashion activities | [CHANEL — Matthieu Blazy, Fashion Artistic Director](https://www.chanel.com/au/fashion/event/chanel-fashion-new-artistic-director/) |\n\n## Which models have walked for Chanel?\n\nThe Cast Index ledger records 4 verified walks for Chanel, including Anok Yai, Vittoria Ceretti, Alex Consani, Liu Wen.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/anok-yai) |\n| AW26 Couture | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/vittoria-ceretti) |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/alex-consani) |\n| AW26 Couture | Walked | [Liu Wen](https://thecastindex.com/models/liu-wen) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/liu-wen) |\n\n## Common questions\n\n### Who is the creative director of Chanel?\n\nMatthieu Blazy is Chanel’s artistic director of fashion activities, a role announced in December 2024. Before: Virginie Viard (2019–2024). Checked 1 October 2026.\n\n### Who was the creative director of Chanel before Matthieu Blazy?\n\nMatthieu Blazy succeeded Virginie Viard (artistic director of fashion collections, 2019–2024). The full timeline is on this page, with a source for each term.\n\n### Who have been Chanel’s creative directors?\n\nIn order: Gabrielle Chanel (founder, 1910–1971), Studio designers (1971–1983), Karl Lagerfeld (1983–2019), Virginie Viard (2019–2024), Matthieu Blazy (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Chanel?\n\nThe Cast Index ledger records 4 verified walks for Chanel, including Anok Yai, Vittoria Ceretti, Alex Consani, Liu Wen.\n\n## Sources\n\n- [CHANEL — Financial results for the year ended 31 December 2025 (19 May 2026)](https://www.chanel.com/puls-img/1779118002743-fy25-results-press-release-en-final.pdf)\n- [CHANEL — The House of CHANEL, 1910](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1910/)\n- [CHANEL — The House of CHANEL, 1970s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1970/)\n- [Encyclopedia of Clothing and Fashion — Gabrielle (Coco) Chanel](https://www.encyclopedia.com/fashion/encyclopedias-almanacs-transcripts-and-maps/chanel-gabrielle-coco-0)\n- [CHANEL — The House of CHANEL, 1980s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/1980/)\n- [CHANEL — The House of CHANEL, 2010s](https://www.chanel.com/gb/about-chanel/the-house-of-chanel/2010/)\n- [CNN — Virginie Viard leaves Chanel (6 June 2024)](https://www.cnn.com/2024/06/06/style/virginie-viard-artistic-director-chanel-exit)\n- [CHANEL — Matthieu Blazy, Fashion Artistic Director](https://www.chanel.com/au/fashion/event/chanel-fashion-new-artistic-director/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Chanel\", https://thecastindex.com/houses/chanel.\n"},{"url":"https://thecastindex.com/houses/chloe","markdownUrl":"https://thecastindex.com/houses/chloe.md","title":"Chloé: creative directors and runway casting","lastmod":"2026-10-05","sha256":"508e8de5ea9f178428ad7c47bc61d829d266ddefcf1df58d49bfd98ac0bba7c7","bytes":7071,"markdown":"# Chloé: creative directors and runway casting\n\n> Chemena Kamali is Chloé’s creative director, a role announced in October 2023. Before: Gabriela Hearst (2020–2023). Checked 1 October 2026. Chloé has had 12 creative leads since 1952, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Chloé, by models including Vittoria Ceretti and Natasha Poly.\n\n- Canonical: https://thecastindex.com/houses/chloe\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1075391) · [Wikipedia](https://en.wikipedia.org/wiki/Chlo%C3%A9)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Chloé?\n\nChemena Kamali is Chloé’s creative director, a role announced in October 2023. Before: Gabriela Hearst (2020–2023). Checked 1 October 2026.\n\nTrade press has reported since July 2026 that Kamali could leave; Chloé had not announced any change when we checked on 1 October 2026. ([source](https://fashionunited.com/news/people/chloe-whats-behind-creative-director-chemena-kamalis-rumoured-departure/2026081774120))\n\nPreviously: Gabriela Hearst (2020–2023).\n\n## Who have been Chloé’s creative directors?\n\nIn order: Gaby Aghion (founder, 1952), Karl Lagerfeld (1964–1983), Martine Sitbon (1987–1992), Karl Lagerfeld (1992–1997), Stella McCartney (1997–2001), Phoebe Philo (2001–2006), Paulo Melim Andersson (2006–2008), Hannah MacGibbon (2008–2011), Clare Waight Keller (2011–2017), Natacha Ramsay-Levi (2017–2020), Gabriela Hearst (2020–2023), Chemena Kamali (2023–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1952 | Gaby Aghion | Founder | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 1964–1983 | Karl Lagerfeld | Designer (sole designer from 1974) | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 1987–1992 | Martine Sitbon | Head designer | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 1992–1997 | Karl Lagerfeld | Designer (second spell) | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 1997–2001 | Stella McCartney | Creative director | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 2001–2006 | Phoebe Philo | Creative director | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 2006–2008 | Paulo Melim Andersson | Creative director | [Drapers — Chloé replaces creative director (11 March 2008)](https://www.drapersonline.com/news/chloe-replaces-creative-director) |\n| 2008–2011 | Hannah MacGibbon | Creative director | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 2011–2017 | Clare Waight Keller | Creative director | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 2017–2020 | Natacha Ramsay-Levi | Creative director | [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html) |\n| 2020–2023 | Gabriela Hearst | Creative director | [Richemont — Chloé appoints Gabriela Hearst as Creative Director (7 December 2020)](https://www.richemont.com/news-media/press-releases-news/chloe-announces-the-appointment-of-gabriela-hearst-as-creative-director/) |\n| 2023–present (current) | Chemena Kamali | Creative director | [Richemont — Chloé announces the appointment of Chemena Kamali as Creative Director (9 October 2023)](https://www.richemont.com/news-media/press-releases-news/chloe-announces-the-appointment-of-chemena-kamali-as-creative-director/) |\n\n## Which models have walked for Chloé?\n\nThe Cast Index ledger records 2 verified walks for Chloé, including Vittoria Ceretti, Natasha Poly.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/vittoria-ceretti) |\n| SS27 | Walked | [Natasha Poly](https://thecastindex.com/models/natasha-poly) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/natasha-poly-walks-the-runway-with-models-during-the-chlo%C3%A9-news-photo/2298030966) |\n\n## Common questions\n\n### Who is the creative director of Chloé?\n\nChemena Kamali is Chloé’s creative director, a role announced in October 2023. Before: Gabriela Hearst (2020–2023). Checked 1 October 2026.\n\n### Who was the creative director of Chloé before Chemena Kamali?\n\nChemena Kamali succeeded Gabriela Hearst (creative director, 2020–2023). The full timeline is on this page, with a source for each term.\n\n### Who have been Chloé’s creative directors?\n\nIn order: Gaby Aghion (founder, 1952), Karl Lagerfeld (1964–1983), Martine Sitbon (1987–1992), Karl Lagerfeld (1992–1997), Stella McCartney (1997–2001), Phoebe Philo (2001–2006), Paulo Melim Andersson (2006–2008), Hannah MacGibbon (2008–2011), Clare Waight Keller (2011–2017), Natacha Ramsay-Levi (2017–2020), Gabriela Hearst (2020–2023), Chemena Kamali (2023–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Chloé?\n\nThe Cast Index ledger records 2 verified walks for Chloé, including Vittoria Ceretti, Natasha Poly.\n\n## Sources\n\n- [Chloé — Chemena Kamali, Creative Director](https://www.chloe.com/en-us/maison/chemena-kamali.html)\n- [FashionUnited — What’s behind Chemena Kamali’s rumoured departure (30 July 2026)](https://fashionunited.com/news/people/chloe-whats-behind-creative-director-chemena-kamalis-rumoured-departure/2026081774120)\n- [Chloé — The history of the Maison since 1952](https://www.chloe.com/en-us/maison/history.html)\n- [Drapers — Chloé replaces creative director (11 March 2008)](https://www.drapersonline.com/news/chloe-replaces-creative-director)\n- [Richemont — Chloé appoints Gabriela Hearst as Creative Director (7 December 2020)](https://www.richemont.com/news-media/press-releases-news/chloe-announces-the-appointment-of-gabriela-hearst-as-creative-director/)\n- [Richemont — Chloé announces the appointment of Chemena Kamali as Creative Director (9 October 2023)](https://www.richemont.com/news-media/press-releases-news/chloe-announces-the-appointment-of-chemena-kamali-as-creative-director/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Chloé\", https://thecastindex.com/houses/chloe.\n"},{"url":"https://thecastindex.com/houses/christian-siriano","markdownUrl":"https://thecastindex.com/houses/christian-siriano.md","title":"Christian Siriano: creative director and runway casting","lastmod":"2026-10-05","sha256":"c2f71c023f514c55a376239e37f7a5f97c5055379034774b8f157148e189b23d","bytes":2272,"markdown":"# Christian Siriano: creative director and runway casting\n\n> Christian Siriano is led by its founder, Christian Siriano (designer), who started the label in 2008. Checked 1 October 2026. The Cast Index ledger records 1 verified runway walk for Christian Siriano, by Winnie Harlow.\n\n- Canonical: https://thecastindex.com/houses/christian-siriano\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Christian Siriano?\n\nChristian Siriano is led by its founder, Christian Siriano (designer), who started the label in 2008. Checked 1 October 2026.\n\n## Who designs Christian Siriano?\n\nChristian Siriano is led by its founder, Christian Siriano (designer), who started the label in 2008. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 2008–present (current) | Christian Siriano | Founder and designer | [Christian Siriano — About](https://christiansiriano.com/pages/about-christian-siriano) |\n\n## Which models have walked for Christian Siriano?\n\nThe Cast Index ledger records 1 verified walk for Christian Siriano, including Winnie Harlow.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW25 | Opened | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | [source](https://models.com/models/winnie-harlow) |\n\n## Common questions\n\n### Who is the creative director of Christian Siriano?\n\nChristian Siriano is led by its founder, Christian Siriano (designer), who started the label in 2008. Checked 1 October 2026.\n\n### Which models have walked for Christian Siriano?\n\nThe Cast Index ledger records 1 verified walk for Christian Siriano, including Winnie Harlow.\n\n## Sources\n\n- [Christian Siriano — About](https://christiansiriano.com/pages/about-christian-siriano)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Christian Siriano\", https://thecastindex.com/houses/christian-siriano.\n"},{"url":"https://thecastindex.com/houses/conner-ives","markdownUrl":"https://thecastindex.com/houses/conner-ives.md","title":"Conner Ives: runway casting","lastmod":"2026-10-05","sha256":"97f8edc7cc9b03357599f37e58b9d05935494dc09a0406b6076fec7a0fdfba2b","bytes":1916,"markdown":"# Conner Ives: runway casting\n\n> Conner Ives is a London-based label tracked on The Cast Index casting ledger, which records 3 verified runway walks for it across 1 season, by models including Hari Nef, Lila Moss and Iris Law. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/conner-ives\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Conner Ives?\n\nThe Cast Index ledger records 3 verified walks for Conner Ives, including Hari Nef, Lila Moss, Iris Law.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Hari Nef](https://thecastindex.com/models/hari-nef) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/surprising-celebrity-models-fashion-week-spring-2027) |\n| SS27 | Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n| SS27 | Walked | [Iris Law](https://thecastindex.com/models/iris-law) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n\n## Common questions\n\n### Which models have walked for Conner Ives?\n\nThe Cast Index ledger records 3 verified walks for Conner Ives, including Hari Nef, Lila Moss, Iris Law.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Conner Ives\", https://thecastindex.com/houses/conner-ives.\n"},{"url":"https://thecastindex.com/houses/del-core","markdownUrl":"https://thecastindex.com/houses/del-core.md","title":"Del Core: creative director and runway casting","lastmod":"2026-10-05","sha256":"839df430569e13633a824f8f9a3b5e3f5bd420f708c18a76d655e10ec7d30e88","bytes":2363,"markdown":"# Del Core: creative director and runway casting\n\n> Del Core is led by its founder, Daniel Del Core (creative director), who started the label in 2020. Checked 1 October 2026. The Cast Index ledger records 1 verified runway walk for Del Core, by Naomi Campbell.\n\n- Canonical: https://thecastindex.com/houses/del-core\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Del Core?\n\nDel Core is led by its founder, Daniel Del Core (creative director), who started the label in 2020. Checked 1 October 2026.\n\n## Who designs Del Core?\n\nDel Core is led by its founder, Daniel Del Core (creative director), who started the label in 2020. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 2020–present (current) | Daniel Del Core | Founder and creative director | [FashionUnited — Daniel Del Core launches his own collection (16 December 2020)](https://fashionunited.com/news/people/daniel-del-core-launches-his-own-collection/2020121637096) |\n\n## Which models have walked for Del Core?\n\nThe Cast Index ledger records 1 verified walk for Del Core, including Naomi Campbell.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS25 | Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Milan Fashion Week AW26](https://thecastindex.com/events/milan-fashion-week-2026) | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n\n## Common questions\n\n### Who is the creative director of Del Core?\n\nDel Core is led by its founder, Daniel Del Core (creative director), who started the label in 2020. Checked 1 October 2026.\n\n### Which models have walked for Del Core?\n\nThe Cast Index ledger records 1 verified walk for Del Core, including Naomi Campbell.\n\n## Sources\n\n- [FashionUnited — Daniel Del Core launches his own collection (16 December 2020)](https://fashionunited.com/news/people/daniel-del-core-launches-his-own-collection/2020121637096)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Del Core\", https://thecastindex.com/houses/del-core.\n"},{"url":"https://thecastindex.com/houses/dior","markdownUrl":"https://thecastindex.com/houses/dior.md","title":"Dior: creative directors and runway casting","lastmod":"2026-10-05","sha256":"ddecd745fc50b550937633deae45e3d496047dcde08460e6b53d32cfc4ea6324","bytes":7510,"markdown":"# Dior: creative directors and runway casting\n\n> Jonathan Anderson is Dior’s creative director of women’s, men’s and haute couture collections, a role announced in June 2025. Before: Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025). Checked 1 October 2026. Dior has had 11 creative leads since 1946, each sourced on this page.\n\n- Canonical: https://thecastindex.com/houses/dior\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q542767) · [Wikipedia](https://en.wikipedia.org/wiki/Dior)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Dior?\n\nJonathan Anderson is Dior’s creative director of women’s, men’s and haute couture collections, a role announced in June 2025. Before: Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025). Checked 1 October 2026.\n\nAnderson took over Dior menswear first (confirmed in April 2025) and all collections from June 2025. He showed the spring/summer 2027 women’s collection in Paris on 29 September 2026. ([source](https://us.fashionnetwork.com/news/Dior-presents-sheer-tops-and-metallic-trousers-in-spring-summer-2027-show,1871544.html))\n\nPreviously: Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025).\n\n## Who have been Dior’s creative directors?\n\nIn order: Christian Dior (founder, 1946–1957), Yves Saint Laurent (1957–1960), Marc Bohan (1961–1989), Gianfranco Ferré (1989–1996), John Galliano (1996–2011), Hedi Slimane (2000–2007), Kris Van Assche (2007–2018), Raf Simons (2012–2015), Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025), Jonathan Anderson (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1946–1957 | Christian Dior | Founder and couturier | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 1957–1960 | Yves Saint Laurent | Artistic director | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 1961–1989 | Marc Bohan | Artistic director | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 1989–1996 | Gianfranco Ferré | Artistic director | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 1996–2011 | John Galliano | Chief designer | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 2000–2007 | Hedi Slimane | Creative director, Dior Homme (menswear) | [FashionNetwork — Kim Jones replaces Kris Van Assche at Dior Homme (19 March 2018)](https://uk.fashionnetwork.com/news/Kim-jones-replaces-kris-van-assche-at-dior-homme,959508.html) |\n| 2007–2018 | Kris Van Assche | Artistic director, Dior Homme (menswear) | [FashionNetwork — Kim Jones replaces Kris Van Assche at Dior Homme (19 March 2018)](https://uk.fashionnetwork.com/news/Kim-jones-replaces-kris-van-assche-at-dior-homme,959508.html) |\n| 2012–2015 | Raf Simons | Creative director | [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior) |\n| 2016–2025 | Maria Grazia Chiuri | Creative director of women’s haute couture, ready-to-wear and accessories | [FashionNetwork — Dior confirms Maria Grazia Chiuri’s exit (29 May 2025)](https://uk.fashionnetwork.com/news/Dior-confirms-maria-grazia-chiuri-s-exit,1735337.html) |\n| 2018–2025 | Kim Jones | Artistic director, Dior Homme (menswear) | [FashionNetwork — Kim Jones steps down from Dior menswear (31 January 2025)](https://uk.fashionnetwork.com/news/Kim-jones-steps-down-from-dior-menswear-creative-helm,1698260.html) |\n| 2025–present (current) | Jonathan Anderson | Creative director of women’s, men’s and haute couture collections | [LVMH — Letter to shareholders, July 2025](https://www.lvmh.com/static/letter-to-shareholders-july-2025/fashion-and-leather-goods.html) |\n\n## Which models have walked for Dior?\n\nThe Cast Index ledger records 2 verified walks for Dior, including Mica Argañaraz, Mona Tougaard.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.harpersbazaar.com/fashion/fashion-week/a73944985/dior-spring-summer-2027-review/) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-christian-dior-news-photo/2297743015) |\n\n## Common questions\n\n### Who is the creative director of Dior?\n\nJonathan Anderson is Dior’s creative director of women’s, men’s and haute couture collections, a role announced in June 2025. Before: Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025). Checked 1 October 2026.\n\n### Who was the creative director of Dior before Jonathan Anderson?\n\nJonathan Anderson succeeded Maria Grazia Chiuri (creative director of women’s haute couture, ready-to-wear and accessories, 2016–2025) and Kim Jones (artistic director, Dior Homme (menswear), 2018–2025). The full timeline is on this page, with a source for each term.\n\n### Who have been Dior’s creative directors?\n\nIn order: Christian Dior (founder, 1946–1957), Yves Saint Laurent (1957–1960), Marc Bohan (1961–1989), Gianfranco Ferré (1989–1996), John Galliano (1996–2011), Hedi Slimane (2000–2007), Kris Van Assche (2007–2018), Raf Simons (2012–2015), Maria Grazia Chiuri (2016–2025), Kim Jones (2018–2025), Jonathan Anderson (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Dior?\n\nThe Cast Index ledger records 2 verified walks for Dior, including Mica Argañaraz, Mona Tougaard.\n\n## Sources\n\n- [LVMH — Dior Fall/Winter 2026-2027 Haute Couture collection (8 July 2026)](https://www.lvmh.com/en/news-lvmh/sculptural-fashion-for-dior-fallwinter-2026-2027-haute-couture-collection)\n- [FashionNetwork — Dior presents sheer tops and metallic trousers in spring/summer 2027 show (29 September 2026)](https://us.fashionnetwork.com/news/Dior-presents-sheer-tops-and-metallic-trousers-in-spring-summer-2027-show,1871544.html)\n- [Design Museum — Christian Dior](https://designmuseum.org/designers/christian-dior)\n- [FashionNetwork — Kim Jones replaces Kris Van Assche at Dior Homme (19 March 2018)](https://uk.fashionnetwork.com/news/Kim-jones-replaces-kris-van-assche-at-dior-homme,959508.html)\n- [FashionNetwork — Dior confirms Maria Grazia Chiuri’s exit (29 May 2025)](https://uk.fashionnetwork.com/news/Dior-confirms-maria-grazia-chiuri-s-exit,1735337.html)\n- [FashionNetwork — Kim Jones steps down from Dior menswear (31 January 2025)](https://uk.fashionnetwork.com/news/Kim-jones-steps-down-from-dior-menswear-creative-helm,1698260.html)\n- [LVMH — Letter to shareholders, July 2025](https://www.lvmh.com/static/letter-to-shareholders-july-2025/fashion-and-leather-goods.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Dior\", https://thecastindex.com/houses/dior.\n"},{"url":"https://thecastindex.com/houses/dolce-gabbana","markdownUrl":"https://thecastindex.com/houses/dolce-gabbana.md","title":"Dolce & Gabbana: runway casting","lastmod":"2026-10-05","sha256":"f301b2bdf59bb116d9f25d4d216fac9d68bbb22f67fcc009308a2be689ef3744","bytes":1937,"markdown":"# Dolce & Gabbana: runway casting\n\n> Dolce & Gabbana is a Milan-based label tracked on The Cast Index casting ledger, which records 2 verified runway walks for it across 1 season, by models including Awar Odhiang and Angelina Kendall. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/dolce-gabbana\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q214480) · [Wikipedia](https://en.wikipedia.org/wiki/Dolce_%26_Gabbana)\n\n## Which models have walked for Dolce & Gabbana?\n\nThe Cast Index ledger records 2 verified walks for Dolce & Gabbana, including Awar Odhiang, Angelina Kendall.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.thefashionspot.com/runway-news/974229-forum-members-review-the-quintessentially-sicilian-dolce-gabbana-spring-2027-collection) |\n| SS27 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-dolce-gabbana-news-photo/2297257130) |\n\n## Common questions\n\n### Which models have walked for Dolce & Gabbana?\n\nThe Cast Index ledger records 2 verified walks for Dolce & Gabbana, including Awar Odhiang, Angelina Kendall.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Dolce & Gabbana\", https://thecastindex.com/houses/dolce-gabbana.\n"},{"url":"https://thecastindex.com/houses/etro","markdownUrl":"https://thecastindex.com/houses/etro.md","title":"Etro: runway casting","lastmod":"2026-10-05","sha256":"c7b2e4f436d2b0f972a5db86dcdfd26fbd92925509b83e6d490a8aa350c2cab1","bytes":1404,"markdown":"# Etro: runway casting\n\n> Etro is a Milan-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Angelina Kendall. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Etro has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/etro\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Etro?\n\nThe Cast Index ledger records 1 verified walk for Etro, including Angelina Kendall.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-etro-fashion-show-news-photo/2296807363) |\n\n## Common questions\n\n### Which models have walked for Etro?\n\nThe Cast Index ledger records 1 verified walk for Etro, including Angelina Kendall.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Etro\", https://thecastindex.com/houses/etro.\n"},{"url":"https://thecastindex.com/houses/fendi","markdownUrl":"https://thecastindex.com/houses/fendi.md","title":"Fendi: creative directors and runway casting","lastmod":"2026-10-05","sha256":"a34e4fa037223f5075c104338e071dc6d1aae7301256d9707d88242dba9a22ac","bytes":5630,"markdown":"# Fendi: creative directors and runway casting\n\n> Maria Grazia Chiuri is Fendi’s chief creative officer, a role announced in October 2025. Before: Silvia Venturini Fendi (1994–2025). Checked 1 October 2026. Fendi has had 5 creative leads since 1925, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Fendi, by models including Awar Odhiang and Mona Tougaard.\n\n- Canonical: https://thecastindex.com/houses/fendi\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q926575) · [Wikipedia](https://en.wikipedia.org/wiki/Fendi)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Fendi?\n\nMaria Grazia Chiuri is Fendi’s chief creative officer, a role announced in October 2025. Before: Silvia Venturini Fendi (1994–2025). Checked 1 October 2026.\n\nAppointed after Silvia Venturini Fendi became the house’s honorary president. Chiuri showed her first Fendi collection, autumn/winter 2026, in Milan in February 2026. ([source](https://www.lvmh.com/en/news-lvmh/maria-grazia-chiuri-presents-first-collection-for-fendi-fall-winter-2026-2027))\n\nPreviously: Silvia Venturini Fendi (1994–2025).\n\n## Who have been Fendi’s creative directors?\n\nIn order: Adele and Edoardo Fendi (founder, 1925), Karl Lagerfeld (1965–2019), Silvia Venturini Fendi (1994–2025), Kim Jones (2020–2024), Maria Grazia Chiuri (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1925 | Adele and Edoardo Fendi | Founders, Rome | [LVMH — Fendi](https://www.lvmh.com/our-maisons/fashion-leather-good/fendi) |\n| 1965–2019 | Karl Lagerfeld | Designer | [LVMH — Fendi](https://www.lvmh.com/our-maisons/fashion-leather-good/fendi) |\n| 1994–2025 | Silvia Venturini Fendi | Artistic director of accessories, later also menswear; led womenswear after Kim Jones left | [LVMH — Silvia Venturini Fendi becomes honorary president of Fendi (29 September 2025)](https://www.lvmh.com/en/news-lvmh/silvia-venturini-fendi-is-taking-on-the-role-of-honorary-president-of-fendi) |\n| 2020–2024 | Kim Jones | Artistic director of couture and womenswear | [FashionNetwork — Kim Jones is leaving Fendi (11 October 2024)](https://uk.fashionnetwork.com/news/It-s-official-kim-jones-is-leaving-fendi-but-staying-on-at-dior-men,1671082.html) |\n| 2025–present (current) | Maria Grazia Chiuri | Chief creative officer | [LVMH — Maria Grazia Chiuri named Chief Creative Officer at Fendi (14 October 2025)](https://www.lvmh.com/en/news-lvmh/maria-grazia-chiuri-named-chief-creative-officer-at-fendi) |\n\n## Which models have walked for Fendi?\n\nThe Cast Index ledger records 2 verified walks for Fendi, including Awar Odhiang, Mona Tougaard.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/canadian-model-awar-odhiang-walks-the-runway-during-the-news-photo/2296134286) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088) |\n\n## Common questions\n\n### Who is the creative director of Fendi?\n\nMaria Grazia Chiuri is Fendi’s chief creative officer, a role announced in October 2025. Before: Silvia Venturini Fendi (1994–2025). Checked 1 October 2026.\n\n### Who was the creative director of Fendi before Maria Grazia Chiuri?\n\nMaria Grazia Chiuri succeeded Silvia Venturini Fendi (artistic director of accessories, later also menswear; led womenswear after Kim Jones left, 1994–2025). The full timeline is on this page, with a source for each term.\n\n### Who have been Fendi’s creative directors?\n\nIn order: Adele and Edoardo Fendi (founder, 1925), Karl Lagerfeld (1965–2019), Silvia Venturini Fendi (1994–2025), Kim Jones (2020–2024), Maria Grazia Chiuri (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Fendi?\n\nThe Cast Index ledger records 2 verified walks for Fendi, including Awar Odhiang, Mona Tougaard.\n\n## Sources\n\n- [LVMH — Maria Grazia Chiuri named Chief Creative Officer at Fendi (14 October 2025)](https://www.lvmh.com/en/news-lvmh/maria-grazia-chiuri-named-chief-creative-officer-at-fendi)\n- [LVMH — Maria Grazia Chiuri presents her first collection for Fendi (March 2026)](https://www.lvmh.com/en/news-lvmh/maria-grazia-chiuri-presents-first-collection-for-fendi-fall-winter-2026-2027)\n- [LVMH — Fendi](https://www.lvmh.com/our-maisons/fashion-leather-good/fendi)\n- [LVMH — Silvia Venturini Fendi becomes honorary president of Fendi (29 September 2025)](https://www.lvmh.com/en/news-lvmh/silvia-venturini-fendi-is-taking-on-the-role-of-honorary-president-of-fendi)\n- [FashionNetwork — Kim Jones is leaving Fendi (11 October 2024)](https://uk.fashionnetwork.com/news/It-s-official-kim-jones-is-leaving-fendi-but-staying-on-at-dior-men,1671082.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Fendi\", https://thecastindex.com/houses/fendi.\n"},{"url":"https://thecastindex.com/houses/ferragamo","markdownUrl":"https://thecastindex.com/houses/ferragamo.md","title":"Ferragamo: runway casting","lastmod":"2026-10-05","sha256":"55110a40bc0bd4ca00d9189a62b12dfea07047dc83e8100fe9b47b986c0df8d0","bytes":3184,"markdown":"# Ferragamo: runway casting\n\n> Ferragamo is a Florence-based label tracked on The Cast Index casting ledger, which records 6 verified runway walks for it across 1 season, by models including Anok Yai, Mona Tougaard and Paloma Elsesser. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Ferragamo has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/ferragamo\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Florence, Italy\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q3946053) · [Wikipedia](https://en.wikipedia.org/wiki/Salvatore_Ferragamo_(company))\n\n## Which models have walked for Ferragamo?\n\nThe Cast Index ledger records 6 verified walks for Ferragamo, including Anok Yai, Mona Tougaard, Paloma Elsesser, Awar Odhiang, Hejia Li.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| SS27 | Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297276979) |\n| SS27 | Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/hejia-li-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275135) |\n| SS27 | Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297275114) |\n\n## Common questions\n\n### Which models have walked for Ferragamo?\n\nThe Cast Index ledger records 6 verified walks for Ferragamo, including Anok Yai, Mona Tougaard, Paloma Elsesser, Awar Odhiang, Hejia Li.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Ferragamo\", https://thecastindex.com/houses/ferragamo.\n"},{"url":"https://thecastindex.com/houses/givenchy","markdownUrl":"https://thecastindex.com/houses/givenchy.md","title":"Givenchy: creative directors and runway casting","lastmod":"2026-10-05","sha256":"c39aff6df582ef11edb95e614834da83f8462445652ad740680d777a8b2d2b8f","bytes":6685,"markdown":"# Givenchy: creative directors and runway casting\n\n> Sarah Burton is Givenchy’s creative director, a role announced in September 2024. Before: Matthew M. Williams (2020–2023). Checked 1 October 2026. Givenchy has had 8 creative leads since 1952, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Givenchy, by models including Vittoria Ceretti and Kaia Gerber.\n\n- Canonical: https://thecastindex.com/houses/givenchy\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q759210) · [Wikipedia](https://en.wikipedia.org/wiki/Givenchy)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Givenchy?\n\nSarah Burton is Givenchy’s creative director, a role announced in September 2024. Before: Matthew M. Williams (2020–2023). Checked 1 October 2026.\n\nBurton leads both womenswear and menswear. Her first collection was shown in March 2025.\n\nPreviously: Matthew M. Williams (2020–2023).\n\n## Who have been Givenchy’s creative directors?\n\nIn order: Hubert de Givenchy (founder, 1952–1995), John Galliano (1995–1996), Alexander McQueen (1996–2001), Julien Macdonald (2001–2004), Riccardo Tisci (2005–2017), Clare Waight Keller (2017–2020), Matthew M. Williams (2020–2023), Sarah Burton (2024–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1952–1995 | Hubert de Givenchy | Founder and couturier | [FashionNetwork — Givenchy names Clare Waight Keller new creative director (16 March 2017)](https://uk.fashionnetwork.com/news/Givenchy-names-clare-waight-keller-new-creative-director,805665.html) |\n| 1995–1996 | John Galliano | Designer | [FashionNetwork — Givenchy celebrates 70 years with a new book (24 November 2023)](https://ww.fashionnetwork.com/news/Givenchy-celebrates-70-years-of-fashion-collections-with-a-new-book,1580513.html) |\n| 1996–2001 | Alexander McQueen | Head designer | [V&A — Alexander McQueen: an introduction](https://www.vam.ac.uk/articles/alexander-mcqueen-an-introduction) |\n| 2001–2004 | Julien Macdonald | Artistic director of haute couture and women’s ready-to-wear | [Encyclopedia.com (Contemporary Fashion) — Julien Macdonald](https://www.encyclopedia.com/books/culture-magazines/macdonald-julien) |\n| 2005–2017 | Riccardo Tisci | Creative director (women’s from 2005, men’s from 2008) | [FashionNetwork — Riccardo Tisci is leaving Givenchy (2 February 2017)](https://uk.fashionnetwork.com/news/Riccardo-tisci-is-leaving-givenchy,788435.html) |\n| 2017–2020 | Clare Waight Keller | Artistic director | [FashionNetwork — Clare Waight Keller and Givenchy part ways (10 April 2020)](https://ww.fashionnetwork.com/news/Clare-waight-keller-and-givenchy-part-ways-on-good-friday,1206368.html) |\n| 2020–2023 | Matthew M. Williams | Creative director | [FashionNetwork — Givenchy and Matthew M. Williams go separate ways (1 December 2023)](https://uk.fashionnetwork.com/news/Givenchy-and-matthew-m-williams-go-seperate-ways,1582875.html) |\n| 2024–present (current) | Sarah Burton | Creative director | [LVMH — Sarah Burton appointed Creative Director of Givenchy (9 September 2024)](https://www.lvmh.com/en/news-lvmh/sarah-burton-appointed-creative-director-of-givenchy) |\n\n## Which models have walked for Givenchy?\n\nThe Cast Index ledger records 2 verified walks for Givenchy, including Vittoria Ceretti, Kaia Gerber.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/vittoria-ceretti) |\n| SS26 | Closed | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/kaia-gerber) |\n\n## Common questions\n\n### Who is the creative director of Givenchy?\n\nSarah Burton is Givenchy’s creative director, a role announced in September 2024. Before: Matthew M. Williams (2020–2023). Checked 1 October 2026.\n\n### Who was the creative director of Givenchy before Sarah Burton?\n\nSarah Burton succeeded Matthew M. Williams (creative director, 2020–2023). The full timeline is on this page, with a source for each term.\n\n### Who have been Givenchy’s creative directors?\n\nIn order: Hubert de Givenchy (founder, 1952–1995), John Galliano (1995–1996), Alexander McQueen (1996–2001), Julien Macdonald (2001–2004), Riccardo Tisci (2005–2017), Clare Waight Keller (2017–2020), Matthew M. Williams (2020–2023), Sarah Burton (2024–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Givenchy?\n\nThe Cast Index ledger records 2 verified walks for Givenchy, including Vittoria Ceretti, Kaia Gerber.\n\n## Sources\n\n- [LVMH — Sarah Burton appointed Creative Director of Givenchy (9 September 2024)](https://www.lvmh.com/en/news-lvmh/sarah-burton-appointed-creative-director-of-givenchy)\n- [FashionNetwork — Givenchy names Clare Waight Keller new creative director (16 March 2017)](https://uk.fashionnetwork.com/news/Givenchy-names-clare-waight-keller-new-creative-director,805665.html)\n- [FashionNetwork — Givenchy celebrates 70 years with a new book (24 November 2023)](https://ww.fashionnetwork.com/news/Givenchy-celebrates-70-years-of-fashion-collections-with-a-new-book,1580513.html)\n- [V&A — Alexander McQueen: an introduction](https://www.vam.ac.uk/articles/alexander-mcqueen-an-introduction)\n- [Encyclopedia.com (Contemporary Fashion) — Julien Macdonald](https://www.encyclopedia.com/books/culture-magazines/macdonald-julien)\n- [FashionNetwork — Riccardo Tisci is leaving Givenchy (2 February 2017)](https://uk.fashionnetwork.com/news/Riccardo-tisci-is-leaving-givenchy,788435.html)\n- [FashionNetwork — Clare Waight Keller and Givenchy part ways (10 April 2020)](https://ww.fashionnetwork.com/news/Clare-waight-keller-and-givenchy-part-ways-on-good-friday,1206368.html)\n- [FashionNetwork — Givenchy and Matthew M. Williams go separate ways (1 December 2023)](https://uk.fashionnetwork.com/news/Givenchy-and-matthew-m-williams-go-seperate-ways,1582875.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Givenchy\", https://thecastindex.com/houses/givenchy.\n"},{"url":"https://thecastindex.com/houses/gucci","markdownUrl":"https://thecastindex.com/houses/gucci.md","title":"Gucci: creative directors and runway casting","lastmod":"2026-10-05","sha256":"50c0c0ab8acf513cdd6e2c8f0ea0f25138329089eb00eb4d35f11b3b587a275b","bytes":6674,"markdown":"# Gucci: creative directors and runway casting\n\n> Demna is Gucci’s artistic director, a role announced in March 2025. Before: Sabato De Sarno (2023–2025). Checked 1 October 2026. Gucci has had 8 creative leads since 1921, each sourced on this page. The Cast Index ledger records 4 verified runway walks for Gucci, by models including Karlie Kloss, Anok Yai and Elsa Hosk.\n\n- Canonical: https://thecastindex.com/houses/gucci\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q178516) · [Wikipedia](https://en.wikipedia.org/wiki/Gucci)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Gucci?\n\nDemna is Gucci’s artistic director, a role announced in March 2025. Before: Sabato De Sarno (2023–2025). Checked 1 October 2026.\n\nDemna started in July 2025. His first Gucci runway show was autumn/winter 2026, in Milan in February 2026.\n\nPreviously: Sabato De Sarno (2023–2025).\n\n## Who have been Gucci’s creative directors?\n\nIn order: Guccio Gucci (founder, 1921), Tom Ford (1994–2004), Alessandra Facchinetti (2004–2005), John Ray (2004–2006), Frida Giannini (2005–2015), Alessandro Michele (2015–2022), Sabato De Sarno (2023–2025), Demna (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1921 | Guccio Gucci | Founder, Florence | [Kering — Gucci](https://www.kering.com/en/houses/fashion-and-leather-goods/gucci/) |\n| 1994–2004 | Tom Ford | Creative director | [CFDA — Tom Ford](https://cfda.com/member/tom-ford/) |\n| 2004–2005 | Alessandra Facchinetti | Creative director, womenswear | [FashionUnited — Facchinetti quits Gucci (8 March 2005)](https://fashionunited.uk/news/fashion/facchinetti-quits-gucci/2005030836697) |\n| 2004–2006 | John Ray | Creative director, menswear | [FashionUnited — Frida Giannini alone at the top (1 February 2006)](https://fashionunited.uk/news/fashion/frida-giannini-alone-at-the-top/2006020135727) |\n| 2005–2015 | Frida Giannini | Creative director (women’s ready-to-wear and accessories from 2005, then the whole house) | [Kering — Frida Giannini to step down from Gucci (11 December 2014)](https://www.kering.com/en/news/creative-director-frida-giannini-ceo-patrizio-di-marco-step-down-from-gucci-marco-bizzarri-appointed-ceo/) |\n| 2015–2022 | Alessandro Michele | Creative director | [Kering — Alessandro Michele stepping down as Gucci’s Creative Director (23 November 2022)](https://www.kering.com/en/news/alessandro-michele-stepping-down-as-gucci-s-creative-director/) |\n| 2023–2025 | Sabato De Sarno | Creative director | [Kering — Gucci ends its collaboration with Sabato De Sarno (6 February 2025)](https://www.kering.com/en/news/gucci-ends-its-collaboration-with-sabato-de-sarno/) |\n| 2025–present (current) | Demna | Artistic director | [Kering — Demna appointed Artistic Director of Gucci (13 March 2025)](https://www.kering.com/en/news/demna-appointed-artistic-director-of-gucci/) |\n\n## Which models have walked for Gucci?\n\nThe Cast Index ledger records 4 verified walks for Gucci, including Karlie Kloss, Anok Yai, Elsa Hosk, Alex Consani.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Milan Fashion Week AW26](https://thecastindex.com/events/milan-fashion-week-2026) | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| SS27 | Walked | [Elsa Hosk](https://thecastindex.com/models/elsa-hosk) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027) |\n| SS27 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.marieclaire.com/fashion/gucci-spring-2027-show/) |\n\n## Common questions\n\n### Who is the creative director of Gucci?\n\nDemna is Gucci’s artistic director, a role announced in March 2025. Before: Sabato De Sarno (2023–2025). Checked 1 October 2026.\n\n### Who was the creative director of Gucci before Demna?\n\nDemna succeeded Sabato De Sarno (creative director, 2023–2025). The full timeline is on this page, with a source for each term.\n\n### Who have been Gucci’s creative directors?\n\nIn order: Guccio Gucci (founder, 1921), Tom Ford (1994–2004), Alessandra Facchinetti (2004–2005), John Ray (2004–2006), Frida Giannini (2005–2015), Alessandro Michele (2015–2022), Sabato De Sarno (2023–2025), Demna (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Gucci?\n\nThe Cast Index ledger records 4 verified walks for Gucci, including Karlie Kloss, Anok Yai, Elsa Hosk, Alex Consani.\n\n## Sources\n\n- [Kering — Gucci](https://www.kering.com/en/houses/fashion-and-leather-goods/gucci/)\n- [CFDA — Tom Ford](https://cfda.com/member/tom-ford/)\n- [FashionUnited — Facchinetti quits Gucci (8 March 2005)](https://fashionunited.uk/news/fashion/facchinetti-quits-gucci/2005030836697)\n- [FashionUnited — Frida Giannini alone at the top (1 February 2006)](https://fashionunited.uk/news/fashion/frida-giannini-alone-at-the-top/2006020135727)\n- [Kering — Frida Giannini to step down from Gucci (11 December 2014)](https://www.kering.com/en/news/creative-director-frida-giannini-ceo-patrizio-di-marco-step-down-from-gucci-marco-bizzarri-appointed-ceo/)\n- [Kering — Alessandro Michele stepping down as Gucci’s Creative Director (23 November 2022)](https://www.kering.com/en/news/alessandro-michele-stepping-down-as-gucci-s-creative-director/)\n- [Kering — Gucci ends its collaboration with Sabato De Sarno (6 February 2025)](https://www.kering.com/en/news/gucci-ends-its-collaboration-with-sabato-de-sarno/)\n- [Kering — Demna appointed Artistic Director of Gucci (13 March 2025)](https://www.kering.com/en/news/demna-appointed-artistic-director-of-gucci/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Gucci\", https://thecastindex.com/houses/gucci.\n"},{"url":"https://thecastindex.com/houses/h-and-m","markdownUrl":"https://thecastindex.com/houses/h-and-m.md","title":"H&M: runway casting","lastmod":"2026-10-05","sha256":"350d9f827d9f9fabc418740c7557c202522a0125d8b1c2501d79f9eff96bb609","bytes":2685,"markdown":"# H&M: runway casting\n\n> H&M is a Stockholm-based label tracked on The Cast Index casting ledger, which records 4 verified runway walks for it across 1 season, by models including Alex Consani, Paloma Elsesser and Lila Moss. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for H&M has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/h-and-m\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Stockholm, Sweden\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q188326) · [Wikipedia](https://en.wikipedia.org/wiki/H%26M)\n\n## Which models have walked for H&M?\n\nThe Cast Index ledger records 4 verified walks for H&M, including Alex Consani, Paloma Elsesser, Lila Moss, Angelina Kendall.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Opened | [Alex Consani](https://thecastindex.com/models/alex-consani) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/hm-london-fashion-week-show-autumn-2026) |\n| AW26 | Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| AW26 | Walked | [Lila Moss](https://thecastindex.com/models/lila-moss) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n| AW26 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/) |\n\n## Common questions\n\n### Which models have walked for H&M?\n\nThe Cast Index ledger records 4 verified walks for H&M, including Alex Consani, Paloma Elsesser, Lila Moss, Angelina Kendall.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"H&M\", https://thecastindex.com/houses/h-and-m.\n"},{"url":"https://thecastindex.com/houses/harris-reed","markdownUrl":"https://thecastindex.com/houses/harris-reed.md","title":"Harris Reed: runway casting","lastmod":"2026-10-05","sha256":"12b82c6d7f13c02130bbd0a9fe2976921218ba93b9798ccf969839aa32ef8d67","bytes":1407,"markdown":"# Harris Reed: runway casting\n\n> Harris Reed is a London-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Ashley Graham. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Harris Reed has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/harris-reed\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Harris Reed?\n\nThe Cast Index ledger records 1 verified walk for Harris Reed, including Ashley Graham.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://wwd.com/runway/spring-2027/london/harris-reed/review/) |\n\n## Common questions\n\n### Which models have walked for Harris Reed?\n\nThe Cast Index ledger records 1 verified walk for Harris Reed, including Ashley Graham.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Harris Reed\", https://thecastindex.com/houses/harris-reed.\n"},{"url":"https://thecastindex.com/houses/heirlome","markdownUrl":"https://thecastindex.com/houses/heirlome.md","title":"Heirlome: runway casting","lastmod":"2026-10-05","sha256":"2b0a8f9c8d28e245408ca6c6bd6ddb05f8c78839fe26ebdb5511a12cbac6976a","bytes":1444,"markdown":"# Heirlome: runway casting\n\n> Heirlome is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Devyn Garcia. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Heirlome has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/heirlome\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Heirlome?\n\nThe Cast Index ledger records 1 verified walk for Heirlome, including Devyn Garcia.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-heirlome-ready-to-news-photo/2295537976) |\n\n## Common questions\n\n### Which models have walked for Heirlome?\n\nThe Cast Index ledger records 1 verified walk for Heirlome, including Devyn Garcia.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Heirlome\", https://thecastindex.com/houses/heirlome.\n"},{"url":"https://thecastindex.com/houses/jean-paul-gaultier","markdownUrl":"https://thecastindex.com/houses/jean-paul-gaultier.md","title":"Jean Paul Gaultier: creative directors and runway casting","lastmod":"2026-10-05","sha256":"adfb06303c2c6e9a909a7b1c489cf2693ac79abf660afa98365367358609f187","bytes":4574,"markdown":"# Jean Paul Gaultier: creative directors and runway casting\n\n> Duran Lantink is Jean Paul Gaultier’s creative director, a role announced in April 2025. Checked 1 October 2026. Jean Paul Gaultier has had 2 creative leads since 1976, each sourced on this page. The Cast Index ledger records 1 verified runway walk for Jean Paul Gaultier, by Alex Consani.\n\n- Canonical: https://thecastindex.com/houses/jean-paul-gaultier\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): B\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Jean Paul Gaultier?\n\nDuran Lantink is Jean Paul Gaultier’s creative director, a role announced in April 2025. Checked 1 October 2026.\n\nThe house’s first permanent creative director since its founder retired from the runway in 2020. Lantink’s haute couture debut was shown in Paris in July 2026.\n\n## Who have been Jean Paul Gaultier’s creative directors?\n\nIn order: Jean Paul Gaultier (founder, 1976–2020), Guest couturiers (2021–2025), Duran Lantink (2025–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1976–2020 | Jean Paul Gaultier | Founder and designer | [Euronews — Jean Paul Gaultier names Duran Lantink as permanent successor (15 April 2025)](https://www.euronews.com/culture/2025/04/15/jean-paul-gaultier-names-dutch-designer-duran-lantink-as-permanent-successor) |\n| 2021–2025 | Guest couturiers | A different guest designer each haute couture season | [FashionNetwork — Jean Paul Gaultier picks Ludovic de Saint Sernin as next guest designer (23 September 2024)](https://ww.fashionnetwork.com/news/Jean-paul-gaultier-picks-ludovic-de-saint-sernin-as-next-guest-designer,1665795.html) |\n| 2025–present (current) | Duran Lantink | Creative director | [Puig — Duran Lantink appointed creative director of Jean Paul Gaultier (15 April 2025)](https://www.puig.com/en/newsroom/Duran-Lantink-new-permanent-Creative-Director-Jean-Paul-Gaultier/) |\n\n## Which models have walked for Jean Paul Gaultier?\n\nThe Cast Index ledger records 1 verified walk for Jean Paul Gaultier, including Alex Consani.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/alex-consani) |\n\n## Common questions\n\n### Who is the creative director of Jean Paul Gaultier?\n\nDuran Lantink is Jean Paul Gaultier’s creative director, a role announced in April 2025. Checked 1 October 2026.\n\n### Who was the creative director of Jean Paul Gaultier before Duran Lantink?\n\nBefore Duran Lantink, Jean Paul Gaultier had no permanent creative director: the founder stepped down from the runway in 2020, and each haute couture collection from 2021 to early 2025 was designed by a different guest designer, among them Chitose Abe, Olivier Rousteing, Haider Ackermann and Ludovic de Saint Sernin.\n\n### Who have been Jean Paul Gaultier’s creative directors?\n\nIn order: Jean Paul Gaultier (founder, 1976–2020), Guest couturiers (2021–2025), Duran Lantink (2025–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Jean Paul Gaultier?\n\nThe Cast Index ledger records 1 verified walk for Jean Paul Gaultier, including Alex Consani.\n\n## Sources\n\n- [Puig — First-half 2026 results (30 July 2026)](https://uploads.puig.com/uploads/H1_2026_Results_Press_Release_ENG_e0929148e2.pdf)\n- [Euronews — Jean Paul Gaultier names Duran Lantink as permanent successor (15 April 2025)](https://www.euronews.com/culture/2025/04/15/jean-paul-gaultier-names-dutch-designer-duran-lantink-as-permanent-successor)\n- [FashionNetwork — Jean Paul Gaultier picks Ludovic de Saint Sernin as next guest designer (23 September 2024)](https://ww.fashionnetwork.com/news/Jean-paul-gaultier-picks-ludovic-de-saint-sernin-as-next-guest-designer,1665795.html)\n- [Puig — Duran Lantink appointed creative director of Jean Paul Gaultier (15 April 2025)](https://www.puig.com/en/newsroom/Duran-Lantink-new-permanent-Creative-Director-Jean-Paul-Gaultier/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Jean Paul Gaultier\", https://thecastindex.com/houses/jean-paul-gaultier.\n"},{"url":"https://thecastindex.com/houses/jil-sander","markdownUrl":"https://thecastindex.com/houses/jil-sander.md","title":"Jil Sander: runway casting","lastmod":"2026-10-05","sha256":"3986cc4ff82fe8a64bde8376c10bb31b5056d7057925753411786d25bb9cad18","bytes":1824,"markdown":"# Jil Sander: runway casting\n\n> Jil Sander is a Milan-based label tracked on The Cast Index casting ledger, which records 2 verified runway walks for it across 1 season, by models including Edie Campbell and Małgosia Bela. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Jil Sander has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/jil-sander\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Jil Sander?\n\nThe Cast Index ledger records 2 verified walks for Jil Sander, including Edie Campbell, Małgosia Bela.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Edie Campbell](https://thecastindex.com/models/edie-campbell) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/edie-campbell-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786789) |\n| SS27 | Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786702) |\n\n## Common questions\n\n### Which models have walked for Jil Sander?\n\nThe Cast Index ledger records 2 verified walks for Jil Sander, including Edie Campbell, Małgosia Bela.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Jil Sander\", https://thecastindex.com/houses/jil-sander.\n"},{"url":"https://thecastindex.com/houses/khaite","markdownUrl":"https://thecastindex.com/houses/khaite.md","title":"Khaite: runway casting","lastmod":"2026-10-05","sha256":"317f31229609ffbefe46c422e4f25d18455d5a4b5a724d1038a8da14aad84a29","bytes":1482,"markdown":"# Khaite: runway casting\n\n> Khaite is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Kaia Gerber. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Khaite has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/khaite\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q136953861) · [Wikipedia](https://en.wikipedia.org/wiki/Khaite)\n\n## Which models have walked for Khaite?\n\nThe Cast Index ledger records 1 verified walk for Khaite, including Kaia Gerber.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite) |\n\n## Common questions\n\n### Which models have walked for Khaite?\n\nThe Cast Index ledger records 1 verified walk for Khaite, including Kaia Gerber.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Khaite\", https://thecastindex.com/houses/khaite.\n"},{"url":"https://thecastindex.com/houses/louis-vuitton","markdownUrl":"https://thecastindex.com/houses/louis-vuitton.md","title":"Louis Vuitton: creative directors and runway casting","lastmod":"2026-10-05","sha256":"af9939aa9cbfb946103916e4aca0c70e601e2ab94613d71591f87c69c557358f","bytes":6453,"markdown":"# Louis Vuitton: creative directors and runway casting\n\n> Two designers lead Louis Vuitton: Nicolas Ghesquière the women’s collections (since 2013) and Pharrell Williams the men’s (since 2023). Williams showed the spring/summer 2027 men’s collection in Paris in June 2026. Checked 1 October 2026. Louis Vuitton has had 6 creative leads since 1854, each sourced on this page.\n\n- Canonical: https://thecastindex.com/houses/louis-vuitton\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q191485) · [Wikipedia](https://en.wikipedia.org/wiki/Louis_Vuitton)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Louis Vuitton?\n\nTwo designers lead Louis Vuitton: Nicolas Ghesquière the women’s collections (since 2013) and Pharrell Williams the men’s (since 2023). Williams showed the spring/summer 2027 men’s collection in Paris in June 2026. Checked 1 October 2026.\n\nTwo designers lead Louis Vuitton: Nicolas Ghesquière the women’s collections (since 2013) and Pharrell Williams the men’s (since 2023). Williams showed the spring/summer 2027 men’s collection in Paris in June 2026. ([source](https://www.lvmh.com/en/news-lvmh/new-wave-at-the-louis-vuitton-spring-summer-2027-mens-show))\n\nPreviously: Marc Jacobs (1997–2013), Virgil Abloh (2018–2021).\n\n## Who have been Louis Vuitton’s creative directors?\n\nIn order: Louis Vuitton (founder, 1854), Marc Jacobs (1997–2013), Kim Jones (2011–2018), Nicolas Ghesquière (2013–present), Virgil Abloh (2018–2021), Pharrell Williams (2023–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1854 | Louis Vuitton | Founder, trunk-maker | [LVMH — Louis Vuitton](https://www.lvmh.com/our-maisons/fashion-leather-good/louis-vuitton) |\n| 1997–2013 | Marc Jacobs | Creative director | [FashionNetwork — Marc Jacobs leaving Louis Vuitton (2 October 2013)](https://us.fashionnetwork.com/news/Marc-jacobs-leaving-louis-vuitton,524167.html) |\n| 2011–2018 | Kim Jones | Men’s artistic director | [FashionUnited — Kim Jones to leave Louis Vuitton after seven years (17 January 2018)](https://fashionunited.com/news/people/menswear-creative-director-kim-jones-to-leave-louis-vuitton-after-seven-years/2018011719221) |\n| 2013–present (current) | Nicolas Ghesquière | Artistic director of women’s collections | [FashionNetwork — Louis Vuitton names Ghesquière creative director for womenswear (4 November 2013)](https://ww.fashionnetwork.com/news/Louis-vuitton-names-ghesquiere-creative-director-for-womenswear,366318.html) |\n| 2018–2021 | Virgil Abloh | Men’s artistic director | [LVMH — The passing of Virgil Abloh (28 November 2021)](https://www.lvmh.com/en/publications/the-passing-of-virgil-abloh) |\n| 2023–present (current) | Pharrell Williams | Men’s creative director | [FashionNetwork — Vuitton picks Pharrell Williams to become men’s designer (14 February 2023)](https://uk.fashionnetwork.com/news/Vuitton-picks-pharrell-williams-to-become-men-s-designer,1486496.html) |\n\n## Which models have walked for Louis Vuitton?\n\nThe Cast Index ledger records 1 verified walk for Louis Vuitton, including Cindy Bruna.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 Menswear | Walked | [Cindy Bruna](https://thecastindex.com/models/cindy-bruna) | [Paris Fashion Week Menswear SS27](https://thecastindex.com/events/paris-fashion-week-menswear-ss27) | [source](https://www.vanityfair.fr/article/louis-vuitton-invite-a-levasion-et-a-la-fraicheur-en-plein-paris) |\n\n## Common questions\n\n### Who is the creative director of Louis Vuitton?\n\nTwo designers lead Louis Vuitton: Nicolas Ghesquière the women’s collections (since 2013) and Pharrell Williams the men’s (since 2023). Williams showed the spring/summer 2027 men’s collection in Paris in June 2026. Checked 1 October 2026.\n\n### Who was the creative director of Louis Vuitton before Nicolas Ghesquière and Pharrell Williams?\n\nNicolas Ghesquière succeeded Marc Jacobs (creative director, 1997–2013). Pharrell Williams succeeded Virgil Abloh (men’s artistic director, 2018–2021). The full timeline is on this page, with a source for each term.\n\n### Who have been Louis Vuitton’s creative directors?\n\nIn order: Louis Vuitton (founder, 1854), Marc Jacobs (1997–2013), Kim Jones (2011–2018), Nicolas Ghesquière (2013–present), Virgil Abloh (2018–2021), Pharrell Williams (2023–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Louis Vuitton?\n\nThe Cast Index ledger records 1 verified walk for Louis Vuitton, including Cindy Bruna.\n\n## Sources\n\n- [LVMH — Louis Vuitton 2027 Cruise collection (25 May 2026)](https://www.lvmh.com/en/news-lvmh/new-york-energy-infuses-louis-vuitton-2027-cruise-collection)\n- [LVMH — Louis Vuitton Spring-Summer 2027 men’s show (25 June 2026)](https://www.lvmh.com/en/news-lvmh/new-wave-at-the-louis-vuitton-spring-summer-2027-mens-show)\n- [LVMH — Louis Vuitton](https://www.lvmh.com/our-maisons/fashion-leather-good/louis-vuitton)\n- [FashionNetwork — Marc Jacobs leaving Louis Vuitton (2 October 2013)](https://us.fashionnetwork.com/news/Marc-jacobs-leaving-louis-vuitton,524167.html)\n- [FashionUnited — Kim Jones to leave Louis Vuitton after seven years (17 January 2018)](https://fashionunited.com/news/people/menswear-creative-director-kim-jones-to-leave-louis-vuitton-after-seven-years/2018011719221)\n- [FashionNetwork — Louis Vuitton names Ghesquière creative director for womenswear (4 November 2013)](https://ww.fashionnetwork.com/news/Louis-vuitton-names-ghesquiere-creative-director-for-womenswear,366318.html)\n- [LVMH — The passing of Virgil Abloh (28 November 2021)](https://www.lvmh.com/en/publications/the-passing-of-virgil-abloh)\n- [FashionNetwork — Vuitton picks Pharrell Williams to become men’s designer (14 February 2023)](https://uk.fashionnetwork.com/news/Vuitton-picks-pharrell-williams-to-become-men-s-designer,1486496.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Louis Vuitton\", https://thecastindex.com/houses/louis-vuitton.\n"},{"url":"https://thecastindex.com/houses/marks-and-spencer","markdownUrl":"https://thecastindex.com/houses/marks-and-spencer.md","title":"Marks & Spencer: runway casting","lastmod":"2026-10-05","sha256":"643105b8a4b6faeb383fe13aba9a80445f7f6cd86e8e868256453cf6a9d325d6","bytes":1565,"markdown":"# Marks & Spencer: runway casting\n\n> Marks & Spencer is a London-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Lara Stone. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Marks & Spencer has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/marks-and-spencer\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q714491) · [Wikipedia](https://en.wikipedia.org/wiki/Marks_%26_Spencer)\n\n## Which models have walked for Marks & Spencer?\n\nThe Cast Index ledger records 1 verified walk for Marks & Spencer, including Lara Stone.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Lara Stone](https://thecastindex.com/models/lara-stone) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://wwd.com/runway/fall-2026/london/marks-spencer/review/) |\n\n## Common questions\n\n### Which models have walked for Marks & Spencer?\n\nThe Cast Index ledger records 1 verified walk for Marks & Spencer, including Lara Stone.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Marks & Spencer\", https://thecastindex.com/houses/marks-and-spencer.\n"},{"url":"https://thecastindex.com/houses/marni","markdownUrl":"https://thecastindex.com/houses/marni.md","title":"Marni: runway casting","lastmod":"2026-10-05","sha256":"0d1e6fb2dfbd570a82351a634e39fb77ea3854f849ef62d2debd545583687cd7","bytes":1478,"markdown":"# Marni: runway casting\n\n> Marni is a Milan-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Mariacarla Boscono. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Marni has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/marni\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q3650853) · [Wikipedia](https://en.wikipedia.org/wiki/Marni_(brand))\n\n## Which models have walked for Marni?\n\nThe Cast Index ledger records 1 verified walk for Marni, including Mariacarla Boscono.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://wwd.com/runway/spring-2027/milan/marni/review/) |\n\n## Common questions\n\n### Which models have walked for Marni?\n\nThe Cast Index ledger records 1 verified walk for Marni, including Mariacarla Boscono.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Marni\", https://thecastindex.com/houses/marni.\n"},{"url":"https://thecastindex.com/houses/max-mara","markdownUrl":"https://thecastindex.com/houses/max-mara.md","title":"Max Mara: runway casting","lastmod":"2026-10-05","sha256":"4ca5aeb12b74f963f6ce641040169071d85a5a5f1893b4ab89e6ea887fe827fd","bytes":2101,"markdown":"# Max Mara: runway casting\n\n> Max Mara is a Reggio Emilia-based label tracked on The Cast Index casting ledger, which records 3 verified runway walks for it across 1 season, by models including Angelina Kendall, Awar Odhiang and Mona Tougaard. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/max-mara\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Reggio Emilia, Italy\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Max Mara?\n\nThe Cast Index ledger records 3 verified walks for Max Mara, including Angelina Kendall, Awar Odhiang, Mona Tougaard.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/model-angelina-kendall-walks-the-runway-at-the-max-mara-news-photo/2296968035) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-max-mara-fashion-show-news-photo/2296967731) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/model-mona-tougaard-walks-the-runway-at-the-max-mara-news-photo/2296969148) |\n\n## Common questions\n\n### Which models have walked for Max Mara?\n\nThe Cast Index ledger records 3 verified walks for Max Mara, including Angelina Kendall, Awar Odhiang, Mona Tougaard.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Max Mara\", https://thecastindex.com/houses/max-mara.\n"},{"url":"https://thecastindex.com/houses/michael-kors","markdownUrl":"https://thecastindex.com/houses/michael-kors.md","title":"Michael Kors Collection: runway casting","lastmod":"2026-10-05","sha256":"50e1662d2003fcff4f318804bf909a41720ddf4af8fe1addea2bcaf487b2cd76","bytes":2671,"markdown":"# Michael Kors Collection: runway casting\n\n> Michael Kors Collection is a New York-based label tracked on The Cast Index casting ledger, which records 5 verified runway walks for it across 1 season, by models including Alex Consani, Anok Yai and Paloma Elsesser. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/michael-kors\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Michael Kors Collection?\n\nThe Cast Index ledger records 5 verified walks for Michael Kors Collection, including Alex Consani, Anok Yai, Paloma Elsesser, Awar Odhiang, Hejia Li.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Alex Consani](https://thecastindex.com/models/alex-consani) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/michael-kors-spring-2027-runway-photos) |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| SS27 | Walked | [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.thefashionspot.com/runway-news/971323-forum-members-review-the-spring-2027-michael-kors-collection-inspired-by-mid-century-modernism/) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n| SS27 | Walked | [Hejia Li](https://thecastindex.com/rising/hejia-li) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/) |\n\n## Common questions\n\n### Which models have walked for Michael Kors Collection?\n\nThe Cast Index ledger records 5 verified walks for Michael Kors Collection, including Alex Consani, Anok Yai, Paloma Elsesser, Awar Odhiang, Hejia Li.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Michael Kors Collection\", https://thecastindex.com/houses/michael-kors.\n"},{"url":"https://thecastindex.com/houses/miu-miu","markdownUrl":"https://thecastindex.com/houses/miu-miu.md","title":"Miu Miu: creative director and runway casting","lastmod":"2026-10-05","sha256":"0e3f9df7568a907a82d16b48ada84f328f8bf493790e757e8e629685c58161fe","bytes":2276,"markdown":"# Miu Miu: creative director and runway casting\n\n> Miu Miu is led by its founder, Miuccia Prada (creative director), who started the label in 1993. Checked 1 October 2026. No Miu Miu runway walks are on the Cast Index ledger yet.\n\n- Canonical: https://thecastindex.com/houses/miu-miu\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q552230) · [Wikipedia](https://en.wikipedia.org/wiki/Miu_Miu)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Miu Miu?\n\nMiu Miu is led by its founder, Miuccia Prada (creative director), who started the label in 1993. Checked 1 October 2026.\n\n## Who designs Miu Miu?\n\nMiu Miu is led by its founder, Miuccia Prada (creative director), who started the label in 1993. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1993–present (current) | Miuccia Prada | Founder and creative director | [Prada Group — History](https://www.pradagroup.com/en/group/history.html) |\n\n## Which models have walked for Miu Miu?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Miu Miu walk has been verified to that standard so far.\n\n## Common questions\n\n### Who is the creative director of Miu Miu?\n\nMiu Miu is led by its founder, Miuccia Prada (creative director), who started the label in 1993. Checked 1 October 2026.\n\n### Which models have walked for Miu Miu?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Miu Miu walk has been verified to that standard so far.\n\n## Sources\n\n- [Prada Group — Miu Miu Fall/Winter 2026 campaign (24 July 2026)](https://www.pradagroup.com/en/news-media/press-releases-documents/2026/26-07-24-miumiu-fw26-campaign.html)\n- [Prada Group — History](https://www.pradagroup.com/en/group/history.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Miu Miu\", https://thecastindex.com/houses/miu-miu.\n"},{"url":"https://thecastindex.com/houses/monse","markdownUrl":"https://thecastindex.com/houses/monse.md","title":"Monse: runway casting","lastmod":"2026-10-05","sha256":"52ce096ee5de8fe3e35480d970436d7a9141b0c7e9435cf8aded9f83bcaaecc6","bytes":1429,"markdown":"# Monse: runway casting\n\n> Monse is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Lineisy Montero. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Monse has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/monse\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Monse?\n\nThe Cast Index ledger records 1 verified walk for Monse, including Lineisy Montero.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-monse-ready-to-news-photo/2294849855) |\n\n## Common questions\n\n### Which models have walked for Monse?\n\nThe Cast Index ledger records 1 verified walk for Monse, including Lineisy Montero.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Monse\", https://thecastindex.com/houses/monse.\n"},{"url":"https://thecastindex.com/houses/nina-ricci","markdownUrl":"https://thecastindex.com/houses/nina-ricci.md","title":"Nina Ricci: creative directors and runway casting","lastmod":"2026-10-05","sha256":"c09a7bd66c53dae3c610a839e9adc55c358e9578db4fa081307042cd7a6d0eca","bytes":5661,"markdown":"# Nina Ricci: creative directors and runway casting\n\n> No successor announced. Harris Reed stepped down in March 2026 after showing his final collection in Paris on 6 March; Nina Ricci said it would take the time needed to define its next chapter. Checked 1 October 2026. Nina Ricci has had 7 creative leads since 1932, each sourced on this page.\n\n- Canonical: https://thecastindex.com/houses/nina-ricci\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1439858) · [Wikipedia](https://en.wikipedia.org/wiki/Nina_Ricci_(brand))\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Nina Ricci?\n\nNo successor announced. Harris Reed stepped down in March 2026 after showing his final collection in Paris on 6 March; Nina Ricci said it would take the time needed to define its next chapter. Checked 1 October 2026.\n\nNo successor announced. Harris Reed stepped down in March 2026 after showing his final collection in Paris on 6 March; Nina Ricci said it would take the time needed to define its next chapter.\n\nPreviously: Harris Reed (2022–2026).\n\n## Who have been Nina Ricci’s creative directors?\n\nIn order: Nina Ricci and Robert Ricci (founder, 1932), Lars Nilsson (2003–2006), Olivier Theyskens (2006–2009), Peter Copping (2009–2014), Guillaume Henry (2015–2018), Rushemy Botter and Lisi Herrebrugh (2018–2022), Harris Reed (2022–2026). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1932 | Nina Ricci and Robert Ricci | Founders, Paris | [Nina Ricci — The Maison](https://www.ninaricci.com/en-us/maison-nina-ricci) |\n| 2003–2006 | Lars Nilsson | Creative director | [FashionUnited — Theyskens to join Nina Ricci (31 August 2006)](https://fashionunited.uk/news/fashion/theyskens-to-join-nina-ricci/2006083135098) |\n| 2006–2009 | Olivier Theyskens | Creative director | [FashionUnited — Theyskens to join Nina Ricci (31 August 2006)](https://fashionunited.uk/news/fashion/theyskens-to-join-nina-ricci/2006083135098) |\n| 2009–2014 | Peter Copping | Artistic director | [FashionNetwork — Nina Ricci announces the departure of Peter Copping (2 October 2014)](https://ww.fashionnetwork.com/news/Nina-ricci-announces-the-departure-of-its-artistic-director-peter-copping,433715.html) |\n| 2015–2018 | Guillaume Henry | Creative director | [FashionNetwork — Guillaume Henry quits Nina Ricci (15 March 2018)](https://ww.fashionnetwork.com/news/Guillaume-henry-quits-nina-ricci,958629.html) |\n| 2018–2022 | Rushemy Botter and Lisi Herrebrugh | Joint artistic directors | [FashionNetwork — Nina Ricci appoints Rushemy Botter and Lisi Herrebrugh (29 August 2018)](https://ww.fashionnetwork.com/news/Nina-ricci-appoints-hyeres-2018-winners-rushemy-botter-and-lisi-herrebrugh-joint-artistic-directors,1008371.html) |\n| 2022–2026 | Harris Reed | Creative director | [Puig / Nina Ricci — Harris Reed announcement (11 March 2026)](https://uploads.puig.com/uploads/Nina_Ricci_Announcement_March2026_Eng_14e274a9ed.pdf) |\n\n## Which models have walked for Nina Ricci?\n\nThe Cast Index ledger records 1 verified walk for Nina Ricci, including Ashley Graham.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Ashley Graham](https://thecastindex.com/models/ashley-graham) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/ashley-graham) |\n\n## Common questions\n\n### Who is the creative director of Nina Ricci?\n\nNo successor announced. Harris Reed stepped down in March 2026 after showing his final collection in Paris on 6 March; Nina Ricci said it would take the time needed to define its next chapter. Checked 1 October 2026.\n\n### Who have been Nina Ricci’s creative directors?\n\nIn order: Nina Ricci and Robert Ricci (founder, 1932), Lars Nilsson (2003–2006), Olivier Theyskens (2006–2009), Peter Copping (2009–2014), Guillaume Henry (2015–2018), Rushemy Botter and Lisi Herrebrugh (2018–2022), Harris Reed (2022–2026). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Nina Ricci?\n\nThe Cast Index ledger records 1 verified walk for Nina Ricci, including Ashley Graham.\n\n## Sources\n\n- [Puig / Nina Ricci — Harris Reed announcement (11 March 2026)](https://uploads.puig.com/uploads/Nina_Ricci_Announcement_March2026_Eng_14e274a9ed.pdf)\n- [Nina Ricci — The Maison](https://www.ninaricci.com/en-us/maison-nina-ricci)\n- [FashionUnited — Theyskens to join Nina Ricci (31 August 2006)](https://fashionunited.uk/news/fashion/theyskens-to-join-nina-ricci/2006083135098)\n- [FashionNetwork — Nina Ricci announces the departure of Peter Copping (2 October 2014)](https://ww.fashionnetwork.com/news/Nina-ricci-announces-the-departure-of-its-artistic-director-peter-copping,433715.html)\n- [FashionNetwork — Guillaume Henry quits Nina Ricci (15 March 2018)](https://ww.fashionnetwork.com/news/Guillaume-henry-quits-nina-ricci,958629.html)\n- [FashionNetwork — Nina Ricci appoints Rushemy Botter and Lisi Herrebrugh (29 August 2018)](https://ww.fashionnetwork.com/news/Nina-ricci-appoints-hyeres-2018-winners-rushemy-botter-and-lisi-herrebrugh-joint-artistic-directors,1008371.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Nina Ricci\", https://thecastindex.com/houses/nina-ricci.\n"},{"url":"https://thecastindex.com/houses/prabal-gurung","markdownUrl":"https://thecastindex.com/houses/prabal-gurung.md","title":"Prabal Gurung: creative director and runway casting","lastmod":"2026-10-05","sha256":"e6cc9c444fdcde42f96e0e926f3f3efdfc7c3add8e30d8804da1ab8b7657fa32","bytes":2132,"markdown":"# Prabal Gurung: creative director and runway casting\n\n> Prabal Gurung is led by its founder, Prabal Gurung (designer), who started the label in 2009. Checked 1 October 2026. The Cast Index ledger records 1 verified runway walk for Prabal Gurung, by Neelam Gill.\n\n- Canonical: https://thecastindex.com/houses/prabal-gurung\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Prabal Gurung?\n\nPrabal Gurung is led by its founder, Prabal Gurung (designer), who started the label in 2009. Checked 1 October 2026.\n\n## Who designs Prabal Gurung?\n\nPrabal Gurung is led by its founder, Prabal Gurung (designer), who started the label in 2009. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 2009–present (current) | Prabal Gurung | Founder and designer | [Prabal Gurung — About](https://www.prabalgurung.com/pages/about) |\n\n## Which models have walked for Prabal Gurung?\n\nThe Cast Index ledger records 1 verified walk for Prabal Gurung, including Neelam Gill.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Walked | [Neelam Gill](https://thecastindex.com/models/neelam-gill) | [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | [source](https://models.com/models/neelam-gill) |\n\n## Common questions\n\n### Who is the creative director of Prabal Gurung?\n\nPrabal Gurung is led by its founder, Prabal Gurung (designer), who started the label in 2009. Checked 1 October 2026.\n\n### Which models have walked for Prabal Gurung?\n\nThe Cast Index ledger records 1 verified walk for Prabal Gurung, including Neelam Gill.\n\n## Sources\n\n- [Prabal Gurung — About](https://www.prabalgurung.com/pages/about)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Prabal Gurung\", https://thecastindex.com/houses/prabal-gurung.\n"},{"url":"https://thecastindex.com/houses/prada","markdownUrl":"https://thecastindex.com/houses/prada.md","title":"Prada: creative directors and runway casting","lastmod":"2026-10-05","sha256":"2cedef0770bd36012819f99e1728e95bfac6a035044927faf77963b3dde16d9e","bytes":4164,"markdown":"# Prada: creative directors and runway casting\n\n> Miuccia Prada and Raf Simons have been Prada’s co-creative directors, with equal responsibility for creative decisions, since April 2020. Miuccia Prada, who has designed for the family business since the late 1970s, is also Miu Miu’s creative director. Checked 1 October 2026. Prada has had 3 creative leads since 1913, each sourced on this page.\n\n- Canonical: https://thecastindex.com/houses/prada\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q193136) · [Wikipedia](https://en.wikipedia.org/wiki/Prada)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Prada?\n\nMiuccia Prada and Raf Simons have been Prada’s co-creative directors, with equal responsibility for creative decisions, since April 2020. Miuccia Prada, who has designed for the family business since the late 1970s, is also Miu Miu’s creative director. Checked 1 October 2026.\n\nMiuccia Prada and Raf Simons have been Prada’s co-creative directors, with equal responsibility for creative decisions, since April 2020. Miuccia Prada, who has designed for the family business since the late 1970s, is also Miu Miu’s creative director. ([source](https://www.pradagroup.com/en/news-media/news-section/co-creative-directors.html))\n\n## Who have been Prada’s creative directors?\n\nIn order: Mario Prada (founder, 1913), Miuccia Prada (1978–present), Raf Simons (2020–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1913 | Mario Prada | Founder, Milan | [Prada Group — History](https://www.pradagroup.com/en/group/history.html) |\n| 1978–present (current) | Miuccia Prada | Designer and creative director (co-creative director from 2020) | [FashionNetwork / AFP — Miuccia Prada’s path from activist to top designer (10 April 2025)](https://uk.fashionnetwork.com/news/Miuccia-prada-s-path-from-activist-to-top-designer,1719821.html) |\n| 2020–present (current) | Raf Simons | Co-creative director | [Prada Group — Prada announces co-creative directors (23 February 2020)](https://www.pradagroup.com/en/news-media/news-section/co-creative-directors.html) |\n\n## Which models have walked for Prada?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Prada walk has been verified to that standard so far.\n\n## Common questions\n\n### Who is the creative director of Prada?\n\nMiuccia Prada and Raf Simons have been Prada’s co-creative directors, with equal responsibility for creative decisions, since April 2020. Miuccia Prada, who has designed for the family business since the late 1970s, is also Miu Miu’s creative director. Checked 1 October 2026.\n\n### Who have been Prada’s creative directors?\n\nIn order: Mario Prada (founder, 1913), Miuccia Prada (1978–present), Raf Simons (2020–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Prada?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Prada walk has been verified to that standard so far.\n\n## Sources\n\n- [Prada Group — Board of Directors](https://www.pradagroup.com/en/group/corporate-governance/board-of-directors.html)\n- [Prada Group — Prada announces co-creative directors (23 February 2020)](https://www.pradagroup.com/en/news-media/news-section/co-creative-directors.html)\n- [Prada Group — History](https://www.pradagroup.com/en/group/history.html)\n- [FashionNetwork / AFP — Miuccia Prada’s path from activist to top designer (10 April 2025)](https://uk.fashionnetwork.com/news/Miuccia-prada-s-path-from-activist-to-top-designer,1719821.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Prada\", https://thecastindex.com/houses/prada.\n"},{"url":"https://thecastindex.com/houses/proenza-schouler","markdownUrl":"https://thecastindex.com/houses/proenza-schouler.md","title":"Proenza Schouler: runway casting","lastmod":"2026-10-05","sha256":"20f503cf4290b770f84e8584e206d2d0bf81fbda61417049eb1c4b48a93924d0","bytes":1523,"markdown":"# Proenza Schouler: runway casting\n\n> Proenza Schouler is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Devyn Garcia. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Proenza Schouler has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/proenza-schouler\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): B\n\n## Which models have walked for Proenza Schouler?\n\nThe Cast Index ledger records 1 verified walk for Proenza Schouler, including Devyn Garcia.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-proenza-schouler-news-photo/2294845432) |\n\n## Common questions\n\n### Which models have walked for Proenza Schouler?\n\nThe Cast Index ledger records 1 verified walk for Proenza Schouler, including Devyn Garcia.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Proenza Schouler\", https://thecastindex.com/houses/proenza-schouler.\n"},{"url":"https://thecastindex.com/houses/ralph-lauren","markdownUrl":"https://thecastindex.com/houses/ralph-lauren.md","title":"Ralph Lauren: creative director and runway casting","lastmod":"2026-10-05","sha256":"481ffaa8226b3e88ab4a0ec626dfb2eb7de275133ceeed57c9518372c292b66e","bytes":4120,"markdown":"# Ralph Lauren: creative director and runway casting\n\n> Ralph Lauren is led by its founder, Ralph Lauren (executive chairman and chief creative officer), who started the label in 1967. Checked 1 October 2026. The Cast Index ledger records 6 verified runway walks for Ralph Lauren, by models including Gigi Hadid, Naomi Campbell and Christy Turlington.\n\n- Canonical: https://thecastindex.com/houses/ralph-lauren\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1641437) · [Wikipedia](https://en.wikipedia.org/wiki/Ralph_Lauren_Corporation)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Ralph Lauren?\n\nRalph Lauren is led by its founder, Ralph Lauren (executive chairman and chief creative officer), who started the label in 1967. Checked 1 October 2026.\n\n## Who designs Ralph Lauren?\n\nRalph Lauren is led by its founder, Ralph Lauren (executive chairman and chief creative officer), who started the label in 1967. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1967–present (current) | Ralph Lauren | Founder; executive chairman and chief creative officer | [Ralph Lauren Corporation — Leadership](https://corporate.ralphlauren.com/leadership) |\n\n## Which models have walked for Ralph Lauren?\n\nThe Cast Index ledger records 6 verified walks for Ralph Lauren, including Gigi Hadid, Naomi Campbell, Christy Turlington, Kit Butler, Awar Odhiang.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 | Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | [source](https://models.com/models/gigi-hadid) |\n| SS25 | Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | [source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/) |\n| SS25 | Walked | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | [source](https://www.the-sun.com/entertainment/12388498/supermodel-christy-turlington-glowing-ralph-lauren-show/) |\n| SS27 Menswear | Walked | [Kit Butler](https://thecastindex.com/models/kit-butler) | [Milan Fashion Week Menswear SS27](https://thecastindex.com/events/milan-fashion-week-menswear-ss27) | [source](https://www.gq.com/story/ralph-lauren-spring-2027-milan-fashion-week) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n| SS27 | Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection) |\n\n## Common questions\n\n### Who is the creative director of Ralph Lauren?\n\nRalph Lauren is led by its founder, Ralph Lauren (executive chairman and chief creative officer), who started the label in 1967. Checked 1 October 2026.\n\n### Which models have walked for Ralph Lauren?\n\nThe Cast Index ledger records 6 verified walks for Ralph Lauren, including Gigi Hadid, Naomi Campbell, Christy Turlington, Kit Butler, Awar Odhiang.\n\n## Sources\n\n- [Ralph Lauren Corporation — Leadership](https://corporate.ralphlauren.com/leadership)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Ralph Lauren\", https://thecastindex.com/houses/ralph-lauren.\n"},{"url":"https://thecastindex.com/houses/richard-quinn","markdownUrl":"https://thecastindex.com/houses/richard-quinn.md","title":"Richard Quinn: runway casting","lastmod":"2026-10-05","sha256":"910b49dbf1181cba2a45ec4e83bd05d1f737203db01955fd4ee3fc2196e6fc66","bytes":1466,"markdown":"# Richard Quinn: runway casting\n\n> Richard Quinn is a London-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Helena Christensen. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Richard Quinn has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/richard-quinn\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Richard Quinn?\n\nThe Cast Index ledger records 1 verified walk for Richard Quinn, including Helena Christensen.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Closed | [Helena Christensen](https://thecastindex.com/models/helena-christensen) | [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/richard-quinn) |\n\n## Common questions\n\n### Which models have walked for Richard Quinn?\n\nThe Cast Index ledger records 1 verified walk for Richard Quinn, including Helena Christensen.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Richard Quinn\", https://thecastindex.com/houses/richard-quinn.\n"},{"url":"https://thecastindex.com/houses/roberto-cavalli","markdownUrl":"https://thecastindex.com/houses/roberto-cavalli.md","title":"Roberto Cavalli: creative directors and runway casting","lastmod":"2026-10-05","sha256":"bd881eac3dd572c60a769372def17449aa7797a0528760bd2e00e24659e01df8","bytes":4378,"markdown":"# Roberto Cavalli: creative directors and runway casting\n\n> Fausto Puglisi is Roberto Cavalli’s creative director, a role announced in October 2020. Before: Paul Surridge (2017–2019). Checked 1 October 2026. Roberto Cavalli has had 4 creative leads since 1970, each sourced on this page. No Roberto Cavalli runway walks are on the Cast Index ledger yet.\n\n- Canonical: https://thecastindex.com/houses/roberto-cavalli\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q3938666) · [Wikipedia](https://en.wikipedia.org/wiki/Roberto_Cavalli_(company))\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Roberto Cavalli?\n\nFausto Puglisi is Roberto Cavalli’s creative director, a role announced in October 2020. Before: Paul Surridge (2017–2019). Checked 1 October 2026.\n\nPreviously: Paul Surridge (2017–2019).\n\n## Who have been Roberto Cavalli’s creative directors?\n\nIn order: Roberto Cavalli (founder, 1970–2015), Peter Dundas (2015–2016), Paul Surridge (2017–2019), Fausto Puglisi (2020–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1970–2015 | Roberto Cavalli | Founder and designer (with Eva Cavalli) | [Roberto Cavalli — Legacy](https://www.robertocavalli.com/en-ch/cavalli-world/roberto-cavalli-legacy/) |\n| 2015–2016 | Peter Dundas | Creative director | [Drapers — Roberto Cavalli names Paul Surridge as creative director (2016)](https://www.drapersonline.com/news/roberto-cavalli-names-paul-surridge-as-creative-director) |\n| 2017–2019 | Paul Surridge | Creative director | [FashionNetwork — Roberto Cavalli creative director Paul Surridge leaves (21 March 2019)](https://us.fashionnetwork.com/news/Roberto-cavalli-creative-director-paul-surridge-leaves,1081376.html) |\n| 2020–present (current) | Fausto Puglisi | Creative director | [FashionNetwork — Roberto Cavalli puts Fausto Puglisi in charge of design (23 October 2020)](https://ww.fashionnetwork.com/news/Roberto-cavalli-puts-fausto-puglisi-in-charge-of-design,1254009.html) |\n\n## Which models have walked for Roberto Cavalli?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Roberto Cavalli walk has been verified to that standard so far.\n\n## Common questions\n\n### Who is the creative director of Roberto Cavalli?\n\nFausto Puglisi is Roberto Cavalli’s creative director, a role announced in October 2020. Before: Paul Surridge (2017–2019). Checked 1 October 2026.\n\n### Who was the creative director of Roberto Cavalli before Fausto Puglisi?\n\nFausto Puglisi succeeded Paul Surridge (creative director, 2017–2019). The full timeline is on this page, with a source for each term.\n\n### Who have been Roberto Cavalli’s creative directors?\n\nIn order: Roberto Cavalli (founder, 1970–2015), Peter Dundas (2015–2016), Paul Surridge (2017–2019), Fausto Puglisi (2020–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Roberto Cavalli?\n\nNone are on The Cast Index ledger yet. We only record a walk when a published source names the model, the house and the show, and no Roberto Cavalli walk has been verified to that standard so far.\n\n## Sources\n\n- [Roberto Cavalli — Legacy](https://www.robertocavalli.com/en-ch/cavalli-world/roberto-cavalli-legacy/)\n- [Drapers — Roberto Cavalli names Paul Surridge as creative director (2016)](https://www.drapersonline.com/news/roberto-cavalli-names-paul-surridge-as-creative-director)\n- [FashionNetwork — Roberto Cavalli creative director Paul Surridge leaves (21 March 2019)](https://us.fashionnetwork.com/news/Roberto-cavalli-creative-director-paul-surridge-leaves,1081376.html)\n- [FashionNetwork — Roberto Cavalli puts Fausto Puglisi in charge of design (23 October 2020)](https://ww.fashionnetwork.com/news/Roberto-cavalli-puts-fausto-puglisi-in-charge-of-design,1254009.html)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Roberto Cavalli\", https://thecastindex.com/houses/roberto-cavalli.\n"},{"url":"https://thecastindex.com/houses/sabyasachi","markdownUrl":"https://thecastindex.com/houses/sabyasachi.md","title":"Sabyasachi: runway casting","lastmod":"2026-10-05","sha256":"642f269f904e7dc63b434e4838e4d47897f6d7fbf286cb61b17256b42d50ef89","bytes":1430,"markdown":"# Sabyasachi: runway casting\n\n> Sabyasachi is a Kolkata-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Christy Turlington. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Sabyasachi has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/sabyasachi\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Kolkata, India\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Sabyasachi?\n\nThe Cast Index ledger records 1 verified walk for Sabyasachi, including Christy Turlington.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Christy Turlington](https://thecastindex.com/models/christy-turlington) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/sabyasachi) |\n\n## Common questions\n\n### Which models have walked for Sabyasachi?\n\nThe Cast Index ledger records 1 verified walk for Sabyasachi, including Christy Turlington.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Sabyasachi\", https://thecastindex.com/houses/sabyasachi.\n"},{"url":"https://thecastindex.com/houses/sacai","markdownUrl":"https://thecastindex.com/houses/sacai.md","title":"Sacai: creative director and runway casting","lastmod":"2026-10-05","sha256":"43e5def60701b3d891f8a4da946b3b6730ca3a6c966d6ba077e4ffcee2b3dcc0","bytes":2127,"markdown":"# Sacai: creative director and runway casting\n\n> Sacai is led by its founder, Chitose Abe (designer), who started the label in 1999. Checked 1 October 2026. The Cast Index ledger records 1 verified runway walk for Sacai, by Naomi Campbell.\n\n- Canonical: https://thecastindex.com/houses/sacai\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q43080895) · [Wikipedia](https://en.wikipedia.org/wiki/Sacai)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Sacai?\n\nSacai is led by its founder, Chitose Abe (designer), who started the label in 1999. Checked 1 October 2026.\n\n## Who designs Sacai?\n\nSacai is led by its founder, Chitose Abe (designer), who started the label in 1999. Checked 1 October 2026.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1999–present (current) | Chitose Abe | Founder and designer, Tokyo | [sacai — About](https://www.sacai.jp/en/pages/about) |\n\n## Which models have walked for Sacai?\n\nThe Cast Index ledger records 1 verified walk for Sacai, including Naomi Campbell.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Walked | [Naomi Campbell](https://thecastindex.com/models/naomi-campbell) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/) |\n\n## Common questions\n\n### Who is the creative director of Sacai?\n\nSacai is led by its founder, Chitose Abe (designer), who started the label in 1999. Checked 1 October 2026.\n\n### Which models have walked for Sacai?\n\nThe Cast Index ledger records 1 verified walk for Sacai, including Naomi Campbell.\n\n## Sources\n\n- [sacai — About](https://www.sacai.jp/en/pages/about)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Sacai\", https://thecastindex.com/houses/sacai.\n"},{"url":"https://thecastindex.com/houses/saint-laurent","markdownUrl":"https://thecastindex.com/houses/saint-laurent.md","title":"Saint Laurent: creative directors and runway casting","lastmod":"2026-10-05","sha256":"fb10a4247c4a5565fd70033e6a6a9e0ee466ff9b56addcbdf6f1af7e18b8e2d7","bytes":7764,"markdown":"# Saint Laurent: creative directors and runway casting\n\n> Anthony Vaccarello is Saint Laurent’s creative director, a role announced in April 2016. Before: Hedi Slimane (2012–2016). Checked 1 October 2026. Saint Laurent has had 7 creative leads since 1961, each sourced on this page. The Cast Index ledger records 5 verified runway walks for Saint Laurent, by models including Loli Bahia, Anja Rubik and Binx Walton.\n\n- Canonical: https://thecastindex.com/houses/saint-laurent\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q2282172) · [Wikipedia](https://en.wikipedia.org/wiki/Yves_Saint_Laurent_(fashion_house))\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Saint Laurent?\n\nAnthony Vaccarello is Saint Laurent’s creative director, a role announced in April 2016. Before: Hedi Slimane (2012–2016). Checked 1 October 2026.\n\nVaccarello showed the spring/summer 2027 collection in Paris on 29 September 2026. AFP reported persistent speculation that he could leave; neither Saint Laurent nor Kering had commented when we checked on 1 October 2026. ([source](https://fashionunited.uk/news/fashion/saint-laurent-designer-vaccarello-hints-at-change/2026092990621))\n\nPreviously: Hedi Slimane (2012–2016).\n\n## Who have been Saint Laurent’s creative directors?\n\nIn order: Yves Saint Laurent (founder, 1961–2002), Hedi Slimane (1997–2000), Alber Elbaz (1998–1999), Tom Ford (2000–2004), Stefano Pilati (2004–2012), Hedi Slimane (2012–2016), Anthony Vaccarello (2016–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1961–2002 | Yves Saint Laurent | Founder and couturier | [Musée Yves Saint Laurent Paris — Les adieux](https://museeyslparis.com/en/biography/les-adieux) |\n| 1997–2000 | Hedi Slimane | Artistic director of menswear | [Kering — Yves Saint Laurent appoints Hedi Slimane (7 March 2012)](https://www.kering.com/en/news/yves-saint-laurent-appoints-hedi-slimane-as-creative-director/) |\n| 1998–1999 | Alber Elbaz | Creative director, Rive Gauche womenswear | [Drapers — Alber Elbaz: the legacy of a designer (26 April 2021)](https://www.drapersonline.com/product-and-trends/alber-elbaz-the-legacy-of-a-designer-with-unbridled-creativity-and-warmth) |\n| 2000–2004 | Tom Ford | Creative director, YSL Rive Gauche | [CFDA — Tom Ford](https://cfda.com/member/tom-ford/) |\n| 2004–2012 | Stefano Pilati | Creative director | [Kering — Yves Saint Laurent announces the departure of Stefano Pilati (27 February 2012)](https://www.kering.com/en/news/yves-saint-laurent-announces-departure-creative-director-stefano-pilati/) |\n| 2012–2016 | Hedi Slimane | Creative and image director | [Kering — Yves Saint Laurent announces the departure of Hedi Slimane (1 April 2016)](https://www.kering.com/en/news/yves-saint-laurent-announces-departure-creative-image-director-hedi-slimane/) |\n| 2016–present (current) | Anthony Vaccarello | Creative director | [Kering — Yves Saint Laurent appoints Anthony Vaccarello as Creative Director (4 April 2016)](https://www.kering.com/en/news/yves-saint-laurent-appoints-anthony-vaccarello-as-creative-director/) |\n\n## Which models have walked for Saint Laurent?\n\nThe Cast Index ledger records 5 verified walks for Saint Laurent, including Loli Bahia, Anja Rubik, Binx Walton, Mica Argañaraz, Mona Tougaard.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 Menswear | Walked | [Loli Bahia](https://thecastindex.com/models/loli-bahia) | [Paris Fashion Week Menswear SS27](https://thecastindex.com/events/paris-fashion-week-menswear-ss27) | [source](https://www.vogue.fr/article/saint-laurent-madonna-charlie-xcx-defile-homme-printemps-ete-2027) |\n| SS27 | Walked | [Anja Rubik](https://thecastindex.com/models/anja-rubik) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.wmagazine.com/fashion/saint-laurent-spring-2027-runway-photos) |\n| SS27 | Walked | [Binx Walton](https://thecastindex.com/models/binx-walton) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/binx-walton-walks-the-runway-during-the-saint-laurent-ready-news-photo/2297790369) |\n| SS27 | Walked | [Mica Argañaraz](https://thecastindex.com/models/mica-arganaraz) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mica-arganaraz-walks-the-runway-during-the-saint-laurent-news-photo/2297790043) |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-saint-laurent-news-photo/2297790456) |\n\n## Common questions\n\n### Who is the creative director of Saint Laurent?\n\nAnthony Vaccarello is Saint Laurent’s creative director, a role announced in April 2016. Before: Hedi Slimane (2012–2016). Checked 1 October 2026.\n\n### Who was the creative director of Saint Laurent before Anthony Vaccarello?\n\nAnthony Vaccarello succeeded Hedi Slimane (creative and image director, 2012–2016). The full timeline is on this page, with a source for each term.\n\n### Who have been Saint Laurent’s creative directors?\n\nIn order: Yves Saint Laurent (founder, 1961–2002), Hedi Slimane (1997–2000), Alber Elbaz (1998–1999), Tom Ford (2000–2004), Stefano Pilati (2004–2012), Hedi Slimane (2012–2016), Anthony Vaccarello (2016–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Saint Laurent?\n\nThe Cast Index ledger records 5 verified walks for Saint Laurent, including Loli Bahia, Anja Rubik, Binx Walton, Mica Argañaraz, Mona Tougaard.\n\n## Sources\n\n- [Kering — Saint Laurent](https://www.kering.com/en/houses/fashion-and-leather-goods/saint-laurent/)\n- [FashionUnited / AFP — Saint Laurent designer Vaccarello hints at change (29 September 2026)](https://fashionunited.uk/news/fashion/saint-laurent-designer-vaccarello-hints-at-change/2026092990621)\n- [Musée Yves Saint Laurent Paris — Les adieux](https://museeyslparis.com/en/biography/les-adieux)\n- [Kering — Yves Saint Laurent appoints Hedi Slimane (7 March 2012)](https://www.kering.com/en/news/yves-saint-laurent-appoints-hedi-slimane-as-creative-director/)\n- [Drapers — Alber Elbaz: the legacy of a designer (26 April 2021)](https://www.drapersonline.com/product-and-trends/alber-elbaz-the-legacy-of-a-designer-with-unbridled-creativity-and-warmth)\n- [CFDA — Tom Ford](https://cfda.com/member/tom-ford/)\n- [Kering — Yves Saint Laurent announces the departure of Stefano Pilati (27 February 2012)](https://www.kering.com/en/news/yves-saint-laurent-announces-departure-creative-director-stefano-pilati/)\n- [Kering — Yves Saint Laurent announces the departure of Hedi Slimane (1 April 2016)](https://www.kering.com/en/news/yves-saint-laurent-announces-departure-creative-image-director-hedi-slimane/)\n- [Kering — Yves Saint Laurent appoints Anthony Vaccarello as Creative Director (4 April 2016)](https://www.kering.com/en/news/yves-saint-laurent-appoints-anthony-vaccarello-as-creative-director/)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Saint Laurent\", https://thecastindex.com/houses/saint-laurent.\n"},{"url":"https://thecastindex.com/houses/schiaparelli","markdownUrl":"https://thecastindex.com/houses/schiaparelli.md","title":"Schiaparelli: creative directors and runway casting","lastmod":"2026-10-05","sha256":"7c7f3b0231534520b131797c35b8da4d75c9ab4836495135888859890dd30833","bytes":5084,"markdown":"# Schiaparelli: creative directors and runway casting\n\n> Daniel Roseberry is Schiaparelli’s creative director, a role announced in April 2019. Before: Bertrand Guyon (2015–2019). Checked 1 October 2026. Schiaparelli has had 4 creative leads since 1927, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Schiaparelli, by models including Anok Yai and Karlie Kloss.\n\n- Canonical: https://thecastindex.com/houses/schiaparelli\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): A\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q107835110) · [Wikipedia](https://en.wikipedia.org/wiki/Schiaparelli_(fashion_house))\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Schiaparelli?\n\nDaniel Roseberry is Schiaparelli’s creative director, a role announced in April 2019. Before: Bertrand Guyon (2015–2019). Checked 1 October 2026.\n\nAppointed artistic director in April 2019; the house now titles him creative director. His first collection was haute couture autumn/winter 2019, shown in Paris in July 2019.\n\nPreviously: Bertrand Guyon (2015–2019).\n\n## Who have been Schiaparelli’s creative directors?\n\nIn order: Elsa Schiaparelli (founder, 1927–1954), Marco Zanini (2013–2014), Bertrand Guyon (2015–2019), Daniel Roseberry (2019–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 1927–1954 | Elsa Schiaparelli | Founder and couturier (house closed 1954) | [Schiaparelli — The history of the Maison](https://schiaparelli.com/en/pages/l-histoire-de-la-maison) |\n| 2013–2014 | Marco Zanini | Creative director | [WWD — Schiaparelli names Bertrand Guyon design director (28 April 2015)](https://wwd.com/fashion-news/fashion-features/schiaparelli-names-design-director-10118169/) |\n| 2015–2019 | Bertrand Guyon | Design director | [WWD — Schiaparelli names Daniel Roseberry creative director (23 April 2019)](https://wwd.com/fashion-news/designer-luxury/exclusive-schiaparelli-appoints-daniel-roseberry-creative-director-1203113479/) |\n| 2019–present (current) | Daniel Roseberry | Artistic director, now creative director | [Schiaparelli — Daniel Roseberry appointed Artistic Director (23 April 2019)](https://schiaparelli.com/en/blogs/news/daniel-roseberry-est-nomme-directeur-artistique-de-la-maison-schiaparelli) |\n\n## Which models have walked for Schiaparelli?\n\nThe Cast Index ledger records 2 verified walks for Schiaparelli, including Anok Yai, Karlie Kloss.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| AW26 Couture | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Paris Haute Couture Week AW26](https://thecastindex.com/events/paris-haute-couture-week-2026) | [source](https://models.com/models/anok-yai) |\n| SS24 Couture | Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Paris Haute Couture Week SS26](https://thecastindex.com/events/paris-haute-couture-week-spring-2026) | [source](https://www.businessoffashion.com/people/karlie-kloss/) |\n\n## Common questions\n\n### Who is the creative director of Schiaparelli?\n\nDaniel Roseberry is Schiaparelli’s creative director, a role announced in April 2019. Before: Bertrand Guyon (2015–2019). Checked 1 October 2026.\n\n### Who was the creative director of Schiaparelli before Daniel Roseberry?\n\nDaniel Roseberry succeeded Bertrand Guyon (design director, 2015–2019). The full timeline is on this page, with a source for each term.\n\n### Who have been Schiaparelli’s creative directors?\n\nIn order: Elsa Schiaparelli (founder, 1927–1954), Marco Zanini (2013–2014), Bertrand Guyon (2015–2019), Daniel Roseberry (2019–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Schiaparelli?\n\nThe Cast Index ledger records 2 verified walks for Schiaparelli, including Anok Yai, Karlie Kloss.\n\n## Sources\n\n- [Schiaparelli — Daniel Roseberry, Creative Director](https://schiaparelli.com/en/pages/daniel-roseberry)\n- [Schiaparelli — The history of the Maison](https://schiaparelli.com/en/pages/l-histoire-de-la-maison)\n- [WWD — Schiaparelli names Bertrand Guyon design director (28 April 2015)](https://wwd.com/fashion-news/fashion-features/schiaparelli-names-design-director-10118169/)\n- [WWD — Schiaparelli names Daniel Roseberry creative director (23 April 2019)](https://wwd.com/fashion-news/designer-luxury/exclusive-schiaparelli-appoints-daniel-roseberry-creative-director-1203113479/)\n- [Schiaparelli — Daniel Roseberry appointed Artistic Director (23 April 2019)](https://schiaparelli.com/en/blogs/news/daniel-roseberry-est-nomme-directeur-artistique-de-la-maison-schiaparelli)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Schiaparelli\", https://thecastindex.com/houses/schiaparelli.\n"},{"url":"https://thecastindex.com/houses/stella-mccartney","markdownUrl":"https://thecastindex.com/houses/stella-mccartney.md","title":"Stella McCartney: runway casting","lastmod":"2026-10-05","sha256":"53f90b9ef6ca82505fa15cf41711a8e8335f762939cff7b6ad0777b228f33a0e","bytes":3089,"markdown":"# Stella McCartney: runway casting\n\n> Stella McCartney is a London-based label tracked on The Cast Index casting ledger, which records 6 verified runway walks for it across 1 season, by models including Karlie Kloss, Amber Valletta and Mayowa Nicholas. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/stella-mccartney\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: London, United Kingdom\n- House tier (methodology Appendix A): B\n\n## Which models have walked for Stella McCartney?\n\nThe Cast Index ledger records 6 verified walks for Stella McCartney, including Karlie Kloss, Amber Valletta, Mayowa Nicholas, Angelina Kendall, Luiza Perote.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Karlie Kloss](https://thecastindex.com/models/karlie-kloss) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/stella-mccartney) |\n| SS27 | Walked | [Amber Valletta](https://thecastindex.com/models/amber-valletta) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://pagesix.com/2026/09/30/style/miranda-kerr-makes-surprise-return-to-the-stella-mccartney-runway-after-nearly-a-decade/) |\n| SS27 | Walked | [Mayowa Nicholas](https://thecastindex.com/models/mayowa-nicholas) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mayowa-nicholas-walks-the-runway-during-the-stella-news-photo/2297949657) |\n| SS27 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-during-the-stella-news-photo/2298020938) |\n| SS27 | Walked | [Luiza Perote](https://thecastindex.com/models/luiza-perote) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/luiza-perote-walks-the-runway-during-the-stella-mccartney-news-photo/2297955342) |\n| SS27 | Walked | [Yilan Hua](https://thecastindex.com/models/yilan-hua) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-stella-mccartney-news-photo/2297954911) |\n\n## Common questions\n\n### Which models have walked for Stella McCartney?\n\nThe Cast Index ledger records 6 verified walks for Stella McCartney, including Karlie Kloss, Amber Valletta, Mayowa Nicholas, Angelina Kendall, Luiza Perote.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Stella McCartney\", https://thecastindex.com/houses/stella-mccartney.\n"},{"url":"https://thecastindex.com/houses/the-attico","markdownUrl":"https://thecastindex.com/houses/the-attico.md","title":"The Attico: runway casting","lastmod":"2026-10-05","sha256":"ff49875bfa042acadcae34a5775bb2950d76021c60278ef5e99bce55044e588f","bytes":2545,"markdown":"# The Attico: runway casting\n\n> The Attico is a Milan-based label tracked on The Cast Index casting ledger, which records 4 verified runway walks for it across 1 season, by models including Mona Tougaard, Angelina Kendall and Irina Shayk. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/the-attico\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q125995969) · [Wikipedia](https://en.wikipedia.org/wiki/The_Attico)\n\n## Which models have walked for The Attico?\n\nThe Cast Index ledger records 4 verified walks for The Attico, including Mona Tougaard, Angelina Kendall, Irina Shayk, Mariacarla Boscono.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027) |\n| SS27 | Walked | [Angelina Kendall](https://thecastindex.com/models/angelina-kendall) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-the-attico-fashion-news-photo/2297140077) |\n| SS27 | Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-the-attico-fashion-show-news-photo/2297140133) |\n| SS27 | Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/mariacarla-boscono-walks-the-runway-at-the-attico-fashion-news-photo/2297158942) |\n\n## Common questions\n\n### Which models have walked for The Attico?\n\nThe Cast Index ledger records 4 verified walks for The Attico, including Mona Tougaard, Angelina Kendall, Irina Shayk, Mariacarla Boscono.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"The Attico\", https://thecastindex.com/houses/the-attico.\n"},{"url":"https://thecastindex.com/houses/thom-browne","markdownUrl":"https://thecastindex.com/houses/thom-browne.md","title":"Thom Browne: runway casting","lastmod":"2026-10-05","sha256":"e72977d588f1928d5e28d782b10ae2d5f290306b47ff86d19fbd3be356c06a21","bytes":1862,"markdown":"# Thom Browne: runway casting\n\n> Thom Browne is a New York-based label tracked on The Cast Index casting ledger, which records 2 verified runway walks for it across 1 season, by models including Adriana Lima and Lineisy Montero. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Thom Browne has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/thom-browne\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n\n## Which models have walked for Thom Browne?\n\nThe Cast Index ledger records 2 verified walks for Thom Browne, including Adriana Lima, Lineisy Montero.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Adriana Lima](https://thecastindex.com/models/adriana-lima) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/adriana-lima-walks-the-runway-during-the-thom-browne-ready-news-photo/2295634434) |\n| SS27 | Walked | [Lineisy Montero](https://thecastindex.com/models/lineisy-montero) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-thom-browne-news-photo/2295634479) |\n\n## Common questions\n\n### Which models have walked for Thom Browne?\n\nThe Cast Index ledger records 2 verified walks for Thom Browne, including Adriana Lima, Lineisy Montero.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Thom Browne\", https://thecastindex.com/houses/thom-browne.\n"},{"url":"https://thecastindex.com/houses/tods","markdownUrl":"https://thecastindex.com/houses/tods.md","title":"Tod’s: runway casting","lastmod":"2026-10-05","sha256":"e21dd1ffb8a1825a18ca169fb9be8ef4f31a3fd16d3c28ec4bc9d6b95daa92ec","bytes":2191,"markdown":"# Tod’s: runway casting\n\n> Tod’s is a Milan-based label tracked on The Cast Index casting ledger, which records 3 verified runway walks for it across 1 season, by models including Irina Shayk, Awar Odhiang and Mariacarla Boscono. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Tod’s has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/tods\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Milan, Italy\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q1342350) · [Wikipedia](https://en.wikipedia.org/wiki/Tod%27s)\n\n## Which models have walked for Tod’s?\n\nThe Cast Index ledger records 3 verified walks for Tod’s, including Irina Shayk, Awar Odhiang, Mariacarla Boscono.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Irina Shayk](https://thecastindex.com/models/irina-shayk) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://wwd.com/runway/spring-2027/milan/tods/review/) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n| SS27 | Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) | [source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up) |\n\n## Common questions\n\n### Which models have walked for Tod’s?\n\nThe Cast Index ledger records 3 verified walks for Tod’s, including Irina Shayk, Awar Odhiang, Mariacarla Boscono.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Tod’s\", https://thecastindex.com/houses/tods.\n"},{"url":"https://thecastindex.com/houses/tom-ford","markdownUrl":"https://thecastindex.com/houses/tom-ford.md","title":"Tom Ford: runway casting","lastmod":"2026-10-05","sha256":"3f13fe733f13847c507471fc36521614efe5bd20d1440daac70e62e06a6df266","bytes":2327,"markdown":"# Tom Ford: runway casting\n\n> Tom Ford is a New York-based label tracked on The Cast Index casting ledger, which records 4 verified runway walks for it across 1 season, by models including Anok Yai, Alex Consani and Mariacarla Boscono. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/tom-ford\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q105476592) · [Wikipedia](https://en.wikipedia.org/wiki/Tom_Ford_(brand))\n\n## Which models have walked for Tom Ford?\n\nThe Cast Index ledger records 4 verified walks for Tom Ford, including Anok Yai, Alex Consani, Mariacarla Boscono, Małgosia Bela.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Walked | [Anok Yai](https://thecastindex.com/models/anok-yai) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| SS27 | Walked | [Alex Consani](https://thecastindex.com/models/alex-consani) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| SS27 | Walked | [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/) |\n| SS27 | Walked | [Małgosia Bela](https://thecastindex.com/models/malgosia-bela) | [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) | [source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month) |\n\n## Common questions\n\n### Which models have walked for Tom Ford?\n\nThe Cast Index ledger records 4 verified walks for Tom Ford, including Anok Yai, Alex Consani, Mariacarla Boscono, Małgosia Bela.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Tom Ford\", https://thecastindex.com/houses/tom-ford.\n"},{"url":"https://thecastindex.com/houses/tommy-hilfiger","markdownUrl":"https://thecastindex.com/houses/tommy-hilfiger.md","title":"Tommy Hilfiger: runway casting","lastmod":"2026-10-05","sha256":"77aa63dd8092198473720db7e06cde3438ba70104ab9b25705f0adfebeff946b","bytes":1580,"markdown":"# Tommy Hilfiger: runway casting\n\n> Tommy Hilfiger is a New York-based label tracked on The Cast Index casting ledger, which records 1 verified runway walk for it across 1 season, by Gigi Hadid. Each walk links the published source that names the model, the house and the show. A sourced creative-director record for Tommy Hilfiger has not been added yet.\n\n- Canonical: https://thecastindex.com/houses/tommy-hilfiger\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q634881) · [Wikipedia](https://en.wikipedia.org/wiki/Tommy_Hilfiger_(company))\n\n## Which models have walked for Tommy Hilfiger?\n\nThe Cast Index ledger records 1 verified walk for Tommy Hilfiger, including Gigi Hadid.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/tommy-hilfiger) |\n\n## Common questions\n\n### Which models have walked for Tommy Hilfiger?\n\nThe Cast Index ledger records 1 verified walk for Tommy Hilfiger, including Gigi Hadid.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Tommy Hilfiger\", https://thecastindex.com/houses/tommy-hilfiger.\n"},{"url":"https://thecastindex.com/houses/tory-burch","markdownUrl":"https://thecastindex.com/houses/tory-burch.md","title":"Tory Burch: runway casting","lastmod":"2026-10-05","sha256":"2a0c789884e3aef005b5532ebf2cfef5ce62a95b5bd94bca4e8e88f4076bd5ba","bytes":3251,"markdown":"# Tory Burch: runway casting\n\n> Tory Burch is a New York-based label tracked on The Cast Index casting ledger, which records 7 verified runway walks for it across 1 season, by models including Liu Wen, Emily Ratajkowski and Lulu Tenney. Each walk links the published source that names the model, the house and the show.\n\n- Canonical: https://thecastindex.com/houses/tory-burch\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: New York, United States\n- House tier (methodology Appendix A): C\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q19988222) · [Wikipedia](https://en.wikipedia.org/wiki/Tory_Burch_LLC)\n\n## Which models have walked for Tory Burch?\n\nThe Cast Index ledger records 7 verified walks for Tory Burch, including Liu Wen, Emily Ratajkowski, Lulu Tenney, Awar Odhiang, Betsy Gaghan.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS27 | Opened | [Liu Wen](https://thecastindex.com/models/liu-wen) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Closed | [Liu Wen](https://thecastindex.com/models/liu-wen) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://news.qq.com/rain/a/20260914A0B5NU00) |\n| SS27 | Walked | [Emily Ratajkowski](https://thecastindex.com/models/emily-ratajkowski) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.marieclaire.co.uk/fashion/new-york-fashion-week-september-2026-best-looks) |\n| SS27 | Walked | [Lulu Tenney](https://thecastindex.com/rising/lulu-tenney) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.vogue.com/slideshow/lulu-tenney-model-diary) |\n| SS27 | Walked | [Awar Odhiang](https://thecastindex.com/models/awar-odhiang) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072090) |\n| SS27 | Walked | [Betsy Gaghan](https://thecastindex.com/rising/betsy-gaghan) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/betsy-gaghan-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072070) |\n| SS27 | Walked | [Devyn Garcia](https://thecastindex.com/models/devyn-garcia) | [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) | [source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294071947) |\n\n## Common questions\n\n### Which models have walked for Tory Burch?\n\nThe Cast Index ledger records 7 verified walks for Tory Burch, including Liu Wen, Emily Ratajkowski, Lulu Tenney, Awar Odhiang, Betsy Gaghan.\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Tory Burch\", https://thecastindex.com/houses/tory-burch.\n"},{"url":"https://thecastindex.com/houses/vetements","markdownUrl":"https://thecastindex.com/houses/vetements.md","title":"Vetements: creative directors and runway casting","lastmod":"2026-10-05","sha256":"7462eb3d5c7cf94d977727a23a03eeab7f87115fa334ac52e8f0914f8b4644fe","bytes":4245,"markdown":"# Vetements: creative directors and runway casting\n\n> Guram Gvasalia is Vetements’ creative director, a role announced in December 2021. Before: Demna (2014–2019). Checked 1 October 2026. Vetements has had 2 creative leads since 2014, each sourced on this page. The Cast Index ledger records 2 verified runway walks for Vetements, by models including Winnie Harlow and Alek Wek.\n\n- Canonical: https://thecastindex.com/houses/vetements\n- Updated: 2026-10-05\n- Author: Kaiser Khan (Founder & Editor)\n- Based in: Paris, France\n- House tier (methodology Appendix A): B\n- Identifiers: [Wikidata](https://www.wikidata.org/wiki/Q29109956) · [Wikipedia](https://en.wikipedia.org/wiki/Vetements)\n- Creative-director record checked: 1 October 2026\n\n## Who is the creative director of Vetements?\n\nGuram Gvasalia is Vetements’ creative director, a role announced in December 2021. Before: Demna (2014–2019). Checked 1 October 2026.\n\nGuram Gvasalia co-founded the label with his brother Demna in 2014. After Demna left in 2019 the collections were credited to a design collective until Guram became creative director in December 2021. ([source](https://www.nssmag.com/en/fashion/28439/guram-gvasalia-creative-director-vetements))\n\nPreviously: Demna (2014–2019).\n\n## Who have been Vetements’ creative directors?\n\nIn order: Demna (founder, 2014–2019), Guram Gvasalia (founder, 2021–present). Each entry in the timeline on this page links its source.\n\n| Years | Name | Role | Source |\n| --- | --- | --- | --- |\n| 2014–2019 | Demna | Co-founder and creative director | [nss magazine — Guram Gvasalia is the new creative director of Vetements (15 December 2021)](https://www.nssmag.com/en/fashion/28439/guram-gvasalia-creative-director-vetements) |\n| 2021–present (current) | Guram Gvasalia | Co-founder; creative director from December 2021 | [FashionNetwork — Vetements names Guram Gvasalia as new creative director (15 December 2021)](https://us.fashionnetwork.com/news/Vetements-names-guram-gvasalia-as-new-creative-director,1362073.html) |\n\n## Which models have walked for Vetements?\n\nThe Cast Index ledger records 2 verified walks for Vetements, including Winnie Harlow, Alek Wek.\n\n| Season | Role | Model | Show | Source |\n| --- | --- | --- | --- | --- |\n| SS26 | Walked | [Winnie Harlow](https://thecastindex.com/models/winnie-harlow) | [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | [source](https://models.com/models/winnie-harlow) |\n| SS27 Menswear | Walked | [Alek Wek](https://thecastindex.com/models/alek-wek) | [Paris Fashion Week Menswear SS27](https://thecastindex.com/events/paris-fashion-week-menswear-ss27) | [source](https://wwd.com/runway/mens-spring-2027/paris/vetements/review/) |\n\n## Common questions\n\n### Who is the creative director of Vetements?\n\nGuram Gvasalia is Vetements’ creative director, a role announced in December 2021. Before: Demna (2014–2019). Checked 1 October 2026.\n\n### Who was the creative director of Vetements before Guram Gvasalia?\n\nDemna, who co-founded Vetements, was its creative director until 2019. From 2019 to 2021 the collections were credited to a design collective rather than a named creative director, before Guram Gvasalia took the role in December 2021.\n\n### Who have been Vetements’ creative directors?\n\nIn order: Demna (founder, 2014–2019), Guram Gvasalia (founder, 2021–present). Each entry in the timeline on this page links its source.\n\n### Which models have walked for Vetements?\n\nThe Cast Index ledger records 2 verified walks for Vetements, including Winnie Harlow, Alek Wek.\n\n## Sources\n\n- [FashionNetwork — Vetements names Guram Gvasalia as new creative director (15 December 2021)](https://us.fashionnetwork.com/news/Vetements-names-guram-gvasalia-as-new-creative-director,1362073.html)\n- [nss magazine — Guram Gvasalia is the new creative director of Vetements (15 December 2021)](https://www.nssmag.com/en/fashion/28439/guram-gvasalia-creative-director-vetements)\n\nEach ledger walk links its own published source. Walks are recorded only when a source names the model, the house and the show; the ledger is incomplete by design.\n\nCite as: The Cast Index, \"Vetements\", https://thecastindex.com/houses/vetements.\n"},{"url":"https://thecastindex.com/journal/american-denim-alteration-repair-brief","markdownUrl":"https://thecastindex.com/journal/american-denim-alteration-repair-brief.md","title":"American Denim: Write a Better Alteration and Repair Brief","lastmod":"2026-10-05T19:54:57Z","sha256":"55cb039666e017bbc17674e9e30abf7677914204a0c6d00286ab1e5cb243cba5","bytes":7587,"markdown":"# American Denim: Write a Better Alteration and Repair Brief\n\n> Decide whether your jeans need repair, a fit adjustment or visible customisation, then prepare measurements, photographs and questions for a denim specialist.\n\n- Canonical: https://thecastindex.com/journal/american-denim-alteration-repair-brief\n- Question: The practical takeaway\n- Direct answer: Before altering jeans, identify the problem as damage, fit or design preference. Photograph the inside and outside, explain how you wear them, and ask a specialist to assess what can be preserved. Agree the method, visible result, price and approval point before cutting or adding decoration.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: United States\n\n## Name the problem before naming the treatment\n\nJeans that pull at the waist, scrape the ground and have a thinning pocket are presenting three different questions. Start by describing each problem in plain language. ‘The hem drags in my everyday shoes’ is more useful than ‘make these modern’. ‘I want to keep the worn colour around the knee’ gives the person doing the work a clear feature to protect.\n\nLevi’s own Tailor Shop groups its services into alteration, repair and customisation, with examples ranging from hems and waist adjustments to darning and decorative additions. That is a helpful organising device, not a guarantee that every shop can carry out every technique on your pair. Request a garment assessment and local service details before making a journey or sending clothing away.\n\n## Keep the garment’s history in the brief\n\nAmerican denim has been adapted across very different uses. The Museum at FIT’s historical exhibition Denim: Fashion’s Frontier, held in 2015–16, placed workwear alongside fashion experimentation. Its objects provide context for treating denim as a material with several possible futures, rather than assuming that an older pair must be made to resemble a new seasonal cut.\n\nWrite down what you value in this particular garment: a comfortable rise, a faded seam, a roomy leg or a personal association. Then rank those features. If preserving the original hem matters more than removing every centimetre of excess length, say so. If the jeans are an archive, borrowed or potentially collectible piece, pause before irreversible alteration and clarify ownership and the purpose of keeping them.\n\nBring the care label and fibre information where available. Record whether the pair was recently washed, following its label, because the condition in which it is fitted should be understood. Do not assume that two jeans with the same size label behave alike. Your own worn garment is the evidence the specialist needs.\n\n## Make the first assessment easy\n\nPhotograph the jeans flat from front and back, then take close views of the concern from both sides. Add a ruler beside a worn area without pulling the cloth out of shape. For fit, photographs while standing and sitting can explain a problem, but they do not replace an in-person fitting when the alteration affects several seams.\n\nWear the shoes and underlayers you intend to use at the appointment. Explain whether you want to sit at a desk, cycle, work on set or wear the pair for a short event. Ask the fitter to mark the proposal while you can still assess it. Do not reduce the decision to a smaller waist measurement if the rise, seat and pocket placement would also change.\n\n- Photograph the full garment and both sides of each damaged area.\n- List the features you want to preserve, in order of importance.\n- Bring the usual footwear and note the garment’s care-label instructions.\n- Ask whether the proposed work changes nearby pockets, seams or proportions.\n- Confirm when you can approve the marked fit or a repair sample before permanent work.\n\n## Compare the outcomes, not just the prices\n\nAsk for a description of the finished appearance. An almost invisible repair, a deliberately visible patch and a decorative reinforcement answer different briefs. A low quote is not a useful comparison if one estimate includes reinforcing surrounding cloth and the other covers only the visible opening. Request the same scope from each service.\n\nFor a hypothetical pair with a frayed hem and a comfortable leg, the brief could be: ‘Retain the current leg width and worn character; shorten only enough for these shoes; assess the fraying before choosing a hem method.’ This leaves the technical method to the specialist while making your priorities clear. It also avoids accidentally authorising a full taper when all you needed was length control.\n\n**A simple decision sheet for a denim appointment**\n\n| Primary concern | Question to ask | Decision to record |\n| --- | --- | --- |\n| Localised wear | Does the surrounding cloth also need support? | Repair area and expected visibility |\n| Length or shape | Which seams and details will change? | Approved markings and preserved features |\n| Decorative change | Can I see the placement at actual size? | Colour, scale and position |\n| Several concerns | Which work should happen first? | Combined scope, quote and approval stages |\n\n## Collect the work with a repeat-wear plan\n\nAt collection, compare the result with the agreed brief, not with an unspoken image in your head. Check the repaired area from inside and outside, try the jeans with the same footwear and sit down. Ask the maker how the changed area should be cared for and whether a follow-up adjustment is included. Keep the receipt, photographs and their instructions together.\n\nAfter wearing the pair, note whether the original problem is resolved. The purpose is to learn whether an alteration improved your real use, not to declare that repair always beats replacement in every circumstance. If the garment still stays unworn, identify why before commissioning more work. A clear record gives the next decision a better starting point.\n\n## FAQ\n\n### Should I repair jeans before altering their fit?\n\nAsk the specialist to assess both together. The position of damage and the seams involved may determine the order; do not assume that separate appointments will produce the same result.\n\n### Can a denim repair be completely invisible?\n\nThat cannot be promised without examining the fabric, wear, colour and construction. Agree how much visible change you accept and ask to see an example of the proposed method.\n\n### What should I bring to a jeans alteration?\n\nBring the jeans, usual shoes, relevant underlayers, care information and a short list of problems and features to preserve. Wear photographs can help explain concerns.\n\n## Sources and further reading\n\n- [Levi’s Tailor Shop](https://www.levi.com/US/en_US/features/tailor-shop) — Brand primary source illustrating its alteration, repair and customisation categories. Availability and results require an individual assessment.\n- [The Museum at FIT: Denim — Fashion’s Frontier](https://www.fitnyc.edu/museum/exhibitions/denim.php) — Primary record of the 2015–16 exhibition and its workwear-to-fashion context. The appointment workflow is original practical guidance, not a tested service review.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United States](https://thecastindex.com/world-style/united-states)\n\n"},{"url":"https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit","markdownUrl":"https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit.md","title":"Arimatsu Shibori: How to Buy, Style and Credit Resist-Dyed Cloth","lastmod":"2026-10-05T19:54:57Z","sha256":"cb81132dc67c7663d4df402222180e451ce9bc7c57a408f0d91be5241981aeeb","bytes":7248,"markdown":"# Arimatsu Shibori: How to Buy, Style and Credit Resist-Dyed Cloth\n\n> Understand Arimatsu-Narumi shibori, ask useful maker questions and plan an outfit or textile story that shows the cloth without overstating its provenance.\n\n- Canonical: https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit\n- Question: The practical takeaway\n- Direct answer: For Arimatsu shibori, confirm the maker, technique, fibre and care separately. Choose a piece for its actual pattern and drape, then style and photograph those features. Use a regional craft name only when its provenance is documented.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Japan\n\n## Identify the cloth before deciding what it represents\n\nBegin with the object you are buying: a scarf, a length of fabric, a garment or a decorative textile. Ask where it was made and which part of the work happened there. A blue-and-white pattern alone does not establish an Arimatsu origin. Keep a seller’s description, maker label and your own visual observations as separate pieces of information so your eventual caption remains accurate.\n\nAichi Prefecture identifies Arimatsu-Narumi shibori with the Nagoya area and describes tying sections of cloth before dyeing so reserved areas form a pattern. Its official craft page includes cotton and silk applications. The Arimatsu Shibori Some project describes collaboration between tying and dyeing skills. These references explain a local practice; they do not authenticate an unidentified item encountered in a shop.\n\n## Ask about process without demanding one visual signature\n\nRequest the name of the technique used on the specific piece, if the maker records it, and ask whether any parts were printed or otherwise decorated. Contemporary work can involve several processes. A clear account is more informative than a sales description that treats every irregularity as proof of handwork. Equally, a carefully repeated pattern should not automatically be dismissed as machine-made.\n\nLook at the cloth opened out and arranged as you intend to wear it. Large reserved shapes may become fragmented when folded into a narrow scarf; small motifs can read as a nearly continuous texture at a distance. Ask for permission before touching or unfolding a display. If shopping online, request a flat view, a detail and a draped view of the same item, with dimensions.\n\n**A small provenance card for a shibori purchase**\n\n| Record | Useful question | Avoid assuming |\n| --- | --- | --- |\n| Maker and place | Who made or commissioned this piece, and where? | A pattern identifies a town. |\n| Process | Which dyeing or printing steps were used? | Every variation proves handwork. |\n| Material | What is the stated fibre composition? | Shibori always means cotton. |\n| Care | What instructions apply to this finished item? | All indigo-looking cloth uses the same dye. |\n\n## Let pattern placement guide the outfit\n\nTry the textile against two plain garments you already own, preferably with different necklines or lengths. Decide which area of the pattern you want visible, then fold or position the piece accordingly. Do not begin by adding matching jewellery, bags and shoes. A quiet surrounding outfit gives you a clearer way to evaluate the pattern itself.\n\nFor example, a hypothetical scarf with broad pale areas might read strongly over a dark jacket when worn wide, while a narrow fold could make it look mostly dark. Both are valid styling choices. Photograph the two arrangements from ordinary conversation distance and choose the effect you prefer. If using fabric for a new garment, discuss motif placement and fabric requirements with the maker before cutting.\n\n## Plan handling around the finished material\n\nThe presence of a traditional technique does not supply a complete care prescription. Ask about colour transfer, washing, pressing and storage for the actual fibre, dye and finishing treatment. Obtain instructions before the return period ends, and preserve them with the product information. Avoid home experiments intended to prove authenticity; those can damage the item without settling its origin.\n\nOn a shoot, agree which folds, attachments and contact surfaces are acceptable to the owner. Keep food, wet props and unapproved adhesive away from the cloth. If the piece is a display textile rather than clothing, do not assume it can be pinned onto a person. A supported still life may communicate the craft more clearly and place fewer demands on a fragile object.\n\n## Write a caption that distinguishes evidence from interpretation\n\nUse a compact factual line: the maker’s name, the product, the technique as documented, the material and the place of production when confirmed. Then add your own interpretation of the styling, such as how a pale motif breaks up the dark jacket. Avoid phrases such as ancient Japanese pattern unless you have evidence for that exact design and its history.\n\nCredit the photographer and textile maker separately. If a workshop explains its process to you, agree how those comments may be used and retain the wording for fact checking. Museum and craft-project images can remain linked references; their visibility online is not a licence to publish them. Your own original photographs, supported by a concise provenance note, give the reader something both attractive and useful.\n\n- Confirm the individual item’s maker, fibre, process and dimensions.\n- View the pattern both flat and in its intended arrangement.\n- Get product-specific care and handling instructions.\n- Separate documented origin from personal styling interpretation.\n\n## FAQ\n\n### Is every blue-and-white tie-dyed textile Arimatsu shibori?\n\nNo. A colour scheme or resist pattern is not sufficient evidence of origin. Ask for the maker and production location before applying the regional name.\n\n### Must Arimatsu shibori be cotton?\n\nAichi Prefecture’s craft information includes silk as well as cotton uses. Check the composition of the particular piece because handling and drape can differ.\n\n### Can I use a scarf as fabric for a garment?\n\nDiscuss the project with the maker or a skilled dressmaker before cutting. Dimensions, motif placement, finishing and the intended use all affect whether the conversion makes sense.\n\n## Sources and further reading\n\n- [Aichi Prefecture: Arimatsu Narumi Shibori](https://www.pref.aichi.jp/global/en/industries/traditional/arimatsu_marumi_shibori.html) — Primary regional craft reference for location, resist-dye process and cotton/silk applications. No authentication claim is made for individual products.\n- [Arimatsu Shibori Some: Project introduction](https://www.arimatsushibori.jp/) — Craft project’s own explanation of collaboration between tying and dyeing work; the purchase, styling and caption framework is original.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Japan](https://thecastindex.com/world-style/japan)\n\n"},{"url":"https://thecastindex.com/journal/bauhaus-textile-reference-material-study","markdownUrl":"https://thecastindex.com/journal/bauhaus-textile-reference-material-study.md","title":"Bauhaus Textile Research: Turn a Reference into a Material Study","lastmod":"2026-10-05T19:54:57Z","sha256":"e42381d91e2be1a8fb1889f263d1cc8c88a0ca8ba152def7ee77b32f5b99fe76","bytes":7461,"markdown":"# Bauhaus Textile Research: Turn a Reference into a Material Study\n\n> Use museum textile records to develop an original fashion material study, with documented references, controlled samples and a clear designer handover.\n\n- Canonical: https://thecastindex.com/journal/bauhaus-textile-reference-material-study\n- Question: The practical takeaway\n- Direct answer: Choose one documented Bauhaus textile and study a specific relationship such as thread contrast, repeated intervals or surface texture. Record the object details, then make your own samples by changing one variable at a time. Translate the strongest sample into a fashion use without copying the original motif or presenting the museum as a collaborator.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Germany\n\n## Start with a documented textile, not a style label\n\nBauhaus Kooperation describes a weaving workshop that developed through experiments with craft and industrial production. Klassik Stiftung Weimar’s record of a Gunta Stölzl wall hanging connects a textile design with its later production as a sample. These references offer something more precise than a search for generic Bauhaus colours: actual materials, construction decisions and named makers to investigate.\n\nChoose one object whose record provides a title, creator, date and material information. Save the record link and write down what is visible separately from what the catalogue confirms. A photograph can suggest raised texture, for example, but it may not reveal how that texture was made. Keep uncertainty in the research notes instead of filling gaps with a guessed technique.\n\n## Ask one question that a sample can answer\n\nTurn your observation into a focused question. How does a coarse thread change the apparent width of a stripe? What happens when a repeated dark interval is interrupted once? How does the same colour look against a matte surface and a reflective one? Choose a question related to your planned garment or photograph, so the exercise has a use beyond a pleasing page of swatches.\n\nLimit the first round to materials you can identify and handle appropriately. You might arrange yarns on a card, fold contrasting cloth strips, or compare purchased swatches before asking a specialist to weave anything. Label these as material studies rather than claiming to reproduce a historical process. The aim is to understand a relationship and develop an original direction.\n\n## Keep the comparison controlled\n\nMake a small series in which only one decision changes. Keep sample dimensions, lighting and viewing distance consistent enough to compare the results. Photograph each with an identifier, then record your observation in plain language. Describe what the sample does at close range and from a few steps away. A delicate surface difference may disappear in a full-length fashion photograph.\n\nThe example matrix below is a proposed exercise, not a reconstruction of a Bauhaus lesson or a report of tests we conducted. Choose a different set of variables if your project needs drape, transparency or movement. Avoid claiming a material performs better until you have actually checked the property that matters for the intended use.\n\n**An original three-sample study template**\n\n| Sample | Hold constant | Change | Question |\n| --- | --- | --- | --- |\n| A | Same colours and strip widths | Surface texture | Which boundary stays legible from a distance? |\n| B | Same colours and texture | Spacing between repeats | Where does the eye pause? |\n| C | Same spacing and texture | One colour relationship | Does the intended focal area remain clear? |\n\n## Translate the finding into a fashion decision\n\nChoose the garment area that benefits from the study. A cuff, placket, panel or removable accessory lets you test an idea at a manageable scale. Draw the pattern piece and mark how the textile direction relates to the body. Consider what happens at seams, folds and closures. A flat study with a strong rhythm can lose that rhythm when a curved seam divides it.\n\nFor a shoot, make a simple mock-up or use a reversible arrangement before commissioning finished work. Check the idea against the intended background and framing. Record any effect created by lighting separately from the fabric itself. If the image depends on a very particular fold, add a continuity photograph so another stylist can rebuild it without distorting the garment.\n\n## Deliver a reference trail and an original brief\n\nKeep the research record, your observations and the proposed design in clearly labelled parts of the handover. Name the museum object accurately when discussing the reference. Explain which question it prompted and how your solution developed. For example, you might take an interest in alternating textures into a new panel layout, while leaving the original work’s specific image and composition out of the finished design.\n\nProvide a maker with sample dimensions, intended placement, acceptable variation and a list of properties still to assess. Agree how samples will be reviewed before larger production. If you want to reproduce an artwork or museum photograph, check the applicable rights separately. An accessible collection page supports research; it does not automatically supply permission to print its imagery on clothing or a commercial moodboard.\n\n- Record creator, title, date, institution and object link.\n- Separate catalogue facts from your visual observations.\n- Choose one practical question for the first sample series.\n- Label samples and record the variable changed.\n- Review the idea at garment scale and in intended light.\n- Document original design decisions and resolve any reproduction rights.\n\n## FAQ\n\n### Does a Bauhaus textile study have to use red, yellow and blue?\n\nNo. Start with the documented object and the relationship you want to investigate. A useful study may concern texture, spacing, transparency or construction rather than a familiar palette.\n\n### Do I need a loom to begin?\n\nNo. Clearly labelled yarn arrangements, paper layouts and purchased textile samples can help define the question. Use a skilled textile maker when the project requires a specific woven construction.\n\n### Can I use a museum collection image on the final garment?\n\nCheck the rights attached to that artwork and image and obtain any necessary permission. Research access and accurate credit do not themselves grant reproduction rights.\n\n## Sources and further reading\n\n- [Bauhaus Kooperation: Weaving](https://bauhauskooperation.de/en/knowledge/the-bauhaus/training/workshops/weaving) — Primary institutional history of the weaving workshop. The proposed sampling exercise is original and is not represented as historical teaching.\n- [Klassik Stiftung Weimar: Gunta Stölzl wall hanging](https://100schaetze.klassik-stiftung.de/objekt/gunta-stoelzl/werktstatt-helene-boerner-wandbehang-1925/) — Primary collection record connecting a documented textile design with its production as a sample; no collection imagery is reproduced.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Germany](https://thecastindex.com/world-style/germany)\n\n"},{"url":"https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist","markdownUrl":"https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist.md","title":"How to Plan Makeup for a Beauty Shoot: Lighting, Finish and Continuity","lastmod":"2026-10-05T21:18:44Z","sha256":"b47ac8b1d1ef98f7f59e7efd6e9219e9d060d8aff4557c934f69fbd1d938a48b","bytes":4969,"markdown":"# How to Plan Makeup for a Beauty Shoot: Lighting, Finish and Continuity\n\n> Turn a makeup reference into a clear beauty-shoot brief, with camera checks, texture choices and continuity notes.\n\n- Canonical: https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist\n- Question: The practical takeaway\n- Direct answer: Plan makeup around the final image, the lighting and the subject’s preferences. Choose one focal feature, test the complete look on the intended camera setup and record products and placement for continuity. A reference image describes a direction; it does not guarantee the same result on another face.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T21:18:44Z\n- Country: United States\n\n## Describe the image you want to make\n\nA useful makeup brief gives the subject, artist and photographer the same picture to work towards. Begin with three words describing the intended image, such as precise, soft and luminous, and explain what each means visually. Make those decisions before choosing individual products so the kit serves the photograph.\n\nChoose one primary feature: a defined lip shape, graphic liner, a wash of colour or visible skin texture. Then identify what should stay quiet. A close-up intended to show a lip product needs different priorities from a full-length clothing photograph. Confirm the intended crop before the makeup artist spends time on details the final frame may exclude.\n\n## Check the look under the planned light\n\nAsk the photographer to make a test image with the actual lighting arrangement, camera position and intended exposure. Review how the face, neck, ears and any visible shoulders relate to one another. Check both the full frame and a close view; a detail that looks subtle in person may dominate a tight crop.\n\nWhen something looks wrong, change one variable at a time. Adjusting the light, the camera and the makeup simultaneously makes it difficult to understand what helped. Keep a comparison frame after a meaningful change. The goal is a result everyone can evaluate together, rather than a promise that a particular finish works in every photographic situation.\n\n## Plan the sequence and touch-ups\n\nList the looks in shooting order and discuss changes with the makeup artist. Moving from a restrained look to a stronger colour can be easier to organise than repeatedly rebuilding an entire face, but the artist should determine the workable sequence for the specific products and design.\n\nAllow time for breaks, clothing changes and touch-ups. Record which clothing must go over the head and which can open at the front so the team can plan around the finished makeup. Confirm the subject’s comfort, preferences and any product restrictions beforehand. Never treat discomfort as a required part of getting the shot.\n\n## Keep useful continuity records\n\nTake a neutral reference photo of each approved look and write down the product names, shades and placement. Include practical notes such as the lip edge, brow direction and which side of the hair part is visible. Use these records for recreating the look, not as public claims about product performance.\n\nAgree on the intended level of retouching before delivery. A portfolio can show polished work while preserving recognisable facial features and natural texture. Select final images by expression, focus and how well they communicate the brief. Buying a larger makeup kit cannot replace clear collaboration between the subject, photographer and artist.\n\n## FAQ\n\n### Should portfolio makeup always look natural?\n\nIt depends on the image and client brief. A portfolio may include both simple and expressive beauty work, provided each photograph communicates a deliberate idea.\n\n### Can a phone test replace a camera test?\n\nA phone can help check placement, but the final camera and lighting setup should be tested when available. Different capture and processing settings can change the appearance.\n\n## Printable worksheet\n\n[Beauty-Shoot Brief Worksheet — 2-page A4 PDF](https://thecastindex.com/downloads/resources/beauty-shoot-brief-worksheet.pdf). A two-page creative brief and continuity worksheet for the subject, makeup artist and photographer to complete together.\n\n## Sources and further reading\n\n- [Allure makeup: beauty photos, trends and news](https://www.allure.com/topic/makeup) — Background reference for makeup techniques, looks and products. The lighting checks, shooting sequence and continuity workflow are original Cast Index guidance, with no hands-on product testing claimed.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United States](https://thecastindex.com/world-style/united-states)\n\n"},{"url":"https://thecastindex.com/journal/berlin-fashion-location-shoot-planning","markdownUrl":"https://thecastindex.com/journal/berlin-fashion-location-shoot-planning.md","title":"Plan a Berlin Fashion Location Shoot: Permissions, Space and Timing","lastmod":"2026-10-05T19:54:57Z","sha256":"cb6d53b0072c59bb6d5e668650517aa45945c404d5dbec9c628c5b6e46c5756b","bytes":8060,"markdown":"# Plan a Berlin Fashion Location Shoot: Permissions, Space and Timing\n\n> Turn a Berlin location reference into a practical shoot brief with location checks, a site plan, realistic timing and a weather alternative.\n\n- Canonical: https://thecastindex.com/journal/berlin-fashion-location-shoot-planning\n- Question: The practical takeaway\n- Direct answer: Start with the exact address, district, shoot purpose and equipment footprint, then ask the responsible location authority which permissions apply. Berlin Mitte explicitly requires permission for commercial street photography. Keep preparation, changing, public access, weather and pack-down in the schedule, and confirm the current process before committing to the location.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Germany\n\n## Define what the location must contribute\n\nDescribe the visual requirement in one sentence: a long wall for a walking silhouette, an open foreground for a full-length group, or an architectural rhythm behind a portrait. That gives you a way to evaluate alternatives if the first location is unavailable. A famous address is not automatically necessary to communicate the idea. List the essential frames and which can be made in a controlled indoor space.\n\nVisit or assess the proposed position with the actual shot in mind. Check where the subject, photographer, lights and clothing rail would stand, rather than judging only the background. Note entrances, cyclists, deliveries, steps and the space people need to pass. Build the image around a workable footprint; a frame that requires occupying the entire pavement may need a substantially different production plan.\n\n## Check the permission route for the exact proposal\n\nMitte’s official guidance requires permission for commercial film and photography on public street land. It also identifies restrictions at historic locations, separate arrangements for public green spaces and additional traffic considerations. Service Berlin explains that street use connected with filming can include production vehicles. Treat these as reasons to describe your whole proposal accurately, including activity outside the camera frame.\n\nConfirm the responsible district or property manager, the current application route and the lead time they need. A portfolio shoot should be described by its actual purpose and use; do not assume a label settles its status. For another district, use that district’s guidance. If you are uncertain whether an activity or vehicle arrangement is covered, ask the authority to assess it before booking non-refundable production costs.\n\n## Make a site plan that someone else can understand\n\nPrepare one annotated plan for each location. Mark the proposed camera and subject positions, equipment, access route and where the team will wait. Give the exact dates and time windows, including arrival and departure. Mitte requests location sketches and directs applicants to appropriate map sources. Use its current instructions for your submission rather than sending a moodboard as a substitute for a site plan.\n\nKeep creative references and operational information in separate pages of the same brief. The producer needs enough detail to assess feasibility, while the photographer needs the framing and sequence. Identify who can approve a change on the day. If the footprint grows after the application, confirm whether the permission needs changing instead of quietly adding equipment or extending the session.\n\n**A compact location brief for a fashion team**\n\n| Brief item | Record | Production use |\n| --- | --- | --- |\n| Visual purpose | Essential frame and acceptable alternative | Protect the idea when the location changes |\n| Footprint | People, equipment, waiting area and route | Assess how the team occupies the space |\n| Time window | Setup, photographs, changes and departure | Build a realistic schedule |\n| Authority or owner | Contact, application status and conditions | Keep the location decision traceable |\n| Contingency | Indoor option and decision time | Give everyone the same fallback plan |\n\n## Budget time for clothes and people\n\nA fashion schedule includes more than photographs. Plan where the wearer can change privately, where coats and bags will be kept, and how the stylist will reach the set with the next look. Check practical access for every participant. A remote changing base may require transport time between looks, while a nearby venue may need a separate booking and approval.\n\nSequence outfits to reduce unnecessary changes and carrying. Put delicate garments in the part of the plan with the best available shelter, and agree when the team will switch to an alternative because of conditions. Allow breaks and time to return clothes to their packaging. For borrowed pieces, tell the supplier how the location will be used and confirm any restrictions before adding outdoor or ground-level poses.\n\n## Close the plan before the shoot day\n\nCreate a short call sheet with the meeting point, access instructions, relevant contacts, agreed times and the confirmed backup. Share the permitted footprint and conditions with the people handling equipment. Keep the latest permission documents available to the responsible team member. Processing periods differ between applications and authorities, so an example from another production is not a promise for yours.\n\nEnd with a defined pack-down and garment return process. Check the site, reconcile equipment and record any damage or changes to borrowed clothing promptly. Save what you learned about travel between the base and shooting position for the next project. A useful location record describes practical limitations as well as the images you achieved.\n\n- Write the essential frame and an acceptable location alternative.\n- Record exact address, district, purpose and full equipment footprint.\n- Confirm the current permission route and applicable conditions.\n- Plan changing space, access, breaks and garment handling.\n- Agree a weather decision time and a usable backup.\n- Share one current call sheet and assign pack-down responsibility.\n\n## FAQ\n\n### Can a small commercial fashion team assume no permit is needed in Mitte?\n\nNo. Mitte’s official page explicitly covers commercial photography, including small teams. Describe your exact activity to the responsible authority and confirm the current requirements.\n\n### How far ahead should I apply for a Berlin shoot?\n\nAsk the competent authority about your specific application. Official pages describe different processing periods, and location, traffic arrangements and consultation can affect the schedule.\n\n### Does permission from a private venue cover production activity on the street?\n\nDo not assume it does. Service Berlin notes that street use connected with filming may include production vehicles. Confirm any public-space activity separately with the responsible authority.\n\n## Sources and further reading\n\n- [Bezirksamt Mitte: Film- und Fotoaufnahmen](https://www.berlin.de/ba-mitte/politik-und-verwaltung/aemter/strassen-und-gruenflaechenamt/strassenverwaltung/film-und-fotoaufnahmen-935041.php) — Primary district information on commercial still photography, application details, location restrictions and separate permission routes. Check the current page for the actual proposal.\n- [Service Berlin: Straßensondernutzung für Filmaufnahmen beantragen](https://service.berlin.de/dienstleistung/325715/standort/327224/) — Primary service information on filming-related street use, including production vehicles. It is not treated as a universal rule for every still-photo setup.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Germany](https://thecastindex.com/world-style/germany)\n\n"},{"url":"https://thecastindex.com/journal/berry-lipstick-camera-beauty-brief","markdownUrl":"https://thecastindex.com/journal/berry-lipstick-camera-beauty-brief.md","title":"Berry Lipstick on Camera: Plan Colour, Finish and Touch-Ups","lastmod":"2026-10-05T19:08:30Z","sha256":"cb8f3f1c7e15d19ee38a5d9cc46ddb78526c336ef9c16c61ee0400f7fe5eab4e","bytes":4880,"markdown":"# Berry Lipstick on Camera: Plan Colour, Finish and Touch-Ups\n\n> Create a clear berry-lip beauty brief for portraits or events, with guidance on lighting tests, finish, wardrobe balance and continuity between photographs.\n\n- Canonical: https://thecastindex.com/journal/berry-lipstick-camera-beauty-brief\n- Question: The practical takeaway\n- Direct answer: Choose the berry shade and finish together, test them with the planned wardrobe and lighting, and photograph an approved reference before shooting. Keep the exact product and a simple touch-up plan nearby so the lip colour remains consistent across frames.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Germany\n\n## Decide what role the lip colour should play\n\nPlan a berry lip around its role in the finished image. Decide how much attention the colour should attract, then discuss depth, finish and edge definition with the wearer and artist. A restrained wash and an opaque shape create different briefs, so settle the intended effect before comparing shades or products.\n\nWrite the purpose of the image first. Is the lip meant to be the first thing a viewer notices, or one detail in a larger fashion story? Add the crop, wardrobe palette and background. A close beauty portrait gives lip edges and texture much more prominence than a full-length image.\n\n## Test colour and shine together\n\nCompare two or three options using the actual products available, with permission and hygienic application. A dark-looking tube is an unreliable guide to the finished look. Evaluate the colour on the wearer, with the intended coverage, rather than relying only on a swatch photograph or a product name.\n\nTake a short test in the planned lighting and at the intended distance. Look at where reflections fall and how clearly the lip outline reads. Ask the photographer to keep exposure and white balance consistent between comparisons. Pick the version that supports the image, and keep a reference frame instead of relying on memory.\n\n## Balance the outfit without imposing rules\n\nA strong lip can accompany a strong outfit; the question is whether the combination serves the brief. Try the real neckline, earrings and any headwear during the test. If several details compete, change one at a time so you can tell which adjustment improves the composition.\n\nDiscuss how the wearer wants to recognise themselves in the final image. Record preferences about the natural lip outline, coverage and shine. Do not assume a trend requires changing someone's proportions or complexion. If the person dislikes a finish after the trial, select another option before the shooting schedule becomes rushed.\n\n## Create a practical continuity plan\n\nRecord the shade, finish and order of any layered products. Photograph the approved look from the front and side, and note which frame represents the intended result. Keep a dedicated reference for each wardrobe change if the beauty look also changes. These small records help collaborators avoid accidental variation during a long session.\n\nAgree when touch-ups will happen: after a meal, before close-ups or after a wardrobe change. Allow the artist to check the look under the shooting light, not only at the makeup station. Keep spare time for corrections instead of promising that one application will last unchanged for a fixed number of hours. Product behaviour, activity and individual preference vary.\n\n## FAQ\n\n### Is glossy or matte berry lipstick better for photographs?\n\nNeither is universally better. Compare both under the actual lighting and choose the finish that supports the desired texture and visual emphasis.\n\n### Does a deep lip colour require minimal eye makeup?\n\nNo. Consider the complete composition and the wearer's preferences. A test frame is more useful than a fixed rule about combining strong features.\n\n### What should a beauty continuity note include?\n\nInclude product names and shades, the approved reference photograph, any layering details, and when the artist plans to check or refresh the look.\n\n## Sources and further reading\n\n- [Harper's Bazaar Germany: berry and wine lip colours](https://www.harpersbazaar.de/beauty/beauty-lippen-trend-drama-lips) — Harper’s Bazaar Germany’s August 2026 feature discusses deep berry and wine lip colours in matte, glossy and translucent finishes. That is the source of the editorial colour context; the camera checks and production workflow are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Germany](https://thecastindex.com/world-style/germany)\n\n"},{"url":"https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief","markdownUrl":"https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief.md","title":"Plan an Artist–Designer Fashion Collaboration: Lessons from MASP","lastmod":"2026-10-05T19:54:57Z","sha256":"df44f4b279514456125b2a5a87967088fb9ea47080769216a1a36b5af6b0a959","bytes":7865,"markdown":"# Plan an Artist–Designer Fashion Collaboration: Lessons from MASP\n\n> Use Brazil’s MASP fashion collections as context for a practical collaboration brief covering creative roles, samples, garment function and publication.\n\n- Canonical: https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief\n- Question: The practical takeaway\n- Direct answer: Begin a fashion collaboration with a shared creative question and a clear intended use, then agree what each contributor makes, approves and delivers. Test the idea on a sample or mock-up before producing the final garment. Document credit, image use, revisions and ownership arrangements before publication or further production.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Brazil\n\n## Take a working relationship from the reference\n\nMASP’s Rhodia collection documents collaborations between artists and fashion designers in 1960s Brazil. Its later MASP Renner collection brings together work created by contemporary artist–designer partnerships between 2017 and 2022. These museum projects provide context for thinking about clothing as a meeting of disciplines. The practical exercise here is our own method for a smaller project; it is not affiliated with either collection.\n\nStart by identifying what each person brings beyond their name. An artist might contribute an approach to mark-making, material or narrative; a designer might develop structure, movement and garment use. The interesting question is what happens when those approaches influence one another. Avoid reducing the conversation to placing a finished artwork on a preselected garment unless that is explicitly what both collaborators want.\n\n## Write one shared question and one intended outcome\n\nAgree a sentence that can guide choices, such as exploring how a drawn line changes when it crosses a moving sleeve. Then name the outcome: a wearable prototype, a one-off editorial piece, an exhibition object or a design intended for further production. These outcomes call for different fit, durability, cost and documentation decisions. Resolve the intended use before detailed making begins.\n\nSet a manageable boundary for the first project. One garment or component can provide enough space for a complete conversation. Identify what must work physically and what remains open to exploration. A piece intended for a seated portrait may not meet the same brief as clothing worn throughout a day. State that distinction accurately when it is photographed or described.\n\n## Agree creative responsibilities and review stages\n\nDecide who develops the first proposal, who turns it into a pattern or construction plan, and who approves each sample. Both contributors should be able to describe how a revision affects their work. Choose one place to record decisions so an old sketch is not mistaken for the approved version. Set review dates that leave time for useful changes before final assembly.\n\nDiscuss the budget in the same conversation. Include research, sampling, materials, making, fittings and any photography rather than treating only the finished object as paid work. Agree how additional revisions will be handled. Write down credit, intended image use, ownership of the physical object and any future reproduction arrangements in a form the collaborators understand and accept.\n\n**A collaboration handover that makes responsibilities visible**\n\n| Stage | Shared decision | Named responsibility |\n| --- | --- | --- |\n| Concept | Question, intended use and project limits | Who consolidates the creative brief |\n| Sample | What the sample must establish | Who makes it and who reviews it |\n| Garment | Fit, construction and approved changes | Who fits, assembles and signs off |\n| Photographs | Framing, credits and intended publication | Who produces and approves the images |\n| After delivery | Storage, lending and further production | Who holds the object and records |\n\n## Test the idea where it meets the body\n\nUse a mock-up to examine the places where image, surface and structure interact. Look at seams, closures, folds and the areas that move. If a drawing is important, consider where it becomes interrupted when the garment is worn. If an added material changes the shape, ask the maker to assess support and construction. Keep observations tied to the actual sample rather than assumptions from a flat sketch.\n\nPhotograph the same prototype at rest and in the movements expected by the brief. Ask the wearer about dressing, reaching and sitting where relevant. Identify what must change and what the team wants to preserve, then consolidate revisions. Keep the rejected version in the project record if it explains a decision, but do not present unfinished experiments as verified performance or production-ready results.\n\n## Publish the process with accurate boundaries\n\nPlan photographs that show both the complete work and the contribution that makes it distinctive. A detail may explain construction while a wider frame shows how the idea behaves on a person. Use captions that name the contributors and their roles accurately. Make clear whether the result is a prototype, a unique piece or something available to order. Do not imply a commercial collection exists because one editorial sample was made.\n\nKeep museum references in the research notes and cite them when discussing the project’s context. If you want to reproduce a museum photograph or an existing artwork, resolve the relevant permissions separately. End the collaboration with an agreed record of the final object, images, credits and remaining limitations. That gives both people a clear basis for deciding whether they want to develop another piece together.\n\n- Agree one creative question and the intended final use.\n- Name each contributor’s responsibilities and approval points.\n- Budget research, samples, fittings and documentation.\n- Review a mock-up in the movements the brief requires.\n- Document credits, image uses and future production arrangements.\n- Describe the final object accurately as prototype, unique work or product.\n\n## FAQ\n\n### Do I need a full collection for an artist–designer collaboration?\n\nNo. A single garment or component can support a complete project if the question, responsibilities and intended outcome are clear. Expand only after reviewing what the first piece establishes.\n\n### Should the artist approve every technical change?\n\nAgree review responsibilities at the beginning. Changes that affect the shared visual idea should have a clear approval route, while routine making decisions can follow the scope both parties accept.\n\n### Can I call my project a MASP collaboration if I used its collection as research?\n\nNo. Describe the museum collections as research context. A reference does not create an affiliation, endorsement or permission to reproduce collection imagery.\n\n## Sources and further reading\n\n- [MASP: Arte na moda — Coleção MASP Rhodia](https://masp.org.br/exposicoes/arte-na-moda-colecao-masp-rhodia) — Primary museum account of historical artist–designer collaborations. The current guide is independent and reproduces no collection imagery.\n- [MASP: Arte na moda — MASP Renner](https://www.masp.org.br/exposicoes/arte-na-moda-masp-renner) — Primary museum account of the contemporary collaboration project and its 2017–2022 creation period. No current exhibition availability is implied.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Brazil](https://thecastindex.com/world-style/brazil)\n\n"},{"url":"https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style","markdownUrl":"https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style.md","title":"Capim-Dourado Accessories: Choose Provenance, Scale and a Wearable Fit","lastmod":"2026-10-05T19:54:57Z","sha256":"f080148eada5bf77e14c0d3e3806d5b4801ec45f5c66f422203eec3e17a6302a","bytes":8056,"markdown":"# Capim-Dourado Accessories: Choose Provenance, Scale and a Wearable Fit\n\n> Build a useful buying and styling brief for capim-dourado accessories, with maker questions, outfit proportions and piece-specific handling.\n\n- Canonical: https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style\n- Question: The practical takeaway\n- Direct answer: When choosing capim-dourado accessories, identify the maker or association, ask about the full construction and compare the dimensions with pieces you already wear. Check closure, weight and movement with the complete outfit. Follow the maker’s care instructions and avoid treating natural-material or regional labels as automatic proof of responsible sourcing.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Brazil\n\n## Start with a maker and a place\n\nRede Artesol profiles the capim-dourado association of Mumbuca in Mateiros, Tocantins, and describes work combining golden stems with buriti fibre. IPHAN also documents Mumbuca’s wider cultural activity. These sources place the accessories within a specific community context. They do not verify every product sold under the material’s name, so the story on an individual listing still needs its own support.\n\nAsk who made the piece, where the work was carried out and whether the seller is the maker, association or a separate retailer. Request the preferred credit for published styling. Keep those answers with the receipt. If the maker is unknown, do not replace the missing information with a general claim that the item comes from Mumbuca or represents all craft from the Jalapão region.\n\n## Ask about the complete object\n\nRead the description of the whole accessory, including its thread, clasp, posts, lining or other added materials. The main visible material does not tell you how every component is made. Ask for dimensions and, where useful, weight. A close-up photograph can make a small earring look monumental or disguise the depth of a structured piece. Compare the measurements with something you already own.\n\nNaturatins publishes a licensing service for collecting, managing and transporting capim-dourado and buriti for craft production. For buyers, the useful response is to ask the seller what sourcing information they can provide, not to infer compliance from a golden colour or an environmental slogan. Distinguish documented information from claims you cannot verify. This guide does not certify any retailer or individual product.\n\n**Questions that make an accessory comparison useful**\n\n| Detail | Ask or check | Why it changes the choice |\n| --- | --- | --- |\n| Maker and location | Name, association and production place | Supports an accurate credit and provenance record |\n| Dimensions and weight | Measurements of the complete piece | Helps assess scale and wearing comfort |\n| Construction | Fastenings, lining and added materials | Explains how the object functions |\n| Sourcing claim | What information supports the description? | Separates evidence from broad marketing |\n| Care and repair | Instructions and a contact for problems | Supports repeated use and sensible handling |\n\n## Choose one clear proportion for the outfit\n\nDecide whether the accessory should be the focal point or a quieter connecting detail. For earrings, compare their lowest point with the neckline and collar. For a necklace, check where it sits while standing and seated. A bracelet needs to coexist with the sleeve and anything carried in that hand. Look at the full outfit before adding another piece solely because the materials match.\n\nUse a plain background for your first fitting photograph so you can see the outline clearly. Then try the actual clothing and hair arrangement. Notice whether the accessory disappears, tangles or competes with a strong print. A single larger shape may communicate more clearly than several similar small shapes, but the wearer’s preference and comfort should determine the final choice.\n\n## Check movement and handling before a shoot\n\nPut on the piece using its intended closure and practise the actions required by the brief. Turning the head, putting on a jacket or carrying a bag can reveal contact you would miss in a still mirror check. Ask the maker or lender before bending, tightening or modifying anything. Do not force a piece into a different shape simply because the camera angle would benefit.\n\nFor editorial use, capture an overall view and a detail showing construction without overstating the production story. Record left and right placement if a pair differs intentionally. Keep a labelled storage space near the changing area and assign one person to account for borrowed accessories. Plan hair and garment changes so pieces can be removed and stored appropriately rather than left loose on a busy surface.\n\n## Make repeated use part of the purchase\n\nAsk the maker how to clean, dry and store the finished object, including its non-plant components. Explain the likely setting if you expect outdoor wear or travel. Avoid applying a generic jewellery-cleaning routine to a piece with a different construction. If instructions are absent, seek an answer before experimenting with water, polishing products or heat.\n\nFor transport, use the packing method recommended by the maker and keep the piece from being crushed by other belongings. Photograph its condition before lending it and check it on return. Ask whether repair is possible if a fastening or structural element develops a problem. Keep the response with the provenance record, so a future owner or stylist has more than the original marketing description.\n\n- Record maker, production place and retailer separately.\n- Confirm dimensions, weight, closures and added materials.\n- Ask what supports any sourcing or certification claim.\n- Try the piece with the neckline, hair and sleeves.\n- Agree loan handling and image credits before publication.\n- Keep care, storage and repair information with the accessory.\n\n## FAQ\n\n### Does the term capim-dourado identify a specific maker?\n\nNo. Ask for the maker or association and production location of the actual piece. A material name alone does not provide a complete provenance record.\n\n### Does a natural-material description prove responsible sourcing?\n\nNo. Ask what supports the seller’s claim. Naturatins documents a licensing process for the raw-material activities, but this guide has not audited sellers or certified their products.\n\n### Can I clean these accessories like metal jewellery?\n\nFollow instructions for the complete piece from its maker. Different fibres, fastenings and finishes may require different handling; do not assume a general metal-jewellery routine is suitable.\n\n## Sources and further reading\n\n- [Rede Artesol: Associação Capim Dourado do Povoado de Mumbuca](https://redeartesol.org.br/rede/capim-dourado-mumbuca/) — Primary craft-network profile based on community work, used for location and material context. No photographs or product certification are supplied by this guide.\n- [Naturatins: Licence for capim-dourado and buriti collection, management and transport](https://sigam.to.gov.br/cadastrousuarioexterno/servico_detalhado.aspx?cod_assunto_documento_tipo=13) — Primary agency description of the licensing service; no claim is made about the status of an individual seller.\n- [IPHAN: Cultura quilombola é tema de projeto no Jalapão](https://www.gov.br/iphan/pt-br/assuntos/noticias/cultura-quilombola-e-tema-de-projeto-no-jalapao-to) — Primary account of community cultural activity in Mumbuca, used to avoid reducing the place to an accessory trend.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Brazil](https://thecastindex.com/world-style/brazil)\n\n"},{"url":"https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide","markdownUrl":"https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide.md","title":"Commissioning Renda Irlandesa from Divina Pastora: A Clear Fashion Brief","lastmod":"2026-10-05T19:54:57Z","sha256":"b79f1edd27692e7643562b498fdc8dbe262805ce8cbd0f86fe659b09f825ffa2","bytes":7902,"markdown":"# Commissioning Renda Irlandesa from Divina Pastora: A Clear Fashion Brief\n\n> Plan a considered lace commission with the maker, from design and measurements to sampling, attachment, delivery and accurate credits.\n\n- Canonical: https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide\n- Question: The practical takeaway\n- Direct answer: Commission renda irlandesa by agreeing the maker, design, finished dimensions, intended use and delivery stages before work begins. For clothing, resolve how the lace will attach and move with the garment. Approve a sample where appropriate, budget for that work, and keep the maker involved when design or timing changes.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Brazil\n\n## Understand what you are commissioning\n\nIPHAN identifies the making of renda irlandesa with Divina Pastora in Sergipe as Brazilian cultural heritage. Its description explains a needleworked structure built around lacê following a drawn design. Another IPHAN record identifies ASDEREN among the groups involved in safeguarding the practice. This context matters because a fashion commission is a conversation with makers and a living body of skill, not simply an order for an anonymous decorative surface.\n\nBegin by asking whether the maker offers existing pieces, adaptations or fully commissioned work. These are different starting points. Describe your intended use and invite the maker to suggest what suits the technique. A collar, panel, accessory or complete garment will create different demands. Do not promise a finished shape to a client before the person making it has assessed the proposal.\n\n## Describe use and dimensions before ornament\n\nCreate a simple drawing showing where the lace will sit and which edges will be visible. State finished dimensions and identify the garment it will join. If it must follow a curve, supply a checked pattern or arrange for the dressmaker and lace maker to speak directly. Clarify which measurements are fixed and where the design can develop. A photograph of a similar piece is not a complete specification.\n\nDiscuss movement, transparency and the background layer. Ask who will supply any lining or supporting fabric and who will attach the lace. For a neckline or cuff, check the wearer’s comfort and ability to dress without pulling the work. A removable element may suit a rewear plan, but its feasibility should be agreed with the maker and dressmaker before construction.\n\n**Resolve the interfaces between lace and garment**\n\n| Decision | Agree with the lace maker | Agree with the dressmaker |\n| --- | --- | --- |\n| Shape | Finished outline and acceptable variation | Pattern, placement and seam relationship |\n| Surface | Motif, colour and desired openness | Underlying fabric and visible contrast |\n| Attachment | Suitable finished edges | Support, closures and attachment method |\n| Schedule | Sample and production review points | Fitting, assembly and final collection |\n| Care | Instructions for the lace work | Instructions for the complete garment |\n\n## Treat sampling as real work\n\nIf the commission needs a sample, agree its scope and cost. A small sample can help you discuss colour, density and finishing, but it may not answer every question about a large shaped panel. Write down what the sample is meant to establish and what remains unresolved. Ask how closely the finished piece can match it and what variation is part of the proposed work.\n\nReview the sample against the intended garment in useful light. Photograph it beside the lining or outer fabric and discuss any changes in one consolidated response. Repeated small revisions can create more work than one clear decision. Keep an approved reference and confirm the next stage in writing. If you want a substantial redesign, revisit cost and timing instead of treating it as a minor correction.\n\n## Build a workable order and delivery plan\n\nSeparate the maker’s production time from shipping, garment assembly and fitting. Ask what happens if materials are delayed or if the pattern changes. Agree the quantity, payment stages, packing, delivery destination and who is responsible for each handover. For an international order, confirm shipping and import arrangements with the relevant providers; a quoted making time is not a guaranteed arrival date.\n\nChoose one person to consolidate questions from the stylist, designer and client. Share reference images for discussion with permission where required, and describe which elements are flexible. Leave room for the maker’s judgement about construction. If your deadline cannot accommodate the proposed work, consider an available piece or a smaller design rather than demanding that a complex commission fit an unrealistic calendar.\n\n## Receive, credit and keep the work well\n\nInspect the piece against the approved dimensions and design before attaching or altering it. Use the maker’s instructions for handling and care. If something differs from the agreement, document it and discuss the next step before a third party changes the work. Keep packaging and records until the handover is settled. For a shoot, confirm any restrictions on fastening, ground contact or cleaning.\n\nAsk whether the credit should name an individual, a group or both, and verify the preferred spelling and location. Distinguish the lace maker, garment designer and supplier. Obtain permission separately for any workshop portraits or process photographs used in publication. Save the credit and care record with the garment so the maker’s contribution remains identifiable when it is reworn or photographed again.\n\n- Choose existing work, adaptation or a new commission.\n- Approve finished dimensions, intended placement and supporting layers.\n- Clarify who makes, fits and attaches each component.\n- Agree paid sampling and a clear revision stage.\n- Separate production, delivery, assembly and fitting dates.\n- Retain maker credits, care instructions and approved references.\n\n## FAQ\n\n### Is renda irlandesa from Divina Pastora simply imported Irish lace?\n\nIPHAN documents a locally developed craft practice in Divina Pastora, Sergipe. Ask who made the specific piece and where; the name alone does not establish the provenance of a retail item.\n\n### Can I send only a photograph when ordering a lace garment panel?\n\nUse it as a discussion reference, then agree dimensions, placement, construction and finishing. The lace maker and dressmaker need a shared specification for the panel to work in the garment.\n\n### How long will a custom piece take?\n\nThe maker should quote for the actual design and workload. Allow separate time for sampling, revisions, delivery, assembly and fittings rather than relying on a universal craft-production estimate.\n\n## Sources and further reading\n\n- [IPHAN: Modo de fazer renda irlandesa, Divina Pastora](https://bcr.iphan.gov.br/bens-culturais/modo-de-fazer-renda-irlandesa-tendo-como-referencia-este-oficio-em-divina-pastora-se/) — Primary heritage record describing the practice and lace structure. The commission workflow is original editorial advice.\n- [IPHAN: Safeguarding committee and advisory council for renda irlandesa](https://bcr.iphan.gov.br/acoes-de-salvaguarda/instituicao-do-comite-gestor-e-do-conselho-consultivo-para-a-salvaguarda-da-renda-irlandesa/) — Primary record identifying artisan participation and ASDEREN in safeguarding activity; no current commission availability is asserted.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Brazil](https://thecastindex.com/world-style/brazil)\n\n"},{"url":"https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist","markdownUrl":"https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist.md","title":"How to Research Emerging Brazilian Designers for a Fashion Shoot","lastmod":"2026-10-05T19:08:30Z","sha256":"a5da5607082f613fced399b2abe9ac03ac3350b247df27602df1f7e282f9b30c","bytes":5393,"markdown":"# How to Research Emerging Brazilian Designers for a Fashion Shoot\n\n> Build a Brazilian designer shortlist with accurate credits, garment requirements, borrowing questions and a clear distinction between research and confirmed availability.\n\n- Canonical: https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist\n- Question: The practical takeaway\n- Direct answer: Begin with named designers from credible local coverage, then check each label's own current collection and contact channels. Shortlist by the actual garment, fit, credit and production requirements. Treat editorial coverage as discovery, not proof of present stock or sample availability.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Brazil\n\n## Build a shortlist around the shoot\n\nBuild a Brazilian designer shortlist around the garments your shoot needs and the information you can confirm. Use local editorial coverage to discover possible labels, then check their own channels for current work and contact details. Keep the shortlist open until you know which pieces, sizes and dates are actually available.\n\nStart a research sheet with the label's exact spelling, the article that led you to it and an official website or verified public channel. Save the date you checked it. Keep research notes separate from confirmed production details so an older editorial reference cannot accidentally become a promise to a client.\n\n## Shortlist specific garments, not vague aesthetics\n\nDescribe what the shoot needs in practical terms: a structured shoulder visible in a waist-up crop, a skirt that moves during walking shots, or a surface detail that rewards a close-up. Match those needs to actual pieces in the label's collection. This is more useful than deciding an entire country or designer has one fixed visual identity.\n\nRecord the collection or product name, colour, visible construction details and the source of your information. Use the brand's own description for materials and techniques, attributing distinctive terminology where needed. If a technique or cultural reference is unclear, leave it unresolved until someone qualified can verify it rather than supplying an attractive invented story.\n\n## Ask production questions before promising a look\n\nA sample loan, purchase and commissioned piece require different arrangements. Establish the relevant route, then ask about sizing, delivery, return timing, handling requirements and approved credits. Confirm whether alterations, pins, adhesive or outdoor use are permitted. Store the answer alongside the garment record so the styling team has one reliable reference.\n\nCheck how the garment can be transported and changed on location. A delicate piece may need a covered changing area, an assistant or extra time between looks. Build the schedule around the confirmed garment requirements and the person's comfort. Keep an alternative look ready if a sample becomes unavailable.\n\n## Make the final story traceable\n\nBefore publication, compare the garment against its credit line and confirm the label name, collection details and any collaborators who should be named. A folder title or social-media caption is not always a complete production credit. Ask for clarification while the team still has the garment and shoot notes available.\n\nWrite the editorial angle around what you can actually show and support. Explain the styling decisions made for this shoot rather than repeating broad claims about national identity. Keep links to the discovery sources, but create original captions and commentary. Designer photographs and runway images need their own usage permission; a research citation does not supply an image licence.\n\n## FAQ\n\n### Does magazine coverage mean a designer offers sample loans?\n\nNo. Coverage establishes a research lead. Sample loans, purchases, commissions and availability must be confirmed through the label's current contact channels.\n\n### What belongs in a designer shortlist?\n\nInclude the specific piece, collection, official source, relevant dimensions or size information, required credits, availability status and production questions.\n\n### Can I use a magazine's designer photographs in my article?\n\nA link to the article does not grant image rights. Use original images or obtain a licence that covers your intended publication.\n\n## Sources and further reading\n\n- [Vogue Brasil: the new generation of Brazilian fashion](https://vogue.globo.com/moda/noticia/2024/08/a-nova-geracao-da-moda-brasileira-alfaiataria-descomplicada-arte-e-tecnologia-ancestral.ghtml) — Vogue Brasil’s August 2024 new-generation series identifies Dod, Lucas Leão, Welcome Sunny Garments, Maurício Duarte, Elisa Parpinelli and Normando. These names were verified in the visible title and summary; no inaccessible article details are inferred. The list is not exhaustive and establishes no current sample availability. The research and production workflow is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Brazil](https://thecastindex.com/world-style/brazil)\n\n"},{"url":"https://thecastindex.com/journal/british-occasion-millinery-commission-brief","markdownUrl":"https://thecastindex.com/journal/british-occasion-millinery-commission-brief.md","title":"Occasion Millinery: Prepare a Hat Brief That Works All Day","lastmod":"2026-10-05T19:54:57Z","sha256":"bc3b0c465e47d3883543404bcf19ccefd686abe5ae4c6fb8115d9ebc8d4b6f9e","bytes":7782,"markdown":"# Occasion Millinery: Prepare a Hat Brief That Works All Day\n\n> Plan a hat commission or adaptation around the occasion, hair, glasses, movement and transport, with a consultation checklist and a clear approval sequence.\n\n- Canonical: https://thecastindex.com/journal/british-occasion-millinery-commission-brief\n- Question: The practical takeaway\n- Direct answer: Start a millinery brief with the actual occasion and the hours you will wear the hat. Bring the outfit, planned hairstyle and glasses, then agree silhouette, attachment, transport and approval stages. Confirm any venue dress code directly before commissioning; a beautiful reference image cannot establish comfort or suitability on its own.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: United Kingdom\n\n## Describe the day before choosing the silhouette\n\nWrite a short itinerary: arrival, outdoor time, seated ceremony, lunch, photographs and journey home. Add whether you expect to remove the hat and where it can be kept. These details are design information. A broad brim that looks striking in a still image may be awkward in a car or beside another guest at a narrow table; the consultation should expose that question early.\n\nCheck the organiser’s current dress code for your exact event or enclosure, and take the relevant wording to the appointment. Do not rely on a general article about British occasionwear to interpret every wedding, race meeting or ceremony. If the wording is unclear, resolve it with the organiser before asking a maker to build around an assumption.\n\n## Use references to explain a preference\n\nThe V&A’s 2009 exhibition Hats: An Anthology by Stephen Jones treated hats through inspiration, making and the wearer’s relationship with the finished object. That historical frame is useful today: a reference should help explain an idea, while the wearer and occasion give it a purpose. The exhibition is a past cultural reference, not a current visitor recommendation.\n\nChoose two or three images that explain different things. One might show the balance of crown and brim, another a desired texture and a third a colour relationship. Name the feature you want from each. Asking for a faithful copy of a designer’s complete work is a less useful starting point than developing a brief around proportion and function with your own maker.\n\nFor a reminder that hats can intentionally change the wearer’s relationship with space, the V&A discusses Jo Gordon’s 1994 Kiss of Death Bonnet, whose forward-projecting feathered form obscures the face. It is a museum example of an expressive design choice, not a template for every occasion. Your brief should be equally explicit about whether the face needs to remain open and visible.\n\n## Bring the wearer’s real conditions to the fitting\n\nWear or bring the planned hairstyle arrangement and glasses, as well as earrings and the outfit’s upper half if practical. A changed hair volume can alter how a hat sits; glasses and jewellery can compete for the same space. Tell the maker if you prefer a particular side or if previous hats have felt insecure. Ask them to demonstrate the proposed attachment rather than promising that any one fastening suits everyone.\n\nCheck the silhouette from front, profile and back, then at a normal conversational distance. Turn your head, look down, sit and practise the kind of greeting you expect at the event. These are your own fitting observations, not universal tests of quality. Record discomfort or instability precisely so the maker can decide what adjustment is possible.\n\n- Bring the current event dress code and a simple itinerary.\n- Show the planned hair, glasses, earrings and neckline.\n- Explain which part of each reference you like.\n- Check seated comfort, head turns and conversational sightlines.\n- Ask the maker to demonstrate attachment and removal.\n- Agree how the hat will be boxed, carried and stored.\n\n## Choose between an existing hat, adaptation and commission\n\nA new commission is only one route. An existing hat may already meet the brief, while an adaptation can change colour or decoration if the maker judges the base suitable. Ask what is structurally possible before buying materials or removing trim yourself. The cost of an alteration should be compared with its agreed outcome, not simply with the price of an unrelated ready-made item.\n\nA hypothetical guest with a well-fitting neutral hat and a new printed dress might need only a restrained change of trim. Another guest with an unusual hairstyle or an exact proportion requirement might benefit from a new design. Neither choice is automatically more sophisticated. The useful decision is which route solves the actual fit, timing and use requirements.\n\n**Choose the route before agreeing the work**\n\n| Route | Useful when | Confirm first |\n| --- | --- | --- |\n| Wear an existing hat | Fit and event requirements already work | Condition, attachment and outfit balance |\n| Adapt a hat | The base works but one detail needs changing | What can be altered without damaging the structure |\n| Commission a new piece | A specific shape or fit needs development | Design approval, fittings, timeline and full quote |\n\n## Approve the details and plan the journey\n\nAsk for a written summary covering colour, dimensions or agreed silhouette, materials, trim placement, fittings and collection date. Confirm which changes remain possible at each stage and what happens if the event date moves. A photograph of an approved sample or fitting can prevent a vague colour instruction from becoming a disagreement at collection.\n\nPractise unpacking and putting the hat on before the day. Follow the maker’s care instructions and avoid improvising a cleaning or steaming method on unfamiliar material. Keep the box and any packing supports, and plan a place for the hat after use. A successful commission finishes with a wearable, maintainable object and a clear handover, rather than ending at the first impressive mirror photograph.\n\n## FAQ\n\n### How early should I commission an occasion hat?\n\nAsk the maker for a realistic design, fitting and production schedule before committing. Lead times depend on the piece and workload; leave room for an approval stage and any agreed adjustment.\n\n### Should my hat exactly match my dress?\n\nThat is a design preference, not a universal rule. Bring the actual fabric or outfit and compare balance, texture and scale with the maker rather than relying on a colour name.\n\n### Can a milliner alter a hat I already own?\n\nSometimes, but the construction and condition need assessment. Ask what can be changed and approve the outcome before removing trim or authorising irreversible work.\n\n## Sources and further reading\n\n- [V&A: Hats — An Anthology by Stephen Jones](https://media.vam.ac.uk/media/documents/legacy_documents/press_release/49342_press_release.pdf) — Primary announcement for the historical 2009 exhibition, used for its inspiration-to-wearer framing, not current event information.\n- [V&A: From Feathers to Fascinators — Part Two](https://www.vam.ac.uk/blog/textiles-and-fashion/from-feathers-to-fascinators-part-two) — Museum discussion supporting the Jo Gordon object example. The commissioning checklist and hypothetical choices are original advice, not a review of a named milliner’s service.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\n"},{"url":"https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide","markdownUrl":"https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide.md","title":"British Wool and Harris Tweed: Read the Provenance Before the Price","lastmod":"2026-10-05T19:54:57Z","sha256":"adf9eea0b2ae94b63a1901b917e451830ac99042d9f8013a411d309a103c1e8f","bytes":7770,"markdown":"# British Wool and Harris Tweed: Read the Provenance Before the Price\n\n> Understand what British Wool and Harris Tweed marks describe, then compare cloth, garment construction and care with a practical buying record.\n\n- Canonical: https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide\n- Question: The practical takeaway\n- Direct answer: British Wool and Harris Tweed answer different provenance questions. A British Wool mark concerns wool sourcing under its scheme; Harris Tweed’s process concerns a specifically defined cloth and how it is made. Record the exact mark, fibre composition, cloth producer and garment maker separately, then decide whether the finished item suits your use.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: United Kingdom\n\n## Separate the fibre, the cloth and the finished garment\n\nA coat has more than one origin story. The wool may come from one place, the yarn and cloth may be processed elsewhere, and the garment may be cut and sewn in another workshop. A place name on a hangtag is therefore the beginning of a conversation, not a complete manufacturing record. Decide which stage matters to your purchase before comparing two products.\n\nMake three headings in your notes: fibre, cloth and garment. Under each, copy the seller’s exact supported description. Leave a blank where information is unavailable. That is more useful than compressing the whole object into ‘British-made’ when the evidence only refers to its wool or fabric. The same method works for an inherited piece whose labels survive but whose receipt does not.\n\n## Understand the Harris Tweed process\n\nThe Harris Tweed Authority describes cloth made from pure virgin wool, dyed before spinning and handwoven at islanders’ homes on treadle looms, then finished and inspected before the Orb mark is applied. Its process account also explains that much of the wool comes from the Scottish mainland. Do not assume that the sheep themselves all lived on Harris.\n\nThe useful buying question is what the documented cloth contributes to this particular garment. Ask to see the fabric mark or supplier information and identify which parts of the item use that cloth. A lining, sleeve facing or contrasting panel may be another material. Keep the answer with the garment record, rather than expecting a single cloth label to describe every component or establish where the garment was sewn.\n\n## Read the specific British Wool mark\n\nBritish Wool’s own explanation distinguishes marks for 100% British wool, a British wool blend, traceable British wool and regional wool. The categories communicate different sourcing information. Read the wording of the actual mark and the item’s composition together; do not substitute a remembered logo from another product.\n\nTraceability is a question of what can be documented through the supply chain. Ask what information is available for the specific item, whether that is a broad origin, a region or further detail. Do not invent a named farm because a scheme can sometimes support farm-level stories. Equally, an item without a particular certification mark cannot be judged solely from that absence; you may need a different form of supplier evidence.\n\n**Keep provenance questions separate**\n\n| Evidence | What to ask | What not to infer |\n| --- | --- | --- |\n| British Wool mark | Which category applies to this item? | Every production stage occurred in Britain |\n| Harris Tweed cloth information | Which panels use the documented cloth? | All wool was grown on Harris |\n| Garment label or maker invoice | Where was this garment cut and made? | The maker also produced the cloth |\n| Care instructions | How should this finished construction be maintained? | All wool garments can be treated alike |\n\n## Choose the cloth for the way you will use it\n\nOnce the origin question is clear, evaluate the garment itself. A jacket for frequent indoor wear may need different weight, lining and room for layers from an outer coat. Handle a sample if available, compare the fabric against the skin or clothing it will actually meet, and ask how the maker expects it to behave in the intended construction. A heritage association cannot answer these fit and comfort questions for you.\n\nFor a hypothetical commission, you might ask for a jacket suitable for train journeys, worn over a shirt and light knit. Your brief would specify pocket use, sitting comfort and access to cleaning services. The maker could then suggest an appropriate cloth and lining. This is more actionable than requesting ‘authentic British wool’ with no description of the life the jacket needs to support.\n\nPhotograph samples under the same light and label them with supplier codes. Small flecks and blended colour can read differently at a distance, so look at the sample against the full outfit as well as close up. Do not choose solely from an enlarged texture photograph that removes the scale of the weave.\n\n## Keep a record that helps later care and repair\n\nSave the composition, supplier code, maker details and care instructions together. If you commission the garment, ask whether a small offcut can be retained for a future repair and how it should be stored. The maker can explain whether matching cloth is likely to remain available; a generic colour name is rarely enough to identify an exact replacement.\n\nAt purchase, resolve what you can and state what remains unknown. A concise record might say: ‘Documented Harris Tweed outer cloth; lining composition recorded; garment sewn by named workshop; fibre farm not specified.’ That is an informative description. You do not need to fill every missing detail with a romantic story to appreciate the craft or make a considered choice.\n\n- Photograph the actual marks and composition label.\n- Identify fibre sourcing, cloth production and garment making separately.\n- Ask which components a provenance claim covers.\n- Compare samples at the intended scale and against real layers.\n- Retain supplier codes, care instructions and an offcut if the maker can provide one.\n\n## FAQ\n\n### Are British Wool and Harris Tweed the same certification?\n\nNo. They describe different schemes and different aspects of the material. Read the exact mark and supporting product information rather than treating the names as interchangeable.\n\n### Does Harris Tweed mean all its wool was grown on Harris?\n\nNo. The Harris Tweed Authority’s process account describes substantial sourcing from the Scottish mainland. The cloth’s making process and the sheep’s location are separate questions.\n\n### Is a certified cloth enough to choose a coat?\n\nIt can answer an important provenance question, but you still need to assess the finished coat’s construction, fit, lining and care requirements for your intended use.\n\n## Sources and further reading\n\n- [Harris Tweed Authority: The Process](https://www.harristweed.org/the-process/) — Primary account of wool sourcing, dyeing, home handweaving, finishing and inspection. The buying workflow is original guidance.\n- [British Wool: The Shepherd’s Crook](https://shop.britishwool.org.uk/the-shepherds-crook/) — Primary explanation of the four mark categories and their different sourcing meanings. No unsupported claim is made about a particular product’s certification.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\n"},{"url":"https://thecastindex.com/journal/casting-day-capsule-wardrobe","markdownUrl":"https://thecastindex.com/journal/casting-day-capsule-wardrobe.md","title":"A Casting-Day Capsule Wardrobe That Works Beyond the Appointment","lastmod":"2026-10-05T21:18:44Z","sha256":"6641ba4cae81091d0866595dfad0c4aa3ed82bc44470ef606af8af79469cdc89","bytes":4891,"markdown":"# A Casting-Day Capsule Wardrobe That Works Beyond the Appointment\n\n> Build a practical casting-day outfit and compact backup kit using clothes you own, with fit, movement and travel checks.\n\n- Canonical: https://thecastindex.com/journal/casting-day-capsule-wardrobe\n- Question: The practical takeaway\n- Direct answer: For a casting, follow the agency or client’s clothing instructions first. Then choose a clean, comfortable outfit that shows the requested silhouette, travels well and needs little adjustment. Build a compact backup kit around likely problems, including weather, delays and spills.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T21:18:44Z\n- Country: United States\n\n## Start with the actual brief\n\nA casting-day outfit should help you arrive prepared, move comfortably and show the silhouette the client has requested. Build the capsule around the appointment instructions, then account for the journey and a small number of likely interruptions. Start with suitable clothes you own before deciding whether anything is missing.\n\nWrite down the location, expected activity, requested clothing and anything you must bring. A movement casting, commercial audition and agency introduction may require different choices. If the brief requests simple digitals, elaborate styling can distract from the information being requested. Keep a separate note of the clothes you already own that satisfy each requirement.\n\n## Build outfits around activities\n\nChoose one arrival outfit, one requested change if needed, and a practical travel layer. Give each item a purpose. A bag earns its place by holding your essentials securely; shoes earn theirs by supporting the activity and the journey. An optional second shoe should solve a clear need rather than add an imaginary occasion.\n\nBefore packing, try the complete outfit while sitting, walking, reaching and turning. Look for twisting seams, fasteners that need constant attention and fabrics that require frequent readjustment. Photograph the front, side and back in ordinary light to check the clothes, not to judge your body. Fit is a clothing problem you can solve.\n\n## Make the backup kit small and useful\n\nA spare simple top, water, the requested documents and a charging option will often be more useful than several alternative looks. Add weather protection if the route calls for it. Pack items so that a wet umbrella, drink bottle or used shoes cannot mark clean clothing.\n\nUse a short packing list on your phone and remove anything you never use after a few appointments. Keep garments you may change into easy to reach. If you carry styling accessories, organise them in a pouch so you can find them without emptying your bag. Ask before using pins or clips on borrowed clothing.\n\n## Review comfort and repeatability\n\nAfter the appointment, record what worked: the shoes stayed comfortable, the layer was useful, or the top creased during travel. Change one weak point before the next booking. This creates a capsule based on your actual work instead of a shopping list built around someone else’s schedule.\n\nFor a busy week, plan care time as well as outfits. A reliable item that is still being washed is not available. Give frequently used basics a backup only when repeated appointments justify it. Spend first on a specific fit or maintenance problem; a recognisable label is not a substitute for arriving prepared.\n\n## FAQ\n\n### Do models have to wear all black to castings?\n\nThere is no universal rule. Follow the agency or client’s brief. When instructions are limited, ask the booking contact and choose clothing that makes the requested silhouette easy to see.\n\n### How many outfits should I bring?\n\nBring the changes requested in the brief plus a small practical backup. Multiple unrelated looks can add weight without helping the appointment.\n\n## Printable worksheet\n\n[Casting-Day Capsule Wardrobe Checklist — 2-page A4 PDF](https://thecastindex.com/downloads/resources/casting-day-capsule-checklist.pdf). A two-page brief, outfit and packing checklist with movement checks and notes for improving your next casting day.\n\n## Sources and further reading\n\n- [The Perfect Capsule Wardrobe Built Around 6 Nonnegotiables](https://www.vogue.com/article/capsule-wardrobe) — Topic reference for a versatile capsule wardrobe. The casting brief, outfit audit and backup-kit method are original Cast Index guidance; no recommendations have been tested on the publisher’s behalf.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United States](https://thecastindex.com/world-style/united-states)\n\n"},{"url":"https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance","markdownUrl":"https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance.md","title":"Chinese Silk: Read Fibre, Weave and Provenance Before Styling","lastmod":"2026-10-05T19:54:57Z","sha256":"a7b2cd78514ab5ce081ab7f60320f285fc1f6adfa0463e4b31fbd2663519c87e","bytes":7615,"markdown":"# Chinese Silk: Read Fibre, Weave and Provenance Before Styling\n\n> Compare silk garments and cloth using composition, structure, finish and maker information, with a practical sample test for a fashion project.\n\n- Canonical: https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance\n- Question: The practical takeaway\n- Direct answer: Ask separately about fibre composition, weave or construction, finishing and origin. Then compare the actual cloth for the garment you want to make or wear. Shine, a regional label or a heritage reference cannot replace a composition statement and a suitable sample.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: China\n\n## Split an attractive product description into useful facts\n\nA description such as luxurious Chinese silk can leave several important questions unanswered. Start by separating what the cloth contains, how it is constructed, how it has been finished and where each stage happened. Request the stated fibre percentages rather than relying on feel or shine. Keep the seller’s wording intact in your notes so you can distinguish verified information from your own impression.\n\nThe China National Silk Museum classifies silk textiles through structure, material, technique and texture, discussing such types as gauze, crepe, brocade and satin. UNESCO’s record of Chinese sericulture and silk craftsmanship covers a chain from mulberry cultivation and silkworm raising to thread and fabric production. These sources explain why one general silk label cannot describe every textile or every stage of its making.\n\n## Choose cloth for a garment, not for a swatch alone\n\nName the intended use before comparing samples. A blouse that must tuck into trousers, a structured jacket and a scarf worn close to the face ask different things of the material. Request enough sample area to see a pattern repeat or the direction of the surface when that matters. A very small cutting can show colour while hiding the feature that determines your decision.\n\nHandle samples with the supplier’s permission. Drape them over the same support, hold them against the proposed lining and compare them in the same light. Observe what each cloth actually does instead of assuming every satin will flow or every brocade will hold a particular shape. Write a short functional observation, such as the sample shows the lining colour, and ask a dressmaker how that affects construction.\n\n**Four separate questions behind a silk purchase**\n\n| Question | Evidence to request | Decision it informs |\n| --- | --- | --- |\n| What is the fibre? | Composition statement for the item or batch | How accurately you can describe the material. |\n| What is the structure? | Supplier’s weave or construction description | Which sample to assess for the intended design. |\n| What changed after weaving? | Relevant finishing and care information | Handling and expectations after cleaning. |\n| Where was it made? | Documented weaving, finishing and sewing locations | How specifically you can credit its origin. |\n\n## Check pattern scale and surface in the final context\n\nFor patterned cloth, sketch the proposed garment as simple front and back shapes. Mark where the largest motif might land and where seams could divide it. Ask the maker how much fabric is required to achieve that placement. A visually economical cut on plain cloth may not preserve the arrangement you want in a large repeat, so obtain the estimate before purchasing yardage.\n\nFor a fashion shoot, test the surface at the planned crop. A reflective fold can look very different from a flat swatch, and a small woven pattern may be difficult to read in a wide frame. Make a plain documentation image as well as an expressive photograph. The former records material information; the latter communicates the styling. Neither should be used to claim an unverified fibre content.\n\n## Keep heritage context separate from product certification\n\nA supplier may mention Hangzhou, Suzhou or another silk centre. Ask what that connection means for the actual item: a workshop address, a design reference, a fabric source or a finished garment’s location. Those are different claims. Preserve a precise answer instead of expanding it into an unsupported statement that every production step occurred in the same place.\n\nUNESCO recognition concerns the named cultural practice; it is not an authenticity certificate for a garment in a shop. Similarly, a museum’s historical description does not prove that a new textile uses the same process. For a commission, ask who will weave, dye, embroider or sew the piece, and agree which names may be credited. A modest but accurate production note gives readers more information than a sweeping heritage claim.\n\n## Create a care and handover record before the fabric is cut\n\nAsk the supplier and maker to agree on the relevant care instructions, possible preparation before cutting and any finishing tests required for the project. Do not perform a burn test or an improvised wash on a purchased length to authenticate it. If composition matters and remains disputed, seek appropriate professional assessment rather than treating a home experiment as conclusive.\n\nWhen the garment is finished, keep a labelled remnant if the maker can provide one, along with composition, care and construction notes. A remnant may help a later repair or colour comparison, although it is not proof of origin by itself. For publication, credit the designer and any identified textile maker separately. Describe the visible surface and drape in your own words, while limiting production claims to what your records support.\n\n- Request fibre percentages and the exact item or batch identity.\n- Assess a sample against the intended garment and lining.\n- Plan motif placement before ordering yardage.\n- Keep heritage references separate from individual provenance.\n\n## FAQ\n\n### Does a shiny surface prove a fabric is silk?\n\nNo. Assess the stated composition and relevant documentation. Appearance can help you choose a visual effect, but it does not establish the fibre.\n\n### Is UNESCO-listed silk craftsmanship a certificate for a product?\n\nNo. UNESCO’s entry recognizes a cultural practice. A seller still needs to support claims about the origin and production of an individual item.\n\n### What should I ask before buying silk for a tailored garment?\n\nGive the maker the intended design, then confirm composition, sample behaviour, lining, motif placement, fabric quantity and care. Resolve those details before cutting.\n\n## Sources and further reading\n\n- [China National Silk Museum: The story and classification of Chinese silk](https://www.chinasilkmuseum.com/gwgk/info_4.aspx?itemid=26485&lcid=628) — Primary museum reference supports distinctions between silk textile structures, materials and techniques. The sample assessment and buying method are original guidance.\n- [UNESCO: Sericulture and silk craftsmanship of China](https://ich.unesco.org/en/RL/sericulture-and-silk-craftsmanship-in-china-00197) — Official inscription describes the linked stages of the cultural practice. It is cited as cultural context, not as product certification.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from China](https://thecastindex.com/world-style/china)\n\n"},{"url":"https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide","markdownUrl":"https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide.md","title":"How to Build a Two-Colour Outfit for Daily Wear and Photos","lastmod":"2026-10-05T19:08:30Z","sha256":"95719e19c7df52307b501d16cf932901f65d07642056e717d5614c7777f8855b","bytes":4786,"markdown":"# How to Build a Two-Colour Outfit for Daily Wear and Photos\n\n> Use a simple colour-pairing method to create outfits from your wardrobe, with checks for balance, fabric and photographic context.\n\n- Canonical: https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide\n- Question: The practical takeaway\n- Direct answer: Start a two-colour outfit with one garment you already enjoy wearing. Choose a second colour for a smaller accent or a contrasting main piece, then compare the balance in daylight and a full-length photo. Use texture and coverage to control the effect; there is no universal ratio or compulsory colour-season label.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Italy\n\n## Start with an anchor you already wear\n\nStart a colour experiment with an anchor item you already enjoy wearing. Keep its fit and role in the outfit settled while you compare possible partners. Working this way lets you judge the colour relationship itself and makes it easier to create a useful combination from the wardrobe you have.\n\nLay two possible partners beside it before getting dressed. A second colour can appear in a shirt, skirt, scarf or shoe; it does not need to occupy half the outfit. Choose a starting arrangement based on the items available. You can make a strong comparison with three clothes on a bed, without purchasing a complete coordinated set.\n\n## Adjust the amount of each colour\n\nPhotograph a version with a small accent and another with a larger block of the second colour. Keep the remaining pieces consistent. Ask which version communicates the mood you wanted: calm, playful, sharp or soft. Your answer is a personal design decision, not a test with one objectively correct result.\n\nIf both colours feel demanding, introduce a quieter existing layer or reduce the number of accessories. If the outfit feels flat, try placing the accent in a different part of the frame. Moving a colour from a scarf to a shoe changes where attention lands, even when the palette itself stays the same.\n\n## Check fabric and lighting together\n\nTwo garments with similar colour names can behave differently because one is matte, another reflective, and another partly transparent. Place the actual pieces together rather than relying only on online swatches. If you are borrowing an item, request a fitting or bring the anchor garment to the appointment when possible.\n\nFor a shoot, make a reference frame against the intended background. Review whether the clothing separates from the setting and whether the accent still reads at the final crop. A colour combination you enjoy in person does not need to be abandoned if a camera test is disappointing; the background, framing or lighting may be the element that needs adjustment.\n\n## Save combinations as repeatable outfits\n\nKeep a small album of combinations that worked, with notes about shoes, layers and the occasion. Include a version for different weather if you already own a suitable alternative. This makes experimentation useful on a busy morning, when remembering the exact combination can be harder than inventing it.\n\nBefore buying a new colour, identify the specific gap it will fill and which existing items it could join. Wait if the answer depends on several additional purchases. For personal style or portfolio work, a convincing palette comes from the relationship between the pieces and the story of the image. It does not require claiming that a shade is flattering on everyone or will remain fashionable indefinitely.\n\n## FAQ\n\n### Can I combine two strong colours?\n\nYes. Try a small accent first or compare different amounts of each colour. Judge the result against your intended mood, the setting and your own preferences.\n\n### Do I need a personal colour analysis first?\n\nNo. You can experiment with garments you already own and compare them in the light where you will wear or photograph them. Formal colour analysis is optional.\n\n## Sources and further reading\n\n- [Primavera comanda color...? Queste sono le 5 combo cromatiche da indossare adesso!](https://www.grazia.it/moda/tendenze-moda/abbinamenti-colore-priimavera-2026-combo-look-colorati-960860) — Grazia’s March 2026 colour feature includes navy paired with peach. It supplies the editorial topic reference; the anchor-item exercise and comparison method here are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Italy](https://thecastindex.com/world-style/italy)\n\n"},{"url":"https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance","markdownUrl":"https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance.md","title":"Como Silk Scarves: Read the Print, the Cloth and the Finish","lastmod":"2026-10-05T19:54:57Z","sha256":"3771477aa93fe1006b7976ed86286366370aa90cb5141ef53f78c87f24e6678b","bytes":7952,"markdown":"# Como Silk Scarves: Read the Print, the Cloth and the Finish\n\n> Compare a silk scarf through its composition, weave, printed design, dimensions and provenance, then see how the pattern works when folded and worn.\n\n- Canonical: https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance\n- Question: The practical takeaway\n- Direct answer: Evaluate a silk scarf in three layers: the cloth, the design and the finished object. Ask for composition and production information, inspect both sides and the edges, then fold it as you plan to wear it. A striking flat print or a Como association does not by itself answer questions about fibre origin, making or care.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Italy\n\n## Understand why cloth and print need separate questions\n\nA scarf can be admired as a picture and used as a folded textile. Those are different views of the same object. Begin with the cloth: composition, dimensions, weight or handle as described by the maker, and any available weave information. Then examine how the printed or woven design interacts with that base. Avoid choosing only from an image that hides the reverse and edges.\n\nMantero’s account of screen printing describes colour being transferred in successive screens, each carrying part of a design. Its separate weaving account explains the preparation and interlacing of yarns to form cloth. The distinction is useful: a printed motif describes a surface process, while the woven structure is another part of how the fabric is made. Ask which processes apply to the particular scarf, rather than assuming every item uses the same method.\n\n## Use Como’s textile history as context, not a shortcut\n\nComo’s municipal creative-city account describes the Silk Museum’s preservation of machinery, looms and textiles from the local industry. This is a concrete way to explore the region’s manufacturing history. It does not authenticate every scarf sold nearby or establish the origin of all raw silk used in a product with a Como connection.\n\nKeep the stages separate in your purchase record: raw fibre, cloth production, printing or dyeing, and finishing. A maker may provide detail for some stages and not others. Record that honestly. If a seller describes a scarf as designed in Como, ask whether it was also woven, printed and hemmed there before rewriting the claim as an entirely local production story.\n\nFor an editorial credit, use the maker’s exact supported role. A design studio, mill, printer and retailer may be different organisations. Crediting the shop as the fabric producer because it sold the scarf loses the more interesting account of how the object came together.\n\n## Compare the design in the fold you will actually use\n\nOpen the scarf fully to understand the layout, then make a loose version of the fold you intend to wear. A border may become the dominant feature while the central motif disappears. Turn the fold over and check whether the visible reverse is part of the desired effect. This is a preference test you can make without declaring one printing method superior to another.\n\nTry at least two arrangements: a broad fold that shows a larger area and a narrower fold that concentrates the edge. If the scarf is intended for a portrait, view it at the expected crop as well as close up. A detailed design can read as a general colour field from farther away. Decide whether that change supports the image rather than expecting every motif to remain legible.\n\nDo not knot a delicate or borrowed piece tightly just to test a photograph. Ask the seller or owner how it may be handled and whether a display sample is available. For a new purchase, evaluate the scarf with your actual neckline or intended use, not only against a neutral shop surface.\n\n**A scarf comparison that separates different decisions**\n\n| Feature | What to examine | Question for the maker |\n| --- | --- | --- |\n| Cloth | Composition and how the fabric falls | What weave or fabric reference is used? |\n| Design | Placement when open, folded and reversed | Is the design printed, woven or made by another process? |\n| Finish | Edges, corners and overall dimensions | How is this item finished and cared for? |\n| Provenance | Named stages and supporting records | Which work was carried out in Como? |\n\n## Inspect the finished object without inventing quality rules\n\nLook along the edges and corners, check the label information and compare the stated dimensions with the size you need. If something appears uneven or different from the product photograph, ask the seller to explain it. A particular hem type or visible hand process is not, by itself, proof that every other aspect is better; assess whether the whole object meets the maker’s description and your brief.\n\nA hypothetical buyer might prefer a scarf whose border remains visible in a narrow fold over a more elaborate central print that disappears when worn. Another might want the full design for an occasional draped use. Both choices can be sensible. The comparison works because it connects the pattern to an intended use rather than treating complexity as an automatic measure of value.\n\n## Carry the making record into care and reuse\n\nRetain the maker’s care instructions, product reference and any useful provenance information. Ask how to store the scarf and whether a specialist should assess stains, pulled threads or edge damage. Do not apply a generic washing, ironing or stain-removal recipe to a piece whose dyes and finish you have not identified.\n\nFor repeat wear, record the folds that work with your wardrobe and the uses you want to avoid. If you later lend the scarf for a shoot, pass on the handling and credit information as part of the loan. That small record makes it easier to preserve both the physical object and an accurate account of its making.\n\n- Read composition and dimensions before judging the print.\n- Ask which production stages the Como connection actually covers.\n- Inspect front, reverse, edges and corners.\n- Compare the pattern open and in the intended fold.\n- Keep the product reference, maker credit and specific care instructions.\n\n## FAQ\n\n### Does a Como silk scarf mean the raw silk came from Como?\n\nNot necessarily. A regional connection may refer to design, weaving, printing or finishing. Ask which stages are documented for the specific product.\n\n### Is a more complex print always a better scarf?\n\nNo. Complexity does not decide whether the scarf suits your use. Compare the cloth, finish and how the design appears in the fold you plan to wear.\n\n### Should I use a standard cleaning method for every silk scarf?\n\nFollow the specific item’s care instructions and seek a suitable specialist for unresolved damage or stains. Different dyes, finishes and constructions can require different handling.\n\n## Sources and further reading\n\n- [Mantero: Screen Printing](https://mantero.com/en/pages/stampa-serigrafica) — Primary manufacturer account of sequential screen printing, used to distinguish a printed design from the cloth beneath it.\n- [Mantero: Weaving](https://mantero.com/en/pages/tessitura) — Primary manufacturer explanation of yarn preparation and weaving. No claim is made that every scarf uses an identical process.\n- [Como Creative City: Silk Museum](https://comocreativecity.com/en/place-creativity/silk-museum/) — Municipal cultural source supporting the museum’s industrial-history context. Product evaluation and provenance questions are original guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Italy](https://thecastindex.com/world-style/italy)\n\n"},{"url":"https://thecastindex.com/journal/fashion-month-september-2026-guide","markdownUrl":"https://thecastindex.com/journal/fashion-month-september-2026-guide.md","title":"Four cities. A new season.","lastmod":"2026-09-08","sha256":"a2671d2595279a5f552da6cea52b0b581ab8eff06b7a1fc63862cb89b61261b4","bytes":3830,"markdown":"# Four cities. A new season.\n\n> Your guide to the September circuit: the dates, the seasons and a more considered way to follow the shows.\n\n- Canonical: https://thecastindex.com/journal/fashion-month-september-2026-guide\n- Question: When is fashion month in September 2026?\n- Direct answer: The main Spring/Summer 2027 womenswear weeks run in New York on 10–15 September, London on 17–21 September, Milan on 22–28 September and Paris on 28 September–6 October 2026. These are organiser-published week dates; individual show schedules can change.\n- Author: The Cast Index (Editorial briefing)\n- Published: 2026-09-08\n- Updated: 2026-09-08\n\n## New York · 10–15 September\n\nThe CFDA’s preliminary official schedule opens with Henry Zankov’s debut collection for Diane von Furstenberg on 10 September and closes with Thom Browne on 15 September. The dates refer to the Spring/Summer 2027 season.\n\nUse the organiser’s schedule as your source for times and changes. A designer may stage a show, a presentation or an appointment: those formats create different viewing experiences.\n\n## London · 17–21 September\n\nThe British Fashion Council confirms London Fashion Week from Thursday 17 to Monday 21 September. The published end date is 21 September; this guide and our calendar reflect that organiser record.\n\nWhen following coverage, look at the clothes and the casting together. A review can describe the collection’s ideas; a credited image and a published cast help you understand who created and carried the result.\n\n## Milan · 22–28 September\n\nCamera Nazionale della Moda Italiana lists the September womenswear week for 22–28 September 2026. Check its calendar for the designer timetable rather than treating the week-wide date range as a schedule of individual events.\n\nCompare the full collection with the single image that first caught your attention. Proportion, fabric and recurring styling choices are easier to judge across a sequence of looks.\n\n## Paris · 28 September–6 October\n\nThe FHCM lists Spring/Summer 2027 womenswear from Monday 28 September to Tuesday 6 October 2026. The Paris opening date overlaps with the last day of Milan; the sequence is not four neatly separated blocks.\n\nThe calendar is a starting point for planning your reading and viewing. Show access, livestream availability and venue information belong to the individual organiser or house.\n\n## Read a season, not just a headline\n\nKeep three layers distinct: what a source documents, what an editor interprets, and what you might try yourself. A credited backstage product is evidence about that show. A product suggested to recreate a similar finish is an editorial recommendation.\n\nBuild a small reference collection as you go. Save a model profile for its career context, a story for its argument, and a beauty edit for its practical approach. The relationship between those choices is often more revealing than a list of products.\n\n## FAQ\n\n### Why do September 2026 shows say Spring/Summer 2027?\n\nThe season label describes the collection being presented. The main September 2026 womenswear circuit presents collections for Spring/Summer 2027.\n\n### Are these dates individual show times?\n\nNo. These are fashion-week date ranges. Check each organiser’s current schedule for individual shows, presentations and access arrangements.\n\n## Sources and further reading\n\n- [CFDA — official September 2026 schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/)\n- [British Fashion Council — London Fashion Week](https://www.britishfashioncouncil.co.uk/London-Fashion-Week)\n- [Camera Nazionale della Moda Italiana — calendar](https://www.cameramoda.it/en/milano-moda-donna/calendar/)\n- [FHCM — upcoming seasons](https://www.fhcm.paris/en/upcoming-seasons-and-previous-editions)\n\n"},{"url":"https://thecastindex.com/journal/fashion-portfolio-film-shot-list","markdownUrl":"https://thecastindex.com/journal/fashion-portfolio-film-shot-list.md","title":"How to Plan a Short Fashion Portfolio Film","lastmod":"2026-10-05T19:08:30Z","sha256":"56b3ab32fee801cee6c7b5d2e855f0f46e7bd7fe8217cffaa30de90402428e34","bytes":4926,"markdown":"# How to Plan a Short Fashion Portfolio Film\n\n> Create a concise fashion film with a clear visual idea, repeatable movement, useful framing and delivery files a creative team can use.\n\n- Canonical: https://thecastindex.com/journal/fashion-portfolio-film-shot-list\n- Question: The practical takeaway\n- Direct answer: A useful fashion portfolio film needs one clear idea, a short movement sequence and enough framing variety to show both the person and the clothes. Agree the intended platform, music rights, credits and final delivery before filming.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: China\n\n## Give the film one job\n\nA short fashion film needs a clear reason to move. Before writing a shot list, decide what the viewer should understand that a single photograph would leave out. Keep that purpose visible throughout planning so the performance, camera movement and edit all contribute to the same idea.\n\nFor your own portfolio, define what the film should demonstrate: a garment in motion, a model’s range of expression, or a particular styling concept. Trying to do all three equally in a very short clip often leaves each unclear. Write a one-sentence brief the whole team can repeat. A possible starting point is a person moving from a composed entrance to a more relaxed moment in the same outfit.\n\n## Plan the frames before choosing effects\n\nCreate a compact shot list with a full-length view, a medium frame and one detail. Assign a purpose to each. The wide frame might show movement through space, the medium frame a change in expression, and the detail a fastening or fabric response. Keep enough time in each shot for the viewer to understand what is happening.\n\nFilm a simple version before adding experimental angles. Ask whether the outfit remains readable and the model stays clearly visible. Effects, rapid cuts and unusual crops can be useful creative choices, but they should develop the brief rather than conceal a missing performance. Leave a little extra footage before and after each action to give the editor room to make clean transitions.\n\n## Give movement a beginning and an end\n\nOffer actions that can be repeated: enter, pause, turn toward a cue and leave the frame. Rehearse them without the camera first so the team can adjust the route and timing. If a movement depends on a heel, a long hem or a prop, check it at the intended pace. A good performance is easier when the model is not guessing where the frame ends.\n\nKeep continuity notes for the parting of the hair, sleeve position, accessories and which hand holds a prop. Take a reference photograph after the approved rehearsal. When switching camera positions, reset the details that need to match. If continuity is deliberately loose, make that a shared creative decision instead of an accidental editing problem.\n\n## Deliver a film someone can actually use\n\nConfirm whether the final work needs vertical, horizontal or both formats before filming. Frame important actions with those crops in mind. Discuss the duration and file format with the intended recipient, and avoid assuming that a social-platform preview meets every portfolio or agency requirement. Keep a clean master without platform interface elements.\n\nAgree who may publish the film, when it can be shared and how each contributor should be credited. Use audio you have rights to include in the intended distribution. Deliver labelled files and one strong still frame for a preview image, if agreed. After viewing the finished piece, note whether it demonstrates the skill promised in the opening brief; that matters more than the number of transitions it contains.\n\n## FAQ\n\n### How long should a first fashion portfolio film be?\n\nChoose a duration that serves the brief and the recipient’s requirements. A short, complete idea is more useful than extending footage to reach an arbitrary length.\n\n### Can I use a trending song in every version?\n\nOnly when your rights cover the intended use. Platform music permissions may not cover an external portfolio, client delivery or paid promotion. A properly licensed track or original audio is easier to manage across versions.\n\n## Sources and further reading\n\n- [ELLE China: Official video channel](https://m.ellechina.com/superelle) — ELLE China’s dedicated video channel includes fashion, beauty and talent stories. Topic reference checked on 6 October 2026. The brief, shot-list and delivery framework is original Cast Index guidance; no publisher film is reproduced.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from China](https://thecastindex.com/world-style/china)\n\n"},{"url":"https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief","markdownUrl":"https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief.md","title":"Florentine Leather Goods: Plan Personalisation and Future Repair","lastmod":"2026-10-05T19:54:57Z","sha256":"1511fdaa475b21f1f182769cf108bd223445b1838e487e8d31b1e4ef4e6b0266","bytes":8174,"markdown":"# Florentine Leather Goods: Plan Personalisation and Future Repair\n\n> Prepare a leather-goods brief around everyday use, material information, monogram placement, approvals and aftercare before committing to a personalised piece.\n\n- Canonical: https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief\n- Question: The practical takeaway\n- Direct answer: Choose the object’s function before its monogram. Confirm dimensions, leather description, hardware, personalisation method and an actual-size placement proof, then agree the quote and approval point. Ask separately about cleaning, repair and replacement parts; a craft history or customised finish does not establish a lifetime service promise.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Italy\n\n## Start with what the object must carry\n\nBefore choosing a colour or initials, list what the item will hold and how it will be used. For a document case, measure the actual device or papers, including their protective cover. For a bag, consider opening access, carrying position and whether you need to retrieve something while seated. A beautiful object that cannot perform its main job is difficult to rescue with personalisation.\n\nMake a simple paper outline or bring the contents to a consultation where appropriate. State the maximum dimensions that matter, such as a compartment or existing luggage space. Distinguish an essential requirement from a preference. This helps a maker explain whether an existing model can work or whether your request is a different commission altogether.\n\n## Connect the Florentine story to the specific maker\n\nScuola del Cuoio’s own history describes its post-war foundation through Franciscan friars and the Gori and Casini artisan families, with a mission to teach war orphans a trade. It also records leather-working education and customisation in the institution’s development. This gives a real craft context to a Florentine leather-goods enquiry without making every shop in the city part of the same story.\n\nAsk who makes the item you are considering and what information is available about the leather, lining and hardware. A workshop address, tanning location and hide origin are separate details. Record what is documented rather than expanding ‘made in Florence’ into a claim about every component. The name of a city is not a substitute for an item-specific specification.\n\nIf learning is part of your visit, distinguish a workshop experience from a product order. Scuola del Cuoio’s workshop page describes activities such as assembling and finishing a book cover and a belt workshop that includes a monogram. Those published examples show different kinds of making experience; confirm current access and scope directly rather than assuming every personalisation request is included.\n\n## Approve the personalisation at actual size\n\nWrite the exact letters, punctuation and order of any initials. Ask to see the available lettering, scale, colour or finish and intended position. An actual-size paper placement or maker’s proof is more useful than a description such as ‘small initials near the edge’. Check how the mark will look when the object is closed, held or placed against the body.\n\nConfirm whether the proposed surface and construction are suitable for the chosen method. Let the maker explain the technical limitations. Do not ask for a permanent mark on a borrowed item or authorise a change while the wording is still undecided. Personalisation should follow approval of the object’s function and appearance, because an initial does not correct an unsuitable size or closure.\n\n**A personalisation approval record**\n\n| Decision | What to record | Approve before |\n| --- | --- | --- |\n| Object | Model, dimensions, leather and hardware description | Ordering a non-standard specification |\n| Mark | Exact text, type style, size and finish | Permanent stamping or other application |\n| Placement | Actual-size position on the selected panel | Final production |\n| Handover | Care guidance, completion date and agreed service terms | Collection or dispatch |\n\n## Make future repair a separate conversation\n\nAsk which parts can be serviced, who assesses damage and how a repair enquiry should be made. Handles, straps, closures, lining and surface marks are different problems. A general statement that an object is handmade does not guarantee that a particular component will be replaceable or that matching material will remain available. Request an answer for the actual model.\n\nFor a hypothetical daily document case, you might prioritise a replaceable carrying strap over prominent monogramming. The brief could specify a comfortable handle, an opening that protects the contents, discreet initials and a record of the hardware used. If the maker cannot promise a future matching part, note that limitation rather than turning a hopeful possibility into a warranty.\n\nDiscuss how the surface is expected to change with use and what the maker considers damage requiring attention. Avoid treating every mark as either a desirable patina or a defect without context. Your intended use, the particular finish and the maker’s care guidance should shape the decision.\n\n## Collect the piece with its instructions\n\nAt handover, check the agreed dimensions and contents fit, operate the closures and inspect the personalised text against the approved proof. Confirm any unresolved detail before the object leaves the workshop. If it is being shipped, ask how the final approval and documentation will be handled and keep the correspondence with the order record.\n\nRetain the product reference, leather description, care instructions and repair contact. Follow the maker’s guidance rather than experimenting with a household treatment on an unfamiliar finish. If a problem develops, photograph the whole item and the affected area before seeking an assessment. A clear record helps the maker understand the object and preserves the craft story without promising an outcome that has not been examined.\n\n- Measure the actual contents and state essential functions.\n- Record the maker and material information available for this item.\n- Approve exact lettering and placement at actual size.\n- Confirm price, production timing and the point after which changes are permanent.\n- Ask about repair assessment and parts separately from purchase claims.\n- Keep the proof, receipt, product reference and care advice together.\n\n## FAQ\n\n### Should I add a monogram before checking the item’s fit and function?\n\nNo. Confirm the model, dimensions, access and carrying comfort first, then approve the exact text and placement before permanent personalisation.\n\n### Does a Florentine workshop address prove every material is local?\n\nNo. Making, tanning, component production and raw-material origin are separate questions. Ask which stages the maker can document for the specific item.\n\n### Can I assume a handmade leather bag comes with lifetime repairs?\n\nNo. Repair availability, costs, parts and service terms need a separate agreement. Ask about the actual model and retain the answer with the purchase record.\n\n## Sources and further reading\n\n- [Scuola del Cuoio: Our History](https://scuoladelcuoio.it/en/content/4-our-history) — Primary institutional account supporting the post-war foundation, education and customisation context. It is not used as a guarantee of any specific product service.\n- [Scuola del Cuoio: Workshops](https://scuoladelcuoio.it/en/content/8-workshops) — Primary descriptions supporting the book-cover and monogrammed-belt examples. Current availability must be confirmed; the commission and repair brief is original advice, not a tested service review.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Italy](https://thecastindex.com/world-style/italy)\n\n"},{"url":"https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide","markdownUrl":"https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide.md","title":"French Lace: Choose a Detail by Technique, Scale and Provenance","lastmod":"2026-10-05T19:54:57Z","sha256":"eb8730e0d9d22da5fbcb61c3749881fcadad58f9a9bfb5f75ad43d72316336f8","bytes":7993,"markdown":"# French Lace: Choose a Detail by Technique, Scale and Provenance\n\n> Distinguish Alençon needle lace from Calais-Caudry Leavers lace and prepare a useful sample brief for a collar, panel, sleeve or garment trim.\n\n- Canonical: https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide\n- Question: The practical takeaway\n- Direct answer: Identify the lace technique before choosing by appearance alone. Alençon needle lace and Calais-Caudry Leavers lace describe different making traditions. Ask for the maker or supplier, composition, dimensions, pattern repeat and care information, then assess a sample in the exact place the lace will be used.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: France\n\n## Begin with the job the lace needs to do\n\nA narrow collar edge, a full sleeve and an inset panel ask different things of lace. Before searching for a place name or an intricate motif, decide where the material will sit, how much will be visible and whether it will touch the skin or another fabric. Sketch the proposed area at approximate scale. This gives the maker a practical brief instead of an isolated picture of a beautiful surface.\n\nAlso decide whether the detail should read from across a room or reward a closer look. A tiny motif can disappear when the lace is gathered; a large repeat can be interrupted by a small panel. These are design questions to explore with the actual sample. They cannot be resolved by the prestige of the lace’s origin alone.\n\n## Understand the technique named by the source\n\nUNESCO identifies Alençon’s needle-lace craftsmanship as a specific French practice associated with Alençon in Normandy. The Calais-Caudry label, by contrast, is described by its owner as reserved for lace woven on Leavers looms in Calais and Caudry by affiliated producers. One reference concerns needle-lace craftsmanship; the other identifies a particular loom-made production and provenance scheme.\n\nThose distinctions do not divide all lace into two categories or make one method automatically right for every garment. Ask what the seller means by the terms on the listing. ‘Alençon-style’ in a description is not the same evidence as a documented maker and technique, and a floral appearance cannot establish a Calais-Caudry label claim. Keep an unverified attribution separate from what the material visibly resembles.\n\n**Read the technique before choosing the application**\n\n| Description | What to establish | Useful next question |\n| --- | --- | --- |\n| Alençon needle lace | Documented maker and needle-lace provenance | Is this an original piece, reproduction or style description? |\n| Calais-Caudry Leavers lace | Producer and applicable label information | Which reference and composition identify this cloth? |\n| Other lace or uncertain attribution | Actual technique and available supplier evidence | What can be confirmed without guessing from the motif? |\n\n## Request a sample that answers construction questions\n\nAsk for composition, usable width, repeat dimensions, available quantity and any directional or border information. These details help a dressmaker judge how a motif could fall across a seam or whether an edge can be used as intended. Do not estimate the order from the visible area alone; placement, matching and cutting choices may affect the amount needed.\n\nPlace the sample over the planned underlying fabric and view it against the wearer’s skin or underlayer where relevant. Compare the same sample in daylight and the expected indoor light. Observe which detail remains legible and whether the contrast supports the garment. Treat this as your own design trial, not proof that a lace is objectively better or more authentic.\n\nLet the person responsible for construction advise on support, seam treatment and the cutting plan. A small sample may explain appearance while leaving questions about a complete sleeve or curved panel unanswered. If the piece is valuable, borrowed or historic, agree handling and alteration limits before pinning, washing or cutting anything.\n\n## Work through one detail before expanding the design\n\nImagine a hypothetical plain blouse that needs a removable lace collar. The brief could ask for a soft outline that leaves the neckline visible, a documented material, a fastening that can be managed independently and care instructions for both components. The dressmaker can then assess whether the desired lace, dimensions and attachment are compatible.\n\nCompare that with an integrated sleeve: it may involve a different quantity, support and movement requirement. Moving from a small removable detail to a large structural area is a change of scope, even if the same lace reference is retained. Confirm the revised quote and sample approval rather than assuming the original plan scales up unchanged.\n\nAt a mock-up or fitting, check where the motif breaks at seams and how the detail looks with the rest of the outfit. If it is intended for photography, use the planned framing to assess scale. Keep the decision about the garment’s actual use ahead of the desire to include every interesting feature of the lace.\n\n## Keep provenance and care with the finished piece\n\nThe Calais-Caudry scheme describes numbered labels that identify its production claim. Where applicable, retain that label or its record with the supplier invoice and fabric reference. For a separately documented needle-lace piece, keep the maker’s description and any handling advice. Evidence is most useful when it stays connected to the actual material rather than to a general image saved from a website.\n\nAsk the maker for care instructions appropriate to the finished construction. The lace, backing, lining and attachments may need to be considered together. Keep any suitable spare material if offered, and record the final dimensions. This makes later repair or reuse a more informed conversation and preserves the source of the detail for an accurate editorial credit.\n\n- Name the intended garment area and viewing distance.\n- Confirm technique, maker or supplier and composition.\n- Ask for repeat dimensions, usable width and a cutting allowance assessment.\n- Approve the sample against the intended backing and lighting.\n- Keep provenance records, care instructions and final construction notes together.\n\n## FAQ\n\n### Are Alençon needle lace and Calais-Caudry lace the same thing?\n\nNo. They refer to different making traditions: needle-lace craftsmanship and labelled Leavers-loom production respectively. Ask which technique and provenance apply to the specific piece.\n\n### Can I identify a French lace by its floral pattern alone?\n\nNo. A motif is insufficient proof of technique, producer or place. Use maker records, supplier references and relevant label information.\n\n### How much lace should I order for a garment detail?\n\nHave the dressmaker assess the pattern repeat, placement, usable width and cutting plan before ordering. The visible panel size alone may not capture the quantity required.\n\n## Sources and further reading\n\n- [UNESCO: Craftsmanship of Alençon Needle Lace-making](https://ich.unesco.org/en/RL/craftsmanship-of-alencon-needle-lace-making-00438?RL=00438) — Primary heritage entry identifying the needle-lace practice and its Alençon context.\n- [Dentelle de Calais-Caudry: The Label](https://www.dentelledecalaiscaudry.fr/en/the-label/) — Primary label-owner explanation of the Leavers process, geographic/producer scope and numbered labels. Sampling and garment-planning advice is original editorial guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from France](https://thecastindex.com/world-style/france)\n\n"},{"url":"https://thecastindex.com/journal/germany-capsule-wardrobe-casting-travel","markdownUrl":"https://thecastindex.com/journal/germany-capsule-wardrobe-casting-travel.md","title":"A Three-Day City Travel Capsule: Packing, Repeat Wear and Weather","lastmod":"2026-10-05T19:08:30Z","sha256":"c324f3bd266d4f32ed067b4286b9baba9043f6533a39a17b75bba3b8d571f02d","bytes":4704,"markdown":"# A Three-Day City Travel Capsule: Packing, Repeat Wear and Weather\n\n> Pack for a three-day city trip with a clear outfit rotation, accessible layers, realistic laundry timing and a return-trip review.\n\n- Canonical: https://thecastindex.com/journal/germany-capsule-wardrobe-casting-travel\n- Question: The practical takeaway\n- Direct answer: For a three-day city trip, plan an outfit for each day and decide which outer layers and bottoms you can comfortably repeat. Pack around access during the journey, the destination forecast and confirmed care facilities. Treat laundry as a scheduled option, with a dry backup if it cannot be completed.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Germany\n\n## Make a three-day wear plan\n\nA useful travel capsule covers the trip between wears as well as the outfits themselves. Map out the activities, overnight stops and transport before choosing how many garments to pack. Leave room in that plan for changing weather, airing clothes and reaching what you need without unpacking the whole bag.\n\nFor an illustrative three-day city break, set out three tops, two bottoms, one warm layer and one outer layer, plus suitable underwear and socks. Day one: travel in top A and bottom A. Day two: wear top B and bottom B. Day three: wear top C with whichever bottom remains suitable to rewear. Add separate occasionwear only if the itinerary requires it.\n\n## Pack in the order you need access\n\nDuring a train or coach journey, the warm layer, rain protection and small essentials may need to stay in your day bag. Put the first change of clothes near the suitcase opening if accommodation access will be brief. Pack less urgently needed pieces beneath it, with shoes contained separately from clean clothing.\n\nTest the loaded bag on the kind of journey you expect: lifting it, using stairs and finding the outer layer without unpacking everything. Check your carrier’s actual baggage allowance before departure. If the trip includes a flight, keep any clothes needed immediately after arrival in the bag you will retain access to, where the allowance permits.\n\n## Give weather and garment care their own slots\n\nCheck the destination forecast close to departure and compare daytime plans with evening travel. Try the warm layer beneath the outer layer at home. If they do not fit together, replace one rather than packing a combination you cannot use. Choose shoes for the walking and conditions expected, and add another pair only for a specific need.\n\nOn arrival, unpack garments that need hanging and inspect tomorrow’s outfit. Confirm whether laundry or pressing facilities exist before relying on them. Follow care labels and allow the actual drying time; a late wash is not a usable next-morning outfit until it is dry. For this short trip, three ready-to-wear tops avoid making the schedule depend on washing.\n\n## Separate repeat wear from the return load\n\nAfter each day, sort clothing into ready to rewear, needs attention and ready for washing. Repeat an item only when its condition and your comfort allow it. Keep damp items apart from clean clothes and deal with them promptly rather than sealing them away for the remainder of the trip.\n\nBefore the journey home, set aside the complete travel outfit and its accessible layer. Once home, note which packed items were worn, which solved a real weather problem and which stayed untouched. Keep that record with the itinerary. On the next comparable trip, remove an unused duplicate before adding another just-in-case outfit.\n\n## FAQ\n\n### Is this a fixed packing list for every three-day trip?\n\nNo. It is an example for planning repeat wear. Adjust it for activities, weather, personal needs and baggage limits.\n\n### Can I pack fewer tops if I plan to wash them?\n\nYes, when washing facilities and drying time are confirmed. Keep an available alternative if the planned wash cannot happen.\n\n## Sources and further reading\n\n- [Vogue Germany: spring capsule wardrobe essentials](https://www.vogue.de/artikel/capsule-wardrobe-fruehling-essentials) — Vogue Germany’s verified 23 February 2026 feature discusses capsule essentials and changeable spring weather. The three-day wear plan, luggage access order and garment-care schedule are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Germany](https://thecastindex.com/world-style/germany)\n\n"},{"url":"https://thecastindex.com/journal/germany-clothing-repair-tailor-brief","markdownUrl":"https://thecastindex.com/journal/germany-clothing-repair-tailor-brief.md","title":"Clothing Repair in Germany: Prepare a Tailor or Repair Café Visit","lastmod":"2026-10-05T19:54:57Z","sha256":"971c64a3c0ab139c1d1b4df191703793defe170c61eb388e387450e1a8050619","bytes":7807,"markdown":"# Clothing Repair in Germany: Prepare a Tailor or Repair Café Visit\n\n> Decide what a garment needs, choose an appropriate repair route and prepare a clear brief for a tailor or local Repair Café.\n\n- Canonical: https://thecastindex.com/journal/germany-clothing-repair-tailor-brief\n- Question: The practical takeaway\n- Direct answer: Inspect the whole garment, describe the fault and decide what a successful repair would let you do. Ask a local Repair Café about textile skills for a collaborative repair, or a professional tailor about an agreed service and deadline. Confirm the appearance, materials, estimate and collection plan before work starts.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Germany\n\n## Describe the problem before prescribing the solution\n\nGermany’s Umweltbundesamt recommends keeping clothing in use longer and considering repairs through tailors or shoemakers. Turn that principle into a focused inspection: identify the broken part, then look at the surrounding fabric, seams and fit. A detached button and fabric that is thinning across a whole area create different decisions. Photograph the problem without pulling it further apart, and avoid forcing a stuck fastening.\n\nWrite down what you want the garment to do after repair. Perhaps a coat must close reliably for a commute, or a trouser pocket needs to hold a phone again. Include how often you expect to wear it and whether the visible appearance matters. This gives a repairer more useful information than a request to make the garment exactly as new.\n\n## Choose a service that fits the work\n\nRepair Café International describes its events as places where visitors work on repairs with volunteers. Its FAQ advises contacting local organisers to check whether appropriate help will be available. Use that route if you want to participate and can accept the event’s available skills and time. Confirm the particular German venue’s next session and textile facilities; a directory entry is not a guaranteed sewing appointment.\n\nA professional tailor is worth approaching when you need a scheduled fitting, a specific finish or an accountable collection date. Ask whether they handle the relevant fabric and construction. A lined jacket, delicate knit or heavily decorated dress may need specialist skills. Bring the garment for assessment rather than asking for a final quote from a distant photograph of one small fault.\n\n**Choose the next conversation, not a guaranteed repair outcome**\n\n| What you notice | Useful first question | Bring or document |\n| --- | --- | --- |\n| Missing button or loose seam | Can this be repaired with the existing materials? | Spare buttons and the intact matching area |\n| Fastening that will not work | Can the fault be assessed before replacing everything? | A photograph and description of when it fails |\n| Hole or worn area | Is reinforcement or a visible repair suitable? | Your preference for colour and finish |\n| Fit that prevents regular wear | What alteration is feasible with the available allowance? | Usual underlayers, shoes and a fit reference |\n\n## Agree how the repair should look\n\nChoose between a discreet finish and an intentionally visible repair before work begins. Bring one or two references showing the scale and colour you like. If matching material is unavailable, discuss an alternative that relates to another part of the garment. A contrasting patch may be welcome on a casual overshirt but unsuitable for a uniform with appearance requirements. Explain the intended setting.\n\nAsk what must be opened or replaced and whether the repair changes the garment’s shape. For a fitting, wear the layers and shoes that affect the result. Keep restoration and alteration decisions separate: fixing a closure does not automatically authorise shortening sleeves or narrowing the body. Agree which changes should wait for another fitting and how the repairer will contact you if the assessment changes.\n\n## Compare the complete repair decision\n\nRecord the proposed work, materials, estimate and timing. Ask whether assessment, special components or additional fittings are included. A low initial figure is not comparable with another quote covering more work. If a budget limit matters, state it before committing and request a check-in before extra work. Ask what happens if a matching part cannot be sourced by the date you need the garment.\n\nBalance the quote against likely future use, fit and personal value. There is no universal price percentage that makes repair worthwhile. A frequently worn coat or a meaningful inherited item may justify different choices from an uncomfortable purchase you rarely use. If the structure is too worn to support the requested work, ask about a smaller intervention or another use without pressuring anyone to promise durability.\n\n## Check the result and keep a repair record\n\nAt collection, examine the repaired area in good light and try the garment as you intend to wear it. Operate the closure normally, check pocket access and sit or reach if fit was involved. Compare the result with the agreed scope. Explain a remaining problem specifically so the repairer can assess it. Keep any new care instructions and unused matching components with the garment’s records.\n\nFor a shared shoot wardrobe, attach a brief repair note to the inventory: date, area, material used and handling advice. This prevents another stylist from treating an intentional patch as damage or repeating the same unsuccessful alteration. Recheck the garment after its next normal wear and care cycle, following any advice you were given.\n\n- Inspect the whole garment and photograph the fault.\n- Confirm local textile skills or book a professional assessment.\n- Explain required function, finish and intended wearing conditions.\n- Agree work, materials, estimate and any budget limit.\n- Bring fitting layers and allow time for follow-up work.\n- Check movement and function at collection; retain care notes.\n\n## FAQ\n\n### Will every Repair Café in Germany repair clothing?\n\nCheck with the local organisers. Available volunteers, equipment and session arrangements vary; the international organisation cannot guarantee what a particular event can repair.\n\n### Should I buy a replacement zip before visiting a tailor?\n\nAsk first. The repairer may identify a different fault or require a particular replacement specification. Bring existing spare components, but avoid committing to parts before assessment.\n\n### How much should I spend on a clothing repair?\n\nUse the complete quote, expected future wear, fit and personal value. There is no fixed percentage that suits every garment, and a quote should describe the work it covers.\n\n## Sources and further reading\n\n- [Umweltbundesamt: Clothing consumption and longer use](https://www.umweltbundesamt.de/en/bekleidung) — German Environment Agency guidance on longer garment use and repair. The handover and decision framework is original editorial advice.\n- [Repair Café International: About Repair Café](https://www.repaircafe.org/en/about/) — Primary description of collaborative repair with volunteers; no local appointment availability is inferred.\n- [Repair Café International: Frequently Asked Questions](https://www.repaircafe.org/en/faq/) — Primary guidance to ask local organisers about repair capabilities and event details.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Germany](https://thecastindex.com/world-style/germany)\n\n"},{"url":"https://thecastindex.com/journal/glass-hair-photoshoot-planning","markdownUrl":"https://thecastindex.com/journal/glass-hair-photoshoot-planning.md","title":"Glass Hair for a Photoshoot: Plan Shine, Texture and Continuity","lastmod":"2026-10-05T19:08:30Z","sha256":"8e58a33cf6b51c1ebfecb1d60afc20f72257d6f46602524c2b9bcb43d95427f6","bytes":5048,"markdown":"# Glass Hair for a Photoshoot: Plan Shine, Texture and Continuity\n\n> Prepare a glossy hair brief that respects natural texture, works with the lighting and gives a shoot team a clear continuity plan.\n\n- Canonical: https://thecastindex.com/journal/glass-hair-photoshoot-planning\n- Question: The practical takeaway\n- Direct answer: For a glossy hair photoshoot, agree on the desired finish, preserve the texture the wearer wants, and test the result under the actual lighting. Keep reference photos and a simple continuity log so the look stays consistent across frames.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: South Korea\n\n## Define shine without prescribing one hair texture\n\nTreat glass hair as a brief for how shine should appear in the photograph. Plan the finish around the wearer’s own texture, including waves or curls, and agree on the detail the camera should show. This gives the stylist a practical direction while keeping the wearer’s preferences central to the look.\n\nFor your own brief, replace a vague request for perfect hair with specific visual decisions. Does the photograph need a clean part, visible curl definition, a reflective surface, or movement around the face? Choose the detail that matters most. Ask the wearer how they usually style their hair and what changes they are comfortable making. A trend reference should help communication rather than override those preferences.\n\n## Use a trial to answer production questions\n\nIf possible, try the planned look before the shoot using familiar products and tools. Photograph it immediately and later in the day, noting the conditions. This is a rehearsal for that person and production, not evidence that a product works universally. Keep notes on application amounts, the direction of the part and the styling sequence so the hair professional can reproduce the result.\n\nBring product labels or a concise list to the stylist, especially if your hair is coloured or has recently had a salon service. Discuss unfamiliar treatments with that professional before committing. Do not assume every product described as a gloss has the same purpose, instructions or colour effect. The relevant label and stylist’s advice should guide its use.\n\n## Let lighting and wardrobe do part of the work\n\nAsk for a camera test before adding more product. Light position, background and the colour of clothing can change how clearly the hairstyle reads. A dark garment behind dark hair may obscure its outline; a different background can separate them. Review the image at the intended crop rather than judging the look only in a mirror.\n\nCheck practical interactions. A collar may push hair outward, earrings may catch in a curl, and a bag strap can shift a finished section. Choose the order of wardrobe changes with the stylist so the most delicate setup is not repeatedly disturbed. Build in time for adjustments, especially when several looks require different silhouettes.\n\n## Keep a continuity record that the team can use\n\nOnce the look is approved, make a reference image from the front, each side and the back. Record the part, the position of face-framing sections and any accessories. Store these with the look number. During shooting, compare against the references when the model changes posture or returns from a clothing change.\n\nPrepare a small touch-up area with clean tools and a place for labelled products. Let the stylist decide what needs adding or removing instead of having multiple people improvise. For the final edit, choose frames that represent the intended texture and finish consistently. A coherent sequence is often more persuasive in a portfolio than one striking frame surrounded by accidental changes.\n\n## FAQ\n\n### Does glass hair have to be straight?\n\nNo. The referenced Vogue Korea coverage includes waves and curls. For a shoot, define the desired shine and texture with the wearer and stylist rather than assuming straightening is required.\n\n### Should I try a new salon treatment just before a shoot?\n\nPlan unfamiliar services with your stylist in advance and allow time to assess the result. A shoot brief alone cannot determine whether a treatment is suitable for your hair.\n\n## Sources and further reading\n\n- [Vogue Korea: The glass-hair trend](https://www.vogue.co.kr/2026/09/04/이제-머릿결도-유리알-광채-글라스-헤어-트렌드/) — Vogue Korea’s September 2026 glass-hair article describes a glossy finish and explicitly includes waves and curls. Topic reference checked on 6 October 2026. The shoot-planning and continuity framework is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from South Korea](https://thecastindex.com/world-style/south-korea)\n\n"},{"url":"https://thecastindex.com/journal/glass-skin-decoded","markdownUrl":"https://thecastindex.com/journal/glass-skin-decoded.md","title":"Glass skin, decoded","lastmod":"2026-07-28","sha256":"9f6544164b0c8f8ee516b23af199464f9b1c59dfc059ecfcae8cc8d048e43a1b","bytes":6718,"markdown":"# Glass skin, decoded\n\n> The season’s lead face is a prep architecture. Foundation only reports what the layers underneath already decided.\n\n- Canonical: https://thecastindex.com/journal/glass-skin-decoded\n- Question: Is couture glass skin a foundation finish or a prep result?\n- Direct answer: Couture glass skin is built in the layers before base. The AW26 Season Beauty Index lead finish — hydrated, light-catching skin with almost no mapped contour — depends on hyaluronic prep, mucin essence and daily SPF beneath a radiant or shade-flexible complexion product, not on foundation alone.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## What the season finish actually names\n\nCouture glass skin sits at number one on the AW26 Season Beauty Index. The desk read across Paris Haute Couture is consistent: hydrated, light-catching skin, coverage only where the camera needs it, and almost no mapped contour. It is a face language tied to casting evidence under houses such as Balenciaga, Chanel and Schiaparelli — not a consumer trend label pasted onto any dewy selfie.\n\nThat distinction matters for how products enter the story. The finish is not “a glowing foundation.” It is a sequence in which the complexion product is late. When base is asked to manufacture luminosity the prep never built, the result reads as product, not skin. Couture casting punishes that gap quickly.\n\nDecoding the finish therefore means reading downward through the kit: protection, water-light hydration, barrier-support essence, then a base chosen to keep light moving rather than to opaque it out.\n\n## Prep is the architecture\n\nThe Ordinary Hyaluronic Acid 2% + B5 (with Ceramides) is the lightweight hydration layer the desk reaches for when makeup needs moisture beneath it without a heavy cream texture. The formula combines five forms of hyaluronic acid with ceramides and pro-vitamin B5. It does not create a runway look. It creates the condition in which a runway look can still look like skin.\n\nCOSRX Advanced Snail 96 Mucin Power Essence continues that architecture. COSRX lists 96 per cent snail secretion filtrate with sodium hyaluronate, positioned as a lightweight hydrating step suitable across skin types including sensitive. On this desk it is the K-beauty prep most often recognised when glass-skin language is being interpreted rather than imitated.\n\nNeither step is optional padding. Without them, radiant foundation sits on a flatter plane and the camera returns a finish that looks applied. With them, coverage can stay sparse — which is exactly what the season finish asks for.\n\n## SPF as the quiet third prep\n\nBeauty of Joseon Daily Relief Sunscreen is logged as protection-first skin prep with a silky, non-sticky finish. The brand describes a US-market SPF 40 sunscreen as fast-absorbing, with rice extract; the label directs application fifteen minutes before sun exposure and reapplication at least every two hours.\n\nIn glass-skin sequences, SPF is not a separate “daytime chapter.” It is the layer that keeps the hydrated read from collapsing under real light. A luminous base on unprotected prep is an editorial fiction; the desk does not write that fiction into the reference kit.\n\nThe sunscreen’s job is to disappear into the prep stack — fast enough that the next product still grips, quiet enough that it does not rewrite the finish as sheen from product rather than light on skin.\n\n## Where foundation reports the work\n\nShiseido Synchro Skin Radiant Lifting Foundation is the polished-skin option when the look needs coverage without losing the light-reflective finish central to modern runway complexion. Shiseido lists 30 shades across five depth levels and describes a radiant, weightless finish. It is a reporting layer: it makes the prep legible at distance and on camera.\n\nTIRTIR Mask Fit Red Cushion is the shade-range counterweight. TIRTIR offers the cushion in 40 shades — among the widest ranges in Korean cushion foundation — on a silicone base with hyaluronic acid and botanical extracts. The desk keeps returning to it when full coverage must still move with skin and when the cast’s depth cannot be served by a narrow radiant liquid alone.\n\nUsed correctly, either base sits thin. The glass is already in the prep; the foundation only decides how much of that glass remains visible once imperfections are managed. Used incorrectly — heavy, contoured, matte-corrected — it cancels the season finish regardless of how expensive the bottle is.\n\n## What this means for casting and beauty desks\n\nIf the brief is couture glass skin, the useful conversation starts before shade matching. Ask what is under the base, how much contour is forbidden, and where coverage is actually required. Anok Yai’s hold at the top of the face board and the broader couture-adjacent casting field only make that brief more visible; they do not invent it.\n\nThe Cast Index reference kit for this finish stays short on purpose: protect, hydrate, radiant or flexible base, light set. Products that cannot interpret one of those jobs stay in the archive. Launch novelty is irrelevant if it cannot serve the prep architecture.\n\nRead the Season Beauty Index for the finish ranking, then the product records for official specifications. The decode is simple once the order is respected: glass skin is built before foundation, or it is not built at all.\n\n## FAQ\n\n### What is couture glass skin on the Cast Index?\n\nThe lead AW26 Season Beauty Index finish: hydrated, light-catching skin with almost no mapped contour, read across Paris Haute Couture casting rather than as a generic glow trend.\n\n### Why emphasise prep over foundation?\n\nBecause the desk’s read is that luminosity is built in hydration and SPF layers first. Foundation reports that work; it cannot invent it without looking like product.\n\n### Is the glass-skin kit a sponsored look?\n\nNo. Season finishes are independent editorial reads tied to fashion-week context. Product placement is never sold.\n\n## Sources and further reading\n\n- [The Ordinary — Hyaluronic Acid 2% + B5 (with Ceramides)](https://theordinary.com/en-gb/hyaluronic-acid-2-b5-serum-with-ceramides-769915233506.html)\n- [COSRX — Advanced Snail 96 Mucin Power Essence](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence)\n- [Beauty of Joseon — Daily Relief Sunscreen](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us)\n- [Shiseido — Synchro Skin Radiant Lifting Foundation](https://www.shiseido.co.uk/gb/en/shiseido-synchro-skin-radiant-lifting-foundation-729238217850.html)\n- [TIRTIR — Mask Fit Red Cushion](https://tirtir.global/products/mask-fit-red-cushion)\n\n"},{"url":"https://thecastindex.com/journal/grasse-perfume-craft-origin-guide","markdownUrl":"https://thecastindex.com/journal/grasse-perfume-craft-origin-guide.md","title":"Grasse Perfume Craft: Understand the Plant, the Material and the Formula","lastmod":"2026-10-05T19:54:57Z","sha256":"828b91f1a4f884bec1273249473cf6bee19ef8b711f3ea71e4b0b071b1b938e0","bytes":8785,"markdown":"# Grasse Perfume Craft: Understand the Plant, the Material and the Formula\n\n> Explore what Grasse’s perfume heritage describes and how to ask precise questions about cultivation, raw materials, composition and a finished fragrance.\n\n- Canonical: https://thecastindex.com/journal/grasse-perfume-craft-origin-guide\n- Question: The practical takeaway\n- Direct answer: Grasse’s UNESCO-listed perfume skills encompass growing perfume plants, processing natural raw materials and composing perfume. Those are related but distinct stages. When learning about a fragrance, ask which stage a Grasse connection describes; a heritage reference or brand address alone does not establish where every ingredient was grown.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: France\n\n## Follow the craft through three different stages\n\nPerfume can be discussed as an agricultural crop, a processed material or a finished composition. Moving between those meanings without saying so creates confusion. A rose in a garden, an extracted rose material and a perfume with a rose impression are not interchangeable objects. Start by asking which one your guide, label or workshop is describing.\n\nUNESCO’s 2018 inscription for the skills related to perfume in Pays de Grasse brings together plant cultivation, knowledge and processing of natural raw materials, and the art of composition. Its subject is a body of living skills and transmission. Our practical reading is that the inscription offers a way to study the craft; it should not be treated as a blanket certification of every bottle marketed with the name Grasse.\n\n## Treat the garden as evidence of cultivation\n\nThe International Perfume Museum’s gardens explain the regional plant-growing story through collections that include centifolia roses, jasmine and tuberose, alongside other aromatic plants. The museum describes the gardens as a conservatory of varietal diversity. This is useful context for understanding that a perfume ingredient begins with a specific plant and cultivation practice, rather than with a generic floral picture on packaging.\n\nIf planning a visit, decide what you want to learn before checking dates and access. Ask which plants can be observed at that time, whether a guided explanation is available and how the garden programme differs from a workshop using prepared fragrance materials. Do not expect every plant to be flowering or harvested on a date selected for your convenience.\n\nKeep plant observations modest and precise. Record a labelled species or variety if supplied, the place and date, and what the guide actually explains. Do not turn a garden smell into a prediction of the exact scent or performance of a bottled composition. A short visit is an introduction to the agricultural stage, not an assessment of an entire ingredient supply chain.\n\n## Ask what happens between plant and perfume\n\nThe Grasse museum’s account extends beyond flowers to raw materials, manufacturing, trade, design and use. That wider frame helps you ask a more useful question than whether a perfume is simply ‘natural’. What material is being discussed, how was it obtained, and what role does it play in the finished composition? These questions can be answered at different levels without demanding a maker’s confidential formula.\n\nFor a demonstration, ask the host to identify which stages you are seeing and which have already happened elsewhere. A workshop may let you combine prepared materials without including cultivation or extraction. That can still be a valuable experience if described accurately. Record the materials and process the host is willing to disclose, and avoid presenting a short workshop as professional perfumer training.\n\n**Three stages, three useful questions**\n\n| Stage | Question | Keep separate from |\n| --- | --- | --- |\n| Cultivation | Which plant, growing place and harvest are being described? | The location where a perfume is bottled |\n| Material processing | What prepared material results from the process shown? | A decorative flower or a marketing note |\n| Composition | How does the perfumer describe the material’s role? | A claim that every ingredient has the same origin |\n\n## Write an origin description that the evidence supports\n\nWhen a perfume refers to Grasse, ask whether that means the perfumer’s training, the place of composition, a particular ingredient, manufacturing or the history of the house. There may be several valid connections. The goal is not to disqualify a product that uses materials from elsewhere; it is to describe the connection without enlarging it beyond the evidence.\n\nA hypothetical record could say: ‘The maker identifies a Grasse-based composition process and provides origin information for one named floral material; the remaining material origins are not specified.’ This tells a reader more than ‘made entirely from Grasse flowers’ when that wider claim has not been established. Keep direct statements from the maker clearly attributed and leave unknown details open.\n\nIf you are writing an editorial feature, distinguish an evocative scent description from an ingredient assertion. A perfume can suggest a landscape, fruit or texture without that description proving a literal source material. Ask the maker to clarify technical claims before converting poetic language into a production fact.\n\n## Build a visit or learning brief around one question\n\nChoose a focus such as cultivation, material transformation or the perfumer’s decision-making. The museum in Grasse and its gardens in Mouans-Sartoux are separate locations, so check their current practical information and plan the journey accordingly. Leave time for questions and notes instead of treating several different experiences as interchangeable stops.\n\nAfterwards, write down one thing you observed, one fact supplied by the institution or maker and one question still unresolved. This small discipline preserves what you learned without exaggerating your access. It also gives the next visit or reading a direction: you can return to the stage you understand least rather than accumulating more bottles without a clearer idea of the craft.\n\n- Identify whether the experience covers plants, prepared materials or composition.\n- Check the exact location and current access information.\n- Ask which origin claims apply to the specific material or product.\n- Keep poetic descriptions separate from ingredient statements.\n- Credit the institution, guide or maker for factual explanations.\n\n## FAQ\n\n### Does the Grasse UNESCO inscription certify every perfume made there?\n\nNo. The inscription concerns a body of skills and cultural transmission. A particular product’s ingredient origins and manufacturing claims need their own evidence.\n\n### Are the perfume museum and its gardens in the same place?\n\nNo. The museum is in Grasse and its gardens are in Mouans-Sartoux. Check the institution’s current practical information before planning both visits.\n\n### Does a floral scent description prove that a flower was used?\n\nNot by itself. Descriptive fragrance language and a statement about actual ingredients are different. Ask the maker for clarification if a material claim matters to your research.\n\n## Sources and further reading\n\n- [UNESCO: Perfume Skills in Pays de Grasse](https://ich.unesco.org/en/RL/the-skills-related-to-perfume-in-pays-de-grasse-the-cultivation-of-perfume-plants-the-knowledge-and-processing-of-natural-raw-materials-and-the-art-of-perfume-composition-01207) — Primary 2018 inscription identifying cultivation, natural-material processing and composition as related skills. Product-certification distinctions are our interpretation of that scope.\n- [Musées de Grasse: Presentation of the Gardens](https://www.museesdegrasse.com/en/presentation-gardens) — Institutional source for the plant conservatory and selected examples; seasonal availability is not promised.\n- [Musées de Grasse: Presentation of the Museum](https://www.museesdegrasse.com/en/presentation-museum) — Primary account of the museum’s wider raw-material, manufacturing and cultural remit.\n- [Musées de Grasse: Practical Information](https://www.museesdegrasse.com/en/practical-information) — Primary source distinguishing the museum and garden locations. The learning brief is original guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from France](https://thecastindex.com/world-style/france)\n\n"},{"url":"https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide","markdownUrl":"https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide.md","title":"How to Style Hair Accessories for Fashion Portraits","lastmod":"2026-10-05T19:08:30Z","sha256":"38151537cdc10c0046e20c5430def162792b2ae0ffb4a82a3269a15fb91b5396","bytes":5216,"markdown":"# How to Style Hair Accessories for Fashion Portraits\n\n> Choose a headband, scarf or clip around the portrait’s shape, comfort and framing, with a practical continuity checklist.\n\n- Canonical: https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide\n- Question: The practical takeaway\n- Direct answer: For a fashion portrait, choose a hair accessory by the shape it adds to the frame and how comfortably it stays in place. Test the front, profile and movement, then coordinate it with the neckline and jewellery. Keep one clear focal point and record the approved placement before shooting.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: France\n\n## Choose the accessory’s visual job\n\nGive a hair accessory one clear job in the portrait: change the outline, introduce a colour or establish the mood. A headband, scarf or clip can each play a different part. Choose the visual effect first so a small detail supports the photograph without making the rest of the styling harder to read.\n\nDecide which of those changes the photograph needs. A narrow band may create a graphic line; a folded scarf can introduce pattern; a clip can help establish an asymmetrical composition. These are styling options, not promises about what suits a particular face. Start with one accessory you already own and assess its effect in the intended crop.\n\n## Test comfort and placement first\n\nPut the accessory in place for a trial before the shoot begins. Move your head, look down and turn to each side. If it slips or presses uncomfortably, choose another size, position or style. The subject should not have to tolerate discomfort in order to preserve a visual idea.\n\nAsk the hairstylist how to work with the subject’s existing hair texture and preferences. Do not assume that every reference requires straightening, pulling hair tightly or disguising its natural shape. When working alone, favour a simple arrangement you can remove and recreate easily. A styling choice should support expression and movement rather than limit them.\n\n## Coordinate the frame around the face\n\nTake three quick reference photographs: front, three-quarter and profile. Check what happens where the accessory meets the hairline and where earrings enter the crop. Then compare the look with and without one other accessory. This gives you a concrete way to judge whether details support one another or compete for attention.\n\nConsider the background as part of the styling. A dark band against dark hair can read differently on a bright backdrop, while a busy scarf may compete with a patterned collar. There is no requirement to avoid that complexity, but it should be intentional. Ask what the viewer should notice first and simplify anything that obscures that choice.\n\n## Make continuity easy\n\nOnce the look is agreed, photograph the placement and note which side carries any detail. Keep the accessory in a designated container during changes so it is not misplaced or bent. If several people handle the styling, name one person to check the reference before each new setup.\n\nPlan an alternative that can be made quickly if the wind, movement or framing makes the first choice impractical. That might mean removing the accessory or switching to a simpler one. After the session, save the reference beside the final image and record who created the hair styling. A clear credit and repeatable method make the finished work more useful than a vague claim that a trend flatters everyone.\n\n## FAQ\n\n### Do hair accessories belong in a model portfolio?\n\nThey can suit an editorial or beauty image. For digitals or castings, follow the requested presentation and use a simpler arrangement when the brief requires it.\n\n### Should the accessory match my jewellery?\n\nIt can, but it does not have to. Compare the complete portrait in the planned crop and choose the combination that supports the image’s focal point.\n\n## Sources and further reading\n\n- [Face au bandana, cet autre accessoire met lui aussi nos cheveux en valeur cet été](https://www.elle.fr/Beaute/Cheveux/Tendances/Face-au-bandana-cet-autre-accessoire-met-lui-aussi-nos-cheveux-en-valeur-cet-ete-4480275) — The topic was identified through the ELLE-attributed excerpt on Free listed below, which discusses headbands and bandanas in July 2026. The full ELLE page was inaccessible. Portrait composition, comfort and continuity steps are original Cast Index guidance.\n- [ELLE excerpt published by Free: headbands and bandanas](https://portail.free.fr/lifestyle/beaute/face-au-bandana-cet-autre-accessoire-met-lui-aussi-nos-cheveux-en-valeur-cet-ete/) — Read the visible excerpt explicitly attributed to ELLE and dated July 22, 2026; the full ELLE page was inaccessible. Only the excerpt’s broad headband/bandana topic is used.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from France](https://thecastindex.com/world-style/france)\n\n"},{"url":"https://thecastindex.com/journal/hair-as-silhouette-maintenance","markdownUrl":"https://thecastindex.com/journal/hair-as-silhouette-maintenance.md","title":"Hair as silhouette: the maintenance underneath","lastmod":"2026-07-28","sha256":"0b314fc8e7cd347bac63243f743f30bc4d49f62480cff63a22ef11a3c125573f","bytes":6687,"markdown":"# Hair as silhouette: the maintenance underneath\n\n> The season finish is a shape. What makes the shape repeatable is the care nobody photographs.\n\n- Canonical: https://thecastindex.com/journal/hair-as-silhouette-maintenance\n- Question: What maintenance keeps a runway hair silhouette workable between shows?\n- Direct answer: Bond and surface care that survive repeat styling — not the silhouette product. K18’s leave-in peptide mask, Olaplex No.3 before shampoo, and Color Wow Dream Coat for heat-activated smooth control form the desk’s maintenance layer under Hair as silhouette.\n- Author: The Cast Index Desk (Industry analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## The gap between the outline and the week\n\nHair as silhouette sits fourth on the AW26 Season Beauty Index. London’s read is texture and shape doing more than ornament — wet-slick, soft volume, or deliberate undoing held as a line that finishes the garment. That is a show-day decision. It is not a care routine.\n\nIndustry coverage often collapses the two. A photographed slick or lift becomes a product story; the hair that has to accept the next silhouette three days later disappears from the frame. The Cast Index separates them. Finish language names the outline. Maintenance names what keeps the fibre able to take the outline again.\n\nAcross London weeks, the useful audit is therefore subtractive: strip the silhouette tools first, then see which care steps still have a job when there is no artist team and no exit light.\n\n## K18 as the leave-in repair interval\n\nK18 Leave-In Molecular Repair Mask is logged for post-service and between-wash repair when hair has taken bleach, colour, chemical services or heat. The brand describes a leave-in treatment mask that works at the molecular level in four minutes, powered by K18PEPTIDE™ to reconnect broken polypeptide chains and, as a result, disulfide bonds. Directions are exacting: shampoo, do not condition; towel-dry thoroughly; apply; wait four minutes; do not rinse; then style.\n\nThat sequence matters. The mask is not a conditioner substitute in the brand’s method — conditioner is skipped so the treatment can sit on a clean fibre. Use is described as four to six washes after a salon service, then as needed. The desk treats those instructions as part of the claim set, not optional fine print.\n\nOn a silhouette-heavy calendar, K18’s job is capacity: keep strength and softness available so the next wet-slick or soft volume is not asked of already exhausted hair. It does not create the London outline. It keeps the outline from becoming a breakage story.\n\n## Olaplex No.3 as the pre-shampoo bond step\n\nOlaplex No.3 Hair Perfector remains the retail bond step the desk already treats as a show-week survivor. Olaplex UK describes a pre-wash repair treatment that reverses damage and strengthens hair, restores appearance and texture, and reduces future breakage, using patented Olaplex Bond Technology to rebuild disulfide bonds. It is applied in the shower before shampooing, left on for three to ten minutes, then rinsed and followed with shampoo.\n\nThe brand is clear that No.3 is not a conditioner. That distinction keeps it in the maintenance column rather than the silhouette column. Weekly — or more often when hair is more compromised — is the brand’s own frequency framing for damaged hair.\n\nWhere K18 is leave-in after shampoo, No.3 is rinse-out before shampoo. Different slot, same desk logic: bond work between the styles that fashion weeks demand and the fibre can still accept.\n\n## Dream Coat as surface control, not repair\n\nColor Wow Dream Coat Supernatural Spray answers a different gap: humidity and frizz wrecking a smooth silhouette after the blow-dry. Color Wow UK describes a heat-activated polymer that, with dryer heat and brush tension, forms a hydrophobic matrix — compressing the strand and sheathing it in a light “raincoat” that repels moisture. Claims include glossy, glassy, ultra-smooth hair; weightless, non-greasy feel; results through three to four shampoos; and built-in heat protection.\n\nApplication stays on damp, towel-dried hair and requires blow-drying with tension to activate. The brand advises against treating it as an every-wash product precisely because the effect lasts across several shampoos. That longevity is why it belongs under silhouette maintenance: one controlled blowout can serve more than one call if the surface seal holds.\n\nDream Coat is not bond care. Confusing anti-frizz armour with peptide or disulfide repair produces the wrong kit. Use it when the outline must stay sleek; use K18 or Olaplex when the fibre must stay workable.\n\n## How desks should brief hair for repeat days\n\nName the silhouette first — slick, volume, undoing — then map the stress that silhouette imposes: heat, tension, product build-up, colour services. Only then assign maintenance. London’s Hair as silhouette finish is the visual brief; K18, Olaplex No.3 and Dream Coat are the survival brief.\n\nThe Cast Index will keep ranking finishes from fashion-week evidence. Separately, it will keep naming the unphotographed layer that makes those finishes repeatable. A silhouette without maintenance is a one-exit story.\n\nRead the Season Beauty Index for the shape. Read this for the care underneath. What survives between shows is not the look. It is the fibre still able to take the next one.\n\n## FAQ\n\n### What is Hair as silhouette on the Cast Index?\n\nThe fourth AW26 Season Beauty Index finish: hair used as outline — wet-slick, soft volume or deliberate undoing — read from London AW26 casting rather than as separate ornament.\n\n### How is K18 different from Olaplex No.3 in this note?\n\nK18 is a four-minute leave-in peptide mask after shampoo with conditioner skipped. Olaplex No.3 is a pre-shampoo rinse-out bond treatment left on for three to ten minutes before cleansing.\n\n### Is Color Wow Dream Coat a repair mask?\n\nNo. The brand positions it as a heat-activated anti-frizz spray that forms a moisture-repelling surface seal. It controls the silhouette’s surface; it does not replace bond care.\n\n## Sources and further reading\n\n- [K18 — Leave-In Molecular Repair Hair Mask](https://www.k18hair.com/products/leave-in-molecular-repair-hair-mask-50-ml)\n- [Olaplex UK — No.3 Hair Perfector](https://uk.olaplex.com/products/olaplex-n-3-hair-perfector-uk)\n- [Color Wow UK — Dream Coat Supernatural Spray](https://uk.colorwowhair.com/products/dream-coat-anti-frizz-treatment)\n- [The Cast Index — Season Beauty Index](https://thecastindex.com/beauty)\n- [The Cast Index — London Fashion Week 2026](https://thecastindex.com/events/london-fashion-week-2026)\n\n"},{"url":"https://thecastindex.com/journal/hanbok-editorial-dress-movement-context","markdownUrl":"https://thecastindex.com/journal/hanbok-editorial-dress-movement-context.md","title":"Hanbok Editorial Planning: Dress, Movement and Cultural Context","lastmod":"2026-10-05T19:54:57Z","sha256":"5ee74edfd0a1a93258738313f7dfb177bbf1aff45c2d844a81aab454ae296f69","bytes":7566,"markdown":"# Hanbok Editorial Planning: Dress, Movement and Cultural Context\n\n> Prepare a hanbok fashion story with the maker’s guidance, an appropriate fitting, accurate garment names and a movement plan that serves the clothes.\n\n- Canonical: https://thecastindex.com/journal/hanbok-editorial-dress-movement-context\n- Question: The practical takeaway\n- Direct answer: Choose whether the hanbok story concerns a documented historical style or a contemporary designer’s work. Confirm the garment names and dressing method with the maker, rehearse movement in the complete outfit, and preserve accurate credits through photography and publication.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: South Korea\n\n## Choose the kind of story before choosing accessories\n\nA hanbok editorial needs a clear subject. You might document a contemporary maker, photograph an owned outfit in everyday use, or interpret a specific historical reference with a knowledgeable collaborator. Write that subject in one sentence. It will guide the garments, setting and caption, and prevent a general mood board from combining unrelated periods or ceremonial details without explanation.\n\nThe National Folk Museum of Korea’s educational guide identifies chima as a skirt, jeogori as an upper garment and goreum as the ties on its front. Its examples are useful vocabulary, not a complete account of every hanbok. Korea Craft and Design Foundation’s current development programme also supports collaboration between designers and textile businesses. Contemporary development belongs in the conversation alongside historical forms.\n\n## Ask the maker to define the complete outfit\n\nRequest a dressing list that names every supplied component, including underlayers and accessories. Ask which items are necessary to support the shape and which are optional styling choices. Record the intended sequence and who will help dress the wearer. A photograph of an assembled look is useful, but it cannot replace instructions about a fastening hidden beneath another layer.\n\nBefore confirming a loan, share the actual concept and proposed movements with the maker or lender. Explain whether the wearer will sit, walk outdoors or change into another outfit. Discuss what can be adjusted and which parts should remain untouched. When a design draws on a particular ceremony or historical form, ask for the precise context rather than inventing meaning from colour or ornament.\n\n**Questions for a hanbok fitting brief**\n\n| Area | Clarify with the maker | Record for the crew |\n| --- | --- | --- |\n| Components | Which layers create the intended silhouette? | A named inventory and dressing order. |\n| Fastenings | Who should arrange the ties or closures? | An approved front and side reference. |\n| Movement | Which poses suit this construction? | A short rehearsed sequence. |\n| Context | Is this historical, ceremonial or contemporary work? | The maker’s wording and relevant source. |\n\n## Fit the whole silhouette in an ordinary posture\n\nAllow enough private fitting time to assemble every layer. Check the neckline, sleeve position, waist arrangement and hem with the footwear intended for the images. Ask the wearer to stand naturally before adjusting the clothing. If the look only works while someone holds their arms away from the body, discuss whether the construction, size or planned pose needs to change.\n\nWalk a short clear route, sit on the chair proposed for the set, then stand again. Notice whether fabric is trapped, whether the hem reaches the floor unexpectedly, and whether a tie shifts out of its approved position. Agree a comfortable way to gather or manage the cloth if needed. Let the dresser handle adjustments instead of asking the wearer to maintain a tense pose while several people intervene.\n\n## Choose a setting that does not invent a historical claim\n\nA plain studio can communicate a contemporary hanbok design without borrowed architectural symbolism. If you choose a heritage setting, identify it accurately and confirm its photography rules before building the production around it. The building’s age or public accessibility does not automatically make it an appropriate or available commercial set. Keep the location’s actual role separate from the garment’s provenance.\n\nPrepare a three-part sequence: an unobstructed full-length view, a gentle movement frame and a detail selected with the maker. A sleeve, tie or construction junction may explain the design better than an assortment of decorative props. Ask the photographer to retain enough space around the garment’s outline. If the story requires a close face portrait, make sure an additional frame still communicates the clothing.\n\n## Preserve names and context through the final edit\n\nKeep a caption sheet with the designer or lender, garment names, materials when confirmed, and any historical reference used in the brief. Distinguish the maker’s explanation from your own observation about movement or colour. Describe a new design as contemporary when that is what it is; adding an old-looking backdrop does not turn it into historical reconstruction.\n\nBefore delivery, compare selected frames against the approved dressing references. Check for accidental changes to ties, missing components or an edit that changes the shape the maker intended. Share specific factual questions with the relevant collaborator while allowing the photographer and editor to retain their creative roles. Return the outfit according to the lender’s instructions, with any handling issue recorded clearly rather than concealed.\n\n- Define historical reference or contemporary designer focus.\n- Confirm complete layers, names and dressing sequence.\n- Rehearse sitting and walking with the actual shoes.\n- Check location rules and preserve maker credits.\n\n## FAQ\n\n### Does a hanbok editorial have to recreate a historical period?\n\nNo. Contemporary hanbok is a valid subject. State the designer and intention clearly, and distinguish new interpretation from any historical reference used.\n\n### Can I select accessories purely for their colour?\n\nDiscuss the proposed accessories with the maker or a knowledgeable stylist. Some elements carry a particular role or context; colour alone is not enough information to explain them.\n\n### Which photographs should a first hanbok story include?\n\nStart with a full-length silhouette, a controlled movement frame and a meaningful construction detail. Add portraits after ensuring that the clothing itself is clearly documented.\n\n## Sources and further reading\n\n- [National Folk Museum of Korea: Women’s hanbok](https://www.nfm.go.kr/k-box/ui/hanbok/female?lang=en) — Museum reference supports basic garment vocabulary, including chima, jeogori and goreum. The production checklist is original Cast Index guidance.\n- [Korea Craft and Design Foundation: Traditional hanbok development support](https://www.kcdf.or.kr/cms/content/view/556) — Official programme describes design development with designers and textile/distribution businesses, supporting contemporary collaboration context. Korean-language source.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from South Korea](https://thecastindex.com/world-style/south-korea)\n\n"},{"url":"https://thecastindex.com/journal/how-the-cast-index-actually-scores-a-model","markdownUrl":"https://thecastindex.com/journal/how-the-cast-index-actually-scores-a-model.md","title":"How the Cast Index scores a model","lastmod":"2026-07-16","sha256":"bba10ed4a640942f3ab8e18dec31dc23683cc31acdf8e98abe4e322082f3480a","bytes":2945,"markdown":"# How the Cast Index scores a model\n\n> The four pillars, time decay and evidence confidence—explained without hiding the judgement behind the number.\n\n- Canonical: https://thecastindex.com/journal/how-the-cast-index-actually-scores-a-model\n- Question: How does the Cast Index calculate a global model ranking?\n- Direct answer: The Cast Index combines runway presence (40%), campaigns (30%), editorial authority (20%) and cultural impact (10%). Dated evidence is weighted by prestige and recency, then published with a confidence label so readers can distinguish deeply verified profiles from developing evidence files.\n- Author: The Cast Index Desk (Standards and methodology)\n- Published: 2026-06-26\n- Updated: 2026-07-16\n\n## What are the four ranking pillars?\n\nRunway presence contributes 40 per cent. The assessment considers show volume, house prestige and whether a model opened, closed or held an exclusive. Campaign and commercial work contributes 30 per cent, with global luxury contracts carrying more weight than small or short-lived placements.\n\nEditorial authority contributes 20 per cent. Major covers, respected independent titles and high-level photographer relationships are evaluated separately. Cultural impact supplies the final 10 per cent through verified ambassadorships, meaningful engagement and influence beyond a single booking.\n\n## How does time decay keep the ranking current?\n\nA booking is not worth the same forever. Evidence keeps full weight in its current scoring year, loses substantial influence in the following year and becomes residual historical context after that. The mechanism prevents a famous archive from overpowering a quieter present.\n\nThere is no age ceiling. A model of any age can rank when the rolling evidence shows current demand; conversely, fame alone does not guarantee inclusion.\n\n## Why publish an evidence-confidence label?\n\nFashion records are fragmented across agencies, brands, magazines, show archives and interviews. A confidence label tells the reader how completely the desk has cross-referenced those records. High means multiple strong sources support the score; medium means the core case is supported but some detail remains incomplete; baseline means the profile is still being built.\n\nThe ranking is an editorial assessment, not an official industry award. Publishing the method, evidence and confidence is how readers can challenge or improve it.\n\n## FAQ\n\n### What percentage of the score comes from runway work?\n\nRunway presence contributes 40 per cent of the total Cast Index Rating.\n\n### Can an older model still rank highly?\n\nYes. There is no age ceiling; the deciding factor is substantial, source-backed work within the rolling scoring window.\n\n## Sources and further reading\n\n- [The Cast Index — full methodology and weighting](https://thecastindex.com/methodology)\n- [The Cast Index — live rankings and confidence labels](https://thecastindex.com/rankings)\n\n"},{"url":"https://thecastindex.com/journal/indian-handloom-labels-buying-guide","markdownUrl":"https://thecastindex.com/journal/indian-handloom-labels-buying-guide.md","title":"Buying Indian Handloom: What the Labels Actually Confirm","lastmod":"2026-10-05T19:54:57Z","sha256":"7be1ce1b2289f1befece47c7cdb0754fa1a8b57e02a4c0f5386517da2bfc4f0e","bytes":7912,"markdown":"# Buying Indian Handloom: What the Labels Actually Confirm\n\n> Understand Handloom Mark, India Handloom Brand and Silk Mark, then verify a textile’s description without relying on shine or handmade-looking irregularities.\n\n- Canonical: https://thecastindex.com/journal/indian-handloom-labels-buying-guide\n- Question: The practical takeaway\n- Direct answer: Check which mark is actually present and what it covers. Handloom Mark concerns handwoven origin; India Handloom Brand adds prescribed quality parameters; Silk Mark concerns pure silk. Verify the label through the relevant official scheme, then assess fit, construction, care and the seller’s description separately.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: India\n\n## Start with the claim you need to verify\n\nBefore buying a sari, scarf or length of Indian cloth, write down what matters to you: handweaving, a particular fibre, a named production place or a suitable garment finish. These are different claims. Ask the seller to describe each one clearly rather than using a general word such as authentic to stand for all of them. Retain the product listing or a written description with the receipt.\n\nThe official Handloom Mark site identifies its purpose as verifying loom origin and provides QR-labelled products. The India Handloom Brand background page explicitly distinguishes that handwoven-origin role from its own quality-parameter programme. Silk Mark’s official FAQ describes its scope as pure silk and says it does not assure zari quality. Reading the schemes together helps prevent one label from being asked to prove something it does not cover.\n\n## Use the relevant scheme instead of a visual shortcut\n\nIf a product carries Handloom Mark, follow the current verification route from the official scheme site and compare the result with the item and seller’s account. For India Handloom Brand, the official authenticity guidance says the label includes a registration number that can be checked against the directory of registered users. Use the official website yourself rather than relying only on a screenshot sent by a seller.\n\nA label photograph is a starting point, not a reason to stop asking questions. Check that the displayed information relates to the item you intend to receive. If a code fails or the result is unclear, ask for clarification before completing the purchase. Do not declare a craftsperson fraudulent merely because a handmade item is unlabelled; instead, recognise that you have not verified that particular claim through the scheme.\n\n**Three Indian textile marks answer different questions**\n\n| Scheme | What its official information addresses | What still needs separate checking |\n| --- | --- | --- |\n| Handloom Mark | Authenticity of handwoven loom origin | Fibre, fit, finish and other product claims. |\n| India Handloom Brand | Specified quality parameters for eligible handloom products | The actual registered item and your intended use. |\n| Silk Mark | Pure silk assurance | Zari quality, handweaving and garment construction. |\n\n## Read the garment beyond its label\n\nOnce the relevant claim is checked, examine the item you will wear or make into clothing. Confirm dimensions, fibre composition, border width, lining and any separate blouse or accessory material included in the purchase. Ask for a view of the full textile as well as details. A photograph of an ornate end panel can conceal how much plain cloth the complete piece contains.\n\nFor ready-made clothing, try movement and inspect practical details such as closures and pockets. For yardage, consult the maker about the quantity and placement required for your pattern before cutting. A verified handwoven origin does not guarantee that every length, colour or weave will suit every project. Keep the cultural and production value of the textile alongside a realistic assessment of its intended job.\n\n## Avoid destructive or overconfident home authentication\n\nDo not infer fibre content solely from a shiny surface, softness or price. Small irregularities also cannot establish that a textile was handwoven: they are observations to investigate, not a complete authentication method. Avoid burning threads or applying improvised chemicals to a purchased or borrowed item. Those actions can cause damage while leaving important questions about the product unanswered.\n\nIf a material claim is central to the purchase and remains disputed, ask the relevant scheme or an appropriate testing service what evidence it can provide. Keep the original bill and product identifiers. For an online order, record the promised measurements, composition and included components before payment, then inspect the received item while the seller’s stated return process is still available.\n\n## Carry the evidence into styling and publication\n\nCreate a small textile record with the maker or seller, product name, relevant registration or label information, composition and care. Keep private order details out of public captions. When writing about the piece, use only the production claims supported by that record. For example, verified handwoven cloth should not automatically become hand-spun, naturally dyed or locally sewn in the story.\n\nFor a shoot, show an overall view that explains the cloth’s scale and a detail that explains its surface. Credit the weaver or collective when identified and when they wish to be named, alongside the garment designer and photographer. If you cannot trace an older family textile, say what you know about its ownership and leave uncertain production details open. Accurate limits are more useful than an attractive invented provenance.\n\n- Name the claim: loom origin, fibre, place or quality parameter.\n- Check the actual mark through its official verification route.\n- Match identifiers to the item being purchased.\n- Save measurements, composition, care and the receipt.\n\n## FAQ\n\n### Does Handloom Mark guarantee that a textile is silk?\n\nNo. Its purpose concerns handwoven loom origin. Fibre composition is a separate question, and Silk Mark has a different scope.\n\n### Does Silk Mark verify zari quality?\n\nSilk Mark’s official FAQ says it does not assure zari purity or quality. Ask for the relevant details separately if the metallic component matters to your purchase.\n\n### Is an unlabelled textile necessarily machine-made?\n\nNo. Absence of a label does not establish the production method. It means you need other evidence and should not claim scheme verification you have not obtained.\n\n## Sources and further reading\n\n- [Handloom Mark: Official scheme](https://www.hlm.gov.in/index.php) — Primary scheme source supports loom-origin authenticity and the current QR-label verification prompt. The buying workflow is original.\n- [India Handloom Brand: Background](https://indiahandloombrand.gov.in/pages/background) — Official source distinguishes the scope of Handloom Mark from India Handloom Brand’s prescribed quality parameters; promotional sustainability language is not adopted.\n- [India Handloom Brand: Authenticity Check](https://www.indiahandloombrand.gov.in/vendorsite/view/authenticity-check) — Supports checking the label registration number through the scheme’s directory of registered users.\n- [Silk Mark Organization of India: FAQ](https://silkmarkindia.com/index.php/faq/) — Primary scheme FAQ supports pure-silk scope and the explicit exclusion of zari quality. No destructive identification method is recommended.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from India](https://thecastindex.com/world-style/india)\n\n"},{"url":"https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care","markdownUrl":"https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care.md","title":"Pleated Clothing: Fit, Movement and Care Lessons From Issey Miyake","lastmod":"2026-10-05T19:54:57Z","sha256":"51fa46e521e66316158098a0ec6a950b3508cc8ab7f2d0332bb8920bd5abadba","bytes":7256,"markdown":"# Pleated Clothing: Fit, Movement and Care Lessons From Issey Miyake\n\n> Choose and photograph pleated clothing with a clear fit check, movement sequence and product-specific care plan, informed by Issey Miyake’s construction.\n\n- Canonical: https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care\n- Question: The practical takeaway\n- Direct answer: Check pleated clothing at rest and in motion, leave room for the intended folds, and follow the exact garment label. Issey Miyake’s garment-pleating process and care instructions are useful specific references; they should not be applied automatically to every pleated fabric.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Japan\n\n## Understand what the folds are doing\n\nPleated clothing can change silhouette as you move, so judge more than a still front view. Before choosing a piece, identify where the folds run, where they open and what happens at the waist or shoulder. Decide whether you want a close column, a broad moving shape or a small textured element under another layer. Those choices influence fit more usefully than the promise that one style suits everyone.\n\nIssey Miyake’s official history identifies the 1993 launch of PLEATS PLEASE and its garment-pleating process. The brand’s care guide explains that these pieces are cut and sewn before pleating. That construction is a specific design approach, not a description of all pleated clothes. Check the line and product label before assuming that a similarly textured garment has the same behaviour or maintenance requirements.\n\n## Check expansion without using it to excuse poor fit\n\nTry the garment with the underlayers and footwear you plan to use. Look for the intended rhythm of folds in the areas that matter: across the shoulder, over the hip and around the hem. If folds are held open throughout an area that should remain softly gathered, compare another size or cut. The ability to expand does not by itself mean the garment feels or looks right.\n\nSit, reach forward and walk through a normal doorway. Notice whether a sleeve catches on a bag, whether the waistband moves, and how the fabric settles after you stop. Ask the retailer how that model is intended to sit on the body. Do not stretch a borrowed garment to demonstrate its maximum capacity; use everyday movement and respect the lender’s handling instructions.\n\n**A movement fitting for pleated garments**\n\n| Action | Observe | Possible response |\n| --- | --- | --- |\n| Stand naturally | Fold spacing and the garment’s resting outline | Compare size or model before adding a belt. |\n| Sit and rise | Waist position and fabric settling | Try a different waist construction if adjustment repeats. |\n| Reach forward | Shoulder and sleeve movement | Reassess underlayers and sleeve length. |\n| Walk and stop | Hem clearance and changing volume | Check with the intended shoes. |\n\n## Build an outfit around one clear change of texture\n\nChoose whether the pleats or the outer silhouette should lead. For a texture-focused look, place a relatively plain garment beside the pleated piece so the folds remain legible. For a silhouette-focused look, simplify competing accessories and view the outfit from farther away. A pleated top and trousers can also work together; compare the direction and density of their folds rather than expecting every texture to match.\n\nA hypothetical daytime outfit might pair a dark pleated skirt with a smooth cotton shirt and a compact bag. If the shirt hides the part of the skirt you enjoy, alter the shirt length or proportion first. For an evening version, changing the neckline and bag may be sufficient. Keep an outfit that works in motion instead of adding elements solely because they appear in the collection photograph.\n\n## Make care decisions before packing or steaming\n\nThe official UK PLEATS PLEASE care guide says not to iron or steam these pleated products, and recommends storage rolled along the pleats without sustained stretching or pressure. It also places the individual product’s handling and washing label above general guidance. Record these instructions in a wardrobe loan sheet so an assistant does not automatically steam everything on the rail.\n\nFor your own garment, keep its care label accessible and ask the brand about any contradiction or unfamiliar material. For a loan, agree how it will travel and how it should be returned. Do not hide a crease or damage with an improvised heat treatment. Allow unpacking time before a shoot and keep the piece away from a crowded bag where heavier items may distort its arrangement.\n\n## Photograph a sequence that explains the design\n\nPlan three different pieces of information: the resting silhouette, the folds opening during a modest movement, and a close detail of the texture. The model might walk one step, turn slowly, then pause; a repeated action is easier to compare than an unrelated series of dramatic poses. Select movement that the garment and wearer can repeat comfortably.\n\nCheck the images before increasing motion. If a small texture appears as distracting bands or loses detail, ask the photographer to adjust framing or lighting. Preserve the real fold structure in the edit and label the actual garment line. Your caption can describe what is visible without claiming that a single photographed design represents all Japanese fashion or every product by its designer.\n\n- Read the exact garment label before steaming, cleaning or storing.\n- Approve fit with the intended underlayers and shoes.\n- Record the resting shape before the movement sequence.\n- Credit the specific brand line and piece when identified.\n\n## FAQ\n\n### Can I steam PLEATS PLEASE clothing?\n\nThe official general care guide says not to iron or steam its pleated products. Consult the handling instructions for your exact garment and the brand if the label is unclear.\n\n### Are all pleated garments made after sewing?\n\nNo. PLEATS PLEASE uses a documented garment-pleating approach. Other products can use different constructions and materials, so do not transfer its care rules indiscriminately.\n\n### How can I show pleats in portfolio photographs?\n\nInclude a still full-length image, a controlled movement frame and a closer texture view. Together they explain the garment more clearly than several similar poses.\n\n## Sources and further reading\n\n- [Issey Miyake: Concepts and Work](https://mds.isseymiyake.com/im/en/) — Official designer history supports the 1993 PLEATS PLEASE launch and garment-pleating context. Styling and shoot exercises are original.\n- [Issey Miyake UK: Product Care](https://uk.isseymiyake.com/pages/product-care) — Official guidance supports the specific construction, storage and no-steam/no-iron statements for the named pleated lines, with individual labels taking priority.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Japan](https://thecastindex.com/world-style/japan)\n\n"},{"url":"https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief","markdownUrl":"https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief.md","title":"How to Turn Japanese Fashion Coverage Into a Portfolio Brief","lastmod":"2026-10-05T19:08:30Z","sha256":"1f26379f3d29a3c61e498a2bbc53b0079f8c68f21709f41256c4b4e15e2ad018","bytes":5078,"markdown":"# How to Turn Japanese Fashion Coverage Into a Portfolio Brief\n\n> Build an original model portfolio concept from fashion coverage with a clear silhouette, movement plan, wardrobe budget and usable shot list.\n\n- Canonical: https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief\n- Question: The practical takeaway\n- Direct answer: Turn fashion research into a portfolio brief by choosing one visual question, defining three styling decisions, planning movement around the garment, and agreeing a short shot list. Keep source links in your private research notes and create your own photographs.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Japan\n\n## Start with one question, not an entire mood board\n\nTurn runway research into a portfolio brief by choosing one idea the team can explore together. A useful reference should explain a silhouette, pose, texture or mood that matters to the shoot. Collecting more images helps only when each one clarifies a decision you still need to make.\n\nBefore collecting references, write the question your shoot should answer. For example: can one oversized jacket communicate both authority and ease? A specific question gives the model, stylist and photographer something to solve together. Save only references that help explain it. Record the publisher, designer, collection season and link where those details are available. Treat a runway season as a collection label; it may differ from the date you see the coverage.\n\n## Translate the reference into decisions you can make\n\nDescribe the idea without using a brand name: broad shoulders, a narrow colour range, and a visible change between stillness and motion. These observations can guide clothing you already own or can borrow. Avoid building a brief that depends on locating the exact garment in a magazine photograph. The production becomes more flexible when the team understands the visual effect.\n\nWrite down one requirement and one flexible choice for each look. A structured shoulder might be essential, while the jacket colour could be flexible. Check how the garments fit the actual model before booking the shoot. Editorial references are starting points; comfort, mobility and the intended image decide the final styling.\n\n## Plan what the model will demonstrate\n\nGive each setup a purpose. A standing full-length frame shows proportion; a seated frame reveals how the fabric folds; a walking sequence shows how it moves. Ask the photographer which framing will make these differences visible. Rehearse the transition between positions so the model can repeat a useful moment without forcing the same expression in every image.\n\nInclude a plain, clearly lit portrait if the portfolio needs a straightforward view of the face. Keep any agency-requested digitals separate and follow that agency’s current submission instructions. A fashion editorial can show interpretation and collaboration, while a casting submission may ask for something much simpler. Label the files accordingly.\n\n## Make the brief small enough to finish well\n\nFor a first test, plan two looks and a few complementary final images rather than a large fictional campaign. List the location, clothing owner, fitting time, arrival time, change space, weather alternative and person approving final selections. Put essential contact details in the production document shared with the team, not in public portfolio captions.\n\nAgree image permissions, credits and delivery expectations before shooting. After the session, select images that answer the original question instead of every technically successful frame. Note what worked, what took too long and what you would change. This creates a repeatable portfolio process, with each shoot adding a specific capability instead of another collection of unrelated poses.\n\n## FAQ\n\n### Do I need designer clothes for an editorial portfolio test?\n\nNo. Fit, proportion, a clear concept and thoughtful photography can communicate the idea using owned or borrowed clothes. Use designer pieces only when they serve the brief and fit the available budget.\n\n### Can I publish magazine pictures in my portfolio?\n\nUse your own photographs or images you have permission to publish. Keep magazine links as research references; seeing a photograph online does not grant reuse rights.\n\n## Sources and further reading\n\n- [Vogue Japan: Fashion](https://www.vogue.co.jp/fashion) — Vogue Japan’s fashion section brings together collection coverage, fashion stories and accessories. Topic reference checked on 6 October 2026. The research questions and portfolio-planning framework are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Japan](https://thecastindex.com/world-style/japan)\n\n"},{"url":"https://thecastindex.com/journal/japan-soft-styling-technical-shoes","markdownUrl":"https://thecastindex.com/journal/japan-soft-styling-technical-shoes.md","title":"Soft Styling and Technical Shoes: A Practical Outfit Guide","lastmod":"2026-10-05T19:08:30Z","sha256":"ffcec4f8e5f70a618de3c3f679183b2adc93239f4fa2865b686b5314efb2df41","bytes":5172,"markdown":"# Soft Styling and Technical Shoes: A Practical Outfit Guide\n\n> Adapt the contrast seen in Japanese fashion coverage with a repeatable outfit method that balances texture, shoe scale, colour and movement.\n\n- Canonical: https://thecastindex.com/journal/japan-soft-styling-technical-shoes\n- Question: The practical takeaway\n- Direct answer: Pair a softer garment with a more substantial shoe, then connect them through one repeated colour or material. Check the silhouette in motion and choose accessories that support the outfit’s main contrast. The combination can work with pieces already in your wardrobe.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Japan\n\n## Balance softer fabrics and substantial shoes\n\nPair softer clothing with technical shoes by deciding how much contrast you want the outfit to carry. Start with the shape and weight of the shoe, then choose a garment whose movement or surface offers a useful contrast. Keep the rest of the outfit simple while you assess that relationship.\n\nThe useful lesson is a relationship between elements, rather than a shopping list. A fluid skirt and a substantial trainer create different visual weights; a soft knit and a structured shoe offer a quieter version. Decide whether you want the contrast to be obvious or subtle. That decision helps you choose proportions and avoids adding competing statements without a purpose.\n\n## Build the outfit from the piece you actually wear\n\nBegin with a garment you already know is comfortable. Try it with two shoes: your familiar option and a visually heavier or more technical one. Photograph both from the same distance. Compare the whole silhouette before judging tiny details. If the footwear overwhelms the outfit, try a different hem length or a simpler upper layer before replacing everything.\n\nUse repetition as an editing tool. A small dark detail near the face can connect with dark footwear; a visible sock can link two colours already in the outfit. You do not need an exact match. Remove one accessory and check whether the outfit becomes easier to read. The goal is a deliberate contrast with enough space around it.\n\n## Check the outfit for the day you have planned\n\nTry sitting, climbing a step and walking with the bag you intend to carry. Watch for a hem that catches under the shoe, a strap that repeatedly slips, or layers that need constant adjustment. These are practical styling problems, not problems with the wearer. Solve them at home, where changing one piece is easy.\n\nChoose footwear for its actual use as well as its appearance. A technical-looking trainer does not automatically suit every activity or weather condition. Check the product’s intended purpose if performance matters. For an indoor fashion shoot, clean the sole and bring a backup pair so the team can compare the line of the outfit without losing time.\n\n## Photograph contrast without losing the clothes\n\nFor a personal outfit record, use a plain background and include the whole shoe. Make one standing photograph and one movement frame. If creating a portfolio story, tell the photographer whether fabric movement, styling detail or the complete silhouette is the priority. This helps the model choose gestures that reveal the idea.\n\nWrite a short wardrobe note after wearing the combination: what stayed comfortable, what moved unexpectedly and which piece you would change. Three tested outfits are more useful than dozens of saved references you never try. Repeating the strongest combination with a different owned top is a practical way to develop a recognisable style without making every outing a new purchase.\n\n## FAQ\n\n### Do technical shoes only work with sportswear?\n\nNo. They can create an intentional contrast with skirts, tailoring or softer knits. Judge the complete silhouette and the demands of your day rather than treating one shoe category as a fixed dress code.\n\n### How do I keep a mixed outfit from looking busy?\n\nChoose one main contrast and repeat a colour or material in a small detail. Remove competing accessories, then compare a full-length photograph before deciding whether anything else is needed.\n\n## Sources and further reading\n\n- [WWDJAPAN: Ray Beams × Salomon launch-party style snapshots](https://www.wwdjapan.com/articles/2518292) — WWDJAPAN’s Ray Beams × Salomon report describes guests combining sweet styling cues with tougher footwear and darker accents at Beams Women Harajuku on 2 October 2026. Topic reference checked on 6 October 2026. The outfit-building method is original Cast Index guidance.\n- [WWDJAPAN fashion coverage](https://www.wwdjapan.com/category/fashion) — Official category links to the Ray Beams × Salomon report; a useful fallback if the direct link does not load.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Japan](https://thecastindex.com/world-style/japan)\n\n"},{"url":"https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash","markdownUrl":"https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash.md","title":"Japanese Denim Buying Guide: Fit, Finish and First-Wash Questions","lastmod":"2026-10-05T19:54:57Z","sha256":"3baa164922c1f2b7101177ff2afad80f94408bd5833dd8c419afb4fc2cf50a8c","bytes":7570,"markdown":"# Japanese Denim Buying Guide: Fit, Finish and First-Wash Questions\n\n> Compare Japanese denim through garment measurements, wash state, movement and care, with a practical checklist for buying a pair you will wear.\n\n- Canonical: https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash\n- Question: The practical takeaway\n- Direct answer: Choose Japanese denim by the fit and finish of the actual pair. Ask whether it has been washed, compare garment measurements, test sitting and walking, and confirm care before hemming. A regional story or selvedge edge cannot answer those questions for you.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Japan\n\n## Start with the pair you need, then investigate its origin\n\nBefore browsing Japanese denim, describe the job your jeans need to do. A rigid straight leg for occasional dressing, a relaxed pair for daily commuting and a close-fitting pair worn under a long jacket are different purchases. Write down your preferred rise, leg shape and footwear. Take measurements from a pair that already works, following the seller’s measurement method rather than assuming every size label means the same thing.\n\nKojima in Kurashiki provides a concrete starting point for research: the Japan National Tourism Organization identifies its Jeans Street and the Betty Smith Jeans Museum as places connected to local denim production. That regional history is useful context. For an individual product, separately ask where the fabric was woven, where the jeans were sewn and which processes the maker performed. Record only the origin information the seller can substantiate.\n\n## Separate wash state, fabric weight and construction\n\nA buying conversation becomes clearer when these details occupy separate lines. Ask whether the pair is sold unwashed or washed, whether the fabric has received a shrink-control treatment, and what dimensional change the maker expects under the recommended care. Do not turn a broad label such as raw or one-wash into a precise shrinkage prediction. Request guidance for the exact model and size you are considering.\n\nFabric weight describes another characteristic; it does not tell you whether the waistband will feel comfortable or the knee will bend easily. Likewise, an attractive finished fabric edge does not settle the quality of the complete garment. Inspect pocket access, seam finishing, fastening and balance on your body. If a shop uses unfamiliar terminology, ask staff to show what it means on the pair instead of buying on vocabulary alone.\n\n**Questions that lead to a usable denim specification**\n\n| Detail | Ask the seller | Why it changes the decision |\n| --- | --- | --- |\n| Wash state | Has this exact pair already been washed? | Establishes the starting point for fit discussions. |\n| Expected change | What changes under the labelled wash method? | Helps decide when to hem. |\n| Measurements | How are rise, thigh and waist measured? | Makes comparisons with owned jeans meaningful. |\n| Alteration | Which hemming options preserve the intended finish? | Separates fit needs from decorative preferences. |\n\n## Fit for sitting as well as standing\n\nFasten the jeans normally, without pulling the waist into a position you would not maintain during the day. Walk, sit on a chair and bend to pick up a bag. Check whether the waistband folds, the pockets pull open or the upper leg restricts a comfortable stride. Try the same movements in the adjacent size when possible. Do not assume an uncomfortable area will stretch into the right shape.\n\nLook at front, side and back views while standing naturally. A belt may adjust a small waist difference, but it should not be required to rescue a markedly unsuitable cut. If the rise works and the thigh does not, compare a different model before simply increasing the size. Keep shoes on when checking the hem so you can see the actual break and whether the fabric catches underfoot.\n\n## Treat the first wash and hemming as linked decisions\n\nMomotaro’s published care guidance recommends regular washing, warns about colour transfer and advises against tumble drying its jeans. These are manufacturer instructions for its products, not a universal formula for every Japanese denim label. Start with the care information attached to your own pair. Ask the seller how washing interacts with the fit before commissioning an irreversible alteration.\n\nIf the shop recommends washing before hemming, build that into your schedule rather than demanding an event-ready finish the same afternoon. Save the original measurements and compare them after following the agreed care method. Protect pale bags, seating and other clothing from possible dye transfer according to the product’s warnings. For a borrowed shoot sample, obtain the owner’s instructions; do not wash or alter it as an experiment.\n\n## Make a purchase record you can use later\n\nKeep the model name, size, fabric description, wash state and receipt together. Add the care label photograph and any written advice on alterations. These details make a future replacement, repair enquiry or resale description more accurate. A fitting-room picture taken with permission also helps distinguish a silhouette you liked from a pair whose story persuaded you.\n\nFor a denim editorial, photograph the whole cut as well as the interesting surface. A close-up of stitching cannot show rise or leg proportion. Credit the actual maker and model when known, and describe personal wear observations as your observations. There is no need to promise dramatic fading or a particular lifespan. The useful outcome is a pair whose dimensions, use and maintenance you understand.\n\n- Compare the actual garment measurements with a reliable reference pair.\n- Confirm wash state and care before paying for hemming.\n- Test sitting, walking and pocket access.\n- Save the product identity, receipt and alteration agreement.\n\n## FAQ\n\n### Should Japanese denim always be bought one size smaller?\n\nNo. Choose from the maker’s measurements and advice for that exact fabric and wash state. A general sizing rule cannot account for differences in rise, cut, treatment or your preferred fit.\n\n### Does selvedge mean the jeans will fit or last better?\n\nThe edge detail does not establish fit or predict a garment’s life. Compare construction, dimensions, intended use and care alongside the fabric description.\n\n### Should I avoid washing jeans to preserve them?\n\nFollow the maker’s care instructions. Momotaro explicitly recommends regular washing; its guidance does not support leaving its jeans unwashed indefinitely.\n\n## Sources and further reading\n\n- [Japan National Tourism Organization: Kojima Jeans Street](https://www.japan.travel/en/spot/917/) — Primary tourism reference for Kojima’s denim district and Betty Smith Jeans Museum. The buying framework is original Cast Index guidance.\n- [Momotaro Jeans: Care for denim products](https://momotarojeans.com/en/pages/care) — Manufacturer guidance supports the limited statements on regular washing, colour transfer and avoiding tumble drying; other brands require their own instructions.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Japan](https://thecastindex.com/world-style/japan)\n\n"},{"url":"https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling","markdownUrl":"https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling.md","title":"One Pair of Tailored Trousers, Three Everyday Outfits","lastmod":"2026-10-05T19:08:30Z","sha256":"5e379e4383b60a3993dca7135aef5659944dc5da53af6fb742e09c0fc3a8e0e6","bytes":5293,"markdown":"# One Pair of Tailored Trousers, Three Everyday Outfits\n\n> Restyle one pair of tailored trousers for errands, work and dinner with three concrete outfit formulas and a practical care plan.\n\n- Canonical: https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling\n- Question: The practical takeaway\n- Direct answer: Give one pair of tailored trousers three jobs: knitwear and trainers for casual plans, a shirt and loafers for a polished day, and a dressier top with a jacket for dinner. Use pieces you own, then check the trousers’ care needs before putting all three looks into your weekly rotation.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: South Korea\n\n## Choose one pair for the whole exercise\n\nGive one pair of tailored trousers several everyday uses by changing the pieces around it. Work with the pair’s actual length, volume and level of formality, then build combinations for places you regularly go. A small wardrobe exercise can reveal useful options before you decide to buy another pair.\n\nFor this exercise, choose a comfortable pair already in your wardrobe. Black, navy, brown, grey or a colour you enjoy can all be the starting point. Lay out three tops, two suitable shoe options and an outer layer before shopping. The purpose is to find combinations you will actually use. Follow any workplace or venue dress code when selecting the final pieces.\n\n## Formula one: knitwear, trousers and trainers\n\nTry the trousers with a simple knit, clean everyday trainers and a bag that leaves your hands free. A cream knit with navy trousers is one possible combination; use colours you already wear. Turn back an oversized cuff or adjust the tuck only if it makes the outfit more comfortable and deliberate.\n\nThis is the casual option for errands, a relaxed lunch or travelling between plans. Choose socks you are happy to show when seated. If the trousers drag with the trainers, use another suitable shoe or trouser pair instead of planning to hold the hem up all day.\n\n## Formula two: shirt, trousers and loafers\n\nPair the same trousers with a shirt and loafers, or another comfortable closed shoe that suits the setting. Try a pale blue shirt with charcoal trousers, or a patterned shirt that repeats a colour already in the trousers. Use a belt when it serves the fit or the outfit; it is not a compulsory finishing touch.\n\nKeep the shirt tucked, partly tucked or loose according to its length and the shape you prefer. Add a cardigan or jacket you already own if your day includes cooler rooms. Pack your work bag during the trial so the finished outfit accounts for what you carry.\n\n## Formula three: dressier top, trousers and a jacket\n\nFor dinner or an informal evening event, try a top with an interesting neckline or texture and a lightweight jacket. With plain trousers, a softly reflective fabric or a detailed sleeve can supply the change of mood. Keep the daytime shoes if they fit the occasion, or switch to another comfortable pair already in your wardrobe.\n\nChoose one accessory you enjoy, such as earrings, a bracelet or a small bag. Check the outfit with the jacket both on and off. If you are changing after work, pack only the top and accessory rather than transporting an entirely separate outfit.\n\n## Plan care so the trousers stay in rotation\n\nRead the garment’s care label before scheduling several wears. Some trousers need professional care; others can be washed at home under specified conditions. Follow the label for cleaning, drying and ironing rather than assuming every tailored fabric tolerates the same treatment.\n\nAfter wearing, empty the pockets and inspect the waistband, seat and hems. Deal with cleaning needs before returning the trousers to the ready-to-wear part of your wardrobe. Save a photograph of each complete outfit and note what needs washing or repair. If cleaning means the trousers will be unavailable, plan another outfit instead of buying a duplicate automatically.\n\n## FAQ\n\n### Do tailored trousers have to match the jacket?\n\nNo. Separates can work well when their colours, proportions and level of formality suit the occasion. Try the whole outfit together, including the shoes and bag, before deciding what is missing.\n\n### Can I wear the same trousers from work to dinner?\n\nYes, when the dress codes and the garment’s condition allow it. A different top or accessory may be enough. Check the evening outfit in advance and pack only the changes you need.\n\n## Sources and further reading\n\n- [Harper’s BAZAAR Korea: Everyday tailored trousers for autumn](https://www.harpersbazaar.co.kr/article/1910850) — Harper’s BAZAAR Korea’s 1 October 2026 feature presents tailored trousers, including wide shapes and pinstripes, beyond office dressing. Topic reference checked on 6 October 2026. The three-outfit exercise is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from South Korea](https://thecastindex.com/world-style/south-korea)\n\n"},{"url":"https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief","markdownUrl":"https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief.md","title":"Sculptural Korean Eyewear: A Portrait Styling and Fit Brief","lastmod":"2026-10-05T19:54:57Z","sha256":"674bd8f1e5230bcfbb97f64b89669f2b9db45f295c3d75eb67242dc3e6bfe7b8","bytes":7774,"markdown":"# Sculptural Korean Eyewear: A Portrait Styling and Fit Brief\n\n> Plan a portrait around expressive eyewear with a practical frame comparison, reflection check and product-specific handling plan.\n\n- Canonical: https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief\n- Question: The practical takeaway\n- Direct answer: Choose the frame’s role before styling the portrait: a quiet outline, a visible structural detail or the main statement. Compare the exact frame dimensions and on-face fit, check reflections under the planned light, and let the wearer’s comfort set the limits of the pose.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: South Korea\n\n## Decide whether the frame or the face leads\n\nAn eyewear portrait can show a person wearing an expressive accessory or examine the accessory as the main design object. Decide which you are making before selecting makeup, earrings and hair. If every element competes for the same area around the face, the frame’s construction may become harder to understand. Start with the clearest version of the idea, then add details deliberately.\n\nGentle Monster’s 2026 Bouquet collection provides a specific reference: the brand describes loops, tangles and ties drawn from botanical structures. That description belongs to this collection, not to all Korean eyewear. You can use the design question it raises—how a side detail changes a portrait—without copying its campaign or treating one brand as a national style.\n\n## Compare measurements with the frame the wearer already knows\n\nWrite down the product’s stated lens width, bridge, front width and temple length when available. Gentle Monster’s official Monaco 01 page, for example, provides these dimensions separately. The useful lesson is to compare like with like. A single number on a temple or a broad description such as oversized does not tell you how the complete frame will sit on a particular wearer.\n\nIf possible, compare the candidate with a comfortable owned frame and then try it on. Check whether it stays in place during ordinary head turns, whether the temples press and whether it contacts the cheeks in a way the wearer dislikes. Measurements narrow the search; they do not replace a fitting. Ask a qualified optical professional about prescription compatibility or adjustments rather than bending a frame on set.\n\n**Three possible roles for eyewear in a portrait**\n\n| Role | Styling decision | Camera check |\n| --- | --- | --- |\n| Face-led portrait | Keep nearby accessories simple | Can the expression still be read? |\n| Temple-detail study | Arrange hair to reveal one side | Is the detail visible in a three-quarter view? |\n| Statement accessory | Reduce competing neckline and colour elements | Does the complete shape remain legible in the crop? |\n\n## Make a reflection test before finalising the look\n\nUse the actual frame and planned lighting for a short test. Review one direct view and one three-quarter view, with the wearer looking at the intended point. Ask the photographer to identify reflections that conceal a feature needed for the story. Adjust light, camera position or pose while keeping the wearer comfortable; do not repeatedly demand an awkward neck angle to solve a lighting problem.\n\nAgree whether reflections are part of the visual idea. A controlled reflection may give sunglasses shape, while a bright rectangle across an optical lens may hide an expression you wanted to show. Choose the balance intentionally. Avoid promising a completely reflection-free result for every lens or lighting setup. Keep one approved reference frame so the team has a consistent target as the shoot continues.\n\n## Coordinate hair, makeup and handling around the frame\n\nFit the eyewear before finishing hair beside the temples. Test whether curls, fringe or earrings obscure a detail or catch during removal. The wearer should be able to take the frame off normally without dismantling the whole look. For a close-up, check the interaction between the lower rim and cheek colour at the final crop; this is a composition decision, not a rule about a particular face shape.\n\nGentle Monster’s Korean customer-care page warns that acetate frames can deform or discolour with prolonged heat exposure and recommends a microfiber cloth for moisture and oil. It also advises avoiding alcohol-containing cleaners on these frames. Follow instructions for the exact material and product. Keep the case nearby, and assign one person to handle borrowed eyewear instead of passing it around the crew.\n\n## Build a useful three-image edit\n\nA compact edit can include a clear portrait, a three-quarter construction view and a wider image showing the accessory with the outfit. These frames answer different questions. The first introduces the wearer, the second explains a design feature and the third establishes scale. If all three images repeat the same crop and angle, choose one and use the remaining space to show something new.\n\nCredit the exact frame when identified, but avoid adding performance claims from styling alone. A photograph cannot demonstrate lens protection, durability or comfort over a full day. If the shoot uses a loan or a gifted product, retain that information for the appropriate disclosure. Keep original photography separate from the collection images used during research, and obtain publication rights for any third-party material before including it.\n\n- Define face-led, detail-led or accessory-led composition.\n- Compare complete dimensions and check fit on the wearer.\n- Approve reflections under the actual light.\n- Record material-specific care and return the frame in its case.\n\n## FAQ\n\n### Can face-shape rules choose the right eyewear for me?\n\nThey can offer styling ideas, but they do not replace measurements, comfort and your preferred visual effect. Compare actual frames on your face and choose the role you want the accessory to play.\n\n### Should the model remove prescription lenses for a photograph?\n\nDo not make that decision solely for styling. Discuss lens options with the wearer and an optical professional; solve ordinary reflection problems through the production setup where possible.\n\n### Can I copy a brand’s campaign pose and use its pictures as my reference images?\n\nResearch a design question and create your own sequence. Keep campaign links in research notes; publishing the brand’s photographs requires appropriate permission.\n\n## Sources and further reading\n\n- [Gentle Monster: 2026 Bouquet Collection](https://www.gentlemonster.com/au/en/category/collections/2026-collection) — Brand’s primary collection description supports botanical loops, tangles and ties as a specific design reference; no hands-on testing or broad Korean-style claim is made.\n- [Gentle Monster: Monaco 01](https://www.gentlemonster.com/us/en/item/WXJU1A2HOB52/monaco-01%EC%A0%A0%ED%8B%80%EB%AA%AC%EC%8A%A4%ED%84%B0) — Official product page demonstrates separately listed frame dimensions. It is an information example, not a stock, price or purchase recommendation.\n- [Gentle Monster Korea: Customer Care](https://www.gentlemonster.com/kr/en/customercare) — Supports limited acetate handling guidance, professional fitting care and the need to check lens compatibility. Individual product instructions remain relevant.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from South Korea](https://thecastindex.com/world-style/south-korea)\n\n"},{"url":"https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide","markdownUrl":"https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide.md","title":"Liquid Blush on Deep Skin: Shade, Placement and Camera Checks","lastmod":"2026-10-05T19:08:30Z","sha256":"348e5347ce0ef8a86441681520dabfc715e0a7a284034ac450184c5c903d6e4e","bytes":5123,"markdown":"# Liquid Blush on Deep Skin: Shade, Placement and Camera Checks\n\n> Choose liquid blush by its visible finish on your skin and test placement under consistent light before an event or beauty photoshoot.\n\n- Canonical: https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide\n- Question: The practical takeaway\n- Direct answer: Choose liquid blush by comparing its visible colour and finish on your skin, then build the amount gradually. For photographs, keep lighting consistent and check the result at the final framing distance. Product names and bottle colour alone cannot tell you how a shade will look.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: India\n\n## Compare the result, not the shade name\n\nChoose liquid blush for deep skin by assessing the effect you want on your own face: a subtle tint, visible colour or a particular finish. Make the comparison in consistent light and with a clear application plan. A shade recommendation becomes useful when you can judge how it works within your intended look.\n\nWhen comparing shades, look at the visible colour and finish after application rather than relying only on a name such as rose, berry or nude. Those labels are not standardised across brands. If a suitable sample is available, compare a small number of options under the same conditions. Record which one gives the effect you want instead of trying to identify a universally correct colour.\n\n## Choose a placement with the whole face in view\n\nStart with the makeup you expect to wear that day. Lip colour, eye definition and clothing can change how much emphasis you want on the cheeks. Decide whether the blush should be a subtle part of the overall look or the main colour statement. There is no requirement to create one prescribed face shape.\n\nApply gradually using the product’s instructions and a clean tool. Step back from the mirror between adjustments. It is easy to keep adding while looking closely at one cheek and miss how the colour reads across the whole face. Compare both sides at a normal viewing distance, remembering that natural facial asymmetry does not need to be erased for a successful look.\n\n## Rehearse the makeup in the lighting that matters\n\nIf preparing for an event, check the look in daylight and under the type of indoor light you expect. For a beauty shoot, make a camera test with the photographer before finalising intensity. A close-up portrait and a wider fashion frame can require different visual emphasis. Let the image and the intended mood guide the adjustment.\n\nKeep the camera position and lighting unchanged when comparing two versions. Avoid a beauty filter during the comparison, and do not use a heavily edited selfie as evidence of product performance. Record the actual products and amount used in broad terms so a makeup artist can repeat the look. Your rehearsal tells you about your application in those conditions, not a guaranteed result for everyone.\n\n## Build a useful touch-up and continuity plan\n\nCheck how the makeup looks after the activities you actually expect, such as travelling to a venue or changing clothes. Note whether the colour needs adjustment and where the rest of the makeup has moved. Avoid assuming that a product described as long-wearing eliminates every need for a touch-up; the complete makeup and setting both matter.\n\nFor a shoot, keep clean applicators, the chosen product and an approved reference photograph together. Let one person manage touch-ups so the colour does not steadily intensify between frames. For personal use, save a brief note with the outfit photograph: shade, placement, accompanying lip colour and any change you would make. That record helps you repeat a look you like without restarting the shade search every time.\n\n## FAQ\n\n### Are bright blush shades suitable for deep skin?\n\nThey can be. Judge the applied colour, finish and amount on your own skin. Brightness in the bottle does not determine how subtle or expressive the finished look will be.\n\n### How do I compare blush shades fairly in photos?\n\nUse the same light, camera position and makeup base, and avoid filters. Compare the result at the framing distance you intend to use, then choose the effect you prefer.\n\n## Sources and further reading\n\n- [Femina: Liquid blushes for deep skin tones](https://www.femina.in/beauty/products/10-weightless-liquid-blushes-that-blend-seamlessly-on-deep-skin-tones-291531.html) — Femina’s liquid-blush feature focuses on options for deep skin tones. Topic reference checked on 6 October 2026. The shade-comparison and camera-check framework is original Cast Index guidance, without adopting the publisher’s product list or claiming hands-on tests.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from India](https://thecastindex.com/world-style/india)\n\n"},{"url":"https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom","markdownUrl":"https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom.md","title":"London Fashion Week SS27: Follow New Talent Beyond the Show","lastmod":"2026-10-05T21:18:44Z","sha256":"3f58effae10de430d8800a3a39d9271c7c81b4206f51cf2176abce8d7e2ae53e","bytes":8061,"markdown":"# London Fashion Week SS27: Follow New Talent Beyond the Show\n\n> Read London’s September 2026 season through emerging designers, established-house returns and the next showroom stage, using the BFC’s official records.\n\n- Canonical: https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom\n- Question: The practical takeaway\n- Direct answer: London’s SS27 week ran from 17–21 September 2026. The most useful follow-up is to distinguish a designer’s show, support programme and commercial availability. The BFC’s closing report and London Show Rooms announcement provide a route from the September programme to October research without implying that every runway piece is already for sale.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T21:18:44Z\n- Country: United Kingdom\n\n## Look at the shape of the completed week\n\nA fashion week contains several kinds of encounter with clothes. A catwalk communicates a sequence; a presentation may allow a different pace; a digital activation reaches people outside the room. The BFC’s closing report for 17–21 September 2026 records 47 catwalk shows, 23 presentations and 10 digital activations. Those are the organiser’s categories and reported counts, not a measurement of which collections mattered most.\n\nFor a useful review, first decide what you are trying to understand. A stylist may need material and sample information. A model may want to study how a collection asks its cast to move. A reader following a new label may want a route to the designer’s own work. These questions require different evidence, even when they begin with the same show.\n\n## Read returns and debuts on their own terms\n\nThe closing report highlights McQueen’s London return, Christopher Kane’s first collection for Mulberry and Marks & Spencer’s LFW debut with a see-now-buy-now catwalk show. These are different kinds of development: a location choice, a creative introduction and a retail format. Combining them under one claim about ‘the London look’ would flatten the more interesting story.\n\nBuild separate notes for the creative proposition and the buying proposition. A collection can be compelling to research without an immediate product page, while a retail launch may offer a direct route to buying. Do not infer availability from a show date. Follow the brand’s own link and check the specific item, region, size and delivery terms if your next step is a purchase or a production loan.\n\n## Follow the support structure behind an emerging name\n\nThe BFC describes NEWGEN as a programme combining financial support, mentoring and showcasing opportunities. Its 2026/27 recipients include newcomers Francesca Lake, Gui Rosa and Petra Fagerström. That context helps explain why a programme credit is meaningful, but it does not turn selection into a guarantee about quality, future growth or the suitability of every item for a particular job.\n\nChoose one designer and document the path from support programme to current collection to a professional contact route. Keep the designer’s own description of the work beside your independent questions. If you are researching technique, ask for a process or material source. If you are researching a potential loan, ask about sample availability. An emerging label should not have to guess whether an enquiry is a purchase, a feature request or an unpaid collaboration.\n\n## Use the showroom as a second research stage\n\nThe BFC announced London Show Rooms in Paris for 1–6 October 2026 at the Architect’s House, with designers including Francesca Lake, Gui Rosa and Petra Fagerström. As of early 6 October in Jakarta, that programme was still within its announced date range. A showroom listing is a useful continuation of the London story, not an invitation to arrive without checking access and appointments.\n\nOur practical reading is that the showroom creates a separate research question: how does the work function when somebody needs to discuss fabric, sizing, delivery and an order? Even if you cannot attend, the programme helps you identify which official brand channels to consult. Do not fabricate observations of garments you have only seen in a schedule or imply a buyer relationship you do not have.\n\n**Match the follow-up to the question**\n\n| Your purpose | Next evidence to seek | Useful output |\n| --- | --- | --- |\n| Understand the collection | Official film, lookbook and designer notes | A clearly attributed reading of selected looks |\n| Source for an editorial | Verified press contact and loan conditions | An agreed sample and credit brief |\n| Assess a purchase | Current product details and seller terms | A decision on a specific item |\n| Research the business pathway | Support and showroom programme records | A dated account of participation, not sales claims |\n\n## Turn interest into a precise enquiry\n\nA hypothetical enquiry might introduce a planned portrait story, name the desired garment and date, explain the publication and image use, and ask whether a sample is available. Include the budget and return arrangements when relevant. The maker can then answer a concrete request instead of an open-ended promise of exposure.\n\nFor a written season review, end with the verified relationship you found: a programme introduced a designer, an official collection supplied the creative evidence, and a showroom announcement identified a later professional context. Leave sales, acclaim and influence unmeasured unless you have evidence suited to those claims. The result is a more useful account of London’s fashion ecosystem than a list whose only conclusion is that every name is one to watch.\n\n- Identify whether your source is a closing report, advance programme or brand collection page.\n- Keep creative appointments, programme participation and retail availability separate.\n- Use a current official contact route for professional enquiries.\n- State the intended project, dates, budget and use of any borrowed pieces.\n- Credit participation accurately without inventing sales or audience figures.\n\n## FAQ\n\n### Was London Fashion Week SS27 finished by 6 October 2026?\n\nYes. The BFC’s closing report covers 17–21 September 2026. A subsequent Paris showroom programme was announced for 1–6 October.\n\n### Does a NEWGEN credit mean I can buy every runway look?\n\nNo. Programme participation and product availability are different questions. Check the designer’s current sales information or make a specific enquiry.\n\n### Can I attend a showroom because it appears on a public programme?\n\nA published listing does not by itself establish public access. Confirm the organiser’s current eligibility, appointment and accreditation arrangements before planning a visit.\n\n## Sources and further reading\n\n- [BFC: London Fashion Week September 2026 Closing Report](https://www.britishfashioncouncil.co.uk/BFCNEWS/5106/LFW-CLOSES-WITH-INTERNATIONAL-BUYER-GROWTH-MAJOR-BRITISH-RETURNS-AND-A-NEW-GENERATION-OF-TALENT) — Primary post-event report supporting the completed dates, organiser-reported formats and named returns/debuts.\n- [BFC NEWGEN](https://www.britishfashioncouncil.co.uk/BFC-Initiatives/BFC-NEWGEN) — Primary programme description and recipient information; selection is not presented as a product endorsement.\n- [BFC: London Show Rooms Returns to Paris This October](https://britishfashioncouncil.co.uk/BFCNEWS/5107/LONDON-SHOW-ROOMS-RETURNS-TO-PARIS-FASHION-WEEK-THIS-OCTOBER-) — Primary announcement supporting the 1–6 October 2026 showroom dates, location and selected participating names. Practical enquiry advice is our own.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\n"},{"url":"https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study","markdownUrl":"https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study.md","title":"Milan Fashion Week SS27: Study One Shape, Then Question the Material","lastmod":"2026-10-05T21:18:44Z","sha256":"9966cb127424e1fcf82b0256f125a0c63c7c1631c7f75d6a6649b50be98ac904","bytes":8020,"markdown":"# Milan Fashion Week SS27: Study One Shape, Then Question the Material\n\n> Use Milan’s official SS27 calendar and Prada’s collection notes to examine repeated silhouettes, functional details and material appearances without inventing trends.\n\n- Canonical: https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study\n- Question: The practical takeaway\n- Direct answer: Milan’s SS27 calendar ran from 22–28 September 2026 and included digital presentations on its final day. Prada’s official collection notes offer a focused study of variation around a skirt silhouette. Use that example to separate shape, fastening and material claims; one house’s idea is not automatically a Milan-wide trend.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T21:18:44Z\n- Country: Italy\n\n## Include the whole calendar in the research window\n\nMilan’s official spring/summer 2027 calendar covered 22–28 September 2026. The final day included digital presentations, with names such as UNIFORM, Nadya Dzyak and Banke Kuku on the programme. A review that stops after the last physical show it remembers can therefore miss part of the announced week. Check the organiser’s record before defining the boundaries of your edit.\n\nA calendar establishes scheduling and format. It does not by itself prove what appeared in every presentation or how an audience responded. For a post-week research file, pair each selected entry with an official collection page, film or press description. If that evidence is unavailable, retain the name as a research lead rather than filling the gap with assumptions about the clothes.\n\n## Use Prada as a bounded collection example\n\nPrada’s official SS27 notes identify Miuccia Prada and Raf Simons and describe a study of variation around a particular skirt silhouette. The same account discusses functional fastenings becoming decoration, including crystal embroidery on Velcro and embellished snap fasteners. This is a specific, attributed collection proposition, not our observation from handling the garments.\n\nThe idea offers a useful analytical constraint: hold one element steady and ask what the changes around it accomplish. For a collection study, make separate notes for outline, closure, surface and the relationship with adjacent garments. You are then comparing decisions within a defined frame, rather than treating every look as an unrelated image competing for attention.\n\nDo not make the exercise depend on reproducing a proprietary design. Its useful lesson is a way of looking. A student or stylist can study how repeated parameters clarify differences, then develop an original brief using different garments, materials and purposes.\n\n## Do not name a material from appearance alone\n\nPrada’s notes explicitly mention cotton treated to resemble leather or suede and industrial materials used in pleated forms. That is a timely reminder that a surface impression can be misleading. If an image seems to show leather, lace or a familiar stiffening fabric, check the available description before naming the material as a fact.\n\nRecord what you can see separately from what the source identifies. ‘A glossy surface’ is a visual description; a named fibre or treatment is a material assertion. Neither replaces the other. When the source is incomplete, write a precise visible description and leave the composition unresolved. This makes your captions more useful and avoids turning an aesthetic resemblance into inaccurate product information.\n\n**Four questions for a repeated silhouette**\n\n| Element | Observation to record | Further evidence needed |\n| --- | --- | --- |\n| Outline | How the shape relates to the body | Consistent front, side or moving views |\n| Fastening | Where an opening or closure is visible | Brand explanation of its function |\n| Surface | Texture, shine and apparent weight | Material or treatment documentation |\n| Styling relationship | What changes beside the central garment | Comparable views from the same collection |\n\n## Compare physical and digital evidence fairly\n\nA film may permit repeated viewing and close inspection of a timed gesture, while a static lookbook can make a series of silhouettes easier to compare. Neither automatically gives access to weight, touch or construction. Describe your source type so readers understand the basis of the conclusion.\n\nFor a hypothetical exercise, select three identifiable looks from one official collection record and ask how a closure changes the visible surface. Note the look identifiers, describe only the details you can support and add the maker’s explanation in a separate column. Do not expand the result into a claim that all Milan designers are adopting the same approach. A cross-house argument would require additional collections and a clear selection method.\n\nGive digital-calendar entries the same disciplined attention as a familiar house. Seek their official material and ask an equivalent question, rather than adding them as an unexplained list at the end. If the available formats differ, narrow the comparison to what both sources can show.\n\n## Translate the study into an original production brief\n\nA useful brief might ask a team to explore how one garment changes when a functional detail becomes visible. Specify the garment you have, the permitted alterations, the movement required and the source of the research idea. Borrowed or archive clothes need their owner’s consent before any modification; a research reference does not authorise changing the actual item.\n\nFor publication, distinguish collection facts, our interpretation and a proposed exercise. Use licensed photographs with their required credits or clearly identified illustrations. The finished article can then offer a concrete lesson in reading clothes while preserving the difference between official documentation, independent analysis and an idea that has not yet been produced.\n\n- Use the full official week, including its digital programme, as the date boundary.\n- Pair a calendar entry with actual collection evidence before reviewing clothes.\n- Keep material names tied to documented information.\n- Record identifiable looks or timestamps for visual analysis.\n- Describe an original exercise as proposed or hypothetical, not as a completed test.\n\n## FAQ\n\n### When did Milan Fashion Week SS27 take place?\n\nThe CNMI official calendar covers 22–28 September 2026. Its final day includes digital presentations, so the research window should include those entries.\n\n### Can a runway image tell me whether a garment is leather?\n\nAppearance alone is insufficient. Check the brand’s material information; Prada’s SS27 notes specifically describe some cotton treated to resemble leather or suede.\n\n### Does a repeated skirt shape establish a wider Milan trend?\n\nNo. It supports an analysis of that collection. A city-wide claim needs evidence across a defined selection of other collections, not one prominent example.\n\n## Sources and further reading\n\n- [CNMI: Milano Fashion Week Spring/Summer 2027 Calendar](https://milanofashionweek.cameramoda.it/en/calendar) — Primary schedule supporting the 22–28 September dates and selected final-day digital entries. Scheduled participation is kept separate from collection observations.\n- [Prada: Spring/Summer 2027 Womenswear](https://www.prada.com/us/en/pradasphere/fashion-shows/2027/ss-womenswear.html) — Primary brand notes supporting the skirt framework, fastening examples and material transformations. Our analytical worksheet and hypothetical exercise are independent editorial guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Italy](https://thecastindex.com/world-style/italy)\n\n"},{"url":"https://thecastindex.com/journal/milan-street-style-outfit-method","markdownUrl":"https://thecastindex.com/journal/milan-street-style-outfit-method.md","title":"How to Turn Milan Street Style Into an Outfit You Can Actually Wear","lastmod":"2026-10-05T19:08:30Z","sha256":"8a7f85bb3c355968e36005a3625c4144696e2847bebeab6244e436e4e64310f2","bytes":4800,"markdown":"# How to Turn Milan Street Style Into an Outfit You Can Actually Wear\n\n> Decode a street-style reference through proportion, texture and movement, then adapt it using your own wardrobe.\n\n- Canonical: https://thecastindex.com/journal/milan-street-style-outfit-method\n- Question: The practical takeaway\n- Direct answer: Use a Milan street-style photograph as a set of design choices: silhouette, colour balance, texture and one focal detail. Recreate the relationship between those elements using clothing you own, then test the result for your weather, movement and daily schedule. You do not need the same brands or body shape.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Italy\n\n## Read the outfit before identifying brands\n\nWhen a Milan street-style look catches your attention, pause before identifying the brands. Work out which relationship makes it interesting: the lengths, the volume, a colour contrast or the balance of formal and relaxed pieces. That gives you an idea to try with your wardrobe, even when the original items are unavailable.\n\nDescribe the reference without naming a label: a long outer layer over a shorter base, two relaxed pieces balanced by a compact bag, or a quiet outfit interrupted by one colour. This forces the idea into words you can work with. Choose a single relationship to explore first rather than trying to reproduce every visible detail.\n\n## Build a version from available clothes\n\nLay out items that could create the same broad effect. Match their roles rather than their exact appearance. Your existing coat might supply the length, while a different fabric provides the contrast. If an item is missing, try changing the combination before deciding that the entire outfit depends on buying it.\n\nTake a full-length reference photo at ordinary eye level and compare it with your written description. Does the intended shape still read? If not, adjust a hem, an open or closed layer, or the placement of the waistline. Treat these as choices about clothing proportions, not rules about hiding parts of your body.\n\n## Translate the look to the real setting\n\nA photograph outside a fashion show captures a moment; your outfit may need to work through transport, sitting, carrying a bag and changing temperatures. Walk in the complete combination and check whether the shoes, outer layer and bag cooperate. Replace any item that prevents normal movement or needs constant supervision.\n\nConsider the setting in which you will be photographed, if there is one. Texture that looks striking in a tight image may be subtle from a distance. If the outfit is for a portfolio shoot, agree on the crop and movement with the photographer. If it is for daily wear, prioritise the activities you actually have planned.\n\n## Keep the experiment specific\n\nChange one thing at a time and save a short note with the resulting photo. You might discover that the proportion works but the colour pairing feels unfamiliar, or that a shorter jacket is more useful for your routine. Both observations help you build a wardrobe with a clearer point of view.\n\nWhen sharing your version, credit the reference photographer or publication through a link if you discuss their image. Do not repost photographs without the necessary rights. Describe your own styling decisions so the post offers useful information beyond resemblance. A personal interpretation becomes stronger when it explains the choices you made for your own life.\n\n## FAQ\n\n### Do I need designer pieces to recreate street style?\n\nNo. Start with the shape, colour and texture relationships in the reference. Existing clothing can often express the same idea without matching the brands.\n\n### How can I keep the result from feeling like a costume?\n\nBorrow one clear idea and combine it with clothes you already wear comfortably. Test the complete outfit against the setting and activities of your day.\n\n## Sources and further reading\n\n- [8 outfit street style di tendenza (e facili da ricreare) che ci hanno colpito durante la Milano Fashion Week](https://www.vogue.it/article/outfit-street-style-milano-fashion-week-tendenze) — Vogue Italia’s 27 September 2026 feature presents eight outfit ideas observed during Milan Fashion Week. The proportion study and wardrobe experiment in this guide are original Cast Index guidance; the publisher’s eight-look list is not reproduced.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Italy](https://thecastindex.com/world-style/italy)\n\n"},{"url":"https://thecastindex.com/journal/mint-green-outfit-colour-guide","markdownUrl":"https://thecastindex.com/journal/mint-green-outfit-colour-guide.md","title":"How to Style Mint Green and Photograph the Colour Accurately","lastmod":"2026-10-05T19:08:30Z","sha256":"3f3eb00bd3e3b03a82e2e4a6027f349e21b77ee9f6c4e98aee22c0c8a6d3778f","bytes":5242,"markdown":"# How to Style Mint Green and Photograph the Colour Accurately\n\n> Build mint-green outfits by controlling colour area, contrast and fabric, then use a consistent photography setup to compare the results.\n\n- Canonical: https://thecastindex.com/journal/mint-green-outfit-colour-guide\n- Question: The practical takeaway\n- Direct answer: Style mint green by deciding how much of the colour you want, choosing a deliberate contrast and checking the fabric in real light. For photographs, keep lighting and camera settings consistent so you compare the outfit rather than changing colour casts.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: China\n\n## Choose the amount of colour you want to wear\n\nMake mint green useful in your wardrobe by deciding how much of it you want in the outfit. Start with a piece whose fit and comfort you already understand, then assess the colour alongside the clothes you would actually wear with it. This keeps the experiment tied to a complete look.\n\nFor your own outfit, choose between an accent, one main garment or a larger coordinated look. Each answers a different question. An accent tests whether you enjoy living with the colour; a shirt or skirt makes it a clear styling decision; a coordinated look lets texture and shape carry more of the interest. None of these choices requires a rule about who is allowed to wear the shade.\n\n## Compare actual garments rather than colour names\n\nMint is a broad label. One garment may look greener, another bluer, and a third almost grey. Place the actual pieces beside the other clothes you plan to wear. A website thumbnail is not a dependable substitute for this comparison. Consider returning to an existing neutral outfit and changing only one item so you can see what the new colour contributes.\n\nCheck opacity, lining, seams and movement as carefully as the shade. A fabric that looks appealing on a hanger can behave differently when stretched, folded or layered. View it in daylight and the indoor lighting where you expect to wear it. Make the decision based on the effect you enjoy, rather than a rigid seasonal palette or a generalisation about skin tone.\n\n## Use contrast to set the mood\n\nCompare a low-contrast combination with a stronger one. Similar lightness across garments can make the silhouette feel continuous, while a darker neighbouring piece can define separate shapes more clearly. These are visual options, not quality rankings. If the mint garment is already detailed, keep the surrounding styling simple enough for those details to remain visible.\n\nTry one repeated colour elsewhere in the outfit, such as a small accessory, then remove it and compare. Repetition may help the look feel connected, but it can also become too literal. Photograph both versions from the same distance. Decide which one best matches the occasion and your personal style, not which version contains the most coordinated objects.\n\n## Make colour comparison fair in photographs\n\nFor an outfit record, use the same location, light and camera setup across comparisons. Mixed lighting can make one section of clothing appear different from another. Avoid changing a filter between frames. If colour accuracy matters for a paid shoot or product image, discuss a controlled colour workflow with the photographer rather than trying to correct an inconsistent set afterwards.\n\nCheck the finished image on the device and at the size where it will be used. A small accessory that looks obvious in person may disappear in a thumbnail. Choose a crop that preserves the main styling decision, and describe the item plainly in a caption. The photograph should help someone understand the outfit, with neither overediting nor a claim that every screen will reproduce exactly the same colour.\n\n## FAQ\n\n### Can any skin tone wear mint green?\n\nYes. There is no universal restriction. Compare actual shades, fabrics and styling combinations in the lighting you use, and choose the effect you prefer.\n\n### Why does my mint outfit look blue in a photograph?\n\nLighting, camera white balance and screen settings can change perceived colour. Compare images made under the same conditions, and use a photographer’s colour workflow when accurate reproduction is essential.\n\n## Sources and further reading\n\n- [Vogue China: How to wear mint green](https://www.vogue.com.cn/fashion/vogue/news_1553654ef8fefc7d.html) — Vogue China’s mint-green feature connects the shade with runway and celebrity fashion coverage. Topic reference checked on 6 October 2026; no absolute publication date was visible. The colour and proportion exercises are original Cast Index guidance.\n- [Vogue China fashion coverage](https://www.vogue.com.cn/fashion/) — Official category links to the mint colour feature; no absolute publication date was visible in the source.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from China](https://thecastindex.com/world-style/china)\n\n"},{"url":"https://thecastindex.com/journal/monday-face-memo-aw26-glass-skin","markdownUrl":"https://thecastindex.com/journal/monday-face-memo-aw26-glass-skin.md","title":"Monday Face Memo: Couture glass skin","lastmod":"2026-07-21","sha256":"9eb824bf7c5e0a754d70b4f56b2f820d616b76cabce7813219f425fc638e2583","bytes":2805,"markdown":"# Monday Face Memo: Couture glass skin\n\n> A published ranking snapshot, a beauty finish and a reference kit for casting and beauty readers.\n\n- Canonical: https://thecastindex.com/journal/monday-face-memo-aw26-glass-skin\n- Question: What should the industry know this week about faces and finishes?\n- Direct answer: Anok Yai holds #1 on the Cast Index at 97.9, while Couture glass skin leads the AW26 Season Beauty Index. The face language of the week is hydrated, light-catching skin with almost no mapped contour — carried by Paris couture casting and a short reference kit.\n- Author: The Cast Index Desk (Monday Face Memo)\n- Published: 2026-07-21\n- Updated: 2026-07-21\n\n## Who moved on the face board?\n\nAnok Yai holds the published #1 position with a 97.9 rating. The verified record still centres on opening and closing Balenciaga Haute Couture and walking Chanel and Schiaparelli — evidence that rewards current runway presence rather than legacy fame alone.\n\nVittoria Ceretti and Liu Wen remain the closest couture-adjacent challengers. The point of the Monday memo is not to declare permanence; it is to keep the casting and beauty desks reading the same week.\n\n## Which finish defined the image?\n\nCouture glass skin leads the Season Beauty Index. The desk read is consistent across Paris Haute Couture: hydrated, light-catching skin, coverage only where the camera needs it, and almost no mapped contour.\n\nWet lip signal sits second — a single reflective focal point when the mouth has to carry the photograph. Soft flush cheek, hair as silhouette and graphic punctuation complete the top five. Products only enter the story when they serve one of those finishes.\n\n## What belongs in the kit this week?\n\nFor Couture glass skin the reference kit is intentionally short: SPF and hydration underneath, a radiant lifting base, and a light set. The Cast Index does not publish shopping dumps. If a product cannot interpret the finish, it stays in the archive.\n\nOpen the Season Beauty Index for the full finish ranking, then jump to each product review for official specifications and disclosures.\n\n## FAQ\n\n### What is the Monday Face Memo?\n\nA weekly Cast Index briefing that pairs one rank signal with one season finish and a short reference kit — for casting, beauty and editorial desks.\n\n### Is Couture glass skin a sponsored look?\n\nNo. Season finishes are independent editorial reads tied to fashion-week context. Product links may be affiliate-labelled, but placement is never sold.\n\n## Sources and further reading\n\n- [The Cast Index — Anok Yai profile](https://thecastindex.com/models/anok-yai)\n- [The Cast Index — Season Beauty Index](https://thecastindex.com/beauty)\n- [The Cast Index — Paris Haute Couture Week 2026](https://thecastindex.com/events/paris-haute-couture-week-2026)\n\n"},{"url":"https://thecastindex.com/journal/new-faces-in-the-global-100","markdownUrl":"https://thecastindex.com/journal/new-faces-in-the-global-100.md","title":"The models reshaping the top ten","lastmod":"2026-07-16","sha256":"8dea4ed3c48c9e4f2f80be7496800b1f4205d27af0eff837c2fa8783f4a9fd17","bytes":3125,"markdown":"# The models reshaping the top ten\n\n> Alex Consani and Mona Tougaard are not “new faces”. They are established, current models whose recent work is changing the order at the top.\n\n- Canonical: https://thecastindex.com/journal/new-faces-in-the-global-100\n- Question: Why are Alex Consani and Mona Tougaard in the Cast Index top ten?\n- Direct answer: Alex Consani and Mona Tougaard combine sustained runway demand with industry recognition and cultural visibility. Consani’s 2024 Fashion Awards win and current-season evidence support her #3 position; Tougaard’s repeated Model of the Year nominations and 2025 industry-voted street-style award support her #7 position.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-03\n- Updated: 2026-07-16\n\n## Why is Alex Consani ranked #3?\n\nConsani’s position reflects the density of her recent international work and the breadth of her public impact. British Vogue reported her 2024 Fashion Awards Model of the Year win and the landmark visibility surrounding it. The Cast Index applies time decay to that achievement, so the award strengthens the evidence without freezing her rank in place.\n\nHer current profile is assessed across the same runway, campaign, editorial and cultural pillars as every other ranked model. That distinction is important: recognition creates context, while recent bookings create momentum.\n\n## Why is Mona Tougaard ranked #7?\n\nModels.com records Tougaard as a 2025 Model of the Year nominee and the industry-voted Best Street Style winner, following nominations in each year from 2020 through 2024. Repeated recognition is a stronger signal than an isolated accolade because it indicates durable attention from within the industry.\n\nHer evidence file currently carries a medium-confidence label. That does not mean the visible work is doubtful; it means the desk has not yet cross-referenced every component to the depth applied to the highest-confidence profiles.\n\n## What does their rise say about fashion casting now?\n\nThe top ten increasingly rewards models who can move between traditional fashion authority and broader cultural visibility without one cancelling out the other. Runway volume alone is not enough, and audience scale alone is not enough.\n\nThat is why these profiles are better understood as current leaders than new faces. Rising talent belongs on the unnumbered watch board until the evidence shows sustained international demand.\n\n## FAQ\n\n### Is Alex Consani a new face?\n\nNo. Consani is an established international model. The earlier “new faces” wording has been corrected.\n\n### What does a medium-confidence score mean?\n\nIt means the published evidence is credible, but the desk has not yet completed the deepest level of cross-referencing for every score component.\n\n## Sources and further reading\n\n- [British Vogue — Alex Consani at the 2024 Fashion Awards](https://www.vogue.co.uk/article/alex-consani-fashion-awards-2024)\n- [Models.com — Mona Tougaard achievements by year](https://models.com/models/mona-tougaard/year)\n- [The Cast Index — Global 50](https://thecastindex.com/rankings)\n\n"},{"url":"https://thecastindex.com/journal/new-york-fashion-week-fur-free-september-2026","markdownUrl":"https://thecastindex.com/journal/new-york-fashion-week-fur-free-september-2026.md","title":"What fur-free NYFW changes in September 2026","lastmod":"2026-07-16","sha256":"51c1d38cbdce8aa56831fca5131149382e3ffbe3824a77a161f0e802fdef1277","bytes":3459,"markdown":"# What fur-free NYFW changes in September 2026\n\n> The policy changes what can appear on the official schedule—and creates a visible test for material innovation, styling and backstage communication.\n\n- Canonical: https://thecastindex.com/journal/new-york-fashion-week-fur-free-september-2026\n- Question: What does New York Fashion Week’s September 2026 fur-free rule cover?\n- Direct answer: From the September 2026 season, brands on the official CFDA New York Fashion Week schedule may not include farmed or trapped animal fur from animals killed for their pelts. The rule covers the official schedule and its promotion, with a stated exemption for fur obtained by Indigenous communities through traditional subsistence hunting.\n- Author: The Cast Index Desk (Industry analysis)\n- Published: 2026-07-12\n- Updated: 2026-07-16\n\n## What exactly has the CFDA prohibited?\n\nThe Council of Fashion Designers of America says farmed or trapped fur from animals killed specifically for their pelts will not be permitted in collections on the official New York Fashion Week schedule beginning in September 2026. Its examples include mink, fox, rabbit, karakul lamb, chinchilla, coyote and raccoon dog.\n\nThe policy also changes what the CFDA will promote through the Fashion Calendar, social channels and website. It does not describe every animal-derived material as fur, and it includes an exemption for material obtained by Indigenous communities through traditional subsistence hunting.\n\n## Why does the rule matter beyond the garment rack?\n\nRunway images strip away material context. Faux fur, recycled material, shearling and next-generation textiles can be visually difficult to distinguish in a photograph. Brands and publications will need accurate captions and material descriptions if audiences are to understand what they are seeing.\n\nThe change also affects styling, fittings and backstage handling. Teams need enough lead time to identify materials and avoid ambiguous claims, especially when archive pieces or mixed-material accessories enter a look.\n\n## Which September 2026 schedule will operate under the rule?\n\nThe CFDA’s preliminary schedule runs from Thursday 10 September to Tuesday 15 September 2026. It opens with Henry Zankov’s debut as artistic director of Diane von Furstenberg and closes with Thom Browne, according to the organiser’s June schedule announcement.\n\nThe Cast Index event page will track the official schedule, participating brands and verified casting evidence as it becomes public. Unofficial events in New York should not be described as covered by the CFDA rule unless their status is confirmed.\n\n## FAQ\n\n### When does the official NYFW fur-free policy begin?\n\nIt begins with the September 2026 New York Fashion Week season on the official CFDA schedule.\n\n### Does the rule ban every animal-derived material?\n\nThe published CFDA policy specifically addresses farmed or trapped animal fur from animals killed for their pelts. It should not be broadened to other materials without further official guidance.\n\n## Sources and further reading\n\n- [CFDA — end of fur on the official NYFW schedule](https://cfda.com/news/cfda-announces-end-of-fur-at-new-york-fashion-week/)\n- [CFDA — preliminary September 2026 NYFW schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/)\n- [The Cast Index — New York Fashion Week 2026](https://thecastindex.com/events/new-york-fashion-week-2026)\n\n"},{"url":"https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review","markdownUrl":"https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review.md","title":"New York Fashion Week SS27: What the Programme Can Tell Us","lastmod":"2026-10-05T21:18:44Z","sha256":"4080a81b72f4d640cea642858ab33ce92708b0c71ef011770b98b8059cb7d470","bytes":7699,"markdown":"# New York Fashion Week SS27: What the Programme Can Tell Us\n\n> Read New York’s September 2026 programme through new appointments, calendar access and the CFDA fur policy, with a clear method for checking collection evidence.\n\n- Canonical: https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review\n- Question: The practical takeaway\n- Direct answer: New York’s SS27 official dates were 10–15 September 2026. The useful research story combines the announced designer transitions with the CFDA’s new official-calendar fur policy. A programme establishes who was scheduled and under which rules; collection pages and films are needed before making claims about the clothes.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T21:18:44Z\n- Country: United States\n\n## Start with the season and the evidence\n\nA September show usually points forward to a selling season. Put both labels at the top of your notes: New York, September 2026, spring/summer 2027. This prevents an older collection with similar search terms from entering the same reference folder. As of 6 October in Jakarta, New York’s official week has ended. That makes a retrospective possible, but does not make every advance announcement a verified account of what happened.\n\nThe CFDA’s July preliminary announcement set the official dates at 10–15 September and listed 70 runway shows and presentations. Treat that number as an announced programme count, not a final attendance or event total. This guide reviews that programme and its policy context; it is not a report from a seat at the shows.\n\n## Read an appointment as a question, not a verdict\n\nThe preliminary programme announced Henry Zankov’s debut as DVF artistic director at the opening and Thom Browne at the close. These are useful starting points because they offer specific questions: how is a newly appointed designer introduced, and what role does a closing position play in the week’s narrative? Neither position proves that a collection was the most influential, most viewed or most commercially successful.\n\nFor an editorial assignment, choose one appointment and build a compact comparison sheet. Record the house, creative lead, season, official collection link and the date you checked it. Add one earlier official collection only if you can identify it precisely. Compare a bounded feature, such as how the collection presents movement or occasion, rather than announcing a complete reinvention from a handful of thumbnails. Leave the interpretation blank until the actual collection evidence is in front of you.\n\n## Understand what the calendar’s fur policy covers\n\nA separate CFDA announcement states that, beginning in September 2026, animal fur is excluded from collections on the Official NYFW Schedule. Its defined scope includes fur from animals killed for their pelts, with an exception for traditional Indigenous subsistence hunting. This is an official-calendar rule. It is not a blanket description of every fashion event in New York.\n\nThe practical consequence is greater precision in material reporting. Do not turn a fur restriction into a claim that every participating garment is vegan, leather-free or environmentally preferable. If a look has a shaggy surface, its appearance alone cannot establish fibre content. Find the brand’s material description or leave the composition unconfirmed. A responsible caption can describe the visible texture while reserving the material name for a supported fact.\n\n**Three different claims need three different kinds of evidence**\n\n| Claim | Useful evidence | What it does not establish |\n| --- | --- | --- |\n| A designer was scheduled | Dated official programme | That every announced detail occurred |\n| A collection used a named material | Brand product or collection documentation | An independent sustainability assessment |\n| A look was widely influential | Evidence across a defined sample and period | A conclusion from one popular image |\n\n## Build a review around an answerable question\n\nA useful commission might ask how one house communicates continuity during a creative transition. Select a small number of looks from an official source and record why each is relevant. Keep separate columns for a visible observation, the brand’s explanation and your own reading. Those three kinds of statement can coexist, provided the reader can tell them apart.\n\nA hypothetical note could read: ‘The official programme announced a new creative lead; the collection page identifies the season; our analysis will compare the treatment of an established silhouette.’ This is a research plan, not a claim that a specific silhouette appeared. The distinction is particularly helpful when writing before all the films, credits or material details have become available.\n\n- Check the season and publication date on every collection link.\n- Label preliminary announcements as preliminary.\n- Record a look number or film timestamp for a visual observation.\n- Keep brand descriptions separate from independent interpretation.\n- Ask the rights holder before publishing a supplied or captured runway image.\n\n## Finish with a useful, limited conclusion\n\nEnd the review by answering the question you actually researched. An appointment, a programme slot and a policy change are substantial stories without a declaration of the season’s winning trend. Say which evidence was available at publication and which questions remain open. If a collection film later changes your interpretation, revise the analysis and its modification date.\n\nFor a stylist or model, the resulting brief should name one skill to explore, such as controlled movement in a particular silhouette, alongside the source that prompted it. It should not imply a casting preference or commercial opportunity that no agency or brand has announced. That keeps the runway reference useful without making a promise on someone else’s behalf.\n\n## FAQ\n\n### Did New York Fashion Week SS27 finish before 6 October 2026?\n\nYes. The CFDA announced official dates of 10–15 September 2026. This guide distinguishes that completed date range from details published in the preliminary programme.\n\n### Does the CFDA fur policy mean every NYFW collection is vegan?\n\nNo. The policy has a defined animal-fur scope and applies to the Official NYFW Schedule. It does not establish the composition or environmental impact of every material.\n\n### Can I use an official runway photograph in my own review?\n\nAn official source establishes provenance, not automatic reuse permission. Check the image’s specific licence or obtain written permission covering your website and intended use.\n\n## Sources and further reading\n\n- [CFDA: Preliminary September 2026 Official NYFW Schedule](https://cfda.com/news/view-the-preliminary-september-2026-official-nyfw-schedule/) — Primary advance programme supporting dates, announced count and opening/closing appointments; not treated as a final event report.\n- [CFDA Announces End of Fur at New York Fashion Week](https://cfda.com/news/cfda-announces-end-of-fur-at-new-york-fashion-week/) — Primary policy announcement supporting the effective date, official-calendar scope and stated exception. The research method is our own editorial guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United States](https://thecastindex.com/world-style/united-states)\n\n"},{"url":"https://thecastindex.com/journal/pakistan-ajrak-buying-styling-provenance","markdownUrl":"https://thecastindex.com/journal/pakistan-ajrak-buying-styling-provenance.md","title":"Buying and Styling Ajrak: Provenance, Proportion and Care","lastmod":"2026-10-05T19:54:57Z","sha256":"9039f97775f47a92e7bbcf7b190ee4fc61328eb8c3da6c672cfda66e0e22efee","bytes":7976,"markdown":"# Buying and Styling Ajrak: Provenance, Proportion and Care\n\n> Build an ajrak purchase or fashion-shoot brief around its maker, material, dimensions and intended use, with respectful credits and practical care questions.\n\n- Canonical: https://thecastindex.com/journal/pakistan-ajrak-buying-styling-provenance\n- Question: The practical takeaway\n- Direct answer: Choose ajrak by asking who made it, where it was produced, how it was printed and what material and dimensions you are buying. Test the proposed drape before altering a piece. Record the maker’s preferred credit and follow care instructions for that textile rather than assuming every ajrak has identical dyes or finishing.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Pakistan\n\n## Begin with the textile and the people behind it\n\nPakistan’s national intangible-heritage register documents ajrak under Sindh’s traditional craftsmanship. NED University’s Heritage Cell also describes community-based inventorying of ajrak in Matiari in 2025. Together, these sources establish a useful starting point: this is a practice involving identifiable places and practitioners. They do not authenticate a particular shop listing or prove how an individual textile was made.\n\nAsk the seller for the maker or workshop name, production location, fibre description and printing process. Record their answers as attributed information. If the seller cannot identify the workshop, describe that gap honestly in your buying notes. A recognisable pattern, a heritage label or an uneven print alone is not enough to establish hand production, dye composition or a specific origin.\n\n## Choose a format before choosing a styling reference\n\nDecide whether you want a shawl to keep intact, a scarf to wear often, or cloth intended for tailoring. Compare actual dimensions with something you already use. Lay a similarly sized cloth across your shoulders, then fold it into the arrangement you expect to wear. This reveals whether the border remains visible, how much bulk gathers at the neckline and whether the ends reach a practical length.\n\nFor a shoot, identify the image that must explain the textile. A portrait can show the relationship between the border and the face; a wider frame can show the complete repeat and drape. Take both if they serve the story. Avoid cutting or permanently changing a borrowed, inherited or valuable piece just to solve a short-lived styling problem.\n\n**Match the ajrak format to the intended use**\n\n| Intended use | Check first | Styling decision |\n| --- | --- | --- |\n| Regular shoulder drape | Length, width, weight and edge finish | Keep enough freedom for sitting and carrying a bag |\n| Portrait or editorial | Loan conditions and complete pattern layout | Choose the border and folds visible in each frame |\n| Tailored garment | Cloth quantity and permission to alter | Approve the cutting layout with the maker or tailor |\n| Gift | Recipient preference and supplied care information | Include provenance notes and useful instructions |\n\n## Let proportion guide the outfit\n\nStart with one clear relationship: a broad patterned drape over a simple shirt, or a narrower fold alongside a more structured jacket. Choose another colour already present in the textile if you want an easy connection. There is no requirement to match every colour. Check the outfit at the distance from which it will be seen, since a tightly cropped photograph can hide the overall balance.\n\nTry sitting and walking with the complete look. Notice whether the cloth slips, catches on jewellery or gets trapped under a bag strap. Adjust the fold or the clothing beneath it first. If a fastening is needed, ask the owner or maker about an appropriate method; do not assume a pin or adhesive is harmless. For continuity photographs, document the folds without assigning cultural meaning you have not verified.\n\n## Use a precise credit rather than a grand story\n\nFor published work, ask how the maker wishes to be named and whether a workshop, retailer or collective should also be credited. Separate who made the textile from who supplied it. Keep spelling, location and any supplied design name in your production notes. If the provenance remains incomplete, a limited accurate credit is more useful than an elaborate origin story assembled from unrelated references.\n\nA contemporary fashion photograph can acknowledge heritage without claiming to represent every way ajrak is worn. Invite the wearer and maker to comment on the proposed context where appropriate. If you include a process photograph or portrait supplied by someone else, obtain the necessary permission for that image. Buying the cloth is a different transaction from obtaining rights to someone’s photographs or artwork.\n\n## Keep the care instructions with the purchase\n\nAsk about cleaning, colour transfer, drying, pressing and storage for this particular piece. AJRAK’s retail FAQ directs customers to product-level care instructions, which is a useful reminder to seek a specific answer. Do not infer a washing method from the word handmade or a natural-dye marketing claim. Explain any lining, tailoring or trim you plan to add, because the completed garment may require different handling.\n\nOn arrival, check the measurements and condition against the order before removing tags or altering anything. Store the seller’s instructions with the invoice and provenance notes. For a loan, agree the return condition and who will arrange cleaning before the shoot. This small record also makes it easier to answer questions when the textile is worn again or passed on as a gift.\n\n- Record maker, workshop, production location and seller separately.\n- Confirm fibre, dimensions, printing description and condition.\n- Test the intended drape with a similarly sized cloth.\n- Agree alteration and fastening limits for borrowed pieces.\n- Confirm spelling and the maker’s preferred publication credit.\n- Retain item-specific care instructions and purchase records.\n\n## FAQ\n\n### Can a photograph prove that an ajrak is hand block printed?\n\nA photograph alone is not a reliable authentication method. Ask for maker and process information, and distinguish documented answers from visual impressions or retailer marketing.\n\n### Do I need to tailor ajrak to style it in a contemporary outfit?\n\nNo. An intact shawl or scarf can provide a clear pattern and proportion element. Try folds and drapes before considering changes, especially with loans or inherited textiles.\n\n### What should a fashion-shoot credit include?\n\nUse the maker’s preferred name and the verified workshop or location, then identify the supplier separately where relevant. Do not invent a maker, design name or production process.\n\n## Sources and further reading\n\n- [ICH Pakistan: National Intangible Cultural Heritage Register](https://heritage.pakistan.gov.pk/SiteImage/Misc/files/ICH%20Pakistan%20Low.pdf) — Government register identifies ajrak within Sindh’s traditional craftsmanship. No authentication or universal manufacturing claim is inferred.\n- [NED University: Ajrak Inventorying in Matiari District, 2025](https://www.neduet.edu.pk/arch_planning/Heritage/webpages/AJRAK_in_Matiari_District_Sindh_2025.html) — Primary description of community-based heritage fieldwork. This is not presented as UNESCO inscription.\n- [AJRAK: Frequently Asked Questions](https://ajrak.pk/faq/) — Retailer’s own direction to product-level sizing and care information; retailer claims are not independent certification.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Pakistan](https://thecastindex.com/world-style/pakistan)\n\n"},{"url":"https://thecastindex.com/journal/pakistan-fragrance-shopping-comparison-guide","markdownUrl":"https://thecastindex.com/journal/pakistan-fragrance-shopping-comparison-guide.md","title":"Buying Fragrance in Pakistan: A Practical Comparison Guide","lastmod":"2026-10-05T19:08:30Z","sha256":"077bc210b9a002b18ae10903a9623954f3b5403e96bc785605ee2e997209d119","bytes":10147,"markdown":"# Buying Fragrance in Pakistan: A Practical Comparison Guide\n\n> Compare fragrances using a simple sampling record, current bottle details, intended use and confirmed seller policies, without relying on untested longevity claims.\n\n- Canonical: https://thecastindex.com/journal/pakistan-fragrance-shopping-comparison-guide\n- Question: The practical takeaway\n- Direct answer: Shortlist fragrances by the scent styles and occasions you enjoy, compare them in a consistent sampling session, and record your own impressions. Verify the exact bottle size, concentration, seller and current return terms before purchasing; older editorial prices and longevity claims are not a buying guarantee.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Pakistan\n\n## Define what you want to wear\n\nStart a fragrance comparison with the occasions and scent styles you enjoy, then make a short list you can realistically sample. Keep your impressions separate from the product description and the current buying details. This gives you three useful things to check: the scent, its place in your routine and the exact purchase.\n\nCreate a short list around what you want from the fragrance: an everyday scent you enjoy at close range, something for occasional evening wear, or a gift for someone with known preferences. Use descriptive words rather than assuming a gender label determines who can enjoy a fragrance. Treat marketing language as a suggestion to investigate.\n\nWrite a one-sentence buying brief before comparing bottles: for example, an everyday fragrance you enjoy, in a size you expect to use, within a total spending limit you choose. Include delivery in that limit. Decide whether you need the bottle for a fixed event or can wait to sample again. This separates a real deadline from the pressure of a sale banner.\n\n## Keep the comparison manageable\n\nCompare only a few candidates in one visit and label each testing strip clearly. Note the product name, version and where you sampled it. Revisit the strips later in the session and write what you notice without trying to repeat the official description. A simple record is easier to use than remembering several unnamed pleasant smells.\n\nIf you choose to try a fragrance on skin, follow the product instructions and your own known sensitivities. Keep track of what you applied and avoid mixing several candidates in the same spot. The aim is to decide whether you enjoy wearing a particular fragrance, not to prove an advertising claim or diagnose how a formula works.\n\nBefore travelling to a shop, check whether the exact candidates have testers and whether the size you might buy is available. Ask if sampling is possible without booking or purchasing. For an online shortlist, find out whether an official sample or discovery set exists, what it contains and whether its cost is refundable or credited against a later purchase. Do not assume a retailer offers that arrangement.\n\nGive each candidate a separate record with the date, location, method and actual time of each observation. Decide when you will revisit it within your own schedule; there is no need to force every purchase into a prescribed hour-by-hour ritual. If you only tried a strip, say so. If you later try the same fragrance during an ordinary day, make a new entry rather than silently treating two different sessions as one test.\n\n## Record preferences instead of inventing scores\n\nUse three prompts: what you notice first, what you notice later, and whether you would enjoy this scent in the setting you have in mind. Add any practical concern, such as wanting a smaller bottle for occasional use. You do not need specialist vocabulary to make a useful comparison.\n\nIf you write a review, distinguish personal observations from brand claims. Say when and how you sampled the item, and avoid presenting a single person's experience as a guaranteed number of hours for everyone. A fragrance may also feel different to you across settings. Return to a candidate another day if the first comparison leaves you uncertain.\n\nKeep purchase facts in a separate column from impressions. 'I enjoy this' is a preference; 'the seller lists a 50 ml bottle' is a detail that can be checked. 'Not observed' is a useful answer too. If you did not revisit a sample, leave that field open rather than borrowing a conclusion from a review. This makes it easier to choose the next useful action: another sample, a seller question or removing a candidate.\n\n## Read a hypothetical comparison\n\nThe example below uses invented candidates and invented observations to show how a record can support a decision. It is not a Cast Index wear test, a product ranking or a claim about any fragrance. Assume the shopper wants an everyday fragrance within a personal total budget, has no urgent event deadline, and has compared three options.\n\n**Fictional fragrance comparison**\n\n| Candidate | Hypothetical observation | Unresolved detail | Useful next step |\n| --- | --- | --- | --- |\n| A | Enjoyed on a strip and during a separate wear session. | Current price and bottle size. | Move to purchase checks. |\n| B | Liked the first impression; did not revisit the sample. | Whether the later impression is appealing. | Sample again before deciding. |\n| C | Preferred A in the recorded comparison. | No further information needed for this shortlist. | Set aside; avoid buying just for the discount. |\n\n## Check the exact purchase before paying\n\nMatch the product name and variant on the listing to the item you sampled. Check bottle size, stated concentration, included packaging and the seller's identity. Compare total cost, including any delivery charge, rather than a headline discount. Confirm the current rules for exchanges or returns, particularly whether opening the packaging affects eligibility.\n\nFor a gift, ask about preferences when possible or choose a discovery option the recipient can use before committing to a larger bottle. Keep the receipt and avoid promising that a fragrance will suit someone because it is labelled a bestseller. The best result is a purchase based on a clear preference and accurate current information, not the most elaborate description.\n\nFor different sizes of the same fragrance and version, calculate delivered cost per millilitre as total item and delivery cost divided by bottle size. Hypothetical arithmetic only: a 50 ml bottle costing PKR 6,000 plus PKR 300 delivery is PKR 126 per ml; a 100 ml bottle costing PKR 9,000 plus PKR 300 delivery is PKR 93 per ml. These invented figures are not Pakistani market prices. The larger bottle has a lower unit cost but requires PKR 3,000 more upfront. Choose according to your budget and likely use, not the unit price alone.\n\nBefore placing the order, run through the following purchase checklist. Save the relevant listing and policy details with the date, because an order confirmation may not repeat every condition you relied on.\n\n- Exact fragrance name, version, stated concentration and bottle size match the intended purchase.\n- Total payable amount includes delivery and any additional charges shown at checkout.\n- Seller contact details and the route for order problems are recorded.\n- Stock status and estimated delivery timing suit your location and deadline.\n- Return or exchange conditions explain what happens after packaging is opened.\n- Receipt, order number and gift packaging requirements are accounted for.\n\n## Plan the delivery and handover\n\nFor delivery within Pakistan, verify the address and service area for your actual city or locality, and ask how the seller communicates delays. If ordering from abroad, ask which charges and delivery steps are included instead of assuming the displayed item price is the final amount. For a fixed-date gift, keep a fallback plan that does not depend on an unconfirmed arrival estimate.\n\nOn arrival, compare the label, size and variant against your order and check for visible shipping damage before discarding the packaging. If something differs, document it and use the seller's stated support process. Packaging photographs, batch details or a convincing listing alone do not establish authenticity; unresolved questions about the seller or supply route should be settled before purchase. For a gift, retain the receipt separately and give the recipient the relevant exchange information.\n\n## FAQ\n\n### Can a perfume review guarantee how long a fragrance lasts?\n\nNo. A review can report the conditions and observations of a particular wear test. Do not treat an unqualified longevity claim as a guarantee for your own use.\n\n### Should I trust prices in an old beauty article?\n\nUse them as historical context only. Check the current official seller listing, delivery charge and return terms before deciding.\n\n### What is useful to record while sampling fragrance?\n\nRecord the exact name and version, where and how you sampled it, your initial and later impressions, and the occasion for which you would use it.\n\n### Is the largest perfume bottle always the best value?\n\nNo. Compare delivered cost per millilitre only for the same fragrance and version, then consider the total outlay and how much you expect to use. A smaller commitment can be more practical when your preference is still uncertain.\n\n## Sources and further reading\n\n- [Diva Online: Perfumes by Ideas](https://www.divaonline.com.pk/perfumes-by-ideas/) — Diva Online’s November 2023 feature introduces the Ideas fragrance range and discusses fragrance families and shopping filters. It supplies the local shopping context. No performance, historical price, shipping or child-fragrance claims from this promotional-style article are adopted; the comparison method is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Pakistan](https://thecastindex.com/world-style/pakistan)\n\n"},{"url":"https://thecastindex.com/journal/pakistan-unstitched-lawn-tailoring-brief","markdownUrl":"https://thecastindex.com/journal/pakistan-unstitched-lawn-tailoring-brief.md","title":"Buying Unstitched Lawn in Pakistan: A Tailoring Brief Before You Cut","lastmod":"2026-10-05T19:54:57Z","sha256":"f769c8ae48166642a958d92623b6ff0f16e0f95f74eb023278d087d9d8a0bd83","bytes":7607,"markdown":"# Buying Unstitched Lawn in Pakistan: A Tailoring Brief Before You Cut\n\n> Check fabric quantities, print placement, lining and measurements before turning an unstitched lawn purchase into an outfit you can wear often.\n\n- Canonical: https://thecastindex.com/journal/pakistan-unstitched-lawn-tailoring-brief\n- Question: The practical takeaway\n- Direct answer: Before buying unstitched lawn, record the actual components, lengths and widths, then ask your tailor whether they support your intended shape. Agree print placement, finished measurements, lining and care before cutting. A photograph of a complete outfit does not tell you everything included in the fabric pack.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: Pakistan\n\n## Read the pack as a materials list\n\nUnstitched shopping gives you control over the eventual outfit, but the product photograph can hide important decisions. Sapphire’s documented Printed Lawn Shirt listing describes a one-piece purchase with three metres of shirt fabric. Khaadi’s unstitched guide discusses different set combinations. These examples show why the first question is what the package contains; neither example establishes a universal quantity for every shirt, trouser or dupatta.\n\nSave the product code and written description alongside the styling photograph. List every separate panel, embroidered insert, border and plain length. Ask about fabric width if it is missing. A long length with a narrow usable width can offer different cutting options from a wider piece. Your tailor should judge sufficiency against your measurements and proposed design before the return window closes.\n\n## Design for the day you will actually have\n\nBegin with a wearing brief: a working day, a lunch with travel between venues, or an evening gathering. Decide sleeve coverage, pockets, neckline, walking room and the length you want when seated. For summer wear, handle the actual fabric and consider the complete layered outfit. A light outer cloth plus substantial lining can feel very different from the outer cloth alone; the word lawn is not a personal comfort guarantee.\n\nUse a well-fitting garment to communicate preferences, then have the tailor check the new pattern. Show where you like the shoulder to end and how much room you want through the upper arm. If you will wear a dupatta, try its proposed arrangement with a similar weight of cloth. It should leave your hands available for the activities in your brief.\n\n## Approve print placement before scissors meet cloth\n\nAsk for a simple layout photograph or drawing with the front, back, sleeves and trouser pieces labelled. Identify which borders belong at the hem and which can finish cuffs or the neckline. A continuous motif in the product image may cross a seam differently on your own cut. Choose the feature that matters most instead of assuming every detail can land exactly as photographed.\n\nUse this handover table to make the choices visible. Fill it in together; it is a planning template, not a cutting pattern. Keep body measurements separate from the finished garment measurements agreed with the tailor, including whatever ease the design requires.\n\n**An unstitched fabric handover sheet**\n\n| Component | Record before cutting | Decision to approve |\n| --- | --- | --- |\n| Shirt | Length, width, panel direction, borders | Finished length, sleeve shape and motif position |\n| Trousers | Separate cloth supplied or sourced | Rise, leg width, pockets and hem |\n| Dupatta | Finished dimensions and edge treatment | Drape, coverage and finishing |\n| Lining and trims | Material, quantity and extra cost | Where used, colour and attachment |\n\n## Build in a fitting and a care decision\n\nBook a fitting while useful changes are still possible. Wear the underlayers you intend to use and bring the expected shoes. Sit, walk and reach forward; check the opening, side slits, pocket access and whether the trousers remain comfortable. Describe what happens during movement rather than requesting an arbitrary number of centimetres removed. Ask the tailor which changes are possible without disrupting the print or seam allowance.\n\nKhaadi’s care page tells customers to prioritise the specific item’s care label. Use that principle for every component, including any trim bought separately. Ask the seller and tailor whether preparation is needed before cutting, and agree who will do it. Avoid treating every unstitched fabric with the same soaking, steaming or washing routine. Retain the labels and offcuts with the finished outfit.\n\n## Sign off a small, complete tailoring brief\n\nA useful brief fits on one page. Attach the reference photographs, the component inventory and your approved layout, then record the fitting and collection dates. Clarify whether quoted work includes lining, borders, buttons and pressing. Budget for the complete outfit rather than comparing fabric prices alone. If the schedule is tight, simplify the design before cutting instead of depending on rushed alterations.\n\nAt collection, compare the garment with the agreed brief and repeat the movement check. Inspect closures and finishing in good light, and confirm how any remaining fabric will be returned. Photograph the finished measurements of a successful fit for a future conversation, while remembering that another fabric may need a different cut.\n\n- Inventory every supplied component and confirm missing widths.\n- Have the tailor confirm fabric sufficiency for your measurements.\n- Approve borders, motif placement, lining and extra trim costs.\n- Record finished measurements, fitting date and collection date.\n- Agree fabric-specific preparation and retain the care labels.\n- Check movement, finishing and returned offcuts before collection.\n\n## FAQ\n\n### Does a three-piece lawn set always contain the same fabric lengths?\n\nDo not assume so. Check the exact listing for each component and its dimensions. Ask your tailor whether the supplied quantities work for your chosen shape and size.\n\n### Should all lawn be washed before stitching?\n\nFollow the specific fabric instructions and agree preparation with the seller and tailor. A universal washing or soaking routine may not suit every print, finish or attached decoration.\n\n### Can I copy the outfit shown in the product photograph?\n\nUse it to explain preferences, then confirm construction and fabric requirements. Your measurements, supplied panels and additional trims may call for a different layout or proportion.\n\n## Sources and further reading\n\n- [Sapphire: Printed Lawn Shirt, 00U1SRNDS262](https://pk.sapphireonline.pk/products/00U1SRNDS262.html) — Primary product specification used only as a documented example of a one-piece listing and stated length; no stock or price recommendation.\n- [Khaadi: Dress All Year Round with Our Fabrics](https://uk.khaadi.com/blogs/dress-all-year-round-with-our-fabrics.html) — Primary brand explanation of unstitched set combinations. The tailoring workflow is original editorial advice.\n- [Khaadi: Cloth Care](https://uae.khaadi.com/cloth-care.html) — Primary guidance to follow item-specific care instructions; no universal treatment is inferred.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Pakistan](https://thecastindex.com/world-style/pakistan)\n\n"},{"url":"https://thecastindex.com/journal/pakistani-bridal-fashion-fitting-checklist","markdownUrl":"https://thecastindex.com/journal/pakistani-bridal-fashion-fitting-checklist.md","title":"Pakistani Bridal Fashion: A Fitting Checklist Beyond the Runway","lastmod":"2026-10-05T21:18:44Z","sha256":"2bdd8cbbdc0c7c0340d30f3ac6720d1153c94846d0ca8ca975effb26b04a557f","bytes":10362,"markdown":"# Pakistani Bridal Fashion: A Fitting Checklist Beyond the Runway\n\n> Plan a Pakistani bridal outfit with fitting checkpoints, a dupatta comparison, movement checks and an event-day handover, plus a worked example.\n\n- Canonical: https://thecastindex.com/journal/pakistani-bridal-fashion-fitting-checklist\n- Question: The practical takeaway\n- Direct answer: Choose the overall silhouette first, then test the complete outfit with the intended shoes, jewellery and dupatta. Rehearse sitting, walking and turning; agree on any alterations and pinning; and photograph the approved arrangement before the event or shoot.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T21:18:44Z\n- Country: Pakistan\n\n## Read a runway look as inspiration\n\nTurn bridal inspiration into a fitting plan by separating the garment details you love from the presentation around them. A photograph can help you explain a silhouette, colour or dupatta arrangement; the fitting establishes how that idea works for the wearer. Start with the details you want to carry into the finished look.\n\nSave references with notes about what you actually like: the proportion of a shirt and skirt, a colour relationship, a border placement or the way a dupatta frames the face. Separate those details from the lighting, choreography and celebrity styling around them. This makes the reference more useful when discussing a real garment with a designer or stylist.\n\nKeep the reference sheet small enough to discuss in one conversation. Mark each preference as essential, flexible or still undecided. For example, preserving a particular neckline may matter more to you than copying a sleeve treatment. This gives the maker a clear order for decisions when a reference cannot be reproduced exactly.\n\n## Set decision points for the fitting process\n\nAgree on the sequence with the maker before fixing your own deadlines. These are decision points, not a promise that every outfit needs the same number of appointments. Some may happen together. If time is limited, identify unresolved choices immediately and ask which can realistically be completed and checked before collection.\n\nBefore alterations, settle the intended silhouette, coverage and shoes. Ask which changes are possible, what they involve and when you can see the result. Put each agreed change in a short written record with the person responsible and the review date. Confirm any additional charge before work begins.\n\nAt the revised fitting, check each recorded change, then repeat the complete-look and movement checks. At collection, compare the finished outfit against that approved version, confirm that every separate piece is included and request the maker’s handling instructions. A collection appointment should end with a clear handover, including any issue that still needs attention.\n\n- Confirm the event or shoot date, collection arrangements and a contact for unresolved fitting questions.\n- Bring the actual shoes and underlayers; record any item that is still a substitute.\n- Save one change list so later appointments check the same agreed decisions.\n\n## Fit the complete look together\n\nBring the intended shoes, underlayers and jewellery to the fitting whenever possible. Check neckline and sleeve placement alongside necklaces, earrings and bangles. A garment can fit well on its own but sit differently once the final accessories are in place. Photograph the front, side and back with permission so decisions do not depend on memory.\n\nAgree on the desired length and coverage while wearing the actual shoes. Ask the maker or stylist to explain the proposed alteration before it is made, especially for borrowed garments or pieces with elaborate borders. Record what will change and which date is reserved for checking the result. Avoid discovering unresolved details on the day itself.\n\nMake a separate note for each adjustment instead of recording that the whole outfit needs fixing. Identify the garment, the place that needs attention and what the wearer experiences there. Ask the maker to propose the solution, then agree how you will check it. Do not attempt an unapproved alteration simply to keep the appointment moving.\n\n- Check the neckline with the necklace, and sleeves with the bangles or other wrist jewellery you intend to wear.\n- Sit in the complete outfit and check the waistband, closures and coverage from the wearer’s perspective.\n- Look at front, side and back views with both arms relaxed and in the positions needed for photographs.\n- Record unresolved length or fit decisions before approving the outfit for collection.\n\n## Rehearse movement and dupatta placement\n\nWalk a short route, sit in a chair similar to the one expected at the event, and practise turning for photographs. Notice what requires assistance and what the wearer can manage comfortably. For a shoot, rehearse only movements the garment and wearer can accommodate; change the shot if the original idea is impractical.\n\nTry the intended dupatta arrangement with the hairstyle or an agreed approximation. Establish who will secure it and how it will be adjusted between looks. Check the view from behind as well as the frame around the face. If the arrangement becomes uncomfortable or obscures the detail the shoot is meant to show, revise it together.\n\n- Rehearse the actual entrance, including steps or a doorway if they are part of the plan.\n- Try sitting, standing and turning without someone continually rearranging the outfit.\n- Check whether holding a bouquet, bag or another planned item changes how the dupatta is managed.\n- Ask the maker and stylist to agree on suitable fastening points; do not improvise pins through unfamiliar details.\n\n**Dupatta arrangements to compare at a fitting**\n\n| Arrangement | What to compare | What to record |\n| --- | --- | --- |\n| Over the head and shoulder | Face framing and the back view while seated and turning, with the intended hairstyle and jewellery. | Approved placement and support, plus who will secure and adjust it. |\n| Across one or both shoulders | Front and back coverage, sleeve movement and how the fabric sits beside the necklace. | Which edge sits where, agreed fastening points and the seated arrangement. |\n| Carried over a forearm | Walking and sitting while also managing any planned flowers, bag or other items. | Which arm carries it and who takes it when the wearer needs both hands. |\n\n## A hypothetical fitting: turn observations into decisions\n\nImagine an evening reception outfit with a long shirt, an embroidered skirt and a dupatta worn over the head and shoulder. This is a hypothetical planning example, not a reported fitting or a recommended style for every bride. The wearer wants the skirt border visible in standing photographs and comfortable coverage while seated.\n\nAt the first complete-look check, the substitute shoes leave the length undecided. During the sitting rehearsal, the dupatta needs repeated adjustment. The useful response is to record two separate tasks: return with the intended shoes before approving the length, and ask the stylist to compare approved draping arrangements while the wearer sits and turns.\n\nAt the next check, the wearer and maker agree on the length with the actual shoes. The stylist records an approved drape in front, side and back photographs and shows the designated helper how to reset it. Before collection, they repeat the entrance and seated checks. The result is a documented arrangement the team can recreate; it is not a guarantee that the outfit will never need attention.\n\n## Make a plan for the actual day\n\nAssign someone to keep the final reference images, accessory list and garment-care instructions available. Schedule dressing time around the complexity of the outfit rather than copying another event's timetable. Keep approved fastening supplies and a suitable garment cover nearby, and confirm how the outfit will travel to and from the location.\n\nFor multiple wedding events, write a separate outfit plan for each occasion according to the person's preferences and family arrangements. There is no single compulsory colour, silhouette or degree of ornament for every Pakistani bride. The strongest styling brief explains the chosen look and preserves the wearer's comfort and identity while making the practical details manageable.\n\n- Pack each look with its own accessory list and approved reference photographs.\n- Confirm a dressing space, a place to store covers and who will help with the complete look.\n- Keep maker-approved fastening supplies accessible to the person responsible for adjustments.\n- Agree who collects every garment and accessory after changing or leaving the venue.\n\n## FAQ\n\n### Should a bridal fitting include jewellery and shoes?\n\nYes, when possible. They affect how you evaluate the neckline, garment length, proportions and comfort of the complete look.\n\n### Must a bridal editorial reproduce a runway look exactly?\n\nNo. Identify the specific detail or mood that inspires the brief, then create an original look suited to the wearer, garment access and production setting.\n\n### How should dupatta placement be recorded?\n\nSave approved front, side and back photographs and note who will secure or adjust it. Include the hairstyle and jewellery in the final check.\n\n## Printable worksheet\n\n[Pakistan Bridal Fitting Checklist — 2-page A4 PDF](https://thecastindex.com/downloads/resources/pakistan-bridal-fitting-checklist.pdf). A two-page fitting and handover sheet for the complete outfit, dupatta placement, alterations and event-day preparation.\n\n## Sources and further reading\n\n- [Dawn Images: Bridal Couture Week in Lahore](https://images.dawn.com/news/1194614) — Dawn Images’ December 2025 report covers Bridal Couture Week in Lahore, describing both bridal clothes and the theatrical presentations around them. This supplies the runway context; the fitting, movement and day-of-event checklist is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Pakistan](https://thecastindex.com/world-style/pakistan)\n\n"},{"url":"https://thecastindex.com/journal/pakistani-bridal-makeup-consultation-brief","markdownUrl":"https://thecastindex.com/journal/pakistani-bridal-makeup-consultation-brief.md","title":"A Pakistani Bridal Makeup Brief That Keeps Your Preferences Clear","lastmod":"2026-10-05T19:08:30Z","sha256":"03679817a99c69664ae5b562fcf471da63c5a9f5cb6d66d195e4b2fa16d5be97","bytes":10350,"markdown":"# A Pakistani Bridal Makeup Brief That Keeps Your Preferences Clear\n\n> Prepare a bridal makeup consultation with specific preferences, outfit references, trial questions and event logistics, so the final look still feels like you.\n\n- Canonical: https://thecastindex.com/journal/pakistani-bridal-makeup-consultation-brief\n- Question: The practical takeaway\n- Direct answer: Bring a short written brief covering the features you want to emphasise, preferred coverage and finish, outfit and jewellery references, and what you do not want changed. Use a trial to agree on the look, then confirm the artist, timing, included services and touch-up arrangements in writing.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Pakistan\n\n## Write what you want to recognise in the mirror\n\nArrive at a bridal makeup consultation with a short description of how you want to recognise yourself in the finished look. Explain the features you want to emphasise and what should stay familiar. Clear preferences give you and the artist a useful basis for discussing references, testing choices and agreeing on the final brief.\n\nWrite the features you enjoy highlighting and the choices that feel unfamiliar or uncomfortable. Describe your preferred coverage, level of shine and lip colour intensity. State clearly whether you want your natural complexion and lip outline preserved. These are personal decisions; family references and social-media trends can be discussed without overriding them.\n\nDivide your brief into keep, change and discuss: keep your brow shape, change your lip colour, discuss extra eye definition. Mark your two priorities. If time or the service limits the options, those priorities help the artist offer a compromise you can judge rather than choosing for you.\n\n## Use references to explain details\n\nChoose a few references and annotate each one. You might like an eyeliner shape in one image and a lip finish in another. Explain which element matters instead of asking for an entire face to be reproduced. Include a recent photograph of your own usual makeup if that helps communicate what feels familiar.\n\nBring outfit colours, neckline and jewellery information, plus any plans for headwear or dupatta placement. Tell the artist whether photographs will be taken outdoors, in a studio or at an evening venue. If lighting is still undecided, say so. A useful brief makes uncertainties visible rather than filling them with assumptions.\n\nUse this comparison to turn broad labels into choices the artist can demonstrate. Agree on the wording together; these are illustrative requests, not definitions every artist uses.\n\n**Turn a vague request into a decision for the consultation**\n\n| If you say… | Clarify this | More useful wording |\n| --- | --- | --- |\n| Natural makeup | Coverage and visible texture | I want my freckles visible and the colour evened only where we agree. |\n| Glowing skin | Where reflection belongs | Show me the difference between shine on the cheeks and shine across the whole face. |\n| Defined eyes | Shape, colour and intensity | Keep the liner close to the lashes; let me compare it before adding a longer wing. |\n| A soft lip | Colour, finish and outline | Keep my lip outline and compare a muted rose with a deeper rose. |\n| A traditional bridal look | The details you personally associate with it | For me, the red lip and gold eye detail matter; I do not want every feature intensified. |\n| Something different for the reception | What stays consistent between events | Keep the agreed complexion finish and change the lip colour and eye emphasis. |\n\n## A worked example: one reception brief\n\nThe following is a hypothetical brief for an evening reception, not a real client consultation or a recommended look for every Pakistani bride. The wearer has chosen emerald clothing, a crimson dupatta and gold earrings. She likes her usual brows and wants to recognise them in the finished photographs.\n\nHer brief could read: “Keep my complexion colour and brow shape familiar. I want more eye definition than I wear every day, with a small gold detail that relates to the earrings. Please show me a muted red and a deeper red lip before we choose. I want the eyes to lead when the dupatta frames my face. I do not want a sharply redrawn lip outline.”\n\nAt the trial, the artist and wearer could settle the eye emphasis first, then compare the two lip options with the dupatta near the face. If the combined look feels busier than expected, the wearer can choose which detail to soften. The useful outcome is a recorded decision: approved eye shape, chosen lip, agreed brow treatment and one photograph showing the complete arrangement.\n\n## Make the trial a decision session\n\nAgree beforehand what a trial includes and how much time is available for adjustments. During the appointment, review the look at normal conversation distance as well as close up. Take reference photographs with permission and include a view under lighting similar to the intended event wherever practical.\n\nGive feedback in concrete terms: more definition at the lash line, less shine in a particular area, or a softer lip edge. Change one element at a time so the result is easy to evaluate. Record the agreed products and shades where possible. Share known product sensitivities with the artist and avoid turning the appointment into an unplanned skincare treatment session.\n\nAsk the artist to explain the proposed order of decisions. Review the brows, eyes and lips at agreed checkpoints so feedback arrives while there is still time to act on it. Finish by separating approved details from anything unresolved. A photograph labelled “trial” alone does not tell another team member what you wanted changed.\n\n- Which part of this reference can we translate to my features, and what would you suggest changing?\n- Can we compare the two options I am uncertain about before completing the rest of the look?\n- Which details are approved, and which need revisiting on the day?\n- Will the person doing my event makeup receive the brief and trial photographs?\n- If a recorded shade is unavailable, how will we agree on a replacement?\n\n## Confirm the people and logistics\n\nBefore booking, confirm who will perform the makeup and hair, the location, arrival time, expected finish time and which services the package includes. Clarify whether jewellery setting, dupatta setting, travel and touch-ups are included. Ask for the current payment, cancellation and rescheduling terms rather than relying on another client's experience.\n\nFor several events, save a separate approved brief for each look. Nominate one person to handle schedule questions so the wearer is not fielding messages while getting ready. Leave time to review the finished makeup with the complete outfit and to make a requested adjustment. A clear handover is as useful as an attractive inspiration board.\n\n- Named makeup and hair artists, plus the agreed process if either person changes.\n- Separate times for arrival, makeup completion, dressing and the final full-look review.\n- Who brings and sets jewellery, hair accessories and the dupatta.\n- What touch-up support is included, who provides it and when it ends.\n- The approved brief, photographs and unresolved questions in one shared message.\n\n## Work backwards from the time you must leave\n\nBuild the schedule with the artist, dresser and photographer using their estimates for your agreed services. Include travelling, dressing and photographs as separate activities. The makeup appointment ending is not necessarily the moment you are ready to leave. If the same team is preparing other people, confirm where your final review sits in that sequence.\n\nFor a hypothetical 6:30 pm departure, you might reserve 5:45 pm for a fully dressed review, leave until 6:10 pm for agreed adjustments, and use the next ten minutes for a touch-up handover and collecting belongings. The final ten minutes become a departure buffer. This is a planning example, not an estimate of how long makeup or hair takes; set their start times earlier using the team’s agreed durations.\n\nAt the handover, ask the artist to show the person responsible for touch-ups exactly what they should do and what should be left alone. Keep the agreed lip colour or other supplied items together, and name who carries them. If the schedule slips, agree which optional photograph or extra styling step can move; preserve the wearer’s opportunity to review the finished look.\n\n## FAQ\n\n### How many bridal makeup references should I bring?\n\nBring a small selection you can explain clearly. Notes identifying the preferred eyes, lips, coverage or finish are more useful than a large unannotated image collection.\n\n### Does natural bridal makeup mean the same thing to every artist?\n\nNo. Describe the actual coverage, colour, shine and definition you want, and use the trial to check that you and the artist mean the same thing.\n\n### What should be confirmed before booking?\n\nConfirm the named artist or team, services, location, timing, total charges, touch-ups and current cancellation or rescheduling terms in writing.\n\n### What if I cannot arrange a bridal makeup trial?\n\nRequest a consultation using annotated references and photographs of your usual makeup. Agree on the main choices in writing and arrange review points during the event appointment. A conversation cannot show the finished result, so keep unresolved decisions explicit and allow time to discuss them.\n\n## Sources and further reading\n\n- [H! Pakistan: interview with Hifsa Saad Khan](https://www.hmagpak.com/21-Aug-2026/hifsa-saad-khan-beauty-celebrate-individuality-erase) — In an August 2026 H! Pakistan interview, salon founder Hifsa Saad Khan emphasises listening to clients and respecting individual identity in bridal beauty. The consultation worksheet is original Cast Index guidance, not an endorsement or a claimed salon review.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Pakistan](https://thecastindex.com/world-style/pakistan)\n\n"},{"url":"https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research","markdownUrl":"https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research.md","title":"Paris Fashion Week SS27 So Far: Read the Collection and the Setting","lastmod":"2026-10-05T21:18:44Z","sha256":"d0821411b23ad43e77eb1908b0682858e66ccb4e90bc9096ea5aa8722a1db729","bytes":7799,"markdown":"# Paris Fashion Week SS27 So Far: Read the Collection and the Setting\n\n> A dated Paris SS27 research edit using the FHCM calendar and Dior’s Summer 2027 notes, with a method for separating setting, clothes and interpretation.\n\n- Canonical: https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research\n- Question: The practical takeaway\n- Direct answer: Paris’s SS27 womenswear calendar runs from 28 September to 6 October 2026, so it is still in progress early on 6 October in Jakarta. Use completed collection pages for analysis and the official calendar for what remains scheduled. Dior’s Summer 2027 notes offer one specific case for examining movement, tailoring and the relationship between a collection and its setting.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T21:18:44Z\n- Country: France\n\n## Keep the timestamp visible\n\nThis is a review of the evidence available early on 6 October 2026 in Jakarta, while it is still 5 October in UTC. Paris has not completed its final scheduled day. The FHCM calendar gives the season’s span as 28 September–6 October and lists Louis Vuitton for the evening of 6 October in Paris. A final-season verdict would therefore be premature.\n\nKeep three dates in your notes: the show date, the source’s publication or availability date, and the time you checked it. A scheduled show, a live broadcast and a subsequently published film are different events. When a page offers only an invitation-only listing, do not describe a film as watched or a collection as reviewed until the relevant material is actually available.\n\n## Use a specific collection to ask a better question\n\nDior’s official Summer 2027 presentation identifies Jonathan Anderson’s collection and locates its set around the octagonal basin in the Jardin des Tuileries. The house’s explanation emphasises movement and a dialogue between tailoring and fluid dressmaking. These are attributed facts and brand descriptions, not our claim to have attended or independently tested the clothes.\n\nA useful critical question follows: how might the relationship between a formal structure and a moving body change the way a garment is understood? To answer it from a film, select a small number of identifiable looks and record the moments you use. A still may show outline and detail, while a sequence can show how the outline changes. Keep a separate note when a material or construction detail comes from the brand rather than being visible in the footage.\n\n## Give the setting its own column\n\nThe location can influence a fashion image without explaining every garment. Water, distance, seating and camera position may affect what the viewer notices first. Record the official setting description separately from your reading of the collection, then ask whether the clothes support the same idea when considered away from that environment.\n\nThis is especially useful for creative teams developing an original shoot. Instead of copying a recognisable set, identify the relationship that interests you: a structured edge beside a softer movement, for example. Build an independent location and lighting brief around that relationship, using your own clothes and permissions. Do not caption a generic production as a reconstruction of the Dior show or imply that an illustrative image documents it.\n\n**A three-part note for a collection film**\n\n| Evidence layer | What belongs here | Question to ask |\n| --- | --- | --- |\n| Documented context | Designer, season, location and official notes | Which source establishes this detail? |\n| Visible observation | A specific look or timed movement in the film | Can another viewer locate the same moment? |\n| Our interpretation | The relationship we infer between garment and setting | Could another explanation also fit the evidence? |\n\n## Make comparisons fair while the calendar remains open\n\nIf you compare two collections, use equivalent evidence. A complete film from one house and three promotional pictures from another do not offer the same view of pacing, range or movement. Limit the comparison to what both sources support, or explicitly leave the second collection for a later update.\n\nA hypothetical research note might compare how two official films frame the beginning and end of a walk. It would record the season and timestamps, describe visible differences and reserve conclusions about construction until there is supporting information. It would not call those differences a Paris-wide trend. One collection can illustrate an idea; a broader claim needs a defined and sufficiently varied sample.\n\nKeep a short update queue for the final scheduled day. List the collection pages still to check and the question each could answer. This gives a later revision a purpose beyond adding more names, and prevents a live article from presenting future calendar entries as completed events.\n\n## Publish a clear reading with a clear limit\n\nA strong so-far edit can be decisive about its subject and honest about its scope. You can explain why the Dior setting and movement language create a useful research question without declaring the whole season settled. Link the source, distinguish its wording from your interpretation, and state the date boundary near the conclusion as well as in the introduction.\n\nFor imagery, work from material you are licensed to publish, with the required credit and permitted use. Public availability on an official collection page does not itself grant republication rights. Where you use an illustration, label its role accurately and keep it separate from claims about an actual look. The article should remain understandable through its evidence and analysis even without borrowed runway photographs.\n\n- State that the Paris calendar is ongoing at this publication time.\n- Use the FHCM calendar for scheduling and the brand page for collection detail.\n- Record look identifiers or timestamps before writing visual conclusions.\n- Separate setting, garment observation and interpretation.\n- Revisit unanswered questions after the final scheduled day.\n\n## FAQ\n\n### Had Paris Fashion Week SS27 finished early on 6 October in Jakarta?\n\nNo. The official calendar continues through 6 October in Paris. This article is deliberately framed as a so-far research edit.\n\n### Is Dior’s Summer 2027 description an independent review?\n\nNo. It is the house’s primary account of its own collection. We identify that context and use it to frame questions rather than treating brand language as an independent verdict.\n\n### How can I make a useful comparison before every show is available?\n\nCompare only the evidence you actually have, at an equivalent level of detail. Keep remaining collections in a dated update list and avoid season-wide claims from a narrow sample.\n\n## Sources and further reading\n\n- [FHCM: Paris Fashion Week Womenswear Spring/Summer 2027 Calendar](https://www.fhcm.paris/en/paris-fashion-week/calendar) — Primary calendar supporting 28 September–6 October dates and the remaining final-day schedule, checked while the week was ongoing.\n- [Dior: Summer 2027 Show](https://www.dior.com/en_gb/fashion/womens-fashion/ready-to-wear-shows/summer-2027-show) — Primary collection account supporting the designer, Tuileries basin setting and the house’s movement/tailoring framing. The reading method and hypothetical exercise are our own.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from France](https://thecastindex.com/world-style/france)\n\n"},{"url":"https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist","markdownUrl":"https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist.md","title":"Qipao Fitting: A Contemporary Commission and Photo Checklist","lastmod":"2026-10-05T19:54:57Z","sha256":"4d18695d5ef5d8ce42d58c4a3c6342b228fd52b3a7215debf0312349baaf006e","bytes":7664,"markdown":"# Qipao Fitting: A Contemporary Commission and Photo Checklist\n\n> Prepare a qipao or cheongsam commission with clear collar, closure, movement and motif-placement decisions, informed by documented Hong Kong tailoring.\n\n- Canonical: https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist\n- Question: The practical takeaway\n- Direct answer: For a qipao or cheongsam commission, agree the intended silhouette, collar, closures, hem and movement needs before selecting decorative detail. Fit with the planned shoes and underlayers, assess the whole garment while sitting and walking, and record the changes for the next fitting.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: China\n\n## Describe the occasion and silhouette in practical terms\n\nTell the maker what the garment must do. An outfit for a seated dinner, a stage appearance and a portrait session have different movement and visibility requirements. Describe the duration of wear, likely temperature, amount of walking and whether you need to dress without assistance. Then discuss the line you enjoy: close to the body, gently shaped or more relaxed. There is no need to force one prescribed silhouette.\n\nHong Kong’s Intangible Cultural Heritage Office describes local women’s cheongsam making as developing through Eastern and Western clothing techniques, with national heritage recognition in 2021. Hong Kong Memory documents a multi-step making process that includes measurement, pattern preparation, cutting and fitting. These references support treating the garment as skilled tailoring. They do not dictate the exact design of a contemporary commission.\n\n## Resolve structure before choosing every decorative finish\n\nBring a small set of references and explain which feature matters in each. You might like one collar’s height, another garment’s sleeve length and a third fabric’s scale. Ask the tailor which combinations make sense together and which would change the balance of the design. Avoid presenting several complete garments and expecting all their details to fit into one without adjustment.\n\nDiscuss closure position, lining, sleeve movement, slit placement and the ability to sit comfortably. Ask how the collar will feel when you turn your head or look down. If a particular knot fastening or trim is part of the visual focus, decide whether it is functional or decorative. Record what the tailor recommends in response to your actual use, rather than treating a photograph as a complete pattern.\n\n**A clear brief for the first fitting**\n\n| Choice | Your practical requirement | What to check in person |\n| --- | --- | --- |\n| Collar | Comfort while turning and looking down | Contact at the neck in a natural posture. |\n| Sleeve | The reach needed for the event | Movement without persistent pulling. |\n| Closure | Dressing with or without help | Access and secure fastening. |\n| Hem and slit | Walking, stairs and sitting | Coverage and stride with the planned shoes. |\n| Pattern | A motif you want clearly visible | Placement around seams and openings. |\n\n## Bring the complete supporting outfit to the fitting\n\nUse the shoes and underlayers you intend to wear, or accurate substitutes agreed with the tailor. Stand normally for assessment, then sit on a chair similar in height to the likely seating. Walk and turn without deliberately slowing every movement. Tell the maker where you feel restriction or repeated adjustment instead of trying to endure it until the fitting ends.\n\nAsk the tailor to mark and explain proposed changes. A pulling line in the cloth can have more than one cause, so avoid prescribing an alteration based solely on an online diagram. Check front, side and back with permission to make reference photographs. Confirm whether the next fitting will assess a revised sample, the actual fabric or a nearly finished garment, since the opportunities for change differ.\n\n## Plan motif placement and delivery as part of the commission\n\nIf the fabric has a prominent motif, discuss where it should sit and how it may be divided by seams or a closure. Ask for a simple placement sketch when that decision is important. Confirm fabric availability before agreeing a deadline. If the preferred material changes, review the design implications with the maker rather than assuming a substitute will produce the same shape.\n\nUse a written order summary with agreed materials, main design details, fitting dates and delivery expectations. State which decisions are final and which remain open. Ask how additional changes are handled and who approves them. These records make the collaboration clearer; they are especially useful when the wearer, stylist and person paying for the garment are different people.\n\n## Photograph the finished garment without misrepresenting its fit\n\nFor a portrait story, plan one full-length natural stance, one comfortable seated or walking image and a construction detail. Show the actual garment as worn before using temporary styling adjustments. If a borrowed sample requires clips, obtain permission and do not present those images as evidence of made-to-measure fit. A persuasive picture and a faithful product description should support each other.\n\nName the maker, the garment and the relevant contemporary or historical context accurately. Use the maker’s preferred terminology when discussing their work; do not label every high-collared dress as the same traditional form. Keep any interpretation of colour or pattern separate from documented history. After the event or shoot, follow the care instructions and record fit observations while they are still useful for a future commission.\n\n- State occasion, duration, dressing needs and preferred silhouette.\n- Approve collar, movement, closures and coverage in person.\n- Confirm motif placement before cutting.\n- Keep fitting changes, credits and delivery expectations together.\n\n## FAQ\n\n### How tight should a qipao or cheongsam be?\n\nAgree the silhouette with the maker and test the movements you need. Close shaping should not replace a comfortable, usable fit, and contemporary designs can use different degrees of ease.\n\n### Can a reference photograph replace a fitting?\n\nNo. It can explain a visual preference, but the maker still needs measurements, construction decisions and an assessment on the wearer.\n\n### Should I select embroidery and buttons before the shape is settled?\n\nDiscuss them early if they affect construction, but resolve the main silhouette and movement needs before finalising every decorative detail. Ask the maker about the correct sequence.\n\n## Sources and further reading\n\n- [Hong Kong Intangible Cultural Heritage Office: Cheongsam making technique](https://www.icho.hk/en/web/icho/representative_list_cheongsam_kwan_kwa.html) — Official reference supports the specific Hong Kong craft context and 2021 national-list recognition; it is not used as a universal qipao design rule.\n- [Hong Kong Memory: Making a cheongsam, Steps (1)](https://www.hkmemory.hk/en/collections-cheongsam-making-steps1.html) — Primary heritage documentation describes measurement, pattern preparation, cutting and fitting within a multi-step process. The commission worksheet is original.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from China](https://thecastindex.com/world-style/china)\n\n"},{"url":"https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft","markdownUrl":"https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft.md","title":"Rajasthan Block Prints: Choose Pattern Scale and Record the Craft","lastmod":"2026-10-05T19:54:57Z","sha256":"2c67cb3c89657338784ae5e2f814fb648b5b8f4f6e56e2001281395a3c7f0ef4","bytes":7549,"markdown":"# Rajasthan Block Prints: Choose Pattern Scale and Record the Craft\n\n> Assess a Rajasthan block-printed garment or fabric through repeat, border placement, making process and care, with a practical comparison worksheet.\n\n- Canonical: https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft\n- Question: The practical takeaway\n- Direct answer: Choose a block print by examining the whole repeat, the garment’s seams and the maker’s documented process. Ask separately about fibre, printing method and dyes. Then test the pattern at the distance you will wear or photograph it, and preserve specific maker and place credits.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: India\n\n## Look at the complete repeat before falling for one motif\n\nA small flower can be beautiful in a close-up while the complete printed field feels much denser than you expected. Open out the garment or request a full-width fabric image before deciding. Notice the space between motifs, the direction of the repeat and any border. These relationships will determine how the pattern appears on a body, across a seam or in a wider photograph.\n\nThe Development Commissioner (Handicrafts) describes Sanganeri printing as a Rajasthan practice using wooden blocks for outlines and colour, with floral motifs often placed on light grounds. Anokhi’s own craft account describes the interdependence of block carvers, printers, dyers and other makers. Those are specific process references. They do not mean that every floral product sold with a Jaipur description was made by that method.\n\n## Ask three separate questions about making\n\nFirst ask about the base fabric and its stated composition. Next ask how the design was applied: hand block printing, screen printing, digital printing or a combination. Finally ask what dye or pigment information the maker actually provides. Keep these answers separate. A hand-applied process does not establish a particular fibre or automatically prove that all colourants came from plants.\n\nThe official Sanganer craft entry lists both natural and synthetic dyes among its materials. That is a useful reason to avoid unverified natural-dye claims in a purchase description or caption. Ask for the information that matters to your project, including product-specific washing and colour-transfer advice. If the seller cannot establish a detail, leave it unconfirmed instead of filling the gap with a romantic account of the craft.\n\n## Compare scale against the garment’s construction\n\nFor a ready-made piece, look at where the print meets openings, pockets and seams. Decide which alignments matter to your eye and which are incidental to the design. A large motif cut at the centre front will create a different effect from a small all-over repeat. Inspect the whole garment rather than assuming that perfect matching or visible variation alone determines its quality.\n\nFor yardage, take the proposed pattern to the dressmaker before buying. Mark the intended border position and ask how the repeat affects the quantity required. A cuff, collar or placket might benefit from a different part of the cloth, but that must be planned before cutting. If your budget is fixed, compare simplifying the garment with compromising the motif placement that made you choose the fabric.\n\n**Compare three print layouts for the same garment**\n\n| Layout | What to inspect | A useful styling question |\n| --- | --- | --- |\n| Small all-over repeat | Density from a full-length distance | Would a plain layer make the pattern easier to read? |\n| Large spaced motif | Placement near seams and openings | Which motif should remain fully visible? |\n| Border-led design | Direction and available border length | Does the proposed cut preserve the border’s role? |\n\n## Style around the pattern’s rhythm\n\nTry the printed piece with one plain companion before combining it with another print. Choose a colour already present in the cloth or a neutral that lets its spacing remain visible. Then assess the silhouette with ordinary footwear and the bag you intend to carry. You are checking whether the complete outfit communicates the print clearly, not applying a rule that only one pattern may ever be worn.\n\nFor a deliberate mixed-print look, change one relationship at a time. A small repeat beside a larger one may create a useful difference in scale; repeating a colour can connect them. Photograph the combination from the same distance before adding jewellery. If the outfit feels crowded, remove the element that contributes least to the idea rather than replacing the whole wardrobe.\n\n## Photograph variation accurately and keep the maker visible\n\nFor an editorial or product story, capture one full garment view, one detail of the repeat and one construction junction. Use consistent lighting when comparing items so the reader can understand the pattern without a dramatic colour shift. Do not retouch every variation into mechanical uniformity and then describe the result as an exact record of the handmade surface.\n\nRecord the printer or workshop, fabric supplier and garment designer when those roles are known. Ask how collaborators wish to be credited. If the item is a contemporary adaptation of a regional practice, describe it that way rather than assigning a historical age to the design. Keep care instructions and a labelled fabric remnant when available. They help future repairs and make a later resale or archive description more specific.\n\n- View a complete repeat and the whole garment.\n- Separate fibre, printing process and dye claims.\n- Plan borders and major motifs before cutting.\n- Keep maker credits and the exact product care information.\n\n## FAQ\n\n### Does hand block printing always use natural dyes?\n\nNo. The official Sanganer craft description includes natural and synthetic dyes. Ask about the specific product rather than inferring dye type from the hand-printing process.\n\n### Do irregularities prove that a print was made by hand?\n\nNo single visual feature is sufficient proof. Use maker information and a documented process alongside your observations of the cloth.\n\n### How do I choose between a small and a large print?\n\nCompare the full repeat on the intended garment. Consider seam placement, the distance from which the outfit will be seen and whether a particular motif needs to stay intact.\n\n## Sources and further reading\n\n- [Development Commissioner (Handicrafts): Sanganeri Hand Block Printing](https://handicrafts.gov.in/crafts/All_Crafts/Craft_Categories/Textile/Hand_Block_Printing/Sanganeri_Hand_Block_Printing/Sanganeri_Hand_Block_PrintingWebPage.html) — Government craft reference supports Sanganer location, wooden-block process, floral/light-ground design context and the use of natural as well as synthetic dyes.\n- [Anokhi: Craftsmanship and Anokhi](https://www.anokhi.com/craftmanship-anokhi/) — Maker’s primary account supports collaboration between block carvers, printers, dyers and other craftspeople. Its account is not generalized into a claim about every Rajasthan seller. Styling and comparison tools are original.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from India](https://thecastindex.com/world-style/india)\n\n"},{"url":"https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan","markdownUrl":"https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan.md","title":"How to Rewear Indian Wedding Outfits With a Practical Wardrobe Plan","lastmod":"2026-10-05T19:08:30Z","sha256":"1094db613774c2439640377180c15c3d671b6e65c5a21778cd39d95caefa8de8","bytes":5123,"markdown":"# How to Rewear Indian Wedding Outfits With a Practical Wardrobe Plan\n\n> A useful rewear plan for saris, lehengas and occasionwear: audit separates, check condition, build outfit records and plan alterations carefully.\n\n- Canonical: https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan\n- Question: The practical takeaway\n- Direct answer: To rewear wedding clothes, list the usable pieces, check their condition and fit, and build new combinations for actual invitations. Photograph each option before making permanent alterations. Start with styling changes that preserve the garment and its sentimental value.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: India\n\n## Make an inventory before making a shopping list\n\nPlan another wear for a wedding outfit by looking at the pieces separately and deciding what you want to preserve. A treasured garment may need a different setting or combination before it needs an alteration. Begin with its present condition and your own attachment to it, then plan around a real invitation.\n\nBegin your own plan by laying out the individual garments and accessories. Record each item’s condition, fit, colour, weight and emotional importance. Include what you would prefer not to change. This turns a large, complicated outfit into a set of practical choices while respecting the reason you kept it. A simple phone album can be enough for the inventory.\n\n## Match the clothes to a real invitation\n\nChoose an upcoming event and read the host’s dress guidance. Consider the setting, ceremony, weather, travel and amount of standing or dancing involved. These details are more useful than a broad instruction to dress the outfit down. The same garment may be comfortable at an indoor reception and impractical for a long outdoor afternoon.\n\nTry combinations with pieces already in your wardrobe, changing one element at a time. Check the whole look while seated as well as standing. Decide where you want the visual focus: embroidery, drape, jewellery or silhouette. A quieter surrounding outfit can make a treasured detail more visible, but an expressive combination is equally valid when it suits you and the occasion.\n\n## Separate reversible styling from permanent changes\n\nBefore cutting, dyeing or removing a component, photograph the garment in several complete outfits. If possible, discuss alterations with a professional who understands its construction and surface work. Ask what the change will involve, what cannot be reversed and whether hidden material is available. Do not assume a complex piece can be altered like an everyday cotton shirt.\n\nSet a budget for the total plan, including cleaning, fitting and any necessary accessories. Compare that cost with how often you realistically expect to use the result. The purpose is not to force every garment into frequent wear. Some pieces may be best preserved, while others can become reliable choices for several events with only minor preparation.\n\n## Save a complete outfit record\n\nOnce a combination works, take a full-length photograph and record the underlayers, shoes, jewellery and fastening arrangement. Add a note about how long dressing took and whether help was needed. Keep that information with the image, so the next occasion does not require rebuilding the look from memory.\n\nAfter wearing it, inspect the garment and follow its care instructions or consult a suitable cleaner. Store pieces in a way appropriate to their material and embellishment, and record any repairs needed before the next use. A wardrobe plan succeeds when it makes the next wear easier. The most valuable outcome is a dependable personal archive of outfits you enjoy, with enough detail to repeat them confidently.\n\n## FAQ\n\n### Should I alter a wedding outfit to make it more wearable?\n\nTry reversible styling changes first. If an alteration would solve a specific fit or use problem, discuss the construction and irreversible effects with a qualified tailor before proceeding.\n\n### How can I avoid buying new pieces for every invitation?\n\nKeep photographs of complete outfits and track which combinations worked. Check that archive against the invitation and dress guidance before deciding whether anything is missing.\n\n## Sources and further reading\n\n- [Vogue India: How to rewear wedding outfits, according to three stylists](https://www.vogue.in/content/how-to-rewear-wedding-outfits-without-looking-like-a-bride-according-to-three-stylists) — Vogue India’s September 2026 feature interviews stylists about bringing wedding garments back into use. Topic reference checked on 6 October 2026. The inventory and outfit-record workflow is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from India](https://thecastindex.com/world-style/india)\n\n"},{"url":"https://thecastindex.com/journal/runway-size-inclusivity-2026-casting-gap","markdownUrl":"https://thecastindex.com/journal/runway-size-inclusivity-2026-casting-gap.md","title":"The runway’s size-inclusion gap is structural","lastmod":"2026-07-16","sha256":"898b19c099a1942212dea8b5b6fd9b932b5f06149f03fae46c53f20229c2d16d","bytes":3264,"markdown":"# The runway’s size-inclusion gap is structural\n\n> The numbers are not a casting footnote. They reveal how sample production, brand decisions and runway imagery keep reinforcing one body standard.\n\n- Canonical: https://thecastindex.com/journal/runway-size-inclusivity-2026-casting-gap\n- Question: How size-inclusive were the major fashion runways in 2026?\n- Direct answer: Size inclusion remained extremely limited. Vogue Business found that 98.6% of 2,523 Autumn/Winter 2026 menswear looks in Milan and Paris were straight-size; only 1.2% were mid-size and 0.2% plus-size. Its Spring/Summer 2026 womenswear analysis similarly found 97.1% of 9,038 looks were straight-size.\n- Author: The Cast Index Desk (Industry analysis)\n- Published: 2026-07-14\n- Updated: 2026-07-16\n\n## What do the 2026 runway numbers show?\n\nVogue Business assessed 55 Autumn/Winter 2026 menswear shows and presentations across Milan and Paris. Of 2,523 looks, 98.6 per cent were straight-size, 1.2 per cent mid-size and 0.2 per cent plus-size. Milan recorded no mid-size or plus-size looks in that dataset.\n\nIts Spring/Summer 2026 womenswear report covered 9,038 looks across 198 shows in the four major capitals. Straight-size casting accounted for 97.1 per cent, with 2 per cent mid-size and 0.9 per cent plus-size. London performed better than the other capitals, but the overall picture remained narrow.\n\n## Why is this a design-system problem as well as a casting problem?\n\nRunway casting happens inside a production system built around samples. When a collection is developed in a narrow sample range, the available cast is restricted before the casting director begins. A wider call cannot solve garments that were never cut for more bodies.\n\nThat is why occasional high-profile bookings do not necessarily indicate structural change. Durable inclusion requires design, fitting, production and casting decisions to move together across seasons.\n\n## How should a ranking respond to narrow industry standards?\n\nA ranking must report actual demand, which means current bookings remain evidence. But it should not confuse the frequency of a body type with an objective standard of beauty, health or merit.\n\nThe Cast Index therefore excludes appearance from its scoring pillars and keeps health information separate from ranking judgements. It can document who the industry books while still making the limits of that industry visible.\n\n## FAQ\n\n### What does straight-size mean in the cited womenswear report?\n\nVogue Business classified US sizes 0–4 as straight-size, 6–12 as mid-size and 14+ as plus-size for its Spring/Summer 2026 analysis.\n\n### Does the Cast Index score models by body size?\n\nNo. The scoring pillars are runway, campaigns, editorial authority and cultural impact; appearance and body size are not scoring criteria.\n\n## Sources and further reading\n\n- [Vogue Business — Autumn/Winter 2026 menswear size inclusivity report](https://www.vogue.com/article/the-vogue-business-fall-winter-2026-menswear-size-inclusivity-report)\n- [Vogue Business — Spring/Summer 2026 size inclusivity report](https://www.vogue.com/article/the-vogue-business-spring-summer-2026-size-inclusivity-report)\n- [The Cast Index — ranking methodology](https://thecastindex.com/methodology)\n\n"},{"url":"https://thecastindex.com/journal/sari-editorial-drape-movement-fitting","markdownUrl":"https://thecastindex.com/journal/sari-editorial-drape-movement-fitting.md","title":"Planning a Sari Editorial: Drape, Movement and a Useful Fitting","lastmod":"2026-10-05T19:54:57Z","sha256":"876a9d9c28015c88fbae1c5326909619c684fba7863b2dab5457d30c426f6a78","bytes":7510,"markdown":"# Planning a Sari Editorial: Drape, Movement and a Useful Fitting\n\n> Plan an original sari fashion story with a specific drape reference, suitable cloth, a wearable fitting and a clear sequence of photographs.\n\n- Canonical: https://thecastindex.com/journal/sari-editorial-drape-movement-fitting\n- Question: The practical takeaway\n- Direct answer: Choose a specific drape and explain why it belongs in the story. Confirm the cloth, dimensions, supporting garments and draping expertise before the shoot. Rehearse sitting and walking, then photograph the arrangement from enough angles to show how it works, with accurate regional and maker credits.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: India\n\n## Give the drape a subject beyond an occasion\n\nA sari story can examine the relationship between cloth and movement, a wearer’s preferred everyday arrangement or the way a border travels around the body. Choose one subject before selecting jewellery and setting. This helps the team make decisions about length, fabric and framing rather than treating the garment as a general signal of celebration.\n\nBorder&Fall’s Sari Series is a digital anthology documenting India’s regional drapes through short films. The Design Museum’s archived Offbeat Sari exhibition examines contemporary experimentation as well as the garment’s multiple meanings. Together they provide a useful starting point: there are documented traditions and present-day innovations, and neither requires your editorial to present one arrangement as the only correct way to wear a sari.\n\n## Select a documented reference and identify what you are changing\n\nChoose a reference whose name, regional association and draping sequence you can trace. Watch the full sequence rather than working from a cropped social photograph. Ask a skilled draper or knowledgeable wearer to help interpret the reference, especially if it is unfamiliar to the team. Keep its name and source in the production notes so they survive beyond the initial mood board.\n\nIf you adapt the arrangement, record the change. A different length, blouse, underlayer or fastening may create a contemporary variation rather than a faithful demonstration. That can be an excellent fashion image when described honestly. Do not attach a regional name to a substantially altered look without explaining the relationship. Ask the collaborator how they would describe the result in a short public caption.\n\n## Match the actual cloth to the planned arrangement\n\nConfirm dimensions, weight as experienced in handling, border placement and the area the team wants visible. A sari that looks compelling when spread flat may place its main detail differently once arranged. Rehearse with the actual piece when possible; if using a substitute, note which decisions remain provisional. Avoid assuming that any length of cloth will reproduce every filmed drape.\n\nBring the intended footwear and supporting garments to the rehearsal. Check whether the wearer can sit, walk, turn and manage the free end comfortably. Ask before placing pins or other attachments into borrowed cloth, and let the owner specify acceptable methods. A secure arrangement should support normal movement; the model should not need to hold the garment in place throughout every frame.\n\n**A sari fitting record that makes the shoot repeatable**\n\n| Record | Why it matters | Useful reference |\n| --- | --- | --- |\n| Drape identity | Preserves the named reference or adaptation | Source link and the collaborator’s description. |\n| Cloth and dimensions | Explains what was actually used | Label and full-length textile photograph. |\n| Border and end placement | Maintains the intended visual line | Front, back and side views. |\n| Supporting garments | Makes the arrangement reproducible | A private wardrobe inventory. |\n| Movement limits | Keeps poses realistic | Approved walking and seated rehearsal. |\n\n## Build a sequence that shows the cloth’s logic\n\nBegin with a full-length view that leaves the hem and main arrangement visible. Add a side or back view if it explains how the cloth travels, then select a movement that reveals a different relationship between the border and body. A short step or gentle turn may communicate more than a large fabric toss that dismantles the arrangement.\n\nChoose one close detail with the draper or textile maker. It could show a fold, border junction or woven area, but should be connected to the whole-look images. Avoid an edit composed only of face portraits and floating fabric, where readers cannot understand what was worn. Check the complete sequence before changing the drape so missing information can be captured while the setup is intact.\n\n## Separate image-making from a draping demonstration\n\nAn editorial photograph can interpret a garment; a tutorial needs enough accurate steps for someone else to reproduce it. Decide which you are publishing. If the article is not a tutorial, do not imply that a few dramatic photographs provide complete instructions. Link to the documented reference and credit the draping collaborator, while making your own story’s purpose clear.\n\nKeep the wearer’s comfort and preferences part of the final selection. Ask whether the approved frames represent the arrangement as they experienced it and whether any private fitting image should remain unpublished. Caption the sari maker, draper, photographer and relevant reference when known. For inherited cloth without a confirmed production history, describe that personal connection without assigning an unverified region, weave or age.\n\n- Choose and record one specific drape reference.\n- Identify any contemporary adaptation explicitly.\n- Rehearse with the actual cloth, shoes and supporting garments.\n- Capture full, side or back, movement and meaningful detail views.\n\n## FAQ\n\n### Can a contemporary sari editorial adapt a regional drape?\n\nYes, but identify the source and explain substantial changes. Work with someone who understands the reference and avoid presenting the adaptation as an exact traditional demonstration.\n\n### Do I need a different sari for every photograph?\n\nNo. One well-chosen piece can provide a coherent sequence through different views and controlled movement. Change the arrangement only when it adds information to the story.\n\n### Can a fashion editorial double as a draping tutorial?\n\nOnly if it includes a complete, accurate and reviewed sequence. Otherwise, describe it as an editorial and link to an appropriate learning reference.\n\n## Sources and further reading\n\n- [Border&Fall: The Sari Series](https://thesariseries.com/) — The project’s own site identifies its purpose as documenting India’s regional sari drapes through short films. No specific undocumented drape instructions are reproduced.\n- [Design Museum: The Offbeat Sari](https://beta.designmuseum.org/exhibitions/the-offbeat-sari) — Archived 2023 museum exhibition provides context on contemporary sari experimentation and varied uses. It is not presented as a current event. The production method is original.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from India](https://thecastindex.com/world-style/india)\n\n"},{"url":"https://thecastindex.com/journal/seoul-designer-showroom-buying-plan","markdownUrl":"https://thecastindex.com/journal/seoul-designer-showroom-buying-plan.md","title":"Buying Korean Designer Fashion: A Seoul Showroom Appointment Plan","lastmod":"2026-10-05T19:54:57Z","sha256":"493a2617059a452e7d0c50152be4ce2f0ef3751377b13524ade98f3946987f2b","bytes":7851,"markdown":"# Buying Korean Designer Fashion: A Seoul Showroom Appointment Plan\n\n> Prepare a focused wholesale appointment in Seoul with a product gap brief, commercial questions and a sample-to-order comparison sheet.\n\n- Canonical: https://thecastindex.com/journal/seoul-designer-showroom-buying-plan\n- Question: The practical takeaway\n- Direct answer: Use official Seoul Fashion Week information to identify the correct season and access route, then approach brands with a clear buying brief. At the appointment, confirm product codes, size availability, delivery terms and reorder options before comparing a sample with the order you could actually place.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: South Korea\n\n## Know which part of the fashion-week programme you need\n\nA wholesale appointment serves a different purpose from watching a runway show. Start by deciding whether you are buying for an established store, exploring a future retail concept or researching a personal wardrobe. Tell the organiser or brand your actual role. A public programme, professional registration and an individual showroom invitation may provide different forms of access; do not treat them as interchangeable.\n\nSeoul’s official tourism listing records the 2027 S/S edition on 1–6 September 2026 at DDP and Jamsil Lotte World Mall, with shows, presentations and a trade programme. The organiser’s registration page separately lists brand and buyer applications. Those dates are now past. Use them as a completed-season reference, and check the next edition’s own instructions instead of assuming an old registration remains open.\n\n## Write a product-gap brief before arranging meetings\n\nList what your assortment lacks in concrete terms: a lightweight jacket with a particular retail position, a skirt shape absent from your existing selection, or an accessory that works with several stocked labels. Decide which qualities are essential and which are flexible. A showroom meeting becomes more productive when the representative can respond to a specific gap instead of being asked to present everything.\n\nKeep a concise introduction ready: store or project name, website if available, customer profile, territories where you sell and your intended season. State honestly if the business is still in development. Add a short selection of product categories you want to discuss. Do not claim existing distribution, press coverage or a purchase commitment to obtain access. The quality of the match matters more than the number of meetings booked.\n\n## Distinguish the sample from the deliverable product\n\nA runway or showroom sample is a reference point for a possible order. For every shortlisted item, ask for its product code, composition, available colours, size range and relevant measurement information. Confirm whether trim, lining, fabric or other details may change before delivery. Record the answer beside the item rather than relying on a general conversation at the end of the appointment.\n\nAsk permission before photographing samples or line sheets, and note restrictions on sharing unreleased material. Make front, back and detail records only when allowed. Include a code card in your private notes so two similar pieces do not become confused. If the sample size prevents a realistic fit assessment, request the information or later sample needed to close that gap instead of guessing from a runway photograph.\n\n**An appointment sheet for comparing proposed orders**\n\n| Field | Record | Unanswered question to resolve |\n| --- | --- | --- |\n| Product | Code, colour and composition | Will production match this sample? |\n| Fit | Size range and measurement reference | Which size specifications are confirmed? |\n| Commercial terms | Quoted currency and minimums | Does the minimum apply per style, colour or order? |\n| Delivery | Agreed window and destination basis | Which costs and responsibilities are included? |\n| After delivery | Reorder and issue-reporting process | Who handles discrepancies and within what timeframe? |\n\n## Keep the schedule small enough for real follow-up\n\nGroup appointments by confirmed location and leave realistic travel time between them. A city-wide fashion programme is not evidence that every participating brand shares the same venue. Confirm the exact address, contact person and meeting length shortly before arrival. If a translator or local collaborator is involved, send the product brief beforehand so terminology is consistent.\n\nAfter each meeting, spend a few minutes marking definite candidates, unresolved questions and items you will decline. Set a limit on how many open questions you can carry into the next appointment. A short, complete record prevents the most visually dramatic sample from dominating later decisions merely because its photograph is memorable. Compare the selection against the original assortment gap before adding another brand.\n\n## Turn the meeting into a verifiable next step\n\nSend one organised follow-up with the relevant product codes and the missing information. Ask for a written quotation and confirm the current terms directly; this guide does not supply a standard minimum order, commission, tax rate or shipping arrangement. Keep tentative selections clearly marked until both sides have agreed what is being ordered and on what basis.\n\nFor editorial use, separate a brand’s commercial information from material cleared for publication. An appointment does not grant permission to republish campaign images or disclose confidential prices. An original report can describe the questions buyers face and name publicly documented collections, while your private comparison sheet holds negotiations. Good preparation produces a usable decision and a professional relationship, even when you decide not to place an order.\n\n- Verify season, role and access route on the current official page.\n- Send an honest, specific assortment brief.\n- Record product codes and sample-to-production differences.\n- Resolve delivery, minimums and usage permissions in writing.\n\n## FAQ\n\n### Does public access to Seoul Fashion Week include wholesale appointments?\n\nDo not assume so. Check the organiser’s current buyer route and the individual brand’s appointment requirements. Public activities and professional meetings can have separate access arrangements.\n\n### Should I order directly from the runway photographs?\n\nUse photographs for research, then confirm the product code, materials, sizes, production version and written terms with the brand. A show image does not provide a complete order specification.\n\n### What should a first buyer meeting achieve?\n\nA realistic shortlist with documented product details, commercial questions and a clear follow-up owner. It does not have to end in an immediate order.\n\n## Sources and further reading\n\n- [Visit Seoul: 2027 S/S Seoul Fashion Week](https://english.visitseoul.net/events/2027-SS/ENPptkfz1) — Official completed-event reference verifies 1–6 September 2026, venues and the mixture of shows, presentations and trade activity. No future schedule or guaranteed access is inferred.\n- [Seoul Fashion Week: Trade Show registration](https://www.seoulfashionweek.org/hmpg/trad/regi/regiMain.do) — Organiser page separately lists brand and buyer registration for 2027 S/S; the listed application dates are past. The buying worksheet and appointment advice are original.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from South Korea](https://thecastindex.com/world-style/south-korea)\n\n"},{"url":"https://thecastindex.com/journal/september-2026-beauty-new-launches","markdownUrl":"https://thecastindex.com/journal/september-2026-beauty-new-launches.md","title":"What is new. What earns its place.","lastmod":"2026-09-08","sha256":"136595e3dc0048e43762179e6660a9e62b565923f5d427ab21ed35cf496e4453","bytes":4724,"markdown":"# What is new. What earns its place.\n\n> A dryer brush, a new fragrance format and a wider cushion conversation. Our guide to recent arrivals—and the details that matter before buying.\n\n- Canonical: https://thecastindex.com/journal/september-2026-beauty-new-launches\n- Question: Which recent beauty launches are worth understanding in September 2026?\n- Direct answer: The September edit includes Dyson’s Airsmooth styling brush, Sol de Janeiro’s Cheirosa 74 Intense Perfume Mist, ILIA’s Thru Line eyeliner and Sun Serum SPF 50, plus Jung Saem Mool’s US retail expansion. Each addition is assessed by its role in a routine, with launch dates separated from popularity signals.\n- Author: The Cast Index Desk (Beauty editor)\n- Published: 2026-09-08\n- Updated: 2026-09-08\n\n## A simpler tool deserves a specific question\n\nDyson introduced the Airsmooth styling brush on 3 September. It is a dedicated hot-air brush, so the useful comparison begins with the shape you want: a smooth blowout, stretched roots or softly curved ends. A large multi-attachment set only earns its place if you use those additional functions.\n\nBefore considering a new tool, check the grip, maintenance, exact model and local warranty. The manufacturer’s drying and breakage studies provide context; this publication has not independently tested the device.\n\n## A fragrance launch can arrive in stages\n\nSol de Janeiro’s Cheirosa 74 Intense Perfume Mist reached the brand’s US store and Ulta from 23 August. The announced Sephora and Amazon rollout is 29 September, which is still ahead of this briefing. A global-looking product page should not be read as proof of local stock.\n\nFor fragrance, a test on skin is more useful than a long list of notes. Allow the opening to settle, then decide whether the dry-down suits you. A brand’s stated longevity does not describe every wearer’s experience.\n\n## A familiar name can conceal a different product\n\nILIA’s July Thru Line launch adds a pencil option for a softly blended eye. Its April Sun Serum is a dedicated SPF 50 sunscreen, distinct from the brand’s SPF 40 Super Serum Skin Tint. Olaplex’s No.3PLUS similarly needs its own instructions rather than inheriting the original No.3 routine.\n\nThese distinctions guide the new category pages: identify the format, understand its place in the routine and compare only after that. An appealing range name is not enough to establish an equivalent formula.\n\n## The cushion conversation gets wider\n\nJung Saem Mool’s Sephora US debut on 21 August included an expanded cushion offering. That is a distribution and shade-range development, rather than the first appearance of a cushion already familiar in Asian markets.\n\nRegional listings can differ in shades, refills and SPF labels. Compare the exact local product with the coverage you want. A cushion is an application format, and the formulas within that format can create very different results.\n\n## Read the evidence behind the label\n\nThe new beauty edit distinguishes brand-listed bestsellers, reader-voted recognition and editorial additions. A bestseller label describes the source that published it. An award records a named selection process. Neither is a substitute for your shade match, ingredient preferences or application habits.\n\nOur product library now has a practical guide for every category, with original source links, review dates and relevant alternatives. The goal is to make a smaller, more informed decision possible—even when that decision is to keep using what already works.\n\n## FAQ\n\n### Does new mean better?\n\nNo. A new launch, formula update or retail arrival is a reason to look more closely, not proof that a product is better for your routine. Compare its purpose and limitations before buying.\n\n### Are launch dates the same in every country?\n\nNo. Retailer rollouts and local formulas can differ. This briefing states the reviewed launch market where relevant and links to the original announcements.\n\n## Sources and further reading\n\n- [Dyson — Airsmooth announcement, 3 September 2026](https://www.dyson.com/discover/news/latest/introducing-airsmooth)\n- [Sol de Janeiro — Intense Perfume Mist launch and retailer dates](https://www.prnewswire.com/news-releases/sol-de-janeiro-introduces-intense-perfume-mist-a-new-fragrance-format-in-prestige-body-fragrance-302852217.html)\n- [ILIA — launch announcements](https://www.prnewswire.com/news/ilia-beauty/)\n- [Olaplex — No.3 versus No.3PLUS](https://olaplex.com/blogs/news/no3-vs-no3plus)\n- [Jung Saem Mool — Sephora US debut](https://www.prnewswire.com/news-releases/jung-saem-mool-beauty-marks-sephora-launch-with-times-square-takeover-and-nationwide-consumer-activations-302862392.html)\n\n"},{"url":"https://thecastindex.com/journal/sheer-occasionwear-layering-guide","markdownUrl":"https://thecastindex.com/journal/sheer-occasionwear-layering-guide.md","title":"Sheer Occasionwear: How to Plan Coverage, Movement and Photographs","lastmod":"2026-10-05T19:08:30Z","sha256":"88f2d27aa3197b4493772a3e549cd7119eeea7d529470165c921d4e702315881","bytes":4821,"markdown":"# Sheer Occasionwear: How to Plan Coverage, Movement and Photographs\n\n> A practical guide to wearing sheer fabrics at events, from host expectations to lining, lighting and comfortable layering.\n\n- Canonical: https://thecastindex.com/journal/sheer-occasionwear-layering-guide\n- Question: The practical takeaway\n- Direct answer: Choose sheer occasionwear only when it fits the event’s dress code, the hosts’ expectations and your own comfort. Decide the intended coverage, test the complete outfit in different lighting and plan a layer for transitions. A sheer sleeve, overlay or panel can provide the effect without an entirely transparent outfit.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: United Kingdom\n\n## Read the occasion before the trend\n\nPlan sheer occasionwear around the setting and the coverage you want to feel comfortable wearing. A ceremony, reception and fashion event can call for different choices, even on the same day. Read the invitation and any venue-specific clothing expectations first, then decide where transparency belongs in the outfit.\n\nIf the code is unclear, ask the hosts or organiser a specific question about the outfit rather than assuming that a trend changes their expectations. Consider the day’s separate settings. A look intended for an evening party may need a different layer for a daytime ceremony, transport or an outdoor wait. Plan the whole visit, not only the entrance photograph.\n\n## Choose where the transparency belongs\n\nIdentify the part of the outfit where transparency adds the most interest: sleeves, a neckline, a skirt overlay or a patterned panel. Keep the remaining pieces simple enough that the choice feels deliberate. You can adjust the level of coverage with an opaque underlayer that works with the garment’s shape.\n\nTry the outer garment and underlayer together rather than shopping for them independently. Check strap positions, arm openings, skirt lengths and whether the lining moves differently from the outer fabric. The aim is a combination you are comfortable wearing, not a universal rule about how much skin an outfit should show.\n\n## Test movement and likely lighting\n\nWalk, sit and reach while wearing the entire outfit, including footwear and any bag. Ask a trusted person to help check the back if needed. Pay attention to openings that change position and layers that ride up. If you spend the trial constantly adjusting an item, treat that as useful information and change the combination.\n\nLook at the outfit near a window and under the kind of indoor lighting you expect. If photographs with flash are likely, take a test photograph too. These checks cannot recreate every venue, but they can reveal a mismatch between your intended coverage and the actual appearance. Review the unfiltered image rather than relying on a flattering screen effect.\n\n## Prepare an adaptable final outfit\n\nPick a cover layer that looks intentional with the clothes beneath it. Put it on during the trial instead of treating it as an emergency addition. Check that the bag can hold any small items you need and that jewellery does not catch on delicate fabric. A beautiful overlay loses its appeal if every movement risks a snag.\n\nBefore leaving, photograph the approved combination for your own reference and make one final comfort check. For a borrowed or rented garment, follow the provider’s care instructions and avoid unapproved alterations. At the event, let the hosts and the occasion guide the tone. Personal style is easier to enjoy when the practical decisions are already settled.\n\n## FAQ\n\n### Is sheer clothing always inappropriate for weddings?\n\nNo universal answer fits every wedding. The hosts, ceremony, dress code and intended coverage matter. Ask when uncertain rather than relying on a general fashion rule.\n\n### What is the simplest way to try this look?\n\nStart with a sheer sleeve or an overlay above an opaque base. Test the complete outfit for movement and lighting before deciding whether it works for the occasion.\n\n## Sources and further reading\n\n- [Is It Ever Ok to Wear a Sheer Dress As a Wedding Guest?](https://www.harpersbazaar.com/fashion/a65592666/sheer-wedding-guest-dress/) — The Bazaar feature considers sheer wedding-guest dressing in the context of the occasion. Coverage, movement, lighting and layering checks here are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\n"},{"url":"https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits","markdownUrl":"https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits.md","title":"Suzhou Embroidery: Commission a Fashion Detail With Clear Maker Credits","lastmod":"2026-10-05T19:54:57Z","sha256":"f60f44ee132ba17512ec8a26cbe1c71ae4e026588ec63e398bc3cac6b7ee7856","bytes":7666,"markdown":"# Suzhou Embroidery: Commission a Fashion Detail With Clear Maker Credits\n\n> Build an embroidery commission around a workable motif, sample approval, garment placement and accurate credits, with Suzhou craft as the reference.\n\n- Canonical: https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits\n- Question: The practical takeaway\n- Direct answer: Start an embroidery commission with the garment, placement, scale and use. Ask the maker which techniques and materials suit the design, approve a sample before full production, and record separate design and stitching credits. Verify any Suzhou origin claim instead of inferring it from the motif.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: China\n\n## Decide what the embroidery must add to the garment\n\nA successful commission begins with a job for the embroidery. It might define the edge of a cuff, create a focal point on a back panel or add a subtle surface visible only in a close portrait. Choose that role before collecting dozens of motifs. Mark the proposed area on a garment drawing and explain whether the finished piece will be worn frequently, photographed once or displayed.\n\nSuzhou’s official craft account identifies Suzhou-style embroidery as a local tradition and discusses different stitches and shading in historical work. The China National Silk Museum’s embroidery exhibition places Suzhou alongside other regional schools and contemporary practice. This is useful context for a conversation with a maker. A floral subject alone does not establish a regional technique, workshop or origin.\n\n## Build a brief around an original motif and a real budget\n\nDescribe the subject, scale and mood you want without asking the embroiderer to duplicate another artist’s image. If you want to adapt existing artwork, establish the relevant permission before commissioning the translation into thread. A public museum photograph can help you ask a technical question while remaining a linked reference in the research notes. It should not automatically become a pattern to reproduce.\n\nAsk the maker to propose an approach at two realistic levels of complexity. For example, a hypothetical sleeve detail might use one small motif with open space, while a larger option extends around the cuff. Discuss how scale, colour changes and density influence the quotation and schedule. Treat the maker’s expertise as part of the design, and leave room for them to explain what will or will not work.\n\n## Approve a sample on the intended ground material\n\nRequest a sample or other clearly agreed approval stage appropriate to the project. Ask whether it can use the intended ground fabric and representative thread, especially if the finished area must bend or drape. A convincing embroidery on a firm display backing may behave differently when placed on a sleeve. Let the embroiderer and garment maker resolve the construction together.\n\nAssess the sample in ordinary light and at the distance from which the garment will be seen. Check the appearance of the edges, the colour balance and the way the surface changes when the cloth moves. Ask about backing, lining and the order of assembly; avoid removing or altering support material yourself. Record approval by sample identity so later revisions can be compared with something definite.\n\n**An embroidery approval record for a fashion commission**\n\n| Decision | Agree before production | Keep as a reference |\n| --- | --- | --- |\n| Artwork | Original design or permission for adaptation | Approved drawing and version. |\n| Placement | Position, direction and dimensions | Marked garment diagram. |\n| Material | Ground fabric, thread and necessary support | Labelled sample. |\n| Construction | Who embroiders, cuts, lines and assembles | A sequence agreed by both makers. |\n| Credits | How design and stitching will be named | Approved public credit line. |\n\n## Protect the detail during fitting and photography\n\nPlan fittings before final assembly where possible, using the maker’s preferred sequence. If the garment size or seam position is still uncertain, tell the embroiderer before work starts. A later change can affect where the motif sits or how much of it remains visible. Keep the final placement decision tied to a garment that has a realistic chance of fitting the wearer.\n\nFor the shoot, include one image that establishes the embroidery’s scale on the body and one closer view of its surface. Avoid putting a hand, bag strap or fold over the most important area in every frame. Agree handling and pressing instructions with the maker. Do not flatten a raised detail or introduce adhesive simply to simplify styling; change the arrangement instead.\n\n## Make authorship and origin visible in the finished story\n\nAsk for the names and roles the collaborators want published. A designer may create the motif, another person may adapt it for embroidery and several people may stitch or assemble the garment. Record these roles separately when the information is available. A broad brand credit can coexist with maker credits rather than replacing them, and a private individual can choose how much identification to share.\n\nDescribe Suzhou origin only to the extent it is supported: the workshop location, an identified technique or a maker’s documented practice. If the piece is inspired by a regional tradition but made elsewhere, say that plainly. Keep the approved sample, care instructions and production notes with the finished garment. They preserve useful knowledge for repairs, future commissions and accurate captions after the original collaborators are no longer in the same room.\n\n- Choose one purpose and placement for the embroidery.\n- Approve original artwork or the permission to adapt it.\n- Assess a representative sample with the garment maker.\n- Confirm design, stitching, assembly and photography credits.\n\n## FAQ\n\n### Can I identify Suzhou embroidery from its picture alone?\n\nA photograph may show visual characteristics, but it is insufficient to establish workshop origin or every technique. Ask for maker information and a documented description.\n\n### Why request a sample before a garment commission?\n\nIt helps the team assess colour, scale, surface and behaviour on a relevant ground material before committing to the complete piece.\n\n### Who should receive the embroidery credit?\n\nIdentify design, embroidery and garment-making roles accurately when known. Agree the public wording with collaborators rather than assuming a single name describes every contribution.\n\n## Sources and further reading\n\n- [Suzhou Municipal Government: Suzhou-Style Embroidery](https://english.suzhou.gov.cn/szsenglish/sgy/202512/e62f8a34e67f446083a339f807480337.shtml) — Primary local craft account supports Suzhou provenance context and historical variety of stitches and shading. It does not authenticate any individual commission.\n- [China National Silk Museum: Chinese Embroidery Art Exhibition](https://www.chinasilkmuseum.com/yz/info_98.aspx?itemid=27237) — Museum’s archived 2018 exhibition documents regional schools and contemporary embroidery. The sample, workflow and credit tools are original Cast Index guidance; no museum images are reused.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from China](https://thecastindex.com/world-style/china)\n\n"},{"url":"https://thecastindex.com/journal/tailoring-fit-check-portfolio","markdownUrl":"https://thecastindex.com/journal/tailoring-fit-check-portfolio.md","title":"How to Choose Tailoring for a Portfolio Shoot: A Fit and Movement Guide","lastmod":"2026-10-05T19:08:30Z","sha256":"0cb32ce64a971cf47f19c3e96b4e44bbf46529a095abb2ecb5313d1f123cbf44","bytes":4776,"markdown":"# How to Choose Tailoring for a Portfolio Shoot: A Fit and Movement Guide\n\n> Evaluate a blazer and trousers for photographs, movement and repeat use before buying or borrowing a suit.\n\n- Canonical: https://thecastindex.com/journal/tailoring-fit-check-portfolio\n- Question: The practical takeaway\n- Direct answer: Choose tailoring by the silhouette the shoot requires, then check it standing, seated and moving. Decide whether the jacket is worn open or closed, test the trousers with the intended shoes and review unedited reference photographs. Judge the garment’s fit rather than changing your body to suit it.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: United Kingdom\n\n## Choose one silhouette to communicate\n\nTailoring works best in a portfolio when the silhouette has a clear purpose. Decide whether the photograph should feel formal, relaxed, architectural or fluid before choosing a jacket. This gives you a useful way to compare pieces and keeps the styling connected to the image you want to make.\n\nDescribe the intended shoulder line, jacket length and trouser shape in plain language. Two reference pictures with similar proportions are often easier to discuss than a large board of unrelated suits. A borrowed blazer, an existing pair of trousers and a simple top may communicate the idea without a new purchase. Check the whole combination before assuming matching pieces are necessary.\n\n## Inspect the garment in its intended position\n\nPut on the exact underlayer and shoes planned for the shoot. Button the jacket only if it will be photographed that way. Notice whether the front pulls, whether the collar sits as intended and whether the sleeves permit the poses you need. Oversized tailoring can be deliberate; constant slipping or adjustment should be a conscious choice rather than an accidental distraction.\n\nFor trousers, check the waistband while seated and the hem while walking. Decide how much of the shoe you want visible. A floor-length reference photographed in a studio may be inconvenient on a wet pavement. Fit decisions should account for the location, weather and movement, as well as the still photograph.\n\n## Make a short movement test\n\nRecord a few seconds of walking, a quarter turn and a seated pose. Watch what the fabric does as you move between positions. The strongest still may depend on a jacket falling naturally after a step, while another look may need careful arrangement. Knowing this before the shoot gives the photographer and subject a shared starting point.\n\nIf the garment is borrowed, obtain permission before alterations, adhesive products or clips are used. Note any restrictions in the wardrobe plan. Temporary changes must still protect the clothing and allow comfortable movement. A visible fit problem can sometimes be solved by selecting another piece or changing the pose rather than attempting a rushed alteration.\n\n## Style the finishing details for the crop\n\nChoose accessories after reviewing the complete silhouette. A belt can interrupt a continuous line; a high neckline can fill the space within an open jacket. Neither is automatically better. Compare a simple version and one with a single additional detail, keeping the framing and light consistent so the difference is easy to assess.\n\nOn the day, assign time for steaming, checking pockets and recording the approved look. Take one reference photograph before the first frame. After the shoot, save the outfit notes with the selected image so the combination can be recreated. Useful tailoring is a repeatable tool in a wardrobe, not just a successful picture from one angle.\n\n## FAQ\n\n### Must a portfolio suit be expensive?\n\nNo. A clear silhouette, suitable condition and comfortable fit matter more than a label. Borrowing or adapting clothing you own may suit the brief.\n\n### Can an oversized blazer work in photos?\n\nYes, if the volume is intentional and supports the image. Check movement and the chosen crop so the jacket does not require constant correction.\n\n## Sources and further reading\n\n- [How To Style A Suit In 2024, According To The Street-Style Set](https://www.vogue.co.uk/article/how-to-style-a-suit) — Topic reference for interpreting tailoring beyond a traditional matching suit. The garment-fit, movement and image-selection workflow is original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\n"},{"url":"https://thecastindex.com/journal/the-cast-index-regional-breakdown-2026","markdownUrl":"https://thecastindex.com/journal/the-cast-index-regional-breakdown-2026.md","title":"What the Global 50 still misses","lastmod":"2026-07-16","sha256":"c26d44addb7727b9f987d28881449fd3108c11e028285f89967ca4d71f7435ff","bytes":3026,"markdown":"# What the Global 50 still misses\n\n> A “global” ranking should disclose its blind spots. The live roster is broader than the traditional Big Four circuit, but it is not yet evenly representative.\n\n- Canonical: https://thecastindex.com/journal/the-cast-index-regional-breakdown-2026\n- Question: How globally representative is the Cast Index Global 50?\n- Direct answer: The Global 50 includes models from every inhabited region, but representation is not evenly distributed. Europe and North America remain the largest groups, while Africa, Latin America, Asia and especially Oceania have less depth near the top. The Index publishes this gap rather than treating a global label as proof of equal coverage.\n- Author: The Cast Index Desk (Data and standards)\n- Published: 2026-06-19\n- Updated: 2026-07-16\n\n## Where is the ranking strongest?\n\nEurope and North America still produce the deepest trail of internationally accessible show, campaign and editorial evidence. That makes verification faster and creates a structural advantage for models working through the established Paris, Milan, London and New York system.\n\nThe solution is not to lower the standard elsewhere. It is to widen the evidence network—to include official regional fashion-week records, credible local fashion publications, agency boards and major domestic campaigns that demonstrate real market influence.\n\n## How does a model move from Rising to the Global 50?\n\nThe Rising board is for real models building attention without enough sustained evidence for a numbered global position. Strong domestic visibility, reputable representation or a meaningful local fashion-week presence can justify watch status.\n\nA Global 50 review needs more: sustained major-brand work, internationally significant shows, major editorial authority or a combination strong enough to compete across the four pillars. Beauty or appearance alone is never an eligibility metric.\n\n## How will regional gaps be monitored?\n\nThe roster is recalculated as evidence changes. Overflow candidates remain visible on Global Watch rather than disappearing, and country and region filters allow readers to inspect who is represented.\n\nThe most useful correction is a source. Agencies, editors and readers can submit public evidence; it can improve a profile, but payment or popularity voting cannot alter the editorial rank.\n\n## FAQ\n\n### Can a locally successful model enter the Global 50?\n\nYes, when reliable evidence shows enough sustained major-brand, editorial, runway or cultural impact to compete under the same four-pillar method.\n\n### Does paying for a profile improve a model’s rank?\n\nNo. Listings, public voting and editorial rankings are separated; payment cannot influence a Cast Index score.\n\n## Sources and further reading\n\n- [The Cast Index — live Global 50](https://thecastindex.com/rankings)\n- [The Cast Index — Rising and Global Watch](https://thecastindex.com/rising)\n- [The Cast Index — global fashion-week calendar](https://thecastindex.com/fashion-weeks)\n\n"},{"url":"https://thecastindex.com/journal/the-repurchase-kit","markdownUrl":"https://thecastindex.com/journal/the-repurchase-kit.md","title":"The repurchase kit","lastmod":"2026-07-28","sha256":"012a56bfdebf8b8627c23f992b15a372a8c4c1954a43e7831f9f585d2dc0f8df","bytes":6644,"markdown":"# The repurchase kit\n\n> Most beauty coverage chases what is new. The products that shape a desk are the ones that run out.\n\n- Canonical: https://thecastindex.com/journal/the-repurchase-kit\n- Question: Which beauty products actually define a working desk kit?\n- Direct answer: A working kit is defined by consumables that empty and get replaced — not by launch coverage. The Beauty Desk’s repurchase core is COSRX Advanced Snail 96 Mucin Power Essence, Beauty of Joseon Daily Relief Sunscreen, The Ordinary Glycolic Acid 7% Exfoliating Toner, Laneige Lip Sleeping Mask and Sol de Janeiro Brazilian Bum Bum Cream.\n- Author: The Cast Index Desk (Beauty Desk)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## Why launches are the wrong unit of measure\n\nBeauty coverage still organises itself around debuts. A new cushion, a reformulated serum, a limited scent — each arrives with a week of language, then leaves the desk colder than it entered. That rhythm suits retailers and brand calendars. It does not suit anyone who has to keep skin, lips and body serviceable across fittings, show weeks and editorial days.\n\nThe Cast Index Beauty Desk reads kits differently. The question is not what was announced. It is what empties. A product that is finished and replaced has already answered the only operational test that matters: it was used often enough to disappear. That is a quieter signal than a campaign still, and a more durable one.\n\nRepurchase is not a loyalty story. It is inventory behaviour. When the same SKUs leave the shelf in the same order season after season, the desk treats them as infrastructure — the layer beneath finish language, not a substitute for it.\n\n## What the desk keeps replacing first\n\nHydration and protection empty first because they are daily, not theatrical. COSRX Advanced Snail 96 Mucin Power Essence sits in that lane: the brand lists it at 96 per cent snail secretion filtrate with sodium hyaluronate, positioned as a lightweight hydrating step for all skin types including sensitive. It is not a hero finish. It is the prep the desk recognises when glass-skin language needs something under the base.\n\nBeauty of Joseon Daily Relief Sunscreen follows the same logic. The brand describes a US-market SPF 40 formula as fast-absorbing and non-sticky with rice extract; its label directs application fifteen minutes before sun exposure and reapplication at least every two hours. Protection-first skin prep does not photograph as a look. It does determine whether a luminous base still reads by late call.\n\nTogether they form the unglamorous front half of the kit: barrier-support moisture, then sun protection with a silky finish that does not fight subsequent layers. Nothing here is season-coded. That is the point.\n\n## The measured acid — and the caveats that travel with it\n\nThe Ordinary Glycolic Acid 7% Exfoliating Toner remains on the repurchase list because texture evenings are part of real prep calendars, not because AHAs belong in every routine. The brand describes a water-based toner with 7 per cent glycolic acid for exfoliation. That is the full claim the desk will carry.\n\nThe brand’s own directions travel with every mention: limited frequency, patch testing, and a sunburn alert while using AHAs. The Cast Index does not reframe this as treatment language. It is a cosmetic exfoliating step for skin that is not compromised, used with the caution the manufacturer already prints.\n\nRepurchase here means the bottle empties slowly and deliberately — not that it is chased as a daily staple. Frequency discipline is part of why it stays on the desk rather than becoming a novelty rinse.\n\n## Overnight lip and body — the soft consumables\n\nLaneige Lip Sleeping Mask is the leave-on that survives every wet-lip season without needing to be the photograph. Laneige UK describes Berry Fruit Complex with murumuru seed and shea butter for overnight moisture. Softening lips before colour is maintenance; the finish language of the week can change, and the mask still empties.\n\nSol de Janeiro Brazilian Bum Bum Cream closes the body lane. The brand markets guaraná, cupuaçu butter and coconut oil in a fast-absorbing moisturiser with its signature scent profile. Scent-led repurchase is still repurchase. Body moisture rarely appears in runway beauty memos, yet it is among the first products a working kit runs through between fittings and travel days.\n\nNeither product is asked to interpret a season finish. They keep the surfaces — mouth and body — from becoming the problem the camera notices.\n\n## How the desk uses a short list\n\nFive replaceables do not constitute a complete vanity. They constitute a filter. If a launch cannot displace one of these on use alone, it remains archive material — interesting, dated, and not yet kit. The Season Beauty Index still ranks finishes; the repurchase kit only records what the desk keeps buying back when bottles hit empty.\n\nThat separation matters commercially as much as editorially. Rankings and editorial picks are never for sale. Product pages may carry disclosed shopping routes elsewhere on the site; this note does not. The argument is about use patterns, not urgency.\n\nOpen the individual product records for official specifications. The kit itself stays short on purpose. A desk that replaces everything replaces nothing.\n\n## FAQ\n\n### What is a repurchase kit on the Cast Index?\n\nA short editorial list of consumables the Beauty Desk replaces when they empty — a use signal, not a launch round-up or a ranked shopping guide.\n\n### Why include an AHA toner on a repurchase list?\n\nBecause measured exfoliation is part of some prep calendars. The Ordinary’s Glycolic Acid 7% Exfoliating Toner is listed with the brand’s own limits: patch testing, limited frequency and a sunburn alert while using AHAs.\n\n### Does placement on this list mean a product was paid for?\n\nNo. Editorial inclusion is independent and is never sold. Disclosed affiliate routes may appear elsewhere on product pages; they do not buy kit placement.\n\n## Sources and further reading\n\n- [COSRX — Advanced Snail 96 Mucin Power Essence](https://www.cosrx.com/products/advanced-snail-96-mucin-power-essence)\n- [Beauty of Joseon — Daily Relief Sunscreen](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us)\n- [The Ordinary — Glycolic Acid 7% Exfoliating Toner](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html)\n- [Laneige UK — Lip Sleeping Mask](https://www.laneigeuk.com/p/lip-sleeping-mask/)\n- [Sol de Janeiro — Brazilian Bum Bum Cream](https://www.soldejaneiro.com/products/brazilian-bum-bum-cream)\n\n"},{"url":"https://thecastindex.com/journal/the-spf-question","markdownUrl":"https://thecastindex.com/journal/the-spf-question.md","title":"The SPF question","lastmod":"2026-07-28","sha256":"4781ca727612e03b0e934a8f2249747b1fa235cf663a743d803495c8f249111a","bytes":7089,"markdown":"# The SPF question\n\n> The season’s lead face is not a foundation problem. It is a protection problem that casting and beauty desks keep postponing.\n\n- Canonical: https://thecastindex.com/journal/the-spf-question\n- Question: Why does casting prep for couture glass skin start with SPF rather than foundation?\n- Direct answer: Because Couture glass skin is a light-catching complexion read that collapses when prep is unprotected. SPF is the first job: daily protection quiet enough that hydration and radiant base still read as skin on camera.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## Why the finish argument starts before base\n\nCouture glass skin sits at number one on the AW26 Season Beauty Index: hydrated, light-catching skin with almost no mapped contour, read across Paris Haute Couture casting. The desk has already said that luminosity is built before foundation. The SPF question is narrower. It asks which layer is allowed to be skipped when the call sheet compresses — and the answer, from a finish point of view, is none of the protective ones.\n\nFoundation can report light. It cannot replace a day spent without sun protection and still claim the same skin. When SPF is treated as optional “daytime skincare,” the glass-skin brief becomes a late correction: more radiant product, more set, more contour to fake structure the camera no longer trusts. That is not a kit upgrade. It is a sequencing failure.\n\nThe Cast Index therefore logs SPF as casting prep infrastructure. It is not a hero look. It is the condition under which the season’s lead face still reads after travel, fittings and outdoor calls.\n\n## What Anthelios UVMune 400 is asked to do\n\nLa Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+ is the high-protection reference when the brief needs a fluid that disappears under subsequent layers. The brand describes ultimate protection as UVB, UVA and ultra-long UVA, with Mexoryl 400 as the filter aimed at ultra-long UVA up to 400 nm. Texture claims stay practical: invisible, lightweight, non-greasy, non-sticky, no white marks — tested on sensitive, reactive and intolerant skin, without perfume on the non-perfumed fluid.\n\nDirections travel with every mention. La Roche-Posay instructs application just before exposure, then frequent, generous reapplication to maintain protection, especially after perspiring or towelling. The desk does not invent a “one-and-done under makeup” exception. If the day involves light and movement, the brand’s reapplication language still applies.\n\nOn a couture glass-skin kit, the product’s job is narrow: very high protection in a finish quiet enough that hydration and radiant base are not fighting white cast or grease. It is not asked to moisturise the face into glass. It is asked not to sabotage the glass.\n\n## Where Beauty of Joseon sits in the same stack\n\nBeauty of Joseon Daily Relief Sunscreen is the lighter daily counterweight already logged on this desk. The brand describes a US-market SPF 40 formula as fast-absorbing and non-sticky, enriched with rice extract, absorbing for a natural-looking glow with zero white cast. It is positioned as suitable across skin types and as a final morning skincare step before sun exposure.\n\nThe label directions are explicit: apply liberally fifteen minutes before sun exposure; reapply at least every two hours to maintain sun protection. The brand’s own sun-protection measures — limiting peak sun, covering up, and not treating SPF as a licence for longer exposure — stay attached to the product whenever it is named.\n\nIn glass-skin sequences, this is the silky prep SPF when the stack needs grip for later layers without a heavy cream sunscreen rewriting the finish. It does not replace Anthelios where SPF50+ fluid protection is the brief. It answers a different operational question: daily wear under makeup when the camera still expects skin, not sunscreen.\n\n## What the desk will not claim\n\nSun protection copy is regulatory-sensitive. The Cast Index will not translate brand photoprotection language into treatment claims, disease prevention, or implied clinical outcomes beyond what a cosmetic SPF product is labelled to do. “Deep cell damage,” cancer risk framing and medical reassurance are left on the manufacturer’s page — not rewritten as desk diagnosis.\n\nNor does this note imply hands-on wear-testing. Specs come from official product pages: filters, SPF numbers, texture claims and reapplication intervals. If a claim cannot be verified there, it does not enter the finish argument.\n\nAffiliate routes and shopping economics are irrelevant to whether SPF belongs under Couture glass skin. The only justification is kit function: protection that leaves enough skin for light to catch.\n\n## How casting and beauty desks should use the answer\n\nIf the brief is Couture glass skin, ask for the SPF step before shade matching. Confirm which product is under the base, whether its finish is invisible enough for the camera distance, and whether the day still requires the brand’s reapplication interval. Anok Yai’s hold at the top of the face board only makes the complexion brief more visible; it does not invent the need for the base layer.\n\nThe Season Beauty Index still ranks finishes. This note only answers the SPF question inside the lead finish: sun protection first, then hydration, then a reporting base. Products that cannot serve that order stay archive.\n\nRead the glass-skin decode for prep architecture. Read this for the protection layer that decode assumes. Without it, the season’s lead face is a photograph of product under bad light.\n\n## FAQ\n\n### Why put SPF before foundation for Couture glass skin?\n\nBecause the finish is hydrated, light-catching skin. Unprotected prep forces the base to fake luminosity, and the camera then reads product rather than skin under couture light.\n\n### What does La Roche-Posay claim for Anthelios UVMune 400 Invisible Fluid?\n\nSPF50+ protection described as UVB, UVA and ultra-long UVA with Mexoryl 400, in an invisible, lightweight, non-perfumed fluid. Apply before exposure; reapply frequently, especially after sweat or towelling.\n\n### How often does Beauty of Joseon say to reapply Daily Relief Sunscreen?\n\nBeauty of Joseon directs liberally applying Daily Relief Sunscreen fifteen minutes before sun exposure, then reapplying at least every two hours to maintain sun protection through the day.\n\n## Sources and further reading\n\n- [La Roche-Posay — Anthelios UVMune 400 Invisible Fluid SPF50+](https://www.laroche-posay-me.com/en/anthelios/anthelios-uvmune/anthelios-uvmune-400-invisible-fluid-spf50-plus-non-perfumed)\n- [La Roche-Posay UK — Anthelios UVMune 400 Hydrating Cream SPF50+](https://www.laroche-posay.co.uk/en_GB/anthelios-uvmune-400-hydrating-cream-spf50-for-sensitive-skin-50ml/LRP_030.html)\n- [Beauty of Joseon — Daily Relief Sunscreen SPF 40](https://beautyofjoseon.com/pages/tab-1-daily-relief-sunscreen-us)\n- [The Cast Index — Season Beauty Index](https://thecastindex.com/beauty)\n\n"},{"url":"https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity","markdownUrl":"https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity.md","title":"Choose an Updo for a Shoot: Necklines, Comfort and Continuity","lastmod":"2026-10-05T19:08:30Z","sha256":"982aa68146f782f8443ec6fa476378840b51df80f2c79d3498ac14f2e9263aa8","bytes":5125,"markdown":"# Choose an Updo for a Shoot: Necklines, Comfort and Continuity\n\n> Choose a practical updo around the garment, camera angles and wearer's comfort, then record the look so it stays consistent through a fashion shoot.\n\n- Canonical: https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity\n- Question: The practical takeaway\n- Direct answer: Choose the hairstyle after checking the neckline, accessories and camera angles. Rehearse movement, confirm comfort with the wearer, and photograph the approved front, side and back views. Plan touch-ups and changes around the actual shoot rather than assuming one updo fits every look.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: Brazil\n\n## Let the garment and framing guide the choice\n\nChoose an updo by deciding what the hairstyle should reveal, frame or leave unobstructed in the photograph. Use the garment and intended camera angles to make that decision, then discuss a comfortable construction with the wearer and stylist. This gives the hairstyle a clear role in the whole fashion image.\n\nPut on the main outfit before settling the hair. Check a high collar, shoulder structure, back detail and earrings from the planned camera angles. A style that looks balanced from the front may cover a key design feature in profile. If the shoot includes several outfits, identify which can share a hairstyle and which need a change.\n\n## Agree on texture and shape with the wearer\n\nAsk the person how they want their hair represented and which styles feel comfortable. Use reference pictures to discuss shape, placement and texture, while acknowledging that a reference is an idea rather than a guarantee of an identical result. The stylist should work with the person's actual hair and the materials available.\n\nDescribe the decision in plain language: the height of the gathered hair, whether the ears show, how much movement remains and whether face-framing sections are intentional. This makes the brief easier to follow than an ambiguous label such as effortless. Agree on the level of polish without treating natural texture as a problem to remove.\n\n## Rehearse the movement in the shot list\n\nOnce the first version is ready, ask the wearer to perform the movements the shoot actually requires. These might include turning their head, walking, looking down or sitting against a chair. Check that accessories remain secure and that the style feels comfortable. If anything pulls or hurts, pause and adjust the construction with the stylist.\n\nTake test frames under the intended lighting. Look for stray accessories, unintended asymmetry and hair that hides important garment details. Decide whether loose strands are part of the look; documenting that choice prevents one person smoothing away a detail another person deliberately created. Avoid rushing this agreement after the main photographs have begun.\n\n## Plan changes and photograph the reference\n\nSave front, side and back reference photographs for the approved look. Note parting position, accessories and any deliberate loose sections. Keep the images available to the stylist and photographer during outfit changes. If the shoot later returns to an earlier outfit, this record helps recreate the intended appearance.\n\nBuild the schedule around realistic changes agreed with the stylist. A substantial restyle should have its own time allocation and may alter the order of outfits. Keep the changing area and hair station accessible, and check the final frame before moving on. The purpose is consistent storytelling and a comfortable wearer, not a promise that hair will remain untouched throughout the day.\n\n## FAQ\n\n### Is a low or high updo better for fashion photographs?\n\nIt depends on the neckline, profile, accessories and framing. Test the options with the actual outfit rather than choosing from a front-facing reference alone.\n\n### Should every outfit use the same hairstyle?\n\nOnly if the shared style works for all the garments and the creative brief. Plan substantial changes with the stylist before finalising the shoot order.\n\n### What if the hairstyle becomes uncomfortable?\n\nTell the stylist and adjust it promptly. Comfort is part of the fitting process, and the intended appearance can be revised to suit the wearer.\n\n## Sources and further reading\n\n- [ELLE Brasil: practical updo ideas](https://elle.com.br/beleza/alem-do-coque-improvisado-7-penteados-com-cabelo-preso-que-sao-praticos-para-a-rotina) — ELLE Brasil’s July 2026 feature explores practical updo alternatives to an improvised bun. The neckline evaluation, rehearsal and continuity steps here are original Cast Index guidance; the publisher’s seven-look list is not reproduced.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from Brazil](https://thecastindex.com/world-style/brazil)\n\n"},{"url":"https://thecastindex.com/journal/us-beauty-label-reading-guide","markdownUrl":"https://thecastindex.com/journal/us-beauty-label-reading-guide.md","title":"US Beauty Labels: What to Compare Before You Buy","lastmod":"2026-10-05T19:54:57Z","sha256":"d70236f991e611b11965b356440c19866d07b91f58f7d2adc4e71aba20ae90fa","bytes":7908,"markdown":"# US Beauty Labels: What to Compare Before You Buy\n\n> Read product identity, net quantity, ingredient information and marketing claims on US cosmetics, with a practical comparison sheet for your beauty kit.\n\n- Canonical: https://thecastindex.com/journal/us-beauty-label-reading-guide\n- Question: The practical takeaway\n- Direct answer: Compare the exact product, shade, size and US packaging version. Read the identity, net quantity, company information and ingredient declaration before relying on a front-label claim. An ingredient list does not disclose the complete formula, and “hypoallergenic” is not an FDA guarantee that a cosmetic cannot cause a reaction.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05T19:54:57Z\n- Updated: 2026-10-05T19:54:57Z\n- Country: United States\n\n## Create a record of the product you actually have\n\nA useful beauty comparison begins with identification. Photograph the front, ingredient panel, base and outer box while the text is still legible. Record the full product name, shade, quantity and purchase date. A product family can contain several finishes and formulas; a photograph of a familiar brand logo is not enough to identify the item later.\n\nThe FDA’s US labeling overview explains that a cosmetic’s principal display panel carries its identity and net quantity. Other required information includes the responsible company’s name and place of business, with wording that can distinguish manufacturing from distribution. Use this information to establish which product you are considering before interpreting what it promises. This guide addresses ordinary consumer comparisons, not a manufacturer’s compliance review.\n\n## Read an ingredient list without inventing a formula\n\nThe FDA explains that ingredient declarations generally follow descending order of predominance, with exceptions including colour additives and ingredients present at one percent or less. The order can help you read the label, but it does not provide exact percentages for an entire formula. Two lists that look similar do not establish identical performance or individual suitability.\n\nCopy ingredient names accurately if you need to compare versions. Do not infer that a highlighted ingredient is present at a particular concentration simply because it appears on the front of the bottle. If a brand supplies a specific percentage, record its wording and source separately from the ingredient declaration. An absent explanation should remain an open question, rather than becoming a conclusion filled in from marketing photographs.\n\nProducts that combine cosmetic and drug uses can carry additional labeling requirements. If your item has a Drug Facts panel, read that panel and its directions as well; do not treat it as interchangeable with a basic colour cosmetic merely because both products sit in a beauty aisle.\n\n## Separate a claim from the question you need answered\n\nThe FDA states that there is no federal standard or definition governing the term ‘hypoallergenic’. It therefore cannot serve as a universal assurance for someone with a particular sensitivity. The practical question is more specific: what is in this exact product, what directions apply, and what advice have you received about ingredients you personally need to avoid?\n\nKeep preferences, product claims and individual concerns in separate columns. ‘I prefer a matte finish’ is a preference. ‘The package says long-wearing’ is a manufacturer’s claim. ‘This ingredient is relevant to a diagnosed allergy’ is an individual health consideration. They should not be collapsed into a single score called ‘clean’ or ‘safe’. Seek appropriate professional advice for known allergies or persistent reactions rather than using a label comparison as a diagnosis.\n\n**A label can answer some questions and leave others open**\n\n| Information | Useful question | Avoid assuming |\n| --- | --- | --- |\n| Product identity and shade | Am I comparing the same item? | Every shade has the same ingredient declaration |\n| Net quantity | What amount is supplied? | Bottle dimensions reveal usable quantity |\n| Ingredient declaration | What ingredients are named? | The list reveals every exact percentage |\n| Hypoallergenic claim | What evidence does the brand provide? | The word guarantees no individual reaction |\n\n## Compare value on a consistent basis\n\nChoose comparable pack sizes and units before working out a price per unit. Record the price actually available to you, including any unavoidable delivery charge, rather than a temporary discount you cannot access. A larger container is not automatically better value if you cannot use it within the maker’s directions or the packaging makes it impractical for your kit.\n\nFor a hypothetical comparison, imagine two foundations with different quantities and finishes. First confirm whether either matches the finish and shade you need; only then compare cost per millilitre. A cheaper unit price on the wrong product does not solve the assignment. Leave a space for an observed result after your own normal use, clearly separated from information copied from the packaging.\n\n- Record exact name, shade, size and market version.\n- Keep packaging photographs with the purchase record.\n- Compare matching units and the price you can actually obtain.\n- Read any separate directions or Drug Facts information.\n- Write unanswered questions before contacting the manufacturer.\n\n## Keep the record useful after purchase\n\nRetain the batch or lot code if one appears, plus the retailer and receipt. If the next purchase has a different ingredient panel, update the record instead of assuming continuity. Do not copy an older online list over the label on your current item without checking with the brand.\n\nFor a shared professional kit, the record can also identify which shade and version was used for a particular brief. It does not replace hygienic handling, professional judgment or the product’s directions. Its value is traceability: fewer ambiguous product names, more accurate comparisons and a clear basis for asking the right follow-up question.\n\n## FAQ\n\n### Does hypoallergenic mean a cosmetic cannot cause an allergy?\n\nNo. The FDA says the term has no governing federal standard or definition. It cannot guarantee suitability for an individual person.\n\n### Can ingredient order tell me the exact formula?\n\nNo. General ordering rules have exceptions and the declaration does not reveal every concentration. Record any separately stated percentages without inferring the rest.\n\n### Which version should I use when a website and package differ?\n\nRecord the exact package and batch information you have, then ask the manufacturer to clarify the discrepancy. Do not assume an undated online list describes every market or reformulation.\n\n## Sources and further reading\n\n- [FDA: Summary of Cosmetics Labeling Requirements](https://www.fda.gov/cosmetics/cosmetics-labeling-regulations/summary-cosmetics-labeling-requirements) — Primary US guidance supporting product identity, quantity, company information and ingredient-order discussion. No claim is made here about a product’s regulatory compliance.\n- [FDA: Cosmetics Safety Q&A — Hypoallergenic](https://www.fda.gov/cosmetics/resources-consumers-cosmetics/cosmetics-safety-qa-hypoallergenic) — Primary explanation of the limitations of the hypoallergenic term. The comparison worksheet is original editorial guidance, not product testing or personal medical advice.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from United States](https://thecastindex.com/world-style/united-states)\n\n"},{"url":"https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist","markdownUrl":"https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist.md","title":"How to Source Vintage Fashion for a Shoot Without Losing the Brief","lastmod":"2026-10-05T19:08:30Z","sha256":"5a9362a64626ba3386c9d2b47e58bef32e4dce224b1f510e3952f07b52456fb3","bytes":4789,"markdown":"# How to Source Vintage Fashion for a Shoot Without Losing the Brief\n\n> Plan a vintage styling search with a clear silhouette, usable measurements, condition checks and an honest credit record.\n\n- Canonical: https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist\n- Question: The practical takeaway\n- Direct answer: For a vintage fashion shoot, define the visual role of the item before browsing. Confirm measurements, condition, delivery timing and permitted use, then make a backup plan. Keep factual credits separate from unverified claims about a garment’s designer, date or runway history.\n- Author: The Cast Index Desk (International fashion & beauty)\n- Published: 2026-10-05\n- Updated: 2026-10-05T19:08:30Z\n- Country: France\n\n## Turn the mood into a sourcing brief\n\nSourcing vintage for a shoot means finding a usable garment that communicates a specific idea within the production schedule. Begin by writing what the item must do in the frame, then use that brief to assess listings, condition and timing. A striking find still needs to work for the planned photograph.\n\nInstead of searching only for a decade, describe a silhouette, texture and colour. A strong shoulder, a softly draped neckline or a reflective surface gives the search a practical direction. Separate essential qualities from optional ones. If the photograph needs a sweeping sleeve, a famous designer label is not necessarily the feature that makes the image work.\n\n## Create a candidate record\n\nFor each possible item, save the listing link, seller name, available measurements, condition notes and the date you checked it. Add a short explanation of why it fits the brief. This makes it easier to compare a few strong candidates and avoids buying a striking piece whose role in the shoot remains unclear.\n\nAsk for the measurements that matter to the planned outfit, using a garment that already fits as a comparison where useful. A size label alone may not answer the question. Request clear photographs of any area you cannot assess. If the shoot requires movement or close detail, record those needs rather than assuming that an attractive listing photograph proves suitability.\n\n## Schedule a wardrobe decision point\n\nWork backwards from the shoot and set a date when the outfit must be physically available for a fitting. Allow time to examine it and arrange appropriate care if needed. Do not make a production schedule depend on an unconfirmed delivery promise. Keep a second styling idea that can be assembled from available clothing.\n\nFor borrowed or rented vintage, clarify what use is allowed and how it should be handled. Location, weather and movement may matter to the owner. Get approval before any alteration, adhesive, pinning or cleaning. The responsibility for returning an item in the agreed condition belongs in the wardrobe plan, alongside its creative role.\n\n## Credit what you can substantiate\n\nKeep a distinction between a garment’s appearance and its documented history. If the seller cannot verify an exact season or designer attribution, do not turn that claim into a definitive caption. A factual description of the item can still be useful and engaging without attaching an unsupported fashion story.\n\nFor the final shoot record, list the wardrobe provider, any confirmed label details and the people responsible for styling and care. Save the approved outfit photographs with that record. This helps later corrections and future borrowing. Original fashion storytelling can come from the way pieces are combined; it does not depend on inventing provenance or implying that a vintage purchase will increase in value.\n\n## FAQ\n\n### Does vintage clothing always cost less?\n\nNo. Price varies with the item, seller, condition and demand. Set a production budget around the role the garment plays, including any agreed hire or care costs.\n\n### Can I label an item as an archival designer piece?\n\nUse that description only when the attribution is supported. Otherwise describe the garment and credit the provider without presenting an uncertain history as fact.\n\n## Sources and further reading\n\n- [Vintage : notre guide en 10 étapes pour trouver la pépite mode en ligne](https://www.vogue.fr/article/conseils-mode-vintage-en-ligne) — Topic reference for researching vintage listings and seller information. The sourcing brief, fitting deadline and wardrobe-credit record are original Cast Index guidance.\n\n## Editorial note\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\n[More guides from France](https://thecastindex.com/world-style/france)\n\n"},{"url":"https://thecastindex.com/journal/wet-lip-decoded","markdownUrl":"https://thecastindex.com/journal/wet-lip-decoded.md","title":"Wet lip, decoded","lastmod":"2026-07-28","sha256":"cf2de25ce3e4711a99a9b5ddc73ab6cd2fe1c8bf70f6e03660a0803f05ac6384","bytes":6073,"markdown":"# Wet lip, decoded\n\n> The season’s second finish is named for shine. The kit that makes it possible is named for occlusion.\n\n- Canonical: https://thecastindex.com/journal/wet-lip-decoded\n- Question: What does the wet lip signal finish actually require before the gloss goes on?\n- Direct answer: A mouth that can hold shine without cracking in frame. Wet lip signal is one reflective focal point, so the work is occlusive prep overnight and between calls — not thicker gloss fighting dry texture on camera.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## What the finish names — and what it hides\n\nWet lip signal sits second on the AW26 Season Beauty Index. The desk read from Paris Fashion Week is a single reflective focal point: clear or tinted shine doing the work a full lip look used to do, while eyes and brows stay quiet. The photograph sells gloss. The operational problem is the surface underneath.\n\nShine on a dehydrated mouth does not read as intention. It reads as flake, catch and repair under hard light. That is why this decode refuses to start with oils and luminizers. Those are the reporting layers. The finish is decided the night before, when the lip is either cushioned or left to catch.\n\nProducts enter only as kit function: overnight soften, daytime occlusion, then low-opacity shine. Nothing here is justified by cart maths. If it cannot keep the mouth camera-ready for a wet read, it stays out.\n\n## Overnight cushion before the signal\n\nLaneige Lip Sleeping Mask is the leave-on the desk treats as wet-lip infrastructure. Laneige UK describes a leave-on lip mask that softens while delivering moisture overnight, enriched with Berry Fruit Complex, murumuru seed and shea butter. Coconut oil appears in the brand’s key-ingredient story alongside those butters. The mask is not asked to be the reflective finish. It is asked to make the next morning’s mouth able to take one.\n\nThat separation matters for casting weeks. A wet lip can change by show; the need for a soft landing does not. Overnight prep is maintenance that outlasts whichever clear shine is chosen for the exit.\n\nThe Cast Index does not imply wear-testing. The claim set is the brand’s: leave-on, overnight moisture, named emollients. Frequency and tolerance stay with the user and the label.\n\n## Petrolatum as the honest daytime occlusive\n\nVaseline Lip Therapy Original is logged for what the UK INCI actually states: Petrolatum (100%). The brand’s benefit line is protection and relief for dry, chapped lips while locking in moisture. The desk stops there. Marketing lines that add vitamin E are not repeated against a one-ingredient petrolatum listing, and “heal” language is not rewritten as a medical outcome.\n\nAs an occlusive, petrolatum’s job is physical: seal, reduce moisture loss, keep the lip surface quiet between calls. It can leave a natural sheen of its own — useful when the wet signal is meant to stay low-opacity — but it is not a substitute for a designed lip oil when the photograph needs a specific refractive hit.\n\nApply liberally as required, per the brand. That is the whole method. No ritual, no implied clinical protocol.\n\n## Aquaphor in the same occlusive lane\n\nAquaphor Healing Ointment is named as the brand names it, then described as the desk must describe it: a skin-protectant ointment with petrolatum at 41 per cent as the active, plus panthenol and glycerin in the brand’s benefit copy. Official claims relevant here are protection and relief for chapped, dry, cracked or irritated skin and lips, and protection from drying wind and cold. Fragrance-free and preservative-free are listed on the US product page.\n\nThe Cast Index will not treat the word “Healing” in the product name as a licence for wound-care or disease claims. On this desk it is an occlusive protectant for lips that need a heavier seal than a thin balm — useful when travel air and repeated wipe-offs strip the mouth between fittings.\n\nUsed as lip prep, it belongs under the wet signal, not on top of it as a greasy substitute for finish. Wipe back to a thin film before clear shine if the camera is close.\n\n## How the shine layer should meet the prep\n\nOnce the mouth is conditioned, the Season Beauty Index kit for Wet lip signal can do its named job: Dior Addict Lip Glow Oil, Fenty Gloss Bomb, Gisou Honey Infused Lip Oil or Rhode Peptide Lip Tint as reflective, low-opacity options. Those SKUs are finish reporters. They are not the decode.\n\nIf gloss is cracking, dragging or emphasising texture, the failure is almost never the shine product. It is skipped occlusion. Casting and beauty desks should ask what was on the mouth overnight and what sealed it between calls before they ask which oil is “the” Paris wet lip.\n\nRead the Season Beauty Index for the finish rank. Read this for the prep the rank assumes. Wet lip, decoded, is a surface problem solved before the camera arrives.\n\n## FAQ\n\n### What is Wet lip signal on the Cast Index?\n\nThe second AW26 Season Beauty Index finish: a single clear or tinted reflective mouth that carries the photograph while eyes and brows stay quiet on the rest of the face.\n\n### Why name occlusives before glosses?\n\nBecause shine on a dry mouth reads as texture failure on camera. Overnight and daytime occlusion prepare the surface first; gloss only reports that prepared mouth.\n\n### Is Vaseline Lip Therapy Original more than petrolatum?\n\nThe UK INCI lists Petrolatum at 100 per cent. The desk treats it as a pure petrolatum occlusive that locks in moisture — not as a vitamin-additive story.\n\n## Sources and further reading\n\n- [Laneige UK — Lip Sleeping Mask](https://www.laneigeuk.com/p/lip-sleeping-mask/)\n- [Vaseline UK — Lip Therapy Original](https://www.vaseline.com/uk/p/vaseline-lip-therapy-original.html/05099802150117)\n- [Aquaphor — Healing Ointment](https://www.aquaphorus.com/products/aquaphor-repairing-ointment/aquaphor-healing-ointment-1,-d-,75oz)\n- [The Cast Index — Season Beauty Index](https://thecastindex.com/beauty)\n\n"},{"url":"https://thecastindex.com/journal/what-a-graphic-liner-asks","markdownUrl":"https://thecastindex.com/journal/what-a-graphic-liner-asks.md","title":"What a graphic liner asks of a face","lastmod":"2026-07-28","sha256":"5f2bf10b7ecf027b5c3f8c2892c632be28347f4df6e26374111ebe312a57eea4","bytes":6238,"markdown":"# What a graphic liner asks of a face\n\n> New York’s fifth finish is a short stroke. The mistake is shopping for the stroke before reading the face.\n\n- Canonical: https://thecastindex.com/journal/what-a-graphic-liner-asks\n- Question: Is graphic liner a product decision or a casting decision?\n- Direct answer: A casting decision first. Graphic punctuation works when bone structure, eye set and camera distance can carry a hard mark against clean skin. Mascara and liner execute the mark; they do not invent the face that holds it.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## What the season finish actually permits\n\nGraphic punctuation sits fifth on the AW26 Season Beauty Index. The New York read is brief on purpose: a hard brow, a single liner, or a lash moment — never a full costume face — set against otherwise clean skin, then back to restraint. The finish is punctuation. It is not a chapter.\n\nThat limit is the casting brief. A hard mark needs empty space around it: quiet skin, quiet mouth, an eye socket and brow that can take contrast without the rest of the face competing. When those conditions are absent, more product does not restore the finish. It only makes the mismatch louder.\n\nThe desk therefore refuses to open with a shopping answer. The first question is whether the face, at the planned camera distance, can hold a graphic stroke. Only then do liner and mascara enter as execution tools.\n\n## Bone structure, distance and the hard mark\n\nA graphic line is a geometry problem before it is a pigment problem. Lid space, crease depth, brow strength and the angle between outer canthus and temple decide whether a flick reads as intention or as float. Close-up beauty photography forgives more. Runway and front-of-house distances punish hesitation: the mark must read in one glance or it reads as error.\n\nCasting that wants Graphic punctuation is casting that has already accepted a cleaner complexion and a quieter lip. The Season Beauty Index order is not accidental — glass skin, wet lip and soft flush sit above this finish for a reason. Graphic work is the exception that proves the season’s restraint, not a parallel full-face system.\n\nIf the face cannot spare that restraint, the honest desk move is to drop the finish, not to escalate to a heavier liner. Product cannot cast.\n\n## Where mascara earns a place as punctuation\n\nMaybelline Lash Sensational Sky High Washable Mascara is the lash tool when the graphic moment is length and volume rather than a drawn line. Maybelline describes buildable length and volume, a lightweight formula infused with bamboo extract, and an exclusive Flex Tower brush that bends to extend lashes from root to tip. The brand also states allergy testing, ophthalmologist testing, and suitability for sensitive eyes and contact-lens wearers.\n\nOn this desk those claims define a controlled lash hit — not a costume lash. Graphic punctuation allows a lash moment; it does not ask for a false-lash chapter. Build until the eye reads, then stop. The finish’s discipline is the stopping.\n\nWashable versus waterproof is a logistics choice for the day, not a casting theory. Specs stay with the variant on the official page; the argument stays with how much lash the face can take.\n\n## Where liner earns a place as punctuation\n\nNYX Professional Makeup Epic Ink Waterproof Liquid Eyeliner is the line tool when the mark must be precise and stay put. NYX describes a brush-tip liquid eyeliner for ultra-precise waterproof lines, with one-stroke intense pigment, a slender flexible tip that can make thin or thick lines, and wear claimed up to 24 hours with resistance to water, smudging and flaking. The formula is listed as vegan and cruelty-free; the range includes multiple shades beyond true black.\n\nThat flexibility is why it belongs in a punctuation kit: the same pen can stay barely-there or commit to a flick without switching systems. The casting decision still comes first. A waterproof line on the wrong eye set is only a longer-lasting wrong line.\n\nThe desk does not imply artist trials. The verified job is precision plus hold. Placement against clean skin is the editorial rule that keeps the product inside Graphic punctuation rather than drifting into full eye makeup.\n\n## How desks should brief the finish\n\nAsk whether the show or sitting needs a hard mark at all. If yes, name the mark — brow, liner or lash — and name the empty space that must remain. Then pick the tool. Maybelline Sky High and NYX Epic Ink are execution references, not reasons to cast a graphic face into a soft-skin brief.\n\nThe Cast Index reference kit for this finish also includes brow tools and a complexion product that keeps skin quiet. Liner and mascara only matter when the punctuation is ocular. Everything else is restraint.\n\nRead the Season Beauty Index for rank and city evidence. Read this when someone tries to solve a casting mismatch with a sharper pen. The face decides. The product follows.\n\n## FAQ\n\n### What is Graphic punctuation on the Cast Index?\n\nThe fifth AW26 Season Beauty Index finish: a hard brow, single liner or lash moment against otherwise clean skin, read from New York AW26 restraint rather than a full costume eye.\n\n### Why is graphic liner a casting decision first?\n\nBecause a hard mark needs bone structure, eye set and empty facial space to read at distance. Product can draw the line; it cannot supply the face that holds it.\n\n### What does NYX claim for Epic Ink Liner?\n\nA flexible brush-tip waterproof liquid liner for ultra-precise thin or thick lines, with intense pigment and wear claimed up to 24 hours against water, smudging and flaking.\n\n## Sources and further reading\n\n- [Maybelline — Lash Sensational Sky High Washable Mascara](https://www.maybelline.com/eye-makeup/mascara/lash-sensational-sky-high-washable-mascara-makeup)\n- [NYX Professional Makeup — Epic Ink Waterproof Liquid Eyeliner](https://www.nyxcosmetics.com/eye/eyeliner/epic-ink-waterproof-liquid-eyeliner/NYX_409.html)\n- [The Cast Index — Season Beauty Index](https://thecastindex.com/beauty)\n- [The Cast Index — New York Fashion Week 2026](https://thecastindex.com/events/new-york-fashion-week-2026)\n\n"},{"url":"https://thecastindex.com/journal/what-survives-the-show","markdownUrl":"https://thecastindex.com/journal/what-survives-the-show.md","title":"What survives the show","lastmod":"2026-07-28","sha256":"2072b57c008f769446f874e3461198c2002981706a86bd85d24d32b9965fc4c1","bytes":6433,"markdown":"# What survives the show\n\n> The hero products get the frame. The survivors are the maintenance steps that still make sense when the call sheet ends.\n\n- Canonical: https://thecastindex.com/journal/what-survives-the-show\n- Question: Which backstage beauty products actually transfer into a real routine?\n- Direct answer: Very little of a photographed backstage kit survives contact with ordinary weeks. What transfers tends to be unglamorous maintenance: Olaplex No.3 Hair Perfector, OPI RapiDry Quick-Dry Lacquer, Laneige Lip Sleeping Mask and The Ordinary Glycolic Acid 7% Exfoliating Toner — used with the brand caveats that travel with AHAs.\n- Author: The Cast Index Desk (Industry analysis)\n- Published: 2026-07-28\n- Updated: 2026-07-28\n\n## The gap between the frame and the week\n\nBackstage beauty is built for a closed system: many faces, little time, one exit, cameras waiting for the gesture that explains the show. That system rewards products that read instantly in a still — a wet mouth, a hard brow, a lacquered nail under tungsten. It does not reward the quieter work that keeps hair and skin usable three fittings later.\n\nIndustry coverage often collapses those two jobs into one kit photograph. The Cast Index separates them. What belongs in the frame is finish language. What survives the show is whatever still earns a place when there is no runway, no artist team and no reason to perform a product for a lens.\n\nAcross Paris, London and Milan weeks, the desk’s read is consistent: transfer is rare, and when it happens it is almost never the hero SKU that led the beauty story. The useful audit is therefore subtractive — strip the image-makers first, then see what still has a job.\n\n## Hair maintenance without the silhouette drama\n\nRunway hair is a silhouette decision — wet-slick, soft volume, deliberate undoing. Almost none of that grammar belongs in a Tuesday routine. What does transfer is bond maintenance between chemical services, colour work and heat.\n\nOlaplex No.3 Hair Perfector is the retail step the desk treats as a survivor. Olaplex describes it as an at-home treatment that reduces breakage and strengthens hair using its patented bond-building technology, used before shampoo. It is not a styling product and it does not create a show finish. It is weekly upkeep for hair that has to keep accepting the next silhouette.\n\nThat is precisely why it outlasts the backstage spray that photographed well. Survival here means the product still has a job when the garment rail has gone.\n\n## Nails that dry between calls — then between meetings\n\nOPI RapiDry Quick-Dry Lacquer exists because show logistics punish wet nails. OPI lists a 30-shade range plus a 3-in-1 clear coat, pairing its Drip Dry Drops with faster-drying solvents for a 60-second dry claim. Backstage, that speed is operational. Off-calendar, the same speed is why a manicure can still happen inside a compressed day.\n\nThe shade story is secondary. What transfers is the format: a lacquer system built for smudge risk and short windows. Fashion weeks make that constraint visible; ordinary schedules quietly keep it.\n\nThe desk does not confuse a quick-dry lacquer with nail art direction. The survivor is the practical coat, not the look built on top of it for a single exit.\n\n## Lips and acid — care that outlives the finish\n\nWet lip signal can lead a season index and still leave nothing transferable except the condition of the mouth. Laneige Lip Sleeping Mask is the leave-on that continues after the gloss is wiped. Laneige UK describes Berry Fruit Complex, murumuru seed and shea butter for overnight moisture. Softening lips before colour is not a show trick; it is the unglamorous prerequisite that makes any later lip language possible.\n\nThe Ordinary Glycolic Acid 7% Exfoliating Toner is a harder case. It appears in some prep calendars around show weeks when texture needs evening and skin is not compromised. The brand describes a water-based toner with 7 per cent glycolic acid for exfoliation; its directions include limited frequency, patch testing and a sunburn alert while using AHAs. Those caveats are not fine print the desk skips when the product “survives.” They are the terms of survival.\n\nNeither product is a photographed hero in the way a couture base or a graphic liner is. That is why they transfer. Maintenance does not need an audience.\n\n## How desks should read a backstage kit\n\nTreat the kit photograph as casting and finish evidence first. Ask which products were there to create an image, and which were there to keep models moving through calls. Only the second group is a candidate for routine transfer — and even then, dose and frequency usually change once the week ends.\n\nThe Cast Index will keep publishing season finishes and short reference kits tied to fashion-week context. Separately, it will keep naming the duller survivors. Confusing the two produces bad editorial and worse habits: daily acids, performative prep and styling products mistaken for care.\n\nWhat survives the show is not a flattering story. It is a short list of maintenance steps that still make sense when nobody is watching — bond care before shampoo, a lacquer that dries in a minute, overnight lip moisture, measured exfoliation with the warnings left on. That is the industry signal worth keeping.\n\n## FAQ\n\n### Why do so few backstage products transfer to real routines?\n\nBecause show kits are optimised for speed, cameras and a single exit. Ordinary weeks need maintenance that still works without an artist team or a finish brief.\n\n### Is Olaplex No.3 a styling product in this analysis?\n\nNo. The desk treats it as at-home bond maintenance used before shampoo — upkeep between services, not a runway silhouette tool.\n\n### Can The Ordinary glycolic toner be used like a show-week staple every day?\n\nNo. The brand’s directions call for limited frequency, patch testing and a sunburn alert while using AHAs. The Cast Index carries those caveats whenever the product is discussed.\n\n## Sources and further reading\n\n- [Olaplex — No.3 Hair Perfector](https://olaplex.com/products/no-3-hair-perfector)\n- [OPI — RapiDry Quick-Dry Lacquer](https://www.opi.com/collections/rapidry)\n- [Laneige UK — Lip Sleeping Mask](https://www.laneigeuk.com/p/lip-sleeping-mask/)\n- [The Ordinary — Glycolic Acid 7% Exfoliating Toner](https://theordinary.com/en-gb/glycolic-acid-7-exfoliating-toner-100418.html)\n\n"},{"url":"https://thecastindex.com/journal/why-anok-yai-holds-number-one","markdownUrl":"https://thecastindex.com/journal/why-anok-yai-holds-number-one.md","title":"Why Anok Yai holds #1","lastmod":"2026-07-16","sha256":"4774e73f2212c97a22970440981f2a51e9d28fa61ba33b79eb4731908f108423","bytes":3086,"markdown":"# Why Anok Yai holds #1\n\n> A 97.9 Index Rating, the 2025 Fashion Awards title and rare strength across all four scoring pillars explain the lead.\n\n- Canonical: https://thecastindex.com/journal/why-anok-yai-holds-number-one\n- Question: Why is Anok Yai ranked number one on the Cast Index in 2026?\n- Direct answer: Anok Yai leads the July 2026 Cast Index with a 97.9 rating because her evidence is strong across every pillar: runway 98, campaigns 97, editorial 98 and cultural impact 100. Her 2025 Fashion Awards Model of the Year win supports the result, but current work and time decay inform the published score.\n- Author: The Cast Index Desk (Editorial analysis)\n- Published: 2026-07-10\n- Updated: 2026-07-16\n\n## What makes Anok Yai’s score unusually strong?\n\nA high total can be built from one exceptional pillar, but Yai’s lead is broader. The current scorecard records 98 for runway, 97 for campaigns, 98 for editorial authority and 100 for cultural impact. That balance matters because it reduces the chance that one short-lived booking or social-media moment is carrying the whole result.\n\nRunway remains the largest component at 40 per cent of the rating. Campaigns contribute 30 per cent, editorial 20 per cent and cultural impact 10 per cent. The weighted total is therefore an assessment of current industry demand, not a popularity poll.\n\n## Which verified achievement supports the ranking?\n\nThe British Fashion Council named Yai its 2025 Model of the Year, an award intended to recognise global impact over the preceding 12 months. Its announcement cited a Vogue France cover, campaigns for Versace, Alaïa and Saint Laurent, and her continuing role for Mugler’s Alien fragrance.\n\nThe award is supporting evidence, not an automatic route to number one. It enters the cultural and editorial picture alongside dated bookings on the profile. The same evidence rules apply to every person in the Global 50.\n\n## What could change the number-one position?\n\nThe Index is recalculated rather than permanently awarded. New campaigns, show openings or closings, major covers and verified ambassador roles can move the board. Older work loses influence under the published time-decay rule.\n\nVittoria Ceretti remains the closest challenger in the current edition. The point is not to declare a timeless winner; it is to make the evidence behind today’s ranking visible and contestable.\n\n## FAQ\n\n### What is Anok Yai’s Cast Index Rating?\n\nAnok Yai’s rating is 97.9 out of 100 in the July 2026 edition.\n\n### Is the number-one ranking permanent?\n\nNo. The board is recalculated as new evidence is verified and older work loses weight through time decay.\n\n## Sources and further reading\n\n- [British Fashion Council — Anok Yai named Model of the Year 2025](https://www.britishfashioncouncil.co.uk/bfcnews/4687/ANOK-YAI-TO-RECEIVE-MODEL-OF-THE-YEAR-AWARD-AT--THE-FASHION-AWARDS-2025-PRESENTED-BY-PANDORA-)\n- [The Cast Index — Anok Yai evidence profile](https://thecastindex.com/models/anok-yai)\n- [The Cast Index — rating methodology](https://thecastindex.com/methodology)\n\n"},{"url":"https://thecastindex.com/legal/editorial-policy","markdownUrl":"https://thecastindex.com/legal/editorial-policy.md","title":"Editorial and sourcing policy","lastmod":"2026-10-05","sha256":"b74182213da4ab03821585dfddef5dab84bc6b622df9d8c160dd4055d187c5c7","bytes":795,"markdown":"# Editorial and sourcing policy\n\n- Canonical: https://thecastindex.com/legal/editorial-policy\n- Editor: Kaiser Khan\n- Publisher: Elite Digital AI Solutions Ltd (Company No. 17250017)\n\nThe Cast Index is an independent editorial ranking. Facts are summarised from public sources and linked. Rankings are never for sale. AI may help draft; it is not a source of fact. Photography is licensed or placeholder — never an AI likeness of a named person.\n\nWhat money cannot buy: Index Rating, Rising placement, Season Beauty Index rank, or a fabricated walk in the casting ledger. Donations — including the desk’s 10% of profits pledge to World Animal Rescue Network — cannot buy, move or soften a ranking. https://thecastindex.com/about#giving\n\nCorrections: https://thecastindex.com/corrections\n"},{"url":"https://thecastindex.com/markets","markdownUrl":"https://thecastindex.com/markets.md","title":"World desks","lastmod":"2026-09-08","sha256":"680bdbb7bc37d13964f5c62fb272a679dde7d6770c52f29cbb60140ee90cccb8","bytes":1218,"markdown":"# World desks\n\n> Independent fashion-casting and beauty desks by market. Rankings are never for sale.\n\n- Canonical: https://thecastindex.com/markets\n- Updated: 2026-10-05\n\n- [London — United Kingdom](https://thecastindex.com/markets/united-kingdom) — UK glow\n- [New York — United States](https://thecastindex.com/markets/united-states) — US complexion & lip\n- [Paris — France](https://thecastindex.com/markets/france) — Paris finish language\n- [Milan — Italy](https://thecastindex.com/markets/italy) — Milan hair & craft\n- [Seoul — South Korea](https://thecastindex.com/markets/south-korea) — K-beauty prep\n- [Tokyo — Japan](https://thecastindex.com/markets/japan) — J-beauty complexion\n- [Shanghai — China](https://thecastindex.com/markets/china) — Casting first\n- [Mumbai — India](https://thecastindex.com/markets/india) — Casting first\n- [São Paulo — Brazil](https://thecastindex.com/markets/brazil) — Brazilian bodycare\n- [Lagos — Nigeria](https://thecastindex.com/markets/nigeria) — Casting first\n- [Jakarta — Indonesia](https://thecastindex.com/markets/indonesia) — Casting first\n- [Sydney — Australia](https://thecastindex.com/markets/australia) — Casting first\n"},{"url":"https://thecastindex.com/markets/australia","markdownUrl":"https://thecastindex.com/markets/australia.md","title":"Sydney desk — Australia","lastmod":"2026-09-08","sha256":"9be75012f3175bd5b103f423e4d047571bd79f5dcf3e8a5ac506a76666d9ff47","bytes":1938,"markdown":"# Sydney desk — Australia\n\n> Australian Fashion Week is the first international week to present Resort collections each year. After IMG’s 2024 exit, the Australian Fashion Council organises the week. Oceanian faces are indexed on the same sheet as New York.\n\n- Canonical: https://thecastindex.com/markets/australia\n- Country: Australia\n- Beauty lens: Casting first\n\n## Should you use this desk?\n\nUse this desk for Australian Fashion Week and Australian-nationality faces. Skip it if you need September’s European womenswear close.\n\nSkip this if you need the September Big Four womenswear close. AFW is a Resort-timed week, usually in May.\n\n1 on the Global 50, led by Adut Akech at #25 (86.3/100).\n\n## Faces\n\n- #25 [Adut Akech](https://thecastindex.com/models/adut-akech)\n- Watch [Duckie Thot](https://thecastindex.com/models/duckie-thot)\n- Watch [Charlee Fraser](https://thecastindex.com/models/charlee-fraser)\n- Watch [Fernanda Ly](https://thecastindex.com/models/fernanda-ly)\n- Watch [Shanina Shaik](https://thecastindex.com/models/shanina-shaik)\n- Watch [Alexandra Agoston](https://thecastindex.com/models/alexandra-agoston)\n- Watch [Angelina Kendall](https://thecastindex.com/models/angelina-kendall)\n\n## Calendar\n\n- [Australian Fashion Week Resort 26](https://thecastindex.com/events/australian-fashion-week-2026) — 11–15 May 2026\n\n\n## FAQ\n\n### When is Australian Fashion Week?\n\nIt typically runs in May as a Resort showcase. The Cast Index 2026 record is 11–15 May at the Museum of Contemporary Art Australia, Circular Quay.\n\n### Who organises it now?\n\nThe Australian Fashion Council, following IMG’s 2024 exit. 2026 marked the week’s 30th anniversary and a new MCA home after thirteen years at Carriageworks.\n\n### Why is Resort important?\n\nResort/Cruise collections are a major share of luxury sales despite a lower profile than the two main seasons. AFW is the first international week on that calendar each year.\n"},{"url":"https://thecastindex.com/markets/brazil","markdownUrl":"https://thecastindex.com/markets/brazil.md","title":"São Paulo desk — Brazil","lastmod":"2026-10-05T19:54:57Z","sha256":"dd30c71fee1ed432c0bd67cdf6cdb5cbe47f5c096fca7d236acf145dee67b44e","bytes":3818,"markdown":"# São Paulo desk — Brazil\n\n> São Paulo Fashion Week, founded in 1995, is Latin America’s pre-eminent week and introduced binding runway diversity quotas in 2009. Brazilian-origin bodycare in the archive is casting-kit context, not a perfume counter.\n\n- Canonical: https://thecastindex.com/markets/brazil\n- Country: Brazil\n- Beauty lens: Brazilian bodycare\n\n## Should you use this desk?\n\nUse this desk for SPFW, Brazilian-nationality faces, and Brazil-origin products such as Sol de Janeiro. Skip a map that starts and ends in Europe.\n\nSkip this if you need a European heritage-house credit sheet this month.\n\n1 on the Global 50, led by Lais Ribeiro at #48 (84.5/100).\n\n## Faces\n\n- #48 [Lais Ribeiro](https://thecastindex.com/models/lais-ribeiro)\n- Watch [Adriana Lima](https://thecastindex.com/models/adriana-lima)\n- Watch [Isabeli Fontana](https://thecastindex.com/models/isabeli-fontana)\n- Watch [Caroline Trentini](https://thecastindex.com/models/caroline-trentini)\n- Watch [Alessandra Ambrosio](https://thecastindex.com/models/alessandra-ambrosio)\n- Watch [Raquel Zimmermann](https://thecastindex.com/models/raquel-zimmermann)\n- Watch [Luiza Perote](https://thecastindex.com/models/luiza-perote)\n- Watch [Gisele Bündchen](https://thecastindex.com/models/gisele-bundchen)\n\n## Calendar\n\n- [São Paulo Fashion Week N61](https://thecastindex.com/events/sao-paulo-fashion-week-2026) — 13–18 October 2026\n\n## Origin-market products\n\n- [Sol de Janeiro Cheirosa 74 Intense Perfume Mist](https://thecastindex.com/beauty/sol-de-janeiro-cheirosa-74-intense-perfume-mist)\n- [Sol de Janeiro Brazilian Bum Bum Cream](https://thecastindex.com/beauty/sol-de-janeiro-brazilian-bum-bum-cream)\n\n## FAQ\n\n### When is São Paulo Fashion Week?\n\nFrom 2026 it runs as a single October edition after Rio Fashion Week’s debut earlier in the year. The Cast Index AW26 record is 14–18 October 2026.\n\n### What is SPFW known for besides design?\n\nCasting policy. In 2009 it required at least 10% of models in any runway show to be Black or Indigenous — among the first binding quotas at a major week.\n\n### Is Sol de Janeiro in the ranking?\n\nNo product is in the ranking. Bodycare sits in the beauty archive when it serves a casting-kit role. Affiliate links are labelled when live.\n\n\n## Fashion and beauty reading\n\n- [How to Research Emerging Brazilian Designers for a Fashion Shoot](https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist): Build a Brazilian designer shortlist with accurate credits, garment requirements, borrowing questions and a clear distinction between research and confirmed availability.\n- [Choose an Updo for a Shoot: Necklines, Comfort and Continuity](https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity): Choose a practical updo around the garment, camera angles and wearer's comfort, then record the look so it stays consistent through a fashion shoot.\n- [Commissioning Renda Irlandesa from Divina Pastora: A Clear Fashion Brief](https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide): Plan a considered lace commission with the maker, from design and measurements to sampling, attachment, delivery and accurate credits.\n- [Capim-Dourado Accessories: Choose Provenance, Scale and a Wearable Fit](https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style): Build a useful buying and styling brief for capim-dourado accessories, with maker questions, outfit proportions and piece-specific handling.\n- [Plan an Artist–Designer Fashion Collaboration: Lessons from MASP](https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief): Use Brazil’s MASP fashion collections as context for a practical collaboration brief covering creative roles, samples, garment function and publication."},{"url":"https://thecastindex.com/markets/china","markdownUrl":"https://thecastindex.com/markets/china.md","title":"Shanghai desk — China","lastmod":"2026-10-05T19:54:57Z","sha256":"9fba7e643c8a2af3624fd5ffb9f686e0781e104f383aa02f59356a04d1858926","bytes":3311,"markdown":"# Shanghai desk — China\n\n> Shanghai Fashion Week runs as a citywide platform across Huangpu, Jing’an and Pudong — not a satellite of Paris. Chinese faces on the index are scored on the same evidence rules as everyone else.\n\n- Canonical: https://thecastindex.com/markets/china\n- Country: China\n- Beauty lens: Casting first\n\n## Should you use this desk?\n\nUse this desk for Shanghai Fashion Week and Chinese-nationality faces. Beauty products of Chinese origin are listed only when they are in the archive — the desk does not invent a storefront.\n\nSkip this if you need a K-beauty or J-beauty kit. Those origin markets have their own desks.\n\n2 on the Global 50, led by Liu Wen at #4 (94.0/100).\n\n## Faces\n\n- #4 [Liu Wen](https://thecastindex.com/models/liu-wen)\n- #22 [Xiao Wen Ju](https://thecastindex.com/models/xiao-wen-ju)\n- Watch [Du Juan](https://thecastindex.com/models/du-juan)\n- Watch [Ming Xi](https://thecastindex.com/models/ming-xi)\n- Watch [Sui He](https://thecastindex.com/models/sui-he)\n- Watch [Fei Fei Sun](https://thecastindex.com/models/fei-fei-sun)\n- Watch [Qin Shupei](https://thecastindex.com/models/qin-shupei)\n- Watch [Yilan Hua](https://thecastindex.com/models/yilan-hua)\n\n## Calendar\n\n- [Shanghai Fashion Week AW26](https://thecastindex.com/events/shanghai-fashion-week-2026) — 25 March–1 April 2026\n\n\n## FAQ\n\n### When is Shanghai Fashion Week?\n\nDates move by edition. The Cast Index AW26 record ran 25 March–1 April 2026 across Huangpu, Jing’an and Pudong. Use the live event page for the current sheet.\n\n### Are Chinese models scored differently?\n\nNo. Index Rating is Runway 40%, Campaigns 30%, Editorial 20%, Cultural impact 10%, with published time decay. Nationality is a facet, not a bonus.\n\n### Does this desk sell rankings into China?\n\nNo. Rankings are never for sale in any market. Affiliate money is firewalled from the index.\n\n\n## Fashion and beauty reading\n\n- [How to Style Mint Green and Photograph the Colour Accurately](https://thecastindex.com/journal/mint-green-outfit-colour-guide): Build mint-green outfits by controlling colour area, contrast and fabric, then use a consistent photography setup to compare the results.\n- [How to Plan a Short Fashion Portfolio Film](https://thecastindex.com/journal/fashion-portfolio-film-shot-list): Create a concise fashion film with a clear visual idea, repeatable movement, useful framing and delivery files a creative team can use.\n- [Chinese Silk: Read Fibre, Weave and Provenance Before Styling](https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance): Compare silk garments and cloth using composition, structure, finish and maker information, with a practical sample test for a fashion project.\n- [Qipao Fitting: A Contemporary Commission and Photo Checklist](https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist): Prepare a qipao or cheongsam commission with clear collar, closure, movement and motif-placement decisions, informed by documented Hong Kong tailoring.\n- [Suzhou Embroidery: Commission a Fashion Detail With Clear Maker Credits](https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits): Build an embroidery commission around a workable motif, sample approval, garment placement and accurate credits, with Suzhou craft as the reference."},{"url":"https://thecastindex.com/markets/france","markdownUrl":"https://thecastindex.com/markets/france.md","title":"Paris desk — France","lastmod":"2026-10-05T19:54:57Z","sha256":"5151d4ed8478c579b5a1e0b50daa11db8187e10338f7cb28865ae34762b5bf36","bytes":5287,"markdown":"# Paris desk — France\n\n> Paris closes the ready-to-wear season and owns haute couture in January and July. Season finishes that start here — glass skin, wet lip — are read against house calendars, not against a single “Paris look”.\n\n- Canonical: https://thecastindex.com/markets/france\n- Country: France\n- Beauty lens: Paris finish language\n\n## Should you use this desk?\n\nUse this desk for Fédération calendars (womenswear, menswear, couture), Paris-tied Season Beauty Index finishes, and French-origin products such as Dior. Skip it if you only need a London experimental cast.\n\nSkip this if you only need British Fashion Council dates or a K-beauty SPF routine.\n\n2 on the Global 50, led by Ashley Radjarame at #18 (89.1/100).\n\n## Faces\n\n- #18 [Ashley Radjarame](https://thecastindex.com/models/ashley-radjarame)\n- #44 [Cindy Bruna](https://thecastindex.com/models/cindy-bruna)\n- Watch [Constance Jablonski](https://thecastindex.com/models/constance-jablonski)\n- Watch [Loli Bahia](https://thecastindex.com/models/loli-bahia)\n- Watch [Mika Schneider](https://thecastindex.com/models/mika-schneider)\n\n## Calendar\n\n- [Paris Haute Couture Week SS26 Couture](https://thecastindex.com/events/paris-haute-couture-week-spring-2026) — 26–29 January 2026\n- [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) — 2–10 March 2026\n- [amfAR Gala Cannes Gala 2026](https://thecastindex.com/events/amfar-gala-cannes-2026) — 21 May 2026\n- [Paris Fashion Week Menswear SS27 Menswear](https://thecastindex.com/events/paris-fashion-week-menswear-ss27) — 23–28 June 2026\n- [Paris Haute Couture Week AW26 Couture](https://thecastindex.com/events/paris-haute-couture-week-2026) — 6–9 July 2026\n- [Paris Fashion Week SS27](https://thecastindex.com/events/paris-fashion-week-ss27) — 28 September–6 October 2026\n- [Paris Fashion Week Menswear AW27 Menswear](https://thecastindex.com/events/paris-fashion-week-menswear-aw27) — 19–24 January 2027\n- [Paris Haute Couture Week SS27 Couture](https://thecastindex.com/events/paris-haute-couture-week-ss27) — 25–28 January 2027\n- [Paris Fashion Week AW27](https://thecastindex.com/events/paris-fashion-week-aw27) — 1–9 March 2027\n\n## Season finishes\n\n- #1 [Couture glass skin](https://thecastindex.com/beauty#couture-glass-skin)\n- #2 [Wet lip signal](https://thecastindex.com/beauty#wet-lip-signal)\n## Origin-market products\n\n- [Yves Saint Laurent Beauty Lash Clash Extreme Volume Mascara](https://thecastindex.com/beauty/ysl-lash-clash-extreme-volume-mascara)\n- [Dior Dior Addict Lip Glow Oil](https://thecastindex.com/beauty/dior-addict-lip-glow-oil)\n- [Dior Miss Dior Essence](https://thecastindex.com/beauty/dior-miss-dior-essence)\n- [La Roche-Posay Anthelios UVMune 400 Invisible Fluid SPF50+](https://thecastindex.com/beauty/la-roche-posay-anthelios-uvmune-400-invisible-fluid-spf50)\n- [La Roche-Posay 0.3% Retinol + Vitamin B3 Serum](https://thecastindex.com/beauty/la-roche-posay-retinol-b3-serum)\n- [L’Oréal Paris Telescopic Lift Mascara](https://thecastindex.com/beauty/loreal-paris-telescopic-lift-mascara)\n- [L’Oréal Paris Elvive Bond Repair Pre-Shampoo Treatment](https://thecastindex.com/beauty/loreal-paris-elvive-bond-repair-pre-shampoo-treatment)\n\n## FAQ\n\n### Who organises Paris Fashion Week?\n\nThe Fédération de la Haute Couture et de la Mode publishes the official womenswear, menswear and haute couture calendars.\n\n### What finishes are tied to Paris this season?\n\nThe Season Beauty Index assigns finishes to verified weeks. Paris currently carries lead complexion and lip language — open the finish on the Beauty Index for the kit, not a rumour.\n\n### Are Dior product links affiliates?\n\nWhen a programme is live they are labelled Ad and use rel=\"sponsored\". Inclusion is editorial. Rankings cannot be bought.\n\n\n## Fashion and beauty reading\n\n- [How to Source Vintage Fashion for a Shoot Without Losing the Brief](https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist): Plan a vintage styling search with a clear silhouette, usable measurements, condition checks and an honest credit record.\n- [How to Style Hair Accessories for Fashion Portraits](https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide): Choose a headband, scarf or clip around the portrait’s shape, comfort and framing, with a practical continuity checklist.\n- [Paris Fashion Week SS27 So Far: Read the Collection and the Setting](https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research): A dated Paris SS27 research edit using the FHCM calendar and Dior’s Summer 2027 notes, with a method for separating setting, clothes and interpretation.\n- [Grasse Perfume Craft: Understand the Plant, the Material and the Formula](https://thecastindex.com/journal/grasse-perfume-craft-origin-guide): Explore what Grasse’s perfume heritage describes and how to ask precise questions about cultivation, raw materials, composition and a finished fragrance.\n- [French Lace: Choose a Detail by Technique, Scale and Provenance](https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide): Distinguish Alençon needle lace from Calais-Caudry Leavers lace and prepare a useful sample brief for a collar, panel, sleeve or garment trim."},{"url":"https://thecastindex.com/markets/india","markdownUrl":"https://thecastindex.com/markets/india.md","title":"Mumbai desk — India","lastmod":"2026-10-05T19:54:57Z","sha256":"c041d5d8b378c5ac435f8d3e44ae4eddfa8c087f168bb3ef9ed6be54d845d35a","bytes":3607,"markdown":"# Mumbai desk — India\n\n> India’s longest-running week is Lakmé Fashion Week in Mumbai, in partnership with the Fashion Design Council of India. India Couture Week in New Delhi is a separate couture platform. The desk tracks both — and Indian faces on the same score sheet as Paris.\n\n- Canonical: https://thecastindex.com/markets/india\n- Country: India\n- Beauty lens: Casting first\n\n## Should you use this desk?\n\nUse this desk for Lakmé Fashion Week, India Couture Week, and Indian-nationality faces. Skip a feed that only notices Indian models once they open a European house.\n\nSkip this if you need a European Big Four date sheet only. India’s weeks have their own organisers and calendars.\n\n7 faces on Watch — none currently hold a numbered Global 50 position.\n\n## Faces\n\n- Watch [Nidhi Sunil](https://thecastindex.com/models/nidhi-sunil)\n- Watch [Kanishtha Dhankar](https://thecastindex.com/models/kanishtha-dhankar)\n- Watch [Amrit](https://thecastindex.com/models/amrit)\n- Watch [Naomi Janumala](https://thecastindex.com/models/naomi-janumala)\n- Watch [Madhulika Sharma](https://thecastindex.com/models/madhulika-sharma)\n- Watch [Aishwarya Gupta](https://thecastindex.com/models/aishwarya-gupta)\n- Watch [Kirandeep Chahal](https://thecastindex.com/models/kirandeep-chahal)\n\n## Calendar\n\n- [Lakmé Fashion Week SS26](https://thecastindex.com/events/lakme-fashion-week-2026) — 19–22 March 2026\n- [India Couture Week Couture 2026](https://thecastindex.com/events/india-couture-week-2026) — 23–29 July 2026\n\n\n## FAQ\n\n### What is Lakmé Fashion Week?\n\nIndia’s longest-running fashion week, staged in Mumbai in partnership with the Fashion Design Council of India (FDCI). The Cast Index SS26 edition ran 19–22 March 2026 at Jio World Convention Centre.\n\n### Is India Couture Week the same event?\n\nNo. India Couture Week is the FDCI’s dedicated couture platform in New Delhi, typically in late July. Cite the edition you mean.\n\n### Are Indian models on the Global 50?\n\nWhen the evidence supports a numbered rank, yes — same formula as every other nationality. Others sit on Watch until the evidence is there.\n\n\n## Fashion and beauty reading\n\n- [How to Rewear Indian Wedding Outfits With a Practical Wardrobe Plan](https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan): A useful rewear plan for saris, lehengas and occasionwear: audit separates, check condition, build outfit records and plan alterations carefully.\n- [Liquid Blush on Deep Skin: Shade, Placement and Camera Checks](https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide): Choose liquid blush by its visible finish on your skin and test placement under consistent light before an event or beauty photoshoot.\n- [Buying Indian Handloom: What the Labels Actually Confirm](https://thecastindex.com/journal/indian-handloom-labels-buying-guide): Understand Handloom Mark, India Handloom Brand and Silk Mark, then verify a textile’s description without relying on shine or handmade-looking irregularities.\n- [Planning a Sari Editorial: Drape, Movement and a Useful Fitting](https://thecastindex.com/journal/sari-editorial-drape-movement-fitting): Plan an original sari fashion story with a specific drape reference, suitable cloth, a wearable fitting and a clear sequence of photographs.\n- [Rajasthan Block Prints: Choose Pattern Scale and Record the Craft](https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft): Assess a Rajasthan block-printed garment or fabric through repeat, border placement, making process and care, with a practical comparison worksheet."},{"url":"https://thecastindex.com/markets/indonesia","markdownUrl":"https://thecastindex.com/markets/indonesia.md","title":"Jakarta desk — Indonesia","lastmod":"2026-09-08","sha256":"34a63ae300c3e1a29f03b7efa2068c9b7ab4bc295972b10315992c590649d4b3","bytes":2595,"markdown":"# Jakarta desk — Indonesia\n\n> Jakarta Fashion Week, founded in 2008, is billed as the largest fashion event in Southeast Asia, in partnership with the Indonesian Fashion Chamber. Indonesian faces are scored on the public formula — not held in a separate “regional” league.\n\n- Canonical: https://thecastindex.com/markets/indonesia\n- Country: Indonesia\n- Beauty lens: Casting first\n\n## Should you use this desk?\n\nUse this desk for Jakarta Fashion Week and Indonesian-nationality faces. Skip a feed that only notices Jakarta when a European house casts from it.\n\nSkip this if you need a Seoul K-beauty kit or a Paris couture credit. Those are other desks.\n\n5 faces on Watch — none currently hold a numbered Global 50 position.\n\n## Faces\n\n- Watch [Whulandary Herman](https://thecastindex.com/models/whulandary-herman)\n- Watch [Rizal Rama](https://thecastindex.com/models/rizal-rama)\n- Watch [Raihan Fahrizal](https://thecastindex.com/models/raihan-fahrizal)\n- Watch [Viknes Waren](https://thecastindex.com/models/viknes-waren)\n- Watch [Shahnaz Indira](https://thecastindex.com/models/shahnaz-indira)\n\n## Calendar\n\n- [Jakarta Fashion Week 2026 edition](https://thecastindex.com/events/jakarta-fashion-week-2026) — 27 October–2 November 2025\n- [Jakarta Fashion Week 2027 edition](https://thecastindex.com/events/jakarta-fashion-week-2027) — 26 October–1 November 2026\n\n\n## FAQ\n\n### What is Jakarta Fashion Week?\n\nFounded in 2008 by Svida Alisjahbana under Femina Group, it runs in partnership with the Indonesian Fashion Chamber and is billed as Southeast Asia’s largest fashion event.\n\n### When is the next Jakarta Fashion Week?\n\nJFW 2027 runs 26 October–1 November 2026 at City Hall, Pondok Indah Mall 3, according to the organiser. Editions are named for the following year: JFW 2026, the 18th, ran 27 October–2 November 2025.\n\n### Who are Indonesia’s best-known models?\n\nOn international runways: Rizal Rama (Fendi, Comme des Garçons), Raihan Fahrizal (Saint Laurent, Louis Vuitton), Viknes Waren (Neil Barrett, Jacquemus), Shahnaz Indira (Simone Rocha, Coach) and Albana Herdafa (Versace, Hermès). At home, established names include Kelly Tandiono, Laras Sekar, Ayu Gani, Laura Muljadi, Kimmy Jayanti and Paula Verhoeven. Tracy Trinita was the country’s first internationally known model of the 1990s, walking in Paris for houses including Yves Saint Laurent, Jean Paul Gaultier and Kenzo.\n\n### Are Indonesian models scored the same way?\n\nYes. Same Index Rating weights, same time decay, same evidence rules. Watch is unnumbered until a Global 50 rank is justified.\n"},{"url":"https://thecastindex.com/markets/italy","markdownUrl":"https://thecastindex.com/markets/italy.md","title":"Milan desk — Italy","lastmod":"2026-10-05T19:54:57Z","sha256":"e9c5d39065e92e113a9d3329816a7f2d3cc63d38f8efc56838feb7dd4e1f46b3","bytes":3721,"markdown":"# Milan desk — Italy\n\n> Milan is the heritage-house stop: Camera Nazionale della Moda Italiana womenswear and menswear, with Pitti Uomo in Florence opening the June menswear circuit. Hair-as-silhouette language is read here first this season.\n\n- Canonical: https://thecastindex.com/markets/italy\n- Country: Italy\n- Beauty lens: Milan hair & craft\n\n## Should you use this desk?\n\nUse this desk for Milan weeks, Pitti Uomo, Italian-nationality faces, and Milan-tied hair finishes. Skip it if you need couture credits — those sit in Paris.\n\nSkip this if you need haute couture. Milan is ready-to-wear and menswear craft, not the legally protected couture calendar.\n\n1 on the Global 50, led by Vittoria Ceretti at #2 (96.1/100).\n\n## Faces\n\n- #2 [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti)\n- Watch [Mariacarla Boscono](https://thecastindex.com/models/mariacarla-boscono)\n\n## Calendar\n\n- [Milan Fashion Week AW26](https://thecastindex.com/events/milan-fashion-week-2026) — 24 February–2 March 2026\n- [Pitti Uomo SS27 Menswear](https://thecastindex.com/events/pitti-uomo-110) — 16–19 June 2026\n- [Milan Fashion Week Menswear SS27 Menswear](https://thecastindex.com/events/milan-fashion-week-menswear-ss27) — 19–23 June 2026\n- [Milan Fashion Week SS27](https://thecastindex.com/events/milan-fashion-week-ss27) — 22–28 September 2026\n- [Milan Fashion Week Menswear AW27 Menswear](https://thecastindex.com/events/milan-fashion-week-menswear-aw27) — 15–19 January 2027\n- [Milan Fashion Week AW27](https://thecastindex.com/events/milan-fashion-week-aw27) — 23 February–1 March 2027\n\n## Season finishes\n\n- #3 [Soft flush cheek](https://thecastindex.com/beauty#soft-flush-cheek)\n\n## FAQ\n\n### Who organises Milan Fashion Week?\n\nCamera Nazionale della Moda Italiana (CNMI) publishes the official Milan calendars. Pitti Uomo in Florence is a separate menswear fair.\n\n### Is Pitti Uomo part of Milan Fashion Week?\n\nNo. Pitti Uomo is staged at the Fortezza da Basso in Florence and typically opens the June menswear season before Milan and Paris menswear.\n\n### Which finish is tied to Milan?\n\nThis season’s hair-as-silhouette language is read from Milan. Open the Season Beauty Index finish for the reference kit.\n\n\n## Fashion and beauty reading\n\n- [How to Turn Milan Street Style Into an Outfit You Can Actually Wear](https://thecastindex.com/journal/milan-street-style-outfit-method): Decode a street-style reference through proportion, texture and movement, then adapt it using your own wardrobe.\n- [How to Build a Two-Colour Outfit for Daily Wear and Photos](https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide): Use a simple colour-pairing method to create outfits from your wardrobe, with checks for balance, fabric and photographic context.\n- [Milan Fashion Week SS27: Study One Shape, Then Question the Material](https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study): Use Milan’s official SS27 calendar and Prada’s collection notes to examine repeated silhouettes, functional details and material appearances without inventing trends.\n- [Como Silk Scarves: Read the Print, the Cloth and the Finish](https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance): Compare a silk scarf through its composition, weave, printed design, dimensions and provenance, then see how the pattern works when folded and worn.\n- [Florentine Leather Goods: Plan Personalisation and Future Repair](https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief): Prepare a leather-goods brief around everyday use, material information, monogram placement, approvals and aftercare before committing to a personalised piece."},{"url":"https://thecastindex.com/markets/japan","markdownUrl":"https://thecastindex.com/markets/japan.md","title":"Tokyo desk — Japan","lastmod":"2026-10-05T19:54:57Z","sha256":"6d07e757dd4afe980e5094e642f90ee6e4a607310a7784e142270102c1a1e4e5","bytes":3647,"markdown":"# Tokyo desk — Japan\n\n> Rakuten Fashion Week Tokyo is widely described as Asia’s largest fashion week — avant-garde, streetwear, ready-to-wear. A “Big Five” claim exists and is disputed; the desk states both. J-beauty in the archive starts with Shiseido.\n\n- Canonical: https://thecastindex.com/markets/japan\n- Country: Japan\n- Beauty lens: J-beauty complexion\n\n## Should you use this desk?\n\nUse this desk for Rakuten Fashion Week Tokyo, Japanese-nationality faces, and Japan-origin complexion. Skip a map that treats Tokyo as a footnote to Paris.\n\nSkip this if you need a legally protected couture calendar. Tokyo is ready-to-wear, streetwear and experimental design.\n\n3 faces on Watch — none currently hold a numbered Global 50 position.\n\n## Faces\n\n- Watch [Kiko Mizuhara](https://thecastindex.com/models/kiko-mizuhara)\n- Watch [Tao Okamoto](https://thecastindex.com/models/tao-okamoto)\n- Watch [Rila Fukushima](https://thecastindex.com/models/rila-fukushima)\n\n## Calendar\n\n- [Rakuten Fashion Week Tokyo AW26](https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026) — 16–21 March 2026\n- [Rakuten Fashion Week Tokyo SS27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-ss27) — 31 August–5 September 2026\n- [Rakuten Fashion Week Tokyo AW27](https://thecastindex.com/events/rakuten-fashion-week-tokyo-aw27) — 15–20 March 2027\n\n## Origin-market products\n\n- [Shiseido Synchro Skin Radiant Lifting Foundation](https://thecastindex.com/beauty/shiseido-synchro-skin-radiant-lifting-foundation)\n\n## FAQ\n\n### Is Tokyo one of the Big Five fashion weeks?\n\nSome round-ups include Tokyo with New York, London, Milan and Paris. Others note that its international influence still lags the traditional Big Four. The Cast Index tracks it as Asia’s largest week, not as a sixth Big Four city.\n\n### Who titles Tokyo Fashion Week now?\n\nRakuten has been title sponsor since 2019 (Rakuten Fashion Week Tokyo). Earlier title sponsors included Amazon Fashion and Mercedes-Benz.\n\n### What J-beauty does the desk review?\n\nJapan-origin formulas in the archive, including Shiseido Synchro Skin. Inclusion is editorial; shopping links are labelled when live.\n\n\n## Fashion and beauty reading\n\n- [How to Turn Japanese Fashion Coverage Into a Portfolio Brief](https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief): Build an original model portfolio concept from fashion coverage with a clear silhouette, movement plan, wardrobe budget and usable shot list.\n- [Soft Styling and Technical Shoes: A Practical Outfit Guide](https://thecastindex.com/journal/japan-soft-styling-technical-shoes): Adapt the contrast seen in Japanese fashion coverage with a repeatable outfit method that balances texture, shoe scale, colour and movement.\n- [Japanese Denim Buying Guide: Fit, Finish and First-Wash Questions](https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash): Compare Japanese denim through garment measurements, wash state, movement and care, with a practical checklist for buying a pair you will wear.\n- [Pleated Clothing: Fit, Movement and Care Lessons From Issey Miyake](https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care): Choose and photograph pleated clothing with a clear fit check, movement sequence and product-specific care plan, informed by Issey Miyake’s construction.\n- [Arimatsu Shibori: How to Buy, Style and Credit Resist-Dyed Cloth](https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit): Understand Arimatsu-Narumi shibori, ask useful maker questions and plan an outfit or textile story that shows the cloth without overstating its provenance."},{"url":"https://thecastindex.com/markets/nigeria","markdownUrl":"https://thecastindex.com/markets/nigeria.md","title":"Lagos desk — Nigeria","lastmod":"2026-09-08","sha256":"cc094c88d2b14422b20d54c0f7b7b81c2912ebac003d6bc3d4ad85cf17adc5eb","bytes":1382,"markdown":"# Lagos desk — Nigeria\n\n> Lagos Fashion Week, founded in 2011 by Omoyemi Akerele, is Africa’s largest clothing trade show. The desk exists so African casting is not a once-a-year footnote to Paris.\n\n- Canonical: https://thecastindex.com/markets/nigeria\n- Country: Nigeria\n- Beauty lens: Casting first\n\n## Should you use this desk?\n\nUse this desk for Lagos Fashion Week and Nigerian-nationality faces. Beauty products of Nigerian origin appear only when they are in the archive.\n\nSkip this if you need a European Big Four date sheet. Lagos has its own organiser, Style House Files, and its own calendar.\n\n1 on the Global 50, led by Mayowa Nicholas at #19 (89.1/100).\n\n## Faces\n\n- #19 [Mayowa Nicholas](https://thecastindex.com/models/mayowa-nicholas)\n\n## Calendar\n\n- [Lagos Fashion Week 2026 edition](https://thecastindex.com/events/lagos-fashion-week-2026) — 28 October–1 November 2026\n\n\n## FAQ\n\n### Who founded Lagos Fashion Week?\n\nOmoyemi Akerele, who also founded the fashion-development agency Style House Files. The week launched in 2011.\n\n### When is Lagos Fashion Week 2026?\n\nThe Cast Index AW26 record is 28 October–1 November 2026. Confirm on the live event page; emerging-circuit dates can move.\n\n### Does Rising replace this desk?\n\nNo. Rising is the unnumbered watch. This desk joins Nigerian faces, the Lagos week, and any origin-market products in one place.\n"},{"url":"https://thecastindex.com/markets/south-korea","markdownUrl":"https://thecastindex.com/markets/south-korea.md","title":"Seoul desk — South Korea","lastmod":"2026-10-05T19:54:57Z","sha256":"cca32a520fa0ba7e55474aeb808a934f29eb46b533d1ab652ea493d4ac743b5c","bytes":4864,"markdown":"# Seoul desk — South Korea\n\n> Seoul Fashion Week, a Seoul Metropolitan Government initiative since 2000, is the casting capital the Big Four still under-cover. The desk pairs Korean faces with K-beauty prep — essences, SPF, lip masks — that actually serve season finishes.\n\n- Canonical: https://thecastindex.com/markets/south-korea\n- Country: South Korea\n- Beauty lens: K-beauty prep\n\n## Should you use this desk?\n\nUse this desk for Seoul Fashion Week, Korean-nationality faces, and South Korea–origin products (Laneige, COSRX, Beauty of Joseon). Skip it if you need a Paris house credit sheet.\n\nSkip this if you only need Fédération or CFDA dates. Seoul is a government-backed week with its own calendar at Dongdaemun Design Plaza.\n\n1 on the Global 50, led by Sora Choi at #9 (89.5/100).\n\n## Faces\n\n- #9 [Sora Choi](https://thecastindex.com/models/sora-choi)\n- Watch [HoYeon Jung](https://thecastindex.com/models/hoyeon-jung)\n- Watch [Hye-rim Park](https://thecastindex.com/models/hye-rim-park)\n\n## Calendar\n\n- [Seoul Fashion Week SS27](https://thecastindex.com/events/seoul-fashion-week-2026) — 1–6 September 2026\n\n## Origin-market products\n\n- [Jung Saem Mool Essential Skin Nuder Cushion](https://thecastindex.com/beauty/jung-saem-mool-essential-skin-nuder-cushion)\n- [Medicube PDRN Pink Peptide Serum](https://thecastindex.com/beauty/medicube-pdrn-pink-peptide-serum)\n- [Biodance Bio-Collagen Real Deep Mask](https://thecastindex.com/beauty/biodance-bio-collagen-real-deep-mask)\n- [Beauty of Joseon Daily Relief Sunscreen SPF 40](https://thecastindex.com/beauty/beauty-of-joseon-daily-relief-sunscreen)\n- [Laneige Lip Sleeping Mask](https://thecastindex.com/beauty/laneige-lip-sleeping-mask)\n- [COSRX Advanced Snail 96 Mucin Power Essence](https://thecastindex.com/beauty/cosrx-advanced-snail-96-mucin-power-essence)\n- [TIRTIR Mask Fit Red Cushion](https://thecastindex.com/beauty/tirtir-mask-fit-red-cushion)\n- [Anua Heartleaf 77% Soothing Toner](https://thecastindex.com/beauty/anua-heartleaf-77-soothing-toner)\n- [SKIN1004 Madagascar Centella Hyalu-Cica Water-Fit Sun Serum](https://thecastindex.com/beauty/skin1004-madagascar-centella-hyalu-cica-water-fit-sun-serum)\n- [Round Lab Birch Juice Moisturizing Sun Cream SPF50+ PA++++](https://thecastindex.com/beauty/round-lab-birch-juice-moisturizing-sun-cream)\n- [Beauty of Joseon Relief Sun: Rice + Niacinamide SPF50+](https://thecastindex.com/beauty/beauty-of-joseon-relief-sun-rice-niacinamide)\n- [COSRX Ultra-Light Invisible Sunscreen SPF50 PA++++](https://thecastindex.com/beauty/cosrx-ultra-light-invisible-sunscreen-spf50)\n- [Beauty of Joseon Light On Serum: Centella + Vita C](https://thecastindex.com/beauty/beauty-of-joseon-light-on-serum-centella-vita-c)\n- [COSRX Low pH Good Morning Gel Cleanser](https://thecastindex.com/beauty/cosrx-low-ph-good-morning-gel-cleanser)\n\n## FAQ\n\n### When is Seoul Fashion Week?\n\nIt is biannual. The Cast Index SS27 edition is listed as 1–7 September 2026 at Dongdaemun Design Plaza, marking the week’s 25th anniversary season. Confirm on the live event page.\n\n### Who organises Seoul Fashion Week?\n\nThe Seoul Design Foundation under the Seoul Metropolitan Government. The week launched in 2000 as a government-backed platform for Korean design.\n\n### Is this an Olive Young storefront?\n\nNo. Products enter the archive only when they serve a season finish or professional reference. Shopping links may be affiliates; rankings are never for sale.\n\n\n## Fashion and beauty reading\n\n- [Glass Hair for a Photoshoot: Plan Shine, Texture and Continuity](https://thecastindex.com/journal/glass-hair-photoshoot-planning): Prepare a glossy hair brief that respects natural texture, works with the lighting and gives a shoot team a clear continuity plan.\n- [One Pair of Tailored Trousers, Three Everyday Outfits](https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling): Restyle one pair of tailored trousers for errands, work and dinner with three concrete outfit formulas and a practical care plan.\n- [Hanbok Editorial Planning: Dress, Movement and Cultural Context](https://thecastindex.com/journal/hanbok-editorial-dress-movement-context): Prepare a hanbok fashion story with the maker’s guidance, an appropriate fitting, accurate garment names and a movement plan that serves the clothes.\n- [Buying Korean Designer Fashion: A Seoul Showroom Appointment Plan](https://thecastindex.com/journal/seoul-designer-showroom-buying-plan): Prepare a focused wholesale appointment in Seoul with a product gap brief, commercial questions and a sample-to-order comparison sheet.\n- [Sculptural Korean Eyewear: A Portrait Styling and Fit Brief](https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief): Plan a portrait around expressive eyewear with a practical frame comparison, reflection check and product-specific handling plan."},{"url":"https://thecastindex.com/markets/united-kingdom","markdownUrl":"https://thecastindex.com/markets/united-kingdom.md","title":"London desk — United Kingdom","lastmod":"2026-10-05T19:54:57Z","sha256":"7220f4847ae0a8c9bfb3dca7f8d7fbb2adaabc25cd6029262e53094b3d1a532f","bytes":5336,"markdown":"# London desk — United Kingdom\n\n> London Fashion Week is the experimental second stop of the international season. The desk reads British casting next to UK glow formulas — Hollywood Filter language, not a paid bestseller list.\n\n- Canonical: https://thecastindex.com/markets/united-kingdom\n- Country: United Kingdom\n- Beauty lens: UK glow\n\n## Should you use this desk?\n\nUse this desk for British Fashion Council weeks, UK-nationality faces on the Global 50 and Watch, and Charlotte Tilbury–led glow in the Season Beauty Index. Skip it if you only need Paris couture credits.\n\nSkip this if you need haute couture show credits. That is the Paris desk and the January/July couture calendars.\n\n8 on the Global 50, led by Naomi Campbell at #6 (93.4/100).\n\n## Faces\n\n- #6 [Naomi Campbell](https://thecastindex.com/models/naomi-campbell)\n- #16 [Lila Moss](https://thecastindex.com/models/lila-moss)\n- #21 [Nora Attal](https://thecastindex.com/models/nora-attal)\n- #26 [Cara Delevingne](https://thecastindex.com/models/cara-delevingne)\n- #27 [Adwoa Aboah](https://thecastindex.com/models/adwoa-aboah)\n- #29 [Alek Wek](https://thecastindex.com/models/alek-wek)\n- #30 [Jourdan Dunn](https://thecastindex.com/models/jourdan-dunn)\n- #42 [Iris Law](https://thecastindex.com/models/iris-law)\n- Watch [Leomie Anderson](https://thecastindex.com/models/leomie-anderson)\n- Watch [Neelam Gill](https://thecastindex.com/models/neelam-gill)\n- Watch [Georgia May Jagger](https://thecastindex.com/models/georgia-may-jagger)\n- Watch [Edie Campbell](https://thecastindex.com/models/edie-campbell)\n- Watch [Kate Moss](https://thecastindex.com/models/kate-moss)\n- Watch [Bibi Breslin](https://thecastindex.com/models/bibi-breslin)\n- Watch [Kit Butler](https://thecastindex.com/models/kit-butler)\n\n## Calendar\n\n- [London Fashion Week AW26](https://thecastindex.com/events/london-fashion-week-2026) — 19–23 February 2026\n- [London Fashion Week SS27](https://thecastindex.com/events/london-fashion-week-ss27) — 17–21 September 2026\n- [The Fashion Awards Awards 2026](https://thecastindex.com/events/the-fashion-awards-2026) — 30 November 2026\n\n## Season finishes\n\n- #4 [Hair as silhouette](https://thecastindex.com/beauty#hair-as-silhouette)\n## Origin-market products\n\n- [Dyson Airsmooth Styling Brush](https://thecastindex.com/beauty/dyson-airsmooth-styling-brush)\n- [Dyson Airwrap Co-anda2x Multi-styler and Dryer](https://thecastindex.com/beauty/dyson-airwrap-co-anda2x)\n- [Charlotte Tilbury Airbrush Flawless Setting Spray](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-setting-spray)\n- [Charlotte Tilbury Hollywood Flawless Filter](https://thecastindex.com/beauty/charlotte-tilbury-hollywood-flawless-filter)\n- [Charlotte Tilbury Exagger-Eyes Volume Mascara](https://thecastindex.com/beauty/charlotte-tilbury-exagger-eyes-volume-mascara)\n- [REFY Brow Sculpt](https://thecastindex.com/beauty/refy-brow-sculpt)\n- [Vaseline Lip Therapy Original](https://thecastindex.com/beauty/vaseline-lip-therapy-original)\n- [Charlotte Tilbury Airbrush Flawless Foundation](https://thecastindex.com/beauty/charlotte-tilbury-airbrush-flawless-foundation)\n- [Medik8 Crystal Retinal](https://thecastindex.com/beauty/medik8-crystal-retinal)\n- [Medik8 C-Tetra](https://thecastindex.com/beauty/medik8-c-tetra)\n\n## FAQ\n\n### When is London Fashion Week?\n\nTwice a year, typically February (autumn/winter) and September (spring/summer), second after New York. Check the live London Fashion Week event page for the edition in front of you.\n\n### Who organises London Fashion Week?\n\nThe British Fashion Council. The Cast Index tracks the official calendar; it does not sell seats or rankings.\n\n### What beauty does the London desk cover?\n\nUK-origin formulas in the archive — including Charlotte Tilbury glow and setting — plus any Season Beauty Index finish tied to London. Shopping links are labelled when live.\n\n\n## Fashion and beauty reading\n\n- [How to Choose Tailoring for a Portfolio Shoot: A Fit and Movement Guide](https://thecastindex.com/journal/tailoring-fit-check-portfolio): Evaluate a blazer and trousers for photographs, movement and repeat use before buying or borrowing a suit.\n- [Sheer Occasionwear: How to Plan Coverage, Movement and Photographs](https://thecastindex.com/journal/sheer-occasionwear-layering-guide): A practical guide to wearing sheer fabrics at events, from host expectations to lining, lighting and comfortable layering.\n- [London Fashion Week SS27: Follow New Talent Beyond the Show](https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom): Read London’s September 2026 season through emerging designers, established-house returns and the next showroom stage, using the BFC’s official records.\n- [British Wool and Harris Tweed: Read the Provenance Before the Price](https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide): Understand what British Wool and Harris Tweed marks describe, then compare cloth, garment construction and care with a practical buying record.\n- [Occasion Millinery: Prepare a Hat Brief That Works All Day](https://thecastindex.com/journal/british-occasion-millinery-commission-brief): Plan a hat commission or adaptation around the occasion, hair, glasses, movement and transport, with a consultation checklist and a clear approval sequence."},{"url":"https://thecastindex.com/markets/united-states","markdownUrl":"https://thecastindex.com/markets/united-states.md","title":"New York desk — United States","lastmod":"2026-10-05T19:54:57Z","sha256":"4f17712a3750297f1f0c079c4779f0e80f30262ccf9d8522de8adb9ffa4da797","bytes":10895,"markdown":"# New York desk — United States\n\n> New York opens the international ready-to-wear season. American sportswear casting, CFDA calendar rules, and US-origin complexion and lip formulas sit on one desk — not a 12,000-SKU marketplace.\n\n- Canonical: https://thecastindex.com/markets/united-states\n- Country: United States\n- Beauty lens: US complexion & lip\n\n## Should you use this desk?\n\nUse this desk for CFDA weeks, the Met Gala as a red-carpet event (not a fashion week), US-nationality faces, and US-origin products in the archive. Skip it if you need couture or K-beauty prep.\n\nSkip this if you need haute couture or a K-beauty routine. Use the Paris and Seoul desks.\n\n17 on the Global 50, led by Anok Yai at #1 (97.9/100).\n\n## Faces\n\n- #1 [Anok Yai](https://thecastindex.com/models/anok-yai)\n- #3 [Alex Consani](https://thecastindex.com/models/alex-consani)\n- #5 [Gigi Hadid](https://thecastindex.com/models/gigi-hadid)\n- #10 [Kendall Jenner](https://thecastindex.com/models/kendall-jenner)\n- #11 [Hailey Bieber](https://thecastindex.com/models/hailey-bieber)\n- #12 [Hunter Schafer](https://thecastindex.com/models/hunter-schafer)\n- #23 [Kaia Gerber](https://thecastindex.com/models/kaia-gerber)\n- #28 [Ashley Graham](https://thecastindex.com/models/ashley-graham)\n- #31 [Bella Hadid](https://thecastindex.com/models/bella-hadid)\n- #32 [Emily Ratajkowski](https://thecastindex.com/models/emily-ratajkowski)\n- #33 [Taylor Hill](https://thecastindex.com/models/taylor-hill)\n- #34 [Quannah Chasinghorse](https://thecastindex.com/models/quannah-chasinghorse)\n- #35 [Devyn Garcia](https://thecastindex.com/models/devyn-garcia)\n- #36 [Binx Walton](https://thecastindex.com/models/binx-walton)\n- #37 [Hari Nef](https://thecastindex.com/models/hari-nef)\n- #38 [Indya Moore](https://thecastindex.com/models/indya-moore)\n- #39 [Jasmine Tookes](https://thecastindex.com/models/jasmine-tookes)\n- Watch [Paloma Elsesser](https://thecastindex.com/models/paloma-elsesser)\n- Watch [Karlie Kloss](https://thecastindex.com/models/karlie-kloss)\n- Watch [Christy Turlington](https://thecastindex.com/models/christy-turlington)\n\n## Calendar\n\n- [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) — 11–16 February 2026\n- [Met Gala Gala 2026](https://thecastindex.com/events/met-gala-2026) — 4 May 2026\n- [Miami Swim Week Swim 26](https://thecastindex.com/events/miami-swim-week-2026) — 28–31 May 2026\n- [New York Fashion Week SS27](https://thecastindex.com/events/new-york-fashion-week-ss27) — 10–15 September 2026\n- [Victoria’s Secret Fashion Show Show 2026](https://thecastindex.com/events/victorias-secret-fashion-show-2026) — 18 October 2026\n- [CFDA Fashion Awards Awards 2026](https://thecastindex.com/events/cfda-fashion-awards-2026) — 2 November 2026\n- [New York Fashion Week AW27](https://thecastindex.com/events/new-york-fashion-week-aw27) — 8–12 February 2027\n- [Met Gala Gala 2027](https://thecastindex.com/events/met-gala-2027) — Date to be confirmed\n\n## Season finishes\n\n- #5 [Graphic punctuation](https://thecastindex.com/beauty#graphic-punctuation)\n## Origin-market products\n\n- [ILIA Thru Line Waterproof Eyeliner](https://thecastindex.com/beauty/ilia-thru-line-waterproof-eyeliner)\n- [ILIA Sun Serum Mineral Sunscreen SPF 50](https://thecastindex.com/beauty/ilia-sun-serum-mineral-sunscreen-spf-50)\n- [Olaplex No.3PLUS Complete Repair Treatment](https://thecastindex.com/beauty/olaplex-no-3plus-complete-repair-treatment)\n- [e.l.f. Cosmetics Halo Glow Skin Tint SPF 50](https://thecastindex.com/beauty/elf-halo-glow-skin-tint-spf-50)\n- [eos Vanilla Cashmere Body Lotion](https://thecastindex.com/beauty/eos-vanilla-cashmere-body-lotion)\n- [Beautyblender Original Makeup Sponge](https://thecastindex.com/beauty/beautyblender-original-makeup-sponge)\n- [Rhode Pocket Blush](https://thecastindex.com/beauty/rhode-pocket-blush)\n- [Summer Fridays SoftLine Lip Liner](https://thecastindex.com/beauty/summer-fridays-softline-lip-liner)\n- [Redken Acidic Bonding Concentrate Leave-In Treatment](https://thecastindex.com/beauty/redken-acidic-bonding-concentrate-leave-in)\n- [Essie Gel by Essie Glazed Chrome Topcoat](https://thecastindex.com/beauty/essie-glazed-chrome-topcoat)\n- [Pat McGrath Labs Skin Fetish: Sublime Perfection Foundation](https://thecastindex.com/beauty/pat-mcgrath-skin-fetish-sublime-perfection-foundation)\n- [Fenty Beauty Gloss Bomb Universal Lip Luminizer](https://thecastindex.com/beauty/fenty-beauty-gloss-bomb-universal-lip-luminizer)\n- [Summer Fridays Lip Butter Balm](https://thecastindex.com/beauty/summer-fridays-lip-butter-balm)\n- [Milk Makeup Hydro Grip Gel Concealer](https://thecastindex.com/beauty/milk-makeup-hydro-grip-gel-concealer)\n- [Rare Beauty Soft Pinch Liquid Blush](https://thecastindex.com/beauty/rare-beauty-soft-pinch-liquid-blush)\n- [Anastasia Beverly Hills MicroStroke Brow Pen](https://thecastindex.com/beauty/anastasia-beverly-hills-microstroke-brow-pen)\n- [OPI RapiDry Quick-Dry Lacquer](https://thecastindex.com/beauty/opi-rapidry-quick-dry-lacquer)\n- [Olaplex Bond Shaper Curl Rebuilding Treatment](https://thecastindex.com/beauty/olaplex-bond-shaper-curl-rebuilding-treatment)\n- [Olaplex No.3 Hair Perfector](https://thecastindex.com/beauty/olaplex-no-3-hair-perfector)\n- [Bevel Body Cream](https://thecastindex.com/beauty/bevel-body-cream)\n- [Shark Beauty CryoGlow LED Face Mask](https://thecastindex.com/beauty/shark-cryoglow-led-face-mask)\n- [NARS Light Reflecting Foundation](https://thecastindex.com/beauty/nars-light-reflecting-foundation)\n- [ILIA Super Serum Skin Tint](https://thecastindex.com/beauty/ilia-super-serum-skin-tint-spf-40)\n- [Saie Slip Tint](https://thecastindex.com/beauty/saie-slip-tint)\n- [Tower 28 SOS Daily Rescue Facial Spray](https://thecastindex.com/beauty/tower-28-sos-daily-rescue-facial-spray)\n- [Merit Flush Balm](https://thecastindex.com/beauty/merit-flush-balm)\n- [Rhode Peptide Lip Tint](https://thecastindex.com/beauty/rhode-peptide-lip-tint)\n- [Danessa Myricks Beauty Yummy Skin Blurring Balm Powder](https://thecastindex.com/beauty/danessa-myricks-yummy-skin-blurring-balm-powder)\n- [Living Proof Perfect Hair Day Dry Shampoo](https://thecastindex.com/beauty/living-proof-perfect-hair-day-dry-shampoo)\n- [CeraVe Hydrating Facial Cleanser](https://thecastindex.com/beauty/cerave-hydrating-facial-cleanser)\n- [CeraVe Moisturising Lotion](https://thecastindex.com/beauty/cerave-moisturising-lotion)\n- [e.l.f. Cosmetics Halo Glow Liquid Filter](https://thecastindex.com/beauty/elf-halo-glow-liquid-filter)\n- [Aquaphor Healing Ointment](https://thecastindex.com/beauty/aquaphor-healing-ointment)\n- [e.l.f. Cosmetics Camo Liquid Blush](https://thecastindex.com/beauty/elf-camo-liquid-blush)\n- [Color Wow Dream Coat Supernatural Spray](https://thecastindex.com/beauty/color-wow-dream-coat-anti-frizz-treatment)\n- [K18 Leave-In Molecular Repair Hair Mask](https://thecastindex.com/beauty/k18-leave-in-molecular-repair-hair-mask)\n- [Maybelline Lash Sensational Sky High Mascara](https://thecastindex.com/beauty/maybelline-lash-sensational-sky-high-mascara)\n- [NYX Professional Makeup Epic Ink Liner](https://thecastindex.com/beauty/nyx-epic-ink-liner)\n- [Estée Lauder Double Wear LongWear Matte Foundation SPF 10](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-foundation)\n- [Maybelline Fit Me Matte + Poreless Foundation](https://thecastindex.com/beauty/maybelline-fit-me-matte-poreless-foundation)\n- [Fenty Beauty Pro Filt’r Fluid Flex Natural Matte Foundation](https://thecastindex.com/beauty/fenty-beauty-pro-filtr-fluid-flex-foundation)\n- [SkinCeuticals C E Ferulic](https://thecastindex.com/beauty/skinceuticals-c-e-ferulic)\n- [Rhode Peptide Lip Treatment](https://thecastindex.com/beauty/rhode-peptide-lip-treatment)\n- [Glossier Cloud Paint](https://thecastindex.com/beauty/glossier-cloud-paint)\n- [Urban Decay All Nighter Waterproof Makeup Setting Spray](https://thecastindex.com/beauty/urban-decay-all-nighter-setting-spray)\n- [Laura Mercier Translucent Loose Setting Powder](https://thecastindex.com/beauty/laura-mercier-translucent-loose-setting-powder)\n- [Too Faced Better Than Sex Mascara](https://thecastindex.com/beauty/too-faced-better-than-sex-mascara)\n- [NARS Radiant Creamy Concealer](https://thecastindex.com/beauty/nars-radiant-creamy-concealer)\n- [Estée Lauder Double Wear Stay-in-Place Concealer](https://thecastindex.com/beauty/estee-lauder-double-wear-stay-in-place-concealer)\n- [e.l.f. Cosmetics Hydrating Camo Concealer](https://thecastindex.com/beauty/elf-hydrating-camo-concealer)\n- [Laura Mercier Tinted Moisturizer Blurred Matte Oil Free SPF 30](https://thecastindex.com/beauty/laura-mercier-tinted-moisturiser-blurred-matte-oil-free)\n- [Shark FlexStyle 5-in-1 Air Styler & Hair Dryer](https://thecastindex.com/beauty/shark-flexstyle-air-styler-hair-dryer)\n\n## FAQ\n\n### When is New York Fashion Week?\n\nIt opens the international season — typically September for the following spring/summer and February for autumn/winter. Confirm dates on the live NYFW event page.\n\n### Is the Met Gala a fashion week?\n\nNo. It is the Costume Institute’s annual fundraising gala in New York. The Cast Index tracks it as a red-carpet event, not as a ready-to-wear week.\n\n### Do Amazon links change by country?\n\nSome Amazon links open the UK or US store according to your location. Check the retailer, currency and delivery options before buying. Shopping commissions do not affect rankings.\n\n\n## Fashion and beauty reading\n\n- [A Casting-Day Capsule Wardrobe That Works Beyond the Appointment](https://thecastindex.com/journal/casting-day-capsule-wardrobe): Build a practical casting-day outfit and compact backup kit using clothes you own, with fit, movement and travel checks.\n- [How to Plan Makeup for a Beauty Shoot: Lighting, Finish and Continuity](https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist): Turn a makeup reference into a clear beauty-shoot brief, with camera checks, texture choices and continuity notes.\n- [New York Fashion Week SS27: What the Programme Can Tell Us](https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review): Read New York’s September 2026 programme through new appointments, calendar access and the CFDA fur policy, with a clear method for checking collection evidence.\n- [American Denim: Write a Better Alteration and Repair Brief](https://thecastindex.com/journal/american-denim-alteration-repair-brief): Decide whether your jeans need repair, a fit adjustment or visible customisation, then prepare measurements, photographs and questions for a denim specialist.\n- [US Beauty Labels: What to Compare Before You Buy](https://thecastindex.com/journal/us-beauty-label-reading-guide): Read product identity, net quantity, ingredient information and marketing claims on US cosmetics, with a practical comparison sheet for your beauty kit."},{"url":"https://thecastindex.com/methodology","markdownUrl":"https://thecastindex.com/methodology.md","title":"Cast Index ranking methodology","lastmod":"2026-10-05","sha256":"fd3393de732fd98e31ebc54f0714027d4095efa5b215d045965ddd68bcb379da","bytes":7566,"markdown":"# Cast Index ranking methodology\n\n> Source: https://thecastindex.com/methodology — version 1.3, effective 2026-08-13\n\n- Author: Kaiser Khan (Founder & Editor)\n- Recalculated: Mondays 06:00 UTC\n- Changelog: https://thecastindex.com/methodology/changelog\n\nThe Index Rating is a weighted editorial score out of 100. Rankings are never for sale. Cite this page with the version number.\n\n## The four pillars\n\n| Pillar | Weight | What it measures |\n| --- | --- | --- |\n| Runway presence | 40% | Verified show volume, weighted by house prestige and market. Opening and closing positions add value; a documented city or worldwide exclusive receives the strongest single booking bonus. |\n| Blue-chip campaigns | 30% | Global luxury campaigns carry the highest weight. Major beauty and commercial contracts follow; regional or social-only placements contribute less. |\n| Editorial authority | 20% | Solo covers for the major Vogue editions lead the category, followed by high-authority fashion titles, independent culture magazines, and inside editorials. |\n| Cultural aura | 10% | Engagement quality, measurable fashion-week conversation, media impact, and official ambassador roles capture influence beyond traditional bookings. |\n\n## Point tables\n\n### Runway (40%)\n\n| Signal | Points |\n| --- | --- |\n| Verified show, standard house (tier C) | 2 per show, max 30 |\n| Verified show, blue-chip house (tier B) | 4 per show, max 40 |\n| Verified show, top-tier house (tier A) | 6 per show, max 48 |\n| Opening or closing look | +4 each, max 16 |\n| Documented exclusive (city / worldwide) | +8 / +12, max 12 |\n| Cross-city consistency (3+ cities in a season) | +8 |\n\n### Campaigns (30%)\n\n| Signal | Points |\n| --- | --- |\n| Global luxury campaign | 25 |\n| Major beauty contract | 20 |\n| Commercial global | 12 |\n| Regional campaign | 6 |\n| Social-only | 2 |\n| Global usage multiplies the line item | ×1.5 |\n| Ongoing ambassadorship | +5 per year, capped at 15 |\n\n### Editorial (20%)\n\n| Signal | Points |\n| --- | --- |\n| Big-Four Vogue solo cover | 25 |\n| Other major-market cover | 15 |\n| Independent/legacy indie cover | 8 |\n| Inside editorial | 2–6 by title tier |\n| Photographer authority multiplier | ×1.0–1.2 |\n\n### Cultural (10%)\n\n| Signal | Points |\n| --- | --- |\n| Engagement-rate band vs platform median | 0–30 |\n| Verified fashion-week conversation volume | 0–25 |\n| Non-fashion media impact | 0–25 |\n| Official ambassador/advocacy roles | 0–20 |\n| No measurable proxy, no points | — |\n\n## Time decay\n\n| Evidence age | Value kept |\n| --- | --- |\n| Current index year | 100% |\n| Prior year | 50% |\n| Older | 10% |\n\n## House tiers\n\n- Tier A (Top-tier): Chanel, Dior, Louis Vuitton, Prada, Gucci, Saint Laurent, Balenciaga, Hermès, Valentino, Versace, Fendi, Givenchy, Schiaparelli (couture), Armani Privé\n- Tier B (Blue-chip): Burberry, Bottega Veneta, Loewe, Miu Miu, Celine, Ferragamo, Jacquemus, The Row, Victoria Beckham, Stella McCartney, Alexander McQueen, Maison Margiela, Ralph Lauren, Proenza Schouler, Simone Rocha, Erdem\n- Tier C (Standard): All other verified show participants on official calendars\n\n## Regional equivalence\n\n| Region | Runway | Editorial | Campaigns |\n| --- | --- | --- | --- |\n| East Asia | Seoul / Tokyo / Shanghai major calendars; Blue-chip domestic houses treated as tier B when show volume and press match | Vogue Korea / Japan / China; W Korea; high-authority local titles map to “other major-market cover” | Regional luxury and beauty contracts score as regional until global usage is verified |\n| South & Southeast Asia | India Couture Week, Jakarta Fashion Week, and peer calendars; repeated opens/closes at national weeks trigger Rising review | Vogue India / Singapore and peer authorities; national covers establish local relevance without a geography penalty | Domestic luxury and beauty work counts; Global 50 still needs major-brand or cross-market proof |\n| Africa & Middle East | Lagos, Johannesburg, Cairo and peer weeks; documented exclusives weighted like any other market | Vogue Arabia / Arabia editions and peer titles; cultural impact never substitutes for missing bookings | Regional campaigns and ambassadorships score on the published campaign table |\n| Latin America | São Paulo, Mexico City and peer calendars; cross-city seasons score the consistency bonus when verified | Vogue México / Brasil and peer authorities map to major-market cover bands | Regional luxury usage ×1.0 until global buy is sourced |\n\n## Questions\n\n### How does The Cast Index rank models?\n\nEach Index Rating is a weighted score out of 100: Runway Presence and Exclusives 40%, Campaign and Commercial Blue-Chips 30%, Editorial Authority 20%, and Cultural Impact and Aura 10%. The desk assigns pillar totals from reviewed evidence; weights are applied automatically. Every profile displays its confidence state and an “editorial pillars” provenance label.\n\n### Are the published point tables calculated automatically?\n\nNot yet. The sub-metric tables are the public audit rubric the desk uses when setting pillar totals. Line-item automation is on the roadmap; until then scores are honest editorial assessments against that rubric, not a black-box traffic rank.\n\n### How does time decay work?\n\nAn achievement from the current index year keeps 100% of its value. It retains 50% in the following year and 10% from the second year onward. Historic achievements remain visible, but current work drives the ranking.\n\n### How recent must a model’s work be to qualify?\n\nA ranked model must have meaningful, source-backed runway, campaign, editorial, or cultural work within the rolling five-year eligibility window, currently 2021–2026. Work from 2024–2026 receives priority. A historic career alone does not qualify a profile.\n\n### What happens when two models tie?\n\nTies are broken by (1) the higher Runway sub-score, then (2) more recent dated evidence, then (3) alphabetical order. Models that remain tied display the same rank number with a shared-rank marker.\n\n### Can a model, agency, or brand pay for rank?\n\nNo. Paid placements, directory listings, advertising, and People’s Choice voting are kept separate from the editorial Index Rating.\n\n### How are models discovered outside the major Western fashion markets?\n\nThe review pool is global and has no fixed country list. Strong domestic runway work, respected local covers, regional campaigns, cultural attention, and international crossover can trigger an audit. Geography never reduces a model’s score; regional house and title equivalents are scored against the same four pillars (see Appendix B).\n\n### When does a regional model enter Rising instead of the Global 50?\n\nRepeated attention at a national fashion week or in respected local fashion media can qualify a model for the unnumbered Rising board. A Global 50 rank additionally requires verified major-brand work, a high-authority international editorial, or sustained cross-market runway evidence within 2021–2026.\n\n### What is the difference between Index, Movers and Watch?\n\nIndex is the numbered Global 50. Movers lists only real Index Rating deltas between Monday snapshots — never invented buzz. Watch is unnumbered: the Rising board plus established names just outside the Global 50 cutoff. Watch is never mixed into Global 50 rank order.\n\n### Is the score an objective fact?\n\nNo. Bookings can be counted, but prestige weighting requires editorial judgement. The formula, cited evidence, update date, and confidence label are published so readers can challenge the assessment.\n"},{"url":"https://thecastindex.com/modelling","markdownUrl":"https://thecastindex.com/modelling.md","title":"How to become a model: apply to agencies worldwide","lastmod":"2026-10-01","sha256":"d1b2698b91c8c3c8bb9c02ffe3d170d2b79ed1ab26d4030354ceea9d0d61d6c8","bytes":32458,"markdown":"> Source: https://thecastindex.com/modelling — updated 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model: apply to agencies worldwide\n\nApply to a legitimate agency directly, through its own website or published open call, with natural, unedited digitals — never through a stranger’s message and never for a fee. 159 agencies’ official application routes across 21 countries.\n\n## Countries\n\n- [Indonesia](https://thecastindex.com/modelling/indonesia) — 8 agencies; Jakarta, Bali, Surabaya; also in id: https://thecastindex.com/id/modelling/indonesia\n- [Australia](https://thecastindex.com/modelling/australia) — 10 agencies; Sydney, Melbourne\n- [Brazil](https://thecastindex.com/modelling/brazil) — 5 agencies; São Paulo\n- [Canada](https://thecastindex.com/modelling/canada) — 8 agencies; Toronto, Montreal, Vancouver\n- [China](https://thecastindex.com/modelling/china) — 6 agencies; Shanghai, Beijing, Guangzhou, Hangzhou\n- [Denmark](https://thecastindex.com/modelling/denmark) — 4 agencies; Copenhagen\n- [France](https://thecastindex.com/modelling/france) — 12 agencies; Paris; also in fr: https://thecastindex.com/fr/modelling/france\n- [Germany](https://thecastindex.com/modelling/germany) — 9 agencies; Hamburg, Berlin, Munich\n- [India](https://thecastindex.com/modelling/india) — 6 agencies; Mumbai, Gurugram (Delhi NCR)\n- [Italy](https://thecastindex.com/modelling/italy) — 10 agencies; Milan\n- [Japan](https://thecastindex.com/modelling/japan) — 7 agencies; Tokyo, Osaka; also in ja: https://thecastindex.com/ja/modelling/japan\n- [Malaysia](https://thecastindex.com/modelling/malaysia) — 3 agencies; Kuala Lumpur; also in ms: https://thecastindex.com/ms/modelling/malaysia\n- [Singapore](https://thecastindex.com/modelling/singapore) — 5 agencies; Singapore\n- [South Africa](https://thecastindex.com/modelling/south-africa) — 8 agencies; Cape Town, Johannesburg\n- [South Korea](https://thecastindex.com/modelling/south-korea) — 7 agencies; Seoul; also in ko: https://thecastindex.com/ko/modelling/south-korea\n- [Spain](https://thecastindex.com/modelling/spain) — 10 agencies; Madrid, Barcelona\n- [Sweden](https://thecastindex.com/modelling/sweden) — 4 agencies; Stockholm\n- [Thailand](https://thecastindex.com/modelling/thailand) — 7 agencies; Bangkok\n- [United Arab Emirates](https://thecastindex.com/modelling/united-arab-emirates) — 6 agencies; Dubai\n- [United Kingdom](https://thecastindex.com/modelling/united-kingdom) — 10 agencies; London\n- [United States](https://thecastindex.com/modelling/united-states) — 14 agencies; New York, Los Angeles, Miami\n\n## Rules on fees (by country)\n\n### Indonesia\n\n- Under the Manpower Act (Law 13 of 2003), a child is anyone under 18, and employers may not employ children except in the cases the Act sets out (Articles 1 and 68). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- A child may work to develop their talents and interests only under the direct supervision of a parent or guardian, for no more than three hours a day, and in conditions that do not disturb their development or school time (Article 71). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Ministerial Decree KEP.115/MEN/VII/2004 adds that, for children under 15, the employer needs a written agreement with the parent or guardian, work must be outside school hours and capped at three hours a day and 12 a week, and a parent or guardian must be on site. Any employer using children for this kind of work must notify the local manpower office at least 14 days beforehand. The decree does not name modelling specifically. Source: https://jdih.kemnaker.go.id/peraturan/detail/290/keputusan-menteri-nomor-115-tahun-2004\n- No one may involve a child in the worst forms of child labour, which the Act defines to include producing pornography (Article 74). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- We found no Indonesian rule written specifically for modelling agency fees. The Manpower Act lets licensed private job-placement agencies charge placement fees only to employers and to workers in categories set by ministerial decree (Article 38). Whether an agency counts as a placement agency depends on how it operates. Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- An employer hiring foreign workers must have a foreign-worker plan approved by central government, and individuals may not employ foreign workers (Article 42 of the Manpower Act, as amended by Law 6 of 2023). Source: https://peraturan.bpk.go.id/Details/246523/uu-no-6-tahun-2023\n\n### Australia\n\n- NSW’s Entertainment Industry Act 2013 defines performers to include models, and regulates the performer representatives who find them work. Source: https://legislation.nsw.gov.au/view/whole/html/inforce/current/act-2013-073\n- In NSW you cannot be charged a fee merely for joining, auditioning to join or signing with a performer representative, and fees for film, television or media work are capped at 10 per cent unless agreed in a managerial agreement. Source: https://www.nsw.gov.au/business-and-economy/running-a-business/industry-specific-business-requirements/working-as-a-performer-or-performer-representative-nsw/entertainment-industry-agreements/information-for-performers\n- In NSW, specific laws protect children under 16 employed as actors, performers and models, and the Office of the Children’s Guardian authorises their employers. Source: https://ocg.nsw.gov.au/parents-and-carers/childrens-modelling-and-acting\n- In Victoria, an employer needs a child employment licence to employ a child under 15 in entertainment, with hour limits that cover advertising, photography and modelling. Source: https://www.vic.gov.au/children-working-entertainment-information-parents\n- Scamwatch advises stopping to check any job offer that requires you to pay money to make money. Source: https://www.scamwatch.gov.au/types-of-scams/jobs-and-employment-scams\n\n### Brazil\n\n- Brazil’s Constitution bans any work by under-16s except as an apprentice from 14, and night, dangerous or unhealthy work by under-18s. Source: https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm\n- A judge must authorise, case by case, the participation of children and adolescents in public shows and their rehearsals, and in beauty contests. Source: https://www.planalto.gov.br/ccivil_03/leis/l8069.htm\n\n### Canada\n\n- The Canadian Anti-Fraud Centre advises never to send deposits or pay fees for a job, and to verify a company through its official website and phone number. Source: https://antifraudcentre-centreantifraude.ca/scams-fraudes/job-emploi-eng.htm\n\n### China\n\n- The Labour Law bars employers from recruiting anyone under 16. Arts, sports and special-craft units that recruit under-16s must follow state rules and protect the child’s right to compulsory education (Article 15). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- Workers aged 16 and 17 are “juvenile workers” with special protection: they may not be given mining, toxic or other prohibited heavy work, and employers must give them regular health checks (Articles 58, 64 and 65). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- The Provisions on the Prohibition of Using Child Labour (State Council Decree 364) bar any organisation or individual from finding work for under-16s. The fine is 5,000 yuan per child, and a job agency that does so loses its licence (Articles 2 and 7). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- Arts and sports units may recruit under-16 professional performers and athletes with a parent’s or guardian’s consent, and must protect their health and compulsory education (Article 13). The provisions do not mention modelling, so it is unclear whether modelling falls within this exception. Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- Under the Minors Protection Law (2020 revision), no one may recruit under-16s unless state rules allow it. Children may take part in performances and programme production only with a parent’s or guardian’s consent, and organisers must protect their rights (Article 61). Source: https://www.moj.gov.cn/pub/sfbgw/jgsz/jgszzsdw/zsdwflyzzx/flyzzxzcxx/zcxxzcfg/zcfgfl/202010/t20201023_188560.html\n- The Advertising Law bars using children under ten as advertising endorsers. An endorser is someone other than the advertiser who recommends or vouches for a product in their own name or image (Articles 2 and 38). Source: https://fw.scjgj.sh.gov.cn/alc/law/11/1/20240117125913.html\n- We found no national rule written specifically for modelling agency fees. Licensed job intermediaries may not give false job information, hold workers’ identity documents or take deposits from them (Employment Promotion Law, Articles 40 and 41). It is unclear whether a given modelling agency counts as a job intermediary. Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394626.html\n\n### Denmark\n\n- Children under 13 may take part commercially in cultural and similar activities, including advertising-film recordings, only with permission from the Director of the Working Environment Authority, given case by case on application; the permit sets the hours. Source: https://www.retsinformation.dk/eli/lta/2025/1713\n- The authority says a permit is needed for a child under 13 to take part in, for example, a photo shoot; companies or parents apply online. Source: https://at.dk/faa-viden/boern-og-unge/faa-viden-om-regler/arbejdstilladelse-for-boern-under-13-aar/\n\n### France\n\n- Any contract by which someone pays for a model’s services is presumed to be an employment contract, whatever the parties call it. Source: https://code.travail.gouv.fr/code-du-travail/l7123-3\n- Anyone established in France who places models for a fee must hold a modelling-agency licence (licence d’agence de mannequins). Source: https://code.travail.gouv.fr/code-du-travail/l7123-11\n- Working as a model is conditional on a medical certificate showing that your overall health, assessed in particular by BMI, is compatible with the work. Source: https://code.travail.gouv.fr/code-du-travail/l7123-2-1\n- A child under 16 may not be engaged as a model without prior individual authorisation from the administrative authority. Source: https://code.travail.gouv.fr/code-du-travail/l7124-1\n- That individual authorisation is not needed when the child is engaged by a licensed modelling agency holding an approval (agrément) to engage children. Source: https://code.travail.gouv.fr/code-du-travail/l7124-4\n\n### Germany\n\n- Employing children — under 15, or still in full-time compulsory schooling — is prohibited, except where the supervisory authority grants an exception for events. Source: https://www.gesetze-im-internet.de/jarbschg/__5.html\n- On application, the authority may allow children to take part in advertising events and film and photo shoots for limited hours (up to two hours a day for ages 3–6, three hours for older children), with written parental consent and a medical certificate no more than three months old. Source: https://www.gesetze-im-internet.de/jarbschg/__6.html\n- A private placement agent may charge a jobseeker only if a job actually results, must agree the fee in writing, and may not demand or accept advance payments. Source: https://www.gesetze-im-internet.de/sgb_3/__296.html\n- For placing photo models, advertising models and mannequins in employment, the agent’s fee is capped at 14 per cent of the model’s pay including VAT, or 18 per cent for jobs of up to seven days. Source: https://www.gesetze-im-internet.de/vermittvergv/__2.html\n\n### India\n\n- Under Section 3(2)(b) of the Child and Adolescent Labour (Prohibition and Regulation) Act 1986, as amended in 2016 (in force from 1 September 2016), a child under 14 may work as an artist in the audio-visual entertainment industry, including advertisements, subject to prescribed conditions and safety measures and provided the work does not affect the child’s school education. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- Rule 2C of the Child Labour (Prohibition and Regulation) Amendment Rules 2017 requires a producer to obtain permission from the District Magistrate of the district where the work takes place before involving a child, and to file an undertaking in Form C with the list of child participants, parental consent and the name of the person responsible for the child’s safety. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- Under the same rules a child may not work more than five hours a day or more than three hours without rest, may not work more than 27 consecutive days, and at least 20% of the child’s earnings from a production or event must go into a fixed deposit in a nationalised bank in the child’s name, credited on reaching majority. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- NCPCR’s guidelines define the entertainment industry to include modelling and photography, apply the 20% fixed-deposit rule to adolescents aged 14 to 17 as well as children, and note that the Act limits an adolescent to three hours’ work before a rest of at least an hour, spread over no more than six hours a day. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- We found no national licensing scheme for model or talent agencies in India and no rule specific to fees charged to aspiring models. General consumer complaints can be raised with the Department of Consumer Affairs’ National Consumer Helpline (toll-free 1915). Source: https://consumerhelpline.gov.in/public/\n\n### Italy\n\n- Employing children — under 15, or still in compulsory schooling — is prohibited, but the labour inspectorate may authorise them to work in cultural, artistic, sporting, advertising or entertainment activities, with the parents’ prior written consent, if it does not harm their safety, development or schooling. Source: https://www.normattiva.it/uri-res/N2Ls?urn:nir:stato:legge:1967-10-17;977~art4\n- The employer applies to the local labour inspectorate (ITL) on form INL 10 with the parents’ consent; a complete application is treated as approved after 15 days. Source: https://www.ispettorato.gov.it/servizio/impiego-di-minori-nello-spettacolo-2/\n\n### Japan\n\n- Under the Employment Security Act, a job-placement business that charges for its services needs a licence from the Minister of Health, Labour and Welfare (Article 30). Source: https://www.mhlw.go.jp/content/11600000/001749103.pdf\n- The ministry’s guidance lists “model” (someone who appears in fashion shows or other events, or is photographed for newspapers, magazines and the like) among the few occupations for which a licensed placement business may charge the job-seeker, under a fee table it must disclose, plus for now an application fee of up to ¥710 per application. It may take no other fee in connection with placement. We could not confirm from the agencies’ own pages whether any agency listed here operates as a licensed placement business. Source: https://www.mhlw.go.jp/content/11650000/001497513.pdf\n- The Labour Standards Act bars employing a child until the end of the first 31 March after their 15th birthday. With permission from the relevant government office, children of 13 and over may do light work outside school hours, and younger children may work in film production and theatre; the employer must keep a school head’s certificate and a parent’s or guardian’s consent, and these children may not work between 8pm and 5am (Articles 56, 57 and 61). The Act does not mention modelling and applies only where a child is employed. Source: https://www.japaneselawtranslation.go.jp/en/laws/view/3567\n- The National Consumer Affairs Center warns of talent and model contract problems, mostly among women in their teens and twenties, now often starting from online auditions and social media ads. It advises checking what the work involves and whether you must pay, avoiding contracts on the spot, and calling the 188 consumer hotline; cooling-off may be possible in some cases. Source: https://www.kokusen.go.jp/soudan_now/data/tm_keiyaku.html\n- The Japan Modeling Agencies Association, an industry body rather than a regulator, says its members’ scouts show a company business card and a JMAA ID card, explain lesson and photo costs and cooling-off rights, never sign contracts on the spot, never push beauty devices, cosmetics or salons, and never charge high registration fees on a promise of fame. A minor’s contract needs a guardian’s consent form. Source: https://www.j-m-a-a.com/policy/model-scout/\n\n### Malaysia\n\n- Anyone who acts as an intermediary to find work for a job seeker must be licensed under the Private Employment Agencies Act 1981; recruiting without a licence carries a fine of up to RM200,000, up to three years in prison, or both. JTKSM’s guidance does not say whether modelling agencies fall within the Act. Source: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- A licensed agency may charge a job seeker a registration fee of no more than RM30 for work in Malaysia, and a placement fee of no more than 25% of the first month’s basic wage once a job offer is accepted. If the employer pays the placement fee, the agency cannot also claim it from the job seeker. Source: https://jtksm.mohr.gov.my/sites/default/files/2023-03/7.%20Akta%20Agensi%20Pekerjaan%20Swasta%201981%20%281%29.pdf\n- Charging more than these fees, or knowingly deceiving a job seeker with false information, is an offence carrying a fine of up to RM50,000, up to one year in prison, or both. Source: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- No one under 18 may take part in any public entertainment (the Act’s definition covers exhibitions and performances open to the public, and performances filmed for public exhibition) unless the Director General of Labour has issued a licence to the person employing them. The Act does not mention modelling by name. Source: https://jtksm.mohr.gov.my/sites/default/files/2023-03/5.%20Children%20and%20Young%20Persons%20%28Employment%29%20Act%201966_0.pdf\n\n### Singapore\n\n- Anyone who places job seekers with employers in Singapore needs an employment agency licence from the Ministry of Manpower. MOM’s guidance does not mention modelling agencies, so it is unclear whether an agency that books models for freelance jobs is covered. Source: https://www.mom.gov.sg/employment-agencies/eligibility-and-requirements/who-needs-to-get-a-licence\n- A licensed employment agency may charge a job seeker no more than one month’s salary for each year of the employment contract, capped at two months’ salary, and must issue an itemised receipt for any fee. Source: https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- If the employer fails to employ you, or ends the job within six months for reasons other than those the rules list, a licensed agency must refund at least half of the fees you paid. Source: https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- You can check whether an employment agency is licensed, and see agencies under revocation, suspension or surveillance, on MOM’s EA Directory. Source: https://www.mom.gov.sg/eservices/services/employment-agencies-and-personnel-search\n- Children aged 13 to under 15 may only do light work in non-industrial settings; young persons aged 15 to under 16 may work in non-industrial settings. MOM’s page does not refer to modelling specifically. Source: https://www.mom.gov.sg/employment-practices/young-persons-and-children\n- The Consumer Protection (Fair Trading) Act protects consumers against unfair trade practices such as misleading representations or false claims, and CASE is the first point of contact for consumer complaints. Source: https://www.ccs.gov.sg/consumer-protection/fair-trading-practices/about-fair-trading-practices/\n\n### South Africa\n\n- The Basic Conditions of Employment Act bars employing children under 15, but lets a ministerial or sectoral determination allow children to work in advertising, sports, artistic or cultural activities. Source: https://www.gov.za/sites/default/files/gcis_document/201409/a75-97.pdf\n- Employers apply to the Department of Employment and Labour for a permit to involve children under 15 in advertising, artistic and cultural activities — the form lists modelling — attaching the parent’s or guardian’s consent and proof of age. Source: https://www.labour.gov.za/DocumentCenter/Forms/Basic%20Conditions%20of%20Employment/Form%20SD10.1%20-%20Application%20for%20a%20permit%20to%20employ%20children%20in%20the%20performing%20arts.doc\n\n### South Korea\n\n- Anyone running a “popular culture and arts planning business”, defined as providing or arranging artists’ services or training, guiding or counselling them for that purpose, must register with the Minister of Culture, Sports and Tourism. Trading without registration carries up to two years in prison or a fine of up to 20 million won (Articles 2, 26 and 40). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- The Act does not name models, so whether a particular modelling agency must register is not stated in terms. Its Enforcement Decree lists “productions using images” among the covered productions, alongside broadcast programmes, film, music and some live performances (Decree Article 2). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95%EC%8B%9C%ED%96%89%EB%A0%B9\n- Planning businesses and their staff must not give false information or make false promises when recruiting artists, and registered academies that train would-be artists must not make false claims about agency services when recruiting students. Breaches carry fines of up to 10 million won (Articles 15 and 41). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- The Act treats anyone under 19 as a youth. Under-15s may work on productions for no more than 35 hours a week and not between 10pm and 6am, except until midnight before a school holiday with their own and a parent’s or guardian’s consent. Those aged 15 and over are capped at 40 hours a week (extendable by up to one hour a day and six a week by agreement) and need their own and a parent’s or guardian’s consent to work between 10pm and 6am. The weekly caps do not apply to justified cases such as travel for overseas work (Articles 2, 22 and 23). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Contracts with under-19s must include measures protecting their health, schooling, sleep and rest, and businesses must not force them into excessive exposure, missing school, unsafe work or excessive appearance management (Article 21). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Contracts for artists’ services must be in writing and signed by both sides, covering the term, each side’s rights, the scope of work, revenue sharing, dispute resolution and protection of child and youth artists. The ministry prepares standard contracts in consultation with the Fair Trade Commission (Articles 7 and 8). We found no Korean rule written specifically about agencies charging aspiring models to apply. Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n\n### Spain\n\n- Under-16s may not be employed, and their participation in public shows may be authorised by the labour authority only in exceptional cases, in writing and for specific events, where it does not endanger their health or development. Source: https://www.boe.es/buscar/act.php?id=BOE-A-2015-11430#a6\n\n### Sweden\n\n- Employers may not let children under 13 work, except very light work or with a permit from the Swedish Work Environment Authority to perform in cultural or artistic activities or at sports or advertising events. Source: https://www.av.se/arbetsmiljoarbete-och-inspektioner/publikationer/foreskrifter/afs-20232/#8kap-minderarigasarbetsmiljo\n- Employers hiring children under 13 for such work must apply for a permit, and the authority asks for applications at least eight weeks before work starts. No permit is needed for 13- to 17-year-olds working as performers or extras, though the authority can rule on their hours. Source: https://www.av.se/arbetsmiljoarbete-och-inspektioner/arbetsgivarens-ansvar-for-arbetsmiljon/minderariga-arbetstagare/ansok-om-tillstand-for-minderarigas-artistupptradanden/\n\n### Thailand\n\n- The Labour Protection Act B.E. 2541 (1998) prohibits employers from employing children under 15. Its child-labour rules apply to employers and their child employees; the Act does not say whether a modelling booking counts as employment. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- An employer of a child under 18 must notify a labour inspector within 15 days of the child starting work and within 7 days of the job ending, keep a record of changed employment conditions, and give at least a one-hour break after no more than four hours of work. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Employees under 18 may not work between 10pm and 6am without written permission from the Director-General, but an employer may let a child who performs in film, drama or similar performances work in those hours with adequate rest. Under-18s may not work overtime or on holidays. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Employers may not demand a security deposit from a child employee or pay the child’s wages to anyone else. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Under the Employment and Job-Seekers Protection Act B.E. 2528 (1985), placing job seekers in work in Thailand requires a licence. A licensed placement agent may charge job seekers only a service fee and expenses within ministerial limits, and nothing before the employer has hired the job seeker and paid the first wage. The Act does not mention modelling, so it is unclear whether modelling agencies fall under it. We found no rule specific to modelling agency fees. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/TzRRdHFaV2M0TC91NSs1TGtCOEdWUT09\n- The Child Protection Act B.E. 2546 (2003) defines a child as under 18. Whether or not the child consents, it bars using, hiring or asking a child to work or act in ways that may harm their body or mind or hinder their development, and bars inducing or allowing a child to perform obscene acts, paid or not. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/QVFPWXZqblNjSDZQbnJJSllYN3BZdz09\n\n### United Arab Emirates\n\n- The UAE Labour Law prohibits employing anyone under 15, and the Ministry of Human Resources and Emiratisation does not issue work permits below that age (Article 5 of Federal Decree-Law No. 33 of 2021, as summarised by the government portal). Source: https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- Juveniles aged 15 to 18 may work only under a ministry work permit. The permit needs written consent signed by a parent or guardian, a medical certificate of fitness for the work and a ministry-approved contract. Juveniles may not work at night or in dangerous or harmful jobs. The page does not mention modelling specifically. Source: https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- The government portal says charging recruitment fees to prospective employees is illegal, and that recruitment, travel and residence-permit costs are borne by the employer. We found no rule written specifically for modelling agency fees, and the page does not say how this applies to agencies representing freelance models. Source: https://u.ae/en/information-and-services/jobs/Sector-of-employment/employment-in-the-private-sector/labour-rights\n- Federal Law No. 3 of 2016 on child rights (Wadeema’s Law) protects children against all forms of negligence, exploitation and physical and psychological abuse. The government’s summary does not mention modelling. Source: https://u.ae/en/information-and-services/justice-safety-and-the-law/Safety/children-safety\n\n### United Kingdom\n\n- Agencies cannot charge fashion and photographic models any upfront fee for finding them work. Source: https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models\n- Any other paid service cannot be a condition of finding work, and you can cancel within 30 days. Source: https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-other-services\n- The agency must give you its terms in writing before providing a service. Source: https://www.gov.uk/entertainment-and-modelling-agencies/terms-and-conditions\n- Earnings received for you are held on trust in a client account and must be paid on within ten days. Source: https://www.legislation.gov.uk/uksi/2003/3319/regulation/25\n\n### United States\n\n- New York’s Fashion Workers Act (Labor Law, Article 36) has applied since 19 June 2025; since 21 December 2025, model management companies and groups must register with the State Department of Labor. Source: https://dol.ny.gov/fashion\n- New York model management companies may not require a deposit or charge a fee for signing, take more than 20 per cent commission, or create or use a model’s digital replica without separate written approval. Source: https://dol.ny.gov/responsibilities-fashion-management-and-clients\n- In New York, print and runway models under 18 need a Child Performer Permit from the Department of Labor, and employers must put at least 15 per cent of their earnings into a trust account. Source: https://dol.ny.gov/child-model-frequently-asked-questions\n- California talent agencies must hold a licence from the Labor Commissioner and quote the licence number in their advertising; the law’s definition of artists includes models. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.5\n- California talent agencies may not collect a registration fee. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.40\n- In California, employing a minor under 16 as an advertising or photographic model requires a permit from the Labor Commissioner. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1308.5\n- Florida talent agencies need a state licence to operate. Source: https://www.flsenate.gov/Laws/Statutes/2026/468.403\n- Florida talent agencies may not charge a registration fee, or make you buy photography services, classes or workshops as a condition of registering or finding work. Source: https://www.flsenate.gov/Laws/Statutes/2026/468.410\n- The Federal Trade Commission says never to pay an agency up front: any agency asking for money to represent you is a scam, and agencies shouldn’t make using their photographer a condition of getting work. Source: https://consumer.ftc.gov/articles/modeling-scams\n\n## Related guides\n\n- https://thecastindex.com/guide/how-to-become-a-model\n- https://thecastindex.com/guide/model-height-requirements\n- https://thecastindex.com/guide/modelling-under-18\n- https://thecastindex.com/agencies/london\n"},{"url":"https://thecastindex.com/modelling/australia","markdownUrl":"https://thecastindex.com/modelling/australia.md","title":"How to become a model in Australia","lastmod":"2026-10-01","sha256":"d7cd8be2dc664778f4c7e220f4d71abf9ceb768fb412f9759e599efdda3ebf9d","bytes":8526,"markdown":"> Source: https://thecastindex.com/modelling/australia — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Australia\n\nApply through a Sydney or Melbourne agency’s own website with natural, unfiltered snapshots; professional photos are not needed. Vivien’s runs weekday walk-in assessments. In NSW, where models count as performers, representatives cannot charge you just for joining or auditioning, and children under 16 need an authorised employer; Victoria licenses employers of under-15s.\n\n## Agencies and their official application routes\n\n- **IMG Models Sydney** (Sydney) — online form: https://getscouted.imgmodels.com/; height: The form asks for your height. The page states no minimum.; age: Applications from age 14. Under-18s need a legal guardian’s consent, and a guardian must attend any meeting or video call.; safety: Says it never asks for nude or lingerie photos, never requires payment, charges no fee to apply or to sign and does not interview over Skype.\n- **Chic Management** (Sydney) — online form: https://www.chicmanagement.com.au/get-scouted; height: The form asks for your height. The page states no minimum.; age: The consent box lets a parent or guardian submit on behalf of an applicant under 16.\n- **Scoop Management** (Sydney) — online form: https://www.scoopmanagement.com.au/get-scouted; height: The form asks for your height. The page states no minimum.; age: Welcomes applicants of all ages; under-18s need a parent’s or guardian’s consent.; safety: Says only shortlisted applicants are contacted and all official communication comes from an @scoopmanagement.com email address or its verified social accounts.\n- **Kult Australia** (Sydney) — online form: https://www.kult.com.au/join-us; height: The form asks for your height. The page states no minimum.; age: Under-18s need a parent or guardian to give consent and add their details at the last step.; safety: Says it will never ask for nude or lingerie photos or request payment during scouting or the application.\n- **Priscillas** (Sydney) — online form: https://www.priscillas.com.au/become-a-model; height: The form asks for your height. The page states no minimum.\n- **Vivien’s Models Sydney** (Sydney) — online form and open call: https://viviensmodels.com.au/be-discovered/; open call: Weekdays, 10am–12pm or 2pm–4pm; no appointment needed. Come in with little or no make-up.; height: Considers women over 5ft 8in (173cm) and men at least 6ft (183cm).; age: Considers women aged 14 to 20 and men over 16.; safety: Warns that scam email accounts have posed as its agents: any email not ending @viviensmodels.com.au is not genuine.\n- **Vivien’s Models Melbourne** (Melbourne) — online form and open call: https://viviensmodels.com.au/be-discovered/; open call: Monday to Thursday, 2pm–4pm; no appointment needed. Come in with little or no make-up.; height: Considers women over 5ft 8in (173cm) and men at least 6ft (183cm).; age: Considers women aged 14 to 20 and men over 16.; safety: Warns that scam email accounts have posed as its agents: any email not ending @viviensmodels.com.au is not genuine.\n- **Chadwick Models Sydney** (Sydney) — email: https://www.chadwickmodels.com/pages/become-a-model; open call: Women and men are seen by appointment only.; height: Minimum 5ft 8in (173cm) for women and 6ft (183cm) for men.\n- **Chadwick Models Melbourne** (Melbourne) — email: https://www.chadwickmodels.com/pages/become-a-model; open call: Women and men are seen by appointment only.; height: Minimum 5ft 8in (173cm) for women and 6ft (183cm) for men.\n- **GIANT Management** (Melbourne) — online form: https://giantmanagement.com/become-a-model/; open call: No walk-ins; it occasionally holds open casting days, announced to its mailing list.; height: Minimum 5ft 8in (173cm) for women and 6ft 1in (listed as 183cm) for men.; age: Its Junior division represents children from three months to 18 years, with a guardian’s details on the form.; safety: Says there is no application fee and no sign-up fee for Junior, and that no reputable agency charges you to apply.\n\n## How agencies recruit\n\n- Vivien’s holds walk-in assessments on weekdays, 10am–12pm or 2pm–4pm in Sydney and 2pm–4pm Monday to Thursday in Melbourne, with no appointment needed. (https://viviensmodels.com.au/be-discovered/)\n- Chic, Scoop, Kult and GIANT say professional photos aren’t needed; GIANT says three to five clear smartphone photos taken by family or friends are fine. (https://giantmanagement.com/faq/)\n- Most reply only if interested: Scoop contacts shortlisted applicants only, Kult normally contacts successful applicants, and GIANT says it cannot reply to everyone. (https://www.scoopmanagement.com.au/get-scouted)\n- Check emails against the agency’s domain: Vivien’s says any email not ending @viviensmodels.com.au is not genuine, and Kult’s come from @kult.com.au. (https://viviensmodels.com.au/be-discovered/)\n- GIANT says there is no application fee and no reputable agency charges one; IMG and Kult say they never request payment during scouting. (https://giantmanagement.com/faq/)\n\n## Rules on fees, contracts and safeguarding\n\n- NSW’s Entertainment Industry Act 2013 defines performers to include models, and regulates the performer representatives who find them work. Source: https://legislation.nsw.gov.au/view/whole/html/inforce/current/act-2013-073\n- In NSW you cannot be charged a fee merely for joining, auditioning to join or signing with a performer representative, and fees for film, television or media work are capped at 10 per cent unless agreed in a managerial agreement. Source: https://www.nsw.gov.au/business-and-economy/running-a-business/industry-specific-business-requirements/working-as-a-performer-or-performer-representative-nsw/entertainment-industry-agreements/information-for-performers\n- In NSW, specific laws protect children under 16 employed as actors, performers and models, and the Office of the Children’s Guardian authorises their employers. Source: https://ocg.nsw.gov.au/parents-and-carers/childrens-modelling-and-acting\n- In Victoria, an employer needs a child employment licence to employ a child under 15 in entertainment, with hour limits that cover advertising, photography and modelling. Source: https://www.vic.gov.au/children-working-entertainment-information-parents\n- Scamwatch advises stopping to check any job offer that requires you to pay money to make money. Source: https://www.scamwatch.gov.au/types-of-scams/jobs-and-employment-scams\n\n## Official model searches\n\n- IMG Models — Get Scouted: https://getscouted.imgmodels.com/ — IMG’s year-round online scouting form for all its offices, including Sydney. Applicants must be at least 14; under-18s need a legal guardian’s consent.\n\n## FAQ\n\n### Do Australian modelling agencies charge to apply?\n\nIn NSW, performer representatives cannot charge you merely for joining or auditioning to join. GIANT says there is no application fee and no reputable agency charges one, and IMG and Kult say they never request payment during scouting or the application.\n\n### What height do Australian agencies ask for?\n\nVivien’s and Chadwick look for women from 173cm (5ft 8in) and men from 183cm (6ft); GIANT lists 5ft 8in for women and 6ft 1in for men. Chic, Scoop, Kult and Priscillas ask for your height without a stated minimum.\n\n### Can under-18s apply?\n\nYes. Vivien’s considers women aged 14–20 and men over 16; IMG takes applications from 14 with a guardian’s consent; Kult and Scoop need a parent’s or guardian’s consent for under-18s; and GIANT’s Junior division represents children.\n\n## Sources\n\n- Vivien’s Models — be discovered: https://viviensmodels.com.au/be-discovered/\n- GIANT Management — FAQ: https://giantmanagement.com/faq/\n- Kult Australia — join us: https://www.kult.com.au/join-us\n- IMG Models — under-18 FAQ: https://imgmodels.com/under-18-faq/\n- NSW Government — information for performers: https://www.nsw.gov.au/business-and-economy/running-a-business/industry-specific-business-requirements/working-as-a-performer-or-performer-representative-nsw/entertainment-industry-agreements/information-for-performers\n- NSW Office of the Children’s Guardian: https://ocg.nsw.gov.au/parents-and-carers/childrens-modelling-and-acting\n- Victorian Government — children working in entertainment: https://www.vic.gov.au/children-working-entertainment-information-parents\n"},{"url":"https://thecastindex.com/modelling/brazil","markdownUrl":"https://thecastindex.com/modelling/brazil.md","title":"How to become a model in Brazil","lastmod":"2026-10-01","sha256":"6758ffab61c8e04c2869ff8c2a0f32986e077d282218bc8d53c1b9d744e0c24d","bytes":5233,"markdown":"> Source: https://thecastindex.com/modelling/brazil — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Brazil\n\nApply online through a São Paulo agency’s own website with natural daylight photos. Way and JOY say their assessment is free, and Way says you need no paid portfolio. Brazil bars most work under 16, and a judge must authorise children’s part in public shows. JOY’s The Look of the Year contest takes entries until 31 October 2026.\n\n## Agencies and their official application routes\n\n- **Way Model Management** (São Paulo) — online form: https://waymodel.com.br/quero-ser-modelo; height: Says it assesses all profiles regardless of height.; age: Says it does not represent children, and that professional models must be at least 16 (16- and 17-year-olds need emancipation).; safety: Says there is no fee for the assessment and no need to pay for a professional portfolio.\n- **Mega Model Brasil** (São Paulo) — online form: https://www.megamodel.com.br/pt/seja-um-modelo; height: The form asks for your height. The page states no minimum.\n- **Ford Models Brasil** (São Paulo) — online form: https://www.fordmodels.com.br/inscricao; height: The form asks for your height. The page states no minimum.\n- **JOY Model Management** (São Paulo) — online form: https://www.joymgmt.com/pt/seja-um-modelo; height: The form asks for your height. The page states no minimum.; safety: Says it never requests nude or lingerie photos or any payment, does not interview over Skype, and that you should check the identity of anyone claiming to be from JOY and tell a parent or guardian if contacted.\n- **BASE Management** (São Paulo) — online form: https://www.basemgt.com.br/cadastro; height: The form asks for your height. The page states no minimum.; age: Does not represent under-18s unless legal emancipation is proven; under-18s can join a free, contract-free mentoring programme with parents’ express authorisation.\n\n## How agencies recruit\n\n- Agencies run free online assessments: Way calls its form a digital assessment and says there is no fee and no need for a paid professional portfolio; JOY says its assessment is free. (https://waymodel.com.br/quero-ser-modelo)\n- Way does not represent children and says professional models must be at least 16; BASE does not represent under-18s unless they are legally emancipated, but runs a free mentoring programme for them with parents’ authorisation. (https://www.basemgt.com.br/Poltica_de_Menores_de_Idade_Base_Management.pdf)\n- Photos should be natural: Way asks for daylight photos with no make-up, filters, edits or selfies; JOY for full-body, close-up and profile shots without make-up. (https://www.joymgmt.com/pt/seja-um-modelo)\n- JOY says it never asks for nude or lingerie photos or any payment, and does not interview over Skype. (https://www.joymgmt.com/en/regulation)\n- We could not verify official consumer guidance on modelling-agency fees in Brazil; the rules below cover young people’s work.\n\n## Rules on fees, contracts and safeguarding\n\n- Brazil’s Constitution bans any work by under-16s except as an apprentice from 14, and night, dangerous or unhealthy work by under-18s. Source: https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm\n- A judge must authorise, case by case, the participation of children and adolescents in public shows and their rehearsals, and in beauty contests. Source: https://www.planalto.gov.br/ccivil_03/leis/l8069.htm\n\n## Official model searches\n\n- The Look of the Year Brasil (JOY Management): https://www.thelookoftheyear.com.br/ — JOY’s national model contest. Entries run from 2 June to 31 October 2026 and are free at every stage; minimum height 1.73m for women and 1.85m for men; minors need their legal guardians’ authorisation.\n\n## FAQ\n\n### Do Brazilian agencies charge for an assessment?\n\nWay says there is no fee and you do not need to pay for a professional portfolio; JOY says its assessment is free and it never demands payment. JOY’s The Look of the Year contest is free at every stage.\n\n### How old do you have to be?\n\nWay does not represent children and says professional models must be at least 16. BASE does not represent under-18s unless they are legally emancipated, but runs a free mentoring programme for them with parents’ authorisation.\n\n### Is there a minimum height?\n\nWay says it assesses all profiles regardless of height, and Mega, Ford, JOY and BASE ask for your height without a stated minimum. JOY’s The Look of the Year contest sets 1.73m for women and 1.85m for men.\n\n## Sources\n\n- Way Model — quero ser modelo: https://waymodel.com.br/quero-ser-modelo\n- JOY Management — regulation: https://www.joymgmt.com/en/regulation\n- BASE Management — minors policy (PDF): https://www.basemgt.com.br/Poltica_de_Menores_de_Idade_Base_Management.pdf\n- The Look of the Year Brasil — FAQ (PDF): https://www.thelookoftheyear.com.br/perguntas-frequentes.pdf\n- Planalto — Constituição Federal, art. 7: https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm\n- Planalto — Estatuto da Criança e do Adolescente: https://www.planalto.gov.br/ccivil_03/leis/l8069.htm\n"},{"url":"https://thecastindex.com/modelling/canada","markdownUrl":"https://thecastindex.com/modelling/canada.md","title":"How to become a model in Canada","lastmod":"2026-10-01","sha256":"74a03e13bbdb1ac352c0445ebff8e2dd61c97e48fb2cb04fef2147f28db7f1ce","bytes":5456,"markdown":"> Source: https://thecastindex.com/modelling/canada — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Canada\n\nApply through a Toronto, Montreal or Vancouver agency’s own website with natural, unfiltered photos. Sutherland, Spot 6 and Richard’s accept applicants from 14 and say they never ask for nude or lingerie photos; Sutherland and Spot 6 involve a parent for under-18s. Spot 6 and Lizbell say they never charge for scouting or submissions.\n\n## Agencies and their official application routes\n\n- **Sutherland Models** (Toronto) — online form: https://www.sutherlandmodels.com/apply/; height: Women and non-binary applicants 5ft 7in to 5ft 11in; men 6ft to 6ft 3in.; age: Ages 14 and over; under-18s must give a parent’s email.; safety: Says it never asks for lingerie or nude photos, and asks you to call the agency to confirm anyone claiming to scout for it.\n- **Spot 6 Management** (Toronto) — online form: http://www.spot6management.com/spotme/; height: The form asks for your height. The page states no minimum.; age: Under-14s cannot apply online (a parent or guardian must make contact instead); 14- to 18-year-olds may apply with a parent’s or guardian’s permission.; safety: Says it does not interview via Skype, never requests nude or lingerie photos and never requires payment.\n- **Want Management** (Toronto) — online form: https://www.wantmanagement.com/get-scouted/\n- **Dulcedo** (Montreal) — online form: https://dulcedo.com/forms/new-model; height: The form asks for your height. The page states no minimum.\n- **Montage Models** (Montreal) — online form: https://www.montagemodels.com/get-scouted; height: The form asks for your height. The page states no minimum.\n- **Folio Management** (Montreal) — online form: https://www.foliomanagement.com/be-a-folio-talent; height: Height is a required field for models. The page states no minimum.; safety: Warns about impersonators: do not respond to anyone asking for an online interview, personal information or payment in Folio’s name without verifying first.\n- **Richard’s International Model Management** (Vancouver) — online form: https://www.richardsmodels.com/apply; open call: Meetings by appointment only.; height: Minimum 5ft 8in for women and 6ft for men.; age: Ages 14 and over.; safety: Says it does not request nude or lingerie photos or videos or interview by Skype or webcam, and that anyone offering paid portfolio shoots in its name is fraudulent.\n- **Lizbell Agency** (Vancouver) — online form: https://www.lizbellagency.com/submissions; height: Main roster minimums by age: women 13–15 5ft 6in, women 16+ 5ft 8in, men 16–18 5ft 11in, men 19+ 6ft 1in; no height requirement for women on its athletic and lifestyle roster.; age: Submissions welcome from all ages; minors who are contacted should alert a parent or responsible adult.; safety: Says it never requests nude or lingerie photos and never requires payment for scouting or submissions, and names its official scouts on the page.\n\n## How agencies recruit\n\n- Applications are online: Dulcedo, Montage, Folio, Sutherland, Spot 6 and Want use forms on their own sites, and Richard’s sees people by appointment only. (https://www.richardsmodels.com/apply)\n- No professional photos: Richard’s and Lizbell ask for natural, unfiltered snapshots without make-up. (https://www.lizbellagency.com/submissions)\n- Most contact you only if interested: Spot 6 sends no confirmation email and asks applicants not to call or email about their status. (http://www.spot6management.com/spotme/)\n- Verify any scout: Richard’s emails come only from @richardsmodels.com, Folio’s agents use name@foliomanagement.com addresses, and Sutherland and Spot 6 ask you to call the agency first. (https://www.richardsmodels.com/apply)\n- We could not verify an official Canadian or provincial rule specific to modelling-agency fees; the federal guidance below covers job fees generally.\n\n## Rules on fees, contracts and safeguarding\n\n- The Canadian Anti-Fraud Centre advises never to send deposits or pay fees for a job, and to verify a company through its official website and phone number. Source: https://antifraudcentre-centreantifraude.ca/scams-fraudes/job-emploi-eng.htm\n\n## FAQ\n\n### Can I apply to a Canadian agency from another province?\n\nSutherland says it is based in Toronto but interested in talent from coast to coast. Lizbell accepts submissions from Canadian residents only.\n\n### Do Canadian agencies charge to apply?\n\nSpot 6 and Lizbell say they never require payment for scouting or submissions, Richard’s says anyone selling portfolio shoots in its name is fraudulent, and Folio warns not to respond to payment requests in its name.\n\n### What height do Canadian agencies ask for?\n\nSutherland lists 5ft 7in–5ft 11in for women and 6ft–6ft 3in for men, and Richard’s sets minimums of 5ft 8in and 6ft. Dulcedo, Montage and Folio ask for your height without a stated minimum.\n\n## Sources\n\n- Sutherland Models — apply: https://www.sutherlandmodels.com/apply/\n- Spot 6 Management — Spot Me: http://www.spot6management.com/spotme/\n- Richard’s Models — get discovered: https://www.richardsmodels.com/apply\n- Lizbell Agency — submissions: https://www.lizbellagency.com/submissions\n- Canadian Anti-Fraud Centre — job scams: https://antifraudcentre-centreantifraude.ca/scams-fraudes/job-emploi-eng.htm\n"},{"url":"https://thecastindex.com/modelling/china","markdownUrl":"https://thecastindex.com/modelling/china.md","title":"How to become a model in China","lastmod":"2026-10-01","sha256":"258e3056cc0f17c6419c6ab6ae5f200c27bb4658b5fc308fc95afd52fd0edc91","bytes":8140,"markdown":"> Source: https://thecastindex.com/modelling/china — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in China\n\nApply directly through an agency’s own website or published email: esee, Paras and Longteng take online applications, while SuperMii and AM Models ask for natural photos by email. Chinese law bars employers from hiring under-16s and bars anyone from finding them work, with an exception for arts and sports units that have a parent’s or guardian’s consent.\n\n## Agencies and their official application routes\n\n- **esee model management** (Shanghai) — online form: https://www.eseemodel.com/contact\n- **Paras Talent Management** (Shanghai) — online form: https://www.paras.com.cn/#/joinus; height: Height is a required field on the form. The page states no minimum.\n- **Longteng Management** (Beijing) — online form: http://www.longtengmodels.com/model-application.do; height: Height is a field on the form. The page states no minimum.\n- **SuperMii Models** (Guangzhou) — email: http://www.supermii.com/contact; open call: Says it does not hold open calls.\n- **AM Models** (Hangzhou) — email: https://www.ammodels.cn/#/joinus; height: For its Asian Face board it lists 170–180 cm for women and 180–190 cm for men, and says it may relax these for exceptional applicants.; age: Asian Face applicants must be 18 or over.\n- **MO:STAR Models** (Shanghai) — email: https://www.mostar-models.com/contact\n\n## How agencies recruit\n\n- Most agencies listed here take applications through a form on their own website. Longteng’s form asks for four natural-daylight photos without make-up (full length, waist up, close-up and profile) and a short video showing your walk. (http://www.longtengmodels.com/model-application.do)\n- Some agencies take applications by email instead. SuperMii asks for your height, age and location with a portrait, a profile and a full-length photo, says professional photos are not needed, and says it does not hold open calls. (http://www.supermii.com/contact)\n- esee, which lists offices in eight Chinese cities, takes model applications through the “Model Application” option on the online enquiry form on its contact page. (https://www.eseemodel.com/contact)\n- Some agencies also run training businesses: esee lists a training division, ESEE Fashion Academy, and Paras a model school. Their application pages listed here do not mention a course or a fee. (https://www.eseemodel.com/contact)\n- Elite Model Look’s 2026 country list includes China, routed to the contest’s international entry site. (https://www.elitemodellook.com/int/en/about/2026/index.htm)\n\n## Rules on fees, contracts and safeguarding\n\n- The Labour Law bars employers from recruiting anyone under 16. Arts, sports and special-craft units that recruit under-16s must follow state rules and protect the child’s right to compulsory education (Article 15). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- Workers aged 16 and 17 are “juvenile workers” with special protection: they may not be given mining, toxic or other prohibited heavy work, and employers must give them regular health checks (Articles 58, 64 and 65). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- The Provisions on the Prohibition of Using Child Labour (State Council Decree 364) bar any organisation or individual from finding work for under-16s. The fine is 5,000 yuan per child, and a job agency that does so loses its licence (Articles 2 and 7). Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- Arts and sports units may recruit under-16 professional performers and athletes with a parent’s or guardian’s consent, and must protect their health and compulsory education (Article 13). The provisions do not mention modelling, so it is unclear whether modelling falls within this exception. Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- Under the Minors Protection Law (2020 revision), no one may recruit under-16s unless state rules allow it. Children may take part in performances and programme production only with a parent’s or guardian’s consent, and organisers must protect their rights (Article 61). Source: https://www.moj.gov.cn/pub/sfbgw/jgsz/jgszzsdw/zsdwflyzzx/flyzzxzcxx/zcxxzcfg/zcfgfl/202010/t20201023_188560.html\n- The Advertising Law bars using children under ten as advertising endorsers. An endorser is someone other than the advertiser who recommends or vouches for a product in their own name or image (Articles 2 and 38). Source: https://fw.scjgj.sh.gov.cn/alc/law/11/1/20240117125913.html\n- We found no national rule written specifically for modelling agency fees. Licensed job intermediaries may not give false job information, hold workers’ identity documents or take deposits from them (Employment Promotion Law, Articles 40 and 41). It is unclear whether a given modelling agency counts as a job intermediary. Source: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394626.html\n\n## Official model searches\n\n- Elite Model Look (international entry): https://www.elitemodellook.com/int/en/about/2026/index.htm — Elite’s international model contest. Its 2026 country list includes China, routed to the international entry site. The terms set an entry window of 1 January to 31 December 2026, a minimum age of 14, and written parent or guardian consent for under-18s.\n\n## FAQ\n\n### Do modelling agencies in China charge to apply?\n\nNone of the application pages listed here asks for a fee. We found no national rule written specifically for modelling agency fees. Licensed job intermediaries may not take deposits from job-seekers or hold their identity documents. Some agencies, including esee and Paras, also run training businesses; the application pages listed here do not mention a course.\n\n### Can under-16s model in China?\n\nChinese rules bar employers from recruiting under-16s and bar anyone from finding them work. Arts and sports units may recruit under-16 professional performers with a parent’s or guardian’s consent, but the rules do not mention modelling. Children may take part in performances only with a parent’s or guardian’s consent.\n\n### Do I need professional photos to apply?\n\nNo, according to the agencies listed here. SuperMii says professional photos are not needed. Longteng asks for natural-daylight photos with no make-up, and AM Models asks for make-up-free photos without beauty filters.\n\n### Is there a minimum height?\n\nMost agencies listed here ask for your height without stating a minimum. AM Models lists 170–180 cm for women and 180–190 cm for men on its Asian Face board, and says it may relax these for exceptional applicants.\n\n### Do Chinese agencies hold open calls?\n\nNone of the agencies listed here publishes open-call times, and SuperMii says it does not hold open calls. Apply through the agency’s own form or published email address.\n\n### Can I enter Elite Model Look from China?\n\nYes. Elite Model Look’s 2026 country list includes China, routed to the international entry site. Entrants must be 14 or over, and under-18s need written consent from a parent or guardian.\n\n## Sources\n\n- MOHRSS — Labour Law of the PRC: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- MOHRSS — Provisions on the Prohibition of Using Child Labour: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- Ministry of Justice — Minors Protection Law of the PRC: https://www.moj.gov.cn/pub/sfbgw/jgsz/jgszzsdw/zsdwflyzzx/flyzzxzcxx/zcxxzcfg/zcfgfl/202010/t20201023_188560.html\n- Shanghai Administration for Market Regulation — Advertising Law: https://fw.scjgj.sh.gov.cn/alc/law/11/1/20240117125913.html\n- MOHRSS — Employment Promotion Law of the PRC: https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394626.html\n- Elite Model Look — 2026: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/denmark","markdownUrl":"https://thecastindex.com/modelling/denmark.md","title":"How to become a model in Denmark","lastmod":"2026-10-01","sha256":"cb2a8ac88483768532a71431ac25dc12db5b41b905336d8e5b3f3de23164968a","bytes":5060,"markdown":"> Source: https://thecastindex.com/modelling/denmark — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Denmark\n\nApply online to a Copenhagen agency through its own website, or go to Unique Models’ open casting on Fridays. Agencies ask for natural photos without make-up; Unique and Le Management say they reply within 14 days if interested. Children under 13 need a permit from the Danish Working Environment Authority, including for photo shoots.\n\n## Agencies and their official application routes\n\n- **Elite Model Management Copenhagen** (Copenhagen) — online form: https://elitemodelmanagement.com/copenhagen/get-scouted.web; height: The form asks for your height. The page states no minimum.; age: Under-18 applications must be approved by a parent or legal guardian, who must attend any meeting.; safety: Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name.\n- **Le Management** (Copenhagen) — online form: https://lemanagement.dk/become-a-model/; height: The form asks for your height. The page states no minimum.; safety: Says it is a co-founder of the Danish Fashion Ethical Charter.\n- **Unique Models** (Copenhagen) — online form and open call: https://www.unique.dk/become-a-model/; open call: Fridays, 2pm–4pm, except bank holidays and between Christmas and New Year; come in neutral clothing without make-up, alone or with one adult if under 18.; height: The form asks for your height. The page states no minimum.; age: You must be at least 14 to apply; first meetings and first photos take place with parents.; safety: Its Q&A says the start-up phase as a model with Unique is free.\n- **Heartbreak Management** (Copenhagen) — online form: https://heartbreakmanagement.com/join; open call: Heartbreak says it accepts visitors by appointment only.; height: The form asks for your height. The page states no minimum.; safety: Says it was one of the seven agencies that signed the original Danish Fashion Ethical Charter.\n\n## How agencies recruit\n\n- Unique Models holds an open casting every Friday, 2pm–4pm, except bank holidays and between Christmas and New Year; it suggests checking its Instagram first. (https://www.unique.dk/become-a-model/)\n- Elite, Le Management, Unique and Heartbreak take online applications with natural, unedited photos; Unique says no professional photos are required. (https://lemanagement.dk/becoming-a-model-en/)\n- Le Management and Heartbreak say they belong to the Danish Fashion Ethical Charter, led by Copenhagen Fashion Week. Under it, models must be at least 16 to work, 15-year-olds can work with dispensation if accompanied by an adult, and under-15s only with children’s and teen clothing. (https://copenhagenfashionweek.com/danish-fashion-ethical-charter)\n- Unique says starting as a model with it costs nothing, and Elite says its scouts never request payment. (https://www.unique.dk/galleries/36/808/qa.pdf)\n\n## Rules on fees, contracts and safeguarding\n\n- Children under 13 may take part commercially in cultural and similar activities, including advertising-film recordings, only with permission from the Director of the Working Environment Authority, given case by case on application; the permit sets the hours. Source: https://www.retsinformation.dk/eli/lta/2025/1713\n- The authority says a permit is needed for a child under 13 to take part in, for example, a photo shoot; companies or parents apply online. Source: https://at.dk/faa-viden/boern-og-unge/faa-viden-om-regler/arbejdstilladelse-for-boern-under-13-aar/\n\n## Official model searches\n\n- Elite Model Look Denmark: https://www.elitemodellook.com/dk/da/participate/index.htm — Elite’s international model contest has a Danish entry page. Its 2026 rules say applicants must be at least 14, with a parent’s or guardian’s permission under 18.\n\n## FAQ\n\n### How old do you have to be to model in Denmark?\n\nUnder the Danish Fashion Ethical Charter, models must be at least 16 to work; 15-year-olds can get dispensation if accompanied by an adult. Children under 13 need a permit from the Working Environment Authority. Unique Models accepts applications from 14.\n\n### Does it cost money to join a Danish agency?\n\nUnique Models says the start-up phase is free, and Elite says its scouts never request payment.\n\n### Can I walk in to a Copenhagen agency?\n\nUnique Models holds an open casting every Friday from 2pm to 4pm. Heartbreak sees visitors by appointment only, and the others take online applications.\n\n## Sources\n\n- Retsinformation — BEK nr 1713 af 18/12/2025: https://www.retsinformation.dk/eli/lta/2025/1713\n- Arbejdstilsynet — work permits for children under 13: https://at.dk/faa-viden/boern-og-unge/faa-viden-om-regler/arbejdstilladelse-for-boern-under-13-aar/\n- Copenhagen Fashion Week — Danish Fashion Ethical Charter: https://copenhagenfashionweek.com/danish-fashion-ethical-charter\n- Unique Models — become a model: https://www.unique.dk/become-a-model/\n"},{"url":"https://thecastindex.com/modelling/france","markdownUrl":"https://thecastindex.com/modelling/france.md","title":"How to become a model in France","lastmod":"2026-10-01","sha256":"4199bab63bf4754d0c213066effa333def67006b203321065be8af761101c006","bytes":9073,"markdown":"> Source: https://thecastindex.com/modelling/france — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in France\n\nApply directly to a licensed Paris agency through its own website, sending natural, make-up-free photos and your height. French law presumes a paid modelling contract is an employment contract, requires agencies to hold a modelling-agency licence and makes a medical certificate a condition of working. Children under 16 need prior authorisation. Several agencies say they never charge applicants.\n\n## Agencies and their official application routes\n\n- **Elite Model Management Paris** (Paris) — online form: https://elitemodelmanagement.com/paris/get-scouted.web; height: The form asks for your height. The page states no minimum.; age: Under-18 applications must be approved by a parent or legal guardian within 15 days, and a parent or guardian must attend any meeting.; safety: Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name.\n- **IMG Models Paris** (Paris) — online form: https://getscouted.imgmodels.com/; height: The form asks for your height. The page states no minimum.; age: Applications from age 14. Under-18s need a legal guardian’s consent, and a guardian must attend any meeting or video call.; safety: Says it never asks for nude or lingerie photos, never requires payment and charges no fee to apply or to sign.\n- **Women Management Paris** (Paris) — online form: https://www.womenmanagement.com/paris/become.web; height: The form asks for your height. The page states no minimum.; age: Parent or guardian details are required for minors.\n- **VIVA Model Management Paris** (Paris) — online form: https://www.viva-paris.com/become/; height: Height is a required field on the form. The page states no minimum.; age: Its privacy policy says you must be 18 to apply on your own; younger applicants apply through a parent or guardian, and no one under 13 may apply.; safety: Says no VIVA employee will ever ask for lingerie or nude photos, and warns that people try to impersonate the agency.\n- **Select Model Management Paris** (Paris) — online form: https://apply.selectmodel.com/; height: The form asks for your height. The page states no minimum.; age: You must be 18 to apply on your own; 14- to 17-year-olds may apply with a parent’s or guardian’s written consent, and under-14s cannot apply.; safety: Asks for no nudity in application photos.\n- **Silent Models Paris** (Paris) — online form: https://www.silentmodels.com/become-a-model/; open call: Silent says it does not host an open call or accept walk-ins.; height: Height is a required field on the form. The page states no minimum.\n- **New Madison** (Paris) — online form: https://www.newmadison.fr/france/become-a-model; height: The form asks for your height. The page says it is open to all types of profile, though height and measurements may still matter.; age: The minimum age to apply is 16; 16- and 17-year-olds should discuss it with a parent or legal guardian first.; safety: Says it never asks models for money to be represented, never requests nude or lingerie photos and never contacts you first by email or WhatsApp.\n- **Supreme Management Paris** (Paris) — online form: https://www.suprememanagement.com/paris/become.web; height: The form asks for your height. The page states no minimum.; age: Parent or guardian details are required for minors.\n- **Marilyn Agency Paris** (Paris) — email: https://www.marilynagency.com/paris/become-a-model/; open call: Marilyn says it does not host open calls or accept walk-ins.; height: Asks for at least 1.73m (5ft 8in) for women and 1.83m (6ft) for men.; age: Under-18s must send a parent’s written consent; a parental authorisation form is linked on the page.; safety: Warns that people may be using the Marilyn name and asks under-18s to tell a trusted adult.\n- **Oui Management** (Paris) — online form: https://www.ouimanagement.com/beoui; height: The form asks for your height. The page states no minimum.; age: Its privacy policy says parental approval is collected for applicants under 16.; safety: Warns that people falsely present themselves as its agents or scouts, and says its employees never ask for lingerie or nude photos.\n- **Mademoiselle Agency** (Paris) — online form: https://www.mademoiselleagency.fr/become-a-model/; height: Height is a required field on the form. The page states no minimum.\n- **Ford Models Paris** (Paris) — online form: https://fordmodels.com/get-scouted; open call: Ford says it holds open calls only in Chicago; apply to Paris through the form.; height: The form asks for your height. The page states no minimum.; safety: Says you should never pay to attend a casting and never share nude or lingerie photos.\n\n## How agencies recruit\n\n- Paris agencies take applications through forms on their own websites. Silent and Marilyn say they hold no open calls or walk-ins, and Select lists no Paris open call. (https://www.silentmodels.com/become-a-model/)\n- Agencies ask for unedited, make-up-free snapshots — typically a close-up, a profile and a full-length shot — rather than a portfolio. Women Management and Supreme say experience and professional photos are not required. (https://www.womenmanagement.com/paris/become.web)\n- Most reply only if interested. New Madison says no reply within two weeks means your application was not retained; Select says the same after 30 days. (https://www.newmadison.fr/france/become-a-model)\n- Licensed agencies can show their licence: New Madison and Oui Management publish licence numbers in their legal notices, and VIVA states that it holds a licence issued by the Préfet de Paris. (https://www.newmadison.fr/france/mention-legales)\n- Of the Paris agencies listed, only Marilyn publishes a minimum height for applicants; the others ask for your height on the form. (https://www.marilynagency.com/paris/become-a-model/)\n\n## Rules on fees, contracts and safeguarding\n\n- Any contract by which someone pays for a model’s services is presumed to be an employment contract, whatever the parties call it. Source: https://code.travail.gouv.fr/code-du-travail/l7123-3\n- Anyone established in France who places models for a fee must hold a modelling-agency licence (licence d’agence de mannequins). Source: https://code.travail.gouv.fr/code-du-travail/l7123-11\n- Working as a model is conditional on a medical certificate showing that your overall health, assessed in particular by BMI, is compatible with the work. Source: https://code.travail.gouv.fr/code-du-travail/l7123-2-1\n- A child under 16 may not be engaged as a model without prior individual authorisation from the administrative authority. Source: https://code.travail.gouv.fr/code-du-travail/l7124-1\n- That individual authorisation is not needed when the child is engaged by a licensed modelling agency holding an approval (agrément) to engage children. Source: https://code.travail.gouv.fr/code-du-travail/l7124-4\n\n## Official model searches\n\n- Elite Model Look France: https://www.elitemodellook.com/fr/fr/home/index.htm — Elite’s international model contest has a French page and online entry. Its 2026 rules say applicants must be at least 14, with a parent’s or guardian’s permission under 18.\n\n## FAQ\n\n### Do Paris modelling agencies charge to join?\n\nThe agencies listed here say they do not. New Madison says it never asks models for money to be represented, Elite says its scouts never request payment, and IMG says there is no fee to apply or to sign.\n\n### Do I need a medical certificate to model in France?\n\nYes. Under article L7123-2-1 of the Code du travail, working as a model is conditional on a medical certificate showing your overall health, assessed in particular by BMI, is compatible with the work.\n\n### Can under-16s model in France?\n\nOnly with prior individual authorisation from the administrative authority, unless they are engaged by a licensed agency holding an approval to engage children. Agencies set their own application ages: New Madison from 16, Select from 14 with written consent, VIVA from 13 through a parent.\n\n### Is there a minimum height for Paris agencies?\n\nMost publish none and simply ask for your height. Marilyn is the exception among those listed: it asks for at least 1.73m for women and 1.83m for men.\n\n## Sources\n\n- Code du travail numérique — L7123-3, L7123-11, L7123-2-1, L7124-1: https://code.travail.gouv.fr/code-du-travail/l7123-11\n- Légifrance — Code du travail, mannequins: https://www.legifrance.gouv.fr/codes/section_lc/LEGITEXT000006072050/LEGISCTA000006189961/\n- Elite Model Management Paris — get scouted: https://elitemodelmanagement.com/paris/get-scouted.web\n- New Madison — devenir mannequin: https://www.newmadison.fr/france/become-a-model\n- Marilyn Paris — become a model: https://www.marilynagency.com/paris/become-a-model/\n- Elite Model Look — 2026 rules: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/germany","markdownUrl":"https://thecastindex.com/modelling/germany.md","title":"How to become a model in Germany","lastmod":"2026-10-01","sha256":"a76696f367235f50f7a62377ce496dbf5922a36182858f026bbfd7c443dbb57c","bytes":6525,"markdown":"> Source: https://thecastindex.com/modelling/germany — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Germany\n\nApply through a Hamburg, Berlin or Munich agency’s own website, with natural photos and your height. Several publish minimum heights and ages, and Louisa holds a weekly open call. Where an agent places a model in employment, German law caps its fee and bans advance payments; children need official approval for photo shoots.\n\n## Agencies and their official application routes\n\n- **MODELWERK** (Hamburg) — online form: https://www.modelwerk.de/page/apply.html?lang=en; height: Minimum 170cm for women on the German page (173cm on the English page) and 183cm for men; any height for creators.; age: Women and Curves from 14, men from 16, Icons from 35.; safety: Says it will never ask for underwear or nude photos or require payment in advance, and warns that people pose as its scouts. Its separate Academy course is paid; the application is not.\n- **ICONIC Management** (Berlin) — online form: https://www.iconicmanagement.com/become-iconic/; open call: Iconic says it does not hold open calls.; height: The form asks for your height. The page states no minimum.; safety: Warns that people falsely claim to work for Iconic and asks you to verify anyone before responding.\n- **MODEL MANAGEMENT** (Hamburg) — online form: https://www.model-management.de/become-a-model/; open call: Personal introductions by arrangement.; height: At least 1.73m for women and 1.83m for men.\n- **SEEDS Management** (Berlin) — online form: https://www.seeds.de/apply/en/; open call: Seeds says there are no walk-ins.; height: The form asks for your height. The page states no minimum.; safety: Says it will never ask for naked pictures over Facebook or Instagram, never arranges appointments via Skype and never asks for prepayment.\n- **LOUISA MODELS** (Munich) — online form and open call: https://www.louisa-models.de/en/contact/; open call: Every Wednesday, 10am–12pm and 2pm–4pm, at its Munich and Hamburg offices.; height: Minimum 5ft 8in (1.74m on the German page) for women and 6ft (1.84m) for men; the open call lists 1.74–1.80m for women and 1.84–1.90m for men.\n- **MUNICH MODELS** (Munich) — online form: https://www.munich-models.de/become/; height: Minimum 175cm; younger applicants who are still a little shorter are encouraged to apply. Represents women only.; safety: Says its only official contacts, emails, phone numbers and social handles are those listed on its contact page.\n- **M4 Models** (Hamburg) — online form: https://m4models.de/page/bewerbung/language/en; height: Women from 1.74m and men from 1.84m.; age: Women from 14, men from 16.\n- **OKAY Models** (Hamburg) — email: https://okaymodels.com/become_a_model/?language=en; height: For women, a minimum height of 1.75–1.80m.; age: From 17.\n- **Le Management Hamburg** (Hamburg) — online form: https://lemanagement.de/become-a-model/; height: The form asks for your height. The page states no minimum.\n\n## How agencies recruit\n\n- Applications go through agencies’ own forms or email. Iconic and Seeds say they hold no open calls or walk-ins; Louisa holds an open call every Wednesday in Munich and Hamburg. (https://www.louisa-models.de/en/contact/)\n- Professional photos are not needed: Modelwerk, Louisa, Munich Models and OKAY all say snapshots are enough. (https://www.modelwerk.de/page/apply.html?lang=en)\n- Published requirements vary: Modelwerk and M4 accept women from 14 and men from 16, OKAY from 17, and several agencies set minimum heights. (https://m4models.de/page/bewerbung/language/en)\n- Agencies reply only if interested: Seeds notifies successful applicants only, and Louisa contacts you only if it wants to represent you. (https://www.seeds.de/apply/en/)\n- The Federal Employment Agency’s artist placement service (ZAV) also places fashion and advertising models, and says it charges no placement commission. (https://zav.arbeitsagentur.de/DE/Dienstleistungsportfolio/Werbung/werbung_node.html)\n\n## Rules on fees, contracts and safeguarding\n\n- Employing children — under 15, or still in full-time compulsory schooling — is prohibited, except where the supervisory authority grants an exception for events. Source: https://www.gesetze-im-internet.de/jarbschg/__5.html\n- On application, the authority may allow children to take part in advertising events and film and photo shoots for limited hours (up to two hours a day for ages 3–6, three hours for older children), with written parental consent and a medical certificate no more than three months old. Source: https://www.gesetze-im-internet.de/jarbschg/__6.html\n- A private placement agent may charge a jobseeker only if a job actually results, must agree the fee in writing, and may not demand or accept advance payments. Source: https://www.gesetze-im-internet.de/sgb_3/__296.html\n- For placing photo models, advertising models and mannequins in employment, the agent’s fee is capped at 14 per cent of the model’s pay including VAT, or 18 per cent for jobs of up to seven days. Source: https://www.gesetze-im-internet.de/vermittvergv/__2.html\n\n## FAQ\n\n### Can a German model agency charge me a fee?\n\nWhen an agent places you in employment, it may not demand advance payments, and its fee for placing photo models and mannequins is capped at 14 per cent of your pay (18 per cent for jobs of up to seven days). Modelwerk and Seeds say they never ask for payment in advance.\n\n### Is there a minimum height?\n\nMany German agencies publish one: Munich Models asks for 175cm, M4 1.74m (women) and 1.84m (men), and Model Management 1.73m and 1.83m. Iconic and Seeds publish none and ask for your height on the form.\n\n### Can children model in Germany?\n\nOnly with approval from the supervisory authority, which can allow children to take part in advertising and photo shoots for limited hours, with written parental consent and a medical certificate no more than three months old.\n\n## Sources\n\n- Jugendarbeitsschutzgesetz §§ 5–6: https://www.gesetze-im-internet.de/jarbschg/__6.html\n- SGB III § 296: https://www.gesetze-im-internet.de/sgb_3/__296.html\n- Vermittler-Vergütungsverordnung §§ 1–2: https://www.gesetze-im-internet.de/vermittvergv/__1.html\n- ZAV-Künstlervermittlung — Werbung / Models: https://zav.arbeitsagentur.de/DE/Dienstleistungsportfolio/Werbung/werbung_node.html\n- Modelwerk — apply: https://www.modelwerk.de/page/apply.html?lang=en\n"},{"url":"https://thecastindex.com/modelling/india","markdownUrl":"https://thecastindex.com/modelling/india.md","title":"How to become a model in India","lastmod":"2026-10-01","sha256":"0391b75572365172987ea01e7610818c07360a3161f31efd30595a18ac212601","bytes":10071,"markdown":"> Source: https://thecastindex.com/modelling/india — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in India\n\nMost established Indian agencies, chiefly in Mumbai and Gurugram, recruit through their own websites: an online form or an email with natural, unretouched photos and your height. Several say they reply only if your profile suits them. TOABH and AG Models require a parent or guardian’s involvement for under-18s, and child-labour rules govern children working in advertising.\n\n## Agencies and their official application routes\n\n- **Anima Creative Management** (Mumbai) — online form: https://www.animacreatives.com/become-a-model; height: Says girls must be 170cm and taller and boys 184cm and taller.; age: Says it looks for applicants aged 16 to 24.\n- **Inega Model Management** (Mumbai) — email: https://www.inega.in/talent/submissions/; height: Asks you to include your height in the email. The page states no minimum.; safety: Warns that people have falsely claimed to represent Inega and advises you not to respond to an approach until you have verified it with the agency.\n- **TOABH Talent Management** (Mumbai) — online form: https://toabh.com/contact; height: Height is a field on the model application. The page states no minimum.; age: Applicants under 18 must give a parent or legal guardian’s details and consent, and the form says a guardian must be present at any meeting, casting or shoot.\n- **Feat. Artists** (Mumbai) — online form: https://feat-artists.com/contact-model/; height: The form asks for your height in centimetres. The page states no minimum.; age: Applicants confirm they are 16 or older, or have sought parent or guardian approval first.\n- **Anon Management** (Gurugram) — online form: https://www.anonmanagement.in/joinus; height: Says it is looking for new faces 183cm (6ft) or taller.; age: Says applicants must be at least 17.\n- **AG Models** (Mumbai) — online form: https://agmodelmanagement.com/join; height: Height is a field on the application. The agency says it reviews each applicant individually rather than rejecting on height alone.; age: The form accepts applicants from 16, and the agency says minors must apply with a parent or guardian present and need parental consent.; safety: Says it will never charge application fees, request nude photographs or ask aspirants for payment, warns that people have impersonated its staff, and says it does not accept applications by email.\n\n## How agencies recruit\n\n- Agencies recruit through their own websites. Anima, TOABH, Feat. Artists, Anon Management and AG Models use online application forms; Inega takes submissions by email to submit@inega.in. (https://www.inega.in/talent/submissions/)\n- Photos should be natural and unretouched. Anima asks for no make-up, Inega wants clear face and full-length shots without make-up plus an introduction video, and AG Models asks for four natural-light polaroids with no filters taken within the last three months. (https://www.animacreatives.com/become-a-model)\n- Do not expect a reply to every application: Anima says it replies only to successful applicants, and Inega says it will be in touch only if your profile suits the agency. (https://www.inega.in/talent/submissions/)\n- Under-18s apply with a parent or guardian. TOABH’s form asks anyone under 18 for a parent or legal guardian’s details and consent, and says a guardian must be present at any meeting, casting or shoot. (https://toabh.com/contact)\n- Some Indian agencies act as mother agencies for overseas markets: Anon Management says it connects its models with agencies, casting directors and clients in Paris, Milan and London. (https://www.anonmanagement.in/aboutus)\n\n## Rules on fees, contracts and safeguarding\n\n- Under Section 3(2)(b) of the Child and Adolescent Labour (Prohibition and Regulation) Act 1986, as amended in 2016 (in force from 1 September 2016), a child under 14 may work as an artist in the audio-visual entertainment industry, including advertisements, subject to prescribed conditions and safety measures and provided the work does not affect the child’s school education. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- Rule 2C of the Child Labour (Prohibition and Regulation) Amendment Rules 2017 requires a producer to obtain permission from the District Magistrate of the district where the work takes place before involving a child, and to file an undertaking in Form C with the list of child participants, parental consent and the name of the person responsible for the child’s safety. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- Under the same rules a child may not work more than five hours a day or more than three hours without rest, may not work more than 27 consecutive days, and at least 20% of the child’s earnings from a production or event must go into a fixed deposit in a nationalised bank in the child’s name, credited on reaching majority. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- NCPCR’s guidelines define the entertainment industry to include modelling and photography, apply the 20% fixed-deposit rule to adolescents aged 14 to 17 as well as children, and note that the Act limits an adolescent to three hours’ work before a rest of at least an hour, spread over no more than six hours a day. Source: https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- We found no national licensing scheme for model or talent agencies in India and no rule specific to fees charged to aspiring models. General consumer complaints can be raised with the Department of Consumer Affairs’ National Consumer Helpline (toll-free 1915). Source: https://consumerhelpline.gov.in/public/\n\n## Official model searches\n\n- Elite Model Look (international entry): https://www.elitemodellook.com/int/en/participate/index.htm — India is listed on the 2026 country selector and routes to the international entry site rather than a national edition. Entries run from 1 January to 31 December 2026, open from age 14 with written parent or guardian consent for under-18s; three photos (full body, portrait and waist up).\n\n## FAQ\n\n### Do model agencies in India charge a fee to apply?\n\nAG Models says it never charges application fees, requests nude photos or asks aspirants for payment, and none of the other application pages listed here mentions a fee. We found no Indian law specific to modelling-agency fees; general consumer complaints can go to the National Consumer Helpline on 1915.\n\n### What height do Indian agencies ask for?\n\nIt depends on the agency. Anima publishes 170cm and taller for women and 184cm and taller for men, and Anon Management, which represents men, asks for 183cm (6ft) or taller. TOABH, Inega and Feat. Artists ask for your height but state no minimum, and AG Models says it does not reject applicants on height alone.\n\n### Can I apply if I am under 18?\n\nAt several agencies, yes, with a parent or guardian involved. Feat. Artists asks applicants to be 16 or older or to have parent or guardian approval; Anima looks for ages 16 to 24 and Anon Management for 17 and over. TOABH asks under-18s for a guardian’s details and consent, and AG Models requires parental consent and presence for minors.\n\n### What photos should I send?\n\nRecent, natural shots without make-up or filters. Anima asks for a headshot, profile, three-quarter profile and full-length photo; TOABH asks for four unretouched digitals; AG Models wants four natural-light polaroids taken within the last three months; Inega also asks for a short introduction video.\n\n### How can I check that a scout is genuine?\n\nUse the contact details on the agency’s own website. Inega says its representatives only email from addresses ending @inega.in and asks you to verify any approach via contact@inega.in; AG Models says its team writes only from @agmodels.in or @agmodelmanagement.com addresses.\n\n### Is there an official model search in India?\n\nElite Model Look 2026 accepts entries from India through its international website until 31 December 2026, from age 14 with parent or guardian consent for under-18s. Lakmé Fashion Week’s online model-audition page refers to past seasons and shows registrations as closed.\n\n### What rules protect children who model in India?\n\nChildren under 14 may work as artists, including in advertisements, only under the Child and Adolescent Labour Act and its 2017 rules: the producer needs District Magistrate permission, work is capped at five hours a day, schooling must not suffer, and at least 20% of earnings go into a fixed deposit in the child’s name.\n\n## Sources\n\n- Anima Creatives — Become a model: https://www.animacreatives.com/become-a-model\n- Inega Talent — Submissions: https://www.inega.in/talent/submissions/\n- TOABH — Contact and apply: https://toabh.com/contact\n- Feat. Artists — Become a model: https://feat-artists.com/contact-model/\n- Anon Management — Join us: https://www.anonmanagement.in/joinus\n- Anon Management — About us: https://www.anonmanagement.in/aboutus\n- AG Models — Contact: https://agmodelmanagement.com/contact\n- Elite Model Look — competition terms: https://www.elitemodellook.com/int/en/terms/index.htm\n- NCPCR — Guidelines for Child and Adolescent Participation in the Entertainment Industry (PDF): https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- NCPCR — Child and Adolescent Labour (Prohibition and Regulation) Act: https://ncpcr.gov.in/public/calpr-act\n- Department of Consumer Affairs — National Consumer Helpline: https://consumerhelpline.gov.in/public/\n- Lakmé Fashion Week x FDCI — Digital Model Audition: https://lakmefashionweek.co.in/DigitalModelAudition/\n"},{"url":"https://thecastindex.com/modelling/indonesia","markdownUrl":"https://thecastindex.com/modelling/indonesia.md","title":"How to become a model in Indonesia","lastmod":"2026-10-01","sha256":"0f1d84521ad9ad9a954a1c6825cc562d8dd7e2c502de72b1116f178fdbe5c765","bytes":10669,"markdown":"> Source: https://thecastindex.com/modelling/indonesia — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Indonesia\n\nApply directly through an agency’s own website: Persona, JIM Models, IMM and Five Models in Jakarta, or Castaway and Bali Model Agency in Bali. Send natural, unretouched photos. Persona accepts applicants from 14 and sets no minimum height, and Jakarta Fashion Week says its Model Search auditions are free to enter.\n\n## Agencies and their official application routes\n\n- **Persona Management** (Jakarta) — online form: https://personamgt.com/get-scouted; height: Says there is no minimum height requirement.; age: Minimum age 14.\n- **JIM Models** (Jakarta) — online form: https://www.jimmodels.com/become-a-model; height: Height is a required field. The page states no minimum and says no experience is required.; age: Its terms say applicants under 18 need parental or guardian consent.; safety: Its terms say an application does not create an agency relationship; representation begins only with a signed agreement. It runs a modelling school separately from the application.\n- **Indonesia Model Management (IMM)** (Jakarta) — online form: https://immofficial.id/?page_id=12505; height: Says it is looking for women from 170 cm and men from 180 cm.\n- **Five Models Management** (Jakarta) — online form: https://www.fivemodelsmanagement.com/get-scouted; height: The form’s height options run from 1.70 m to 1.85 m.\n- **Castaway Model Management** (Bali) — online form: https://castawaymodelmanagement.com/become-a-model; height: The form asks for your height. The page states no minimum.\n- **Bali Model Agency** (Bali) — online form: https://balimodelagency.com/become-a-model/; height: The form asks for your height. The page states no minimum.\n- **Balistarz** (Bali) — online form: https://balistarz.com/be-a-model/; height: The form asks for your height. The page states no minimum.\n- **Elite Model Management (apply from Indonesia)** (Paris, Milan, London and other European offices) — online form: https://elitemodelmanagement.com/get-scouted.web; height: Height is a required field. The page states no minimum.; safety: Says its scouts and agents will never request payment for representation or ask for nude or lingerie photos, and warns that impostors use the Elite name. Under-18s contacted by anyone claiming to be from Elite should tell a trusted adult and contact Elite directly.\n\n## How agencies recruit\n\n- Jakarta and Bali agencies take applications through forms on their own websites. JIM Models describes four steps: apply online, a review by its scouting team, a casting at the agency for shortlisted applicants, then training before first bookings. (https://www.jimmodels.com/become-a-model)\n- Some agencies set conditions before you apply. Persona asks for Indonesian citizens based in Jakarta (or willing to relocate at their own expense), who are not under contract elsewhere and will sign an exclusive contract if selected. (https://personamgt.com/get-scouted)\n- Jakarta Fashion Week casts its runway models through JFW Model Search: an online audition by TikTok video and form, then in-person measuring, photographs and judging in Jakarta for the shortlist. JFW says the audition is free, but selected models travel to Jakarta at their own cost. (https://www.jakartafashionweek.co.id/programs/jfw-model-search/)\n- You can also apply to agencies abroad from Indonesia. Elite’s get-scouted form lets you choose one of its European offices, including Paris, Milan and London, and select Indonesia as your country of residence. (https://elitemodelmanagement.com/get-scouted.web)\n- Bali agencies work largely with international models. Bali Model Agency says it replies within seven days if an application is successful, and its guide says foreign models need a working visa to work legally in Indonesia. (https://balimodelagency.com/freelance-models-agency-models-in-bali/)\n- Impostors use real agency names. Posture Management warns of “scouting imposters”, says it never approaches people through Twitter, Facebook, Zoom or Skype, and publishes office numbers so you can verify anyone claiming to represent it. (https://www.posture-management.com/)\n\n## Rules on fees, contracts and safeguarding\n\n- Under the Manpower Act (Law 13 of 2003), a child is anyone under 18, and employers may not employ children except in the cases the Act sets out (Articles 1 and 68). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- A child may work to develop their talents and interests only under the direct supervision of a parent or guardian, for no more than three hours a day, and in conditions that do not disturb their development or school time (Article 71). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Ministerial Decree KEP.115/MEN/VII/2004 adds that, for children under 15, the employer needs a written agreement with the parent or guardian, work must be outside school hours and capped at three hours a day and 12 a week, and a parent or guardian must be on site. Any employer using children for this kind of work must notify the local manpower office at least 14 days beforehand. The decree does not name modelling specifically. Source: https://jdih.kemnaker.go.id/peraturan/detail/290/keputusan-menteri-nomor-115-tahun-2004\n- No one may involve a child in the worst forms of child labour, which the Act defines to include producing pornography (Article 74). Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- We found no Indonesian rule written specifically for modelling agency fees. The Manpower Act lets licensed private job-placement agencies charge placement fees only to employers and to workers in categories set by ministerial decree (Article 38). Whether an agency counts as a placement agency depends on how it operates. Source: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- An employer hiring foreign workers must have a foreign-worker plan approved by central government, and individuals may not employ foreign workers (Article 42 of the Manpower Act, as amended by Law 6 of 2023). Source: https://peraturan.bpk.go.id/Details/246523/uu-no-6-tahun-2023\n\n## Official model searches\n\n- JFW Model Search (Jakarta Fashion Week): https://www.jakartafashionweek.co.id/programs/jfw-model-search/ — The main casting for Jakarta Fashion Week runway models, open to entrants from across Indonesia and abroad (foreign nationals need a valid KITAS). For the JFW 2027 edition, held 26 October to 1 November 2026, entries closed on 30 May 2026. JFW lists minimum heights of 170 cm for women and 180 cm for men and says the audition is free.\n- JF3 Model Search: https://jf3.co.id/competition/jf3-model-search — The JF3 Fashion Festival’s model competition, which has run since 2004. The 2026 edition held auditions in Jakarta and Surabaya, and JF3 covered travel to Jakarta for selected entrants. Registration has closed and the winners are listed on the page.\n- Elite Model Look (international entry): https://www.elitemodellook.com/int/en/about/2026/index.htm — Elite’s international model contest. Its 2026 country list includes Indonesia, routed to the international entry site. The terms set an entry window of 1 January to 31 December 2026, a minimum age of 14, and written parent or guardian consent for under-18s.\n\n## FAQ\n\n### Do modelling agencies in Indonesia charge a fee to join?\n\nNone of the agency application forms listed here asked for a fee when we checked on 1 October 2026. Elite says it never requests payment for representation, and Jakarta Fashion Week says its Model Search audition is free. We found no Indonesian law written specifically about modelling agency fees, so check any payment request with the agency’s official contacts first.\n\n### What height do I need to be a model in Indonesia?\n\nThere is no national rule; each agency sets its own. Persona says it has no minimum height, IMM says it looks for women from 170 cm and men from 180 cm, and JFW Model Search lists 170 cm for women and 180 cm for men.\n\n### How old do you have to be to model in Indonesia?\n\nPersona accepts applicants from 14, and JIM Models’ terms say under-18s need parental or guardian consent. By law, children working to develop their talents need a parent or guardian’s direct supervision and no more than three hours’ work a day, with extra rules for under-15s.\n\n### What photos should I send a Jakarta agency?\n\nSimple, natural pictures rather than a paid shoot. JIM Models asks for a headshot and full-body photo in natural light with minimal make-up against a plain background, and IMM asks for unretouched full-body, close-up and side photos.\n\n### When is the Jakarta Fashion Week Model Search?\n\nEntries for the JFW 2027 edition, held 26 October to 1 November 2026, closed on 30 May 2026. Auditions are by TikTok video and an online form, followed by in-person judging in Jakarta for the shortlist. Check the official JFW page for the next round.\n\n### Can foreigners work as models in Bali?\n\nForeign models need the right visa and permit. Bali Model Agency says a working visa is needed to work legally in Indonesia, and the Manpower Act requires employers of foreign workers to hold a government-approved foreign-worker plan.\n\n### How can I tell if a modelling scout is fake?\n\nCheck the agency’s own website before replying. Posture Management says it never approaches people through Twitter, Facebook, Zoom or Skype and publishes office numbers for checks, and Elite says it never asks for payment or nude or lingerie photos.\n\n## Sources\n\n- Jakarta Fashion Week — JFW Model Search: https://www.jakartafashionweek.co.id/programs/jfw-model-search/\n- JF3 Fashion Festival — JF3 Model Search: https://jf3.co.id/competition/jf3-model-search\n- Elite Model Look — 2026 countries: https://www.elitemodellook.com/int/en/about/2026/index.htm\n- Elite Model Look — competition terms: https://www.elitemodellook.com/int/en/terms/index.htm\n- JDIH BPK — UU No. 13 Tahun 2003 tentang Ketenagakerjaan: https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- JDIH BPK — UU No. 6 Tahun 2023 (Cipta Kerja): https://peraturan.bpk.go.id/Details/246523/uu-no-6-tahun-2023\n- JDIH Kemnaker — KEP.115/MEN/VII/2004: https://jdih.kemnaker.go.id/peraturan/detail/290/keputusan-menteri-nomor-115-tahun-2004\n- Posture Management — warning regarding imposters: https://www.posture-management.com/\n- Bali Model Agency — guide to modelling in Bali: https://balimodelagency.com/freelance-models-agency-models-in-bali/\n"},{"url":"https://thecastindex.com/modelling/is-it-legit","markdownUrl":"https://thecastindex.com/modelling/is-it-legit.md","title":"Is this modelling agency legit?","lastmod":"2026-10-01","sha256":"5b47b8d292b94cd7e3b5c2d9d93dc9bb293d6c53aba46774387636fabb6768ab","bytes":33927,"markdown":"> Source: https://thecastindex.com/modelling/is-it-legit — updated 2026-10-01.\n\n# Is this modelling agency legit?\n\nA legitimate modelling agency earns commission when it books you work — it does not charge you to join, test shoot or “secure a spot”, does not guarantee work or pay, does not insist on its own photographer and does not rush you to sign.\n\n## Signs of a modelling scam (US Federal Trade Commission)\n\n- **They ask you to pay.** Real agencies don’t charge for a test shoot, your photographs or to “secure your spot”. They’re paid after the client pays, and the contract states their percentage.\n- **They guarantee work.** Bookings are irregular even for successful models. No legitimate agency can promise jobs.\n- **They promise big pay.** Earnings vary widely. A guaranteed salary is a reason to walk away.\n- **You must use their photographer.** Some agencies have photographers they work with, but using them should never be a condition of getting work.\n- **They rush you to sign.** Take time to check the company before giving money or personal details. A genuine offer will still stand tomorrow.\n- **Big claims, no track record.** An established agency can show the models and clients it works with. No website, or no verifiable clients, is a red flag.\n\nSource: https://consumer.ftc.gov/articles/modeling-scams\n\n## The law on fees\n\n- United Kingdom: agencies cannot charge fashion and photographic models an upfront fee for finding work. https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models\n- Indonesia: Under the Manpower Act (Law 13 of 2003), a child is anyone under 18, and employers may not employ children except in the cases the Act sets out (Articles 1 and 68). https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Indonesia: A child may work to develop their talents and interests only under the direct supervision of a parent or guardian, for no more than three hours a day, and in conditions that do not disturb their development or school time (Article 71). https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Indonesia: Ministerial Decree KEP.115/MEN/VII/2004 adds that, for children under 15, the employer needs a written agreement with the parent or guardian, work must be outside school hours and capped at three hours a day and 12 a week, and a parent or guardian must be on site. Any employer using children for this kind of work must notify the local manpower office at least 14 days beforehand. The decree does not name modelling specifically. https://jdih.kemnaker.go.id/peraturan/detail/290/keputusan-menteri-nomor-115-tahun-2004\n- Indonesia: No one may involve a child in the worst forms of child labour, which the Act defines to include producing pornography (Article 74). https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Indonesia: We found no Indonesian rule written specifically for modelling agency fees. The Manpower Act lets licensed private job-placement agencies charge placement fees only to employers and to workers in categories set by ministerial decree (Article 38). Whether an agency counts as a placement agency depends on how it operates. https://peraturan.bpk.go.id/Details/43013/uu-no-13-tahun-2003\n- Indonesia: An employer hiring foreign workers must have a foreign-worker plan approved by central government, and individuals may not employ foreign workers (Article 42 of the Manpower Act, as amended by Law 6 of 2023). https://peraturan.bpk.go.id/Details/246523/uu-no-6-tahun-2023\n- Australia: NSW’s Entertainment Industry Act 2013 defines performers to include models, and regulates the performer representatives who find them work. https://legislation.nsw.gov.au/view/whole/html/inforce/current/act-2013-073\n- Australia: In NSW you cannot be charged a fee merely for joining, auditioning to join or signing with a performer representative, and fees for film, television or media work are capped at 10 per cent unless agreed in a managerial agreement. https://www.nsw.gov.au/business-and-economy/running-a-business/industry-specific-business-requirements/working-as-a-performer-or-performer-representative-nsw/entertainment-industry-agreements/information-for-performers\n- Australia: In NSW, specific laws protect children under 16 employed as actors, performers and models, and the Office of the Children’s Guardian authorises their employers. https://ocg.nsw.gov.au/parents-and-carers/childrens-modelling-and-acting\n- Australia: In Victoria, an employer needs a child employment licence to employ a child under 15 in entertainment, with hour limits that cover advertising, photography and modelling. https://www.vic.gov.au/children-working-entertainment-information-parents\n- Australia: Scamwatch advises stopping to check any job offer that requires you to pay money to make money. https://www.scamwatch.gov.au/types-of-scams/jobs-and-employment-scams\n- Brazil: Brazil’s Constitution bans any work by under-16s except as an apprentice from 14, and night, dangerous or unhealthy work by under-18s. https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm\n- Brazil: A judge must authorise, case by case, the participation of children and adolescents in public shows and their rehearsals, and in beauty contests. https://www.planalto.gov.br/ccivil_03/leis/l8069.htm\n- Canada: The Canadian Anti-Fraud Centre advises never to send deposits or pay fees for a job, and to verify a company through its official website and phone number. https://antifraudcentre-centreantifraude.ca/scams-fraudes/job-emploi-eng.htm\n- China: The Labour Law bars employers from recruiting anyone under 16. Arts, sports and special-craft units that recruit under-16s must follow state rules and protect the child’s right to compulsory education (Article 15). https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- China: Workers aged 16 and 17 are “juvenile workers” with special protection: they may not be given mining, toxic or other prohibited heavy work, and employers must give them regular health checks (Articles 58, 64 and 65). https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394625.html\n- China: The Provisions on the Prohibition of Using Child Labour (State Council Decree 364) bar any organisation or individual from finding work for under-16s. The fine is 5,000 yuan per child, and a job agency that does so loses its licence (Articles 2 and 7). https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- China: Arts and sports units may recruit under-16 professional performers and athletes with a parent’s or guardian’s consent, and must protect their health and compulsory education (Article 13). The provisions do not mention modelling, so it is unclear whether modelling falls within this exception. https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fg/202011/t20201103_394945.html\n- China: Under the Minors Protection Law (2020 revision), no one may recruit under-16s unless state rules allow it. Children may take part in performances and programme production only with a parent’s or guardian’s consent, and organisers must protect their rights (Article 61). https://www.moj.gov.cn/pub/sfbgw/jgsz/jgszzsdw/zsdwflyzzx/flyzzxzcxx/zcxxzcfg/zcfgfl/202010/t20201023_188560.html\n- China: The Advertising Law bars using children under ten as advertising endorsers. An endorser is someone other than the advertiser who recommends or vouches for a product in their own name or image (Articles 2 and 38). https://fw.scjgj.sh.gov.cn/alc/law/11/1/20240117125913.html\n- China: We found no national rule written specifically for modelling agency fees. Licensed job intermediaries may not give false job information, hold workers’ identity documents or take deposits from them (Employment Promotion Law, Articles 40 and 41). It is unclear whether a given modelling agency counts as a job intermediary. https://www.mohrss.gov.cn/xxgk2020/fdzdgknr/zcfg/fl/202011/t20201102_394626.html\n- Denmark: Children under 13 may take part commercially in cultural and similar activities, including advertising-film recordings, only with permission from the Director of the Working Environment Authority, given case by case on application; the permit sets the hours. https://www.retsinformation.dk/eli/lta/2025/1713\n- Denmark: The authority says a permit is needed for a child under 13 to take part in, for example, a photo shoot; companies or parents apply online. https://at.dk/faa-viden/boern-og-unge/faa-viden-om-regler/arbejdstilladelse-for-boern-under-13-aar/\n- France: Any contract by which someone pays for a model’s services is presumed to be an employment contract, whatever the parties call it. https://code.travail.gouv.fr/code-du-travail/l7123-3\n- France: Anyone established in France who places models for a fee must hold a modelling-agency licence (licence d’agence de mannequins). https://code.travail.gouv.fr/code-du-travail/l7123-11\n- France: Working as a model is conditional on a medical certificate showing that your overall health, assessed in particular by BMI, is compatible with the work. https://code.travail.gouv.fr/code-du-travail/l7123-2-1\n- France: A child under 16 may not be engaged as a model without prior individual authorisation from the administrative authority. https://code.travail.gouv.fr/code-du-travail/l7124-1\n- France: That individual authorisation is not needed when the child is engaged by a licensed modelling agency holding an approval (agrément) to engage children. https://code.travail.gouv.fr/code-du-travail/l7124-4\n- Germany: Employing children — under 15, or still in full-time compulsory schooling — is prohibited, except where the supervisory authority grants an exception for events. https://www.gesetze-im-internet.de/jarbschg/__5.html\n- Germany: On application, the authority may allow children to take part in advertising events and film and photo shoots for limited hours (up to two hours a day for ages 3–6, three hours for older children), with written parental consent and a medical certificate no more than three months old. https://www.gesetze-im-internet.de/jarbschg/__6.html\n- Germany: A private placement agent may charge a jobseeker only if a job actually results, must agree the fee in writing, and may not demand or accept advance payments. https://www.gesetze-im-internet.de/sgb_3/__296.html\n- Germany: For placing photo models, advertising models and mannequins in employment, the agent’s fee is capped at 14 per cent of the model’s pay including VAT, or 18 per cent for jobs of up to seven days. https://www.gesetze-im-internet.de/vermittvergv/__2.html\n- India: Under Section 3(2)(b) of the Child and Adolescent Labour (Prohibition and Regulation) Act 1986, as amended in 2016 (in force from 1 September 2016), a child under 14 may work as an artist in the audio-visual entertainment industry, including advertisements, subject to prescribed conditions and safety measures and provided the work does not affect the child’s school education. https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- India: Rule 2C of the Child Labour (Prohibition and Regulation) Amendment Rules 2017 requires a producer to obtain permission from the District Magistrate of the district where the work takes place before involving a child, and to file an undertaking in Form C with the list of child participants, parental consent and the name of the person responsible for the child’s safety. https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- India: Under the same rules a child may not work more than five hours a day or more than three hours without rest, may not work more than 27 consecutive days, and at least 20% of the child’s earnings from a production or event must go into a fixed deposit in a nationalised bank in the child’s name, credited on reaching majority. https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- India: NCPCR’s guidelines define the entertainment industry to include modelling and photography, apply the 20% fixed-deposit rule to adolescents aged 14 to 17 as well as children, and note that the Act limits an adolescent to three hours’ work before a rest of at least an hour, spread over no more than six hours a day. https://ncpcr.gov.in/public/uploads/177009434069817f042fc12_guidelines-for-child-and-adolescent-participation.pdf\n- India: We found no national licensing scheme for model or talent agencies in India and no rule specific to fees charged to aspiring models. General consumer complaints can be raised with the Department of Consumer Affairs’ National Consumer Helpline (toll-free 1915). https://consumerhelpline.gov.in/public/\n- Italy: Employing children — under 15, or still in compulsory schooling — is prohibited, but the labour inspectorate may authorise them to work in cultural, artistic, sporting, advertising or entertainment activities, with the parents’ prior written consent, if it does not harm their safety, development or schooling. https://www.normattiva.it/uri-res/N2Ls?urn:nir:stato:legge:1967-10-17;977~art4\n- Italy: The employer applies to the local labour inspectorate (ITL) on form INL 10 with the parents’ consent; a complete application is treated as approved after 15 days. https://www.ispettorato.gov.it/servizio/impiego-di-minori-nello-spettacolo-2/\n- Japan: Under the Employment Security Act, a job-placement business that charges for its services needs a licence from the Minister of Health, Labour and Welfare (Article 30). https://www.mhlw.go.jp/content/11600000/001749103.pdf\n- Japan: The ministry’s guidance lists “model” (someone who appears in fashion shows or other events, or is photographed for newspapers, magazines and the like) among the few occupations for which a licensed placement business may charge the job-seeker, under a fee table it must disclose, plus for now an application fee of up to ¥710 per application. It may take no other fee in connection with placement. We could not confirm from the agencies’ own pages whether any agency listed here operates as a licensed placement business. https://www.mhlw.go.jp/content/11650000/001497513.pdf\n- Japan: The Labour Standards Act bars employing a child until the end of the first 31 March after their 15th birthday. With permission from the relevant government office, children of 13 and over may do light work outside school hours, and younger children may work in film production and theatre; the employer must keep a school head’s certificate and a parent’s or guardian’s consent, and these children may not work between 8pm and 5am (Articles 56, 57 and 61). The Act does not mention modelling and applies only where a child is employed. https://www.japaneselawtranslation.go.jp/en/laws/view/3567\n- Japan: The National Consumer Affairs Center warns of talent and model contract problems, mostly among women in their teens and twenties, now often starting from online auditions and social media ads. It advises checking what the work involves and whether you must pay, avoiding contracts on the spot, and calling the 188 consumer hotline; cooling-off may be possible in some cases. https://www.kokusen.go.jp/soudan_now/data/tm_keiyaku.html\n- Japan: The Japan Modeling Agencies Association, an industry body rather than a regulator, says its members’ scouts show a company business card and a JMAA ID card, explain lesson and photo costs and cooling-off rights, never sign contracts on the spot, never push beauty devices, cosmetics or salons, and never charge high registration fees on a promise of fame. A minor’s contract needs a guardian’s consent form. https://www.j-m-a-a.com/policy/model-scout/\n- Malaysia: Anyone who acts as an intermediary to find work for a job seeker must be licensed under the Private Employment Agencies Act 1981; recruiting without a licence carries a fine of up to RM200,000, up to three years in prison, or both. JTKSM’s guidance does not say whether modelling agencies fall within the Act. https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- Malaysia: A licensed agency may charge a job seeker a registration fee of no more than RM30 for work in Malaysia, and a placement fee of no more than 25% of the first month’s basic wage once a job offer is accepted. If the employer pays the placement fee, the agency cannot also claim it from the job seeker. https://jtksm.mohr.gov.my/sites/default/files/2023-03/7.%20Akta%20Agensi%20Pekerjaan%20Swasta%201981%20%281%29.pdf\n- Malaysia: Charging more than these fees, or knowingly deceiving a job seeker with false information, is an offence carrying a fine of up to RM50,000, up to one year in prison, or both. https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- Malaysia: No one under 18 may take part in any public entertainment (the Act’s definition covers exhibitions and performances open to the public, and performances filmed for public exhibition) unless the Director General of Labour has issued a licence to the person employing them. The Act does not mention modelling by name. https://jtksm.mohr.gov.my/sites/default/files/2023-03/5.%20Children%20and%20Young%20Persons%20%28Employment%29%20Act%201966_0.pdf\n- Singapore: Anyone who places job seekers with employers in Singapore needs an employment agency licence from the Ministry of Manpower. MOM’s guidance does not mention modelling agencies, so it is unclear whether an agency that books models for freelance jobs is covered. https://www.mom.gov.sg/employment-agencies/eligibility-and-requirements/who-needs-to-get-a-licence\n- Singapore: A licensed employment agency may charge a job seeker no more than one month’s salary for each year of the employment contract, capped at two months’ salary, and must issue an itemised receipt for any fee. https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- Singapore: If the employer fails to employ you, or ends the job within six months for reasons other than those the rules list, a licensed agency must refund at least half of the fees you paid. https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- Singapore: You can check whether an employment agency is licensed, and see agencies under revocation, suspension or surveillance, on MOM’s EA Directory. https://www.mom.gov.sg/eservices/services/employment-agencies-and-personnel-search\n- Singapore: Children aged 13 to under 15 may only do light work in non-industrial settings; young persons aged 15 to under 16 may work in non-industrial settings. MOM’s page does not refer to modelling specifically. https://www.mom.gov.sg/employment-practices/young-persons-and-children\n- Singapore: The Consumer Protection (Fair Trading) Act protects consumers against unfair trade practices such as misleading representations or false claims, and CASE is the first point of contact for consumer complaints. https://www.ccs.gov.sg/consumer-protection/fair-trading-practices/about-fair-trading-practices/\n- South Africa: The Basic Conditions of Employment Act bars employing children under 15, but lets a ministerial or sectoral determination allow children to work in advertising, sports, artistic or cultural activities. https://www.gov.za/sites/default/files/gcis_document/201409/a75-97.pdf\n- South Africa: Employers apply to the Department of Employment and Labour for a permit to involve children under 15 in advertising, artistic and cultural activities — the form lists modelling — attaching the parent’s or guardian’s consent and proof of age. https://www.labour.gov.za/DocumentCenter/Forms/Basic%20Conditions%20of%20Employment/Form%20SD10.1%20-%20Application%20for%20a%20permit%20to%20employ%20children%20in%20the%20performing%20arts.doc\n- South Korea: Anyone running a “popular culture and arts planning business”, defined as providing or arranging artists’ services or training, guiding or counselling them for that purpose, must register with the Minister of Culture, Sports and Tourism. Trading without registration carries up to two years in prison or a fine of up to 20 million won (Articles 2, 26 and 40). https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- South Korea: The Act does not name models, so whether a particular modelling agency must register is not stated in terms. Its Enforcement Decree lists “productions using images” among the covered productions, alongside broadcast programmes, film, music and some live performances (Decree Article 2). https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95%EC%8B%9C%ED%96%89%EB%A0%B9\n- South Korea: Planning businesses and their staff must not give false information or make false promises when recruiting artists, and registered academies that train would-be artists must not make false claims about agency services when recruiting students. Breaches carry fines of up to 10 million won (Articles 15 and 41). https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- South Korea: The Act treats anyone under 19 as a youth. Under-15s may work on productions for no more than 35 hours a week and not between 10pm and 6am, except until midnight before a school holiday with their own and a parent’s or guardian’s consent. Those aged 15 and over are capped at 40 hours a week (extendable by up to one hour a day and six a week by agreement) and need their own and a parent’s or guardian’s consent to work between 10pm and 6am. The weekly caps do not apply to justified cases such as travel for overseas work (Articles 2, 22 and 23). https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- South Korea: Contracts with under-19s must include measures protecting their health, schooling, sleep and rest, and businesses must not force them into excessive exposure, missing school, unsafe work or excessive appearance management (Article 21). https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- South Korea: Contracts for artists’ services must be in writing and signed by both sides, covering the term, each side’s rights, the scope of work, revenue sharing, dispute resolution and protection of child and youth artists. The ministry prepares standard contracts in consultation with the Fair Trade Commission (Articles 7 and 8). We found no Korean rule written specifically about agencies charging aspiring models to apply. https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Spain: Under-16s may not be employed, and their participation in public shows may be authorised by the labour authority only in exceptional cases, in writing and for specific events, where it does not endanger their health or development. https://www.boe.es/buscar/act.php?id=BOE-A-2015-11430#a6\n- Sweden: Employers may not let children under 13 work, except very light work or with a permit from the Swedish Work Environment Authority to perform in cultural or artistic activities or at sports or advertising events. https://www.av.se/arbetsmiljoarbete-och-inspektioner/publikationer/foreskrifter/afs-20232/#8kap-minderarigasarbetsmiljo\n- Sweden: Employers hiring children under 13 for such work must apply for a permit, and the authority asks for applications at least eight weeks before work starts. No permit is needed for 13- to 17-year-olds working as performers or extras, though the authority can rule on their hours. https://www.av.se/arbetsmiljoarbete-och-inspektioner/arbetsgivarens-ansvar-for-arbetsmiljon/minderariga-arbetstagare/ansok-om-tillstand-for-minderarigas-artistupptradanden/\n- Thailand: The Labour Protection Act B.E. 2541 (1998) prohibits employers from employing children under 15. Its child-labour rules apply to employers and their child employees; the Act does not say whether a modelling booking counts as employment. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Thailand: An employer of a child under 18 must notify a labour inspector within 15 days of the child starting work and within 7 days of the job ending, keep a record of changed employment conditions, and give at least a one-hour break after no more than four hours of work. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Thailand: Employees under 18 may not work between 10pm and 6am without written permission from the Director-General, but an employer may let a child who performs in film, drama or similar performances work in those hours with adequate rest. Under-18s may not work overtime or on holidays. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Thailand: Employers may not demand a security deposit from a child employee or pay the child’s wages to anyone else. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Thailand: Under the Employment and Job-Seekers Protection Act B.E. 2528 (1985), placing job seekers in work in Thailand requires a licence. A licensed placement agent may charge job seekers only a service fee and expenses within ministerial limits, and nothing before the employer has hired the job seeker and paid the first wage. The Act does not mention modelling, so it is unclear whether modelling agencies fall under it. We found no rule specific to modelling agency fees. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/TzRRdHFaV2M0TC91NSs1TGtCOEdWUT09\n- Thailand: The Child Protection Act B.E. 2546 (2003) defines a child as under 18. Whether or not the child consents, it bars using, hiring or asking a child to work or act in ways that may harm their body or mind or hinder their development, and bars inducing or allowing a child to perform obscene acts, paid or not. https://searchlaw.ocs.go.th/council-of-state/#/public/doc/QVFPWXZqblNjSDZQbnJJSllYN3BZdz09\n- United Arab Emirates: The UAE Labour Law prohibits employing anyone under 15, and the Ministry of Human Resources and Emiratisation does not issue work permits below that age (Article 5 of Federal Decree-Law No. 33 of 2021, as summarised by the government portal). https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- United Arab Emirates: Juveniles aged 15 to 18 may work only under a ministry work permit. The permit needs written consent signed by a parent or guardian, a medical certificate of fitness for the work and a ministry-approved contract. Juveniles may not work at night or in dangerous or harmful jobs. The page does not mention modelling specifically. https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- United Arab Emirates: The government portal says charging recruitment fees to prospective employees is illegal, and that recruitment, travel and residence-permit costs are borne by the employer. We found no rule written specifically for modelling agency fees, and the page does not say how this applies to agencies representing freelance models. https://u.ae/en/information-and-services/jobs/Sector-of-employment/employment-in-the-private-sector/labour-rights\n- United Arab Emirates: Federal Law No. 3 of 2016 on child rights (Wadeema’s Law) protects children against all forms of negligence, exploitation and physical and psychological abuse. The government’s summary does not mention modelling. https://u.ae/en/information-and-services/justice-safety-and-the-law/Safety/children-safety\n- United States: New York’s Fashion Workers Act (Labor Law, Article 36) has applied since 19 June 2025; since 21 December 2025, model management companies and groups must register with the State Department of Labor. https://dol.ny.gov/fashion\n- United States: New York model management companies may not require a deposit or charge a fee for signing, take more than 20 per cent commission, or create or use a model’s digital replica without separate written approval. https://dol.ny.gov/responsibilities-fashion-management-and-clients\n- United States: In New York, print and runway models under 18 need a Child Performer Permit from the Department of Labor, and employers must put at least 15 per cent of their earnings into a trust account. https://dol.ny.gov/child-model-frequently-asked-questions\n- United States: California talent agencies must hold a licence from the Labor Commissioner and quote the licence number in their advertising; the law’s definition of artists includes models. https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.5\n- United States: California talent agencies may not collect a registration fee. https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.40\n- United States: In California, employing a minor under 16 as an advertising or photographic model requires a permit from the Labor Commissioner. https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1308.5\n- United States: Florida talent agencies need a state licence to operate. https://www.flsenate.gov/Laws/Statutes/2026/468.403\n- United States: Florida talent agencies may not charge a registration fee, or make you buy photography services, classes or workshops as a condition of registering or finding work. https://www.flsenate.gov/Laws/Statutes/2026/468.410\n- United States: The Federal Trade Commission says never to pay an agency up front: any agency asking for money to represent you is a scam, and agencies shouldn’t make using their photographer a condition of getting work. https://consumer.ftc.gov/articles/modeling-scams\n\n## What real agencies say\n\n- JIM Models (Jakarta): Its terms say an application does not create an agency relationship; representation begins only with a signed agreement. It runs a modelling school separately from the application. https://www.jimmodels.com/terms\n- Elite Model Management (apply from Indonesia) (Paris, Milan, London and other European offices): Says its scouts and agents will never request payment for representation or ask for nude or lingerie photos, and warns that impostors use the Elite name. Under-18s contacted by anyone claiming to be from Elite should tell a trusted adult and contact Elite directly. https://elitemodelmanagement.com/get-scouted.web\n- IMG Models Sydney (Sydney): Says it never asks for nude or lingerie photos, never requires payment, charges no fee to apply or to sign and does not interview over Skype. https://imgmodels.com/recruitmentwarning/\n- Scoop Management (Sydney): Says only shortlisted applicants are contacted and all official communication comes from an @scoopmanagement.com email address or its verified social accounts. https://www.scoopmanagement.com.au/get-scouted\n- Kult Australia (Sydney): Says it will never ask for nude or lingerie photos or request payment during scouting or the application. https://www.kult.com.au/join-us\n- Vivien’s Models Sydney (Sydney): Warns that scam email accounts have posed as its agents: any email not ending @viviensmodels.com.au is not genuine. https://viviensmodels.com.au/be-discovered/\n- Vivien’s Models Melbourne (Melbourne): Warns that scam email accounts have posed as its agents: any email not ending @viviensmodels.com.au is not genuine. https://viviensmodels.com.au/be-discovered/\n- GIANT Management (Melbourne): Says there is no application fee and no sign-up fee for Junior, and that no reputable agency charges you to apply. https://giantmanagement.com/faq/\n- Way Model Management (São Paulo): Says there is no fee for the assessment and no need to pay for a professional portfolio. https://waymodel.com.br/quero-ser-modelo\n- JOY Model Management (São Paulo): Says it never requests nude or lingerie photos or any payment, does not interview over Skype, and that you should check the identity of anyone claiming to be from JOY and tell a parent or guardian if contacted. https://www.joymgmt.com/en/regulation\n- Sutherland Models (Toronto): Says it never asks for lingerie or nude photos, and asks you to call the agency to confirm anyone claiming to scout for it. https://www.sutherlandmodels.com/apply/\n- Spot 6 Management (Toronto): Says it does not interview via Skype, never requests nude or lingerie photos and never requires payment. http://www.spot6management.com/spotme/\n- Folio Management (Montreal): Warns about impersonators: do not respond to anyone asking for an online interview, personal information or payment in Folio’s name without verifying first. https://www.foliomanagement.com/be-a-folio-talent\n- Richard’s International Model Management (Vancouver): Says it does not request nude or lingerie photos or videos or interview by Skype or webcam, and that anyone offering paid portfolio shoots in its name is fraudulent. https://www.richardsmodels.com/apply\n- Lizbell Agency (Vancouver): Says it never requests nude or lingerie photos and never requires payment for scouting or submissions, and names its official scouts on the page. https://www.lizbellagency.com/submissions\n- Elite Model Management Copenhagen (Copenhagen): Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name. https://elitemodelmanagement.com/copenhagen/get-scouted.web\n"},{"url":"https://thecastindex.com/modelling/italy","markdownUrl":"https://thecastindex.com/modelling/italy.md","title":"How to become a model in Italy","lastmod":"2026-10-01","sha256":"b183457196ef4d5cfb41780bcb93dbdc24148fc09becdf7881683648af0ae5c8","bytes":7387,"markdown":"> Source: https://thecastindex.com/modelling/italy — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Italy\n\nApply online to a Milan agency through its own website, with natural, make-up-free photos and your height. Elite, Women, Next and others take applications by form; Next has cancelled open calls. Elite, IMG and Next say they never ask applicants for payment. Children need labour-inspectorate authorisation, with parents’ written consent, to work in advertising or entertainment.\n\n## Agencies and their official application routes\n\n- **Elite Model Management Milan** (Milan) — online form: https://www.elitemodelmanagement.com/milan/get-scouted.web; height: The form asks for your height. The page states no minimum.; age: The form asks for a parent’s or legal guardian’s details for minors.; safety: Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name.\n- **IMG Models Milan** (Milan) — online form: https://getscouted.imgmodels.com/; height: The form asks for your height. The page states no minimum.; age: Applications from age 14; IMG contacts a legal guardian for authorisation for 14- to 17-year-olds.; safety: Says it never asks for nude or lingerie photos, never requires payment, charges no fee to apply or to sign and does not interview over Skype.\n- **Women Management Milan** (Milan) — online form: https://www.womenmanagement.com/milan/become.web; height: The form asks for your height. The page states no minimum.; age: Parent or guardian details are required for minors.\n- **d’management group** (Milan) — online form: https://dmanagementgroup.com/get-scouted/; height: The form asks for your height. The page states no minimum.\n- **Why Not Model Management** (Milan) — online form: https://www.whynotmodels.com/getscouted; height: The form asks for your height. The page states no minimum.; age: Minors must confirm they have a parent’s consent to submit their details and photos.; safety: Says its scouts always provide proof of identification, and warns against giving personal details, photos or payments to strangers claiming to work with Why Not.\n- **Monster Management** (Milan) — online form: https://www.monster-mgmt.com/it/application; height: The form asks for your height. The page states no minimum.; age: By submitting you confirm you are 16 or older; younger applicants should get a parent’s or guardian’s approval first.\n- **Next Management Milan** (Milan) — online form: https://nextmanagement.com/recruitment; open call: Next says open calls are cancelled until further notice.; height: Height is a required field on the form. The page states no minimum.; safety: Says it will never request nude or undergarment photos or any payment, and does not interview over Skype.\n- **The Fashion Model Management** (Milan) — online form: https://www.fashionmodel.it/en/get-scouted; height: Women at least 1.74m on the English page (1.75m on the Italian page); men at least 1.84m.; age: The English page sets its women’s criteria for applicants not over 21.; safety: Says it will never request nude or lingerie photos or any payment to get scouted, and warns against anyone promising modelling work for a fee.\n- **Independent Model Management** (Milan) — online form: https://www.independentmgmt.it/w/application/application; height: Says it works with specific height ranges, listing 174 and 181 for women and 185 and 190 for men; it may consider under-18s who are still growing.; age: Applications from minors must be made with a parent’s or legal guardian’s support.; safety: Says no employee will ever ask you to send nude photos.\n- **Select Model Management Milano** (Milan) — online form: https://apply.selectmodel.com/; open call: Select lists no Milan open call; apply online.\n\n## How agencies recruit\n\n- Applications go through each agency’s own form. Elite’s covers Milan and its other European offices, and Next’s lets you choose Milan. (https://www.elitemodelmanagement.com/milan/get-scouted.web)\n- No portfolio needed: Women Management says experience and professional photos are not required, and Monster says phone photos taken by a friend or family member are fine. (https://www.monster-mgmt.com/it/application)\n- Some Milan agencies publish height minimums, The Fashion Model Management and Independent among them; Elite, Women, Next and Why Not publish none. (https://www.fashionmodel.it/en/get-scouted)\n- Expect to hear only if selected: Next says it will be in touch if it feels you have the right look, and Monster keeps application data for no more than 30 working days. (https://nextmanagement.com/recruitment)\n- Why Not says its scouts always show proof of identification, and Independent says its official emails come only from @independentmgmt.it addresses. (https://www.whynotmodels.com/getscouted)\n- We could not verify an official Italian rule specific to modelling-agency fees; the rules below cover children’s work.\n\n## Rules on fees, contracts and safeguarding\n\n- Employing children — under 15, or still in compulsory schooling — is prohibited, but the labour inspectorate may authorise them to work in cultural, artistic, sporting, advertising or entertainment activities, with the parents’ prior written consent, if it does not harm their safety, development or schooling. Source: https://www.normattiva.it/uri-res/N2Ls?urn:nir:stato:legge:1967-10-17;977~art4\n- The employer applies to the local labour inspectorate (ITL) on form INL 10 with the parents’ consent; a complete application is treated as approved after 15 days. Source: https://www.ispettorato.gov.it/servizio/impiego-di-minori-nello-spettacolo-2/\n\n## Official model searches\n\n- Elite Model Look Italia: https://www.elitemodellook.com/it/it/home/index.htm — Elite’s international model contest has an Italian page and online entry. Its 2026 rules say applicants must be at least 14, with a parent’s or guardian’s permission under 18.\n\n## FAQ\n\n### Do Milan modelling agencies charge to apply?\n\nThe ones listed here say not. Elite, IMG and Next say they never ask for payment, and The Fashion Model Management warns against anyone promising modelling work for a fee.\n\n### Can I walk in to a Milan agency?\n\nNone of the Milan agencies listed publishes open-call times. Next says open calls are cancelled until further notice and Select lists no Milan open call, so apply through the agency’s own form.\n\n### Can under-18s apply?\n\nYes, with a parent or guardian. Elite and Women ask for a guardian’s details, Independent says minors must apply with a parent’s support, and IMG accepts applications from 14 with a guardian’s authorisation. Children’s work in advertising needs labour-inspectorate authorisation.\n\n## Sources\n\n- Normattiva — Legge 977/1967, art. 4: https://www.normattiva.it/uri-res/N2Ls?urn:nir:stato:legge:1967-10-17;977~art4\n- Ispettorato Nazionale del Lavoro — minori nello spettacolo: https://www.ispettorato.gov.it/servizio/impiego-di-minori-nello-spettacolo-2/\n- Elite Milan — get scouted: https://www.elitemodelmanagement.com/milan/get-scouted.web\n- Next Management — recruitment: https://nextmanagement.com/recruitment\n- Elite Model Look — 2026 rules: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/japan","markdownUrl":"https://thecastindex.com/modelling/japan.md","title":"How to become a model in Japan","lastmod":"2026-10-01","sha256":"91b641b55231e0adb6b4215922f9d19002092c356d1da3fea6a94cab7f5dfc5f","bytes":10622,"markdown":"> Source: https://thecastindex.com/modelling/japan — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Japan\n\nApply to an agency directly. Bravo, Donna and Satoru Japan in Tokyo and Japan Model Agency in Osaka take online applications, TOMORROW TOKYO takes them by email and Image by post or Google Form. Expect photo screening, then an interview. Japan’s modelling agency association says models customarily pay for lessons and promotional photos, so confirm costs before signing.\n\n## Agencies and their official application routes\n\n- **TOMORROW TOKYO** (Tokyo) — email: https://www.tomorrowtokyo.com/become-a-model; height: Your email must include your height. The page states no minimum.\n- **Bravo Models** (Tokyo) — online form: https://www.bravomodels.net/become/; height: Lists 168–178cm for women and 180–188cm for men.; age: Lists ages 14 to 25 for women and 14 to 27 for men.\n- **Donna Models** (Tokyo) — online form: http://www.donnamodels.jp/apply; height: Height is a required field on the form. The page states no minimum.\n- **Image (Bon Image)** (Tokyo) — online form: https://www.image-tokyo.co.jp/company/; height: Your CV must state your height. The page states no minimum.; age: Minors must include a consent form from a parent or guardian.\n- **Satoru Japan** (Tokyo) — online form: https://satorujapan.co.jp/audition/; height: Says it mainly accepts applicants of 158cm and over, as a guide rather than a fixed rule.; age: The audition is for women aged about 12 to 25 (a guide, not a fixed rule); minors need a parent’s or guardian’s consent.; safety: Says the audition is free, though travel is at your own expense, and that lessons are required for applicants without modelling experience.\n- **Space Craft** (Tokyo) — email: https://www.spacecraft.co.jp/audition/form; height: The form asks for height. The page states no minimum.; age: Auditions are for applicants aged about 12 to 25 (a separate route covers babies to primary-school age); minors need a parent’s or guardian’s consent.\n- **Japan Model Agency** (Osaka) — online form: http://www.jma-model.com/audition/; height: Fashion model applicants should be 168cm or taller (or still growing); the model/talent and men’s categories have no height limit.; age: Fashion model category: about 12 to 29; model/talent and men’s categories from 12 with no upper limit. Minors must complete the guardian consent section.; safety: Says there is no registration fee. Lessons at a related academy are optional and paid; it says it explains them at the interview after you pass the audition and lets you take time to decide.\n\n## How agencies recruit\n\n- Most models in Japan work under a management contract with an agency rather than freelance. The Japan Modeling Agencies Association (JMAA) says agencies’ requirements differ, so check age and height conditions before applying. (https://www.j-m-a-a.com/news/become-a-model/)\n- Applications usually need a full-length photo and a head-and-shoulders photo with no or natural make-up; professional photos are not required. Applicants who pass photo screening are invited to an interview or audition. (https://www.j-m-a-a.com/news/become-a-model/)\n- JMAA says lesson fees and the cost of promotional photos (composites) are customarily paid by the model in Japan, and advises confirming what each cost is for and how much before signing. (https://www.j-m-a-a.com/news/become-a-model/)\n- Some agencies publish age and height ranges before you apply. Bravo lists 14 to 25 and 168–178cm for women, and 14 to 27 and 180–188cm for men; others, such as Donna and TOMORROW TOKYO, ask for your height without stating a minimum. (https://www.bravomodels.net/become/)\n- JMAA says a minor’s agency contract needs a consent form from a parent or guardian, and several agencies listed here, including Image, Space Craft and Japan Model Agency, ask for guardian consent when a minor applies. (https://www.j-m-a-a.com/policy/model-scout/)\n\n## Rules on fees, contracts and safeguarding\n\n- Under the Employment Security Act, a job-placement business that charges for its services needs a licence from the Minister of Health, Labour and Welfare (Article 30). Source: https://www.mhlw.go.jp/content/11600000/001749103.pdf\n- The ministry’s guidance lists “model” (someone who appears in fashion shows or other events, or is photographed for newspapers, magazines and the like) among the few occupations for which a licensed placement business may charge the job-seeker, under a fee table it must disclose, plus for now an application fee of up to ¥710 per application. It may take no other fee in connection with placement. We could not confirm from the agencies’ own pages whether any agency listed here operates as a licensed placement business. Source: https://www.mhlw.go.jp/content/11650000/001497513.pdf\n- The Labour Standards Act bars employing a child until the end of the first 31 March after their 15th birthday. With permission from the relevant government office, children of 13 and over may do light work outside school hours, and younger children may work in film production and theatre; the employer must keep a school head’s certificate and a parent’s or guardian’s consent, and these children may not work between 8pm and 5am (Articles 56, 57 and 61). The Act does not mention modelling and applies only where a child is employed. Source: https://www.japaneselawtranslation.go.jp/en/laws/view/3567\n- The National Consumer Affairs Center warns of talent and model contract problems, mostly among women in their teens and twenties, now often starting from online auditions and social media ads. It advises checking what the work involves and whether you must pay, avoiding contracts on the spot, and calling the 188 consumer hotline; cooling-off may be possible in some cases. Source: https://www.kokusen.go.jp/soudan_now/data/tm_keiyaku.html\n- The Japan Modeling Agencies Association, an industry body rather than a regulator, says its members’ scouts show a company business card and a JMAA ID card, explain lesson and photo costs and cooling-off rights, never sign contracts on the spot, never push beauty devices, cosmetics or salons, and never charge high registration fees on a promise of fame. A minor’s contract needs a guardian’s consent form. Source: https://www.j-m-a-a.com/policy/model-scout/\n\n## Official model searches\n\n- Satoru Japan Model Audition 2026 “THE FACE NEXT”: https://satorujapan.co.jp/audition/ — Agency-run audition for women aged about 12 to 25 (Japanese, mixed-heritage and foreign residents of Japan). Online application and document screening, then an audition in Tokyo. Satoru Japan says the audition is free apart from travel, but lessons are required for applicants without experience. Page in Japanese.\n\n## FAQ\n\n### Do modelling agencies in Japan charge to apply?\n\nThe agencies here that mention fees say applying is free: Satoru Japan says its audition costs nothing apart from travel, and Japan Model Agency says there is no registration fee. But JMAA says lesson and promotional photo costs are customarily paid by the model, and Satoru Japan requires lessons for newcomers. Confirm every cost in writing before signing.\n\n### How can I tell whether a scout in Japan is genuine?\n\nJMAA says its members’ scouts show a company business card and a JMAA ID card, never sign a contract on the spot and never sell beauty products. Satoru Japan says its scouts always carry ID, never scout by email, and asks you to call its office to check.\n\n### What age and height do Japanese agencies ask for?\n\nIt varies by agency. Bravo lists 14 to 25 and 168–178cm for women and 14 to 27 and 180–188cm for men; Satoru Japan uses about 12 to 25 and 158cm as a guide; Japan Model Agency’s fashion category is about 12 to 29 and 168cm or taller; Donna and TOMORROW TOKYO state no minimum height.\n\n### Can under-18s model in Japan?\n\nYes, with a parent’s or guardian’s consent, which Image, Space Craft, Satoru Japan and Japan Model Agency all require. Separately, the Labour Standards Act bars employing a child until the first 31 March after their 15th birthday except with official permission, and the Act does not say how it applies to modelling.\n\n### Can foreigners apply to Japanese agencies?\n\nSatoru Japan’s audition is open to foreign women living in Japan, and TOMORROW TOKYO lists a separate email address for international applicants. Bravo and Image say they recruit Japanese and mixed-heritage models.\n\n### What if I was pressured into a model contract?\n\nThe National Consumer Affairs Center says cooling-off may be possible in some cases and advises calling the 188 consumer hotline, which connects you to your local consumer centre. It recommends never signing on the spot and talking to family first.\n\n### Is Elite Model Look open in Japan?\n\nJapan is not among the countries listed for Elite Model Look 2026.\n\n## Sources\n\n- TOMORROW TOKYO — Become a Model: https://www.tomorrowtokyo.com/become-a-model\n- Bravo Models — Become Bravo: https://www.bravomodels.net/become/\n- Donna Models — Become a Model: http://www.donnamodels.jp/apply\n- Image (Bon Image) — Company and model recruitment: https://www.image-tokyo.co.jp/company/\n- Satoru Japan — THE FACE NEXT audition: https://satorujapan.co.jp/audition/\n- Satoru Japan — Audition FAQ: https://satorujapan.co.jp/audition/qa.html\n- Satoru Japan — 違法スカウトについて (illegal scouting warning): https://satorujapan.co.jp/information/\n- Space Craft — Audition: https://www.spacecraft.co.jp/audition\n- Japan Model Agency — Audition: http://www.jma-model.com/audition/\n- JMAA — Member list: https://www.j-m-a-a.com/member-list/\n- JMAA — モデルになりたい方へ (For people who want to become models): https://www.j-m-a-a.com/news/become-a-model/\n- JMAA — モデルスカウトに関して (On model scouting): https://www.j-m-a-a.com/policy/model-scout/\n- MHLW — Placement business guidelines, Chapter 6: fees: https://www.mhlw.go.jp/content/11650000/001497513.pdf\n- MHLW — Placement business guidelines, Chapter 1: overview: https://www.mhlw.go.jp/content/11600000/001749103.pdf\n- Japanese Law Translation — Labor Standards Act: https://www.japaneselawtranslation.go.jp/en/laws/view/3567\n- National Consumer Affairs Center of Japan — talent and model contract warning: https://www.kokusen.go.jp/soudan_now/data/tm_keiyaku.html\n- Elite Model Look 2026 — countries: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/malaysia","markdownUrl":"https://thecastindex.com/modelling/malaysia.md","title":"How to become a model in Malaysia","lastmod":"2026-10-01","sha256":"e23ff9f81b1411c87633f1cf1f17f660d8052be1a0a11575a6f2b7f9c7206b68","bytes":5993,"markdown":"> Source: https://thecastindex.com/modelling/malaysia — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Malaysia\n\nApply through the route an agency publishes on its own website. Scout Models Kuala Lumpur takes model submissions by email and sees walk-ins by appointment only, and MAVN Models uses an online form. If an agency is licensed under the Private Employment Agencies Act 1981, its registration fee for work in Malaysia is capped at RM30.\n\n## Agencies and their official application routes\n\n- **Scout Models Kuala Lumpur** (Kuala Lumpur) — email: https://www.scoutmodelskl.com/contactus; open call: No walk-ins; visits are by appointment only.\n- **MAVN Models** (Kuala Lumpur) — online form: https://www.mavnmodels.com/apply-as-a-model/; height: The form does not ask for height and the page states no height requirement.\n- **Swag Studio Casting** (Kuala Lumpur) — email: https://www.swagstudio.com.my/contact\n\n## How agencies recruit\n\n- Scout Models Kuala Lumpur represents local and international models for runway shows, campaigns, editorial and commercial work, and also produces fashion shows and events. (https://www.scoutmodelskl.com/aboutus)\n- Scout KL says it handled the models and show production for The KL Men’s Fashion Week 2026. (https://www.scoutmodelskl.com/scout-events-1/theklmensfashionweek2026)\n- MAVN Models runs separate online applications for models, talents and influencers, and says its roster covers commercial, fashion, retail and digital campaigns. (https://www.mavnmodels.com/)\n- Casting companies are another route: Swag Studio Casting, which casts talent for productions rather than representing models, takes talent and model submissions by email. (https://www.swagstudio.com.my/contact)\n- Private employment agencies in Malaysia are licensed by the Labour Department of Peninsular Malaysia (JTKSM) under the Private Employment Agencies Act 1981. (https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta)\n\n## Rules on fees, contracts and safeguarding\n\n- Anyone who acts as an intermediary to find work for a job seeker must be licensed under the Private Employment Agencies Act 1981; recruiting without a licence carries a fine of up to RM200,000, up to three years in prison, or both. JTKSM’s guidance does not say whether modelling agencies fall within the Act. Source: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- A licensed agency may charge a job seeker a registration fee of no more than RM30 for work in Malaysia, and a placement fee of no more than 25% of the first month’s basic wage once a job offer is accepted. If the employer pays the placement fee, the agency cannot also claim it from the job seeker. Source: https://jtksm.mohr.gov.my/sites/default/files/2023-03/7.%20Akta%20Agensi%20Pekerjaan%20Swasta%201981%20%281%29.pdf\n- Charging more than these fees, or knowingly deceiving a job seeker with false information, is an offence carrying a fine of up to RM50,000, up to one year in prison, or both. Source: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- No one under 18 may take part in any public entertainment (the Act’s definition covers exhibitions and performances open to the public, and performances filmed for public exhibition) unless the Director General of Labour has issued a licence to the person employing them. The Act does not mention modelling by name. Source: https://jtksm.mohr.gov.my/sites/default/files/2023-03/5.%20Children%20and%20Young%20Persons%20%28Employment%29%20Act%201966_0.pdf\n\n## FAQ\n\n### How do I apply to a modelling agency in Malaysia?\n\nUse the route on the agency’s own website. Scout Models Kuala Lumpur takes model submissions by email and sees walk-ins by appointment only; MAVN Models has an online application form.\n\n### Can a Malaysian agency charge me a registration fee?\n\nAn agency licensed under the Private Employment Agencies Act 1981 may charge a job seeker no more than RM30 to register for work in Malaysia, and a placement fee of no more than 25% of the first month’s basic wage after a job offer is accepted. It is unclear whether modelling agencies fall under the Act.\n\n### Can under-18s model in Malaysia?\n\nUnder the Children and Young Persons (Employment) Act 1966, anyone under 18 may take part in public entertainment only if the Director General of Labour has licensed the person employing them. The Act does not mention modelling by name.\n\n### What happens if an employment agency overcharges me?\n\nCharging more than the fees set in the Private Employment Agencies Act 1981, or knowingly deceiving a job seeker with false information, is an offence with a fine of up to RM50,000, up to one year in prison, or both.\n\n### Is there an Elite Model Look edition in Malaysia?\n\nMalaysia is not among the countries listed on the Elite Model Look 2026 page, and we could not verify any other national model search.\n\n## Sources\n\n- Scout Models Kuala Lumpur — Contact: https://www.scoutmodelskl.com/contactus\n- MAVN Models — Apply as a model: https://www.mavnmodels.com/apply-as-a-model/\n- Swag Studio Casting — Contact: https://www.swagstudio.com.my/contact\n- JTKSM — Agensi Pekerjaan Swasta: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta\n- JTKSM — Private employment agency FAQ: https://jtksm.mohr.gov.my/ms/perkhidmatan/agensi-pekerjaan-swasta/soalan-lazim-agensi-pekerjaan-swasta\n- Private Employment Agencies Act 1981 (Act 246): https://jtksm.mohr.gov.my/sites/default/files/2023-03/7.%20Akta%20Agensi%20Pekerjaan%20Swasta%201981%20%281%29.pdf\n- Children and Young Persons (Employment) Act 1966 (Act 350): https://jtksm.mohr.gov.my/sites/default/files/2023-03/5.%20Children%20and%20Young%20Persons%20%28Employment%29%20Act%201966_0.pdf\n- Elite Model Look — 2026: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/singapore","markdownUrl":"https://thecastindex.com/modelling/singapore.md","title":"How to become a model in Singapore","lastmod":"2026-10-01","sha256":"098191a9824351fedaa40da5e8e137ea2b04eef8495163f89b4b96ad00f03124","bytes":7698,"markdown":"> Source: https://thecastindex.com/modelling/singapore — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Singapore\n\nApply through an agency’s own website. AVE, Mannequin Studio, Phantom and Faces Talent Management take online applications with photos, while Basic Models Management takes new applicants only through its open casting call, held every May (next in May 2027). Basic says there is no fee to apply and requires parental consent before offering a contract to anyone under 18.\n\n## Agencies and their official application routes\n\n- **Basic Models Management** (Singapore) — open call: https://basicmodels.com.sg/be-a-model/; open call: Open casting calls are held in May every year; the next is in May 2027. No walk-ins at the agency.; height: Publishes guideline heights that it says vary each year: women 1.68m and above (1.75m and above in its mature category), men 1.83m and above (1.85m and above mature).; age: Lists ages 14 to 30 for women and 20 to 30 for men, who must have completed National Service, plus a mature category of 31 to 70. Parental consent is required before anyone under 18 is offered a contract.; safety: Says there is no fee to apply, and warns that people have posed as its agents and models on social networks.\n- **AVE Management** (Singapore) — online form: https://www.avemanagement.com/become-a-model/; height: The form asks for four natural photos and does not ask for height. The page states no height requirement.\n- **Mannequin Studio** (Singapore) — online form: https://mannequins.com.sg/casting/; height: Height is a required field on the casting form. The page states no minimum.\n- **Phantom Models Management** (Singapore) — online form: https://phantom.com.sg/become-a-model/; height: Height is a required field on the form. The page states no minimum.\n- **Faces Talent Management** (Singapore) — online form: https://www.facestm.com/apply/; height: Height is a required field on the application. The page states no minimum.\n\n## How agencies recruit\n\n- AVE, Mannequin Studio, Phantom and Faces Talent Management take applications through forms on their own websites. AVE asks for natural, unretouched photos rather than studio shots. (https://www.avemanagement.com/become-a-model/)\n- Basic Models Management says all applicants must go through its open casting call, held every May, and that it does not accept walk-ins. Selected applicants then go through seven weeks of model training. (https://basicmodels.com.sg/be-a-model/)\n- Basic says it places models with partner agencies abroad once they are ready, and that it has placed models in New York, London, Paris and Milan, among other cities. (https://basicmodels.com.sg/about-us/)\n- Mannequin Studio, incorporated in 1972, says it works with agencies including Ford Models, IMG, Elite, Next and Wilhelmina to bring international models to Singapore. (https://mannequins.com.sg/about/)\n\n## Rules on fees, contracts and safeguarding\n\n- Anyone who places job seekers with employers in Singapore needs an employment agency licence from the Ministry of Manpower. MOM’s guidance does not mention modelling agencies, so it is unclear whether an agency that books models for freelance jobs is covered. Source: https://www.mom.gov.sg/employment-agencies/eligibility-and-requirements/who-needs-to-get-a-licence\n- A licensed employment agency may charge a job seeker no more than one month’s salary for each year of the employment contract, capped at two months’ salary, and must issue an itemised receipt for any fee. Source: https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- If the employer fails to employ you, or ends the job within six months for reasons other than those the rules list, a licensed agency must refund at least half of the fees you paid. Source: https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- You can check whether an employment agency is licensed, and see agencies under revocation, suspension or surveillance, on MOM’s EA Directory. Source: https://www.mom.gov.sg/eservices/services/employment-agencies-and-personnel-search\n- Children aged 13 to under 15 may only do light work in non-industrial settings; young persons aged 15 to under 16 may work in non-industrial settings. MOM’s page does not refer to modelling specifically. Source: https://www.mom.gov.sg/employment-practices/young-persons-and-children\n- The Consumer Protection (Fair Trading) Act protects consumers against unfair trade practices such as misleading representations or false claims, and CASE is the first point of contact for consumer complaints. Source: https://www.ccs.gov.sg/consumer-protection/fair-trading-practices/about-fair-trading-practices/\n\n## Official model searches\n\n- Basic Models Management open casting call: https://basicmodels.com.sg/be-a-model/ — Annual open casting held in May; Basic says the next is in May 2027 and that there is no fee to apply. Selected applicants go through seven weeks of model training.\n\n## FAQ\n\n### Do modelling agencies in Singapore charge a fee to apply?\n\nBasic Models Management says there is no fee to apply, and none of the other agencies listed here asks for payment on its application page. Licensed employment agencies are limited to a capped fee for placing you in a job, although it is unclear whether modelling agencies need that licence.\n\n### How old do I need to be to join a Singapore agency?\n\nBasic Models lists 14 as the minimum age for women and 20 for men, who must have completed National Service, and asks for parental consent before offering a contract to anyone under 18. The other agencies listed here do not publish a minimum age.\n\n### Is there a height requirement?\n\nBasic publishes guideline heights of 1.68m and above for women and 1.83m and above for men, and says its requirements vary each year. Mannequin Studio, Phantom and Faces ask for your height on their forms but state no minimum; AVE’s form does not ask for it.\n\n### When is the Basic Models open casting call?\n\nBasic holds its open casting call every May and says the next one is in May 2027. It does not take walk-ins at the agency; you sign up on its website to be told the details.\n\n### What photos should I send?\n\nAVE asks for four natural colour photos (head shot, profile, mid-length and full-length) rather than studio shots. Faces Talent Management says photos do not need to be professionally taken and a smartphone is fine, against a clean background.\n\n### How do I know someone really works for an agency?\n\nBasic warns that people have posed as its agents and models on social networks, and says its genuine staff use a basicmodels.com.sg email address. Apply through the agency’s own website rather than through someone who contacts you.\n\n## Sources\n\n- Basic Models — Be a model: https://basicmodels.com.sg/be-a-model/\n- AVE Management — Become a model: https://www.avemanagement.com/become-a-model/\n- Mannequin Studio — Casting: https://mannequins.com.sg/casting/\n- Phantom — Become a model: https://phantom.com.sg/become-a-model/\n- Faces Talent Management — Apply: https://www.facestm.com/apply/\n- Ministry of Manpower — Who needs an employment agency licence: https://www.mom.gov.sg/employment-agencies/eligibility-and-requirements/who-needs-to-get-a-licence\n- Employment Agencies Rules 2011: https://sso.agc.gov.sg/SL/EAA1958-S172-2011?WholeDoc=1\n- Ministry of Manpower — Employing young persons and children: https://www.mom.gov.sg/employment-practices/young-persons-and-children\n- CCS — About fair trading practices: https://www.ccs.gov.sg/consumer-protection/fair-trading-practices/about-fair-trading-practices/\n"},{"url":"https://thecastindex.com/modelling/south-africa","markdownUrl":"https://thecastindex.com/modelling/south-africa.md","title":"How to become a model in South Africa","lastmod":"2026-10-01","sha256":"ba88cc3ff6b143066da6f11a1a5a5a43225032918b1c8e93e298a5b165dae069","bytes":5755,"markdown":"> Source: https://thecastindex.com/modelling/south-africa — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in South Africa\n\nApply online through a Cape Town or Johannesburg agency’s own website, with natural, unedited photos and your height. Ice, Kult and D Model Management publish minimum heights and reply within set windows if interested. Employers need a Department of Employment and Labour permit to use children under 15 in modelling and advertising.\n\n## Agencies and their official application routes\n\n- **Ice Models Cape Town** (Cape Town) — online form: https://www.icemodels.co.za/apply; height: Lists 170cm–181cm for women and 184cm–191cm for men.\n- **Ice Models Johannesburg** (Johannesburg) — online form: https://johannesburg.icemodels.co.za/apply; height: Lists 170cm–181cm for women and 184cm–191cm for men.\n- **Boss Models Cape Town** (Cape Town) — online form: https://www.bossmodels.co.za/capetown/scouting; height: The form asks for your height. The page states no minimum.; safety: Warns that people are posing as Boss Models scouts and asks you to contact the agency to verify anyone who approaches you.\n- **Boss Models Johannesburg** (Johannesburg) — online form: https://www.bossmodels.co.za/joburg/scouting; height: The form asks for your height. The page states no minimum.; safety: Warns that people are posing as Boss Models scouts and asks you to contact the agency to verify anyone who approaches you.\n- **Kult Models South Africa** (Cape Town) — online form: https://www.kult.co.za/agency/join_us; height: Minimum 173cm for women and 183cm for men.\n- **My Friend Ned Cape Town** (Cape Town) — online form: https://www.myfriendned.co.za/lets-be-friends; height: The form asks for your height. The page states no minimum.\n- **My Friend Ned Johannesburg** (Johannesburg) — online form: https://www.myfriendned.co.za/lets-be-friends; height: The form asks for your height. The page states no minimum.\n- **D Model Management** (Cape Town) — online form: https://dmanagement.co.za/become-a-model/; height: Women 170cm and over; men 180cm and over.\n\n## How agencies recruit\n\n- Fashion boards publish minimum heights: Ice lists 170cm for women and 184cm for men, Kult 173cm and 183cm, and D Model Management 170cm and 180cm. (https://www.icemodels.co.za/apply)\n- Expect a reply only if they are interested: Ice and D Model Management say within 14 days, Kult within five business days, and My Friend Ned says no reply after two weeks means you were unsuccessful. (https://www.kult.co.za/agency/join_us)\n- Agencies ask for natural photos: Boss wants colour photos with no make-up, hair products or manipulation against a plain background, and D Model Management says no professional photos are needed. (https://www.bossmodels.co.za/capetown/scouting)\n- Boss Models warns that people are posing as its scouts, in person and on social media, and asks you to contact the agency to verify them. (https://www.bossmodels.co.za/capetown/scouting)\n- None of the South African agencies listed publishes a statement on fees, and we could not verify official South African guidance on modelling-agency fees.\n\n## Rules on fees, contracts and safeguarding\n\n- The Basic Conditions of Employment Act bars employing children under 15, but lets a ministerial or sectoral determination allow children to work in advertising, sports, artistic or cultural activities. Source: https://www.gov.za/sites/default/files/gcis_document/201409/a75-97.pdf\n- Employers apply to the Department of Employment and Labour for a permit to involve children under 15 in advertising, artistic and cultural activities — the form lists modelling — attaching the parent’s or guardian’s consent and proof of age. Source: https://www.labour.gov.za/DocumentCenter/Forms/Basic%20Conditions%20of%20Employment/Form%20SD10.1%20-%20Application%20for%20a%20permit%20to%20employ%20children%20in%20the%20performing%20arts.doc\n\n## FAQ\n\n### What height do South African agencies want?\n\nIce lists 170cm–181cm for women and 184cm–191cm for men, Kult asks for at least 173cm and 183cm, and D Model Management 170cm and 180cm. Boss Models and My Friend Ned ask for your height without a stated minimum.\n\n### How do I check that a scout is genuine?\n\nBoss Models warns that people pose as its scouts and asks you to contact its Cape Town (021 424 0224) or Johannesburg (0861 646 747) office before engaging. Use the contact details on the agency’s own website.\n\n### How long do agencies take to reply?\n\nIce and D Model Management say within 14 days if they are interested, Kult within five business days, and My Friend Ned says no reply after two weeks means the application was unsuccessful.\n\n### Can children model in South Africa?\n\nEmployers must apply to the Department of Employment and Labour for a permit to involve children under 15 in advertising, artistic or cultural work. The application form lists modelling and requires the parent’s or guardian’s consent and proof of age.\n\n## Sources\n\n- Basic Conditions of Employment Act 75 of 1997 (gov.za): https://www.gov.za/sites/default/files/gcis_document/201409/a75-97.pdf\n- Department of Employment and Labour — Form SD10.1: https://www.labour.gov.za/DocumentCenter/Forms/Basic%20Conditions%20of%20Employment/Form%20SD10.1%20-%20Application%20for%20a%20permit%20to%20employ%20children%20in%20the%20performing%20arts.doc\n- Ice Models — apply: https://www.icemodels.co.za/apply\n- Boss Models — get scouted: https://www.bossmodels.co.za/capetown/scouting\n- Kult South Africa — join us: https://www.kult.co.za/agency/join_us\n- D Model Management — become a model: https://dmanagement.co.za/become-a-model/\n"},{"url":"https://thecastindex.com/modelling/south-korea","markdownUrl":"https://thecastindex.com/modelling/south-korea.md","title":"How to become a model in South Korea","lastmod":"2026-10-01","sha256":"e250ec480ec2f6eea10009fdc87ead53361067d43a4b81255bcc09dbc0df8f86","bytes":10158,"markdown":"> Source: https://thecastindex.com/modelling/south-korea — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in South Korea\n\nApply directly through a Seoul agency’s own website. Gost, ESteem, Morph and a.sset take online applications with photos, and JMODEL says office auditions are by reservation only. Under Korean law, businesses that arrange work for popular culture artists must register with the Ministry of Culture, Sports and Tourism, and working hours for performers under 19 are capped.\n\n## Agencies and their official application routes\n\n- **Gost** (Seoul) — online form: http://gostagency.com/sub/consultation.php; height: The form asks for photos only and states no height requirement.; safety: Says it will contact applicants to arrange a free consultation.\n- **ESteem** (Seoul) — online form: https://esteemgroup.com/en/apply-carrer/; height: The artist application form states no height requirement.\n- **Morph Management** (Seoul) — online form: https://www.morphmgmt.com/get-scouted; height: Height is a required field on the form. The page states no minimum.\n- **kin** (Seoul) — online form: https://www.kinkorea.com/join; height: The form asks for height in centimetres. The page states no minimum.\n- **a.sset** (Seoul) — online form: https://assetseoul.com/; height: Height is a required field on the Join form. The site states no minimum.\n- **JMODEL** (Seoul) — online form: https://jmodelmanagement.co.kr/become-a-model/; open call: Office auditions are not available without a reservation.; height: The form asks for height. The page states no minimum.\n- **JS Agency.KR** (Seoul) — online form: http://www.jsagency.kr/become/; height: The form asks for height, chosen from a list. The page states no minimum.\n\n## How agencies recruit\n\n- Seoul agencies take applications through forms on their own websites, usually with a few natural photos. Gost’s form asks for four (front, profile, three-quarter and full length) and says the agency will contact you to arrange a free consultation. (http://gostagency.com/sub/consultation.php)\n- Some agencies split their recruitment by board. JMODEL has separate audition email addresses for Asian and international models, and says office auditions are not available without a reservation. (https://jmodelmanagement.co.kr/contacts/)\n- Under the Popular Culture and Arts Industry Development Act, anyone running a business that provides or arranges the services of popular culture artists, or trains, guides or counsels them for that purpose, must register with the Minister of Culture, Sports and Tourism. (https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95)\n- The Korea Creative Content Agency’s popular culture and arts information system has a public search of registered planning businesses by company name, representative or registration number. (https://ent.kocca.kr/UID/CPI/U002/baseSearch.do)\n\n## Rules on fees, contracts and safeguarding\n\n- Anyone running a “popular culture and arts planning business”, defined as providing or arranging artists’ services or training, guiding or counselling them for that purpose, must register with the Minister of Culture, Sports and Tourism. Trading without registration carries up to two years in prison or a fine of up to 20 million won (Articles 2, 26 and 40). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- The Act does not name models, so whether a particular modelling agency must register is not stated in terms. Its Enforcement Decree lists “productions using images” among the covered productions, alongside broadcast programmes, film, music and some live performances (Decree Article 2). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95%EC%8B%9C%ED%96%89%EB%A0%B9\n- Planning businesses and their staff must not give false information or make false promises when recruiting artists, and registered academies that train would-be artists must not make false claims about agency services when recruiting students. Breaches carry fines of up to 10 million won (Articles 15 and 41). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- The Act treats anyone under 19 as a youth. Under-15s may work on productions for no more than 35 hours a week and not between 10pm and 6am, except until midnight before a school holiday with their own and a parent’s or guardian’s consent. Those aged 15 and over are capped at 40 hours a week (extendable by up to one hour a day and six a week by agreement) and need their own and a parent’s or guardian’s consent to work between 10pm and 6am. The weekly caps do not apply to justified cases such as travel for overseas work (Articles 2, 22 and 23). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Contracts with under-19s must include measures protecting their health, schooling, sleep and rest, and businesses must not force them into excessive exposure, missing school, unsafe work or excessive appearance management (Article 21). Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Contracts for artists’ services must be in writing and signed by both sides, covering the term, each side’s rights, the scope of work, revenue sharing, dispute resolution and protection of child and youth artists. The ministry prepares standard contracts in consultation with the Fair Trade Commission (Articles 7 and 8). We found no Korean rule written specifically about agencies charging aspiring models to apply. Source: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n\n## Official model searches\n\n- Elite Model Look 2026 (Korea, via the international entry site): https://www.elitemodellook.com/int/en/about/2026/index.htm — Korea is listed for the 2026 edition and routes to the international entry site rather than a national one. Entries run from 1 January to 31 December 2026; entrants must be 14 or over, with written consent from a parent or guardian if under 18, and upload three photos (full body, portrait and waist up).\n\n## FAQ\n\n### Do Seoul modelling agencies charge to apply?\n\nNone of the application pages we read asks for a fee, and Gost’s form says it will arrange a free consultation. We found no Korean rule written specifically about application fees, but the Popular Culture and Arts Industry Development Act bars planning businesses from giving false information or making false promises when recruiting.\n\n### How can I check a Korean agency is registered?\n\nThe Korea Creative Content Agency’s popular culture and arts information system has a public search of registered planning businesses by name, representative or registration number. Registration is required for popular culture and arts planning businesses, though the Act does not say in terms whether every modelling agency counts as one.\n\n### What photos do Seoul agencies ask for?\n\nNatural photos rather than a professional portfolio. Gost asks for four (front, profile, three-quarter and full length), Morph for a headshot, full-length and profile shot, and a.sset for a head-and-shoulders and a full-body photo.\n\n### Are there rules for models under 19 in South Korea?\n\nThe Popular Culture and Arts Industry Development Act caps work on productions at 35 hours a week for under-15s and 40 hours for older teenagers. Under-15s may not work between 10pm and 6am except until midnight before a school holiday with consent, and older teenagers need their own and a parent’s or guardian’s consent for night work. Contracts must protect schooling, sleep and rest.\n\n### Can I apply to a Seoul agency from abroad?\n\nSeveral Seoul agencies run international boards. JMODEL has a separate audition email address for international models, and the Morph and JS Agency.KR forms ask for your country. None of the application pages we read sets out visa or right-to-work rules, so ask the agency directly.\n\n### Is Elite Model Look open in South Korea?\n\nYes. Korea is listed for Elite Model Look 2026, with entries made through the international site until 31 December 2026. Entrants must be 14 or over, and under-18s need written consent from a parent or guardian.\n\n## Sources\n\n- Gost — Be Another Species application form: http://gostagency.com/sub/consultation.php\n- ESteem — Apply: https://esteemgroup.com/en/apply-carrer/\n- Morph Management — Get Scouted: https://www.morphmgmt.com/get-scouted\n- kin — Join: https://www.kinkorea.com/join\n- a.sset — official site: https://assetseoul.com/\n- JMODEL — Become a Model: https://jmodelmanagement.co.kr/become-a-model/\n- JMODEL — Contacts: https://jmodelmanagement.co.kr/contacts/\n- JS Agency.KR — Become: http://www.jsagency.kr/become/\n- Korea Law Information Center — Popular Culture and Arts Industry Development Act: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95\n- Korea Law Information Center — Enforcement Decree of the Popular Culture and Arts Industry Development Act: https://www.law.go.kr/%EB%B2%95%EB%A0%B9/%EB%8C%80%EC%A4%91%EB%AC%B8%ED%99%94%EC%98%88%EC%88%A0%EC%82%B0%EC%97%85%EB%B0%9C%EC%A0%84%EB%B2%95%EC%8B%9C%ED%96%89%EB%A0%B9\n- KOCCA — 대중문화예술종합정보시스템, registered business search: https://ent.kocca.kr/UID/CPI/U002/baseSearch.do\n- Elite Model Look 2026 — countries: https://www.elitemodellook.com/int/en/about/2026/index.htm\n- Elite Model Look 2026 — terms and conditions: https://www.elitemodellook.com/int/en/terms/index.htm\n"},{"url":"https://thecastindex.com/modelling/spain","markdownUrl":"https://thecastindex.com/modelling/spain.md","title":"How to become a model in Spain","lastmod":"2026-10-01","sha256":"62d21e7fbc62a5f542710f9b2b540a57e293d912ba8e8773d2bab76799609e3d","bytes":5801,"markdown":"> Source: https://thecastindex.com/modelling/spain — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Spain\n\nApply to a Madrid or Barcelona agency through its own website, with natural phone photos and your basic stats. Several, including View, Sight, Trend and Traffic, publish minimum heights; others ask only for your height. Most do not see walk-ins. Under-16s may take part in public shows only in exceptional cases authorised by the labour authority.\n\n## Agencies and their official application routes\n\n- **Elite Model Management Barcelona** (Barcelona) — online form: https://www.elitemodelmanagement.com/barcelona/get-scouted.web; height: The form asks for your height. The page states no minimum.; age: The form asks for a parent’s or legal guardian’s details for minors.; safety: Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name.\n- **Elite Model Management Madrid** (Madrid) — online form: https://www.elitemodelmanagement.com/madrid/get-scouted.web; height: The form asks for your height. The page states no minimum.; age: The form asks for a parent’s or legal guardian’s details for minors.; safety: Says its scouts and agents never request payment or nude or lingerie photos, and warns that impostors use the Elite name.\n- **View Management** (Barcelona) — email: https://www.viewmanagement.com/en/become-a-model/; open call: View says it does not host open calls or accept walk-ins.; height: Minimum 170cm for girls and 180cm for boys.; age: The minimum age to apply is 16; 16- and 17-year-olds should discuss it with a parent or legal guardian first.; safety: Says it does not ask for nude or lingerie pictures, does not charge a fee to view your pictures and does not interview over Skype.\n- **Uno Models** (Barcelona) — email: https://www.unomodels.com/en/become\n- **Sight Management Studio** (Barcelona) — online form: https://www.sight-management.com/en/contact/wanttobe; height: Minimum 173cm for women and 185cm for men.; age: Lists ages 15 to 20 for women and 17 to 25 for men.\n- **Trend Model Management** (Barcelona) — online form: https://www.trendmodels.es/join-us/; height: Minimum 175cm for women and 185cm for men.\n- **Traffic Models** (Barcelona) — online form: https://www.trafficmodels.com/become/; height: Minimum 173cm for girls and 185cm for boys.\n- **Blow Models** (Madrid) — online form: https://blowmodels.com/become-a-model/\n- **Mad Models** (Madrid) — online form: https://www.madmodels.es/become-a-model; open call: Mad Models says it does not see candidates without an appointment.; age: The form asks you to confirm you are at least 14.\n- **Next Management Madrid** (Madrid) — online form: https://nextmanagement.com/recruitment; open call: Next says open calls are cancelled until further notice.; height: Height is a required field on the form. The page states no minimum.; safety: Says it will never request nude or undergarment photos or any payment, and does not interview over Skype.\n\n## How agencies recruit\n\n- Most agencies take applications online or by email and do not see walk-ins: View says it holds no open calls, and Mad Models sees no candidates without an appointment. (https://www.viewmanagement.com/en/become-a-model/)\n- Phone photos are fine. Traffic says professional photos are not needed, and Blow asks for smartphone pictures in natural light without make-up. (https://blowmodels.com/become-a-model/)\n- Silence usually means no: View says no reply within two weeks means you were not accepted, Mad Models says one week, and Uno says it replies within three business days if interested. (https://www.unomodels.com/en/become)\n- View says it never asks for nude or lingerie pictures or a fee to view your photos, and that its emails come only from @viewmanagement.com addresses. (https://www.viewmanagement.com/en/become-a-model/)\n- We could not verify an official Spanish rule specific to modelling-agency fees; the rule below covers under-16s.\n\n## Rules on fees, contracts and safeguarding\n\n- Under-16s may not be employed, and their participation in public shows may be authorised by the labour authority only in exceptional cases, in writing and for specific events, where it does not endanger their health or development. Source: https://www.boe.es/buscar/act.php?id=BOE-A-2015-11430#a6\n\n## Official model searches\n\n- Elite Model Look España: https://www.elitemodellook.com/es/es/home/index.htm — Elite’s international model contest has a Spanish page and online entry. Its 2026 rules say applicants must be at least 14, with a parent’s or guardian’s permission under 18.\n\n## FAQ\n\n### Is there a minimum height for Spanish modelling agencies?\n\nIt depends on the agency. View asks for at least 170cm (girls) and 180cm (boys), Sight 173cm and 185cm, Trend 175cm and 185cm, and Traffic 173cm and 185cm. Elite and Next publish no minimum.\n\n### Do Spanish agencies charge to apply?\n\nView says it does not charge a fee to view your pictures, and Elite and Next say they never ask for payment.\n\n### Can under-18s apply?\n\nSome agencies accept them. View’s minimum age is 16, Mad Models asks you to confirm you are at least 14, and Sight lists ages 15–20 for women and 17–25 for men. Elite asks for a parent’s or guardian’s details for minors.\n\n## Sources\n\n- BOE — Estatuto de los Trabajadores, art. 6: https://www.boe.es/buscar/act.php?id=BOE-A-2015-11430#a6\n- View Management — become a model: https://www.viewmanagement.com/en/become-a-model/\n- Elite Barcelona — get scouted: https://www.elitemodelmanagement.com/barcelona/get-scouted.web\n- Elite Model Look — 2026 rules: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/sweden","markdownUrl":"https://thecastindex.com/modelling/sweden.md","title":"How to become a model in Sweden","lastmod":"2026-10-01","sha256":"947e13cc10d3dc5644ff0791fd7f55eb566a7baf252422a06a34328864ed7bd5","bytes":4373,"markdown":"> Source: https://thecastindex.com/modelling/sweden — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Sweden\n\nApply online to a Stockholm agency through its own website, with recent, unedited photos. Stockholmsgruppen and MIKAs publish height and age guidance for fashion boards, while FYE uses no fixed requirements. MIKAs says joining costs nothing. Employers need a permit from the Swedish Work Environment Authority to engage children under 13 for performing or advertising work.\n\n## Agencies and their official application routes\n\n- **MIKAs** (Stockholm) — online form: https://mikas.se/become-a-model/; height: Its Q&A says women should be 170–180cm and men 180–190cm to start working; the commercial division has no height requirement.; age: Its Q&A says models should be 16 to start working, though it also takes younger talent; under-18s must confirm a parent’s consent and give the parent’s name.; safety: Warns that fake scouts, agents and photographers use its name, and asks for application photos fully dressed with no nudity.\n- **Stockholmsgruppen** (Stockholm) — online form: https://stockholmsgruppen.com/become-a-model; height: Women 170–182cm and men 180–190cm; the commercial division takes any size.; age: Women aged 13–21 and men 16–25 if you have no previous experience; an adult applying for a minor must have the right to do so.\n- **FYE MGMT** (Stockholm) — online form: https://fyemgmt.com/apply; height: Says it does not use fixed height or size requirements.\n- **Le Management Stockholm** (Stockholm) — online form: https://lemanagement.se/become-a-model/; height: The form asks for your height. The page states no minimum.\n\n## How agencies recruit\n\n- MIKAs, Stockholmsgruppen, FYE and Le Management take online applications; FYE currently accepts only talent based in the EU, EEA, Switzerland or the UK. (https://fyemgmt.com/apply)\n- You don’t need professional pictures: Stockholmsgruppen asks for clear, recent photos with no Photoshop editing, and MIKAs for make-up-free photos in good light. (https://stockholmsgruppen.com/become-a-model)\n- MIKAs lists everyone who works there on its website and warns that fake scouts use its name; check the contact page before replying. (https://mikas.se/contact/)\n- MIKAs says being with the agency costs nothing, and that it takes at most 30 per cent of the fee on commercial jobs. (https://mikas.se/wp-content/uploads/2026/03/QA.pdf)\n\n## Rules on fees, contracts and safeguarding\n\n- Employers may not let children under 13 work, except very light work or with a permit from the Swedish Work Environment Authority to perform in cultural or artistic activities or at sports or advertising events. Source: https://www.av.se/arbetsmiljoarbete-och-inspektioner/publikationer/foreskrifter/afs-20232/#8kap-minderarigasarbetsmiljo\n- Employers hiring children under 13 for such work must apply for a permit, and the authority asks for applications at least eight weeks before work starts. No permit is needed for 13- to 17-year-olds working as performers or extras, though the authority can rule on their hours. Source: https://www.av.se/arbetsmiljoarbete-och-inspektioner/arbetsgivarens-ansvar-for-arbetsmiljon/minderariga-arbetstagare/ansok-om-tillstand-for-minderarigas-artistupptradanden/\n\n## FAQ\n\n### What height do Swedish agencies ask for?\n\nStockholmsgruppen asks women without experience to be 170–182cm and men 180–190cm; MIKAs gives 170–180cm and 180–190cm. FYE says it uses no fixed height or size requirements, and commercial divisions have none.\n\n### Do I have to pay to join a Swedish agency?\n\nMIKAs says it costs nothing to be with the agency, and takes at most 30 per cent commission on commercial jobs.\n\n### Can I apply from outside Sweden?\n\nFYE accepts applications only from talent based in the EU, EEA, Switzerland or the UK. Stockholmsgruppen’s kids’ division only takes children living around Stockholm.\n\n## Sources\n\n- Arbetsmiljöverket — AFS 2023:2: https://www.av.se/arbetsmiljoarbete-och-inspektioner/publikationer/foreskrifter/afs-20232/#8kap-minderarigasarbetsmiljo\n- MIKAs — become a model: https://mikas.se/become-a-model/\n- Stockholmsgruppen — become a model: https://stockholmsgruppen.com/become-a-model\n- FYE MGMT — apply: https://fyemgmt.com/apply\n"},{"url":"https://thecastindex.com/modelling/thailand","markdownUrl":"https://thecastindex.com/modelling/thailand.md","title":"How to become a model in Thailand","lastmod":"2026-10-01","sha256":"ca3f5e49d2ef1047fb83e7c8ea01c679b4d3b2a84bdc2a3469d0187ed8b12879","bytes":9215,"markdown":"> Source: https://thecastindex.com/modelling/thailand — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in Thailand\n\nThe Bangkok agencies listed here take applications online. Super RED Modelling, AREA MGMT, Sumon, Joey’s and Vein use web forms, while A1 Models and SALSA ask for email submissions. Super RED says it has never required money from applicants. Thai labour law bars employing children under 15 and limits night and overtime work for under-18s.\n\n## Agencies and their official application routes\n\n- **Super RED Modelling** (Bangkok) — online form: https://redmodelling.com/be-super-red/; height: Height is a required field on the application. The page states no minimum.; age: The form asks for your age. The page states no minimum.; safety: Says it never asks for nude or lingerie photos, has never required money from applicants, does not interview by Skype or send anyone to your home, and warns that people online falsely claim to be its scouts.\n- **A1 Models** (Bangkok) — email: https://www.a1models.net/contact-us/; open call: No open castings.\n- **AREA MGMT** (Bangkok) — online form: https://www.areamgmt.com/submission; height: The form asks for your height. The page states no minimum.\n- **Sumon Agency** (Bangkok) — online form: http://www.sumon.co.th/?page_id=2; height: Says it prefers a minimum height of 175 cm for women and 185 cm for men.\n- **Joey’s Modeling Agency** (Bangkok) — online form: https://www.joeymodeling.com/becomemodel; open call: No walk-in interviews; meetings by appointment on +66 95-916-6955.; height: Height is a required field on the application. The page states no minimum.\n- **SALSA Models** (Bangkok) — email: https://www.salsamodels.com/career; open call: No walk-ins; in-person meetings by appointment in advance.\n- **Vein Model Agency** (Bangkok) — online form: https://www.veinmodelagency.com/becomeamodel; height: Height is a required field on the application. The page states no minimum.\n\n## How agencies recruit\n\n- Most agencies listed here use an online application form that asks for photos, height and measurements. A1 Models takes submissions at its scouting email, and SALSA by email or LINE. (https://redmodelling.com/be-super-red/)\n- Super RED says it introduces models to agencies, casting directors and production services worldwide, and that its models have appeared at fashion weeks around the world. (https://redmodelling.com/37363-2/)\n- A1 Models says its talent has appeared on the covers of Vogue, L’Officiel, Elle, Esquire and Numéro, and in fashion shows worldwide. It states that it holds no open castings. (https://www.a1models.net/about/)\n- Joey’s says it welcomes new faces from around the world and will fly in applicants it is interested in, wherever they are. (https://www.joeymodeling.com/becomemodel)\n- Thailand appears in Elite Model Look’s 2026 country list, which routes to the international entry site. (https://www.elitemodellook.com/int/en/about/2026/index.htm)\n\n## Rules on fees, contracts and safeguarding\n\n- The Labour Protection Act B.E. 2541 (1998) prohibits employers from employing children under 15. Its child-labour rules apply to employers and their child employees; the Act does not say whether a modelling booking counts as employment. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- An employer of a child under 18 must notify a labour inspector within 15 days of the child starting work and within 7 days of the job ending, keep a record of changed employment conditions, and give at least a one-hour break after no more than four hours of work. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Employees under 18 may not work between 10pm and 6am without written permission from the Director-General, but an employer may let a child who performs in film, drama or similar performances work in those hours with adequate rest. Under-18s may not work overtime or on holidays. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Employers may not demand a security deposit from a child employee or pay the child’s wages to anyone else. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Under the Employment and Job-Seekers Protection Act B.E. 2528 (1985), placing job seekers in work in Thailand requires a licence. A licensed placement agent may charge job seekers only a service fee and expenses within ministerial limits, and nothing before the employer has hired the job seeker and paid the first wage. The Act does not mention modelling, so it is unclear whether modelling agencies fall under it. We found no rule specific to modelling agency fees. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/TzRRdHFaV2M0TC91NSs1TGtCOEdWUT09\n- The Child Protection Act B.E. 2546 (2003) defines a child as under 18. Whether or not the child consents, it bars using, hiring or asking a child to work or act in ways that may harm their body or mind or hinder their development, and bars inducing or allowing a child to perform obscene acts, paid or not. Source: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/QVFPWXZqblNjSDZQbnJJSllYN3BZdz09\n\n## Official model searches\n\n- Elite Model Look (international entry): https://www.elitemodellook.com/int/en/about/2026/index.htm — Elite’s international model contest. Its 2026 country list includes Thailand, routed to the international entry site. The terms set an entry window of 1 January to 31 December 2026, a minimum age of 14, and written parent or guardian consent for under-18s.\n\n## FAQ\n\n### How do I apply to a modelling agency in Thailand?\n\nSuper RED, AREA MGMT, Sumon, Joey’s and Vein use online forms that ask for photos, height and measurements. A1 Models takes submissions at its scouting email, and SALSA asks for profiles by email or through its LINE account.\n\n### Do Thai modelling agencies charge to join?\n\nSuper RED says it has never required money from applicants. We found no Thai rule specific to modelling agency fees. The Employment and Job-Seekers Protection Act limits what licensed job placement agents may charge job seekers and bars charging before the first wage is paid, but it does not mention modelling agencies.\n\n### Can under-18s model in Thailand?\n\nThe Labour Protection Act bars employers from employing children under 15. Employees under 18 may not work overtime or on holidays, or between 10pm and 6am without written permission, although child performers in film, drama or similar performances may work those hours with adequate rest. Employers must notify a labour inspector within 15 days of a child starting work.\n\n### How can I check a scout is genuine?\n\nSuper RED asks you to verify anyone claiming to represent it by calling its office. It says it does not interview by Skype, never asks for nude or lingerie photos and does not send anyone to your home.\n\n### Can I just walk into a Bangkok agency?\n\nA1 Models states it holds no open castings, Joey’s says it does not take walk-in interviews and asks you to book by phone, and SALSA asks for in-person meetings to be arranged in advance.\n\n### Can I apply from outside Thailand?\n\nJoey’s says it welcomes new faces from around the world and will fly in applicants it is interested in. AREA MGMT lists a scouting and casting office in Toronto as well as its Bangkok head office.\n\n### Is Elite Model Look open in Thailand?\n\nThailand appears in Elite Model Look’s country list, which routes to the international entry site. The 2026 terms accept entries until 31 December 2026 from age 14, with written parent or guardian consent for under-18s.\n\n## Sources\n\n- Super RED Modelling — Be Super Red: https://redmodelling.com/be-super-red/\n- Super RED Modelling — About: https://redmodelling.com/37363-2/\n- A1 Models — Contact: https://www.a1models.net/contact-us/\n- A1 Models — Our Story: https://www.a1models.net/about/\n- AREA MGMT — Submissions: https://www.areamgmt.com/submission\n- AREA MGMT — Contact: https://www.areamgmt.com/contact\n- Sumon Agency — Join us: http://www.sumon.co.th/?page_id=2\n- Joey’s Modeling Agency — Become model: https://www.joeymodeling.com/becomemodel\n- SALSA Models — Join SALSA: https://www.salsamodels.com/career\n- Vein Model Agency — Become a model: https://www.veinmodelagency.com/becomeamodel\n- Elite Model Look — 2026: https://www.elitemodellook.com/int/en/about/2026/index.htm\n- Elite Model Look — competition terms: https://www.elitemodellook.com/int/en/terms/index.htm\n- Office of the Council of State — Labour Protection Act B.E. 2541: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/ZGN3NXk0eENvNjBSdjRnT2NsdjFTQT09\n- Office of the Council of State — Employment and Job-Seekers Protection Act B.E. 2528: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/TzRRdHFaV2M0TC91NSs1TGtCOEdWUT09\n- Office of the Council of State — Child Protection Act B.E. 2546: https://searchlaw.ocs.go.th/council-of-state/#/public/doc/QVFPWXZqblNjSDZQbnJJSllYN3BZdz09\n"},{"url":"https://thecastindex.com/modelling/united-arab-emirates","markdownUrl":"https://thecastindex.com/modelling/united-arab-emirates.md","title":"How to become a model in the United Arab Emirates","lastmod":"2026-10-01","sha256":"7e2da1fc7d177eb75716ffe396c31c8364e0e6a87392a23b0550c6b95933689c","bytes":8159,"markdown":"> Source: https://thecastindex.com/modelling/united-arab-emirates — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in the United Arab Emirates\n\nApply through a Dubai agency’s own website: MMG Models, Michelle Hay Management, Bareface, Jay Jay Models, ANT Management and Pret Models all take online applications. UAE law bars work under 15, and 15 to 18-year-olds need a ministry work permit with written guardian consent. The government says charging recruitment fees to prospective employees is illegal.\n\n## Agencies and their official application routes\n\n- **MMG Models** (Dubai) — online form: https://mmgmodels.com/ae/page/become-a-model-31; open call: No walk-ins: appointments only, so apply online or by email.; height: Height is a field on the application form. The page states no minimum.; safety: Says it never sends payment links to external pages by email or SMS and never asks anyone to meet outside its office. It also sells an optional two-day masterclass (AED 3,990 plus VAT) and says attending does not guarantee representation.\n- **Michelle Hay Management** (Dubai) — online form: https://www.michellehaymanagement.com/be-discovered\n- **Bareface** (Dubai) — online form: https://assets.bareface.com/applications/; height: Height is a field on the application. The page states no minimum.; age: Applicants under 18 must register with a parent’s email address, and the parent must sign the terms and conditions.\n- **Jay Jay Models Dubai** (Dubai) — online form: https://www.jayjaymodels.com/apply-model; open call: Says it works on a strict appointment schedule and offers no walk-in sessions.; height: For its models board it lists a minimum of 5 ft 9 in for women (petite from 5 ft 5 in) and 6 ft 0 in for men; for commercial and bestager models it says height plays a lesser role.; age: Models-board applicants must be 18 or over; it says the commercial and bestager board has no age limit.\n- **ANT Management** (Dubai) — online form: https://antmgmt.com/dubai/become; height: Height is a required field on the application. The page states no minimum.; safety: Says talent can join its ANT Talent booking app free of charge.\n- **Pret Models** (Dubai) — online form: https://www.pretmodels.com/become; height: Height is a field on the form. The page states no minimum.\n\n## How agencies recruit\n\n- Dubai agencies take applications through forms on their own websites. MMG Models asks for natural, unedited daylight photos without make-up, no more than three months old, and says phone photos are fine. (https://mmgmodels.com/ae/page/become-a-model-31)\n- Agencies work by appointment. MMG Models says it does not take walk-ins and aims to reply within a week; if you have not heard back by then, your application was unsuccessful. (https://mmgmodels.com/ae/page/faq)\n- Under-18s apply with a parent involved. Bareface asks applicants under 18 to register with a parent’s email address, and the parent must sign its terms and conditions. (https://assets.bareface.com/applications/)\n- Young people aged 15 to 18 can work only under a work permit from the Ministry of Human Resources and Emiratisation, which needs written consent signed by a parent or guardian and a medical fitness certificate. (https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors)\n- Elite Model Look’s 2026 country list includes “UAE and Qatar”, routed to the contest’s international entry site. (https://www.elitemodellook.com/int/en/about/2026/index.htm)\n\n## Rules on fees, contracts and safeguarding\n\n- The UAE Labour Law prohibits employing anyone under 15, and the Ministry of Human Resources and Emiratisation does not issue work permits below that age (Article 5 of Federal Decree-Law No. 33 of 2021, as summarised by the government portal). Source: https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- Juveniles aged 15 to 18 may work only under a ministry work permit. The permit needs written consent signed by a parent or guardian, a medical certificate of fitness for the work and a ministry-approved contract. Juveniles may not work at night or in dangerous or harmful jobs. The page does not mention modelling specifically. Source: https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- The government portal says charging recruitment fees to prospective employees is illegal, and that recruitment, travel and residence-permit costs are borne by the employer. We found no rule written specifically for modelling agency fees, and the page does not say how this applies to agencies representing freelance models. Source: https://u.ae/en/information-and-services/jobs/Sector-of-employment/employment-in-the-private-sector/labour-rights\n- Federal Law No. 3 of 2016 on child rights (Wadeema’s Law) protects children against all forms of negligence, exploitation and physical and psychological abuse. The government’s summary does not mention modelling. Source: https://u.ae/en/information-and-services/justice-safety-and-the-law/Safety/children-safety\n\n## Official model searches\n\n- Elite Model Look (international entry): https://www.elitemodellook.com/int/en/about/2026/index.htm — Elite’s international model contest. Its 2026 country list includes “UAE and Qatar”, routed to the international entry site. The terms set an entry window of 1 January to 31 December 2026, a minimum age of 14, and written parent or guardian consent for under-18s.\n\n## FAQ\n\n### Do Dubai modelling agencies charge to apply?\n\nNone of the application forms listed here asks for a fee. The UAE government says charging recruitment fees to prospective employees is illegal, though it does not say how this applies to agencies representing freelance models. MMG Models sells an optional paid masterclass and says attending does not guarantee representation.\n\n### How old do I have to be to model in the UAE?\n\nUAE law bars work under 15. Juveniles aged 15 to 18 need a ministry work permit with written consent from a parent or guardian, and may not work at night. Jay Jay Models takes models-board applicants from 18, and Bareface asks under-18s to apply with a parent’s email.\n\n### Can I walk in to a Dubai agency?\n\nNot at the agencies that say so. MMG Models and Jay Jay Models both say they work by appointment only and do not take walk-ins, so apply online first.\n\n### Is there a minimum height?\n\nMost agencies listed here ask for your height without stating a minimum. Jay Jay Models lists 5 ft 9 in for women (petite from 5 ft 5 in) and 6 ft 0 in for men on its models board, and says height matters less for commercial work.\n\n### How long until an agency replies?\n\nMMG Models aims to reply within a week and says no reply after a week means the application was unsuccessful. Jay Jay Models says it contacts applicants it is interested in within two weeks.\n\n### Can I apply from outside the UAE?\n\nANT Management says it accepts applications from talent based anywhere in the world. Elite Model Look’s 2026 contest also lists the UAE, routed to its international entry site, from age 14 with parent or guardian consent for under-18s.\n\n## Sources\n\n- MMG Models — Become a model: https://mmgmodels.com/ae/page/become-a-model-31\n- Bareface — application form: https://assets.bareface.com/applications/\n- Jay Jay Models — Model application: https://www.jayjaymodels.com/apply-model\n- ANT Management — Become: https://antmgmt.com/dubai/become\n- UAE Government portal — Employment and training of minors: https://u.ae/en/information-and-services/jobs/Workplace-regulations/employment-and-training-of-minors\n- UAE Government portal — Protection of workers’ rights: https://u.ae/en/information-and-services/jobs/Sector-of-employment/employment-in-the-private-sector/labour-rights\n- UAE Government portal — Children’s safety: https://u.ae/en/information-and-services/justice-safety-and-the-law/Safety/children-safety\n- Elite Model Look — 2026: https://www.elitemodellook.com/int/en/about/2026/index.htm\n"},{"url":"https://thecastindex.com/modelling/united-kingdom","markdownUrl":"https://thecastindex.com/modelling/united-kingdom.md","title":"How to become a model in the United Kingdom","lastmod":"2026-10-01","sha256":"186b3c8b45f2992faaafe20469f8996eb8874d7e217901f0a70d4f2a55280b03","bytes":5714,"markdown":"> Source: https://thecastindex.com/modelling/united-kingdom — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in the United Kingdom\n\nApply directly to a licensed London agency through its own website, with natural digitals and your measurements. By law, UK agencies cannot charge fashion and photographic models an upfront fee for finding work, must give you their terms in writing and must pass your earnings on within ten days. Start with the agencies below.\n\n## Agencies and their official application routes\n\n- **Elite Model Management London** (London) — online form: https://elitemodelmanagement.com/london/get-scouted.web; height: The form asks for your height. The page states no minimum.; safety: Says its scouts and agents will never request payment to recruit you or ask for nude or lingerie photos, and warns that impostors use the Elite name.\n- **IMG Models London** (London) — online form: https://getscouted.imgmodels.com/; height: The Get Scouted page states no height requirement.; safety: Says it never asks for nude or lingerie photos, never requires payment and does not interview over Skype.\n- **Storm Management** (London) — online form and open call: https://www.stormmanagement.com/apply-to-become-a-model/; open call: Walk-ins Monday to Friday, 10.30am–12.30pm and 2pm–5pm; height: Height is a required field on the application. The page states no minimum.; safety: Its FAQ says there is no fee to apply or to sign. Staff email only from @stormmanagement.com or @stormmanagement-la.com addresses.\n- **Premier Model Management** (London) — online form: https://www.premiermodelmanagement.com/become/; height: The form asks for your height. The page states no minimum.; safety: Says its scouts and agents will never request payment, nude or lingerie photos, or a modelling portfolio to apply, and only email from @premiermodelmanagement.com.\n- **Select Model Management London** (London) — online form and open call: https://apply.selectmodel.com/; open call: Select says some of its offices are not currently holding open calls or walk-ins; apply online or check first; height: The apply and advice pages state no height requirement.\n- **Next Management London** (London) — online form and open call: https://nextmanagement.com/recruitment; open call: Next says open calls are cancelled until further notice; height: Height is a required field on the recruitment form. The page states no minimum.; safety: Says it will never ask for nude or undergarment photos or any payment, and does not interview over Skype.\n- **Models 1** (London) — online form: https://www.models1.co.uk/apply; height: The apply page asks for three phone photos and states no height requirement.; safety: Says it never contacts applicants through WhatsApp or Facebook, and its emails only come from @models1.co.uk addresses.\n- **MiLK Model Management** (London) — online form and open call: https://www.milkmanagement.co.uk/apply; open call: Walk-ins Tuesdays and Thursdays, 10am–12pm and 2pm–4pm; height: The form asks for your height. The page states no minimum.\n- **The Squad** (London) — online form and open call: https://www.thesquadmanagement.com/join-the-squad; open call: Walk-ins Tuesday to Thursday, 10.30am–12.30pm and 2.30pm–5pm; height: The form asks for your height. The page states no minimum and says professional photos are not needed.\n- **VIVA London** (London) — online form: https://www.viva-paris.com/become/; height: Height is a required field on the form. The page states no minimum.; safety: Says its staff email only from @viva-paris.com, @viva-london.com or @viva-barcelone.com addresses.\n\n## How agencies recruit\n\n- Most London agencies take applications through an online form on their own website; several also publish open-call times. (https://thecastindex.com/agencies/london)\n- Agencies ask for recent, unedited photographs (“digitals”) and basic details rather than a paid portfolio.\n- British Fashion Model Agents Association members are listed on the association’s own current-members page. (https://bfma.fashion/current-members/)\n\n## Rules on fees, contracts and safeguarding\n\n- Agencies cannot charge fashion and photographic models any upfront fee for finding them work. Source: https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models\n- Any other paid service cannot be a condition of finding work, and you can cancel within 30 days. Source: https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-other-services\n- The agency must give you its terms in writing before providing a service. Source: https://www.gov.uk/entertainment-and-modelling-agencies/terms-and-conditions\n- Earnings received for you are held on trust in a client account and must be paid on within ten days. Source: https://www.legislation.gov.uk/uksi/2003/3319/regulation/25\n\n## FAQ\n\n### Do UK modelling agencies charge a fee to join?\n\nThey cannot charge fashion and photographic models an upfront fee for finding work. Any other service cannot be a condition of representation, and you can cancel it within 30 days.\n\n### How do I apply to a London modelling agency?\n\nUse the agency’s own application form or published open call, with natural digitals and your measurements. Never pay to be seen, and never send photos to someone contacting you on behalf of an agency without checking the agency’s own website.\n\n## Sources\n\n- GOV.UK — Entertainment and modelling agencies: https://www.gov.uk/entertainment-and-modelling-agencies/fees-for-fashion-and-photographic-models\n- BFMA — current members: https://bfma.fashion/current-members/\n"},{"url":"https://thecastindex.com/modelling/united-states","markdownUrl":"https://thecastindex.com/modelling/united-states.md","title":"How to become a model in the United States","lastmod":"2026-10-01","sha256":"247e4f45b2fc71d43231eebc871d44c317528593007b3665556b2e1e205aaaea","bytes":12246,"markdown":"> Source: https://thecastindex.com/modelling/united-states — application routes checked 2026-10-01. Generated at build time from the same data the page serves.\n\n# How to become a model in the United States\n\nApply directly through an agency’s own website: most New York, Los Angeles and Miami agencies use online forms and ask for unedited phone snapshots. New York’s Fashion Workers Act bars signing fees and requires model management companies to register with the state; California and Florida bar talent agencies from charging registration fees.\n\n## Agencies and their official application routes\n\n- **IMG Models New York** (New York) — online form: https://getscouted.imgmodels.com/; height: The form asks for your height. The page states no minimum.; age: Applications from age 14. Under-18s need a legal guardian’s consent, and a guardian must attend any in-person meeting or video call.; safety: Says it never asks for nude or lingerie photos, never requires payment, charges no fee to apply or to sign, and does not interview over Skype.\n- **The Society Management** (New York) — online form: https://thesocietymanagement.com/become-model.web; height: The form asks for your height. The page states no minimum.; age: The application is intended for applicants aged 16 to 23. Under-18s need a parent’s or legal guardian’s approval, and a parent or guardian must attend any meeting.\n- **DNA Model Management** (New York) — email: https://www.dnamodels.com/submissions/; height: Asks you to include your height. The page states no minimum.; safety: Says it does not ask for nude or lingerie pictures, does not charge a fee to view your pictures and does not interview over FaceTime.\n- **Wilhelmina Models New York** (New York) — online form: https://www.wilhelmina.com/become-a-model; height: The form asks for your height. The page states no minimum.; age: The form says minors must ask a parent’s or legal guardian’s authorisation.\n- **Next Management New York** (New York) — online form: https://nextmanagement.com/recruitment; open call: Next says open calls are cancelled until further notice.; height: Height is a required field on the form. The page states no minimum.; safety: Says it will never request nude or undergarment photos or any payment, and does not interview over Skype.\n- **Ford Models New York** (New York) — online form: https://fordmodels.com/get-scouted; open call: Ford says it is not currently holding open calls in New York, Los Angeles or Miami.; height: The form asks for your height. The page states no minimum.; safety: Says you should never pay to attend a casting and never share nude or lingerie photos.\n- **The Industry Model Management** (New York) — online form: https://www.theindustrymgmt.com/be-discovered; open call: The Industry says it does not hold open calls.; height: Lists a height of 5ft 8in and above.; age: Lists an age range of 15 to 25; minors under 18 must be accompanied by an adult.; safety: Says you should never be asked to pay to attend a casting or to send nude or lingerie photos.\n- **Marilyn Agency New York** (New York) — online form: https://www.marilyn-ny.com/become-a-model/; open call: Marilyn says it does not host open calls or accept walk-ins.; height: The form asks for your height. The page states no minimum.\n- **Muse Model Management** (New York) — email: https://www.musenyc.com/contact; open call: Thursdays, 3pm–4pm.; height: Prefers women to be at least 5ft 9in and men at least 5ft 11in.; age: Under-18s should make sure their parents know about their modelling goals; Muse says it follows New York State guidelines for minors.; safety: Warns about illegitimate offers: if someone says they are from Muse, verify with the agency and check they use a Muse email address.\n- **The Lions** (New York) — online form: https://www.thelionsmanagement.com/get-scouted; height: The form asks for your height. The page states no minimum.\n- **Supreme Management New York** (New York) — online form: https://www.suprememanagement.com/new-york/become.web; height: The form asks for your height. The page states no minimum.; age: Parent or guardian details are required for minors.\n- **Storm Management Los Angeles** (Los Angeles) — online form: https://www.stormmanagement-la.com/apply-la/; height: The form asks for your height. The page states no minimum.; age: Applicants aged 18 or younger must complete the form with a parent or guardian.\n- **Select Model Management Los Angeles** (Los Angeles) — online form and open call: https://apply.selectmodel.com/; open call: First and third Tuesday of the month, 3pm–4pm; closed on public holidays.; height: For the Los Angeles open call: 5ft 8in to 6ft 4in, or 6ft and up if you are male-identifying.; age: Open call: 14 and over; under-18s should be accompanied by a parent or guardian.; safety: Says never to share nude or underwear photos and never to pay to attend an open call.\n- **Women Management Los Angeles** (Los Angeles) — online form: https://www.womenmanagement.com/los-angeles/become.web; height: The form asks for your height. The page states no minimum.; age: Parent or guardian details are required for minors.\n\n## How agencies recruit\n\n- Open calls are now rare. Next has cancelled them until further notice and Ford is not holding them in New York, Los Angeles or Miami; Muse (Thursdays) and Select Los Angeles (first and third Tuesdays) still publish times. (https://nextmanagement.com/recruitment)\n- Agencies want natural snapshots, not a paid portfolio. The Society says phone photos taken by a friend or family member are perfectly acceptable; The Industry and Women Management say no experience or professional photos are needed. (https://thesocietymanagement.com/become-model.web)\n- One form can cover several offices: Wilhelmina, Next, Ford and The Industry let you choose New York, Los Angeles or Miami on the same application. (https://www.wilhelmina.com/become-a-model)\n- Most agencies reply only if they are interested. Storm Los Angeles contacts shortlisted applicants only, and Marilyn asks applicants not to chase their submission. (https://www.stormmanagement-la.com/apply-la/)\n- In New York, check for a Fashion Workers Act registration. IMG, The Society, Wilhelmina and Marilyn publish their New York State certificates, each issued for two years and valid only for the address shown. (https://imgmodels.com/new-york-state-fashion-workers-act/)\n- The New York State Department of Labor publishes a registry of model management companies and groups registered under the Act. (https://dol.ny.gov/model-management-companygroup-registry)\n\n## Rules on fees, contracts and safeguarding\n\n- New York’s Fashion Workers Act (Labor Law, Article 36) has applied since 19 June 2025; since 21 December 2025, model management companies and groups must register with the State Department of Labor. Source: https://dol.ny.gov/fashion\n- New York model management companies may not require a deposit or charge a fee for signing, take more than 20 per cent commission, or create or use a model’s digital replica without separate written approval. Source: https://dol.ny.gov/responsibilities-fashion-management-and-clients\n- In New York, print and runway models under 18 need a Child Performer Permit from the Department of Labor, and employers must put at least 15 per cent of their earnings into a trust account. Source: https://dol.ny.gov/child-model-frequently-asked-questions\n- California talent agencies must hold a licence from the Labor Commissioner and quote the licence number in their advertising; the law’s definition of artists includes models. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.5\n- California talent agencies may not collect a registration fee. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1700.40\n- In California, employing a minor under 16 as an advertising or photographic model requires a permit from the Labor Commissioner. Source: https://leginfo.legislature.ca.gov/faces/codes_displaySection.xhtml?lawCode=LAB&sectionNum=1308.5\n- Florida talent agencies need a state licence to operate. Source: https://www.flsenate.gov/Laws/Statutes/2026/468.403\n- Florida talent agencies may not charge a registration fee, or make you buy photography services, classes or workshops as a condition of registering or finding work. Source: https://www.flsenate.gov/Laws/Statutes/2026/468.410\n- The Federal Trade Commission says never to pay an agency up front: any agency asking for money to represent you is a scam, and agencies shouldn’t make using their photographer a condition of getting work. Source: https://consumer.ftc.gov/articles/modeling-scams\n\n## Official model searches\n\n- IMG Models — “We Love Your Genes” / Get Scouted: https://getscouted.imgmodels.com/ — IMG’s year-round online scouting form for all its offices, including New York and Los Angeles. Applicants must be at least 14; under-18s need a legal guardian’s consent.\n- Next Management — Get Scouted: https://nextmanagement.com/recruitment — Next’s online recruitment form, with New York, Los Angeles and Miami among the offices you can choose. Open calls are cancelled until further notice.\n- Select Model Management — Los Angeles open call: https://apply.selectmodel.com/open-call/los-angeles — Held on the first and third Tuesday of each month, 3pm–4pm, except public holidays. Ages 14 and over; under-18s should come with a parent or guardian.\n\n## FAQ\n\n### Do US modelling agencies charge a fee to apply?\n\nThey should not. New York’s Fashion Workers Act bars model management companies from requiring a deposit or fee for signing, California and Florida bar talent agencies from charging registration fees, and the FTC says any agency asking for money to represent you is a scam. IMG and Next say they never ask applicants for payment, and DNA says it charges no fee to view your pictures.\n\n### How do I check that a New York agency is registered?\n\nThe State Department of Labor publishes a registry of model management companies and groups registered under the Fashion Workers Act. IMG, The Society, Wilhelmina and Marilyn also publish their registration certificates on their own websites.\n\n### Do I need professional photos to apply?\n\nNo. The Society, The Industry, Women Management and The Lions all say professional photos are not needed. Send recent, unedited phone snapshots with no make-up: usually a close-up, a profile and a full-length shot.\n\n### How do I check that a scout is real?\n\nUse the agency’s own published contacts. Ford staff email only from fordmodels.com addresses; DNA, Next and Wilhelmina ask you to call an office. IMG and Next say they do not interview over Skype, and DNA says it does not interview over FaceTime.\n\n### Can under-18s apply to US agencies?\n\nYes, with a parent or guardian involved. IMG accepts applications from 14 with a guardian’s consent, The Society from 16 with parental approval, and The Industry says minors must be accompanied by an adult. Storm LA asks under-18s to complete the form with a parent or guardian.\n\n## Sources\n\n- NYS Department of Labor — Fashion Workers Act: https://dol.ny.gov/fashion\n- NYS DOL — child model FAQs: https://dol.ny.gov/child-model-frequently-asked-questions\n- California Labor Code — talent agencies (ch. 4): https://leginfo.legislature.ca.gov/faces/codes_displayText.xhtml?lawCode=LAB&division=2.&title=&part=6.&chapter=4.&article=\n- Florida Statutes § 468.410: https://www.flsenate.gov/Laws/Statutes/2026/468.410\n- FTC Consumer Advice — modeling scams: https://consumer.ftc.gov/articles/modeling-scams\n- IMG Models — Get Scouted: https://getscouted.imgmodels.com/\n- IMG Models — under-18 FAQ: https://imgmodels.com/under-18-faq/\n- Next Management — recruitment: https://nextmanagement.com/recruitment\n- Wilhelmina — become a model: https://www.wilhelmina.com/become-a-model\n- Ford Models — get scouted: https://fordmodels.com/get-scouted\n- The Society Management — get scouted: https://thesocietymanagement.com/become-model.web\n- Select — Los Angeles open call: https://apply.selectmodel.com/open-call/los-angeles\n"},{"url":"https://thecastindex.com/models/adriana-lima","markdownUrl":"https://thecastindex.com/models/adriana-lima.md","title":"Adriana Lima","lastmod":"2026-09-25","sha256":"271bf6dd2af409374da8dbe8799b414aaf261067c487233c0e1e58b7956359a4","bytes":4401,"markdown":"# Adriana Lima\n\n> Source: https://thecastindex.com/models/adriana-lima — updated 2026-09-25\n\nBrazilian model. Tracked for Marc Jacobs and global runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 June 1981 (age 45) |\n| Birthplace | Salvador, Brazil |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Brazil |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @adrianalima |\n\nBirth date, birthplace and height: Wikidata Q151866 (https://www.wikidata.org/wiki/Q151866), retrieved 2026-09-25.\n\n## Known for\n\nMarc Jacobs and global runway visibility\n\n\n## Evidence\n\n- Returned to the Victoria's Secret Fashion Show in October 2024 after a six-year hiatus, and walked again in 2025 for her 20th appearance.\n- Headlined the Body by Victoria FlexFactor Balconette campaign, 2026.\n\n## Selected runway record\n\n- SS27 · Walked · Thom Browne ([source](https://www.gettyimages.com/detail/news-photo/adriana-lima-walks-the-runway-during-the-thom-browne-ready-news-photo/2295634434))\n\n## Career\n\n### Early life\n\nAdriana Lima was born on 12 June 1981 in Salvador, Bahia, Brazil, to social worker Maria das Graças Lima; her father, carpenter Nelson Torres, left the family when she was six months old. Her heritage spans Portuguese, Native Brazilian, African, Japanese, Swiss and West Indian ancestry, and she identifies as Afro-Brazilian. She won \"Ford Supermodel of Brazil\" at 15, then placed as runner-up in the 1996 Ford Models Supermodel of the World contest, moving to New York at 16 to sign with Elite Model Management.\n\n### Runway debut and Victoria’s Secret, 1997–2000\n\nLima made her runway debut at Anna Sui’s New York show in September 1997, and her first magazine cover came with Marie Claire Brazil in September 1998. She first walked the Victoria’s Secret Fashion Show at 17 in 1999, becoming a full Angel in 2000 — a title she would hold for eighteen years, the longest tenure in the show’s history.\n\n### Two decades as an Angel, 2000–2018\n\nAcross her Victoria’s Secret tenure, Lima opened the show in 2003, 2007, 2008, 2010 and 2012, closed it in 2001, 2002 and at her 2018 farewell, and wore the Fantasy Bra in 2008, 2010 and 2014, missing only the 2009 show due to pregnancy. She fronted a solo Victoria’s Secret commercial during Super Bowl XLII in 2008, reaching an estimated 103.7 million viewers, and a Kia Optima advertisement during Super Bowl XLVI in 2012. Beyond Victoria’s Secret, she was the face of Maybelline from 2003 to 2009 (returning in 2014), became Desigual’s global ambassador in 2014, and appeared in the Pirelli Calendar in 2005 and again in 2013 — the first visibly pregnant model to be featured in the calendar. She unveiled a Madame Tussauds wax figure on 30 November 2015, the first Victoria’s Secret Angel given the honour, and was named the Daily Front Row’s Fashion Icon in March 2019.\n\n### Recent record, 2023–2025\n\nLima retired from Victoria’s Secret on 8 November 2018 but returned for a fragrance campaign on 4 April 2023 and walked the brand’s \"Tour ’23\" runway event that September, followed by a further runway appearance in October 2024. She was named the Daily Front Row’s \"Fashion Comeback of the Year\" in April 2025, and married film producer Andre Lemmers on 17 December 2024. She is represented by The Society Management in New York and Elite Model Management across Paris, London and Milan.\n\n## Quick facts\n\n- Born 12 June 1981 in Salvador, Bahia, Brazil; won \"Ford Supermodel of Brazil\" at 15\n- The longest-serving Victoria’s Secret Angel, holding the title from 2000 to her farewell show on 8 November 2018\n- Wore the Victoria’s Secret Fantasy Bra in 2008, 2010 and 2014\n- Fronted a solo Victoria’s Secret Super Bowl commercial in 2008, reaching an estimated 103.7 million viewers\n- Became the first visibly pregnant model to appear in the Pirelli Calendar, in 2013\n- Unveiled a Madame Tussauds wax figure on 30 November 2015, the first Victoria’s Secret Angel to be honoured that way\n\n## Sources\n\n- [Victoria's Secret · Adriana Lima, 2025 show recap](https://www.victoriassecret.com/us/vs/vsinsider/fashion-show/2025-adriana-recap)\n- [Biographical reference](https://en.wikipedia.org/wiki/Adriana_Lima)\n\nCite as: The Cast Index, \"Adriana Lima\", https://thecastindex.com/models/adriana-lima. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/adut-akech","markdownUrl":"https://thecastindex.com/models/adut-akech.md","title":"Adut Akech","lastmod":"2026-09-25","sha256":"1a808fbdbecc0090cd17f3487d9a2f1ad59376ef5cae08502c265c54a0190bd4","bytes":4113,"markdown":"# Adut Akech\n\n> Source: https://thecastindex.com/models/adut-akech — updated 2026-09-25\n\nSouth Sudanese-Australian model who became one of the most in-demand runway and campaign faces of the late 2010s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 25 December 1999 (age 26) |\n| Birthplace | South Sudan |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Australia |\n| Disciplines | Runway, Couture |\n| Agencies | Elite · Paris / Milan / London / Copenhagen |\n| Cast Index | #25 · 86.3/100 (2026-10-05 snapshot) |\n| Instagram | @adutakech |\n\nBirth date, birthplace and height: Wikidata Q47031031 (https://www.wikidata.org/wiki/Q47031031), retrieved 2026-09-25.\n\n## Known for\n\nNamed Model of the Year at the 2019 Fashion Awards.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 78 |\n| Campaigns | 30% | 91 |\n| Editorial | 20% | 92 |\n| Cultural | 10% | 94 |\n\n## Evidence\n\n- American Vogue and Valentino fragrance credits in 2026.\n- Fashion Awards Model of the Year, 2019; historical achievements receive 10% decay in the current index.\n\n## Career\n\n### Early life\n\nAdut Akech Bior was born on 25 December 1999 in what is now South Sudan, and spent part of her childhood in the Kakuma refugee camp in Kenya after her family fled conflict. At age 7 she and her mother resettled as refugees in Adelaide, Australia, where teachers, struggling with the pronunciation of \"Adut,\" called her by her second name, \"Mary.\" She has since become an outspoken advocate for refugees, including work with the UNHCR.\n\nShe was scouted several times from around age 13 but did not sign professionally until 16, when she joined Chadwick Models in Sydney; her runway debut came at a local show organised by her aunt, followed by Melbourne Fashion Week.\n\n### International breakthrough, 2017–2019\n\nAkech’s international breakthrough came in 2017, when she was cast as an exclusive model for Saint Laurent’s Spring/Summer show, later closing both the house’s Fall/Winter 2017 and Spring/Summer 2018 shows. She appeared in the Pirelli Calendar, photographed by Tim Walker, in 2018, and was named Models.com’s Model of the Year in both 2018 and 2019 — a back-to-back honour matched by few of her peers.\n\n### Vogue and the British Fashion Awards, 2019\n\nIn September 2019, Akech appeared on the cover of British Vogue for the issue guest-edited by Meghan, Duchess of Sussex, and on 2 December 2019 she won Model of the Year at the British Fashion Awards.\n\n### Recent record, 2020–2024\n\nAkech appeared in Beyoncé’s \"Black Is King\" visual album in 2020, alongside an American Vogue cover the same year. Campaign and cover work continued through 2022 with Michael Kors, Victoria’s Secret and Hugo Boss, plus a spot among the 17 cover models for W Magazine’s 50th Anniversary Issue that September. In May 2023, she appeared on the cover of American Vogue for an issue paying tribute to Karl Lagerfeld, and in March 2024 she featured on a British Vogue \"fashion icons\" cover alongside a Valentino perfume campaign. She is represented by The Society Management in New York, Elite Model Management across Europe, and Chadwick Models in Sydney.\n\n## Quick facts\n\n- Born 25 December 1999 in what is now South Sudan; raised in the Kakuma refugee camp in Kenya before resettling in Adelaide, Australia, at age 7\n- Signed with Chadwick Models in Sydney at 16 after being scouted several times from age 13\n- International breakthrough as a Saint Laurent exclusive for its Spring/Summer 2017 show\n- Named Models.com’s Model of the Year in both 2018 and 2019\n- Won Model of the Year at the British Fashion Awards on 2 December 2019, having fronted the September 2019 British Vogue cover guest-edited by Meghan, Duchess of Sussex\n- Appeared in Beyoncé’s \"Black Is King\" visual album in 2020\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/adut-akech)\n- [Biographical reference](https://en.wikipedia.org/wiki/Adut_Akech)\n\nCite as: The Cast Index, \"Adut Akech\", https://thecastindex.com/models/adut-akech. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/adwoa-aboah","markdownUrl":"https://thecastindex.com/models/adwoa-aboah.md","title":"Adwoa Aboah","lastmod":"2026-09-25","sha256":"cf5c8e37bbb2d6d0723c38ae5b48a137331c54c05e64cfe19dc7a6037948b371","bytes":3996,"markdown":"# Adwoa Aboah\n\n> Source: https://thecastindex.com/models/adwoa-aboah — updated 2026-09-25\n\nBritish model and activist known as much for her advocacy work as for her editorial and runway career.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 18 May 1992 (age 34) |\n| Birthplace | Westminster, United Kingdom |\n| Height | 173 cm (5 ft 8 in) |\n| Nationality | United Kingdom |\n| Disciplines | Editorial, Advocacy |\n| Cast Index | #27 · 85.0/100 (2026-10-05 snapshot) |\n| Instagram | @adwoaaboah |\n\nBirth date, birthplace and height: Wikidata Q28967562 (https://www.wikidata.org/wiki/Q28967562), retrieved 2026-09-25.\n\n## Known for\n\nFounder of Gurls Talk, a mental-health community for young women.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 78 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 91 |\n| Cultural | 10% | 95 |\n\n## Evidence\n\n- Current luxury editorial and campaign visibility qualifies within the rolling five-year window.\n- Advocacy impact is scored separately from runway activity.\n\n## Career\n\n### Early life\n\nAdwoa Caitlin Maria Aboah was born on 18 May 1992 in Westminster, London, to Charles Aboah, who was born and raised in Ghana, and Camilla Lowther, a photography agent connected to British nobility through the Lowther family. Her sister, Kesewa Aboah, is also a model. She was educated at Millfield School and graduated from Brunel University in 2013 with a bachelor’s degree in Modern Drama, having made her film debut in the short \"To Get Her\" in 2011.\n\n### A breakout year and Gurls Talk, 2017\n\nAboah’s breakout came in 2017: she took a role in the Hollywood film Ghost in the Shell, appeared on the December cover of British Vogue, and was named both Models.com’s Model of the Year and British GQ’s Woman of the Year, earning roughly $1 million in contracts that year. That same year, following her own recovery from depression and drug addiction, she founded Gurls Talk, a mental-health and wellbeing platform for young women that has since grown into a significant part of her public work.\n\n### Continued recognition, 2018–2020\n\nAboah was ranked among Models.com’s top 50 female models in 2018 and fronted a Revlon PhotoReady campaign. In September 2019 she appeared on a second British Vogue cover, for the issue guest-edited by Meghan, Duchess of Sussex. In 2020 she was named to the Powerlist of most influential Black Britons, and expanded Gurls Talk’s work during the COVID-19 pandemic through its \"#CopingTogether\" initiative.\n\n### Recent record, 2022–2025\n\nAboah has taken on television acting roles including Willow and a recurring part as \"Becks\" in eight episodes of Top Boy in 2022. She welcomed her first child, a daughter, on 23 August 2024, and continued television work into 2025, including a guest-judging appearance on RuPaul’s Drag Race: UK vs. the World and a reported recurring role in Too Much. Notable campaigns across her career include Calvin Klein, Fendi, DKNY, Alexander Wang and Rihanna’s Fenty x Puma.\n\n## Quick facts\n\n- Born 18 May 1992 in Westminster, London, to Ghanaian father Charles Aboah and photography agent Camilla Lowther\n- Graduated from Brunel University in 2013 with a degree in Modern Drama; sister of fellow model Kesewa Aboah\n- Founded Gurls Talk, a mental-health platform for young women, in 2017 following her own recovery from depression and addiction\n- Named Models.com Model of the Year and British GQ Woman of the Year in 2017, the same year she appeared on the December cover of British Vogue\n- A second British Vogue cover in September 2019, for the issue guest-edited by Meghan, Duchess of Sussex\n- Serves as a contributing editor at British Vogue\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/adwoa-aboah)\n- [Biographical reference](https://en.wikipedia.org/wiki/Adwoa_Aboah)\n\nCite as: The Cast Index, \"Adwoa Aboah\", https://thecastindex.com/models/adwoa-aboah. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/aishwarya-gupta","markdownUrl":"https://thecastindex.com/models/aishwarya-gupta.md","title":"Aishwarya Gupta","lastmod":"2026-09-25","sha256":"f17756e3f885a6bf85c2711600e92343254d93532900662d5a40b4f48d6d2160","bytes":1248,"markdown":"# Aishwarya Gupta\n\n> Source: https://thecastindex.com/models/aishwarya-gupta — updated 2026-09-25\n\nIndian model signed with Elite, with editorial and runway work across Paris and the wider international circuit.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | India |\n| Disciplines | Runway, Editorial |\n| Agencies | Elite Model Management |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nEditorial credits including Vogue Paris and Marie Claire Arabia; by her own account she walked Victoria’s Secret’s September 2023 event.\n\n\n## Evidence\n\n- Editorial credits including Vogue Paris (2020) and Marie Claire Arabia (2024).\n- By her own account, in ELLE India, she walked Victoria’s Secret’s September 2023 event; that specific credit is self-reported and not independently confirmed by a third-party cast list.\n\n## Sources\n\n- [ELLE India · India’s Next-Gen Supermodels](https://elle.in/fashion/spotlight-indias-next-gen-supermodels-on-their-peak-runway-moments-8776874)\n- [Elite Models · Aishwarya Gupta](https://www.elitemodels.com/los-angeles/elite/8114-aishwarya-gupta)\n\nCite as: The Cast Index, \"Aishwarya Gupta\", https://thecastindex.com/models/aishwarya-gupta. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alaato-jazyper","markdownUrl":"https://thecastindex.com/models/alaato-jazyper.md","title":"Alaato Jazyper","lastmod":"2026-09-25","sha256":"5c2343343e38082ae433e64301408cd9e347d945661fd8314d5527113aa635e2","bytes":936,"markdown":"# Alaato Jazyper\n\n> Source: https://thecastindex.com/models/alaato-jazyper — updated 2026-09-25\n\nSouth Sudanese fashion model. Tracked for Saint Laurent exclusive breakthrough and one of 2023’s most-booked runway models.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | South Sudan |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nSaint Laurent exclusive breakthrough and one of 2023’s most-booked runway models\n\n\n## Evidence\n\n- Saint Laurent exclusive breakthrough and one of 2023’s most-booked runway models.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://models.com/models/alaato-jazyper)\n\nCite as: The Cast Index, \"Alaato Jazyper\", https://thecastindex.com/models/alaato-jazyper. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alek-wek","markdownUrl":"https://thecastindex.com/models/alek-wek.md","title":"Alek Wek","lastmod":"2026-09-25","sha256":"e4236fd28c8febbe1b481c575d3654c6b0b9cf01fc842f053c984fe69fcc8378","bytes":4560,"markdown":"# Alek Wek\n\n> Source: https://thecastindex.com/models/alek-wek — updated 2026-09-25\n\nSouth Sudanese-British model and designer whose late-1990s breakthrough helped broaden the industry’s idea of beauty.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 16 April 1977 (age 49) |\n| Birthplace | Wau, South Sudan |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Editorial |\n| Cast Index | #29 · 84.8/100 (2026-10-05 snapshot) |\n| Instagram | @msalekwek |\n\nBirth date, birthplace and height: Wikidata Q239508 (https://www.wikidata.org/wiki/Q239508), retrieved 2026-09-25.\n\n## Known for\n\nA defining breakout of the late 1990s runway.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 88 |\n| Campaigns | 30% | 82 |\n| Editorial | 20% | 80 |\n| Cultural | 10% | 90 |\n\n## Evidence\n\n- Walked Roberto Cavalli Milan Womenswear Spring/Summer 2025 (September 2024) and Chanel Paris Womenswear Spring/Summer 2026 (October 2025).\n- Fronted Betsey Johnson's Spring 2025 campaign and a Diane von Furstenberg Spring 2026 campaign (February 2026).\n- Reflected on a 30-year career in Interview Magazine's Winter 2025 issue.\n\n## Selected runway record\n\n- SS27 Menswear · Walked · Vetements ([source](https://wwd.com/runway/mens-spring-2027/paris/vetements/review/))\n\n## Career\n\n### Early life\n\nAlek Wek was born on 16 April 1977 in Wau, in present-day South Sudan, the seventh of nine children of Akuol, a housewife, and Athian, an education official who died in 1985 from complications of an injury sustained while the family fled civil-war violence in Wau. Wek arrived in London as a refugee in 1991, at age 14.\n\nShe was scouted at 18 at an outdoor market in Crystal Palace, London, by a Models 1 scout, and signed with Ford Models in 1996.\n\n### Breaking barriers, 1995–2002\n\nWek appeared in Tina Turner’s \"GoldenEye\" music video in 1995. In 1997 she was named MTV’s \"Model of the Year,\" became the first African model to appear on the cover of Elle, and appeared in Janet Jackson’s \"Got ’Til It’s Gone\" video. Her cover credits have included the American, French, German and South African editions of Elle, alongside i-D, Cosmopolitan, Glamour, Forbes Africa and Ebony, and editorial work for American and British Vogue. In 2002 she made her film-acting debut in The Four Feathers, playing a Sudanese princess, and became an advisor to the U.S. Committee for Refugees Advisory Council.\n\n### Advocacy and business, 2007–2016\n\nWek published her autobiography, \"Alek: From Sudanese Refugee to International Supermodel,\" in 2007. She served as a guest judge on America’s Next Top Model and Britain & Ireland’s Next Top Model in 2011, and became the face of Amarula’s \"African Originals\" campaign in 2012, the same year she travelled to South Sudan with the UN Refugee Agency to document refugee stories. She walked for Marc Jacobs at New York Fashion Week’s Spring/Summer 2016 show and was included in the BBC’s 100 Women that year, alongside four special-edition Brazilian Elle covers in May 2016.\n\n### Recent record\n\nWek took a role in the film Suspiria in 2018 and appeared in Doja Cat’s \"Gorgeous\" music video in 2025. Her business ventures include the \"Wek 1933\" handbag line, named for her father’s birth year and sold at Selfridges, alongside a long-standing record of humanitarian work with World Vision, Doctors Without Borders — where she serves as an ambassador for Sudan — and UNICEF.\n\n## Quick facts\n\n- Born 16 April 1977 in Wau, Sudan (present-day South Sudan); arrived in London as a refugee in 1991 at age 14\n- Scouted at 18 at an outdoor market in Crystal Palace, London, by a Models 1 scout\n- The first African model to appear on the cover of Elle, in 1997\n- Published an autobiography, \"Alek: From Sudanese Refugee to International Supermodel,\" in 2007\n- Long-standing humanitarian work with the UN Refugee Agency, World Vision, Doctors Without Borders and UNICEF\n- Created the \"Wek 1933\" handbag line, named for her father’s birth year, sold at Selfridges\n\n## Sources\n\n- [Fashion Gone Rogue · Betsey Johnson SS25 ad, Alek Wek](https://www.fashiongonerogue.com/betsey-johnson-spring-2025-ad-alek-wek/)\n- [Interview Magazine · Alek Wek looks back](https://www.interviewmagazine.com/fashion/supermodel-alek-wek-looks-back-on-a-life-in-fashion)\n- [Biographical reference](https://en.wikipedia.org/wiki/Alek_Wek)\n\nCite as: The Cast Index, \"Alek Wek\", https://thecastindex.com/models/alek-wek. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alessandra-ambrosio","markdownUrl":"https://thecastindex.com/models/alessandra-ambrosio.md","title":"Alessandra Ambrosio","lastmod":"2026-09-25","sha256":"0cddda249249e7a36321c2ba93efd63784e4ea55f70964824b145d622112bb5a","bytes":3495,"markdown":"# Alessandra Ambrosio\n\n> Source: https://thecastindex.com/models/alessandra-ambrosio — updated 2026-09-25\n\nBrazilian model. Tracked for PatBO and international fashion-week visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 11 April 1981 (age 45) |\n| Birthplace | Erechim, Brazil |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | Brazil |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @alessandraambrosio |\n\nBirth date, birthplace and height: Wikidata Q151859 (https://www.wikidata.org/wiki/Q151859), retrieved 2026-09-25.\n\n## Known for\n\nPatBO and international fashion-week visibility\n\n\n## Evidence\n\n- Walked the Victoria's Secret Fashion Show in both 2024 and 2025, her first return to the runway in seven years.\n- Walked PatBo at New York Fashion Week, September 2024, and Celia Kritharioti Haute Couture Spring/Summer 2025 at Paris Fashion Week.\n\n## Career\n\n### Early life\n\nAlessandra Corine Ambrósio was born on 11 April 1981 in Erechim, Rio Grande do Sul, Brazil, to Lucilda and Luiz Ambrósio, of Italian and Polish descent. She began modelling at 12, competing in Brazil’s Elite Model Look in 1995 and signing with Elite at 15 under scout Dilson Stein; her Polaroids led directly to Guess’s \"Millennium\" campaign.\n\n### Victoria’s Secret years, 2004–2017\n\nAmbrósio launched her swimwear line, \"Alessandra Ambrosio by Sais,\" in 2004, and made her Victoria’s Secret Fashion Show runway debut in 2005, becoming the brand’s first PINK spokesmodel in 2006. She walked the show three months postpartum in 2008 and opened it in 2009. In 2012 she wore the $2.5 million Floral Fantasy Bra, performed at the London Olympics closing ceremony, and ranked fifth on Forbes’ highest-paid models list at $6.6 million; in 2014 she wore the $2 million Dream Fantasy Bra alongside Adriana Lima and launched \"Ále by Alessandra\" with Cherokee. Her final Victoria’s Secret Fashion Show before her announced retirement came in 2017.\n\n### Recent record, 2019–2025\n\nAmbrósio co-launched the beachwear brand GAL Floripa in 2019 and became a naturalized U.S. citizen in November 2020. She returned to the Victoria’s Secret Fashion Show on 15 October 2024, ending a seven-year absence, and walked her 19th appearance on 15 October 2025. Her campaign and cover record spans Gucci, Dolce & Gabbana, Calvin Klein, Oscar de la Renta, Fendi, Armani and the Pirelli Calendar. She is represented by CAA in New York and Los Angeles.\n\n## Quick facts\n\n- Born 11 April 1981 in Erechim, Rio Grande do Sul, Brazil; began modelling at 12\n- Competed in Brazil’s Elite Model Look in 1995, leading to Guess’s \"Millennium\" campaign\n- Made her Victoria’s Secret Fashion Show runway debut in 2005 and opened the show in 2009\n- Wore the $2.5 million Floral Fantasy Bra at the 2012 Victoria’s Secret Fashion Show and performed at the London Olympics closing ceremony that year\n- Returned to the Victoria’s Secret Fashion Show on 15 October 2024 after a seven-year absence\n- Walked her 19th Victoria’s Secret Fashion Show on 15 October 2025\n\n## Sources\n\n- [WWD · Alessandra Ambrosio on her Victoria's Secret return](https://wwd.com/eye/people/alessandra-ambrosio-victorias-secret-fashion-show-return-1236684409/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Alessandra_Ambrosio)\n\nCite as: The Cast Index, \"Alessandra Ambrosio\", https://thecastindex.com/models/alessandra-ambrosio. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alex-consani","markdownUrl":"https://thecastindex.com/models/alex-consani.md","title":"Alex Consani","lastmod":"2026-09-25","sha256":"a7e46a4d9f26d4875d95563fc0112c6b444280d62db1c80a2b7cc7d32503bbf6","bytes":6216,"markdown":"# Alex Consani\n\n> Source: https://thecastindex.com/models/alex-consani — updated 2026-09-25\n\nAmerican model whose runway, editorial and digital presence made her one of the defining new faces of the mid-2020s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 July 2003 (age 23) |\n| Birthplace | Petaluma, United States |\n| Nationality | United States |\n| Disciplines | Runway, Editorial |\n| Agencies | IMG Models · New York / Paris / Milan / London / Los Angeles |\n| Cast Index | #3 · 95.1/100 (2026-10-05 snapshot) |\n| Instagram | @alexconsani |\n\nBirth date, birthplace and height: Wikidata Q121075843 (https://www.wikidata.org/wiki/Q121075843), retrieved 2026-09-25.\n\n## Known for\n\nNamed Model of the Year at the 2024 Fashion Awards.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 94 |\n| Campaigns | 30% | 96 |\n| Editorial | 20% | 94 |\n| Cultural | 10% | 99 |\n\n## Evidence\n\n- Walked Chanel, Alexander McQueen and Jean Paul Gaultier in Paris in March 2026.\n- Gucci and Chanel campaign and resort credits in 2026.\n- Fashion Awards Model of the Year, 2024.\n\n## Selected runway record\n\n- AW26 · Walked · Chanel ([source](https://models.com/models/alex-consani))\n- AW26 · Walked · Alexander McQueen ([source](https://models.com/models/alex-consani))\n- AW26 · Walked · Jean Paul Gaultier ([source](https://models.com/models/alex-consani))\n- SS27 · Closed · Michael Kors Collection ([source](https://www.wmagazine.com/fashion/michael-kors-spring-2027-runway-photos))\n- SS27 · Walked · Calvin Klein Collection ([source](https://www.thefader.com/2026/09/18/7-surprising-takeaways-from-new-york-fashion-week-spring-2027))\n- AW26 · Opened · H&M ([source](https://www.wmagazine.com/fashion/hm-london-fashion-week-show-autumn-2026))\n- SS27 · Walked · Gucci ([source](https://www.marieclaire.com/fashion/gucci-spring-2027-show/))\n- SS27 · Walked · Tom Ford ([source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/))\n\n## Career\n\n### Early life\n\nAlex Monette Consani was born on 23 July 2003 in Petaluma, California, to a mother who works in water conservation and a father who works with Guide Dogs for the Blind. Consani is transgender; she began wearing feminine clothing at four, chose the name Alex at eight, and underwent hormone replacement therapy during puberty.\n\nIn early 2015, when she was twelve, her mother found an advertisement on Facebook for Slay Model Management, a Los Angeles agency composed entirely of transgender models. Consani signed with the agency and, at the time, became the world’s youngest transgender model. A 2016 feature in Cosmopolitan Germany brought her wider attention, and that year, aged thirteen, she appeared in a photoshoot with the model Dominique Jackson.\n\n### Building a career, 2019–2022\n\nConsani graduated from Petaluma High School in 2021 and enrolled at Pace University on scholarship. Professionally, she signed with IMG Models in August 2019 at sixteen and relocated to New York at eighteen. In 2020 she began posting comedic, absurdist videos on TikTok — first as \"captincroook,\" later through a persona she called \"Miss Mawma\" — building an audience that would become central to her public profile.\n\nShe made her runway debut for Tom Ford in New York in 2021, and by 2022 had passed 700,000 TikTok followers. That year GLAAD named her to its \"20 Under 20\" list of outstanding young LGBTQ changemakers, and she walked for Versace and Alexander McQueen during Fall/Winter 2022 fashion month.\n\n### Breakout year, 2023\n\nVogue named Consani among the standout new faces of Spring/Summer 2023, a season in which she walked for Boss, Burberry, Chloé, Roberto Cavalli and Coperni. In September she became the face of Jean Paul Gaultier’s collaborative collection with Knwls, and by October her TikTok following had passed 1.4 million. That month, Forbes placed her on its Top Creators Fashion 50 list with a 21.5% engagement rate — the highest of anyone on the list.\n\n### A historic 2024\n\nBy early 2024 Consani had passed two million TikTok followers and more than 150 million likes; she went on to appear in music videos for JT’s \"Okay\" and Charli XCX’s \"360.\" In 2024 she became the first openly transgender woman nominated for The Fashion Awards’ Model of the Year category, and on 15 October 2024 she and Valentina Sampaio became the first transgender models to walk the Victoria’s Secret Fashion Show.\n\nOn 2 December 2024, Consani became the first transgender person to win The Fashion Awards’ Model of the Year award. Forbes named her to its 30 Under 30 list that same month, capping a year in which outlets including E!, Bustle and PinkNews had already been calling her fashion’s reigning \"It girl.\"\n\n### Recent record, 2025–2026\n\nConsani made her Met Gala debut in 2025 and was named to Time magazine’s inaugural Time 100 Creators list. In May 2026 she became the first trans woman to serve on the Met Gala’s host committee, returning to the event that month in a sheer Gucci gown. Her current Index Rating is built on the same current-season momentum: Paris runway appearances for Chanel, Alexander McQueen and Jean Paul Gaultier in March 2026, Gucci and Chanel campaign and resort credits, and her 2024 Fashion Awards win, detailed in the evidence section below.\n\n## Quick facts\n\n- Signed with an agency at twelve, becoming the world’s youngest transgender model at the time, 2015\n- First openly transgender woman nominated for The Fashion Awards’ Model of the Year, 2024\n- One of the first two transgender models — alongside Valentina Sampaio — to walk the Victoria’s Secret Fashion Show, October 2024\n- First transgender person to win The Fashion Awards’ Model of the Year, December 2024\n- Forbes 30 Under 30, December 2024\n- First trans woman on the Met Gala host committee, May 2026\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/alex-consani)\n- [The Fashion Awards](https://www.fashionawards.com/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Alex_Consani)\n\nCite as: The Cast Index, \"Alex Consani\", https://thecastindex.com/models/alex-consani. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alexandra-agoston","markdownUrl":"https://thecastindex.com/models/alexandra-agoston.md","title":"Alexandra Agoston","lastmod":"2026-09-25","sha256":"3fc9fdc1d710b973ab8561d34c45c9d409dbdf5423760f77e75345ef015a16d5","bytes":2727,"markdown":"# Alexandra Agoston\n\n> Source: https://thecastindex.com/models/alexandra-agoston — updated 2026-09-25\n\nAustralian fashion model. Tracked for Jean Paul Gaultier and international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1987 |\n| Birthplace | Sydney, Australia |\n| Nationality | Australia |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q59604511 (https://www.wikidata.org/wiki/Q59604511), retrieved 2026-09-25.\n\n## Known for\n\nJean Paul Gaultier and international runway work\n\n\n## Evidence\n\n- Jean Paul Gaultier and international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nAlexandra Agoston-O’Connor was born on 24 June 1987 in Sydney, Australia, of Hungarian, Irish, English and Austrian descent. She was scouted in Paris at around 15 while on a family holiday, an encounter that led to her professional debut at New York Fashion Week, where she walked roughly 20 shows in her first season.\n\n### A runway career built on couture\n\nAgoston built an early runway record spanning Proenza Schouler, Monique Lhuillier, Christian Lacroix, Elie Saab, Armani Privé, Dior, Comme des Garçons and Jean Paul Gaultier — a relationship close enough that she became known in the industry as \"Gaultier’s muse.\" Her later runway work has included Naeem Khan, Badgley Mischka, John Galliano, Off-White, Christian Siriano and David Jones.\n\n### Recent record\n\nAgoston was named the face of Australian fashion brand Kookai in 2015. She is in a relationship with photographer Chris Colls, and the couple have two children together. She is represented by DNA Models in New York, VIVA Model Management in Paris and Priscilla’s in Australia.\n\n## Quick facts\n\n- Born Alexandra Agoston-O’Connor, 24 June 1987, in Sydney, Australia, of Hungarian, Irish, English and Austrian descent\n- Scouted in Paris at around 15 while on a family holiday\n- Walked roughly 20 shows in her first New York Fashion Week season\n- A recurring runway presence for Jean Paul Gaultier, earning the nickname \"Gaultier’s muse\"\n- Runway record includes Proenza Schouler, Dior, Comme des Garçons, Armani Privé and Elie Saab\n- Named the face of Australian fashion brand Kookai in 2015\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/alexandra-agoston)\n- [Biographical reference](https://en.wikipedia.org/wiki/Alexandra_Agoston)\n\nCite as: The Cast Index, \"Alexandra Agoston\", https://thecastindex.com/models/alexandra-agoston. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/alton-mason","markdownUrl":"https://thecastindex.com/models/alton-mason.md","title":"Alton Mason","lastmod":"2026-09-25","sha256":"06e1836484e74531335bedd7802066d6bdac12e08c79f16cb2b929a0b21d9d0c","bytes":1062,"markdown":"# Alton Mason\n\n> Source: https://thecastindex.com/models/alton-mason — updated 2026-09-25\n\nAmerican fashion model. Tracked for In 2018, the first Black male model to walk for Chanel.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 21 November 1997 (age 28) |\n| Birthplace | Nebraska, United States |\n| Nationality | United States |\n| Disciplines | Runway, Menswear |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @altonmason |\n\nBirth date, birthplace and height: Wikidata Q65059880 (https://www.wikidata.org/wiki/Q65059880), retrieved 2026-09-25.\n\n## Known for\n\nIn 2018, the first Black male model to walk for Chanel\n\n\n## Evidence\n\n- In 2018, the first Black male model to walk for Chanel.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Alton_Mason)\n\nCite as: The Cast Index, \"Alton Mason\", https://thecastindex.com/models/alton-mason. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/amber-valletta","markdownUrl":"https://thecastindex.com/models/amber-valletta.md","title":"Amber Valletta","lastmod":"2026-09-25","sha256":"73f5fc842e641d54aed8f7491467f101a8b3cf4599610e76ffdbd238f7833969","bytes":4068,"markdown":"# Amber Valletta\n\n> Source: https://thecastindex.com/models/amber-valletta — updated 2026-09-25\n\nAmerican model and actress. Tracked for Saint Laurent and continuing luxury runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 9 February 1974 (age 52) |\n| Birthplace | Phoenix, United States |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @ambervalletta |\n\nBirth date, birthplace and height: Wikidata Q133820 (https://www.wikidata.org/wiki/Q133820), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent and continuing luxury runway work\n\n\n## Evidence\n\n- Closed Twinset's debut runway show at Milan Fashion Week, 2024, and fronted the brand's launch campaign.\n- J.Crew 'Linen Love Story' (Spring 2024), Donna Karan Fall 2024 and Versace Fall/Winter 2025 campaigns; Vogue Hong Kong digital cover, September 2024.\n\n## Selected runway record\n\n- SS27 · Walked · Stella McCartney ([source](https://pagesix.com/2026/09/30/style/miranda-kerr-makes-surprise-return-to-the-stella-mccartney-runway-after-nearly-a-decade/))\n\n## Career\n\n### Early life\n\nAmber Evangeline Valletta was born on 9 February 1974 in Tucson, Arizona, and raised in Tulsa, Oklahoma, by her mother, Theresa Malaby, who worked at the post office; Valletta is a citizen of the Cherokee Nation, with additional Portuguese, English and Italian heritage. Her mother enrolled her at 15 in modelling school at the Linda Layman Agency in Tulsa.\n\n### A 1990s supermodel career\n\nValletta’s first American Vogue cover came in February 1993, beginning a run that would total more than a dozen covers for the title, alongside campaigns for Giorgio Armani, Chanel, Prada, Valentino, Gucci and Versace, and cosmetics contracts with Calvin Klein and Elizabeth Arden. She co-hosted MTV’s House of Style with Shalom Harlow from 1995 to 1996, and was photographed by Steven Meisel for Vogue Italia in January 1996 and American Vogue that July. In Spring/Summer 2000 she modelled Versace’s green \"jungle dress,\" later famously worn by Jennifer Lopez at the 2000 Grammy Awards, an event widely credited with driving the search demand that led to the creation of Google Images.\n\n### A parallel acting career, 2000–2015\n\nValletta made her acting debut in Drop Back Ten in 2000, taking film roles in Hitch and Transporter 2 in 2005, followed by Gamer in 2009 and The Spy Next Door in 2010. She held a recurring role on the television series Revenge from 2011 to 2014, followed by series-regular roles in Legends (2014) and Blood & Oil (2015).\n\n### Sustainability advocacy, 2020–2025\n\nIn 2020, Valletta was named British Vogue’s first Contributing Sustainability Editor and Sustainability Ambassador for the Fashion Institute of Technology, and hosted the UN’s annual World Oceans Day conference in 2022. On 23 September 2025 she was named a UN Environment Programme Goodwill Ambassador, announced on the sidelines of the 80th UN General Assembly session, focused on climate, biodiversity and pollution. She is represented by The Society Management in New York.\n\n## Quick facts\n\n- Born 9 February 1974 in Tucson, Arizona, and raised in Tulsa, Oklahoma; a citizen of the Cherokee Nation\n- Enrolled in modelling school at 15 at the Linda Layman Agency in Tulsa\n- Co-hosted MTV’s House of Style with Shalom Harlow, 1995–1996\n- Modelled Versace’s green \"jungle dress\" for Spring/Summer 2000, later worn by Jennifer Lopez at the 2000 Grammy Awards\n- Named British Vogue’s first Contributing Sustainability Editor in 2020\n- Named a UN Environment Programme Goodwill Ambassador on 23 September 2025\n\n## Sources\n\n- [The Hollywood Reporter · Amber Valletta at Twinset, Milan](https://www.hollywoodreporter.com/lifestyle/style/amber-valletta-walks-twinset-runway-milan-1235834129/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Amber_Valletta)\n\nCite as: The Cast Index, \"Amber Valletta\", https://thecastindex.com/models/amber-valletta. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/amelia-gray","markdownUrl":"https://thecastindex.com/models/amelia-gray.md","title":"Amelia Gray","lastmod":"2026-09-25","sha256":"a7144cb5d870554592054af9c13b75849f100263a5f77f6e2b45c48c27eee462","bytes":1044,"markdown":"# Amelia Gray\n\n> Source: https://thecastindex.com/models/amelia-gray — updated 2026-09-25\n\nAmerican fashion model. Tracked for Chanel and Miu Miu runway and campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 13 June 2001 (age 25) |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @ameliagray |\n\nBirth date, birthplace and height: Wikidata Q119020753 (https://www.wikidata.org/wiki/Q119020753), retrieved 2026-09-25.\n\n## Known for\n\nChanel and Miu Miu runway and campaign visibility\n\n\n## Evidence\n\n- Chanel and Miu Miu runway and campaign visibility.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Amelia_Gray_Hamlin)\n\nCite as: The Cast Index, \"Amelia Gray\", https://thecastindex.com/models/amelia-gray. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/amna-ilyas","markdownUrl":"https://thecastindex.com/models/amna-ilyas.md","title":"Amna Ilyas","lastmod":"2026-09-25","sha256":"9d259f4f5b8e1b66450f8627c55ccada13f5d163a642c59d5f21ae2458c1c12f","bytes":1063,"markdown":"# Amna Ilyas\n\n> Source: https://thecastindex.com/models/amna-ilyas — updated 2026-09-25\n\nPakistani model and actress recognised across the country’s fashion, editorial and screen industries.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 11 October 1990 (age 35) |\n| Birthplace | Karachi, Pakistan |\n| Height | 173 cm (5 ft 8 in) |\n| Nationality | Pakistan |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @aamnailyas |\n\nBirth date, birthplace and height: Wikidata Q15983355 (https://www.wikidata.org/wiki/Q15983355), retrieved 2026-09-25.\n\n## Known for\n\nAn established Pakistani fashion name with crossover visibility in film and television.\n\n\n## Evidence\n\n- Established visibility within Pakistan’s fashion and screen industries.\n- International and current-season booking audit is in progress.\n\n## Sources\n\n- [Public biography](https://en.wikipedia.org/wiki/Amna_Ilyas)\n\nCite as: The Cast Index, \"Amna Ilyas\", https://thecastindex.com/models/amna-ilyas. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/amrit","markdownUrl":"https://thecastindex.com/models/amrit.md","title":"Amrit","lastmod":"2026-09-25","sha256":"b6d49d6672d06a27066fecc955be1d776e9ca6b226df13b8a6da004741c3ae96","bytes":1247,"markdown":"# Amrit\n\n> Source: https://thecastindex.com/models/amrit — updated 2026-09-25\n\nModel of Indian (Punjabi) origin, raised in rural Punjab and trained in fine art in Paris, who has become a recurring face for European luxury houses.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | India |\n| Disciplines | Campaigns, Runway |\n| Agencies | Silent · Paris; Premier Model Management · London; The Industry Management · New York |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nThe face of Chloé’s fragrance, with campaign and runway work for Hermès, Chanel beauty, Miu Miu, Chloé and Fendi.\n\n\n## Evidence\n\n- The face of Chloé’s L’Eau de Parfum Intense fragrance.\n- Campaign credits include Hermès, Chanel beauty, Miu Miu and Louis Vuitton jewellery; runway for Chloé and Fendi.\n- Editorial credits across American Vogue, Vogue Paris and Vogue Italia.\n\n## Sources\n\n- [Premier Model Management · Amrit](https://www.premiermodelmanagement.com/women/image/5088-amrit/)\n- [Paris College of Art · Amé Amrit](https://www.paris.edu/pca-alumni-ame-amrit-is-the-cover-star-of-elles-anniversary-issue/)\n\nCite as: The Cast Index, \"Amrit\", https://thecastindex.com/models/amrit. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/angelina-kendall","markdownUrl":"https://thecastindex.com/models/angelina-kendall.md","title":"Angelina Kendall","lastmod":"2026-09-25","sha256":"ae7ee1940572143c678d04555f39594ee88d69d21659b66462fc52b69374b3be","bytes":2232,"markdown":"# Angelina Kendall\n\n> Source: https://thecastindex.com/models/angelina-kendall — updated 2026-09-25\n\nAustralian fashion model of Brazilian and New Zealand heritage. Tracked for Closed Chanel’s Fall 2024 haute couture show; American and British Vogue covers in January 2025.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Australia |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q131428446 (https://www.wikidata.org/wiki/Q131428446), retrieved 2026-09-25.\n\n## Known for\n\nClosed Chanel’s Fall 2024 haute couture show; American and British Vogue covers in January 2025\n\n\n## Evidence\n\n- Closed Chanel’s Fall 2024 haute couture show; American and British Vogue covers in January 2025.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- AW26 · Walked · H&M ([source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/))\n- SS27 · Walked · Etro ([source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-etro-fashion-show-news-photo/2296807363))\n- SS27 · Walked · Max Mara ([source](https://www.gettyimages.com/detail/news-photo/model-angelina-kendall-walks-the-runway-at-the-max-mara-news-photo/2296968035))\n- SS27 · Walked · The Attico ([source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-the-attico-fashion-news-photo/2297140077))\n- SS27 · Walked · Dolce & Gabbana ([source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-at-the-dolce-gabbana-news-photo/2297257130))\n- SS27 · Walked · Stella McCartney ([source](https://www.gettyimages.com/detail/news-photo/angelina-kendall-walks-the-runway-during-the-stella-news-photo/2298020938))\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Angelina_Kendall)\n\nCite as: The Cast Index, \"Angelina Kendall\", https://thecastindex.com/models/angelina-kendall. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/anja-rubik","markdownUrl":"https://thecastindex.com/models/anja-rubik.md","title":"Anja Rubik","lastmod":"2026-09-25","sha256":"ba5a9bf4a0154b1d1c0fa3d0200b6c83ec7afc91533cb1dac82471be39086108","bytes":3633,"markdown":"# Anja Rubik\n\n> Source: https://thecastindex.com/models/anja-rubik — updated 2026-09-25\n\nPolish model and businesswoman. Tracked for Saint Laurent and major international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 June 1983 (age 43) |\n| Birthplace | Rzeszów, Poland |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Poland |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @anja_rubik |\n\nBirth date, birthplace and height: Wikidata Q235986 (https://www.wikidata.org/wiki/Q235986), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent and major international campaigns\n\n\n## Evidence\n\n- Covered Harper's Bazaar France, March 2025, and appeared in Vogue Turkey (July/August 2024) and Vogue Paris (December 2024/January 2025).\n\n## Selected runway record\n\n- SS27 · Walked · Saint Laurent ([source](https://www.wmagazine.com/fashion/saint-laurent-spring-2027-runway-photos))\n\n## Career\n\n### Early life\n\nAnna Helena \"Anja\" Rubik was born on 12 June 1983 in Rzeszów, Poland, to two veterinarian parents; her family’s work took them to live in Greece, Winnipeg in Canada, Umtata in South Africa, and Częstochowa in Poland during her childhood. She competed in the Elite Model Look competition at around 13, signed with D’ivision Model Agency, and moved to Paris at 17, attending École Bilingue while modelling.\n\n### Building an exclusive campaign record\n\nRubik became the face of Chloé for a seven-year run, her first campaign shot by Inez and Vinoodh, and walked four consecutive seasons each for Gucci, photographed by Mert and Marcus, and Fendi, photographed by Karl Lagerfeld. Her broader campaign record includes Armani, Balmain, Dior, Estée Lauder, Givenchy, Hermès, Lanvin, Valentino and Yves Saint Laurent, alongside more than 30 international Vogue covers and a Time magazine cover shared with Lech Wałęsa and Pope John Paul II.\n\n### Business ventures and advocacy, 2012–2024\n\nRubik founded and continues to edit 25 Magazine, an independent art and photography title, since 2012, and launched her fragrance \"Original by Anja Rubik\" in 2014. She founded the SEXEDpl Foundation for sex education in Poland in 2018, publishing the book \"#SEXEDpl\" that September, which has sold more than 200,000 copies; she has since addressed the UN World Ocean Day event and spoken at the Nairobi ICPD Summit. In 2024 she was awarded the Freedom of Speech Medal at the European Solidarity Centre in Gdańsk, for what the award cited as courageous use of free speech. She is represented by DNA Model Management in New York and SAFE Management in Paris.\n\n## Quick facts\n\n- Born Anna Helena Rubik, 12 June 1983, in Rzeszów, Poland, to two veterinarian parents; grew up across Greece, Canada, South Africa and Poland\n- Moved to Paris at 17 to model; became the face of Chloé for seven years and walked four consecutive Gucci and Fendi seasons\n- Has appeared on more than 30 international Vogue covers\n- Founded and continues to edit 25 Magazine, an independent art and photography title, since 2012\n- Founded the SEXEDpl Foundation for sex education in Poland in 2018; her book \"#SEXEDpl\" has sold more than 200,000 copies\n- Awarded the Freedom of Speech Medal at the European Solidarity Centre, Gdańsk, in 2024\n\n## Sources\n\n- [Polish Models Blog · Anja Rubik for Vogue Paris](https://polishmodelsblog.com/anja-rubik-for-vogue-paris-december-2024-january-2025/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Anja_Rubik)\n\nCite as: The Cast Index, \"Anja Rubik\", https://thecastindex.com/models/anja-rubik. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/anna-ewers","markdownUrl":"https://thecastindex.com/models/anna-ewers.md","title":"Anna Ewers","lastmod":"2026-09-25","sha256":"081fc12f892e88f7a0f71daae63f5d163f27f504e077070a450411fdeec5eeb5","bytes":3885,"markdown":"# Anna Ewers\n\n> Source: https://thecastindex.com/models/anna-ewers — updated 2026-09-25\n\nGerman fashion model. Tracked for Chanel and major luxury campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 14 March 1993 (age 33) |\n| Birthplace | Freiburg im Breisgau, Germany |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | Germany |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | #43 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @annaewers |\n\nBirth date, birthplace and height: Wikidata Q19259428 (https://www.wikidata.org/wiki/Q19259428), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major luxury campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Chanel and major luxury campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nAnna Luisa Ewers was born on 14 March 1993 in Freiburg, Germany, and has two sisters, Andrea and Antonia. As a teenage exchange student in Colombia she modelled for the first time, then returned to Germany to finish school, working as a cocktail waitress before her international career began.\n\n### Discovery and rapid rise, 2013–2014\n\nEwers was discovered when designer Alexander Wang found her photo on a blog and told his casting director, Anita Bitton, \"Let’s find this girl!\" She became his runway muse, with Wang later recalling that \"there was something in her posture and in her look that I immediately felt drawn to.\" In the Spring/Summer 2014 season she walked 37 shows, including Céline, Balenciaga and Prada, and opened for both Dolce & Gabbana and Alexander Wang; that February she was named Milan Fashion Week’s Top Model after walking 18 shows there, including Fendi and Emilio Pucci.\n\n### Supermodel status, 2014–2015\n\nIn December 2014, Ewers fronted the widely discussed Denim x Alexander Wang campaign, shot by Steven Klein. Between July 2013 and May 2015 she appeared on nine Vogue covers, including five variant covers for Vogue Germany in March 2015. She won Models.com’s Breakout Star award in 2014 and was named the platform’s Model of the Year in 2015, the same year she shot the Pirelli Calendar with Steven Meisel alongside Adriana Lima and Raquel Zimmermann, and joined the Business of Fashion 500.\n\n### Continued campaign work\n\nEwers has walked for more than 60 designers across her career, including Balenciaga, Balmain, Calvin Klein, Chanel, Dior, Fendi, Lanvin, Louis Vuitton, Marc Jacobs, Prada and Versace, and appeared in more than 100 editorials and campaigns, including a Fall/Winter 2018 David Yurman campaign shot by Peter Lindbergh alongside Joan Smalls, Ashley Graham and Amber Valletta. She is represented by The Lions in New York, Women Management in Paris and Milan, and Storm Management in London.\n\n## Quick facts\n\n- Born 14 March 1993 in Freiburg, Germany; first modelled as a teenage exchange student in Colombia\n- Discovered by designer Alexander Wang from a photo his casting director found online; became his runway muse\n- Walked 37 shows in the Spring/Summer 2014 season, including opening for Dolce & Gabbana and Alexander Wang\n- Named Milan Fashion Week’s Top Model in February 2014\n- Won Models.com’s Breakout Star award in 2014 and its Model of the Year title in 2015\n- Shot the 2015 Pirelli Calendar with Steven Meisel, alongside Adriana Lima and Raquel Zimmermann\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/anna-ewers)\n- [Biographical reference](https://en.wikipedia.org/wiki/Anna_Ewers)\n\nCite as: The Cast Index, \"Anna Ewers\", https://thecastindex.com/models/anna-ewers. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/anok-yai","markdownUrl":"https://thecastindex.com/models/anok-yai.md","title":"Anok Yai","lastmod":"2026-09-25","sha256":"07ad143638bc0dd49c08b417849f3bc239a192319bde0a9186375d0efe61f62e","bytes":6451,"markdown":"# Anok Yai\n\n> Source: https://thecastindex.com/models/anok-yai — updated 2026-09-25\n\nAmerican model of South Sudanese heritage who rose rapidly to the top tier of runway casting after 2017.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 20 December 1997 (age 28) |\n| Birthplace | Cairo, Egypt |\n| Nationality | United States |\n| Disciplines | Runway, Couture |\n| Agencies | IMG Models · New York; No Smoking · New York; IMG Models · Milan |\n| Cast Index | #1 · 97.9/100 (2026-10-05 snapshot) |\n| Instagram | @anokyai |\n\nBirth date, birthplace and height: Wikidata Q51858202 (https://www.wikidata.org/wiki/Q51858202), retrieved 2026-09-25.\n\n## Known for\n\nIn 2018, the first Black woman to open a Prada show since Naomi Campbell in 1997.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 98 |\n| Campaigns | 30% | 97 |\n| Editorial | 20% | 98 |\n| Cultural | 10% | 100 |\n\n## Evidence\n\n- Opened and closed Balenciaga Haute Couture on 8 July 2026; walked Chanel and Schiaparelli couture.\n- Gucci Monte Carlo and Chanel pre-fall campaigns; British Vogue and Vanity Fair editorial credits in 2026.\n- Fashion Awards Model of the Year, 2025.\n\n## Selected runway record\n\n- AW26 Couture · Opened · Balenciaga ([source](https://models.com/models/anok-yai))\n- AW26 Couture · Closed · Balenciaga ([source](https://models.com/models/anok-yai))\n- AW26 Couture · Walked · Chanel ([source](https://models.com/models/anok-yai))\n- AW26 Couture · Walked · Schiaparelli ([source](https://models.com/models/anok-yai))\n- SS27 · Walked · Michael Kors Collection ([source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/))\n- SS27 · Walked · Gucci ([source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027))\n- SS27 · Closed · Ferragamo ([source](https://www.wmagazine.com/fashion/ferragamo-spring-2027-runway-photos))\n- SS27 · Walked · Tom Ford ([source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/))\n\n## Career\n\n### Early life\n\nAnok Yai was born on 20 December 1997 in Cairo, Egypt, to a Dinka Christian family who had fled genocide in Sudan. At three years old she moved with her family to Manchester, New Hampshire, in the United States, where her mother worked as a nurse and her father for the disability-services organisation Easterseals. Her sister, Alim, later became both her manager and financial adviser.\n\nYai attended Manchester High School West and went on to study biochemistry at Plymouth State University, intending to become a physician — a path modelling would interrupt before she finished the degree.\n\n### Discovery and a historic Prada opening\n\nIn October 2017, photographer Steve \"theSUNK\" Hall photographed Yai during homecoming week at Howard University. The picture drew more than 20,000 likes on Instagram and, within days, interest from major agencies including IMG Models; she signed with Next Model Management after the agency pursued her for several weeks.\n\nFour months later, Yai opened a Prada show — becoming the first Sudanese model to do so, and the first Black model to open for the house in twenty years, since Naomi Campbell in 1997. \"This is bigger than me,\" she said of the booking. \"Me opening for one of the top fashion houses is a statement to the world — especially for Black women — that their beauty deserves celebration.\"\n\n### Building a career, 2018–2021\n\nThe Prada booking opened the runway to her quickly: within a year Yai had walked for Versace, Max Mara, Fendi, Burberry and Louis Vuitton, and appeared in advertising for Tiffany & Co., Nike (with a campaign designed by Riccardo Tisci), Hood by Air and Ambush. In July 2018 she was named a spokesmodel for Estée Lauder, and that December she fronted Alexander Wang’s \"Collection 1\" Drop 2 campaign.\n\nEditorial work followed at a similar pace, with credits across multiple international editions of Vogue, W Magazine, CR Fashion Book, Harper’s Bazaar, i-D and Elle. In 2019 she appeared alongside Adut Akech and Alton Mason in the Chanel–Pharrell Collection short film.\n\n### Recognised as a supermodel, 2022–2023\n\nIn February 2022, Yai appeared on the cover of British Vogue as part of an all-Black modelling cast, and that September she featured on W Magazine’s 50th-anniversary cover — a booking the industry read as formal recognition of her supermodel status. The same year brought Steven Meisel–shot campaigns for Max Mara and Alexander McQueen, and a Mario Sorrenti–shot Loro Piana campaign.\n\n2023 was denser still: a Vogue tribute to Karl Lagerfeld photographed by Annie Leibovitz, covers for Vogue Spain and Vogue Italia, the opening slot at Mugler’s inaugural runway show during Paris Fashion Week, and a widely noted appearance at the Met Gala in custom Prabal Gurung. In December 2023, Models.com named her Model of the Year in both its Industry Vote and Reader’s Choice categories.\n\n### Recent record, 2024–2026\n\nIn 2024, Yai walked the Louis Vuitton Men’s Fall/Winter show at Paris Fashion Week and became the face of Mugler’s Alien Hypersense fragrance. In December 2025, the British Fashion Council named her Model of the Year, and in 2026 she was named to Time’s 100 Most Influential People list — recognition that extends beyond the fashion trade press into the mainstream.\n\nHer current Index Rating pillars — runway, campaigns and editorial — are built on this same run: 2026 haute couture bookings at Balenciaga, Chanel and Schiaparelli, campaigns for Gucci and Chanel, and editorial credits in British Vogue and Vanity Fair, detailed in the evidence section below.\n\n## Quick facts\n\n- First Sudanese model — and the first Black model in twenty years — to open a Prada show, 2018\n- Estée Lauder spokesmodel since 2018\n- W Magazine’s 50th-anniversary cover, 2022, marking her formal recognition as a supermodel\n- Models.com Model of the Year (Industry Vote and Reader’s Choice), 2023\n- British Fashion Council Model of the Year, 2025\n- Named to Time’s 100 Most Influential People, 2026\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/anok-yai)\n- [The Fashion Awards · Model of the Year 2025](https://www.fashionawards.com/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Anok_Yai)\n\nCite as: The Cast Index, \"Anok Yai\", https://thecastindex.com/models/anok-yai. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/ashley-graham","markdownUrl":"https://thecastindex.com/models/ashley-graham.md","title":"Ashley Graham","lastmod":"2026-09-25","sha256":"78a2e60e1409ddbdcc8cbc6528386c04a6bfd214f5a922ef321ab3a23aa7eace","bytes":3932,"markdown":"# Ashley Graham\n\n> Source: https://thecastindex.com/models/ashley-graham — updated 2026-09-25\n\nAmerican model and a prominent voice for size inclusivity in mainstream fashion.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 30 October 1987 (age 38) |\n| Birthplace | Lincoln, United States |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Advocacy |\n| Agencies | IMG Models · New York / Paris / Milan / London / Los Angeles |\n| Cast Index | #28 · 85.0/100 (2026-10-05 snapshot) |\n| Instagram | @ashleygraham |\n\nBirth date, birthplace and height: Wikidata Q4805451 (https://www.wikidata.org/wiki/Q4805451), retrieved 2026-09-25.\n\n## Known for\n\nA leading advocate for size inclusivity in the industry.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 76 |\n| Campaigns | 30% | 88 |\n| Editorial | 20% | 92 |\n| Cultural | 10% | 98 |\n\n## Evidence\n\n- Walked Nina Ricci FW26 in Paris in March 2026.\n- Marie Claire U.S. cover and American Vogue editorial in May 2026.\n- Victoria’s Secret, Nina Ricci, Boss and Grace Ling runway credits plus a Stuart Weitzman campaign in 2025.\n\n## Selected runway record\n\n- AW26 · Walked · Nina Ricci ([source](https://models.com/models/ashley-graham))\n- SS27 · Opened · Harris Reed ([source](https://wwd.com/runway/spring-2027/london/harris-reed/review/))\n\n## Career\n\n### Early life\n\nAshley Graham was born on 30 October 1987 and raised partly in Lincoln, Nebraska, the eldest of three sisters; she was diagnosed with ADHD and dyslexia in youth. She was scouted at age 12 at Oak View Mall in Omaha by the local I & I modelling agency, and signed with Wilhelmina Models in 2001 before moving to Ford Models in 2003.\n\n### Building a body-positive platform, 2007–2015\n\nGraham was profiled by Vogue in April 2007 and featured in a 2009 Glamour editorial titled \"These Bodies Are Beautiful at Every Size.\" A 2010 Lane Bryant television commercial, notable for being banned by some networks, brought her wider attention, including an appearance on The Tonight Show with Jay Leno that May. She designed a lingerie line for Addition Elle in 2013 and was named Full Figured Fashion Week’s Model of the Year in 2012, before fronting the swimsuitsforall/Sports Illustrated Swimsuit advertising campaign in 2015.\n\n### Historic covers and a memoir, 2016–2019\n\nIn 2016, Graham became the first size-16 model to appear on the cover of the Sports Illustrated Swimsuit Issue, and joined VH1’s America’s Next Top Model as a judge. In 2017, she became the first plus-size model to appear on the cover of American Vogue and published her memoir, \"A New Model,\" the same year hosting \"The Ashley Graham Project\" on Go90. She hosted American Beauty Star’s second season in 2019.\n\n### Recent record, 2023–2025\n\nGraham hosted a Countdown to the Oscars red-carpet special in 2023 and appeared on Maxim’s Hot 100 list that year. In 2025 she made her Broadway debut as Roxie Hart in Chicago, running from 15 April to 25 May, and launched a clothing line with JCPenney that October. She is represented by IMG Models.\n\n## Quick facts\n\n- Born 30 October 1987; scouted at age 12 at a shopping mall in Omaha, Nebraska\n- The first size-16 model to appear on the cover of the Sports Illustrated Swimsuit Issue, in 2016\n- The first plus-size model to appear on the cover of American Vogue, in 2017\n- Published a memoir, \"A New Model,\" in 2017\n- Represented by IMG Models after earlier stints with Wilhelmina and Ford Models\n- Made her Broadway debut as Roxie Hart in Chicago, running 15 April–25 May 2025\n\n## Sources\n\n- [Models.com profile and current work history](https://models.com/models/ashley-graham)\n- [Biographical reference](https://en.wikipedia.org/wiki/Ashley_Graham_(model))\n\nCite as: The Cast Index, \"Ashley Graham\", https://thecastindex.com/models/ashley-graham. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/ashley-radjarame","markdownUrl":"https://thecastindex.com/models/ashley-radjarame.md","title":"Ashley Radjarame","lastmod":"2026-09-25","sha256":"85e8ffb4971969b6ae64fea938fc3aac6e6f0ccf0560c0bc21de2b9bb1d64861","bytes":3717,"markdown":"# Ashley Radjarame\n\n> Source: https://thecastindex.com/models/ashley-radjarame — updated 2026-09-25\n\nFrench fashion model of Indian heritage. Tracked for Prada, Chanel and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1999 |\n| Nationality | France |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #18 · 89.1/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q121354046 (https://www.wikidata.org/wiki/Q121354046), retrieved 2026-09-25.\n\n## Known for\n\nPrada, Chanel and major international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Prada, Chanel and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nAshley Radjarame was born on 18 October 1999 in Rueil-Malmaison, in the Île-de-France region of France, to Tamil parents from Puducherry, India, who emigrated to France; her French citizenship traces to her maternal grandfather’s service in the French military. She has a younger sister and visits India annually.\n\nShe was scouted by casting director Mollie Dendle while interning in London, and her first professional assignment was a Prada resort campaign.\n\n### Runway debut and early recognition, 2019–2022\n\nRadjarame made her exclusive runway debut at Prada’s Spring/Summer 2020 show in 2019 and walked Louis Vuitton at the Louvre the same season, a placement significant enough to see her named among Vogue’s \"Top 15 models\" for the season. Cover credits followed quickly: Vogue Ukraine in November 2021 and Vogue Czechoslovakia in June 2022.\n\n### A homecoming cover and continued runway work, 2022–2024\n\nIn October 2022, Radjarame fronted Vogue India’s 15th-anniversary cover, titled \"No Place Like Home\" and photographed by Nick Sethi on location in Puducherry — her family’s home region, and by her own account the first time she had knowingly worn pieces by Indian designers. A Ferragamo Spring/Summer campaign followed in 2023, and in March 2024 she walked Louis Vuitton’s Fall/Winter 2024–25 womenswear show at Paris Fashion Week, alongside the house’s Shanghai-shot Pre-Fall 2024 campaign.\n\n### Recent record, 2024–2025\n\nRadjarame walked Carven’s Spring/Summer 2025 show at Paris Fashion Week in September 2024, and was featured in Marie Claire France in October 2025. Her runway record also includes Stella McCartney, Lanvin, Jacquemus and Acne Studios, alongside advertising work for H&M, Ferragamo and Zara. She is represented worldwide by IMG Models and has been ranked among Models.com’s \"Top 50.\"\n\n## Quick facts\n\n- Born 18 October 1999 in Rueil-Malmaison, France, to Tamil Indian parents from Puducherry\n- Scouted by casting director Mollie Dendle while interning in London; first booking was a Prada resort campaign\n- Exclusive runway debut at Prada’s Spring/Summer 2020 show; named among Vogue’s \"Top 15 models\" for the season\n- Fronted Vogue India’s 15th-anniversary cover in October 2022, shot on location in Puducherry\n- Walked Louis Vuitton’s Fall/Winter 2024–25 womenswear show at Paris Fashion Week\n- Ranked among Models.com’s \"Top 50\"\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/ashley-radjarame)\n- [Biographical reference](https://en.wikipedia.org/wiki/Ashley_Radjarame)\n\nCite as: The Cast Index, \"Ashley Radjarame\", https://thecastindex.com/models/ashley-radjarame. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/awar-odhiang","markdownUrl":"https://thecastindex.com/models/awar-odhiang.md","title":"Awar Odhiang","lastmod":"2026-09-25","sha256":"4205b326c7bc8491ad252d0b8d107f3e1bcd0aec3f873bae2f0dd9ff67b9367e","bytes":2446,"markdown":"# Awar Odhiang\n\n> Source: https://thecastindex.com/models/awar-odhiang — updated 2026-09-25\n\nSouth Sudanese-Canadian fashion model. Tracked for Closed the Chanel Spring/Summer 2026 show; named “the topmodel of the moment” by Vogue Italia.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Canada |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q137048801 (https://www.wikidata.org/wiki/Q137048801), retrieved 2026-09-25.\n\n## Known for\n\nClosed the Chanel Spring/Summer 2026 show; named “the topmodel of the moment” by Vogue Italia\n\n\n## Evidence\n\n- Closed the Chanel Spring/Summer 2026 show; named “the topmodel of the moment” by Vogue Italia.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 · Walked · Ralph Lauren ([source](https://www.thefashionspot.com/runway-news/971071-forum-members-review-the-truly-sublime-ralph-lauren-spring-2027-collection))\n- SS27 · Walked · Michael Kors Collection ([source](https://ouispeakfashion.com/michael-kors-collection-spring-summer-2027/))\n- SS27 · Walked · Tory Burch ([source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294072090))\n- SS27 · Walked · Tod’s ([source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up))\n- SS27 · Walked · Dolce & Gabbana ([source](https://www.thefashionspot.com/runway-news/974229-forum-members-review-the-quintessentially-sicilian-dolce-gabbana-spring-2027-collection))\n- SS27 · Walked · Fendi ([source](https://www.gettyimages.com/detail/news-photo/canadian-model-awar-odhiang-walks-the-runway-during-the-news-photo/2296134286))\n- SS27 · Walked · Max Mara ([source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-max-mara-fashion-show-news-photo/2296967731))\n- SS27 · Walked · Ferragamo ([source](https://www.gettyimages.com/detail/news-photo/awar-odhiang-walks-the-runway-at-the-ferragamo-fashion-show-news-photo/2297276979))\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Awar_Odhiang)\n\nCite as: The Cast Index, \"Awar Odhiang\", https://thecastindex.com/models/awar-odhiang. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/barbara-palvin","markdownUrl":"https://thecastindex.com/models/barbara-palvin.md","title":"Barbara Palvin","lastmod":"2026-09-25","sha256":"2dbe061594ea4926934f291608c3411d25f039f273c18d9d7cd741f0ae993291","bytes":3604,"markdown":"# Barbara Palvin\n\n> Source: https://thecastindex.com/models/barbara-palvin — updated 2026-09-25\n\nHungarian model. Tracked for Armani Beauty and major commercial fashion work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 8 October 1993 (age 32) |\n| Birthplace | Budapest, Hungary |\n| Height | 171 cm (5 ft 7 in) |\n| Nationality | Hungary |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | #40 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @realbarbarapalvin |\n\nBirth date, birthplace and height: Wikidata Q24368 (https://www.wikidata.org/wiki/Q24368), retrieved 2026-09-25.\n\n## Known for\n\nArmani Beauty and major commercial fashion work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Armani Beauty and major commercial fashion work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nBarbara Palvin was born on 8 October 1993 in Budapest, Hungary, to István and Ágnes Palvin, and has a sister, Anita. She was scouted on a Budapest street at 13 while walking with her mother, and her first editorial ran in 2006 for Spur Magazine, leading her to relocate to Asia for steady bookings before her international career took off.\n\n### Runway rise, 2010–2012\n\nPalvin made her runway debut for Prada at Milan Fashion Week in 2010, and opened Chanel’s Pre-Fall show the following year. In 2012 she became a L’Oréal Paris ambassador and walked the Victoria’s Secret Fashion Show, building a runway record that would go on to include Louis Vuitton, Miu Miu, Nina Ricci, Christopher Kane and Vivienne Westwood.\n\n### Victoria’s Secret Angel and screen work, 2016–2022\n\nPalvin was named Sports Illustrated Swimsuit Rookie of the Year in 2016 and ranked fourth on Maxim’s Hot 100 the same year. In 2019 she became the first Hungarian Victoria’s Secret Angel. Alongside modelling — with campaigns for Armani Exchange, H&M, Armani Beauty and Longines, and covers across Vogue, Elle, Harper’s Bazaar and GQ — she has taken film roles including Hercules (2014) and Tyger Tyger (2021).\n\n### Recent record, 2023–2026\n\nPalvin married actor Dylan Sprouse on 15 July 2023 in Albertirsa, Hungary. In August 2025 she publicly disclosed a past endometriosis diagnosis and surgery, and on 14 May 2026 the couple announced their first pregnancy on the red carpet at the Cannes Film Festival, at the premiere of \"Parallel Tales.\" She is represented by Ford Models in New York, Barcelona and São Paulo, alongside Mirah Management in Paris and Icon Management in Budapest.\n\n## Quick facts\n\n- Born 8 October 1993 in Budapest, Hungary; scouted on a Budapest street at 13\n- Runway debut for Prada at Milan Fashion Week, 2010; opened Chanel’s Pre-Fall show in 2011\n- Became a L’Oréal Paris ambassador and walked the Victoria’s Secret Fashion Show in 2012\n- Named Sports Illustrated Swimsuit Rookie of the Year in 2016\n- Became the first Hungarian Victoria’s Secret Angel in 2019\n- Married actor Dylan Sprouse on 15 July 2023; the couple announced their first pregnancy at the 2026 Cannes Film Festival\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/barbara-palvin)\n- [Biographical reference](https://en.wikipedia.org/wiki/Barbara_Palvin)\n\nCite as: The Cast Index, \"Barbara Palvin\", https://thecastindex.com/models/barbara-palvin. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/bella-hadid","markdownUrl":"https://thecastindex.com/models/bella-hadid.md","title":"Bella Hadid","lastmod":"2026-09-25","sha256":"d2e6ada7ca4e49df3beb1af91accf0feb2b160a19a16faa0734e61573d046e79","bytes":4361,"markdown":"# Bella Hadid\n\n> Source: https://thecastindex.com/models/bella-hadid — updated 2026-09-25\n\nAmerican model among the most-booked runway faces of the late 2010s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 9 October 1996 (age 29) |\n| Birthplace | Washington, D.C., United States |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #31 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @bellahadid |\n\nBirth date, birthplace and height: Wikidata Q21286612 (https://www.wikidata.org/wiki/Q21286612), retrieved 2026-09-25.\n\n## Known for\n\nOne of the most-booked runway models of the late 2010s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 74 |\n| Campaigns | 30% | 91 |\n| Editorial | 20% | 89 |\n| Cultural | 10% | 98 |\n\n## Evidence\n\n- Appeared in Prada’s Days of Summer campaign in May 2026 and Miss Sixty’s fall campaign in July 2026.\n- Walked Saint Laurent’s Winter 2026 show on 3 March 2026; appeared on Vogue Italia’s March 2026 cover.\n\n## Career\n\n### Early life\n\nIsabella Khair Hadid was born on 9 October 1996 in Washington, D.C., the daughter of Palestinian-American real estate developer Mohamed Hadid and Dutch former model Yolanda Hadid; her sister Gigi Hadid and brother Anwar Hadid are also models. She was raised on a ranch in Santa Barbara and later Beverly Hills, graduating from Malibu High School in 2014, and was diagnosed with chronic Lyme disease in 2012, a condition she has spoken about publicly throughout her career.\n\nShe began paid commercial work at 16, including a Chrome Hearts collaboration, before signing with IMG Models on 21 August 2014.\n\n### Runway rise, 2014–2016\n\nHadid made her New York Fashion Week debut for Desigual in September 2014, and her first magazine cover, for Jalouse, came that December. Her runway debut proper followed at Tom Ford’s Fall/Winter 2015 show, and in January 2016 she walked Chanel’s haute couture show, becoming a Dior Makeup ambassador that May. Her first Vogue cover came with Vogue Turkey in May 2016, followed by Vogue Japan, Vogue Italia and Vogue Paris that September.\n\n### Records and recognition, 2016–2022\n\nHadid made her Victoria’s Secret Fashion Show debut on 30 November 2016 and returned in 2018. In September 2017 she broke Doutzen Kroes’s record with five international Vogue covers — China, Spain, Brazil, Australia and Arabia — in a single month, while also becoming an ambassador for Bulgari and TAG Heuer that February. Across her career she has appeared on more than 35 international Vogue covers and fronted campaigns for Calvin Klein, Marc Jacobs, Givenchy, Chanel, Versace and Nike. She won the British Fashion Council’s Model of the Year award in 2022, having earlier won Models.com’s Break Out Star award in 2015 and its Model of the Year (Industry’s Choice) title in 2016.\n\n### Recent record, 2023–2025\n\nHadid was named to Time’s \"100 Most Influential People\" in 2023, the same year she reported earnings of roughly $19 million, before taking a career break. She returned to the runway for Saint Laurent and Victoria’s Secret in Fall 2024, and made her official runway return at Saint Laurent’s Autumn/Winter show in February 2025, followed by a British Vogue cover that June. Alongside modelling, she co-founded the beverage brand Kin Euphorics in September 2021 and launched her own fragrance and beauty brand, Orebella, in 2024. She remains represented by IMG Models.\n\n## Quick facts\n\n- Born 9 October 1996 in Washington, D.C.; daughter of Mohamed Hadid and Yolanda Hadid, sister of Gigi and Anwar Hadid\n- Diagnosed with chronic Lyme disease in 2012; signed with IMG Models in August 2014\n- Broke a record with five international Vogue covers in a single month, September 2017\n- Won Model of the Year at the British Fashion Council awards in 2022\n- Named to Time’s \"100 Most Influential People\" in 2023\n- Founded the fragrance and beauty brand Orebella in 2024, and co-founded the beverage brand Kin Euphorics in 2021\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/bella-hadid)\n- [Biographical reference](https://en.wikipedia.org/wiki/Bella_Hadid)\n\nCite as: The Cast Index, \"Bella Hadid\", https://thecastindex.com/models/bella-hadid. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/bibi-breslin","markdownUrl":"https://thecastindex.com/models/bibi-breslin.md","title":"Bibi Breslin","lastmod":"2026-09-25","sha256":"80d06cebecf29a0f96bf14bfec6e9621fdfc62a13fe890238e4863913d8409e9","bytes":922,"markdown":"# Bibi Breslin\n\n> Source: https://thecastindex.com/models/bibi-breslin — updated 2026-09-25\n\nBritish fashion model. Tracked for Gucci exclusive runway debut and Max Mara opening, with Ralph Lauren campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nGucci exclusive runway debut and Max Mara opening, with Ralph Lauren campaign work\n\n\n## Evidence\n\n- Gucci exclusive runway debut and Max Mara opening, with Ralph Lauren campaign work.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://models.com/models/bibi-breslin)\n\nCite as: The Cast Index, \"Bibi Breslin\", https://thecastindex.com/models/bibi-breslin. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/binx-walton","markdownUrl":"https://thecastindex.com/models/binx-walton.md","title":"Binx Walton","lastmod":"2026-09-25","sha256":"09f750edd68b6559816c974c638b0948b5962704bcf6ac94fa2a5f2927966b98","bytes":4176,"markdown":"# Binx Walton\n\n> Source: https://thecastindex.com/models/binx-walton — updated 2026-09-25\n\nAmerican fashion model. Tracked for Chanel, Prada and major international editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 April 1996 (age 30) |\n| Birthplace | California, United States |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Runway, Editorial |\n| Cast Index | #36 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @binxwalton |\n\nBirth date, birthplace and height: Wikidata Q21786418 (https://www.wikidata.org/wiki/Q21786418), retrieved 2026-09-25.\n\n## Known for\n\nChanel, Prada and major international editorial work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Chanel, Prada and major international editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Saint Laurent ([source](https://www.gettyimages.com/detail/news-photo/binx-walton-walks-the-runway-during-the-saint-laurent-ready-news-photo/2297790369))\n\n## Career\n\n### Early life\n\nLeona Anastasia \"Binx\" Walton — nicknamed by her brothers after a Star Wars character — was born on 24 April 1996 in Los Angeles County, California, and moved to Hawaii as an infant before settling in Knoxville, Tennessee at age six; her heritage includes African American, Irish, Dutch, German, Indian and East Asian ancestry. She was spotted by a modelling scout at a swimming pool in Tennessee at around age nine; the family followed up roughly three years later, and she signed with Next Model Management in 2012 at 17, relocating to New York.\n\n### Breakthrough, 2013–2014\n\nWalton made her catwalk debut as an exclusive booking for Marc Jacobs’s Autumn/Winter 2013 show at 16. Her true breakthrough came the following season, with a Céline campaign opposite Daria Werbowy for Spring/Summer 2014 — the moment most closely associated with her rise. She joined the Business of Fashion 500 list under \"Models & Muses\" the same year.\n\n### Building a runway record, 2015–2019\n\nWalton’s campaign work has included Chanel, Balmain, Coach, Michael Kors, Zara, Proenza Schouler, Calvin Klein, Dior and Fendi, and her runway record spans more than 50 houses, including Alexander McQueen, Valentino, Prada, Gucci and Louis Vuitton; in the Spring/Summer 2016 season alone she walked 37 shows. Her editorial work includes British and French Vogue, Another Magazine, LOVE, i-D, Dazed and W Magazine, frequently with photographers Tim Walker, David Sims and Willy Vanderperre, and she designed a shoe collaboration with Superga. In November 2019 she was named a Models.com \"Industry Icon.\"\n\n### Recent record, 2024–2025\n\nWalton walked Saint Laurent’s Fall/Winter 2024–25 and Spring/Summer 2025 shows at Paris Fashion Week, alongside Coach’s Fall/Winter 2024 show. She was photographed by Tyler Mitchell for W Magazine’s October 2024 issue and featured in Chloé’s \"Old Aristocracy\" portrait series, styled by Inez and Vinoodh, in 2025. She is represented by Next Model Management across its New York, Paris, Milan, London and Los Angeles offices.\n\n## Quick facts\n\n- Born Leona Anastasia \"Binx\" Walton, 24 April 1996, in Los Angeles County; raised largely in Knoxville, Tennessee\n- Scouted at a swimming pool in Tennessee at around age nine; signed with Next Model Management in 2012 at 17\n- Runway debut as a Marc Jacobs exclusive at 16, in the Autumn/Winter 2013 show\n- Breakout campaign opposite Daria Werbowy for Céline, Spring/Summer 2014\n- Walked 37 shows in a single season in Spring/Summer 2016\n- Named a Models.com \"Industry Icon\" in November 2019\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/binx-walton)\n- [Biographical reference](https://en.wikipedia.org/wiki/Binx_Walton)\n\nCite as: The Cast Index, \"Binx Walton\", https://thecastindex.com/models/binx-walton. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/birgit-kos","markdownUrl":"https://thecastindex.com/models/birgit-kos.md","title":"Birgit Kos","lastmod":"2026-09-25","sha256":"585003dd4538e667987c2d5fa7fa2ee3730d5357532c618fdd272550e3ecb55e","bytes":3610,"markdown":"# Birgit Kos\n\n> Source: https://thecastindex.com/models/birgit-kos — updated 2026-09-25\n\nDutch fashion model. Tracked for Bottega Veneta and major luxury runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 13 April 1995 (age 31) |\n| Birthplace | Dedemsvaart, Netherlands |\n| Nationality | Netherlands |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #41 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @birgitkos |\n\nBirth date, birthplace and height: Wikidata Q64740246 (https://www.wikidata.org/wiki/Q64740246), retrieved 2026-09-25.\n\n## Known for\n\nBottega Veneta and major luxury runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Bottega Veneta and major luxury runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nBirgit Kos was born on 13 April 1995 in Dedemsvaart, Netherlands. She was scouted at 15 in Amsterdam and won the 2010 Elite Model Look Netherlands competition, earning a contract with Elite Model Management Amsterdam; she took time off for schooling before modelling full-time and later lived in Milan for two years.\n\n### Runway rise, 2015–2018\n\nKos’s first magazine cover came with Glamour France in January 2016, following her runway debut at Dolce & Gabbana’s Alta Moda show in Fall 2015. She became an exclusive opener for Miu Miu’s Spring/Summer 2017 show, worked with Fendi, Hermès and Chloé that year, and closed Tory Burch’s Spring/Summer 2018 show, adding Roberto Cavalli and Blumarine for Fall/Winter 2018. That year she also fronted a Hugo Boss campaign and mini-movie alongside actor Jamie Dornan.\n\n### Continued campaign work, 2019–2025\n\nKos’s Spring/Summer 2019 season included runway appearances for Hermès and Zimmermann and a Twinset campaign, and her cover credits span the Italian, Brazilian, Japanese, German, Mexican, Dutch, Russian and Spanish editions of Vogue, alongside campaigns for Giorgio Armani, Gap, Calvin Klein, Lanvin and Tom Ford. She has been ranked among Models.com’s \"Top 50.\"\n\n### Recent record, 2025\n\nKos returned to the Versace runway for its Spring/Summer 2026 show at Milan Fashion Week in September 2025, a placement fashion press described as a resurgence after a period of more selective bookings. She fronted a campaign for Hunza G’s \"La Piscine\" collection that August, and appeared on the covers of Wallpaper’s Travel Issue in June 2025 and Harper’s Bazaar Czech Republic that July. She is represented by The Society Management in New York and Elite Model Management across Europe.\n\n## Quick facts\n\n- Born 13 April 1995 in Dedemsvaart, Netherlands; based in Zürich, Switzerland\n- Won the 2010 Elite Model Look Netherlands competition after being scouted in Amsterdam at 15\n- Runway debut at Dolce & Gabbana Alta Moda, Fall 2015; exclusive opener for Miu Miu, Spring/Summer 2017\n- Closed Tory Burch’s Spring/Summer 2018 show\n- Fronted a Hugo Boss campaign and mini-movie with actor Jamie Dornan in 2018\n- Returned to the Versace runway for its Spring/Summer 2026 show at Milan Fashion Week, September 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/birgit-kos)\n- [Biographical reference](https://en.wikipedia.org/wiki/Birgit_Kos)\n\nCite as: The Cast Index, \"Birgit Kos\", https://thecastindex.com/models/birgit-kos. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/cara-delevingne","markdownUrl":"https://thecastindex.com/models/cara-delevingne.md","title":"Cara Delevingne","lastmod":"2026-09-25","sha256":"860ebf8f00c49cbd833edd4ea4a0ad108cf6cc3afed6b2f68397c9749fdf7345","bytes":4210,"markdown":"# Cara Delevingne\n\n> Source: https://thecastindex.com/models/cara-delevingne — updated 2026-09-25\n\nEnglish model and actress who was a defining runway presence of the early 2010s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 August 1992 (age 34) |\n| Birthplace | Hammersmith, United Kingdom |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #26 · 85.6/100 (2026-10-05 snapshot) |\n| Instagram | @caradelevingne |\n\nBirth date, birthplace and height: Wikidata Q1395624 (https://www.wikidata.org/wiki/Q1395624), retrieved 2026-09-25.\n\n## Known for\n\nA defining runway face of the early 2010s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 76 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 89 |\n| Cultural | 10% | 98 |\n\n## Evidence\n\n- Current major-house campaign and cultural visibility qualifies within the rolling five-year window.\n- Earlier runway authority is retained only at the published time-decay rate.\n\n## Career\n\n### Early life\n\nCara Jocelyn Delevingne was born on 12 August 1992 in Hammersmith, London, to property developer Charles Hamar Delevingne and Pandora Stevens Delevingne. She has two older sisters, Chloe and Poppy Delevingne — Poppy also a model — and a paternal half-brother, Alexander Jaffe. Her first modelling assignment came at age 10, an editorial for Vogue Italia, though she then worked largely unpaid for about a year and endured two seasons of casting rejections.\n\nShe signed with Storm Management in 2009 after leaving Bedales School, and was discovered by Burberry designer Christopher Bailey, who gave her a runway debut in the house’s Autumn/Winter 2011 show at London Fashion Week.\n\n### Rapid rise, 2011–2013\n\nFollowing her Burberry debut, Delevingne walked the Victoria’s Secret Fashion Show and fronted campaigns for Chanel, Dior, Marc Jacobs, DKNY, Burberry, Tag Heuer, Pepe Jeans, Alexander Wang and Yves Saint Laurent in 2012, the same year she won Model of the Year at the British Fashion Awards. In 2013 she walked Chanel’s Métiers d’Art show at Linlithgow Palace in Scotland and the house’s Cruise show in Singapore, collaborated with stylist Katie Grand and with Tod’s, and was named the year’s most-Googled fashion figure and most-reblogged model on Tumblr.\n\n### Peak earnings and a pivot to acting, 2014–2015\n\nDelevingne won a second Model of the Year award at the British Fashion Awards in 2014, the same year Forbes ranked her 6th on its World’s Highest-Paid Models list at an estimated $3.5 million. In 2015 that figure rose to an estimated $9 million, placing her 2nd on Forbes’ list, even as she began reducing her runway commitments to focus increasingly on acting — a shift that would come to define the second half of her career, including roles in Suicide Squad and Carnival Row.\n\n### Continuing legacy\n\nAcross her modelling career, Delevingne appeared on covers including Vogue, V Magazine, British GQ, Vogue Paris, Elle UK, Elle Australia, The Wall Street Journal Magazine and Love Magazine, and remains one of the most recognised faces to emerge from the early-2010s British modelling generation.\n\n## Quick facts\n\n- Born 12 August 1992 in Hammersmith, London; sister of fellow model Poppy Delevingne\n- First modelling assignment at 10, a Vogue Italia editorial; runway debut at 19 in Burberry Prorsum’s Autumn/Winter 2011 show at London Fashion Week, after being discovered by designer Christopher Bailey\n- Won Model of the Year at the British Fashion Awards in both 2012 and 2014\n- Ranked 2nd on Forbes’ World’s Highest-Paid Models list in 2015, with estimated earnings of $9 million\n- Walked Chanel’s Métiers d’Art show at Linlithgow Palace, Scotland, in 2013\n- Shifted her career balance toward acting from the mid-2010s, with roles including Suicide Squad and Carnival Row\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/cara-delevingne)\n- [Biographical reference](https://en.wikipedia.org/wiki/Cara_Delevingne)\n\nCite as: The Cast Index, \"Cara Delevingne\", https://thecastindex.com/models/cara-delevingne. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/caroline-trentini","markdownUrl":"https://thecastindex.com/models/caroline-trentini.md","title":"Caroline Trentini","lastmod":"2026-09-25","sha256":"fefc15034c35c2b167dc9b51148ecf168080707577096bdaf2a4f723a110caec","bytes":3494,"markdown":"# Caroline Trentini\n\n> Source: https://thecastindex.com/models/caroline-trentini — updated 2026-09-25\n\nBrazilian supermodel. Tracked for Carolina Herrera and major editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 6 July 1987 (age 39) |\n| Birthplace | Panambi, Brazil |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | Brazil |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @trentinireal |\n\nBirth date, birthplace and height: Wikidata Q236731 (https://www.wikidata.org/wiki/Q236731), retrieved 2026-09-25.\n\n## Known for\n\nCarolina Herrera and major editorial work\n\n\n## Evidence\n\n- Carolina Herrera and major editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nCaroline Aparecida Trentini was born on 6 July 1987 in Panambi, Rio Grande do Sul, Brazil, of Italian and German descent; her father died during her infancy, and her mother, Lourdes, raised Caroline and her two older sisters alone. Trentini was scouted at around 14 in her hometown, moved to São Paulo within a year and then to New York around 15 to work internationally.\n\n### Breakthrough and early Vogue covers, early 2000s–2007\n\nTrentini’s breakthrough came in a Marc by Marc Jacobs campaign photographed by Juergen Teller, followed by a Vogue Brasil cover in May 2004 and a Vogue Italia cover in January 2005, shot by Steven Meisel. She walked her Victoria’s Secret Fashion Show debut in 2005, and fronted Balenciaga and Dolce & Gabbana Spring/Summer 2006 campaigns. In May 2007 she appeared on American Vogue’s \"World’s Next Top Models\" group cover alongside nine other models, the same year she fronted Gucci Cruise, Oscar de la Renta and Dsquared² campaigns.\n\n### Continued campaign work\n\nTrentini fronted DKNY and Carlos Miele campaigns in 2008, and became the face of Brazilian footwear brand Carrano from 2015 to 2016. Across her career she has appeared on dozens of Vogue covers internationally, and has been recognised as a Models.com \"Industry Icon.\"\n\n### Recent record, 2024–2025\n\nTrentini opened the Herchcovitch & Alexandre show at Casa de Criadores, São Paulo, in July 2024, and walked and starred in Balmain’s Fall/Winter 2024 campaign, shot by Theo Liu, alongside runway appearances for Carolina Herrera in New York and Gucci in Milan that season. She returned to Balmain’s runway at Paris Fashion Week under Olivier Rousteing in March 2025. She is represented by Ford Models in New York, Paris and Los Angeles, alongside Elite Model Management in Milan and Barcelona.\n\n## Quick facts\n\n- Born 6 July 1987 in Panambi, Rio Grande do Sul, Brazil, of Italian and German descent\n- Scouted at around 14 in her hometown; broke through in a Marc by Marc Jacobs campaign shot by Juergen Teller\n- Fronted Vogue Italia’s January 2005 cover, shot by Steven Meisel\n- Walked her Victoria’s Secret Fashion Show debut in 2005\n- Appeared on American Vogue’s May 2007 \"World’s Next Top Models\" group cover\n- Walked for Balmain at Paris Fashion Week in March 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/caroline-trentini)\n- [Biographical reference](https://en.wikipedia.org/wiki/Caroline_Trentini)\n\nCite as: The Cast Index, \"Caroline Trentini\", https://thecastindex.com/models/caroline-trentini. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/carolyn-murphy","markdownUrl":"https://thecastindex.com/models/carolyn-murphy.md","title":"Carolyn Murphy","lastmod":"2026-09-25","sha256":"10b8b0a175a47ffb75082213898c29d6e19f4299a7cec7fd168f5eb68411efb4","bytes":3168,"markdown":"# Carolyn Murphy\n\n> Source: https://thecastindex.com/models/carolyn-murphy — updated 2026-09-25\n\nAmerican model. Tracked for Estée Lauder and current luxury editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 11 August 1973 (age 53) |\n| Birthplace | Panama City, United States |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | United States |\n| Disciplines | Beauty, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @carolynmurphy |\n\nBirth date, birthplace and height: Wikidata Q2557751 (https://www.wikidata.org/wiki/Q2557751), retrieved 2026-09-25.\n\n## Known for\n\nEstée Lauder and current luxury editorial visibility\n\n\n## Evidence\n\n- Starred in Donna Karan's 'In Women We Trust' relaunch campaign, 2024, alongside Cindy Crawford and Linda Evangelista, plus a Banana Republic campaign and Vogue US, August 2024.\n- Marked a 30-year modelling anniversary in August 2025.\n\n## Career\n\n### Early life\n\nCarolyn Murphy was born on 11 August 1973 in Panama City, Florida, and grew up between the Gulf Coast and a family farm in Virginia. She was discovered at 15 at a modelling convention, initially balancing college with part-time modelling before committing fully to the industry.\n\n### Early career and a Model of the Year award, 1995–1998\n\nMurphy signed her first major international contract with Prada in 1995, building a campaign record that would go on to include DKNY, Tom Ford, Céline, Fendi, Ralph Lauren, Missoni, Versace, Tiffany & Co. and Calvin Klein’s Contradiction fragrance. She took a supporting film role as \"Dubbie\" in Barry Levinson’s Liberty Heights in 1998, the same year she won Model of the Year at the VH1/Vogue Fashion Awards.\n\n### Estée Lauder and continued industry recognition, 1999–2012\n\nMurphy was featured as one of the \"Modern Muses\" in American Vogue’s November 1999 millennium issue, and became a long-term Estée Lauder ambassador in 2001. She has appeared on dozens of Vogue covers across the US, French and Italian editions over her career, alongside Sports Illustrated Swimsuit Issue appearances in 2005 and 2006. In 2012 she ranked ninth on Forbes’ highest-paid models list and fifth on Models.com’s \"20 Supermodel Icons,\" the same year she began hosting Project Runway All Stars.\n\n### Personal life\n\nMurphy was married to Jake Schroeder from 1999 to 2002; their daughter, Dylan Blue, was born in 2000. She is represented by IMG Models.\n\n## Quick facts\n\n- Born 11 August 1973 in Panama City, Florida; discovered at 15 at a modelling convention\n- Signed her first major international contract with Prada in 1995\n- Won Model of the Year at the VH1/Vogue Fashion Awards in 1998\n- Became a long-term Estée Lauder ambassador in 2001\n- Has appeared on dozens of Vogue covers across the US, French and Italian editions\n- Has hosted Project Runway All Stars since July 2012\n\n## Sources\n\n- [Carolyn Murphy · official career page](https://www.carolynmurphy.com/about)\n- [Biographical reference](https://en.wikipedia.org/wiki/Carolyn_Murphy)\n\nCite as: The Cast Index, \"Carolyn Murphy\", https://thecastindex.com/models/carolyn-murphy. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/chanel-iman","markdownUrl":"https://thecastindex.com/models/chanel-iman.md","title":"Chanel Iman","lastmod":"2026-09-25","sha256":"9d431311d65c8ac884332f53b57440059e2073570e9c619a4bb8d63b49765c45","bytes":3406,"markdown":"# Chanel Iman\n\n> Source: https://thecastindex.com/models/chanel-iman — updated 2026-09-25\n\nAmerican model. Tracked for Victoria’s Secret and major commercial fashion work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1 December 1990 (age 35) |\n| Birthplace | Atlanta, United States |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @chaneliman |\n\nBirth date, birthplace and height: Wikidata Q235158 (https://www.wikidata.org/wiki/Q235158), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and major commercial fashion work\n\n\n## Evidence\n\n- Victoria’s Secret and major commercial fashion work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nChanel Iman Robinson was born on 1 December 1990 in Atlanta, Georgia, and raised in Los Angeles; her heritage is African American with one-quarter Korean ancestry through her mother. She began modelling at 12 with Ford Models in Los Angeles, and in 2006 placed third in Ford’s \"Supermodel of the World\" competition in New York, a result that launched her professional career.\n\n### Early recognition and Victoria’s Secret, 2007–2010\n\nIman fronted Teen Vogue covers in February and July 2007 alongside Karlie Kloss and Ali Michael, and appeared on the Tyra Banks Show with her mother that October. In 2009 she shared a November Teen Vogue cover with Jourdan Dunn and walked her first Victoria’s Secret Fashion Show, becoming a full Angel in 2010, the same year she opened \"The Red Bag\" boutique in Culver City, California. Her runway record from this period includes Burberry, Gucci, Versace, Dior, Louis Vuitton, Alexander McQueen, Tom Ford and Yves Saint Laurent.\n\n### Advocacy and screen work, 2011–2017\n\nIman joined USAID and the Ad Council’s FWD campaign for East Africa drought relief in 2011, co-hosting Anna Wintour’s \"Runway to Win\" fundraiser that May, and designed a fundraising backpack for the 2012 Obama re-election campaign. She took a film role in \"Dope,\" which premiered at Sundance in 2015, and appeared in Crackle’s \"Mad Families\" in 2017.\n\n### Recent record, 2023–2025\n\nIman married football player Davon Godchaux in early 2024, following the birth of their daughter in September 2023, and launched the home, baby and lifestyle brand Chasa in 2025. She is represented by IMG Models across New York, Paris, London, Los Angeles and Sydney.\n\n## Quick facts\n\n- Born Chanel Iman Robinson, 1 December 1990, in Atlanta, Georgia; of African American and one-quarter Korean heritage\n- Began modelling at 12 with Ford Models; placed third in Ford’s \"Supermodel of the World\" competition in 2006\n- Fronted Teen Vogue covers in February and July 2007, alongside Karlie Kloss and Ali Michael\n- Became a Victoria’s Secret Angel in 2010\n- Joined the Ad Council’s FWD campaign for East Africa drought relief in 2011\n- Launched the home and lifestyle brand Chasa in 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/chanel-iman)\n- [Biographical reference](https://en.wikipedia.org/wiki/Chanel_Iman)\n\nCite as: The Cast Index, \"Chanel Iman\", https://thecastindex.com/models/chanel-iman. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/charlee-fraser","markdownUrl":"https://thecastindex.com/models/charlee-fraser.md","title":"Charlee Fraser","lastmod":"2026-09-25","sha256":"2e78a707c4a15495ba007042bd902075d39f512c6c8590c45edecf78dacb8587","bytes":3185,"markdown":"# Charlee Fraser\n\n> Source: https://thecastindex.com/models/charlee-fraser — updated 2026-09-25\n\nAustralian fashion model. Tracked for Givenchy and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 25 December 1995 (age 30) |\n| Birthplace | Newcastle, Australia |\n| Nationality | Australia |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @charleefraser |\n\nBirth date, birthplace and height: Wikidata Q54860719 (https://www.wikidata.org/wiki/Q54860719), retrieved 2026-09-25.\n\n## Known for\n\nGivenchy and major international runway work\n\n\n## Evidence\n\n- Givenchy and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nCharlee Fraser was born on 25 December 1995 in Newcastle, New South Wales, Australia, the middle of three siblings of White and Awabakal Indigenous Australian heritage. She was scouted by a photographer in Newcastle and modelled locally at Sydney Fashion Week before her international runway debut at Alexander Wang’s Fall/Winter 2016 show in New York, where stylist Guido Palau gave her a signature haircut for the show.\n\n### Runway rise, 2016–2018\n\nIn her Fall/Winter 2016 debut season, Fraser walked for Derek Lam, Rodarte, Brandon Maxwell, Prada, Marni, Dior, Lanvin, Balenciaga, Givenchy, Mulberry, Céline, Stella McCartney, Tom Ford and Chanel. By Spring 2018 she was named the season’s most-booked model at New York Fashion Week, and in May 2018 was ranked among Models.com’s \"Top 50,\" the same year she fronted the April cover of Vogue Australia, alongside editorial work for Vogue, Vogue Italia, Vogue Mexico, Vogue Japan and Numéro.\n\n### A turn to acting, 2023–2025\n\nFraser made her film acting debut in Anyone but You (2023), playing Margaret, and followed it with a widely noted performance as Mary Jabassa, mother of the title character, in Furiosa: A Mad Max Saga (2024). In September 2025 she was cast in Hideo Kojima’s stealth video game Physint. She continues to model, walking in the Carla Zampatti Resort 2026 show at Australian Fashion Week in May 2025, and is represented by IMG Models worldwide and PARS Management in Munich.\n\n## Quick facts\n\n- Born 25 December 1995 in Newcastle, New South Wales, of White and Awabakal Indigenous Australian heritage\n- International runway debut at Alexander Wang’s Fall/Winter 2016 show in New York\n- Named the most-booked model of New York Fashion Week’s Spring 2018 season\n- Ranked among Models.com’s \"Top 50\" in May 2018, the same year she fronted the April cover of Vogue Australia\n- Made her film acting debut in Anyone but You (2023)\n- Played Mary Jabassa, mother of the title character, in Furiosa: A Mad Max Saga (2024)\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/charlee-fraser)\n- [Biographical reference](https://en.wikipedia.org/wiki/Charlee_Fraser)\n\nCite as: The Cast Index, \"Charlee Fraser\", https://thecastindex.com/models/charlee-fraser. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/christy-turlington","markdownUrl":"https://thecastindex.com/models/christy-turlington.md","title":"Christy Turlington","lastmod":"2026-09-25","sha256":"21df18ee820e16aff5699766a129d673de8fd5b40cc30957f170b857f7991030","bytes":4663,"markdown":"# Christy Turlington\n\n> Source: https://thecastindex.com/models/christy-turlington — updated 2026-09-25\n\nAmerican model. Tracked for Calvin Klein and current international campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 2 January 1969 (age 57) |\n| Birthplace | Walnut Creek, United States |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @cturlington |\n\nBirth date, birthplace and height: Wikidata Q284047 (https://www.wikidata.org/wiki/Q284047), retrieved 2026-09-25.\n\n## Known for\n\nCalvin Klein and current international campaign work\n\n\n## Evidence\n\n- Walked Ralph Lauren RTW Spring 2025 in New York, September 2024, reunited on the runway with Naomi Campbell.\n- Donna Karan 'Reflections on Women' Fall 2024 campaign; Ferragamo Spring/Summer 2026, Zara 50th Anniversary (May 2025), Jacquemus Spring/Summer 2025 and Stuart Weitzman (January 2025) campaigns.\n\n## Selected runway record\n\n- SS25 · Walked · Ralph Lauren ([source](https://www.the-sun.com/entertainment/12388498/supermodel-christy-turlington-glowing-ralph-lauren-show/))\n- SS27 · Opened · Sabyasachi ([source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/sabyasachi))\n\n## Career\n\n### Early life\n\nChristy Nicole Turlington was born on 2 January 1969 in Walnut Creek, California, to Pan Am pilot Dwain Turlington and Salvadoran flight attendant María Elizabeth Parker Infante. She was scouted by photographer Dennie Cody while horseback riding in Miami at 14, began modelling in her mid-teens, and moved to New York at 18 to model full-time.\n\n### Defining the supermodel era, 1986–1993\n\nTurlington appeared in Duran Duran’s \"Notorious\" video and album cover in 1986, and in 1989 signed the landmark Calvin Klein Eternity campaign contract, a partnership that would run until 2007 and be revived in 2014. In January 1990, Peter Lindbergh photographed her alongside Naomi Campbell, Linda Evangelista, Cindy Crawford and Tatjana Patitz for a British Vogue cover that became the defining image of the \"supermodel\" era. She became the face of Maybelline in 1992, and in 1993 the Metropolitan Museum of Art named her \"Face of the 20th Century,\" producing mannequins in her likeness; she and Naomi Campbell are also credited with popularising navel piercing that decade.\n\n### Education and health advocacy, 1999–2011\n\nTurlington earned a BA in Comparative Religion and Eastern Philosophy from NYU’s Gallatin School in 1999, and published \"Living Yoga: Creating a Life Practice\" in 2002. She began advocacy work with the humanitarian organisation CARE in 2005, visiting El Salvador, and — having smoked from age 13 before quitting in 1995 and being diagnosed with early-stage emphysema in 2000 — founded the maternal-health nonprofit Every Mother Counts in 2010, directing the documentary \"No Woman, No Cry,\" which premiered at Tribeca and aired on OWN on 7 May 2011.\n\n### Recent record, 2019–2026\n\nTurlington closed Marc Jacobs’s Autumn/Winter 2019 show and was selected for the September 2019 British Vogue cover guest-edited by Meghan, Duchess of Sussex. She was featured in Apple TV+’s docuseries \"The Super Models\" in September 2023, and on 4 February 2026 was named Global Brand Ambassador for Lancôme, joining a roster that includes Julia Roberts, Olivia Rodrigo and Isabella Rossellini. She continues to run Every Mother Counts.\n\n## Quick facts\n\n- Born 2 January 1969 in Walnut Creek, California, to a Pan Am pilot father and a Salvadoran flight attendant mother\n- Scouted by photographer Dennie Cody while horseback riding in Miami at 14\n- One of the \"Big Three\" original supermodels alongside Naomi Campbell and Linda Evangelista, defined by Peter Lindbergh’s January 1990 British Vogue cover\n- The face of Calvin Klein’s Eternity campaign from 1989 to 2007, revived in 2014\n- Named \"Face of the 20th Century\" by the Metropolitan Museum of Art in 1993\n- Founded the maternal-health nonprofit Every Mother Counts in 2010\n\n## Sources\n\n- [Fashion Week Daily · Donna Karan Fall 2024 campaign](https://fashionweekdaily.com/christy-turlington-burns-karen-elson-amber-valletta-more-embrace-female-power-in-donna-karans-fall-2024-campaign/)\n- [The Sun · Christy Turlington returns for Ralph Lauren](https://www.the-sun.com/entertainment/12388498/supermodel-christy-turlington-glowing-ralph-lauren-show/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Christy_Turlington)\n\nCite as: The Cast Index, \"Christy Turlington\", https://thecastindex.com/models/christy-turlington. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/cindy-bruna","markdownUrl":"https://thecastindex.com/models/cindy-bruna.md","title":"Cindy Bruna","lastmod":"2026-09-25","sha256":"b0863a4a88313c29c1f41fe5e711d21efe4e8521a50f8485eb0523612d6c5b35","bytes":4099,"markdown":"# Cindy Bruna\n\n> Source: https://thecastindex.com/models/cindy-bruna — updated 2026-09-25\n\nFrench fashion model and actrice. Tracked for L’Oréal Paris and major couture visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 September 1994 (age 32) |\n| Birthplace | Saint-Raphaël, France |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | France |\n| Disciplines | Beauty, Couture |\n| Cast Index | #44 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @cindybruna |\n\nBirth date, birthplace and height: Wikidata Q18347706 (https://www.wikidata.org/wiki/Q18347706), retrieved 2026-09-25.\n\n## Known for\n\nL’Oréal Paris and major couture visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- L’Oréal Paris and major couture visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 Menswear · Walked · Louis Vuitton ([source](https://www.vanityfair.fr/article/louis-vuitton-invite-a-levasion-et-a-la-fraicheur-en-plein-paris))\n\n## Career\n\n### Early life\n\nCindy Bruna was born on 27 September 1994 in Saint-Raphaël, in the Var department of France, to Italian father Stefano Bruna and Congolese mother Éléonore, from Brazzaville; she has an older sister, Christy. At 16 she was approached in Cannes by agent Dominique Savri of Metropolitan Management about modelling in Paris; she initially hesitated, having planned to become a chartered accountant, but accepted and began moving between Paris and New York.\n\n### Runway rise, 2012–2014\n\nBruna’s early work included campaigns for Alaïa and Elie Saab under Metropolitan Management and Wilhelmina Models. In 2012 she walked exclusively for Calvin Klein, and the following year she made her debut at the Victoria’s Secret Fashion Show, walking in every subsequent show for several years. She fronted Vogue Italia’s covers in December 2013 and September 2014, building a runway record that would go on to include Roland Mouret, Giambattista Valli, Bottega Veneta, Givenchy, Balmain and Alexander McQueen.\n\n### Recognition and advocacy\n\nBruna has fronted campaigns for Prada, Burberry, Chanel, Michael Kors and Yves Saint Laurent, with editorial work for American Vogue and the Arabia, Japan, Spain, Ukraine and Portugal editions, alongside W and Harper’s Bazaar. She was named L’Oréal Paris’s international spokesperson in April 2020 and has been recognised as a Models.com \"Money Girl\" and named to Forbes’ \"30 Under 30.\" She also serves as an ambassador for Solidarité Femmes, a French domestic-violence support organisation.\n\n### Recent record, 2025\n\nBruna walked Miu Miu’s Spring/Summer 2026 show at Paris Fashion Week on 11 March 2025, and fronted Donna Karan New York’s 40th-anniversary campaign, launched that August. She married Congolese basketball player Blondy Baruti at Notre-Dame des Ardentes in Paris in December 2025, following a 2024 engagement. She is represented by The Society Management in New York, alongside agencies in Milan, London, Barcelona, Frankfurt and Paris.\n\n## Quick facts\n\n- Born 27 September 1994 in Saint-Raphaël, France, to an Italian father and a Congolese mother\n- Approached by an agent in Cannes at 16; walked exclusively for Calvin Klein in 2012\n- Made her Victoria’s Secret Fashion Show debut in 2013 and walked in every subsequent show for several years\n- Fronted Vogue Italia’s covers in December 2013 and September 2014\n- Named L’Oréal Paris’s international spokesperson in April 2020\n- Married Congolese basketball player Blondy Baruti in Paris in December 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/cindy-bruna)\n- [Biographical reference](https://en.wikipedia.org/wiki/Cindy_Bruna)\n\nCite as: The Cast Index, \"Cindy Bruna\", https://thecastindex.com/models/cindy-bruna. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/cindy-crawford","markdownUrl":"https://thecastindex.com/models/cindy-crawford.md","title":"Cindy Crawford","lastmod":"2026-09-25","sha256":"db2b0da792ad968448de050e15fd7a210d5f6c2c7dee8bf8b5981f90b657bfa8","bytes":4303,"markdown":"# Cindy Crawford\n\n> Source: https://thecastindex.com/models/cindy-crawford — updated 2026-09-25\n\nAmerican model and actress. Tracked for Current global fashion and beauty campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 20 February 1966 (age 60) |\n| Birthplace | DeKalb, United States |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @cindycrawford |\n\nBirth date, birthplace and height: Wikidata Q199801 (https://www.wikidata.org/wiki/Q199801), retrieved 2026-09-25.\n\n## Known for\n\nCurrent global fashion and beauty campaign visibility\n\n\n## Evidence\n\n- Walked Off-White Haute Couture Spring/Summer 2022 in Paris; occasional runway and campaign appearances continue into 2024.\n- Quit full-time modelling in 2000 and now appears only for select engagements rather than a working booking schedule.\n\n## Career\n\n### Early life\n\nCynthia Ann Crawford was born on 20 February 1966 in DeKalb, Illinois, to Daniel Kenneth Crawford and Jennifer Sue Crawford-Moluf; her brother, Jeffrey, died of leukemia at age three, an event she has cited as shaping her later charitable work. After a prank modelling-agency call in high school led to a local shoot, she entered Elite Model Management’s \"Look of the Year\" contest at 17 in 1983, graduated as valedictorian of DeKalb High School in 1984, and briefly attended Northwestern University on a chemical-engineering scholarship before leaving after one quarter to model full-time, signing with Elite in New York in 1986.\n\n### Defining the supermodel era, 1988–1991\n\nCrawford’s first Playboy pictorial, shot by Herb Ritts, ran in July 1988. In January 1990 she appeared on Peter Lindbergh’s landmark British Vogue cover alongside Christy Turlington, Linda Evangelista, Tatjana Patitz and Naomi Campbell — a defining image of the \"supermodel\" era — and appeared in George Michael’s \"Freedom! ’90\" video that year. In 1991 she wore a red Versace dress to the 63rd Academy Awards, a widely cited fashion moment, and married actor Richard Gere.\n\n### Television, fitness and film, 1989–1998\n\nCrawford hosted and executive-produced MTV’s House of Style from 1989 to 1995, and released the fitness videos \"Shape Your Body\" and \"The Next Challenge\" in 1992 and 1993, alongside a Pepsi commercial during Super Bowl XXVI. She took a lead film role in Fair Game in 1995, and appeared in the documentaries Unzipped and Catwalk that year. Her second Playboy pictorial, again shot by Herb Ritts, ran in October 1998, the same month she married Rande Gerber; she also appeared in the film 54 that year.\n\n### Business ventures and recent record\n\nCrawford stepped back from full-time runway and editorial modelling around 2000, launching the Cindy Crawford Home Collection furniture line and the Meaningful Beauty skincare line with Dr. Jean-Louis Sebagh in 2005. She published the autobiography \"Becoming\" in 2015 and appeared in Taylor Swift’s \"Bad Blood\" video that year, followed by a joint Vogue Paris cover with daughter Kaia Gerber in April 2016 and a runway appearance closing Versace’s Spring/Summer 2018 show alongside fellow 1990s supermodels. She served as executive producer and interview subject for Apple TV+’s docuseries \"The Super Models\" in 2023.\n\n## Quick facts\n\n- Born Cynthia Ann Crawford, 20 February 1966, in DeKalb, Illinois; graduated high school as valedictorian in 1984\n- Entered Elite Model Management’s \"Look of the Year\" contest at 17 in 1983\n- Appeared on Peter Lindbergh’s landmark January 1990 British Vogue cover alongside Christy Turlington, Linda Evangelista, Tatjana Patitz and Naomi Campbell\n- Wore the red Versace dress to the 63rd Academy Awards in 1991, a widely cited fashion moment\n- Hosted and executive-produced MTV’s House of Style from 1989 to 1995\n- Launched the Meaningful Beauty skincare line with Dr. Jean-Louis Sebagh in 2005\n\n## Sources\n\n- [Anne of Carversville · Cindy Crawford model archive](https://anneofcarversville.com/models/tag/Cindy+Crawford)\n- [Biographical reference](https://en.wikipedia.org/wiki/Cindy_Crawford)\n\nCite as: The Cast Index, \"Cindy Crawford\", https://thecastindex.com/models/cindy-crawford. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/constance-jablonski","markdownUrl":"https://thecastindex.com/models/constance-jablonski.md","title":"Constance Jablonski","lastmod":"2026-09-25","sha256":"8b22c74631faba8d009f4a40a40c12ebc33d30c83b832aacc9c8ce80fa030ada","bytes":3549,"markdown":"# Constance Jablonski\n\n> Source: https://thecastindex.com/models/constance-jablonski — updated 2026-09-25\n\nFrench model. Tracked for Estée Lauder and international fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 17 April 1991 (age 35) |\n| Birthplace | Lille, France |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | France |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @constancejablonski |\n\nBirth date, birthplace and height: Wikidata Q2619198 (https://www.wikidata.org/wiki/Q2619198), retrieved 2026-09-25.\n\n## Known for\n\nEstée Lauder and international fashion campaigns\n\n\n## Evidence\n\n- Estée Lauder and international fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nConstance Jablonski was born on 17 April 1991 in Lille, France, to a dermatologist father whose parents had immigrated from Poland to northern France after the Second World War, and a pharmacist mother. A competitive tennis player for nine years who had considered training as a plastic surgeon, she entered the French Elite Model Look contest in 2006, a result that launched her modelling career.\n\n### Runway debut and Estée Lauder, 2008–2010\n\nJablonski made her catwalk debut in September 2008, walking New York, Milan and Paris fashion weeks, and went on to walk for Dior, Gucci, Burberry, Yves Saint Laurent, Alexander McQueen, Balmain and Balenciaga. In April 2010 she was named alongside Liu Wen as a new global face of Estée Lauder — the first French model to represent the brand internationally — in a campaign shot by Patrick Demarchelier and Mario Testino, and that November made her Victoria’s Secret Fashion Show runway debut.\n\n### Continued campaign work\n\nJablonski’s cover credits include Vogue China, Vogue Hellas and Vogue Deutsch, alongside campaigns for Calvin Klein, Hermès, H&M and Gap, and she has been ranked 11th on Models.com’s \"Top 50 Models\" list.\n\n### Recent record, 2023–2025\n\nJablonski fronted a Vogue Turkey cover in late 2023 and walked Zimmermann’s Spring/Summer 2024 show in Paris, followed by a Harper’s Bazaar España cover that November. In September 2024 she walked ETAM’s Spring/Summer 2025 show at Paris Fashion Week while visibly pregnant, and returned to Zimmermann’s runway in October 2025. She married French BMX cyclist Matthias Dandois in 2020, and the couple have two children. She is represented by DNA Model Management in New York and VIVA Model Management across Paris, London and Barcelona.\n\n## Quick facts\n\n- Born 17 April 1991 in Lille, France; a competitive tennis player for nine years before modelling\n- Discovered through the French Elite Model Look contest in 2006\n- Named a global face of Estée Lauder in April 2010 alongside Liu Wen, the first French model to represent the brand internationally\n- Made her Victoria’s Secret Fashion Show runway debut in November 2010\n- Ranked 11th on Models.com’s \"Top 50 Models\" list\n- Walked ETAM’s Spring/Summer 2025 show at Paris Fashion Week in September 2024 while visibly pregnant\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/constance-jablonski)\n- [Biographical reference](https://en.wikipedia.org/wiki/Constance_Jablonski)\n\nCite as: The Cast Index, \"Constance Jablonski\", https://thecastindex.com/models/constance-jablonski. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/devyn-garcia","markdownUrl":"https://thecastindex.com/models/devyn-garcia.md","title":"Devyn Garcia","lastmod":"2026-09-25","sha256":"302ce388402841ce8c1d07c0bbee29ad2c9556a06afe7a005b4323d025113972","bytes":3844,"markdown":"# Devyn Garcia\n\n> Source: https://thecastindex.com/models/devyn-garcia — updated 2026-09-25\n\nAmerican plus-size fashion model. Tracked for Dior and J.W. Anderson runway and campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 2001 |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #35 · 84.5/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q125542719 (https://www.wikidata.org/wiki/Q125542719), retrieved 2026-09-25.\n\n## Known for\n\nDior and J.W. Anderson runway and campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Dior and J.W. Anderson runway and campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Proenza Schouler ([source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-proenza-schouler-news-photo/2294845432))\n- SS27 · Walked · Tory Burch ([source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-on-the-runway-at-the-tory-burch-fashion-show-news-photo/2294071947))\n- SS27 · Walked · Heirlome ([source](https://www.gettyimages.com/detail/news-photo/devyn-garcia-walks-the-runway-during-the-heirlome-ready-to-news-photo/2295537976))\n\n## Career\n\n### Early life\n\nDevyn Faith Garcia was born on 24 July 2001 in Miami Beach, Florida, to a Cuban-American father of Spanish and Canary Islands descent and a mother of Black, white and Native American heritage; she has an older and a younger sister. She decided during her senior year of high school to pursue modelling rather than college, signing with DNA Models in New York and Ford Models in Paris around 2019, with her first year of work disrupted by the COVID-19 pandemic.\n\n### Early recognition, 2021–2022\n\nGarcia’s first major cover came with Elle US in September 2021, shot by Cass Bird. The following year brought an H&M campaign and Nordstrom bookings, alongside recognition from Vogue as one of its \"10 Breakout Models of Spring 2022\" and a place on its \"Top 15 Models You Need to Know Now\" list. She was profiled in the Financial Times in September 2022, and has walked for Brandon Maxwell, Altuzarra, Chloé and Jacquemus, with cover and editorial credits including Vogue España, T: The New York Times Style Magazine, i-D, Porter and Harper’s Bazaar.\n\n### Victoria’s Secret and recent record, 2024–2025\n\nGarcia joined the cast of the Victoria’s Secret Fashion Show in 2024, and continued with the brand into 2025, appearing in its Valentine’s Day and Spring campaigns before becoming a face of its Bombshell fragrance 15th-anniversary campaign. She remains represented by DNA Models in New York and Ford Models in Paris.\n\n## Quick facts\n\n- Born 24 July 2001 in Miami Beach, Florida, to a Cuban-American father and a multiracial American mother\n- Signed with DNA Models in New York around 2019, after deciding during her senior year of high school to model rather than attend college\n- Fronted Elle US’s September 2021 cover, shot by Cass Bird\n- Named to Vogue’s \"10 Breakout Models of Spring 2022\" and its \"Top 15 Models You Need to Know Now\"\n- Joined the cast of the Victoria’s Secret Fashion Show in 2024\n- Became a face of Victoria’s Secret’s Bombshell fragrance 15th-anniversary campaign in 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/devyn-garcia)\n- [Biographical reference](https://en.wikipedia.org/wiki/Devyn_Garcia)\n\nCite as: The Cast Index, \"Devyn Garcia\", https://thecastindex.com/models/devyn-garcia. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/diane-chiu","markdownUrl":"https://thecastindex.com/models/diane-chiu.md","title":"Diane Chiu","lastmod":"2026-09-25","sha256":"59a2490bf375a30ca1013c0812b1a0dd3abe3c03608a5826c2df01716eda541c","bytes":1039,"markdown":"# Diane Chiu\n\n> Source: https://thecastindex.com/models/diane-chiu — updated 2026-09-25\n\nAmerican fashion model. Tracked for Bottega Veneta runway debut and Celine campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nBottega Veneta runway debut and Celine campaign visibility\n\n\n## Evidence\n\n- Bottega Veneta runway debut and Celine campaign visibility.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 · Walked · Acne Studios ([source](https://www.gettyimages.com/detail/news-photo/chinese-model-diane-chiu-presents-a-creation-for-the-acne-news-photo/2297365777))\n\n## Sources\n\n- [Biographical reference](https://models.com/models/diane-chiu)\n\nCite as: The Cast Index, \"Diane Chiu\", https://thecastindex.com/models/diane-chiu. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/dilone","markdownUrl":"https://thecastindex.com/models/dilone.md","title":"Dilone","lastmod":"2026-09-25","sha256":"e50b49a12275eb7b11e0b908f6f1195cc121a4586cd817ff16a7f5dcba186561","bytes":2812,"markdown":"# Dilone\n\n> Source: https://thecastindex.com/models/dilone — updated 2026-09-25\n\nAmerican model. Tracked for Versace and major international editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 13 May 1994 (age 32) |\n| Birthplace | New York City, United States |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | United States |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q27077735 (https://www.wikidata.org/wiki/Q27077735), retrieved 2026-09-25.\n\n## Known for\n\nVersace and major international editorial work\n\n\n## Evidence\n\n- Versace and major international editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nJaniece Altagracia Dilone was born on 13 May 1994 in New York City, of Dominican descent, and works mononymously as \"Dilone,\" a name chosen to represent her family. She began modelling at 19, signing with DNA Model Management.\n\n### A Bottega Veneta breakthrough and runway record\n\nDilone’s breakthrough came with Bottega Veneta’s Men’s Fall 2016 runway show, followed by an extensive run of seasons that included Victoria’s Secret Fashion Show appearances in 2016 and 2017. Her campaign work includes David Yurman, Balmain, H&M, DKNY, Stella McCartney, Coach, Versace and Sephora’s \"Let Beauty Together\" campaign, with editorial and cover credits spanning i-D, Harper’s Bazaar, InStyle, Vogue Mexico, Vogue Netherlands, Vogue Portugal and T Magazine. She has been ranked among Models.com’s Top 50.\n\n### A parallel acting career, 2021–2023\n\nDilone took on a significant acting role as Pat Cleveland in Netflix’s Halston miniseries in 2021, the same year she appeared in The Novice and two episodes of The Sex Lives of College Girls. She continued with film roles in The Good Mother and Memory in 2023. She is represented by CAA in New York and Los Angeles, alongside VIVA Model Management in Paris, London and Barcelona.\n\n## Quick facts\n\n- Born Janiece Altagracia Dilone, 13 May 1994, in New York City, of Dominican descent; works mononymously as \"Dilone\"\n- Began modelling at 19, signing with DNA Model Management\n- Her breakthrough booking was Bottega Veneta’s Men’s Fall 2016 runway show\n- Walked the Victoria’s Secret Fashion Show in 2016 and 2017\n- Ranked among Models.com’s Top 50\n- Played Pat Cleveland in Netflix’s Halston miniseries, 2021\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/dilone)\n- [Biographical reference](https://en.wikipedia.org/wiki/Dilone)\n\nCite as: The Cast Index, \"Dilone\", https://thecastindex.com/models/dilone. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/doutzen-kroes","markdownUrl":"https://thecastindex.com/models/doutzen-kroes.md","title":"Doutzen Kroes","lastmod":"2026-09-25","sha256":"fd6fc689ab204a144159f2c69e458c6fc6db112922316017491a21a55331f202","bytes":3317,"markdown":"# Doutzen Kroes\n\n> Source: https://thecastindex.com/models/doutzen-kroes — updated 2026-09-25\n\nDutch fashion model. Tracked for L’Oréal Paris and major international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 January 1985 (age 41) |\n| Birthplace | Eastermar, Netherlands |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Netherlands |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @doutzen |\n\nBirth date, birthplace and height: Wikidata Q108289 (https://www.wikidata.org/wiki/Q108289), retrieved 2026-09-25.\n\n## Known for\n\nL’Oréal Paris and major international campaigns\n\n\n## Evidence\n\n- Walked the Victoria's Secret Fashion Show in 2024 and 2025 — her ninth appearance since 2005 — and Chloé Fall/Winter 2024-25 at Paris Fashion Week, February 2024.\n\n## Career\n\n### Early life\n\nDoutzen Kroes was born on 23 January 1985 in Eastermar, Friesland, Netherlands, to nurse-turned-teacher Geartsje Leistra and psychotherapist Johan Kroes, both of whom were competitive speed skaters in the 1970s; Kroes herself had originally aspired to be a professional speed skater. She sent snapshots to Paparazzi Model Management in Amsterdam in 2003, launching her career.\n\n### Rise and Victoria’s Secret years, 2007–2014\n\nKroes ranked 14th on Forbes’ top-earning models list in July 2007, with a Vogue feature that May naming her one of \"The World’s Next Top Models.\" She appeared in the 2008 Pirelli Calendar and became a Victoria’s Secret Angel that August, a role she held for seven years while ranking as high as fifth on Forbes’ model earnings list between 2009 and 2012. In September 2013 she became the first model to land four different solo international Vogue September-issue covers in a single year, and in 2014 ranked second on Forbes’ highest-paid models list at $8 million before ending her Victoria’s Secret Angel contract.\n\n### Recent record\n\nKroes made her film debut in Nova Zembla in 2011, became a spokesmodel for Hunkemöller in 2016, and appeared in Wonder Woman in 2017. She has been a L’Oréal Paris brand ambassador since 2006. On 15 October 2024 she returned to the Victoria’s Secret Fashion Show runway for the first time in ten years, and walked her ninth appearance in 2025, having first walked the show in 2005. She is represented by DNA Models in New York.\n\n## Quick facts\n\n- Born 23 January 1985 in Eastermar, Friesland, Netherlands, to parents who were both competitive speed skaters\n- Sent snapshots to Paparazzi Model Management in Amsterdam in 2003, launching her career\n- Won \"Model of the Year\" on Vogue.com in 2005\n- Became a Victoria’s Secret Angel in August 2008, a role she held for seven years\n- The first model to land four different solo international Vogue September-issue covers in a single year, 2013\n- Returned to the Victoria’s Secret Fashion Show runway on 15 October 2024, her first appearance in ten years\n\n## Sources\n\n- [Victoria's Secret · Doutzen Kroes joins the 2025 cast](https://www.victoriassecret.com/us/vs/vsinsider/fashion-show/2025-doutzen-joins-cast)\n- [Biographical reference](https://en.wikipedia.org/wiki/Doutzen_Kroes)\n\nCite as: The Cast Index, \"Doutzen Kroes\", https://thecastindex.com/models/doutzen-kroes. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/du-juan","markdownUrl":"https://thecastindex.com/models/du-juan.md","title":"Du Juan","lastmod":"2026-09-25","sha256":"7674b6cf37c2532978904c8addee0e46818fc9e6b58229dfae6fffb9d742be1a","bytes":3270,"markdown":"# Du Juan\n\n> Source: https://thecastindex.com/models/du-juan — updated 2026-09-25\n\nChinese actress, model, and former ballet dancer. Tracked for Louis Vuitton and major Chinese editorial authority.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 15 September 1982 (age 44) |\n| Birthplace | Shanghai, People's Republic of China |\n| Height | 181 cm (5 ft 11 in) |\n| Nationality | China |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q703687 (https://www.wikidata.org/wiki/Q703687), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton and major Chinese editorial authority\n\n\n## Evidence\n\n- Louis Vuitton and major Chinese editorial authority.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nDu Juan was born on 15 September 1982 in Shanghai, China, the only child of architect parents, and trained in classical ballet at the Shanghai Theatre Academy for nine years before growing too tall for partnered en pointe work, a shift that led her toward modelling. She competed in the Ford Supermodel of the World competition, placing as a runner-up, and signed with IMG Models.\n\n### A Vogue Paris milestone, 2005–2006\n\nDu Juan’s international breakout came in 2005, when she became the first East Asian model to appear on the cover of Vogue Paris, shot by Mario Testino alongside Gemma Ward, the same year she made her New York Fashion Week debut. In 2006 she walked for Valentino, Jean-Paul Gaultier, Roberto Cavalli and Chanel, and appeared on a Time magazine style-issue cover.\n\n### Building a record in China, 2008–2013\n\nDu Juan was featured in the Pirelli Calendar in 2008 and launched her own cosmetics line in 2009, reaching as high as No. 14 on Models.com’s top-models ranking. She has appeared on the cover of Vogue China 18 times, reportedly more than any other model or celebrity in that market, alongside campaigns for Louis Vuitton, Gap, Swarovski, Yves Saint Laurent and Giorgio Armani. In 2013 she made her film debut in American Dreams in China, earning Hong Kong Film Award nominations for Best Supporting Actress and Best New Performer, followed by Lost in Hong Kong (2015) and Europe Raiders (2018).\n\n## Quick facts\n\n- Born 15 September 1982 in Shanghai, China; trained in classical ballet at the Shanghai Theatre Academy for nine years before modelling\n- Competed in the Ford Supermodel of the World competition before signing with IMG Models\n- The first East Asian model to appear on the cover of Vogue Paris, shot by Mario Testino in 2005\n- Has appeared on the cover of Vogue China 18 times, reportedly more than any other model or celebrity in that market\n- Featured in the Pirelli Calendar in 2008\n- Won Hong Kong Film Award nominations for Best Supporting Actress and Best New Performer for her 2013 film debut, American Dreams in China\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/du-juan)\n- [Biographical reference](https://en.wikipedia.org/wiki/Du_Juan)\n\nCite as: The Cast Index, \"Du Juan\", https://thecastindex.com/models/du-juan. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/duckie-thot","markdownUrl":"https://thecastindex.com/models/duckie-thot.md","title":"Duckie Thot","lastmod":"2026-09-25","sha256":"78d1f6096097880b9d274a393bc579ffa2608b6f1dac8597182d27c02c5e4535","bytes":3560,"markdown":"# Duckie Thot\n\n> Source: https://thecastindex.com/models/duckie-thot — updated 2026-09-25\n\nSouth Sudanese–Australian model. Tracked for Fenty Beauty and international runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 October 1995 (age 30) |\n| Birthplace | Melbourne, Australia |\n| Nationality | Australia |\n| Disciplines | Beauty, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @duckieofficial |\n\nBirth date, birthplace and height: Wikidata Q53567553 (https://www.wikidata.org/wiki/Q53567553), retrieved 2026-09-25.\n\n## Known for\n\nFenty Beauty and international runway visibility\n\n\n## Evidence\n\n- Fenty Beauty and international runway visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nNyadak \"Duckie\" Thot — a nickname that stuck after classmates found \"Nyadak\" hard to pronounce — was born on 23 October 1995 in Melbourne, Australia, one of seven siblings and the first in her family born in Australia after her parents fled South Sudan as refugees. Her sister, Nikki Perkins, a model and YouTube personality, introduced her to modelling.\n\n### From reality television to Yeezy, 2013–2017\n\nThot auditioned for Australia’s Next Top Model in 2013, reaching the final elimination, and began local runway work in Australia in 2016 before relocating to Brooklyn, New York, that year to pursue international work, signing with New York Model Management. Her breakthrough came after a casting caught the attention of Kanye West’s assistant, leading to her international runway debut at the Yeezy Season 4 show for Spring/Summer 2017.\n\n### Beauty ambassadorships and recognition, 2017–2022\n\nThot became the face of Fenty Beauty at its 2017 launch, and a global ambassador for L’Oréal Paris from 2018, alongside runway and campaign work for Fenty x Puma, Moschino, Balmain and Oscar de la Renta, and a Victoria’s Secret Fashion Show appearance in 2018. In 2018 she also starred in Pirelli’s Alice in Wonderland-themed calendar, photographed by Tim Walker. She became a Sports Illustrated Swimsuit rookie in the magazine’s January 2022 issue, followed by an additional gallery shot in Puerto Rico in 2023.\n\n### Recent record\n\nThot signed with CAA for representation in New York and Los Angeles, alongside Tess Management in London and Chadwick Models and Kult Management in Australia, continuing her longstanding ambassadorships with L’Oréal Paris and her association with the Sports Illustrated Swimsuit franchise.\n\n## Quick facts\n\n- Born Nyadak \"Duckie\" Thot, 23 October 1995, in Melbourne, Australia, to South Sudanese refugee parents\n- Reached the final elimination of Australia’s Next Top Model in 2013 before relocating to New York in 2016\n- International runway debut at Kanye West’s Yeezy Season 4 show, after his assistant sought her out following a casting\n- Became the face of Fenty Beauty at its 2017 launch and a global ambassador for L’Oréal Paris from 2018\n- Starred in Pirelli’s Alice in Wonderland-themed 2018 calendar, photographed by Tim Walker\n- A Sports Illustrated Swimsuit rookie in the magazine’s January 2022 issue\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/duckie-thot)\n- [Biographical reference](https://en.wikipedia.org/wiki/Duckie_Thot)\n\nCite as: The Cast Index, \"Duckie Thot\", https://thecastindex.com/models/duckie-thot. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/edie-campbell","markdownUrl":"https://thecastindex.com/models/edie-campbell.md","title":"Edie Campbell","lastmod":"2026-09-25","sha256":"314a108200dc96ec947550cf0b339890e03462bdc75e494b566c48f79414eb79","bytes":4393,"markdown":"# Edie Campbell\n\n> Source: https://thecastindex.com/models/edie-campbell — updated 2026-09-25\n\nEnglish model. Tracked for Burberry and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 25 September 1990 (age 36) |\n| Birthplace | London, United Kingdom |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @ediebcampbell |\n\nBirth date, birthplace and height: Wikidata Q5338024 (https://www.wikidata.org/wiki/Q5338024), retrieved 2026-09-25.\n\n## Known for\n\nBurberry and major international runway work\n\n\n## Evidence\n\n- Burberry and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Jil Sander ([source](https://www.gettyimages.com/detail/news-photo/edie-campbell-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786789))\n\n## Career\n\n### Early life\n\nEdith Blanche Campbell was born in 1990 in London to hedge fund manager Roddy Campbell and architect Sophie Hicks, and raised in Westbourne Grove; her sister, Olympia Campbell, is also a model. She attended St. Paul’s Girls’ School before graduating with First Class Honours in History of Art from the Courtauld Institute of Art, and has competed as an equestrian in dressage, showjumping and cross-country since age five, including at the Gucci Masters in December 2013.\n\n### Discovery and early runway, 2009–2012\n\nCampbell was discovered by photographer Mario Testino for a Vogue feature on \"up and coming young Londoners,\" who subsequently cast her in a Burberry campaign alongside Kate Moss, launching her modelling career around 2009 to 2010, alongside early campaigns for Marc Jacobs. In 2011 she won the inaugural Magnolia Cup charity horse race at Glorious Goodwood, and in 2012 closed Chanel’s Spring/Summer couture show as the \"bride\" — one of modelling’s most prestigious placements.\n\n### Model of the Year and a broad editorial record, 2013–2016\n\nCampbell was named Model of the Year at the British Fashion Awards in December 2013, the same year she appeared on the covers of British Vogue and Vogue Italia and multiple issues of LOVE magazine, and wrote a journalistic piece for Harper’s Bazaar UK. Her cover credits continued through 2014 with Self Service, Vogue Japan and Vogue Italia, and she returned to British Vogue’s cover in 2016. Her runway career spans some 30 houses, including Chanel, Hermès, Burberry, Dior, Calvin Klein, Balenciaga and Givenchy, with campaigns for Cacharel, Bottega Veneta, Lanvin, Alexander McQueen and Yves Saint Laurent, including the face of its Black Opium fragrance.\n\n### Activism and recent record, 2017–2025\n\nIn November 2017, Campbell published an \"Open Letter on Model Abuse\" in Women’s Wear Daily, following it with a January 2018 talk on the same subject at a Dover Street Market event for LOVE magazine. She fronted Celine’s Summer 2024 \"Tomboy\" campaign, shot by Hedi Slimane, alongside Etro and Prada work that year and runway appearances for Burberry, Hermès, Khaite and Chanel, continuing into 2025 with Carolina Herrera’s \"Initials Insignia Soft\" campaign. She is represented by VIVA Model Management across London, Paris and Barcelona, and DNA Model Management in New York.\n\n## Quick facts\n\n- Born in 1990 in London to hedge fund manager Roddy Campbell and architect Sophie Hicks; sister Olympia Campbell also models\n- Graduated with First Class Honours in History of Art from the Courtauld Institute of Art\n- Discovered by photographer Mario Testino, who cast her in a Burberry campaign alongside Kate Moss around 2009–2010\n- Closed Chanel’s Spring/Summer couture show as the \"bride\" in 2012, one of modelling’s most prestigious placements\n- Named Model of the Year at the British Fashion Awards, December 2013\n- Published an \"Open Letter on Model Abuse\" in Women’s Wear Daily in November 2017\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/edie-campbell)\n- [Biographical reference](https://en.wikipedia.org/wiki/Edie_Campbell)\n\nCite as: The Cast Index, \"Edie Campbell\", https://thecastindex.com/models/edie-campbell. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/elsa-hosk","markdownUrl":"https://thecastindex.com/models/elsa-hosk.md","title":"Elsa Hosk","lastmod":"2026-09-25","sha256":"864ea9fc8c7f68619b4364337f3a0e13f5b71bb083e734be6e5bef9d8613eb14","bytes":4200,"markdown":"# Elsa Hosk\n\n> Source: https://thecastindex.com/models/elsa-hosk — updated 2026-09-25\n\nSwedish-Finnish fashion model. Tracked for Dior Beauty and international fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 7 November 1988 (age 37) |\n| Birthplace | Stockholm, Sweden |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | Sweden |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | #45 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @hoskelsa |\n\nBirth date, birthplace and height: Wikidata Q2337837 (https://www.wikidata.org/wiki/Q2337837), retrieved 2026-09-25.\n\n## Known for\n\nDior Beauty and international fashion campaigns\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Dior Beauty and international fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Gucci ([source](https://www.whowhatwear.com/fashion/runway/gucci-milan-fashion-week-spring-summer-2027))\n\n## Career\n\n### Early life\n\nElsa Anna Sofie Hosk was born on 7 November 1988 in Stockholm, Sweden, to Swedish father Pål and Finnish mother Marja; her cousin, Alice Herbst, won Sweden’s Next Top Model in 2012 and also models. At 13 her father submitted her photos to Swedish modelling agencies, and she began modelling at 14 while still in high school, working with Guess early on. She played in the Swedish women’s basketball league for two years before committing to modelling full-time, crediting the sport with preparing her for the industry’s physical and travel demands.\n\n### Victoria’s Secret career, 2011–2018\n\nAfter moving to New York, Hosk’s work with photographer Ellen von Unwerth on Guess campaigns is credited with launching her into top-tier fashion. She walked the Victoria’s Secret Fashion Show every year from 2011 to 2018, becoming one of ten new Victoria’s Secret Angels in 2015 and opening the show in 2016. In 2017 she wore a Swarovski-crystal outfit in the show, and on 8 November 2018 she wore the $1 million \"Dream Angels\" Fantasy Bra, designed by Atelier Swarovski and hand-set with 2,100 diamonds.\n\n### Campaign work\n\nAcross her career, Hosk has fronted campaigns for Dior, Dolce & Gabbana, H&M, Anna Sui, Versace, Jean Paul Gaultier, Yves Saint Laurent, Balmain, Calvin Klein, Valentino and Michael Kors, and has been ranked among Models.com’s top \"Sexiest Models.\"\n\n### Recent record, 2024–2026\n\nHosk fronted a Resort 2024 campaign for the Los Angeles brand Nana Jacqueline, shot in Joshua Tree, and walked Saint Laurent’s Spring/Summer 2025 show at Paris Fashion Week in September 2024. She has continued campaign work with UGG and eyewear brand District Vision through 2025, and walked Gucci’s Fall/Winter 2026 show that February, followed by the brand’s \"Generation 26\" campaign that April. She welcomed a daughter in February 2021 with partner Tom Daly, became engaged in September 2025, and announced a second pregnancy in April 2026. She is represented by IMG Models worldwide.\n\n## Quick facts\n\n- Born 7 November 1988 in Stockholm, Sweden, to a Swedish father and Finnish mother; played professionally in Sweden’s women’s basketball league before modelling full-time\n- Scouted at 13 after her father submitted her photos to Swedish agencies\n- Walked the Victoria’s Secret Fashion Show every year from 2011 to 2018, opening the show in 2016\n- Named one of ten new Victoria’s Secret Angels in 2015\n- Wore the $1 million \"Dream Angels\" Fantasy Bra, hand-set with 2,100 diamonds, at the Victoria’s Secret Fashion Show on 8 November 2018\n- Welcomed a daughter in February 2021 with partner Tom Daly, co-founder of eyewear brand District Vision\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/elsa-hosk)\n- [Biographical reference](https://en.wikipedia.org/wiki/Elsa_Hosk)\n\nCite as: The Cast Index, \"Elsa Hosk\", https://thecastindex.com/models/elsa-hosk. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/emily-ratajkowski","markdownUrl":"https://thecastindex.com/models/emily-ratajkowski.md","title":"Emily Ratajkowski","lastmod":"2026-09-25","sha256":"d09b7241ecad3541ced12641425441ea3af2f85b39417b20ba71e159c5f04ef1","bytes":3994,"markdown":"# Emily Ratajkowski\n\n> Source: https://thecastindex.com/models/emily-ratajkowski — updated 2026-09-25\n\nAmerican model and actress. Tracked for Versace and Tory Burch runway and campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 7 June 1991 (age 35) |\n| Birthplace | Westminster, United Kingdom |\n| Height | 170 cm (5 ft 7 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Runway |\n| Cast Index | #32 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @emrata |\n\nBirth date, birthplace and height: Wikidata Q5372335 (https://www.wikidata.org/wiki/Q5372335), retrieved 2026-09-25.\n\n## Known for\n\nVersace and Tory Burch runway and campaign visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Versace and Tory Burch runway and campaign visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Tory Burch ([source](https://www.marieclaire.co.uk/fashion/new-york-fashion-week-september-2026-best-looks))\n\n## Career\n\n### Early life\n\nEmily O’Hara Ratajkowski was born on 7 June 1991 in Westminster, London, to American parents, and raised in Encinitas, California; she attended UCLA for one year before turning to modelling full-time. She signed with Ford Models at 14, doing early print work for Kohl’s and Nordstrom, and her breakthrough cover — for treats! magazine in March 2012 — led directly into music-video work.\n\n### Breakthrough and screen work, 2013–2018\n\nRatajkowski’s global breakthrough came via Robin Thicke’s \"Blurred Lines\" video, featuring T.I. and Pharrell, released 20 March 2013. She went on to build a parallel film and television career, including Gone Girl in 2014, Entourage and We Are Your Friends in 2015, and I Feel Pretty in 2018. Her runway debut came for Marc Jacobs at New York Fashion Week in September 2015, followed by Miu Miu in Paris in March 2016 and Versace and Dolce & Gabbana in Milan in September 2018.\n\n### Business ventures, 2017–2021\n\nRatajkowski launched a bag line with The Kooples in July 2017 and a jewellery line with Spinelli Kilcollin at Barneys in May 2018, before founding her own swimwear label, Inamorata, in November 2017 — a business that became a significant part of her public profile alongside modelling. In November 2021 she published the essay collection \"My Body\" through Metropolitan Books, which became a New York Times bestseller.\n\n### Recent record, 2022–2025\n\nRatajkowski launched the podcast \"High Low with EmRata\" with Sony Music in October 2022, building a media presence beyond modelling and acting. She returned to acting with a role in Lena Dunham’s Netflix series Too Much in 2025, and continued modelling work including Versace’s Spring/Summer 2023 campaign and Lounge’s Autumn/Winter 2025 campaign. She is represented by DNA Model Management in New York and VIVA Model Management in Paris, London and Barcelona.\n\n## Quick facts\n\n- Born 7 June 1991 in Westminster, London, to American parents; raised in Encinitas, California\n- Signed with Ford Models at 14; breakthrough came via Robin Thicke’s \"Blurred Lines\" video in March 2013\n- Runway debut for Marc Jacobs at New York Fashion Week, September 2015\n- Founded the swimwear label Inamorata in November 2017\n- Published the essay collection \"My Body,\" a New York Times bestseller, in November 2021\n- Launched the podcast \"High Low with EmRata\" with Sony Music in October 2022\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/emily-ratajkowski)\n- [Biographical reference](https://en.wikipedia.org/wiki/Emily_Ratajkowski)\n\nCite as: The Cast Index, \"Emily Ratajkowski\", https://thecastindex.com/models/emily-ratajkowski. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/eva-herzigova","markdownUrl":"https://thecastindex.com/models/eva-herzigova.md","title":"Eva Herzigová","lastmod":"2026-09-25","sha256":"efa29b7101bce4f60f7a1808903ff0084da1da38d4eaac1f5936238bc6a38399","bytes":3588,"markdown":"# Eva Herzigová\n\n> Source: https://thecastindex.com/models/eva-herzigova — updated 2026-09-25\n\nCzech model and actress. Tracked for Dolce & Gabbana and continuing luxury visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 10 March 1973 (age 53) |\n| Birthplace | Litvínov, Czech Republic |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | Czech Republic |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @evaherzigova |\n\nBirth date, birthplace and height: Wikidata Q229509 (https://www.wikidata.org/wiki/Q229509), retrieved 2026-09-25.\n\n## Known for\n\nDolce & Gabbana and continuing luxury visibility\n\n\n## Evidence\n\n- Walked the Victoria's Secret Fashion Show at Duggal Greenhouse, Brooklyn, October 2024, alongside Bella Hadid, Gigi Hadid and Adriana Lima.\n\n## Career\n\n### Early life\n\nEva Herzigová was born on 10 March 1973 in Litvínov, Czechoslovakia, to an accountant mother and an electrician father. An athletic child who competed in gymnastics, basketball, track and cross-country skiing, she began modelling at 16 after winning a 1989 contest run by Metropolitan Models in Prague, relocating to Paris to launch her career.\n\n### A 1990s breakthrough and an iconic campaign\n\nHerzigová rose to fame in the 1990s alongside Naomi Campbell, Cindy Crawford, Claudia Schiffer and Christy Turlington, working for Guess, Victoria’s Secret and Sports Illustrated. In 1994 she became the face of Wonderbra’s \"Hello Boys\" billboard campaign, created by Trevor Beattie at TBWA London — later polled the most iconic UK outdoor advertisement of the past five decades. She portrayed \"Venus\" in the opening ceremony of the 2006 Turin Winter Olympics.\n\n### Continued campaign work and film\n\nHerzigová was the face of Dior’s Capture Totale skincare line from 2013 to 2021, and fronted Giorgio Armani’s \"New Normal\" campaign in 2016, alongside a runway record spanning Louis Vuitton, Versace, Emilio Pucci, Dolce & Gabbana and Chanel. Her film credits include Les Anges gardiens (1995), My Best Friend’s Wife (1998), Modigliani (2004) and A Prominent Patient (2017).\n\n### Recent record, 2024–2026\n\nHerzigová walked Roberto Cavalli’s Spring/Summer 2025 show in Milan in September 2024 and Messika’s ready-to-wear Spring/Summer 2025 show in Paris later that month, alongside a Donna Karan Fall 2024 campaign and an Elle France cover that December. She married her longtime partner, Gregorio Marsiaj, on 11 July 2026, after 25 years together; the couple have three sons. She serves as editor-at-large of Vogue Czechoslovakia.\n\n## Quick facts\n\n- Born 10 March 1973 in Litvínov, Czechoslovakia; began modelling at 16 after winning a 1989 Prague contest\n- Became the face of Wonderbra’s 1994 \"Hello Boys\" billboard campaign, later polled the most iconic UK outdoor advertisement of the past five decades\n- Portrayed \"Venus\" in the opening ceremony of the 2006 Turin Winter Olympics\n- Face of Dior’s Capture Totale skincare line from 2013 to 2021\n- Serves as editor-at-large of Vogue Czechoslovakia\n- Married longtime partner Gregorio Marsiaj on 11 July 2026, after 25 years together\n\n## Sources\n\n- [Just Jared · Every model on the 2024 Victoria's Secret runway](https://www.justjared.com/2024/10/16/every-model-on-victorias-secret-fashion-show-2024-runway-revealed-shopping-links-to-buy-their-clothes/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Eva_Herzigov%C3%A1)\n\nCite as: The Cast Index, \"Eva Herzigová\", https://thecastindex.com/models/eva-herzigova. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/fei-fei-sun","markdownUrl":"https://thecastindex.com/models/fei-fei-sun.md","title":"Fei Fei Sun","lastmod":"2026-09-25","sha256":"5fd0e0b39548bf9d04ba39c6e31b1cd1f29e15bc365491f2f23060dc6fab3d99","bytes":3876,"markdown":"# Fei Fei Sun\n\n> Source: https://thecastindex.com/models/fei-fei-sun — updated 2026-09-25\n\nChinese model recognised for a series of firsts for East Asian models in Western fashion.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 20 March 1989 (age 37) |\n| Birthplace | Weifang, People's Republic of China |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @feifeisun |\n\nBirth date, birthplace and height: Wikidata Q3742045 (https://www.wikidata.org/wiki/Q3742045), retrieved 2026-09-25.\n\n## Known for\n\nIn 2013, the first East Asian model on the cover of Vogue Italia.\n\n\n## Evidence\n\n- Fronted Tom Ford's Winter 2024 fashion and eyewear campaign, shot in Shanghai.\n- Vogue China cover and editorial, March 2024 and May 2025; Zara Spring 2024 Studio Collection and Swarovski Spring/Summer 2024 campaigns.\n\n## Selected runway record\n\n- SS27 · Walked · Bottega Veneta ([source](https://www.gettyimages.com/detail/news-photo/fei-fei-sun-walks-the-runway-at-the-bottega-veneta-fashion-news-photo/2297364780))\n\n## Career\n\n### Early life\n\nSun Feifei, known professionally as Fei Fei Sun, was born on 20 March 1989 in Weifang, Shandong, China, and studied fashion design at Suzhou University. She won the national title at Elite Model Look China in 2008, placing third internationally, a result that launched her professional career after high school.\n\n### A Chanel selection and early milestones, 2009–2012\n\nIn December 2009, Sun was selected by Karl Lagerfeld for Chanel’s Paris–Shanghai Métiers d’Art show, and made her London Fashion Week debut walking for Christopher Kane in February 2010. Her first major campaign came with Dsquared2 for Spring/Summer 2011, alongside a January 2011 Vogue Italia editorial titled \"The Power of Glamour,\" and in Spring 2012 she became the first Asian face of Valentino.\n\n### Historic covers, 2013–2015\n\nIn January 2013, Sun became the first East Asian model to solo-cover Vogue Italia, and in September 2014 became the first East Asian model to appear on an American Vogue fold-out gatefold cover. A third solo Vogue Italia cover followed in June 2015.\n\n### Recent record, 2017–2025\n\nSun has served as a spokesmodel and global ambassador for Estée Lauder since 2017, alongside campaigns for Valentino, Theory, Tory Burch and Massimo Dutti that year, and an Allure cover in June 2018. She debuted on the cover of Vogue Hong Kong in 2019, and in 2024 fronted campaigns for Alaïa, Chloé, Courrèges, David Yurman, Swarovski, Tom Ford and Zara. In May 2025 she appeared on four variant covers of Vogue China, shot by Zhong Lin, and fronted Messika’s \"Golden Era\" campaign, photographed by Ezra Petronio. She is represented by Elite Model Management in New York and Paris.\n\n## Quick facts\n\n- Born Sun Feifei, 20 March 1989, in Weifang, Shandong, China; studied fashion design at Suzhou University\n- Won Elite Model Look China in 2008, placing third internationally\n- Selected by Karl Lagerfeld for Chanel’s Paris–Shanghai Métiers d’Art show, December 2009\n- The first East Asian model to solo-cover Vogue Italia, January 2013\n- The first East Asian model to appear on an American Vogue fold-out gatefold cover, September 2014\n- Global spokesmodel for Estée Lauder since 2017\n\n## Sources\n\n- [WWD · Fei Fei Sun for Tom Ford Winter 2024](https://wwd.com/pop-culture/new-fashion-releases/fei-fei-sun-tom-ford-winter-2024-fashion-eyewear-campaign-1236555823/)\n- [Anne of Carversville · Fei Fei Sun, Vogue China March 2024](https://anneofcarversville.com/fashion/2024/2/20/fei-fei-sun-zoey-grossman-vogue-china-march)\n- [Biographical reference](https://en.wikipedia.org/wiki/Fei_Fei_Sun)\n\nCite as: The Cast Index, \"Fei Fei Sun\", https://thecastindex.com/models/fei-fei-sun. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/fernanda-ly","markdownUrl":"https://thecastindex.com/models/fernanda-ly.md","title":"Fernanda Ly","lastmod":"2026-09-25","sha256":"023cb42982118af304fa118454d953e6cc0d3fa16fe8189fae8c8aa8bb319924","bytes":2699,"markdown":"# Fernanda Ly\n\n> Source: https://thecastindex.com/models/fernanda-ly — updated 2026-09-25\n\nAustralian fashion model. Tracked for Louis Vuitton and major international editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1995 |\n| Birthplace | Sydney, Australia |\n| Nationality | Australia |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q64009059 (https://www.wikidata.org/wiki/Q64009059), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton and major international editorial work\n\n\n## Evidence\n\n- Louis Vuitton and major international editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nFernanda Hin Lin Ly was born on 22 October 1995 in Sydney, Australia, of Chinese-Vietnamese descent, and was studying architecture before modelling took over. She was scouted at a shopping mall and made her runway debut for Louis Vuitton in 2015, where she became an exclusive, drawing attention for her distinctive pink hair.\n\n### Building a campaign record, 2015–2018\n\nLy was featured in Teen Vogue in March 2015 and appeared on a Vogue cover the same year, before fronting two Kate Spade New York campaigns and a Gap \"Bridging the Gap\" film campaign in 2017, alongside American Eagle Outfitters work. She fronted the April 2018 cover of Vogue Australia and appeared in Chanel Beauty advertisements that year, building an editorial record across L’Officiel, LOVE, i-D, W, and the American, Italian, British, Australian, Chinese and Japanese editions of Vogue.\n\n### Recent record\n\nLy has run the YouTube channel \"FERNTUBE\" since 2020, and remains based in New York, represented by DNA Models with Priscilla’s Model Management in Sydney as her original mother agency.\n\n## Quick facts\n\n- Born 22 October 1995 in Sydney, Australia, of Chinese-Vietnamese descent; was studying architecture before modelling\n- Scouted at a shopping mall; became a Louis Vuitton exclusive known for her distinctive pink hair\n- Runway debut for Louis Vuitton in 2015\n- Fronted the April 2018 cover of Vogue Australia\n- Fronted advertising campaigns for Tiffany & Co., Kate Spade New York, Gap and Chanel Beauty between 2016 and 2018\n- Runs a YouTube channel, \"FERNTUBE,\" since 2020\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/fernanda-ly)\n- [Biographical reference](https://en.wikipedia.org/wiki/Fernanda_Ly)\n\nCite as: The Cast Index, \"Fernanda Ly\", https://thecastindex.com/models/fernanda-ly. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/freja-beha-erichsen","markdownUrl":"https://thecastindex.com/models/freja-beha-erichsen.md","title":"Freja Beha Erichsen","lastmod":"2026-09-25","sha256":"7eaae32625e29b54ae0ef51e4e19eaa784ffbf93ff98eccaaf199dd5b32f05f0","bytes":2710,"markdown":"# Freja Beha Erichsen\n\n> Source: https://thecastindex.com/models/freja-beha-erichsen — updated 2026-09-25\n\nDanish fashion model. Tracked for Prada and major luxury editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 18 October 1987 (age 38) |\n| Birthplace | Roskilde, Denmark |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Denmark |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q232807 (https://www.wikidata.org/wiki/Q232807), retrieved 2026-09-25.\n\n## Known for\n\nPrada and major luxury editorial work\n\n\n## Evidence\n\n- Prada and major luxury editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nFreja Beha Erichsen was born on 18 October 1987 in Roskilde, Denmark. She was scouted on the street by a modelling agent, making her debut in 2005 at the Fall shows in Paris and Milan, opening for Miu Miu alongside runway bookings for Prada and Louis Vuitton.\n\n### Building a Vogue and campaign record, 2008–2011\n\nErichsen fronted her first Vogue covers — Vogue Nippon and Vogue Portugal — in 2008, followed by two more Vogue covers in 2009 and four major covers across the French, British and Italian editions in 2010, the same year she became a favoured face of Louis Vuitton under Nicolas Ghesquière and fronted campaigns for Chanel, Valentino, Balenciaga and Tom Ford. In 2011 she was photographed by Karl Lagerfeld for the Pirelli Calendar and was one of three cover stars for British Vogue’s May issue.\n\n### Recent record\n\nErichsen signed a worldwide Maybelline contract in 2013 and joined the Business of Fashion 500 in 2014. She continued walking for Saint Laurent through recent seasons and appeared in the Swedish Netflix series \"Clark\" in 2022. She is represented by IMG Models and Unique Denmark.\n\n## Quick facts\n\n- Born 18 October 1987 in Roskilde, Denmark; scouted on the street by a modelling agent\n- Runway debut in 2005, opening for Miu Miu at the Fall shows in Paris and Milan\n- A favoured face of Louis Vuitton under Nicolas Ghesquière\n- Photographed by Karl Lagerfeld for the 2011 Pirelli Calendar\n- Signed a worldwide Maybelline contract in 2013\n- A member of the Business of Fashion 500 since 2014\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/freja-beha-erichsen)\n- [Biographical reference](https://en.wikipedia.org/wiki/Freja_Beha_Erichsen)\n\nCite as: The Cast Index, \"Freja Beha Erichsen\", https://thecastindex.com/models/freja-beha-erichsen. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/georgia-fowler","markdownUrl":"https://thecastindex.com/models/georgia-fowler.md","title":"Georgia Fowler","lastmod":"2026-09-25","sha256":"22f90e23dedf07a1b8797b0248d57f66cd0defd36b9e107fae8f4f512bfc1d2f","bytes":2728,"markdown":"# Georgia Fowler\n\n> Source: https://thecastindex.com/models/georgia-fowler — updated 2026-09-25\n\nNew Zealand fashion model. Tracked for Miu Miu and international fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 17 June 1992 (age 34) |\n| Birthplace | Auckland, New Zealand |\n| Nationality | New Zealand |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @georgiafowler |\n\nBirth date, birthplace and height: Wikidata Q22677403 (https://www.wikidata.org/wiki/Q22677403), retrieved 2026-09-25.\n\n## Known for\n\nMiu Miu and international fashion campaigns\n\n\n## Evidence\n\n- Miu Miu and international fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nGeorgia Fowler was born on 17 June 1992 in Auckland, New Zealand, the daughter of Australian professional golfer Peter Fowler and Kim Fowler. She was educated at Diocesan School for Girls in Auckland, discovered by a local modelling agency at 12, and signed with IMG Models at 16, relocating to New York.\n\n### Victoria’s Secret and runway record, 2016–2018\n\nFowler walked the Victoria’s Secret Fashion Show for three consecutive years, from 2016 through 2018, building a runway and campaign record that includes Miu Miu, DKNY, Prada, Chanel, Yeezy, Banana Republic and H&M. In 2018 she hosted the first season of Project Runway New Zealand and appeared at Mercedes-Benz Fashion Week Australia, hosting that year’s Australian Fashion Laureate Award. She has appeared on three covers of Harper’s Bazaar Australia and has been listed on Models.com as a \"Money Girl\" since 2018.\n\n### Recent record\n\nFowler married Nathan Dalah in January 2023; the couple’s daughter was born in September 2021 and their son in February 2024. She is represented by IMG Models worldwide.\n\n## Quick facts\n\n- Born 17 June 1992 in Auckland, New Zealand, daughter of Australian professional golfer Peter Fowler\n- Discovered by an Auckland modelling agency at 12; signed with IMG Models at 16\n- Walked the Victoria’s Secret Fashion Show three consecutive years, 2016 through 2018\n- Hosted the first season of Project Runway New Zealand in 2018\n- Listed on Models.com as a \"Money Girl\" since 2018\n- Runway and campaign work includes Miu Miu, Prada, Chanel and Yeezy\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/georgia-fowler)\n- [Biographical reference](https://en.wikipedia.org/wiki/Georgia_Fowler)\n\nCite as: The Cast Index, \"Georgia Fowler\", https://thecastindex.com/models/georgia-fowler. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/georgia-may-jagger","markdownUrl":"https://thecastindex.com/models/georgia-may-jagger.md","title":"Georgia May Jagger","lastmod":"2026-09-25","sha256":"7a4df006edbf9167d50329b2f073ab842f46694198885e8390f7125f8439f417","bytes":3251,"markdown":"# Georgia May Jagger\n\n> Source: https://thecastindex.com/models/georgia-may-jagger — updated 2026-09-25\n\nBritish-American fashion model and designer. Tracked for Charlotte Tilbury and major fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 January 1992 (age 34) |\n| Birthplace | London, United Kingdom |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | United Kingdom |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q2459143 (https://www.wikidata.org/wiki/Q2459143), retrieved 2026-09-25.\n\n## Known for\n\nCharlotte Tilbury and major fashion campaigns\n\n\n## Evidence\n\n- Charlotte Tilbury and major fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nGeorgia May Ayeesha Jagger was born on 12 January 1992 at the Portland Hospital in London, the daughter of Rolling Stones frontman Mick Jagger and American supermodel Jerry Hall; her sister, Elizabeth \"Lizzy\" Jagger, is also a model. She signed with Independent Models in 2008 and began a Rimmel cosmetics contract the same year, receiving early recognition from the British Fashion Council around 2008–2009.\n\n### A Chanel breakthrough and Olympic appearance, 2010–2012\n\nJagger’s runway breakthrough came closing Chanel’s Resort 2011 show, and she relocated to New York in autumn 2010. She was the face of Hudson Jeans from 2009 to 2013, and her runway record through the decade included Tommy Hilfiger, Balmain, Vivienne Westwood, Alexander Wang, Miu Miu, Versace, Fendi, Tom Ford, Louis Vuitton and Marc Jacobs. In 2012 she appeared in the London Summer Olympics closing ceremony alongside Kate Moss and Naomi Campbell.\n\n### Recent record, 2024–2026\n\nJagger fronted Tommy Hilfiger watches and jewellery in Spring 2024 and a ba&sh Fall campaign that year, walking Chloé’s Fall/Winter 2024–25 show at Paris Fashion Week. In April 2025 she appeared in Burberry’s Mother’s Day campaign alongside her mother, Jerry Hall, and sister Lizzy Jagger, shot by Laura Jane Coulson, followed by a Maison Kitsuné \"Baby Fox\" campaign that autumn and a Jo Malone London fragrance campaign with her sister in early 2026. She had a son with skateboarder Cambryan Sedlick in September 2024. She is represented by TESS Model Management.\n\n## Quick facts\n\n- Born 12 January 1992 in London, daughter of Rolling Stones frontman Mick Jagger and supermodel Jerry Hall\n- Signed with Independent Models and began a Rimmel cosmetics contract in 2008\n- Runway breakthrough closing Chanel’s Resort 2011 show\n- Recognised by the British Fashion Council early in her career, around 2008–2009\n- Face of Hudson Jeans from 2009 to 2013\n- Appeared in the London 2012 Olympics closing ceremony alongside Kate Moss and Naomi Campbell\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/georgia-may-jagger)\n- [Biographical reference](https://en.wikipedia.org/wiki/Georgia_May_Jagger)\n\nCite as: The Cast Index, \"Georgia May Jagger\", https://thecastindex.com/models/georgia-may-jagger. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/gigi-hadid","markdownUrl":"https://thecastindex.com/models/gigi-hadid.md","title":"Gigi Hadid","lastmod":"2026-09-25","sha256":"a6e5035a5d230262a10a7d1dfa256b0528e2f38d4452de764eb490411bfd287b","bytes":5790,"markdown":"# Gigi Hadid\n\n> Source: https://thecastindex.com/models/gigi-hadid — updated 2026-09-25\n\nAmerican model who became one of the defining runway and campaign faces of the 2010s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 April 1995 (age 31) |\n| Birthplace | Los Angeles, United States |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Agencies | IMG Models · New York / Paris / Milan / London / Los Angeles / Sydney |\n| Cast Index | #5 · 93.9/100 (2026-10-05 snapshot) |\n| Instagram | @gigihadid |\n\nBirth date, birthplace and height: Wikidata Q16843706 (https://www.wikidata.org/wiki/Q16843706), retrieved 2026-09-25.\n\n## Known for\n\nOne of the defining runway and campaign faces of the 2010s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 90 |\n| Campaigns | 30% | 97 |\n| Editorial | 20% | 94 |\n| Cultural | 10% | 100 |\n\n## Evidence\n\n- Walked Balenciaga Haute Couture in July 2026 and opened Ralph Lauren FW26 in February 2026.\n- Miu Miu leathergoods and Rabanne fragrance campaigns, plus a Love Magazine cover, in 2026.\n- Models.com Model of the Year nominee in 2023 and 2024 and Best Streetstyle nominee in 2025.\n\n## Selected runway record\n\n- AW26 Couture · Walked · Balenciaga ([source](https://models.com/models/gigi-hadid))\n- AW26 · Opened · Ralph Lauren ([source](https://models.com/models/gigi-hadid))\n- SS27 · Opened · Tommy Hilfiger ([source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/tommy-hilfiger))\n\n## Career\n\n### Early life\n\nJelena Noura \"Gigi\" Hadid was born on 23 April 1995 in Los Angeles, to Palestinian-American real-estate developer Mohamed Hadid and the Dutch former model Yolanda Hadid. She grew up on a ranch in Santa Barbara before the family moved to Beverly Hills. She graduated from Malibu High School in 2013, where she captained the varsity volleyball team, and enrolled at The New School in New York to study criminal psychology — a degree she suspended to model full-time.\n\n### Discovery and early modelling\n\nHadid’s modelling began at two, when Guess co-founder Paul Marciano discovered her; she appeared in Baby Guess campaigns in early childhood before stepping back to focus on school. She resumed modelling in 2011, again working with Marciano, and became the face of a Guess campaign in 2012, followed by three more Guess campaigns as an adult.\n\n### Breakthrough, 2013–2016\n\nHadid signed with IMG Models in 2013 and made her New York Fashion Week debut for Desigual in February 2014, the same season she landed what the industry called her \"high fashion break\": the cover of Carine Roitfeld’s CR Fashion Book. A Tom Ford Eyewear campaign followed that July.\n\n2015 brought the Pirelli Calendar, the Daily Front Row’s Model of the Year title, a Maybelline ambassadorship, and her first Victoria’s Secret Fashion Show. In 2016 she became Tommy Hilfiger’s global brand ambassador, co-designed a \"Gigi by Tommy Hilfiger\" capsule collection, opened five shows and closed seven across New York, Milan and Paris that Fall season, launched the Stuart Weitzman \"Gigi Boot,\" and fronted Reebok’s \"#PerfectNever\" campaign. That December, Donatella Versace presented her with the International Model of the Year award at the British Fashion Awards.\n\n### Sustained global presence, 2017–2018\n\nMarch 2017 brought four Vogue covers in a single month — American, British, Chinese, and the inaugural issue of Vogue Arabia — and she opened shows for Jeremy Scott, Versus, Alberta Ferretti, Missoni, H&M and Balmain that season, closing for Isabel Marant, Moschino, Max Mara and Anna Sui. She released her first Vogue Eyewear and Messika Jewelry collaborations that year and was named one of Glamour’s Women of the Year.\n\n2018 continued the pace with campaigns for Valentino, Moschino, Versace and Fendi, a fourth and final Tommy Hilfiger capsule, a third Victoria’s Secret Fashion Show appearance, and a first Reebok sneaker collaboration launched in stages between December 2018 and February 2019.\n\n### Recent record\n\nHadid has been reported among the world’s highest-paid models since 2017, with annual earnings around $20 million, and has made more than 50 international Vogue cover appearances over her career. In September 2022 she founded and became creative director of the clothing label Guest in Residence, and in 2023 she co-hosted Netflix’s \"Next in Fashion\" with Tan France. Recent brand work includes fronting Rabanne’s \"Million Gold For Her\" fragrance in 2024 and becoming Havaianas’s global ambassador in March 2025.\n\nHer current Index Rating draws on the same current-window strength: a Balenciaga Haute Couture appearance and an opening slot at Ralph Lauren’s Fall/Winter 2026 show in February 2026, Miu Miu and Rabanne campaign work, and a Models.com Model of the Year nomination, detailed in the evidence section below.\n\n## Quick facts\n\n- Discovered by Guess co-founder Paul Marciano at age two; fronted Baby Guess campaigns in early childhood\n- International Model of the Year, British Fashion Awards, 2016\n- Four Vogue covers in a single month — American, British, Chinese and the inaugural Vogue Arabia — March 2017\n- Among the world’s highest-paid models since 2017, reportedly earning around $20 million a year\n- More than 50 international Vogue cover appearances across her career\n- Founder and creative director of the fashion label Guest in Residence, launched 2022\n\n## Sources\n\n- [Models.com profile and current work history](https://models.com/models/gigi-hadid)\n- [Biographical reference](https://en.wikipedia.org/wiki/Gigi_Hadid)\n\nCite as: The Cast Index, \"Gigi Hadid\", https://thecastindex.com/models/gigi-hadid. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/gisele-bundchen","markdownUrl":"https://thecastindex.com/models/gisele-bundchen.md","title":"Gisele Bündchen","lastmod":"2026-09-25","sha256":"3d0d4967eb65b9debc598e8d467490f8ae1a624751689ac863c11163b0fa7c47","bytes":4974,"markdown":"# Gisele Bündchen\n\n> Source: https://thecastindex.com/models/gisele-bundchen — updated 2026-09-25\n\nBrazilian fashion model. Tracked for Louis Vuitton and continuing global campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 20 July 1980 (age 46) |\n| Birthplace | Horizontina, Brazil |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | Brazil |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @gisele |\n\nBirth date, birthplace and height: Wikidata Q152208 (https://www.wikidata.org/wiki/Q152208), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton and continuing global campaign work\n\n\n## Evidence\n\n- Fronted Frame's Spring 2024 campaign, Arezzo's Summer 2024 campaign, and Elisabetta Franchi's Fall/Winter 2025 campaign.\n- Has said she no longer walks runways — 'I never said I would retire, just that I would no longer do runways' — and now works campaigns exclusively.\n\n## Career\n\n### Early life\n\nGisele Caroline Bündchen was born on 20 July 1980 in Horizontina, Rio Grande do Sul, Brazil, one of six sisters and a fraternal twin, to university professor Valdir Bündchen and bank worker Vânia Nonnenmacher; her grandfather Walter Bündchen had been mayor of Horizontina. She was enrolled by her mother in a confidence-building modelling course in 1993, discovered by Elite Model Management scouts at a São Paulo shopping mall, and placed second in the Elite Model Look competition, moving to São Paulo in 1995 and debuting at New York Fashion Week in 1996.\n\n### Breakthrough and a defining decade, 1998–2007\n\nAfter being rejected 42 times in London, Bündchen was cast by Alexander McQueen in 1998, beginning an 11-season run of consecutive Dolce & Gabbana campaigns that ran through 2003, alongside Missoni, Chloé, Valentino and Versace. In 1999 she fronted her first American Vogue cover, which the magazine framed as \"the return of the sexy model,\" and won VH1/Vogue’s Model of the Year award. In 2000, Rolling Stone named her \"The Most Beautiful Girl in the World,\" she appeared on 37 international Vogue covers that year, and she signed a multi-year Victoria’s Secret contract, wearing the $15 million Red Hot Fantasy Bra as she stepped back from general runway work to focus on campaigns and the Victoria’s Secret Fashion Show. She wore the $12.5 million Sexy Splendor Fantasy Bra in 2005 and took a supporting role in The Devil Wears Prada in 2006.\n\n### Peak earnings and industry recognition, 2010–2018\n\nBündchen closed Balenciaga’s runway show in 2010, her 11th American Vogue cover appearing that April, and fronted eight Vogue covers in 2011 alone — the most of any model that year — with her Vogue Brasil \"Amazon\" cover becoming the magazine’s best-selling issue at 70,743 copies. By 2012 she had appeared on roughly 120 Vogue covers and was named to Time’s \"All-Time 100 Fashion Icons\" list. She became the face of Chanel Les Beiges makeup in 2013 and Chanel No. 5’s spokeswoman in May 2014, followed by an Under Armour deal that September; in June 2014–June 2015 she set a Guinness World Record as the highest-earning model. She was Forbes’ top-earning model every year from 2005 to 2016, and published the bestselling memoir \"Lessons: My Path to a Meaningful Life\" in 2018.\n\n### Recent record, 2021–2025\n\nBündchen left IMG Models in February 2021 after 22 years, with her twin sister Patricia becoming her manager. She returned for Victoria’s Secret’s \"Icons\" campaign in 2023, and received a Fashion Awards Lifetime Achievement honour in 2024. She announced a pregnancy with partner Joaquim Valente in November 2024, gave birth to their first child together — her third overall — in February 2025, and married Valente in Surfside, Florida, on 3 December 2025.\n\n## Quick facts\n\n- Born 20 July 1980 in Horizontina, Rio Grande do Sul, Brazil, a sixth-generation German-Brazilian and fraternal twin\n- Discovered by Elite Model Management scouts at a São Paulo shopping mall; debuted at New York Fashion Week in 1996\n- Fronted her first American Vogue cover in 1999, which the magazine framed as \"the return of the sexy model,\" and won VH1/Vogue’s Model of the Year the same year\n- Named \"The Most Beautiful Girl in the World\" by Rolling Stone in 2000\n- Was Forbes’ top-earning model every year from 2005 to 2016\n- Set a Guinness World Record as the highest-earning model, June 2014 to June 2015\n\n## Sources\n\n- [WWD · Gisele Bündchen for Arezzo Summer 2024](https://wwd.com/pop-culture/celebrity-news/gisele-bundchen-arezzo-campaign-summer-2024-1235764153/)\n- [V Magazine · Gisele Bündchen for Elisabetta Franchi FW25](https://vmagazine.com/article/gisele-bundchen-fronts-elisabetta-franchis-fall-winter-2025-campaign/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Gisele_B%C3%BCndchen)\n\nCite as: The Cast Index, \"Gisele Bündchen\", https://thecastindex.com/models/gisele-bundchen. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hailey-bieber","markdownUrl":"https://thecastindex.com/models/hailey-bieber.md","title":"Hailey Bieber","lastmod":"2026-09-25","sha256":"d546e75dbf2f2140553ce0d173c3e5c006b0985e1c50ad013faeeffa906f4bda","bytes":4009,"markdown":"# Hailey Bieber\n\n> Source: https://thecastindex.com/models/hailey-bieber — updated 2026-09-25\n\nAmerican model. Tracked for Saint Laurent fashion visibility and global beauty influence.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 22 November 1996 (age 29) |\n| Birthplace | Tucson, United States |\n| Height | 171 cm (5 ft 7 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | #11 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @haileybieber |\n\nBirth date, birthplace and height: Wikidata Q20983703 (https://www.wikidata.org/wiki/Q20983703), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent fashion visibility and global beauty influence\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Saint Laurent fashion visibility and global beauty influence.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nHailey Rhode Baldwin was born on 22 November 1996 in Tucson, Arizona, to the actor Stephen Baldwin and the graphic designer Kennya Deodato; her maternal grandfather is the Brazilian musician Eumir Deodato. She trained as a classical ballet dancer for twelve years, working through several injuries, before stepping away from dance at sixteen when she was discovered and moved toward modelling full time.\n\n### Early career, 2014–2015\n\nBieber’s first agency was Ford Models, and her first commercial campaign ran for French Connection in winter 2014. She made her runway debut that October for Topshop and Sonia Rykiel, and by December had appeared in a Love magazine short film shot by Daniel Jackson. Early 2015 brought placements in American Vogue and Teen Vogue, and her first magazine cover, for Jalouse, that April.\n\n### Building momentum, 2016\n\nIn March 2016, Bieber signed with IMG Models, and the same month appeared in Ralph Lauren campaigns and shot for Vogue Korea. She covered Marie Claire in May, walked Moschino’s show that June alongside Miranda Kerr, Alessandra Ambrosio, Jourdan Dunn and Chanel Iman, and debuted in Guess advertising. That September’s fashion month took her through New York (Tommy Hilfiger, Prabal Gurung, Tory Burch), London (Julien Macdonald) and Milan (Dolce & Gabbana), closing with Elie Saab in Paris.\n\n### Brand partnerships, 2018–2019\n\nIn September 2018, Bieber became the face of bareMinerals’ \"Power of Good\" campaign, and by 2019 she had added Levi’s to her roster of ongoing brand partnerships — a shift toward the kind of long-running commercial ambassadorships that now anchor her career alongside runway and editorial work.\n\n### Recent record\n\nBieber was named to Forbes’ 30 Under 30 in the Art & Style category in 2023. Beyond modelling, she founded the skincare brand Rhode, which reported $212 million in sales for the fiscal year ended 31 March 2025 — a scale that has made her as prominent a beauty entrepreneur as a working model. Her current Index Rating draws on the published campaign and editorial evidence detailed in the evidence section below.\n\n## Quick facts\n\n- Trained as a classical ballet dancer for twelve years before switching to modelling at sixteen\n- Runway debut for Topshop and Sonia Rykiel, October 2014\n- Signed with IMG Models, March 2016\n- Face of bareMinerals’ \"Power of Good\" campaign, 2018, and Levi’s, from 2019\n- Forbes 30 Under 30, Art & Style category, 2023\n- Founder of the skincare brand Rhode, which reported $212 million in sales for the fiscal year ending March 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/hailey-bieber)\n- [Biographical reference](https://en.wikipedia.org/wiki/Hailey_Bieber)\n\nCite as: The Cast Index, \"Hailey Bieber\", https://thecastindex.com/models/hailey-bieber. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hannah-locsin","markdownUrl":"https://thecastindex.com/models/hannah-locsin.md","title":"Hannah Locsin","lastmod":"2026-09-25","sha256":"d7101e72411efa8483ef560839910f8d3f81d209ff5ce3246ec1bef2d571d757","bytes":1205,"markdown":"# Hannah Locsin\n\n> Source: https://thecastindex.com/models/hannah-locsin — updated 2026-09-25\n\nFilipina model who built an international runway and campaign career after a season-exclusive breakthrough with Gucci.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Philippines |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nThe first Filipina to walk for Gucci, debuting at the Spring/Summer 2020 show in Milan; later a Gucci beauty campaign and a Vogue Japan Beauty feature.\n\n\n## Evidence\n\n- The first Filipina to walk for Gucci, debuting at the Milan Spring/Summer 2020 show in September 2019.\n- Appeared in a Gucci beauty campaign film and, in October 2021, a Vogue Japan Beauty feature.\n\n## Sources\n\n- [Manila Bulletin · Hannah Locsin, first Filipina at Gucci](https://lifestyle.mb.com.ph/2019/09/23/hannah-locsin-is-the-first-filipina-to-model-for-gucci-during-milan-fashionweek/)\n- [Inquirer · Hannah Locsin goes global](https://lifestyle.inquirer.net/489102/filipina-model-hannah-locsin-goes-global/)\n\nCite as: The Cast Index, \"Hannah Locsin\", https://thecastindex.com/models/hannah-locsin. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hari-nef","markdownUrl":"https://thecastindex.com/models/hari-nef.md","title":"Hari Nef","lastmod":"2026-09-25","sha256":"d9a04a126dc689d2ac2320fb259c3f481150fca2b3ebf6b0205cd981d9599d8c","bytes":3969,"markdown":"# Hari Nef\n\n> Source: https://thecastindex.com/models/hari-nef — updated 2026-09-25\n\nAmerican actress, model, and writer. Tracked for Gucci runway, campaign and editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 21 October 1992 (age 33) |\n| Birthplace | Philadelphia, United States |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Runway, Editorial |\n| Cast Index | #37 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @harinef |\n\nBirth date, birthplace and height: Wikidata Q19665738 (https://www.wikidata.org/wiki/Q19665738), retrieved 2026-09-25.\n\n## Known for\n\nGucci runway, campaign and editorial visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Gucci runway, campaign and editorial visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Conner Ives ([source](https://www.wmagazine.com/fashion/surprising-celebrity-models-fashion-week-spring-2027))\n\n## Career\n\n### Early life\n\nHari Nef was born on 21 October 1992 in Philadelphia, Pennsylvania, to advertising executive David Neff and Robin Clebnik, and was raised from age two in Newton, Massachusetts, after her parents’ divorce. She graduated from Newton South High School and earned a B.A. in Theater from Columbia University in May 2015.\n\n### Entering modelling, 2014–2016\n\nNef’s runway debut came in Spring 2015 at New York Fashion Week, for Hood By Air and Eckhaus Latta, and she signed with IMG Models that May — reported as the first openly transgender model on the agency’s roster. Her early runway work also included Adam Selman, VFiles, Vejas and Degen. In September 2016 she appeared on the cover of Elle UK, reported as the first openly transgender woman to appear on a major British magazine cover.\n\n### A parallel acting career, 2015–2023\n\nAlongside modelling, Nef built a significant acting career, most notably as Tante Gittel in Amazon’s Transparent, a role writer-creator Joey Soloway wrote for her, earning a 2016 Screen Actors Guild ensemble nomination. In January 2017 she fronted L’Oréal Paris’s True Match campaign alongside Blake Lively. Her film and television credits expanded through the following years with Assassination Nation and Mapplethorpe in 2018, You the same year, And Just Like That... in 2022, and a role in HBO’s The Idol in 2023, the same year she appeared as Doctor Barbie in Greta Gerwig’s Barbie.\n\n### Recent record\n\nNef walked nine runway shows during New York Fashion Week’s Spring/Summer 2023 season, and continues to combine modelling with an active acting and theatre career, including a 2018–19 New York stage debut in \"Daddy\" at The New Group and a 2023 run of \"The Seagull/Woodstock, NY\" alongside Parker Posey. She remains represented by IMG Models.\n\n## Quick facts\n\n- Born 21 October 1992 in Philadelphia; raised in Newton, Massachusetts; graduated Columbia University with a B.A. in Theater, 2015\n- Signed with IMG Models in May 2015, reported as the first openly transgender model on the agency’s roster\n- Fronted Elle UK’s September 2016 cover, reported as the first openly transgender woman on a major British magazine cover\n- Played Tante Gittel in Amazon’s Transparent, a role earning a 2016 SAG Award ensemble nomination\n- Fronted L’Oréal Paris’s True Match campaign alongside Blake Lively in January 2017\n- Played Doctor Barbie in the 2023 film Barbie\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/hari-nef)\n- [Biographical reference](https://en.wikipedia.org/wiki/Hari_Nef)\n\nCite as: The Cast Index, \"Hari Nef\", https://thecastindex.com/models/hari-nef. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/helena-christensen","markdownUrl":"https://thecastindex.com/models/helena-christensen.md","title":"Helena Christensen","lastmod":"2026-09-25","sha256":"b5111f6a019810518261bdae2f9717b699ef2c94e87c8a9f7f1cc5d0d2275df4","bytes":4101,"markdown":"# Helena Christensen\n\n> Source: https://thecastindex.com/models/helena-christensen — updated 2026-09-25\n\nDanish fashion model. Tracked for Current international fashion and editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 25 December 1968 (age 57) |\n| Birthplace | Copenhagen, Denmark |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Denmark |\n| Disciplines | Editorial, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q229397 (https://www.wikidata.org/wiki/Q229397), retrieved 2026-09-25.\n\n## Known for\n\nCurrent international fashion and editorial visibility\n\n\n## Evidence\n\n- Walked the Elie Saab '1001 Seasons' show in Riyadh, November 2024, and attended Isabel Marant Spring/Summer 2026 at Paris Fashion Week, October 2025.\n- Editorial credits include Numéro Switzerland (September 2024) and Harper's Bazaar Arabia (2025); walked the Victoria's Secret Fashion Show, October 2025.\n\n## Selected runway record\n\n- SS27 · Closed · Richard Quinn ([source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/richard-quinn))\n\n## Career\n\n### Early life\n\nHelena Christensen was born on 25 December 1968 in Copenhagen, Denmark, to a Danish father and Peruvian mother. She won Miss Universe Denmark in 1986, competing at Miss Universe in Panama that year, and was a finalist in the \"Look of the Year\" competition in 1987 before relocating to Paris in the late 1980s to model.\n\n### A defining 1990s career\n\nChristensen appeared in Chris Isaak’s \"Wicked Game\" video in 1990, an appearance later ranked among MTV’s sexiest videos of all time and her most iconic early credit. Through the 1990s she was a regular presence on Vogue, Elle, Harper’s Bazaar and W covers, fronting campaigns for Revlon, Chanel, Versace, Lanvin, Prada, Hermès and Valentino, and was an original Victoria’s Secret Angel alongside Tyra Banks, Karen Mulder, Daniela Peštová and Stephanie Seymour. In 1996 The New York Times named her part of \"The Magnificent Seven\" supermodels.\n\n### Photography and advocacy, 1999–2009\n\nChristensen co-founded Nylon magazine as creative director in 1999, and pursued photography exhibitions through the mid-2000s, including \"A Quiet Story\" at Rotterdam’s Locus Gallery in 2006 and \"Far From, Close\" at New York’s Dactyl Foundation in 2008–09, benefiting the International Center of Photography and the Chernobyl Children’s Project. She launched a Fashion Targets Breast Cancer campaign in 2006, has been a longtime face and collaborator with Triumph lingerie since 2008, and partnered with Oxfam in 2009 to document climate-change impact in Peru.\n\n### Recent record, 2016–2025\n\nChristensen closed Versace’s Spring/Summer 2018 show alongside Claudia Schiffer, Naomi Campbell, Cindy Crawford and Carla Bruni, having been named \"Global Explorer\" for Luxury Collection Hotels and Resorts in 2016. In 2025 she fronted Rouje’s Summer campaign, a Rolla’s Jeans collaboration launched in February, and covers for Harper’s Bazaar Arabia and Vogue Scandinavia, and walked the Victoria’s Secret Fashion Show in New York on 15 October 2025. She is represented by ZZO in Paris and D’Management in Milan.\n\n## Quick facts\n\n- Born 25 December 1968 in Copenhagen, Denmark, to a Danish father and Peruvian mother\n- Won Miss Universe Denmark in 1986 before relocating to Paris to model\n- Appeared in Chris Isaak’s \"Wicked Game\" video in 1990, later ranked among MTV’s sexiest videos of all time\n- Named part of \"The Magnificent Seven\" supermodels by The New York Times in 1996\n- Co-founded Nylon magazine as creative director in 1999\n- Closed Versace’s Spring/Summer 2018 show alongside Claudia Schiffer, Naomi Campbell, Cindy Crawford and Carla Bruni\n\n## Sources\n\n- [Models.com · Helena Christensen, in the news](https://models.com/models/helena-christensen/news)\n- [Biographical reference](https://en.wikipedia.org/wiki/Helena_Christensen)\n\nCite as: The Cast Index, \"Helena Christensen\", https://thecastindex.com/models/helena-christensen. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/herieth-paul","markdownUrl":"https://thecastindex.com/models/herieth-paul.md","title":"Herieth Paul","lastmod":"2026-09-25","sha256":"933f97156327e736cace88ae094ba305ee9fae449ce563001b5dd4933f355759","bytes":3165,"markdown":"# Herieth Paul\n\n> Source: https://thecastindex.com/models/herieth-paul — updated 2026-09-25\n\nTanzanian model. Tracked for Maybelline and international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 14 December 1995 (age 30) |\n| Birthplace | Dar es Salaam, Tanzania |\n| Nationality | Tanzania |\n| Disciplines | Beauty, Runway |\n| Cast Index | #50 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @heriethpaul |\n\nBirth date, birthplace and height: Wikidata Q16734299 (https://www.wikidata.org/wiki/Q16734299), retrieved 2026-09-25.\n\n## Known for\n\nMaybelline and international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Maybelline and international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nHerieth Paul was born on 14 December 1995 in Dar es Salaam, Tanzania. Her mother, Nsia Paul, was a diplomat posted to the Tanzania High Commission in Ottawa, and the family relocated to Canada when Herieth was 14. She was scouted at an open casting call at an Ottawa modelling agency and signed with Women Management New York in June 2010.\n\n### Early recognition, 2011–2016\n\nPaul fronted a Canadian Elle cover in July 2011, carrying the cover line \"Naomi Move Over. Why We’re Hot For Herieth.\" In 2013 she was featured in Tom Ford’s Fall/Winter campaign, cited among that season’s top ten campaigns, building a runway record that has included Diane von Fürstenberg, Lacoste, Calvin Klein, Armani, Roberto Cavalli and 3.1 Phillip Lim. In 2016 she was named a global spokesmodel for Maybelline New York.\n\n### Recent record\n\nPaul welcomed her first child with partner Monywiir Deng Dharjang, a South Sudanese model, on 10 February 2021. She fronted a Calvin Klein Mother’s Day campaign in May 2024, and her editorial credits include Vogue Italia, i-D, Wonderland and Teen Vogue. She is represented by Select Model Management in Paris and Miami, Elite Model Management in New York, and Women Management in Milan.\n\n## Quick facts\n\n- Born 14 December 1995 in Dar es Salaam, Tanzania; moved to Ottawa, Canada at 14 when her diplomat mother was posted there\n- Scouted at an open casting call at an Ottawa modelling agency; signed with Women Management New York in June 2010\n- Fronted a July 2011 Canadian Elle cover with the cover line \"Naomi Move Over. Why We’re Hot For Herieth.\"\n- Featured in Tom Ford’s Fall/Winter 2013 campaign, cited among that season’s top ten campaigns\n- Named a global spokesmodel for Maybelline New York in 2016\n- Welcomed her first child with partner, model Monywiir Deng Dharjang, on 10 February 2021\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/herieth-paul)\n- [Biographical reference](https://en.wikipedia.org/wiki/Herieth_Paul)\n\nCite as: The Cast Index, \"Herieth Paul\", https://thecastindex.com/models/herieth-paul. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hoyeon-jung","markdownUrl":"https://thecastindex.com/models/hoyeon-jung.md","title":"HoYeon Jung","lastmod":"2026-09-25","sha256":"6e40ec9ac684e9a3e3bb23d121516f7214626d7816172da001eea1e0ec9d70f4","bytes":3830,"markdown":"# HoYeon Jung\n\n> Source: https://thecastindex.com/models/hoyeon-jung — updated 2026-09-25\n\nSouth Korean model and actress whose international runway career preceded a major global screen breakthrough.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 June 1994 (age 32) |\n| Birthplace | Seoul, South Korea |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | South Korea |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @hoooooyeony |\n\nBirth date, birthplace and height: Wikidata Q28699137 (https://www.wikidata.org/wiki/Q28699137), retrieved 2026-09-25.\n\n## Known for\n\nA Models.com New Super with global fashion and cultural recognition.\n\n\n## Evidence\n\n- Recognised in the Models.com New Supers category.\n- Global cultural visibility is weighted separately from runway recency.\n\n## Career\n\n### Early life\n\nJung Ho-yeon, known professionally as Hoyeon Jung, was born on 23 June 1994 in Seoul, South Korea, to restaurateur parents, and studied at Dongduk Women’s University’s College of Performing Arts. She began modelling classes at 15, freelanced without agency representation from 16, walking Seoul Fashion Week for two years before signing with ESteem Models in 2012, having competed on Korea’s Next Top Model in 2011 and again as runner-up in 2013.\n\n### International runway career, 2016–2020\n\nJung made her New York Fashion Week debut opening Opening Ceremony’s Spring/Summer 2017 show in September 2016, the same season she signed as a runway exclusive for Louis Vuitton at Paris Fashion Week and joined The Society Management in New York. Her runway record grew to include Chanel, Marc Jacobs, Fendi, Max Mara, Burberry, Miu Miu, Schiaparelli, Bottega Veneta, Gucci and Lanvin, and she was named to Models.com’s Top 50 in September 2018.\n\n### Squid Game and a screen breakthrough, 2020–2022\n\nJung signed with Saram Entertainment for acting in January 2020, and her breakout role came the following year as Kang Sae-byeok in Netflix’s Squid Game — a performance that made her a global star. In October 2021 she was named Louis Vuitton’s Global House Ambassador, and in February 2022 became the first solo Korean cover star for American Vogue. That year she won a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series, received a Primetime Emmy nomination for Supporting Actress in a Drama Series, and won Best New Actress at the Blue Dragon Series Awards, alongside becoming the face of Chanel N°1.\n\n### Recent record, 2023–2025\n\nJung appeared in music videos for The Weeknd’s \"Out of Time\" in 2022 and NewJeans’s \"Cool with You\" in 2023, and took roles in the 2024 miniseries Disclaimer and a cameo in Chicken Nugget. In 2025 she starred in Hope, directed by Na Hong-jin and co-starring Hwang Jung-min and Jo In-sung — her feature-film starring debut — promoted with an Elle Korea July 2025 cover, followed by a Vogue Korea cover that December, photographed by Jeff Henrikson.\n\n## Quick facts\n\n- Born 23 June 1994 in Seoul, South Korea, to restaurateur parents; studied at Dongduk Women’s University\n- Signed as a Louis Vuitton runway exclusive at Paris Fashion Week, September 2016\n- Became a global breakout star as Kang Sae-byeok in Netflix’s Squid Game, 2021\n- Won a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series in 2022\n- Named Louis Vuitton’s Global House Ambassador, October 2021\n- Starred in the feature film Hope, directed by Na Hong-jin, her starring film debut, 2025\n\n## Sources\n\n- [Models.com New Supers](https://models.com/rankings/ui/NewSupers)\n- [Public biography](https://en.wikipedia.org/wiki/HoYeon_Jung)\n\nCite as: The Cast Index, \"HoYeon Jung\", https://thecastindex.com/models/hoyeon-jung. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hunter-schafer","markdownUrl":"https://thecastindex.com/models/hunter-schafer.md","title":"Hunter Schafer","lastmod":"2026-09-25","sha256":"fceee2e29fd1741cdae47422a00a968efe7ce7d508cc6576fe894577bc0d6627","bytes":4319,"markdown":"# Hunter Schafer\n\n> Source: https://thecastindex.com/models/hunter-schafer — updated 2026-09-25\n\nAmerican actress and model. Tracked for Prada ambassadorship and global fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 31 December 1998 (age 27) |\n| Birthplace | Trenton, United States |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | #12 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @hunterschafer |\n\nBirth date, birthplace and height: Wikidata Q59248250 (https://www.wikidata.org/wiki/Q59248250), retrieved 2026-09-25.\n\n## Known for\n\nPrada ambassadorship and global fashion campaigns\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Prada ambassadorship and global fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nHunter Schafer was born on 31 December 1998 in Trenton, New Jersey, and raised in Raleigh, North Carolina. She trained in watercolour painting from childhood and, in high school, began designing her own clothing influenced by Tim Burton and Skottie Young, posting the work — along with her photography — online; her politically themed designs were profiled by The Huffington Post in 2017. She graduated from the visual-arts high-school programme at the University of North Carolina School of the Arts.\n\n### Entry into modelling, 2017–2018\n\nSchafer was scouted through Instagram and signed with Elite Model Management in 2017, moving to Brooklyn to pursue the work. Her first bookings were with Dior and Marc Jacobs, expanding by year’s end to Converse, Gucci, Helmut Lang and Versus Versace. In 2018 she walked nine fashion houses — including Marc Jacobs, Miu Miu and House of Holland — made her New York Fashion Week debut, and travelled to Europe to model for the first time; Marie Claire wrote that \"the fashion industry embraced Schafer for her ethereal yet edgy look and cool-kid versatility.\"\n\n### Modelling alongside acting, 2019–2023\n\nSchafer began acting in HBO’s Euphoria in 2019 — choosing the role over a planned place at Central Saint Martins to study clothing design — but kept modelling throughout, adding Calvin Klein, Rick Owens, Tommy Hilfiger, Maison Margiela, Vera Wang and Erdem to her client list. She became a global brand ambassador for Shiseido Makeup in 2020, was named a Prada house ambassador in 2021, and became the face of Mugler’s Angel perfume and a Mugler brand ambassador in 2023, continuing to model for Alexander McQueen, Prada and Schiaparelli alongside her acting work.\n\n### Cultural moments\n\nAt the 95th Academy Awards after-party in 2023, Schafer wore a Ludovic de Saint Sernin design for Ann Demeulemeester that W magazine called \"infamous\" and \"the talk of the Oscars after parties\" — one of the most widely discussed fashion moments of that awards season. She has attended the Met Gala in 2021, 2025 and 2026, wearing Prada for two of those appearances, and has worked with stylist Dara Allen — whom she met in 2017, when both were beginning their careers — since the press tour for The Hunger Games: The Ballad of Songbirds & Snakes.\n\n## Quick facts\n\n- Signed with Elite Model Management in 2017 after being scouted through Instagram\n- Walked nine fashion houses in her first full season, including Marc Jacobs and Miu Miu, 2018\n- Global brand ambassador for Shiseido Makeup, 2020, and Prada, 2021\n- Face of Mugler’s Angel perfume and a Mugler brand ambassador, 2023\n- Her 2023 Academy Awards after-party look, by Ludovic de Saint Sernin for Ann Demeulemeester, was widely described as one of the night’s most talked-about fashion moments\n- Attended the Met Gala in 2021, 2025 and 2026, wearing Prada in two of those years\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/hunter-schafer)\n- [Biographical reference](https://en.wikipedia.org/wiki/Hunter_Schafer)\n\nCite as: The Cast Index, \"Hunter Schafer\", https://thecastindex.com/models/hunter-schafer. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/hye-rim-park","markdownUrl":"https://thecastindex.com/models/hye-rim-park.md","title":"Hye-rim Park","lastmod":"2026-09-25","sha256":"ab51f6920de27869df274ee137b6e3e80a16744f7c03003d86970f0bbff0daad","bytes":2942,"markdown":"# Hye-rim Park\n\n> Source: https://thecastindex.com/models/hye-rim-park — updated 2026-09-25\n\nSouth Korean model. Tracked for Balenciaga and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 17 January 1985 (age 41) |\n| Birthplace | Seoul, South Korea |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | South Korea |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q484566 (https://www.wikidata.org/wiki/Q484566), retrieved 2026-09-25.\n\n## Known for\n\nBalenciaga and major international runway work\n\n\n## Evidence\n\n- Balenciaga and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nPark Hye-rim, known professionally as Hye-rim Park, was born on 17 January 1985 in Seoul, South Korea, and immigrated to Salt Lake City, Utah, as a teenager. She was discovered at an open casting call in 2004 while attending the University of Utah.\n\n### A breakthrough at Prada, 2005\n\nPark was shot by Steven Meisel for Italian Vogue ahead of the Fall 2005 shows, and made her runway debut that season, walking for Marc Jacobs and Anna Sui in New York before being cast by Miuccia Prada and casting director Russell Marsh for the Prada and Miu Miu shows in Milan — becoming the first non-white model to walk for Prada since Naomi Campbell in 1997, and the first Asian model ever to do so. Vogue named her one of its top 10 models of the year in 2005.\n\n### Continued runway work\n\nIn 2011, Park became the first ethnic Asian model to walk for Balmain and Isabel Marant during Paris Fashion Week, adding to a campaign record that includes Roberto Cavalli, Dolce & Gabbana, H&M, M.A.C. Cosmetics, Tiffany & Co. and MaxMara, working with photographers including Steven Meisel, Mario Testino and Annie Leibovitz. She is represented by The Model CoOp in New York and VIVA Model Management in Paris.\n\n## Quick facts\n\n- Born Park Hye-rim, 17 January 1985, in Seoul, South Korea; immigrated to Salt Lake City, Utah, as a teenager\n- Discovered at an open casting call in 2004 while attending the University of Utah\n- Shot by Steven Meisel for Italian Vogue ahead of her Fall 2005 runway debut\n- Became the first non-white model to walk for Prada since Naomi Campbell in 1997, and the first Asian model ever to do so\n- Named one of Vogue’s top 10 models of the year in 2005\n- Became the first ethnic Asian model to walk for Balmain and Isabel Marant during Paris Fashion Week, in 2011\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/hye-rim-park)\n- [Biographical reference](https://en.wikipedia.org/wiki/Hye-rim_Park)\n\nCite as: The Cast Index, \"Hye-rim Park\", https://thecastindex.com/models/hye-rim-park. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/imaan-hammam","markdownUrl":"https://thecastindex.com/models/imaan-hammam.md","title":"Imaan Hammam","lastmod":"2026-09-25","sha256":"85dd1f7f4e1c3b05b5a04f5e0bf977d3cd0b6a2d9987535c48714d30dabd4855","bytes":4188,"markdown":"# Imaan Hammam\n\n> Source: https://thecastindex.com/models/imaan-hammam — updated 2026-09-25\n\nDutch model of Moroccan and Egyptian heritage, a frequent international cover star.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 5 October 1996 (age 30) |\n| Birthplace | Amsterdam, Netherlands |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Netherlands |\n| Disciplines | Runway, Editorial |\n| Agencies | DNA Model Management · New York; VIVA · Paris / London / Barcelona |\n| Cast Index | #8 · 89.5/100 (2026-10-05 snapshot) |\n| Instagram | @imaanhammam |\n\nBirth date, birthplace and height: Wikidata Q17305993 (https://www.wikidata.org/wiki/Q17305993), retrieved 2026-09-25.\n\n## Known for\n\nA frequent international cover star of the 2010s and 2020s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 84 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 95 |\n| Cultural | 10% | 93 |\n\n## Evidence\n\n- Walked Jacquemus’s Spring/Summer 2027 show in Corsica on 29 June 2026.\n- Appeared in American Vogue’s June 2026 editorial and on a Dazed MENA cover in April 2026.\n\n## Career\n\n### Early life\n\nImaan Hammam was born on 5 October 1996 in Amsterdam, to an Egyptian father and a Moroccan mother who had immigrated to the Netherlands at nineteen; Arabic was spoken at home. Her mother worked as a seamstress and Dutch-language instructor for new immigrants. Hammam’s parents divorced when she was eleven, and she describes herself as Afro-Arab and identifies as Muslim.\n\n### Discovery and early career, 2010–2016\n\nAt thirteen, in 2010, Hammam was discovered at Amsterdam’s Central Station by a scout from CODE Management and signed her first contract at sixteen. Her runway debut came in 2013 with Jean Paul Gaultier Couture; that same season she relocated to Paris with VIVA Model Management and opened Givenchy’s show as an exclusive. She landed her first American Vogue cover in 2014, followed by Teen Vogue and Vogue Netherlands in 2015, and in April 2016 won Couturesque Magazine’s Model of the Year with more than half the public vote.\n\n### Breakthrough, 2017–2018\n\nIn 2017, Hammam covered British, Japanese, Chinese, Spanish and Arabian Vogue, plus two American Vogue covers — one alongside Liu Wen, Gigi Hadid and Vittoria Ceretti, another with Pharrell Williams — and became the first Black-Arab model chosen as the face of Chanel beauty. Her Versace Fall/Winter 2018 runway walk drew wide notice, and she covered Vogue Arabia in March 2018 alongside Iman.\n\n### Completing the Big Four and recent record\n\nBy 2021, Hammam had completed \"the Big Four\" Vogue covers — American, British, French and Italian editions — the same year she appeared on Forbes’ \"30 Under 30 Europe: Art and Culture\" cover. She partnered with Frame on a limited ready-to-wear collection in 2020 and fronted Jean Paul Gaultier’s Scandal fragrance campaign in 2022. She has been an Estée Lauder ambassador since 2023, and as of March 2026 has appeared on 27 Vogue covers across international editions, including four American covers.\n\nHammam has also built a public advocacy record: the first global ambassador for the nonprofit She’s the First from 2019, and recipient of the organisation’s \"Powerhouse of the Year\" award, presented by Anna Wintour, in November 2021.\n\n## Quick facts\n\n- Discovered at Amsterdam Central Station at thirteen by a CODE Management scout, 2010\n- Opened Givenchy as a Paris exclusive on her 2013 runway debut season\n- First Black-Arab model chosen as the face of Chanel beauty, 2017\n- Completed \"the Big Four\" — American, British, French and Italian Vogue covers — by 2021\n- First global ambassador for the nonprofit She’s the First, 2019; received its \"Powerhouse of the Year\" award from Anna Wintour, 2021\n- 27 Vogue covers across international editions as of March 2026, including four American covers\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/imaan-hammam)\n- [Biographical reference](https://en.wikipedia.org/wiki/Imaan_Hammam)\n\nCite as: The Cast Index, \"Imaan Hammam\", https://thecastindex.com/models/imaan-hammam. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/indya-moore","markdownUrl":"https://thecastindex.com/models/indya-moore.md","title":"Indya Moore","lastmod":"2026-09-25","sha256":"3f5d6b635d24065aad5994ac4f585a417382e4d2c5772ad8ca237605f9f10a19","bytes":3635,"markdown":"# Indya Moore\n\n> Source: https://thecastindex.com/models/indya-moore — updated 2026-09-25\n\nAmerican actor and model. Tracked for Louis Vuitton campaign and editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 17 January 1995 (age 31) |\n| Birthplace | The Bronx, United States |\n| Height | 173 cm (5 ft 8 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | #38 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @indyamoore |\n\nBirth date, birthplace and height: Wikidata Q52332976 (https://www.wikidata.org/wiki/Q52332976), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton campaign and editorial visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Louis Vuitton campaign and editorial visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nIndya Adrianna Moore was born on 17 January 1995 in the Bronx, New York, of Haitian, Puerto Rican and Dominican descent. Moore left home at 14 due to family transphobia, entering New York’s foster care system and moving frequently across the boroughs before dropping out of high school in tenth grade and later earning a GED.\n\n### Entering modelling, 2010s\n\nMoore began modelling at 15, working with Dior and Gucci at a time when the industry remained hesitant to book openly transgender models. Moore walked New York Fashion Week in early 2017 and appeared in Vogue España that year, before signing with IMG Models and William Morris Endeavor in 2018 — reported as WME’s first contract with a transgender actor.\n\n### Pose and screen career, 2017–2021\n\nMoore’s breakthrough came with the role of Angel Evangelista on FX’s Pose, which ran from 2018 to 2021. Earlier credits include the independent film Saturday Church (2017), which screened at the Tribeca Film Festival, and an appearance in Katy Perry’s \"Swish Swish\" video and a Saturday Night Live performance that May. In May 2019, Moore became the first openly transgender person to appear on the cover of American Elle, and was named to Time’s \"100 Most Influential People\" the same year.\n\n### Recent record, 2021–2025\n\nMoore has continued building an acting and voice career, including Escape Room: Tournament of Champions (2021), voice work on Moon Girl and Devil Dinosaur (2023–2024), and a role as Wanda in the second season of Netflix’s The Sandman, which premiered in 2025. Moore also founded a production company, Beetlefruit Media, and was honoured on Queerty’s Pride50 list in June 2020.\n\n## Quick facts\n\n- Born Indya Adrianna Moore, 17 January 1995, in the Bronx, New York, of Haitian, Puerto Rican and Dominican descent\n- Began modelling at 15, working with Dior and Gucci; walked New York Fashion Week in early 2017\n- Signed with IMG Models and William Morris Endeavor in 2018 — WME’s first contract with a transgender actor\n- Best known for the role of Angel Evangelista on FX’s Pose, 2018–2021\n- The first openly transgender person to appear on the cover of American Elle, May 2019\n- Named to Time’s \"100 Most Influential People\" in 2019\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/indya-moore)\n- [Biographical reference](https://en.wikipedia.org/wiki/Indya_Moore)\n\nCite as: The Cast Index, \"Indya Moore\", https://thecastindex.com/models/indya-moore. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/irina-shayk","markdownUrl":"https://thecastindex.com/models/irina-shayk.md","title":"Irina Shayk","lastmod":"2026-09-25","sha256":"2de17a1828cf9574e45f4231775f6795268cd6dcb416b959d18e8069196227fc","bytes":4627,"markdown":"# Irina Shayk\n\n> Source: https://thecastindex.com/models/irina-shayk — updated 2026-09-25\n\nRussian fashion model. Tracked for Versace, Mugler and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 6 January 1986 (age 40) |\n| Birthplace | Yemanzhelinsk, Russia |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | Russia |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #13 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @irinashayk |\n\nBirth date, birthplace and height: Wikidata Q234458 (https://www.wikidata.org/wiki/Q234458), retrieved 2026-09-25.\n\n## Known for\n\nVersace, Mugler and major international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Versace, Mugler and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Tod’s ([source](https://wwd.com/runway/spring-2027/milan/tods/review/))\n- SS27 · Opened · Blumarine ([source](https://wwd.com/runway/spring-2027/milan/blumarine/review/))\n- SS27 · Walked · Alberta Ferretti ([source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-alberta-ferretti-news-photo/2296928605))\n- SS27 · Walked · The Attico ([source](https://www.gettyimages.com/detail/news-photo/irina-shayk-walks-the-runway-at-the-the-attico-fashion-show-news-photo/2297140133))\n\n## Career\n\n### Early life\n\nIrina Valeryevna Shaykhlislamova was born on 6 January 1986 in Yemanzhelinsk, in the Soviet Union’s Chelyabinsk Oblast, to a coal miner of Volga Tatar descent and a kindergarten music teacher. After high school she enrolled in beauty school with her older sister, where a local modelling-agency representative discovered her and encouraged her to enter the Miss Chelyabinsk 2004 pageant, which she won.\n\n### Career launch, 2007–2010\n\nShayk’s professional career began in 2007 when she replaced Ana Beatriz Barros as the face of the Italian lingerie brand Intimissimi, becoming its official ambassador in 2010 after three years representing the brand. The same year as her Intimissimi debut she first appeared in the Sports Illustrated Swimsuit Issue, and went on to campaigns for Beach Bunny Swimwear, Guess, Victoria’s Secret, Lacoste and Cesare Paciotti, signing with IMG Models in May 2009.\n\n### Breakthrough to mainstream visibility, 2011–2014\n\nIn February 2011, Shayk became the cover model for the Sports Illustrated Swimsuit Issue — her fifth appearance in the magazine, and the first time a Russian model had led the cover; the announcement was made on Late Show with David Letterman. Magazine coverage widened rapidly through 2011–2012, with covers including Elle Spain, Esquire UK, and fourteen international Cosmopolitan editions in spring 2012, alongside a Vogue Spain editorial shot by Mario Testino. As she moved toward high fashion, she walked Jeremy Scott’s New York show in February 2013 and Givenchy in Paris that March, and in February 2014 served as Russia’s placard bearer at the Winter Olympics opening ceremony in Sochi.\n\n### High-fashion era, 2015–2022\n\nIn October 2015, Shayk became L’Oréal Paris’s International Spokesperson, a major beauty-industry ambassadorship. In 2016 she walked the Victoria’s Secret Fashion Show six months pregnant, a widely noted appearance given the show’s traditionally narrow casting. Between August 2021 and February 2022, Models.com placed her on its \"New Supers\" list — recognition of sustained influence more than a decade after her initial breakthrough.\n\n## Quick facts\n\n- Won the Miss Chelyabinsk 2004 pageant after being discovered at beauty school\n- Replaced Ana Beatriz Barros as the face of Intimissimi, 2007; brand ambassador from 2010\n- First Russian model on the cover of the Sports Illustrated Swimsuit Issue, February 2011 — her fifth appearance in the magazine\n- Placard bearer for Russia at the Sochi 2014 Winter Olympics opening ceremony\n- L’Oréal Paris International Spokesperson from October 2015\n- Walked the Victoria’s Secret Fashion Show six months pregnant, 2016\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/irina-shayk)\n- [Biographical reference](https://en.wikipedia.org/wiki/Irina_Shayk)\n\nCite as: The Cast Index, \"Irina Shayk\", https://thecastindex.com/models/irina-shayk. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/iris-law","markdownUrl":"https://thecastindex.com/models/iris-law.md","title":"Iris Law","lastmod":"2026-09-25","sha256":"706ba7c96e34aa2cd36dc242e6778ee56a81c3fcc44422b5b36a5ae4936b1695","bytes":3550,"markdown":"# Iris Law\n\n> Source: https://thecastindex.com/models/iris-law — updated 2026-09-25\n\nBritish-American model and actress. Tracked for Versace and major beauty campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 25 October 2000 (age 25) |\n| Birthplace | Primrose Hill, United Kingdom |\n| Height | 162 cm (5 ft 4 in) |\n| Nationality | United Kingdom |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | #42 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @lirisaw |\n\nBirth date, birthplace and height: Wikidata Q28465151 (https://www.wikidata.org/wiki/Q28465151), retrieved 2026-09-25.\n\n## Known for\n\nVersace and major beauty campaign visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Versace and major beauty campaign visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Conner Ives ([source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month))\n\n## Career\n\n### Early life\n\nIris Tallulah Elizabeth Law was born on 25 October 2000 in Santa Monica, California, the daughter of English actors Jude Law and Sadie Frost; her siblings include brothers Rafferty and Rudy, a maternal half-brother, and four paternal half-siblings, and her godmother is supermodel Kate Moss. She appeared in a Vogue editorial as a young child in 2015, and studied textiles at Central Saint Martins.\n\n### Entering fashion, 2017–2020\n\nLaw’s fashion career began with a photoshoot for the brand Illustrated People, which led to agency representation; Burberry’s then chief creative officer, Christopher Bailey, subsequently selected her as the face of a Burberry beauty campaign. She featured in Miu Miu’s resort lookbook in 2017, discussing her early Burberry work in i-D the same year, before making her catwalk debut at Miu Miu’s Autumn/Winter 2020 show.\n\n### Beauty ambassadorship and screen work, 2021\n\nLaw was named a Dior Beauty ambassador in 2021, the same year she shaved her head to play Soo Catwoman in the FX/Hulu miniseries Pistol. Her campaign roster also includes Marc Jacobs, La Perla, Stella McCartney, Lacoste, Calvin Klein, Versace and David Yurman.\n\n### Recent record, 2025\n\nLaw appeared on the cover of Vogue Spain in February 2025, shot in Benidorm wearing Miu Miu Spring 2025, and fronted Marc Jacobs’s \"Give Marc, Get Joy\" Resort campaign alongside Dara Allen and Stevie Sims. She went on to star in Casablanca’s Resort 2026 campaign, shot at the Sheats-Goldstein Residence in Los Angeles. She is represented by IMG Models.\n\n## Quick facts\n\n- Born Iris Tallulah Elizabeth Law, 25 October 2000, in Santa Monica, California, to Jude Law and Sadie Frost\n- Godmother is Kate Moss; entered fashion via a shoot with the brand Illustrated People, then a Burberry beauty campaign under Christopher Bailey\n- Catwalk debut at Miu Miu’s Autumn/Winter 2020 show\n- Named a Dior Beauty ambassador in 2021\n- Played Soo Catwoman in the FX/Hulu miniseries Pistol, 2021\n- Studied textiles at Central Saint Martins\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/iris-law)\n- [Biographical reference](https://en.wikipedia.org/wiki/Iris_Law)\n\nCite as: The Cast Index, \"Iris Law\", https://thecastindex.com/models/iris-law. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/isabeli-fontana","markdownUrl":"https://thecastindex.com/models/isabeli-fontana.md","title":"Isabeli Fontana","lastmod":"2026-09-25","sha256":"68ef159901577274202cda642607d95d301ba460244a40ebbdabe839c29c68d6","bytes":3967,"markdown":"# Isabeli Fontana\n\n> Source: https://thecastindex.com/models/isabeli-fontana — updated 2026-09-25\n\nBrazilian supermodel. Tracked for L’Oréal Paris and major international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 4 July 1983 (age 43) |\n| Birthplace | Curitiba, Brazil |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | Brazil |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @isabelifontana_official |\n\nBirth date, birthplace and height: Wikidata Q153422 (https://www.wikidata.org/wiki/Q153422), retrieved 2026-09-25.\n\n## Known for\n\nL’Oréal Paris and major international campaigns\n\n\n## Evidence\n\n- Starred in Donna Karan's Fall/Winter 2025 campaign revisiting 'Power of a Woman', and Genny's Spring 2025 'Garden of Delights' campaign.\n- Walked and fronted Etro's Fall/Winter 2025 show and campaign at Milan Fashion Week, February 2025; walked the Victoria's Secret Fashion Show, October 2024.\n\n## Career\n\n### Early life\n\nIsabeli Bergossi Fontana was born on 4 July 1983 in Curitiba, Paraná, Brazil, to Maribel Bergossi and Antonio Carlos Fontana, of Italian and Portuguese descent; she gained Italian citizenship in 2021. She was discovered at 12 through a local Elite Model Look contest, placing third, and moved to Milan around age 13 or 14 to model professionally.\n\n### Runway debut and early milestones, 1998–2004\n\nFontana made her Milan Fashion Week runway debut at 15 for Versace, Givenchy and Michael Kors, and appeared in a Victoria’s Secret catalogue at 16 in 1999, a booking that drew scrutiny over the brand’s minimum-age policy at the time. Her first Vogue cover came with Vogue Hellas in 2001, followed by Vogue Paris in March 2002. In 2004 she appeared on a group Vogue US cover with eight other models and became the face of Hermès, alongside campaigns for Versace and Balenciaga.\n\n### A decade of Vogue covers, 2005–2014\n\nFontana returned to Vogue Paris’s cover in 2005 and again in November 2009, following Vogue US’s \"Face of the Moment\" feature that year. In 2008 she ranked 11th on Forbes’ top-earning models list, with estimated earnings of $3 million. In 2011 she was photographed by Karl Lagerfeld for the Pirelli Calendar, judged Miss Universe, fronted Donna Karan New York’s \"Power of a Woman\" campaign, and appeared on covers of Vogue Paris and Vogue Korea, followed by a Vogue Italia cover in 2014. She has long been the face of Viktor & Rolf’s Flowerbomb and Bulgari’s Goldea fragrance campaigns.\n\n### Recent record, 2025\n\nFontana walked Dsquared2’s Fall/Winter 2025/26 show at Milan Fashion Week on 25 February 2025, and fronted Genny’s \"Garden of Delights\" campaign that spring, photographed by Giampaolo Sgura. She walked Ralph Lauren’s Collection Fall 2025 show in New York on 17 April 2025, and starred in Donna Karan’s Fall 2025 campaign, revisiting the brand’s 2011 \"Power of a Woman\" theme. That July she walked Elie Saab’s Haute Couture Fall/Winter 2025/26 show and Christopher Esber’s show at the Palais de Tokyo during Paris Fashion Week. She is represented by Women Management across New York, Paris and Milan.\n\n## Quick facts\n\n- Born 4 July 1983 in Curitiba, Paraná, Brazil; discovered via a local Elite Model Look contest at 12\n- Made her Milan Fashion Week runway debut for Versace, Givenchy and Michael Kors at 15\n- Became the face of Hermès in 2004\n- Photographed by Karl Lagerfeld for the Pirelli Calendar in 2011, the year she also judged Miss Universe\n- Has appeared on dozens of international Vogue covers, including Vogue Paris, Vogue Hellas and Vogue US\n- Gained Italian citizenship in 2021\n\n## Sources\n\n- [Models.com · Isabeli Fontana profile](https://models.com/models/isabeli-fontana)\n- [Biographical reference](https://en.wikipedia.org/wiki/Isabeli_Fontana)\n\nCite as: The Cast Index, \"Isabeli Fontana\", https://thecastindex.com/models/isabeli-fontana. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/isaiah-zacarias","markdownUrl":"https://thecastindex.com/models/isaiah-zacarias.md","title":"Isaiah Zacarias","lastmod":"2026-09-25","sha256":"7046c23982fd29b8126f7f9ec258e7189db038abccf86cee20dcd98c055c0cb4","bytes":1114,"markdown":"# Isaiah Zacarias\n\n> Source: https://thecastindex.com/models/isaiah-zacarias — updated 2026-09-25\n\nModel of Filipino and German heritage, raised in California and based in London, who emerged on the men’s runway circuit in 2024.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Philippines |\n| Disciplines | Runway, Menswear |\n| Agencies | Storm Management · Los Angeles; Select Model Management · Paris; The Society Management · New York |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nWalked Bottega Veneta’s Fall 2024 show, followed by Emporio Armani and Rhude for Spring/Summer 2025.\n\n\n## Evidence\n\n- Walked the Bottega Veneta Fall 2024 show.\n- Walked the Emporio Armani and Rhude Spring/Summer 2025 men’s shows.\n\n## Sources\n\n- [Vogue Philippines · Isaiah Zacarias](https://vogue.ph/vogue-man/model-isaiah-zacarias-fight-and-flight/)\n- [Storm Management · Isaiah Zacarias](https://www.stormmanagement.com/vision/isaiah-zacarias/5248/)\n\nCite as: The Cast Index, \"Isaiah Zacarias\", https://thecastindex.com/models/isaiah-zacarias. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/jac-jagaciak","markdownUrl":"https://thecastindex.com/models/jac-jagaciak.md","title":"Jac Jagaciak","lastmod":"2026-09-25","sha256":"5901dc18b525146d71651e7907aec4797d155663d21f8b78c7d95230b9c88d78","bytes":3305,"markdown":"# Jac Jagaciak\n\n> Source: https://thecastindex.com/models/jac-jagaciak — updated 2026-09-25\n\nPolish model. Tracked for Chanel and major beauty and runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 15 January 1994 (age 32) |\n| Birthplace | Poznań, Poland |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Poland |\n| Disciplines | Beauty, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @jacmonika |\n\nBirth date, birthplace and height: Wikidata Q2627289 (https://www.wikidata.org/wiki/Q2627289), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major beauty and runway work\n\n\n## Evidence\n\n- Chanel and major beauty and runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nMonika Jagaciak, known professionally as Jac Jagaciak, was born on 15 January 1994 in Poznań, Poland; her sister, Anna Jagaciak-Michalska, is a retired professional long and triple jumper, and her parents both worked in athletics coaching and physical education. At 13, encouraged by her sister, she attended a modelling agency casting at a shopping centre and signed with IMG Models, which gave her the nickname \"Jac.\"\n\n### Rapid rise, 2007–2010\n\nJagaciak fronted her first magazine cover, French Jalouse, in July 2007, the same year she landed a breakthrough Hermès Fall/Winter campaign. By 2008 she had a second Jalouse France cover and covers for Elle Japan, Harper’s Bazaar Japan and Spur Japan. Her New York Fashion Week runway debut came in 2009, walking for Donna Karan and opening and closing for Calvin Klein Collection, alongside closing slots for Hervé Léger, Marc Jacobs and Marni; she was named in New York Magazine’s \"Top Ten Models to Watch\" after amassing 13 covers by that May. In 2010 she fronted Fall/Winter campaigns for Valentino, Alberta Ferretti and Marc Jacobs, and became the exclusive face of Chanel makeup.\n\n### Victoria’s Secret and a career pause, 2015–2019\n\nJagaciak became a Victoria’s Secret Angel in 2015, leaving the role the following year, and took a career hiatus of about two years to study at the School of the Art Institute of Chicago. She married American-Serbian artist Branislav Jankic in 2017, and their daughter, Mila, was born in 2019. She is represented by DNA Models in New York, D’Vision in Warsaw, Premier Model Management in London and Ford Models in Paris.\n\n## Quick facts\n\n- Born Monika Jagaciak, 15 January 1994, in Poznań, Poland; sister of retired athlete Anna Jagaciak-Michalska\n- Signed with IMG Models at 13 in 2007, which gave her the nickname \"Jac\"\n- Runway debut at New York Fashion Week in 2009, walking for Donna Karan and opening and closing for Calvin Klein Collection\n- Became the exclusive face of Chanel makeup in 2010\n- Named a Victoria’s Secret Angel in 2015\n- Took a career hiatus of about two years to study at the School of the Art Institute of Chicago\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/jac-jagaciak)\n- [Biographical reference](https://en.wikipedia.org/wiki/Jac_Jagaciak)\n\nCite as: The Cast Index, \"Jac Jagaciak\", https://thecastindex.com/models/jac-jagaciak. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/jasmine-sanders","markdownUrl":"https://thecastindex.com/models/jasmine-sanders.md","title":"Jasmine Sanders","lastmod":"2026-09-25","sha256":"6cf5c1e1fe9730df3bf521f98ee969404ce809eececddf7d12ee8e9f710a235a","bytes":3364,"markdown":"# Jasmine Sanders\n\n> Source: https://thecastindex.com/models/jasmine-sanders — updated 2026-09-25\n\nAmerican model and fashion influencer. Tracked for Bulgari and major beauty and swim editorials.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1991 |\n| Birthplace | Frankenthal, Germany |\n| Nationality | United States |\n| Disciplines | Beauty, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @goldenbarbie |\n\nBirth date, birthplace and height: Wikidata Q58323064 (https://www.wikidata.org/wiki/Q58323064), retrieved 2026-09-25.\n\n## Known for\n\nBulgari and major beauty and swim editorials\n\n\n## Evidence\n\n- Bulgari and major beauty and swim editorials.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nJasmine Sanders, nicknamed \"Golden Barbie,\" was born on 22 June 1991 in Frankenthal, Germany, to a German mother and an African-American father, and raised in Columbia, South Carolina. She was scouted as a teenager by agent Sheilah Dixon of Millie Lewis Columbia, working for brands including Seventeen, Free People, Nike and Aldo before she turned 14.\n\n### A shift to high fashion, 2016–2018\n\nSanders transitioned into high fashion in 2016, walking Miu Miu’s Spring/Summer show and going on to model for Moschino, Ralph Lauren, DKNY, Jeremy Scott, Julien Macdonald and Philipp Plein. In 2017 she became a Reebok spokesmodel, designing a custom sneaker for the brand that launched that December, and by November 2018 had fronted an Elle Turkey cover alongside Harper’s Bazaar Kazakhstan and Mexico.\n\n### Sports Illustrated Swimsuit and continued campaign work, 2019–2025\n\nSanders made her Sports Illustrated Swimsuit debut in 2019, earning the magazine’s \"Rookie of the Year\" title, and fronted its 2020 cover alongside Kate Bock and Olivia Culpo. Her editorial record spans the American, Italian, British, Russian and Arabia editions of Vogue, alongside LOVE, Allure and CR Fashion Book, with campaigns for Bvlgari, Roberto Cavalli, Ralph Lauren and Victoria’s Secret PINK. In 2025 she made her seventh consecutive Sports Illustrated Swimsuit appearance, photographed by Derek Kettela in Zurich, and walked the SI Swim Miami Swim Week runway show that May. She is represented by The Society Management in New York and Elite Model Management across Paris and Milan.\n\n## Quick facts\n\n- Born 22 June 1991 in Frankenthal, Germany, to a German mother and African-American father; raised in Columbia, South Carolina\n- Scouted as a teenager by an agent in South Carolina; worked for Seventeen, Free People and Nike before 14\n- Transitioned to high fashion in 2016, walking Miu Miu’s Spring/Summer show\n- Became a Reebok spokesmodel in 2017, designing a custom sneaker launched that December\n- Named Sports Illustrated Swimsuit \"Rookie of the Year\" in 2019\n- Made her seventh consecutive Sports Illustrated Swimsuit appearance in 2025, photographed by Derek Kettela in Zurich\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/jasmine-sanders)\n- [Biographical reference](https://en.wikipedia.org/wiki/Jasmine_Sanders)\n\nCite as: The Cast Index, \"Jasmine Sanders\", https://thecastindex.com/models/jasmine-sanders. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/jasmine-tookes","markdownUrl":"https://thecastindex.com/models/jasmine-tookes.md","title":"Jasmine Tookes","lastmod":"2026-09-25","sha256":"58c27914fcf6333f434359dc3c5ec1e148961d7dde90642ceed9ef63689d00f5","bytes":3915,"markdown":"# Jasmine Tookes\n\n> Source: https://thecastindex.com/models/jasmine-tookes — updated 2026-09-25\n\nAmerican fashion model. Tracked for Victoria’s Secret and luxury beauty visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 2 January 1991 (age 35) |\n| Birthplace | Huntington Beach, United States |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | #39 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @jastookes |\n\nBirth date, birthplace and height: Wikidata Q6161799 (https://www.wikidata.org/wiki/Q6161799), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and luxury beauty visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Victoria’s Secret and luxury beauty visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nJasmine Tookes was born on 1 February 1991 in Huntington Beach, California, of African American, Brazilian, European and West Indian ancestry. A ten-year gymnast who also played volleyball and softball, she was discovered by her own mother, a celebrity fashion stylist, at a showroom appointment. She signed with IMG Models and began modelling around age 15, with her first campaigns — for UGG Australia and Gap — coming in 2010.\n\n### Early recognition and Victoria’s Secret, 2011–2015\n\nTookes was named a top-10 newcomer by Models.com in September 2011 and Style magazine’s top new model that November, the same year she appeared in a DKNY campaign and a Vogue Italia layout. She became one of eleven new Victoria’s Secret models in 2012, walking the Victoria’s Secret Fashion Show that December, and was named among French Vogue’s \"10 New Faces\" for the Fall/Winter 2012–13 season. She became a full Victoria’s Secret Angel in 2015.\n\n### The Fantasy Bra and peak earnings, 2016\n\nIn 2016, Tookes was selected to wear the $3 million Fantasy Bra at the Victoria’s Secret Fashion Show, reportedly the third Black model to do so, and debuted on Forbes’ \"World’s Highest-Paid Models\" list at No. 17, with estimated earnings of $4 million. Her cover credits include Elle France, Vogue España, Harper’s Bazaar Vietnam, Maxim and Elle USA, and her campaign roster spans more than 40 brands including Burberry, Salvatore Ferragamo, Carolina Herrera, Ralph Lauren and Prada. She co-founded the activewear label JOJA with fellow Angel Josephine Skriver.\n\n### Recent record, 2022–2025\n\nTookes was ranked \"Most Beautiful Face in the World\" by TC Candler in 2022. She launched her own beauty brand, Brunel, on 15 May 2025, and opened the Victoria’s Secret Fashion Show later that year while pregnant with her second child. She remains represented by IMG Models in New York and Paris.\n\n## Quick facts\n\n- Born 1 February 1991 in Huntington Beach, California; scouted by her mother, a celebrity fashion stylist\n- Became one of eleven new Victoria’s Secret models in 2012 and a full Victoria’s Secret Angel in 2015\n- Wore the $3 million Fantasy Bra at the 2016 Victoria’s Secret Fashion Show, reportedly the third Black model to do so\n- Debuted on Forbes’ \"World’s Highest-Paid Models\" list in 2016, at an estimated $4 million\n- Co-founded the activewear label JOJA with fellow Victoria’s Secret Angel Josephine Skriver\n- Launched her own beauty brand, Brunel, on 15 May 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/jasmine-tookes)\n- [Biographical reference](https://en.wikipedia.org/wiki/Jasmine_Tookes)\n\nCite as: The Cast Index, \"Jasmine Tookes\", https://thecastindex.com/models/jasmine-tookes. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/jill-kortleve","markdownUrl":"https://thecastindex.com/models/jill-kortleve.md","title":"Jill Kortleve","lastmod":"2026-09-25","sha256":"b2849264ef063cfeb91eac2a1fcd4c18a61f2c71aaeab550134d867a6b321493","bytes":2974,"markdown":"# Jill Kortleve\n\n> Source: https://thecastindex.com/models/jill-kortleve — updated 2026-09-25\n\nDutch model. Tracked for Chanel, Coperni and major runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 5 November 1993 (age 32) |\n| Nationality | Netherlands |\n| Disciplines | Runway, Editorial |\n| Cast Index | #14 · 89.1/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q84056403 (https://www.wikidata.org/wiki/Q84056403), retrieved 2026-09-25.\n\n## Known for\n\nChanel, Coperni and major runway visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Chanel, Coperni and major runway visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life and discovery\n\nJill Megan Kortleve was born on 5 November 1993 in Heerlen, Netherlands, with Dutch, Surinamese, Indonesian and Indian heritage. Her path into modelling was informal: she was discovered by her best friend, who went on to found the Amsterdam agency The Movement Models, which became Kortleve’s mother agency.\n\n### A historic Chanel booking\n\nKortleve gained early visibility as an exclusive face of Alexander McQueen’s Spring/Summer 2019 show. The bigger moment came during Paris Fashion Week in 2020, when she walked for Chanel — the first plus-size model to do so since Crystal Renn in 2010 — a booking widely covered as a marker of the industry’s slow move toward broader size representation on its most exclusive runways.\n\n### Runway and editorial record\n\nBeyond Chanel and McQueen, Kortleve has walked for Michael Kors, Fendi, Jacquemus, Valentino, Mugler, Prabal Gurung, Simone Rocca and Kate Spade, and has covered Vogue France, British Vogue, Vogue Italia, American Vogue, Vogue Netherlands, Vogue Spain and Vogue Russia — a cover record matched by very few models working in the size-inclusive space specifically. She is represented by IMG Models in New York alongside Women Management in Paris and Milk Management in London.\n\n## Quick facts\n\n- Discovered by her best friend, who went on to found The Movement Models agency in Amsterdam\n- Exclusive face of Alexander McQueen’s Spring/Summer 2019 show\n- First plus-size model to walk Chanel since Crystal Renn in 2010, at Paris Fashion Week 2020\n- Cover credits across French, British, Italian, American, Dutch, Spanish and Russian Vogue\n- Regarded as a pioneer of \"midsize\" representation on the international runway\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/jill-kortleve)\n- [Biographical reference](https://en.wikipedia.org/wiki/Jill_Kortleve)\n\nCite as: The Cast Index, \"Jill Kortleve\", https://thecastindex.com/models/jill-kortleve. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/joan-smalls","markdownUrl":"https://thecastindex.com/models/joan-smalls.md","title":"Joan Smalls","lastmod":"2026-09-25","sha256":"23c9b20f6fac6f224b9315f599d1073028165d1e99f23a98f0279499745d25d6","bytes":4431,"markdown":"# Joan Smalls\n\n> Source: https://thecastindex.com/models/joan-smalls — updated 2026-09-25\n\nPuerto Rican model who became one of the industry’s most prominent Latina faces.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 11 July 1988 (age 38) |\n| Birthplace | Hatillo, United States |\n| Height | 181 cm (5 ft 11 in) |\n| Nationality | Puerto Rico |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #24 · 87.3/100 (2026-10-05 snapshot) |\n| Instagram | @joansmalls |\n\nBirth date, birthplace and height: Wikidata Q453340 (https://www.wikidata.org/wiki/Q453340), retrieved 2026-09-25.\n\n## Known for\n\nIn 2011, the first Latina face of Estée Lauder.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 82 |\n| Campaigns | 30% | 91 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 92 |\n\n## Evidence\n\n- Appeared on a Vogue Mexico cover and in an AGOLDE spring lookbook in April 2026.\n- Featured in Donna Karan’s Spring 2026 campaign, recorded in February 2026.\n\n## Career\n\n### Early life\n\nJoan Smalls Rodríguez was born on 11 July 1988 in Hatillo, Puerto Rico, and raised there with two sisters. Her father, Eric Smalls, an accountant of West Indian heritage from the U.S. Virgin Islands, and her mother, Betzaida Rodríguez, a Puerto Rican social worker, encouraged her to finish her education before pursuing modelling full-time; she graduated magna cum laude in psychology from Interamerican University of Puerto Rico before moving to New York.\n\nShe signed with Elite Model Management in 2007, initially working in commercial modelling for clients including Nordstrom and Liz Claiborne, before moving to IMG Models worldwide in 2009 to focus on runway.\n\n### A turning point at Givenchy, 2010–2012\n\nSmalls’s career turning point came in January 2010, when Riccardo Tisci cast her as an exclusive model for Givenchy’s Spring/Summer haute couture show. She began working with Victoria’s Secret that year and became the first Latina model to serve as a global face of Estée Lauder in 2011. By September 2012 she had been named Model of the Year at the 9th Annual Style Awards and ranked first on Models.com’s Top 50.\n\n### Supermodel status and business ventures, 2013–2018\n\nIn September 2013, Vanity Fair featured Smalls alongside Karlie Kloss as part of \"The New Supers,\" and Forbes ranked her 8th on its World’s Highest-Paid Models list, with estimated earnings of $3.5 million. American Elle put her on its January 2014 cover under the headline \"The Return of the Supermodel: It’s Joan Smalls,\" followed by an American Vogue cover that September. She developed a line of matte lipstick shades with Estée Lauder in 2015 and launched a denim collection with True Religion, before co-hosting MTV’s House of Style with Karlie Kloss in 2017 and taking film roles in John Wick: Chapter 2 and Set It Up in 2018.\n\n### Recent record, 2024–2026\n\nSmalls has continued walking the Victoria’s Secret Fashion Show in both 2024 and 2025, extending a run that began in 2011. She appeared in Anne Klein’s Fall/Winter 2025 campaign alongside Candice Swanepoel, and was announced as part of Donna Karan New York’s Spring 2026 \"The Edit\" campaign with Adriana Lima and Grace Elizabeth in February 2026. Described as the first Puerto Rican model chosen for campaigns by houses including Gucci, Chanel, Fendi, Versace and Givenchy, she has appeared on the covers of Vogue Italy, Vogue US, Vogue Japan and more than a dozen other international titles.\n\n## Quick facts\n\n- Born 11 July 1988 in Hatillo, Puerto Rico; graduated magna cum laude in psychology before moving to New York to model\n- A January 2010 exclusive at Givenchy’s haute couture show, styled by Riccardo Tisci, marked her career turning point\n- The first Latina model to become a global face of Estée Lauder, in 2011\n- Named Model of the Year at the 2012 Style Awards and ranked #1 on Models.com’s Top 50 the same year\n- Ranked 8th on Forbes’ World’s Highest-Paid Models in 2013, with reported earnings of $3.5 million\n- Has walked the Victoria’s Secret Fashion Show across eight editions, from 2011 through 2025\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/joan-smalls)\n- [Biographical reference](https://en.wikipedia.org/wiki/Joan_Smalls)\n\nCite as: The Cast Index, \"Joan Smalls\", https://thecastindex.com/models/joan-smalls. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/jourdan-dunn","markdownUrl":"https://thecastindex.com/models/jourdan-dunn.md","title":"Jourdan Dunn","lastmod":"2026-09-25","sha256":"49287f5a3f9a12f0124a7bc98cc30917eab3287858e9f524e17310d824c912a1","bytes":3715,"markdown":"# Jourdan Dunn\n\n> Source: https://thecastindex.com/models/jourdan-dunn — updated 2026-09-25\n\nEnglish model with a long-running presence in luxury campaigns and on the runway.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 August 1990 (age 36) |\n| Birthplace | London, United Kingdom |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #30 · 84.6/100 (2026-10-05 snapshot) |\n| Instagram | @officialjdunn |\n\nBirth date, birthplace and height: Wikidata Q2357124 (https://www.wikidata.org/wiki/Q2357124), retrieved 2026-09-25.\n\n## Known for\n\nA long-running Burberry and campaign face from the late 2000s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 78 |\n| Campaigns | 30% | 89 |\n| Editorial | 20% | 88 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Featured in British Vogue’s March 2026 editorial “Seize the Day”.\n- Appeared in Bloomingdale’s Holiday 2025 campaign and on a Twin Magazine cover in November 2025.\n\n## Career\n\n### Early life\n\nJourdan Sherise Dunn was born on 3 August 1990 in London, of Jamaican, Syrian and Grenadian descent. She was discovered in 2006 at a Primark store in Hammersmith and signed with The Squad Management in London, making her international runway debut at age 16 in the Autumn 2007 New York shows.\n\n### Breaking barriers, 2008–2010\n\nIn February 2008, Dunn became the first Black model to walk a Prada runway show in over a decade, and appeared on the cover of Vogue Italia; that November she won Model of the Year at the British Fashion Awards. She was featured in Teen Vogue in November 2009, walking more than 60 shows that spring season, and returned to the runway just 10 weeks after giving birth for London Fashion Week’s Winter season in 2010.\n\n### Olympic runway and supermodel status, 2012–2015\n\nDunn walked in the closing ceremony of the 2012 Summer Olympics in London and made her Victoria’s Secret Fashion Show debut the same year. She won Harper’s Bazaar’s \"Model of the Year\" in 2013, followed by multiple American and British Vogue covers between 2013 and 2015. In 2014 she was named the face of Maybelline New York, ranked among Forbes’ top-earning models at an estimated $4 million, and given Models.com \"icon\" status; in 2015 she received the Glamour Inspiration Award and won a second British Fashion Awards Model of the Year title.\n\n### Business ventures and recent work\n\nDunn launched a kidswear collection, \"Lil’ LonDunn,\" with Marks & Spencer in 2016, and an athletic-wear collaboration with Missguided in 2017 that was credited with boosting the retailer’s revenue by 75%. She took a television acting role in Riches in 2022. She is represented by Elite Model Management in New York and Copenhagen, The Squad in London, Women Management in Paris and Milan, and Modelwerk in Hamburg.\n\n## Quick facts\n\n- Born 3 August 1990 in London, of Jamaican, Syrian and Grenadian descent\n- Discovered in 2006 at a Primark store in Hammersmith; runway debut at 16 in the Autumn 2007 New York shows\n- The first Black model to walk a Prada runway show in over a decade, in February 2008\n- Won Model of the Year at the British Fashion Awards in both 2008 and 2015\n- Walked in the closing ceremony of the 2012 Summer Olympics and made her Victoria’s Secret Fashion Show debut the same year\n- Named the face of Maybelline New York in 2014\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/jourdan)\n- [Biographical reference](https://en.wikipedia.org/wiki/Jourdan_Dunn)\n\nCite as: The Cast Index, \"Jourdan Dunn\", https://thecastindex.com/models/jourdan-dunn. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kaia-gerber","markdownUrl":"https://thecastindex.com/models/kaia-gerber.md","title":"Kaia Gerber","lastmod":"2026-09-25","sha256":"526fdd06f5aec1e36a2e3d7d13215cde263f494123321ba4a2a1512311bdc4bc","bytes":4633,"markdown":"# Kaia Gerber\n\n> Source: https://thecastindex.com/models/kaia-gerber — updated 2026-09-25\n\nAmerican model who debuted in 2017 and quickly became a fixture of the international shows.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 September 2001 (age 25) |\n| Birthplace | Los Angeles, United States |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Agencies | DNA Model Management · New York; VIVA · Paris / London |\n| Cast Index | #23 · 87.9/100 (2026-10-05 snapshot) |\n| Instagram | @kaiagerber |\n\nBirth date, birthplace and height: Wikidata Q22673974 (https://www.wikidata.org/wiki/Q22673974), retrieved 2026-09-25.\n\n## Known for\n\nA breakout of the 2017 runway season.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 82 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 95 |\n\n## Evidence\n\n- Givenchy Summer 2026 and RE/DONE Summer 2026 campaigns.\n- Harper’s Bazaar U.S. February 2026 cover and editorial.\n- Closed the Givenchy SS26 show in October 2025.\n\n## Selected runway record\n\n- SS26 · Closed · Givenchy ([source](https://models.com/models/kaia-gerber))\n- SS27 · Opened · Khaite ([source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/khaite))\n\n## Career\n\n### Early life\n\nKaia Jordan Gerber was born on 3 September 2001 in Los Angeles, California, the daughter of supermodel Cindy Crawford and businessman Rande Gerber; her older brother, Presley Gerber, is also a model. Her family blends German, English, French and Danish heritage on her mother’s side with American Jewish and Algerian Jewish heritage on her father’s, and has spoken publicly about celebrating both Christian and Jewish holiday traditions.\n\nShe landed her first modelling job at age 10, appearing in Versace’s Young Versace Spring/Summer 2012 campaign, and signed with IMG Models in July 2015; she is also represented by DNA Model Management and VIVA Model Management.\n\n### Runway breakthrough, 2016–2018\n\nGerber’s early career combined modelling and acting: a 2015 television-film role in Sister Cities came the same period as Vogue Paris, Vogue Netherlands and Vogue India covers in 2016, some shot alongside her mother, plus campaigns for Marc Jacobs’ Daisy fragrance, Alexander Wang and Chrome Hearts. Her official runway debut came for Calvin Klein at age 16 in 2017, the same year she opened Alexander Wang’s Spring/Summer show — a breakthrough moment for her runway career — and appeared on the cover of Teen Vogue.\n\nIn 2018, Gerber walked for Chanel, Prada, Burberry and Fendi, appeared on Vogue Paris and Vogue Italia covers, and co-created the \"KarlxKaia\" collection with Karl Lagerfeld. That December she won Model of the Year at The Fashion Awards.\n\n### Campaigns and a turn to acting, 2019–2023\n\nGerber became a YSL Beauty ambassador in 2019, fronting Jimmy Choo and Stella McCartney campaigns the same year, and appeared on a British Vogue October cover; that season she walked 26 shows, including four openings and four closings. Acting became a more significant secondary track from 2020, with appearances in American Horror Story: Double Feature and American Horror Stories, followed by a feature-film debut in Damien Chazelle’s Babylon and a role in Bottoms, which premiered at SXSW in March 2023.\n\n### Recent record, 2024–2025\n\nGerber took a recurring role in Apple TV+’s Palm Royale, which premiered 20 March 2024, alongside continued modelling work including a British Vogue March 2024 cover. She was named NARS Cosmetics Global Brand Ambassador in December 2025, fronting the brand’s Afterglow Lip Balm campaign, while continuing television work in Hacks and Overcompensating.\n\n## Quick facts\n\n- Born 3 September 2001 in Los Angeles, daughter of Cindy Crawford and Rande Gerber\n- First modelling job at age 10, in Versace’s Young Versace Spring/Summer 2012 campaign; signed with IMG Models in July 2015\n- Runway debut for Calvin Klein at 16, then opened Alexander Wang’s Spring/Summer 2017 show\n- Won Model of the Year at The Fashion Awards in December 2018\n- Feature-film debut in Damien Chazelle’s Babylon (2021 production); recurring TV role in Apple TV+’s Palm Royale (2024)\n- Named NARS Cosmetics Global Brand Ambassador in December 2025\n\n## Sources\n\n- [Models.com profile and current work history](https://models.com/models/kaia-gerber)\n- [Biographical reference](https://en.wikipedia.org/wiki/Kaia_Gerber)\n\nCite as: The Cast Index, \"Kaia Gerber\", https://thecastindex.com/models/kaia-gerber. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kanishtha-dhankar","markdownUrl":"https://thecastindex.com/models/kanishtha-dhankar.md","title":"Kanishtha Dhankar","lastmod":"2026-09-25","sha256":"1da4a06b05544a5d187e177b3a9bb51a56b209888db58ed6490800f79898fdbe","bytes":1015,"markdown":"# Kanishtha Dhankar\n\n> Source: https://thecastindex.com/models/kanishtha-dhankar — updated 2026-09-25\n\nIndian fashion model whose domestic recognition led to editorial and international modelling work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 21 September 1988 (age 38) |\n| Birthplace | Mumbai, India |\n| Nationality | India |\n| Disciplines | Editorial, Runway |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q3192675 (https://www.wikidata.org/wiki/Q3192675), retrieved 2026-09-25.\n\n## Known for\n\nRepresented India at Miss World 2011 after winning Femina Miss India World.\n\n\n## Evidence\n\n- Domestic recognition and international modelling history qualify the profile for global review.\n- Current-season booking audit is in progress.\n\n## Sources\n\n- [Public biography](https://en.wikipedia.org/wiki/Kanishtha_Dhankar)\n\nCite as: The Cast Index, \"Kanishtha Dhankar\", https://thecastindex.com/models/kanishtha-dhankar. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/karlie-kloss","markdownUrl":"https://thecastindex.com/models/karlie-kloss.md","title":"Karlie Kloss","lastmod":"2026-09-25","sha256":"6fde669d210f70edd5d429d4b38a6b07878ccd603a4cd812ec309810842c4b3c","bytes":4657,"markdown":"# Karlie Kloss\n\n> Source: https://thecastindex.com/models/karlie-kloss — updated 2026-09-25\n\nAmerican model and entrepreneur active since the late 2000s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 August 1992 (age 34) |\n| Birthplace | Chicago, United States |\n| Height | 188 cm (6 ft 2 in) |\n| Nationality | United States |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @karliekloss |\n\nBirth date, birthplace and height: Wikidata Q292749 (https://www.wikidata.org/wiki/Q292749), retrieved 2026-09-25.\n\n## Known for\n\nFounder of Kode with Klossy, a coding programme for young women.\n\n\n## Evidence\n\n- Walked Schiaparelli Haute Couture Spring/Summer 2024 (January 2024) and the Gucci Fall/Winter 2026 show in Milan (February 2026).\n- Ongoing global spokesmodel for Estée Lauder and Adidas; hosts and executive-produces Project Runway.\n\n## Selected runway record\n\n- SS24 Couture · Walked · Schiaparelli ([source](https://www.businessoffashion.com/people/karlie-kloss/))\n- AW26 · Walked · Gucci ([source](https://www.businessoffashion.com/people/karlie-kloss/))\n- SS27 · Closed · Carolina Herrera ([source](https://www.wmagazine.com/fashion/carolina-herrera-spring-2027-runway-photos))\n- SS27 · Walked · Stella McCartney ([source](https://www.vogue.com/fashion-shows/spring-2027-ready-to-wear/stella-mccartney))\n\n## Career\n\n### Early life\n\nKarlie Elizabeth Kloss was born on 3 August 1992 in Chicago, Illinois, to emergency physician Kurt Kloss and freelance art director Tracy Kloss. She was discovered at a local charity runway show near St. Louis in 2005, taking her first professional job the following year at 14, a cover and editorial for Scene Magazine, before signing with Elite Model Management’s Chicago office.\n\n### Rapid rise, 2008–2013\n\nBy Fall 2008, Kloss had signed with Next Management and walked 64 runway shows across New York, Milan and Paris, becoming exclusive for Calvin Klein while closing Marc Jacobs and opening Carolina Herrera. She made her Victoria’s Secret Fashion Show runway debut in Fall 2011, and by 2012 had fronted September covers for British Vogue, Japanese Vogue and Harper’s Bazaar Russia. In 2013 she was named a full Victoria’s Secret Angel, becoming the face of Donna Karan, Lacoste, Lanvin, the Louis Vuitton Alma bag campaign and a Coach ambassador.\n\n### Leaving Victoria’s Secret and Kode with Klossy, 2014–2018\n\nKloss became the face of L’Oréal Paris in September 2014, and left Victoria’s Secret in 2015, publicly citing discomfort with the brand’s messaging to young women. That April she launched Kode with Klossy, a nonprofit offering free coding camps for girls and non-binary teens, partnering with Estée Lauder, Flatiron School and Code.org; by 2025 the programme reported reaching nearly 11,000 young people across more than 100 countries. She was named the face of Swarovski in 2016 and became Estée Lauder’s global spokesmodel in April 2018, the same year she was confirmed as host and executive producer of Project Runway’s 17th season.\n\n### Media ventures and recent record, 2019–2025\n\nKloss had appeared on 40 international Vogue covers by 2019. She led an investor group that purchased W magazine in 2020 and was named a trustee of Barnard College, before acquiring British magazine i-D from Vice Media Group in November 2023 and becoming its CEO. In March 2024 she revived Life magazine with her husband, venture capitalist Joshua Kushner, through Bedford Media’s partnership with Dotdash Meredith, and in December 2025 announced her debut children’s picture book, Spaghetti Code, tied to the Kode with Klossy mission. She married Kushner on 18 October 2018, and the couple have three children.\n\n## Quick facts\n\n- Born 3 August 1992 in Chicago; discovered at a local charity runway show near St. Louis in 2005\n- Became a Victoria’s Secret Angel in 2013, then left the brand in 2015 citing discomfort with its messaging to young women\n- Launched Kode with Klossy, a free coding-camp nonprofit for girls and non-binary teens, in April 2015\n- Had appeared on 40 international Vogue covers by 2019\n- Acquired the magazine i-D from Vice Media Group in November 2023 and became its CEO\n- Married venture capitalist Joshua Kushner on 18 October 2018; the couple have three children\n\n## Sources\n\n- [Business of Fashion · Karlie Kloss, BoF 500](https://www.businessoffashion.com/people/karlie-kloss/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Karlie_Kloss)\n\nCite as: The Cast Index, \"Karlie Kloss\", https://thecastindex.com/models/karlie-kloss. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kasia-struss","markdownUrl":"https://thecastindex.com/models/kasia-struss.md","title":"Kasia Struss","lastmod":"2026-09-25","sha256":"b8b34386782c78e82627f56cbca5f575e92913244cc703bdab814a1d514ededb","bytes":2954,"markdown":"# Kasia Struss\n\n> Source: https://thecastindex.com/models/kasia-struss — updated 2026-09-25\n\nPolish model. Tracked for Gucci and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 November 1987 (age 38) |\n| Birthplace | Ciechanów, Poland |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Poland |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @kasiastruss |\n\nBirth date, birthplace and height: Wikidata Q2390373 (https://www.wikidata.org/wiki/Q2390373), retrieved 2026-09-25.\n\n## Known for\n\nGucci and major international runway work\n\n\n## Evidence\n\n- Gucci and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nKatarzyna Strusińska, known professionally as Kasia Struss, was born on 23 November 1987 in Ciechanów, Poland. She was scouted in 2005 after submitting photos to a Polish teen magazine, and was represented for over a decade by her mother agency, Avant Management.\n\n### A most-booked runway record, 2005–2010\n\nStruss’s debut season drew early industry attention, with Style.com ranking her among the top ten newcomers. In the Spring/Summer 2009 season she tied with Vlada Roslyakova for the most shows walked, 72, across New York, London, Milan and Paris, and ranked third most-booked the following season. Her runway record has grown to more than 400 shows across her career, including Marc Jacobs, Versace, Louis Vuitton, Balenciaga and Yves Saint Laurent, alongside campaigns for Gucci, Dolce & Gabbana, Christian Dior, Valentino and Hugo Boss.\n\n### Recent record\n\nStruss has appeared on 12 Vogue covers, including Vogue Italia, alongside Numéro, W, V and Dazed & Confused, and holds \"Industry Icon\" status on Models.com. In 2025 she featured in Balmain’s Pre-Fall lookbook and an editorial for SLIMI Magazine’s \"The Nostalgia Issue,\" shot by Michel Takla. She is represented by Elite Model Management in New York, Next Model Management in Paris and London, and Women Management in Milan.\n\n## Quick facts\n\n- Born Katarzyna Strusińska, 23 November 1987, in Ciechanów, Poland\n- Scouted in 2005 after submitting photos to a Polish teen magazine; represented for over a decade by Avant Management\n- Tied for most shows walked in the Spring/Summer 2009 season, with 72\n- Has walked more than 400 runway shows across her career, including Marc Jacobs, Versace and Balenciaga\n- Has appeared on 12 Vogue covers, including Vogue Italia\n- Named an \"Industry Icon\" on Models.com\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/kasia-struss)\n- [Biographical reference](https://en.wikipedia.org/wiki/Kasia_Struss)\n\nCite as: The Cast Index, \"Kasia Struss\", https://thecastindex.com/models/kasia-struss. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kate-moss","markdownUrl":"https://thecastindex.com/models/kate-moss.md","title":"Kate Moss","lastmod":"2026-09-25","sha256":"687ae36de2a300750e25fd774f916ae8cb1607d79705ca0f4347ccce7e7d695c","bytes":3846,"markdown":"# Kate Moss\n\n> Source: https://thecastindex.com/models/kate-moss — updated 2026-09-25\n\nEnglish model and businesswoman. Tracked for Bottega Veneta and continuing global campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 16 January 1974 (age 52) |\n| Birthplace | Addiscombe, United Kingdom |\n| Height | 172 cm (5 ft 8 in) |\n| Nationality | United Kingdom |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q212531 (https://www.wikidata.org/wiki/Q212531), retrieved 2026-09-25.\n\n## Known for\n\nBottega Veneta and continuing global campaign visibility\n\n\n## Evidence\n\n- Fronted campaigns for Anine Bing (Fall 2024), Zara (2024, shot by Mario Sorrenti), Balenciaga and Fendi (2024), Elisabetta Franchi (Spring 2025), Isabel Marant Eyewear (Spring/Summer 2025) and Saint Laurent (Fall 2025).\n\n## Career\n\n### Early life\n\nKatherine Ann Moss was born on 16 January 1974 in Croydon, London, to barmaid Linda Moss and airline employee Peter Moss; her daughter, Lila Moss, born in September 2002, is also a model. Moss was spotted in 1988, at 14, by Sarah Doukas of Storm Model Management, at JFK Airport in New York, returning from a Bahamas holiday.\n\n### A defining editorial and rapid rise, 1990–1996\n\nMoss’s breakout came in 1990 with \"The 3rd Summer of Love,\" a black-and-white editorial shot by Corinne Day for The Face at age 16. In 1996 she fronted a Calvin Klein campaign closely associated with the era’s \"heroin chic\" aesthetic, and contributed tambourine and backing vocals to Oasis’s Be Here Now album that year.\n\n### Scandal, recovery and a Topshop collaboration, 2005–2007\n\nIn September 2005, tabloid coverage of alleged cocaine use led several brands, including H&M, Chanel and Burberry, to drop her, though she was cleared of any criminal charges in June 2006. The same year, she received the Vogue/CFDA Fashion Inspiration award, and in November 2006 was named Model of the Year at the British Fashion Awards. In May 2007 she launched a clothing collection with Topshop, and was named to Time’s 100 Most Influential People that year.\n\n### Recent record, 2011–2026\n\nMoss married musician Jamie Hince on 1 July 2011 in Southrop, Gloucestershire, and received a Special Recognition Award at the British Fashion Awards in 2013. In September 2016 she founded the Kate Moss Agency, representing talent including Rita Ora. She has appeared on more British Vogue covers than any other model in the title’s history, and serves as a contributing editor at the magazine. She continues to model actively, including a 2026 appearance in Saint Laurent, and is represented by her own Kate Moss Agency in London.\n\n## Quick facts\n\n- Born Katherine Ann Moss, 16 January 1974, in Croydon, London; spotted at 14 by Sarah Doukas of Storm Model Management at JFK Airport\n- Breakout editorial \"The 3rd Summer of Love,\" shot by Corinne Day for The Face, in 1990\n- Won the Vogue/CFDA Fashion Inspiration award in 2005 and Model of the Year at the British Fashion Awards in 2006\n- Launched a Topshop clothing collection in May 2007, the same year she was named to Time’s 100 Most Influential People\n- Has appeared on more British Vogue covers than any other model\n- Founded the Kate Moss Agency in September 2016\n\n## Sources\n\n- [Pause Magazine · Kate Moss for Saint Laurent Fall 2025](https://pausemag.co.uk/2025/07/kate-moss-fronts-saint-laurent-fall-2025-campaign-in-true-it-girl-style/)\n- [Forbes · Kate Moss x Zara 2024](https://www.forbes.com/sites/jeetendrsehdev/2024/11/29/kate-moss-x-zara-2024-unstoppable-iconic-style-for-a-new-generation/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Kate_Moss)\n\nCite as: The Cast Index, \"Kate Moss\", https://thecastindex.com/models/kate-moss. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kelsey-merritt","markdownUrl":"https://thecastindex.com/models/kelsey-merritt.md","title":"Kelsey Merritt","lastmod":"2026-09-25","sha256":"d62650d0015fcefaec816b28969d46d46e4afdfa3156235258132ae1d8cd3ae2","bytes":1334,"markdown":"# Kelsey Merritt\n\n> Source: https://thecastindex.com/models/kelsey-merritt — updated 2026-09-25\n\nFilipino-American model from Angeles City, Pampanga, and one of the most internationally visible Filipina models of her generation.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 1 October 1996 (age 30) |\n| Birthplace | Pampanga, Philippines |\n| Height | 173 cm (5 ft 8 in) |\n| Nationality | Philippines |\n| Disciplines | Campaigns, Runway |\n| Agencies | IMG Models |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @kelseymerritt |\n\nBirth date, birthplace and height: Wikidata Q58813054 (https://www.wikidata.org/wiki/Q58813054), retrieved 2026-09-25.\n\n## Known for\n\nThe first Filipina to walk the Victoria’s Secret Fashion Show (2018); later campaigns for Calvin Klein, DKNY and Polo Ralph Lauren.\n\n\n## Evidence\n\n- The first model from the Philippines to walk the Victoria’s Secret Fashion Show, in 2018.\n- Featured in the Sports Illustrated Swimsuit issue for 2019, 2020 and 2021.\n- Campaigns for Calvin Klein (February 2023), DKNY (December 2023) and Polo Ralph Lauren (August 2024).\n\n## Sources\n\n- [Wikipedia · Kelsey Merritt](https://en.wikipedia.org/wiki/Kelsey_Merritt)\n\nCite as: The Cast Index, \"Kelsey Merritt\", https://thecastindex.com/models/kelsey-merritt. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kendall-jenner","markdownUrl":"https://thecastindex.com/models/kendall-jenner.md","title":"Kendall Jenner","lastmod":"2026-09-25","sha256":"a7c0ae8835105e79b98b624cb0883233bdec3dde23abff0321199c9132f8553f","bytes":4291,"markdown":"# Kendall Jenner\n\n> Source: https://thecastindex.com/models/kendall-jenner — updated 2026-09-25\n\nAmerican model and media personality. Tracked for Prada and Calvin Klein campaign and runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 November 1995 (age 30) |\n| Birthplace | United States |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Runway |\n| Cast Index | #10 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @kendalljenner |\n\nBirth date, birthplace and height: Wikidata Q1375057 (https://www.wikidata.org/wiki/Q1375057), retrieved 2026-09-25.\n\n## Known for\n\nPrada and Calvin Klein campaign and runway visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Prada and Calvin Klein campaign and runway visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Closed · Bottega Veneta ([source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month))\n\n## Career\n\n### Early career\n\nKendall Nicole Jenner signed with Wilhelmina Models on 12 July 2009, at thirteen. Her first paid assignment was Forever 21’s \"Rocker Babes with a Twist\" campaign that December, and she walked her first runway show — for Sherri Hill, during Mercedes-Benz Fashion Week — in September 2011. Through 2012 she built a foundation of commercial covers and campaigns, including work with Victoria’s Secret photographer Russell James from November of that year.\n\n### Move to high fashion, 2013–2014\n\nOn 21 November 2013, Jenner signed with The Society Management, marking her shift toward high fashion, and immediately walked for Marc Jacobs, Givenchy, Chanel, Donna Karan, Fendi, Bottega Veneta and Balmain, among others. In 2014 she took part in two Chanel presentations, including the Métiers d’Art show in Salzburg, and in November became an official Estée Lauder representative; LOVE editor Katie Grand called her \"the ‘It Girl’ of the season.\"\n\n### Breakthrough years, 2015–2016\n\nIn 2015, Jenner walked for Chanel, Alexander Wang, Fendi, Balmain, Givenchy and Elie Saab among others, made her Victoria’s Secret Fashion Show debut, and signed contracts with Calvin Klein Jeans and Penshoppe. She debuted at No. 16 on Forbes’s list of top-earning models that year, with reported income of $4 million. In 2016 she continued across Chanel, Versace, Dior, Miu Miu and Balmain, with campaigns for Mango, Calvin Klein and others.\n\n### Highest-paid model, 2017–present\n\nIn 2017, Forbes named Jenner the world’s highest-paid model, displacing Gisele Bündchen, who had topped the list since 2002; her reported earnings that year were $22 million, and Forbes ranked her No. 1 again that November. She was appointed creative director of the luxury retailer FWRD in September 2021, fronted By Far’s debut Daydream fragrance in 2022, starred alongside Bad Bunny in Gucci’s Valigeria luggage campaign in October 2023, and fronted Calvin Klein’s Fall 2024 womenswear campaign. She was named to Forbes’ 30 Under 30 in Art & Style in 2024.\n\nHer current Index Rating reflects sustained current-season work: a Prada and Calvin Klein campaign and runway presence, detailed in the evidence section below.\n\n## Quick facts\n\n- Signed with Wilhelmina Models at thirteen, July 2009\n- Moved to high fashion in November 2013, signing with The Society Management and walking Marc Jacobs, Givenchy and Chanel within the season\n- Estée Lauder representative since November 2014\n- Named the world’s highest-paid model by Forbes in 2017, displacing Gisele Bündchen, who had led the list since 2002\n- Reported 2017 earnings of $22 million\n- Creative director of the luxury retailer FWRD, appointed September 2021\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/kendall-jenner)\n- [Biographical reference](https://en.wikipedia.org/wiki/Kendall_Jenner)\n\nCite as: The Cast Index, \"Kendall Jenner\", https://thecastindex.com/models/kendall-jenner. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kiko-mizuhara","markdownUrl":"https://thecastindex.com/models/kiko-mizuhara.md","title":"Kiko Mizuhara","lastmod":"2026-09-25","sha256":"6bf7af9ff06a6a7c076cbeed23cfeabcf30337c372b575bf003820277aeebb66","bytes":3929,"markdown":"# Kiko Mizuhara\n\n> Source: https://thecastindex.com/models/kiko-mizuhara — updated 2026-09-25\n\nAmerican-Japanese actress, singer and model (1990). Tracked for Dior and major Japanese and international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 15 October 1990 (age 35) |\n| Birthplace | Dallas, United States |\n| Height | 168 cm (5 ft 6 in) |\n| Nationality | Japan |\n| Disciplines | Campaigns, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @i_am_kiko |\n\nBirth date, birthplace and height: Wikidata Q1051455 (https://www.wikidata.org/wiki/Q1051455), retrieved 2026-09-25.\n\n## Known for\n\nDior and major Japanese and international campaigns\n\n\n## Evidence\n\n- Dior and major Japanese and international campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nAudrie Kiko Daniel, known professionally as Kiko Mizuhara, was born on 15 October 1990 in Dallas, Texas, to American father Todd Mason Daniel and Zainichi Korean mother Yae Toyama. The family moved to Tokyo when she was 2 and later to Kobe; her parents divorced when she was 13, and she later moved to Tokyo alone at 16 to pursue modelling. She won a Seventeen magazine audition contest at 12 in 2002, becoming an exclusive Seventeen model for three years, and became an exclusive model for ViVi magazine in 2007.\n\n### Runway, campaigns and acting, 2010–2014\n\nMizuhara made her acting debut in the 2010 film Norwegian Wood, and in 2012 fronted a Chanel campaign photographed by Karl Lagerfeld for \"The Little Black Jacket,\" the same year she won at the Japan Fashion Leader Awards. Her international runway debut came in Paris in 2014, at Olympia Le Tan’s Spring/Summer show, followed by Nasir Mazhar in London and Jeremy Scott’s Moschino debut in Milan. That year she was named Asian Fashion Icon of the Year at the SOHU Fashion Awards, joined the Business of Fashion 500, and won Model of the Year at the Fashion Editors Club of Japan Awards.\n\n### Beauty ambassadorships and business, 2016–2021\n\nMizuhara founded her own company, Kiko Co., Ltd. (Office Kiko), in 2016, and walked New York Fashion Week for Alexander Wang’s Spring/Summer 2018 show the following year. In 2018 she was appointed Dior’s first Asian brand ambassador and joined the Coach family. Her film and television work has continued alongside modelling, including Attack on Titan: End of the World (2015), in which she played Mikasa Ackerman, and Netflix’s Ride or Die (2021).\n\n### Recent record, 2024–2026\n\nMizuhara appeared in the 2024 film Adabana, and fronted a Vogue Japan cover and editorial in June 2025, alongside multiple Paris Fashion Week appearances for Saint Laurent. She attended the 79th Cannes Film Festival in May 2026. Her campaign roster across her career has included Diesel, Reebok, Kitsuné, Tiffany & Co. and Shiseido.\n\n## Quick facts\n\n- Born Audrie Kiko Daniel, 15 October 1990, in Dallas, Texas, to an American father and a Zainichi Korean mother; moved to Japan at age 2 and later naturalized as a Japanese citizen\n- Won a Seventeen magazine audition contest at 12 in 2002, becoming an exclusive Seventeen model for three years\n- Became Dior’s first Asian brand ambassador in 2018\n- Played Mikasa Ackerman in the 2015 film Attack on Titan: End of the World\n- Won Model of the Year at the Fashion Editors Club of Japan Awards and was named Asian Fashion Icon of the Year at the SOHU Fashion Awards in 2014\n- Founded her own company, Kiko Co., Ltd. (Office Kiko), in 2016\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/kiko-mizuhara)\n- [Biographical reference](https://en.wikipedia.org/wiki/Kiko_Mizuhara)\n\nCite as: The Cast Index, \"Kiko Mizuhara\", https://thecastindex.com/models/kiko-mizuhara. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kirandeep-chahal","markdownUrl":"https://thecastindex.com/models/kirandeep-chahal.md","title":"Kirandeep Chahal","lastmod":"2026-09-25","sha256":"a1ebe0856b9424e2e28ab45909731c33b22148368d532a7348c62492cd636aa7","bytes":1181,"markdown":"# Kirandeep Chahal\n\n> Source: https://thecastindex.com/models/kirandeep-chahal — updated 2026-09-25\n\nIndian model from Ludhiana, Punjab, scouted by Women Management in early 2023 and in Paris within a week, known for her shaved-head look.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | India |\n| Disciplines | Runway |\n| Agencies | Women Management · Milan; Supreme Management · Paris |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nMade her international runway debut for Dior, with her buzz-cut look, after signing with Women Management.\n\n\n## Evidence\n\n- Signed by Women Management in early 2023 and made her international runway debut for Dior, wearing her buzz-cut look.\n- From Ludhiana, Punjab; scouted after shaving her head in late 2022.\n\n## Sources\n\n- [ELLE India · The Accidental Cool of Kirandeep Chahal](https://elle.in/cover/elle-digital-cover-star-kirandeep-chahal-12029696)\n- [Women Management · Milan profile](https://www.womenmanagement.com/milan/women-development/11840-kirandeep-chahal.web)\n\nCite as: The Cast Index, \"Kirandeep Chahal\", https://thecastindex.com/models/kirandeep-chahal. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/kit-butler","markdownUrl":"https://thecastindex.com/models/kit-butler.md","title":"Kit Butler","lastmod":"2026-09-25","sha256":"30c1e33defb1a00a41e7158c3c1e691d37d29e8eb664357e0e7b7d73afdf872d","bytes":1137,"markdown":"# Kit Butler\n\n> Source: https://thecastindex.com/models/kit-butler — updated 2026-09-25\n\nBritish fashion model. Tracked for Dubbed “menswear’s answer to Cara Delevingne” by British Vogue; a Models.com Top 50 men’s mainstay.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | United Kingdom |\n| Disciplines | Campaigns, Menswear |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nDubbed “menswear’s answer to Cara Delevingne” by British Vogue; a Models.com Top 50 men’s mainstay\n\n\n## Evidence\n\n- Dubbed “menswear’s answer to Cara Delevingne” by British Vogue; a Models.com Top 50 men’s mainstay.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 Menswear · Walked · Ralph Lauren ([source](https://www.gq.com/story/ralph-lauren-spring-2027-milan-fashion-week))\n\n## Sources\n\n- [Biographical reference](https://models.com/models/kit-butler)\n\nCite as: The Cast Index, \"Kit Butler\", https://thecastindex.com/models/kit-butler. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/lais-ribeiro","markdownUrl":"https://thecastindex.com/models/lais-ribeiro.md","title":"Lais Ribeiro","lastmod":"2026-09-25","sha256":"423b68391dc750b9f941f525be481525d8f633227c8feef75bd86b077288d62b","bytes":3837,"markdown":"# Lais Ribeiro\n\n> Source: https://thecastindex.com/models/lais-ribeiro — updated 2026-09-25\n\nBrazilian model. Tracked for Victoria’s Secret and international campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 5 October 1990 (age 36) |\n| Birthplace | Miguel Alves, Brazil |\n| Height | 185 cm (6 ft 1 in) |\n| Nationality | Brazil |\n| Disciplines | Campaigns, Runway |\n| Cast Index | #48 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @laisribeiro |\n\nBirth date, birthplace and height: Wikidata Q6474117 (https://www.wikidata.org/wiki/Q6474117), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and international campaign visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Victoria’s Secret and international campaign visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nLaís Pereira de Oliveira, known professionally as Lais Ribeiro, was born on 5 October 1989 in Miguel Alves, Piauí, Brazil, and was training to become a nurse before modelling took over; she has a son, born in May 2008, who received an autism diagnosis in 2013. At friends’ encouragement she entered a local modelling contest in Miguel Alves in late 2009, where she was scouted by São Paulo agency Joy Model Management, relocating first to São Paulo and later to New York after being spotted by scouts there.\n\n### Victoria’s Secret and the Fantasy Bra, 2010–2017\n\nRibeiro made her Brazilian catwalk debut in 2011, walking a high volume of São Paulo Fashion Week shows, and signed with Victoria’s Secret as a catalogue and casual model in 2010, becoming a full Angel in 2015. In 2017 she was chosen to wear the \"Champagne Nights Fantasy Bra,\" a $2 million Mouawad-designed piece set with roughly 600 carats of diamonds, yellow sapphires and blue topaz in 18-karat gold, worn for the first time at the Victoria’s Secret Fashion Show broadcast on CBS on 28 November 2017. Across her career she has walked for Dolce & Gabbana, Givenchy, Gucci and Versace, with editorial work for Elle, Harper’s Bazaar, Vogue and GQ, and multiple appearances in the Sports Illustrated Swimsuit Issue.\n\n### Recent record, 2022–2025\n\nRibeiro married NBA player Joakim Noah in Trancoso, Brazil, in July 2022, and the couple welcomed their first child together in 2024. She fronted Calzedonia’s Spring/Summer 2024 campaign, and made her runway debut for Brazilian label PatBO at New York Fashion Week in September 2025, alongside continued editorial work for L’Officiel Brasil and Harper’s Bazaar Brazil. She is represented by Women Management in New York and Paris, alongside agencies in Milan, London, Barcelona and São Paulo.\n\n## Quick facts\n\n- Born 5 October 1989 in Miguel Alves, Piauí, Brazil; was training to be a nurse before modelling\n- Scouted at a local modelling contest in Miguel Alves in late 2009, at friends’ encouragement\n- Signed with Victoria’s Secret as a catalogue model in 2010, becoming a full Angel in 2015\n- Wore the $2 million, Mouawad-designed \"Champagne Nights Fantasy Bra\" at the Victoria’s Secret Fashion Show broadcast 28 November 2017\n- Married NBA player Joakim Noah in Trancoso, Brazil, in July 2022\n- Made her runway debut for Brazilian label PatBO at New York Fashion Week in September 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/lais-ribeiro)\n- [Biographical reference](https://en.wikipedia.org/wiki/Lais_Ribeiro)\n\nCite as: The Cast Index, \"Lais Ribeiro\", https://thecastindex.com/models/lais-ribeiro. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/lara-stone","markdownUrl":"https://thecastindex.com/models/lara-stone.md","title":"Lara Stone","lastmod":"2026-09-25","sha256":"6dbb6a5bf6c304b06da752aa22ee26b7e5b654afadc2df24bfa73ab8cca88cc1","bytes":3622,"markdown":"# Lara Stone\n\n> Source: https://thecastindex.com/models/lara-stone — updated 2026-09-25\n\nDutch fashion model. Tracked for L’Oréal Paris and continuing luxury editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Birthplace | Geldrop, Netherlands |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Netherlands |\n| Disciplines | Beauty, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @lara_stone |\n\nBirth date, birthplace and height: Wikidata Q239828 (https://www.wikidata.org/wiki/Q239828), retrieved 2026-09-25.\n\n## Known for\n\nL’Oréal Paris and continuing luxury editorial work\n\n\n## Evidence\n\n- Covered V Magazine, Spring 2025, and Vogue France, May 2025; walked Elie Saab Haute Couture Fall/Winter 2025-26 at Paris Fashion Week, July 2025.\n\n## Selected runway record\n\n- AW26 · Walked · Marks & Spencer ([source](https://wwd.com/runway/fall-2026/london/marks-spencer/review/))\n\n## Career\n\n### Early life\n\nLara Catherina Stone was born on 20 December 1983 in Geldrop, Netherlands, to English father Michael Stone and Dutch mother Kathryna. She was scouted at 12 in the Paris Métro, and competed in the Elite Model Look competition at 15 in 1999, signing with Elite Model Management.\n\n### Signing with IMG and an exclusive Calvin Klein contract, 2006–2010\n\nStone signed with IMG Models in 2006, making her catwalk debut in Riccardo Tisci’s Givenchy couture show in Paris and securing an exclusive Calvin Klein contract. A Vogue Paris cover followed in April 2007, the year a New York Times critic dubbed her \"the anti-model\" for her fuller figure relative to prevailing model norms. In 2008 she signed a semi-exclusive contract with Prada, and in 2009 fronted covers for W and, that May, her American Vogue debut. In 2010 she became the face of Prada’s Infusion d’Iris fragrance, signed a multi-brand exclusive deal with Calvin Klein Inc., appeared in the Pirelli Calendar, and won Model of the Year at the British Fashion Awards.\n\n### Peak years and continued campaign work, 2011–2016\n\nStone ranked No. 1 on Models.com’s \"Top 50 Models\" list from Spring 2010 through Summer 2012, and ranked 7th on Forbes’ World’s Top-Earning Models in 2011 at $4.5 million. She returned to the Pirelli Calendar in 2012 and became the face of Calvin Klein Underwear, adding covers for Vogue Paris and Harper’s Bazaar in 2014, and a cameo in Absolutely Fabulous: The Movie in 2016.\n\n### Recent record, 2024–2025\n\nStone fronted Marni’s Spring/Summer 2024 campaign, photographed by Colin Dodgson, and Versace Eyewear’s Spring/Summer 2025 campaign, photographed by Zoë Ghertner, alongside a Canada Goose Spring/Summer 2025 campaign shot by Willy Vanderperre. She is represented by The Lions in New York and Elite Model Management in Paris.\n\n## Quick facts\n\n- Born 20 December 1983 in Geldrop, Netherlands, to an English father and Dutch mother; scouted at 12 in the Paris Métro\n- Signed with IMG Models in 2006; runway debut in Riccardo Tisci’s Givenchy couture show\n- Won Model of the Year at the British Fashion Awards in 2010\n- Ranked No. 1 on Models.com’s \"Top 50 Models\" list from Spring 2010 through Summer 2012\n- Ranked 7th on Forbes’ World’s Top-Earning Models in 2011, at $4.5 million\n- Fronted Versace Eyewear’s Spring/Summer 2025 campaign, photographed by Zoë Ghertner\n\n## Sources\n\n- [Models.com · Lara Stone profile](https://models.com/models/lara-stone)\n- [Biographical reference](https://en.wikipedia.org/wiki/Lara_Stone)\n\nCite as: The Cast Index, \"Lara Stone\", https://thecastindex.com/models/lara-stone. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/leomie-anderson","markdownUrl":"https://thecastindex.com/models/leomie-anderson.md","title":"Leomie Anderson","lastmod":"2026-09-25","sha256":"8c83c898d17b5d50b2be71e383689f81f51aa31a028edf877a4f99679acda3b2","bytes":3479,"markdown":"# Leomie Anderson\n\n> Source: https://thecastindex.com/models/leomie-anderson — updated 2026-09-25\n\nBritish model and designer. Tracked for Victoria’s Secret and major international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 14 February 1993 (age 33) |\n| Birthplace | London, United Kingdom |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | United Kingdom |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @leomieanderson |\n\nBirth date, birthplace and height: Wikidata Q38048850 (https://www.wikidata.org/wiki/Q38048850), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and major international campaigns\n\n\n## Evidence\n\n- Victoria’s Secret and major international campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nLeomie Jasmin Francis Anderson was born on 15 February 1993 in Wandsworth, South London, and is of Jamaican descent. She had originally aspired to be a fashion journalist before being scouted at 14; she appeared on Channel 4’s reality series The Model Agency in 2011, and booked her first catwalk show at 17 for Marc Jacobs, reportedly becoming one of his favoured runway models.\n\n### Victoria’s Secret and LAPP The Brand, 2015–2019\n\nAnderson walked four consecutive Victoria’s Secret Fashion Shows between 2015 and 2018. In 2016 she founded the LAPP blog, later LAPP Magazine, focused on women’s mental health and empowerment, and launched LAPP The Brand — an acronym for \"Leomie Anderson the Project the Purpose\" — as an activewear and fashion label that September. In 2017 she became a face of Fenty Beauty at its launch and won the Yahoo Diversity in Beauty Award’s Model Activist category. In April 2019 she was named a Victoria’s Secret Angel, the sixth Black model and first British Black model to hold the title.\n\n### Recent record, 2020–2025\n\nAnderson was named to Forbes’ \"30 Under 30\" in the Art & Culture category in 2020, and launched the podcast Role Model with Leomie Anderson through Sony Music in April 2021. In 2023 she took over from Maya Jama as host of the BBC’s Glow Up: Britain’s Next Make-Up Star, and entered a co-management deal with YMU in September 2024, alongside continued representation by CAA in New York and Los Angeles, Premium Models in Paris, D’Management Group in Milan and TESS Management in London. Her runway and campaign record includes Giorgio Armani, Burberry, Chloé, Tom Ford, Calvin Klein and Ralph Lauren, and she has delivered two TEDx talks on discrimination within the modelling industry.\n\n## Quick facts\n\n- Born 15 February 1993 in Wandsworth, South London, of Jamaican descent\n- Scouted at 14; booked her first catwalk show at 17 for Marc Jacobs\n- Founded LAPP The Brand, an activewear and empowerment label, in September 2016\n- Named a Victoria’s Secret Angel in April 2019, the first British Black model to hold the title\n- Named to Forbes’ \"30 Under 30\" (Art & Culture) in 2020\n- Entered a co-management deal with YMU in September 2024\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/leomie-anderson)\n- [Biographical reference](https://en.wikipedia.org/wiki/Leomie_Anderson)\n\nCite as: The Cast Index, \"Leomie Anderson\", https://thecastindex.com/models/leomie-anderson. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/leon-dame","markdownUrl":"https://thecastindex.com/models/leon-dame.md","title":"Leon Dame","lastmod":"2026-09-25","sha256":"4b5232eaaa5886f995e21121586d0544e20cbb076ec6baa4fa026cff86d7fc00","bytes":1096,"markdown":"# Leon Dame\n\n> Source: https://thecastindex.com/models/leon-dame — updated 2026-09-25\n\nGerman fashion model. Tracked for Viral Maison Margiela Spring/Summer 2020 runway walk and continuing menswear visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Birthplace | Berlin, Germany |\n| Nationality | Germany |\n| Disciplines | Runway, Menswear |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @leondame |\n\nBirth date, birthplace and height: Wikidata Q69489858 (https://www.wikidata.org/wiki/Q69489858), retrieved 2026-09-25.\n\n## Known for\n\nViral Maison Margiela Spring/Summer 2020 runway walk and continuing menswear visibility\n\n\n## Evidence\n\n- Viral Maison Margiela Spring/Summer 2020 runway walk and continuing menswear visibility.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Leon_Dame)\n\nCite as: The Cast Index, \"Leon Dame\", https://thecastindex.com/models/leon-dame. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/lila-moss","markdownUrl":"https://thecastindex.com/models/lila-moss.md","title":"Lila Moss","lastmod":"2026-09-25","sha256":"83002d8091b42de3d158bf617531ae334b90843259fea4a2c5e0e3f0ecc1b508","bytes":4196,"markdown":"# Lila Moss\n\n> Source: https://thecastindex.com/models/lila-moss — updated 2026-09-25\n\nEnglish model. Tracked for Saint Laurent, Chanel and Miu Miu work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 29 September 2002 (age 24) |\n| Birthplace | Westminster, United Kingdom |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #16 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @lilamoss |\n\nBirth date, birthplace and height: Wikidata Q22399916 (https://www.wikidata.org/wiki/Q22399916), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent, Chanel and Miu Miu work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Saint Laurent, Chanel and Miu Miu work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Conner Ives ([source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month))\n- AW26 · Walked · H&M ([source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/))\n\n## Career\n\n### Early life\n\nLila Grace Moss Hack was born on 29 September 2002 in London, the only child of supermodel Kate Moss and Jefferson Hack, co-founder of Dazed magazine; her parents separated shortly after her birth. At age eight she was diagnosed with type 1 diabetes, and has since worn a visible insulin pump on the runway and in campaigns — a choice she has described publicly as a way of normalising the condition rather than concealing it.\n\nShe first appeared publicly in fashion at 14, on a 2016 Vogue Italia cover alongside her mother, and later studied at Parsons School of Design in New York.\n\n### Early campaigns before the runway, 2018–2020\n\nBecause modelling agencies typically bar runway work before 18, Moss’s early career ran through campaigns and editorial rather than shows. She became the face of Marc Jacobs Beauty in 2018 and landed a solo Dazed cover the same year, building a public profile years before she was eligible to walk a runway show.\n\n### Runway debut and rapid rise, 2020–2022\n\nMoss made her runway debut in October 2020, opening and closing Miu Miu’s Spring/Summer 2021 show at Paris Fashion Week — a high-profile placement just days after her 18th birthday that signalled the industry’s confidence in her. Vogue Japan and Vogue Hong Kong covers followed in 2021, and she was nominated for Model of the Year at the Fashion Awards in 2022, the same year she landed her British Vogue cover debut in May.\n\n### Recent record, 2023–2025\n\nMoss’s cover credits have continued to grow, including British Vogue and Vanity Fair in 2023, and a spot on British Vogue’s \"40 Vogue Icons\" cover in 2024 alongside a Vogue España cover the same year. She walked in Victoria’s Secret’s \"The Tour\" runway event in 2024, extending her runway record beyond her Miu Miu debut. In 2025, she partnered with Mattel on a custom Barbie doll featuring diabetes-management accessories, a project tied to her long-standing public advocacy around type 1 diabetes.\n\n## Quick facts\n\n- Born 29 September 2002 in London, daughter of Kate Moss and Dazed co-founder Jefferson Hack\n- Has type 1 diabetes, diagnosed at age eight, and wears a visible insulin pump she has spoken about publicly\n- Made her runway debut opening and closing Miu Miu’s Spring/Summer 2021 show at Paris Fashion Week days after turning 18\n- British Vogue cover debut in May 2022\n- Walked in Victoria’s Secret’s \"The Tour\" runway event in 2024\n- Collaborated with Mattel in 2025 on a custom Barbie doll featuring diabetes-management accessories\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/lila-moss)\n- [Biographical reference](https://en.wikipedia.org/wiki/Lila_Moss)\n\nCite as: The Cast Index, \"Lila Moss\", https://thecastindex.com/models/lila-moss. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/lily-aldridge","markdownUrl":"https://thecastindex.com/models/lily-aldridge.md","title":"Lily Aldridge","lastmod":"2026-09-25","sha256":"6e7413acc3f286a29a3cbd8883a569d1cfd079bccd0804f2184cdf0894fbc3ac","bytes":3293,"markdown":"# Lily Aldridge\n\n> Source: https://thecastindex.com/models/lily-aldridge — updated 2026-09-25\n\nAmerican model. Tracked for Bulgari and international beauty campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 15 November 1985 (age 40) |\n| Birthplace | Santa Monica, United States |\n| Height | 173 cm (5 ft 8 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @lilyaldridge |\n\nBirth date, birthplace and height: Wikidata Q242368 (https://www.wikidata.org/wiki/Q242368), retrieved 2026-09-25.\n\n## Known for\n\nBulgari and international beauty campaigns\n\n\n## Evidence\n\n- Bulgari and international beauty campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nLily Maud Aldridge was born on 15 November 1985 in Santa Monica, California, the daughter of British artist and illustrator Alan Aldridge and Laura Lyons, a former Playboy Playmate; her half-sisters include model and actress Saffron Aldridge, and her sister Ruby Aldridge also models. She began modelling at 16 for Abercrombie & Fitch, and married Kings of Leon frontman Caleb Followill on 12 May 2011; the couple have two children.\n\n### Victoria’s Secret years, 2009–2018\n\nAldridge walked the Victoria’s Secret Fashion Show for the first time in 2009 and was named a full Angel in 2010. She fronted Rag & Bone’s Spring campaign in 2011 and was named the face of XOXO and Proactiv in 2014, the year she also appeared on Sports Illustrated Swimsuit’s 50th-anniversary cover alongside Chrissy Teigen and Nina Agdal. In 2015 she wore the Victoria’s Secret $2 million Fantasy Bra at the Fashion Show, before stepping away from the runway in 2018 and taking a role in the film Ocean’s 8 that year.\n\n### Business ventures and recent record, 2013–2025\n\nAldridge launched her \"Lily Aldridge for Velvet\" clothing line in 2013, and her fragrance line, Lily Aldridge Parfums, in 2019, alongside a long-running campaign record including Rocawear, Coach, Levi’s and Tommy Hilfiger. In September 2025 she released a 14-piece capsule collection with sleepwear brand Eberjey, and on 15 October 2025 returned to the Victoria’s Secret Fashion Show runway at Steiner Studios in New York, her first appearance since 2016. She is represented by IMG Models worldwide.\n\n## Quick facts\n\n- Born 15 November 1985 in Santa Monica, California, daughter of illustrator Alan Aldridge and former Playboy Playmate Laura Lyons\n- Began modelling at 16 for Abercrombie & Fitch\n- Victoria’s Secret Fashion Show runway debut in 2009; named a full Angel in 2010\n- Wore the Victoria’s Secret $2 million Fantasy Bra at the 2015 Fashion Show\n- Launched her fragrance line, Lily Aldridge Parfums, in 2019\n- Returned to the Victoria’s Secret Fashion Show runway on 15 October 2025, her first appearance since 2016\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/lily-aldridge)\n- [Biographical reference](https://en.wikipedia.org/wiki/Lily_Aldridge)\n\nCite as: The Cast Index, \"Lily Aldridge\", https://thecastindex.com/models/lily-aldridge. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/lineisy-montero","markdownUrl":"https://thecastindex.com/models/lineisy-montero.md","title":"Lineisy Montero","lastmod":"2026-09-25","sha256":"d7f43a02ab9049fbfeee976508a60334386bcd7b33449fd98ebbf4f84589b3e0","bytes":3471,"markdown":"# Lineisy Montero\n\n> Source: https://thecastindex.com/models/lineisy-montero — updated 2026-09-25\n\nDominican model. Tracked for Chanel and major international campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 8 February 1996 (age 30) |\n| Birthplace | Santo Domingo, Dominican Republic |\n| Nationality | Dominican Republic |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #49 · 84.5/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q28810455 (https://www.wikidata.org/wiki/Q28810455), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major international campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Chanel and major international campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Monse ([source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-monse-ready-to-news-photo/2294849855))\n- SS27 · Walked · Thom Browne ([source](https://www.gettyimages.com/detail/news-photo/lineisy-montero-walks-the-runway-during-the-thom-browne-news-photo/2295634479))\n\n## Career\n\n### Early life\n\nLineisy Montero Feliz was born on 8 February 1996 in Santo Domingo, Dominican Republic. She was scouted at around 13 or 14 at an amusement park in Santo Domingo by Ossygeno Models, her Dominican mother agency, though her mother required her to wait roughly four years before signing with an international agency.\n\n### A Prada breakthrough, 2015\n\nMontero made her runway debut at Prada’s Autumn/Winter 2015 show in Milan, quickly becoming a Prada exclusive and drawing coverage as the season’s breakout star. That August she fronted a Teen Vogue cover alongside Imaan Hammam and Aya Jones, and appeared in Prada’s Fall/Winter 2015 campaign, shot by Steven Meisel.\n\n### Building an editorial record, 2016 onward\n\nMontero has fronted advertising campaigns for Chanel, Givenchy and H&M Beauty, and has contributed 18 editorials to American Vogue since 2016. Her runway record spans more than 50 luxury houses, including Prada, Dior, Louis Vuitton, Valentino, Burberry, Tom Ford and Stella McCartney, and she has been ranked among Models.com’s \"Top 50.\" She is represented by Next Management in New York, Paris, Milan and London, alongside Le Management in Copenhagen and Stockholm, and her original Dominican mother agency, Ossygeno Models.\n\n## Quick facts\n\n- Born 8 February 1996 in Santo Domingo, Dominican Republic; known for wearing her hair in its natural Afro texture\n- Scouted at around 13 or 14 at an amusement park in Santo Domingo by Dominican agency Ossygeno Models\n- Runway debut at Prada’s Autumn/Winter 2015 show in Milan, becoming a Prada exclusive that season\n- Fronted an August 2015 Teen Vogue cover alongside Imaan Hammam and Aya Jones\n- Has contributed 18 editorials to American Vogue since 2016\n- Ranked among Models.com’s \"Top 50\"\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/lineisy-montero)\n- [Biographical reference](https://en.wikipedia.org/wiki/Lineisy_Montero)\n\nCite as: The Cast Index, \"Lineisy Montero\", https://thecastindex.com/models/lineisy-montero. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/liu-wen","markdownUrl":"https://thecastindex.com/models/liu-wen.md","title":"Liu Wen","lastmod":"2026-09-25","sha256":"97b3ef02c37cc283bbd9b05a868f69121e5c766b80b2e1dd0de711137edad1ac","bytes":6628,"markdown":"# Liu Wen\n\n> Source: https://thecastindex.com/models/liu-wen — updated 2026-09-25\n\nChinese model widely regarded as her country’s first international supermodel.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 January 1988 (age 38) |\n| Birthplace | Yongzhou, People's Republic of China |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Runway, Campaigns |\n| Agencies | The Society Management · New York; Elite · Europe |\n| Cast Index | #4 · 94.0/100 (2026-10-05 snapshot) |\n| Instagram | @liuwenlw |\n\nBirth date, birthplace and height: Wikidata Q714343 (https://www.wikidata.org/wiki/Q714343), retrieved 2026-09-25.\n\n## Known for\n\nWidely described as China’s first international supermodel.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 92 |\n| Campaigns | 30% | 96 |\n| Editorial | 20% | 94 |\n| Cultural | 10% | 96 |\n\n## Evidence\n\n- Walked Balenciaga and Chanel Haute Couture in July 2026.\n- Prada campaign credits and a V Magazine cover in 2026.\n\n## Selected runway record\n\n- AW26 Couture · Walked · Balenciaga ([source](https://models.com/models/liu-wen))\n- AW26 Couture · Walked · Chanel ([source](https://models.com/models/liu-wen))\n- SS27 · Opened · Tory Burch ([source](https://news.qq.com/rain/a/20260914A0B5NU00))\n- SS27 · Closed · Tory Burch ([source](https://news.qq.com/rain/a/20260914A0B5NU00))\n\n## Career\n\n### Early life\n\nLiu Wen was born on 27 January 1988 in Yongzhou, a city in China’s Hunan province, the only child of a construction worker. As a teenager she grew noticeably taller than her classmates and developed a habit of hunching to minimise the difference; her mother, looking for a way to correct her posture, encouraged her toward modelling — a practical fix that became a career.\n\nIn 2005, at seventeen, Liu entered the New Silk Road modelling contest, reportedly drawn less by ambition than by the laptop offered as a prize. She won her regional heat in Hunan but did not place at the national final. The result was nonetheless enough to attract a modelling offer in Beijing, and she relocated the same year to begin working — a slow start, since her look did not immediately match what Chinese commercial clients were booking at the time.\n\n### Breakthrough and international debut\n\nLiu’s first significant editorial came in 2007, in Chinese Cosmopolitan, styled by Karl Lagerfeld and Viktor & Rolf — a signal that international eyes were starting to notice her. By February 2008 she had appeared in four separate features for Chinese Vogue, and that same season she made her international runway debut, walking for Burberry, Trussardi and Chanel in Milan, and Jean Paul Gaultier and Hermès in Paris.\n\nThe pace accelerated fast. For the Fall 2009 season she walked an extraordinary 74 shows across New York, London, Milan and Paris — the highest total of any model that season, and a record for a model of Asian descent walking in a single season. The following season she walked 70 shows, ranking second only to French model Constance Jablonski.\n\n### Breaking barriers, 2009–2013\n\nIn 2009, Liu became the first Chinese model to walk the Victoria’s Secret Fashion Show, a runway she would return to through 2012 and again from 2016 to 2018. The same period brought cover credits in Vogue Germany, Vogue Spain and Vogue Italia, and — notably — the cover of American Vogue, making her the first Chinese model to appear on its front cover.\n\nIn April 2010, Liu was named a representative for Estée Lauder alongside Constance Jablonski and Joan Smalls, becoming the first East Asian spokesmodel in the brand’s history. Two years later, in March 2012, The New York Times put her on the cover of its Style Magazine and dubbed her \"China’s first bona fide supermodel\" — a label that stuck. In 2013, Liu became the first Asian model to appear on the Forbes list of highest-paid models, ranking fifth with reported annual earnings of $4.3 million.\n\n### Supermodel status and digital influence\n\nIn July 2014, Models.com elevated Liu to its \"New Supermodel\" tier — the first Asian model to receive the designation. That same year, American Vogue singled her out for having, in the magazine’s words, by far the largest social-media following of any working model, crediting her with leading a new, digitally native phase of the industry. Her reported Forbes earnings rose to $7 million in 2014.\n\nIn October 2014, Liu became the first person in the world to wear an Apple Watch on a magazine cover, in Vogue China’s November 2014 issue — a launch moment for the product as much as for her. In 2017, Chanel appointed her a global ambassador, and in March of that year she appeared on American Vogue’s 125th-anniversary cover alongside Adwoa Aboah, Ashley Graham, Gigi Hadid, Imaan Hammam, Kendall Jenner and Vittoria Ceretti — the second Chinese model to appear on the magazine’s front cover, and the first to do so outside a foldout gatefold.\n\n### Recent record, 2020–2025\n\nLiu returned to American Vogue’s cover in April 2020, and again in May 2023 — her third cover for the title, making her the first person of Chinese descent to reach that count. In 2024 she became the first model of Asian descent to appear solo on the cover of French Vogue. For Fall 2025 she booked eight major campaigns in a single season — Balenciaga, Burberry, Fendi, Giorgio Armani, Givenchy, Prada, Saint Laurent and Versace — a personal record and among the busiest campaign seasons of any model working that year.\n\nAcross her career Liu has also fronted campaigns for Alexander McQueen, Bottega Veneta, Calvin Klein, Chloé and Givenchy, and appeared in editorials for i-D, Numéro, GQ, V Magazine, Harper’s Bazaar, Allure, Interview, W and British Vogue — a run of credits that, alongside her runway record, is the basis for the Runway, Campaigns and Editorial pillars of her current Index Rating below.\n\n## Quick facts\n\n- First Chinese model to walk the Victoria’s Secret Fashion Show, 2009\n- First Chinese model on the cover of American Vogue\n- First East Asian face of Estée Lauder, 2010\n- First Asian model on the Forbes highest-paid models list, 2013\n- First Asian model named a Models.com \"New Supermodel,\" 2014\n- Three American Vogue covers — a record for a model of Chinese descent\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/liu-wen)\n- [Biographical reference](https://en.wikipedia.org/wiki/Liu_Wen_(model))\n\nCite as: The Cast Index, \"Liu Wen\", https://thecastindex.com/models/liu-wen. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/loli-bahia","markdownUrl":"https://thecastindex.com/models/loli-bahia.md","title":"Loli Bahia","lastmod":"2026-09-25","sha256":"0301f472943a5be5cb68fc2ff825d16bfbdbb6a53c21064e10dfe9dd267a425a","bytes":1252,"markdown":"# Loli Bahia\n\n> Source: https://thecastindex.com/models/loli-bahia — updated 2026-09-25\n\nFrench fashion model. Tracked for Louis Vuitton runway debut and Saint Laurent Beauty ambassadorship.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 19 September 2002 (age 24) |\n| Birthplace | Lyon, France |\n| Nationality | France |\n| Disciplines | Runway, Beauty |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @lolibahiaa |\n\nBirth date, birthplace and height: Wikidata Q118906162 (https://www.wikidata.org/wiki/Q118906162), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton runway debut and Saint Laurent Beauty ambassadorship\n\n\n## Evidence\n\n- Louis Vuitton runway debut and Saint Laurent Beauty ambassadorship.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 Menswear · Walked · Saint Laurent ([source](https://www.vogue.fr/article/saint-laurent-madonna-charlie-xcx-defile-homme-printemps-ete-2027))\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Loli_Bahia)\n\nCite as: The Cast Index, \"Loli Bahia\", https://thecastindex.com/models/loli-bahia. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/luiza-perote","markdownUrl":"https://thecastindex.com/models/luiza-perote.md","title":"Luiza Perote","lastmod":"2026-09-25","sha256":"23315fa014bd547c201208c0df61800e1a56655d7635c39f4307e70677de4ec0","bytes":1179,"markdown":"# Luiza Perote\n\n> Source: https://thecastindex.com/models/luiza-perote — updated 2026-09-25\n\nBrazilian fashion model. Tracked for Opened the Fendi Fall/Winter 2024 show and starred in the Fendi campaign photographed by Steven Meisel.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Brazil |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nOpened the Fendi Fall/Winter 2024 show and starred in the Fendi campaign photographed by Steven Meisel\n\n\n## Evidence\n\n- Opened the Fendi Fall/Winter 2024 show and starred in the Fendi campaign photographed by Steven Meisel.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 · Walked · Stella McCartney ([source](https://www.gettyimages.com/detail/news-photo/luiza-perote-walks-the-runway-during-the-stella-mccartney-news-photo/2297955342))\n\n## Sources\n\n- [Biographical reference](https://models.com/models/luiza-perote)\n\nCite as: The Cast Index, \"Luiza Perote\", https://thecastindex.com/models/luiza-perote. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/madhulika-sharma","markdownUrl":"https://thecastindex.com/models/madhulika-sharma.md","title":"Madhulika Sharma","lastmod":"2026-09-25","sha256":"5dccd7f6905ace37d7277186c0990eff430805852cd6777f0911d20434467ce8","bytes":1242,"markdown":"# Madhulika Sharma\n\n> Source: https://thecastindex.com/models/madhulika-sharma — updated 2026-09-25\n\nIndian model from Guwahati, Assam, scouted via Instagram, who made her New York runway debut in the September 2019 season.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | India |\n| Disciplines | Runway, Campaigns |\n| Agencies | Inega Model Management · India; Muse Management · New York |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nAppeared in a SKIMS campaign shot by Philippe Jarrigeon, after a New York Fashion Week debut for Sies Marjan, Zimmermann and Ralph & Russo.\n\n\n## Evidence\n\n- Appeared in a SKIMS campaign photographed by Philippe Jarrigeon.\n- Made her New York Fashion Week debut in September 2019, walking Sies Marjan, Zimmermann, Brock and Ralph & Russo.\n\n## Sources\n\n- [The Voice of Fashion · Who is Madhulika Sharma](https://www.thevoiceoffashion.com/centrestage/features/who-is-madhulika-sharma-4550)\n- [ELLE India · India’s Next-Gen Supermodels](https://elle.in/fashion/spotlight-indias-next-gen-supermodels-on-their-peak-runway-moments-8776874)\n\nCite as: The Cast Index, \"Madhulika Sharma\", https://thecastindex.com/models/madhulika-sharma. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/malgosia-bela","markdownUrl":"https://thecastindex.com/models/malgosia-bela.md","title":"Małgosia Bela","lastmod":"2026-09-25","sha256":"46b2903b79f23268b39b1b33f71fd7378775e5d53f26e5fd5b34c5dd2409edaa","bytes":3823,"markdown":"# Małgosia Bela\n\n> Source: https://thecastindex.com/models/malgosia-bela — updated 2026-09-25\n\nPolish model and actress. Tracked for Saint Laurent and luxury editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 6 June 1977 (age 49) |\n| Birthplace | Kraków, Poland |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | Poland |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @malgosiabelapage |\n\nBirth date, birthplace and height: Wikidata Q128659 (https://www.wikidata.org/wiki/Q128659), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent and luxury editorial visibility\n\n\n## Evidence\n\n- Walked Michael Kors Collection Fall/Winter 2025 (February 2025), Lanvin Fall/Winter 2025 (January 2025) and The Row's Pre-Fall 2025 show/lookbook, December 2024.\n\n## Selected runway record\n\n- SS27 · Walked · Jil Sander ([source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-jil-sander-fashion-news-photo/2296786702))\n- SS27 · Walked · Bottega Veneta ([source](https://www.gettyimages.com/detail/news-photo/malgosia-bela-walks-the-runway-at-the-bottega-veneta-news-photo/2297364599))\n- SS27 · Walked · Tom Ford ([source](https://www.vogue.co.uk/article/moments-you-missed-ss27-fashion-month))\n\n## Career\n\n### Early life\n\nMałgorzata Bela, known professionally as Malgosia Bela, was born on 6 June 1977 in Kraków, Poland. She was classically trained as a pianist in childhood and holds a literature degree from the University of Warsaw. Her runway debut season came in 1998, walking for Comme des Garçons, Givenchy and Balenciaga.\n\n### Vogue Italia and a decade of campaigns, 1999–2011\n\nBela fronted Vogue Italia’s March 1999 cover, photographed by Steven Meisel alongside Maggie Rizer, followed by a \"Colorful Summer\" editorial for the magazine in June 2000, also by Meisel. Her campaign record through the 2000s included Lanvin, Valentino, Jil Sander and Versace, and by 2006 she had added Louis Vuitton and Chloé, appearing in the Pirelli Calendar in both 2009 and 2011, the same year she fronted a Vogue Turkey cover.\n\n### A parallel acting career\n\nBela took roles in Polish films including Stranger and Karol: A Man Who Became Pope in 2001, making her feature-film debut in Ono in 2004, and appeared in Luca Guadagnino’s 2018 remake of Suspiria. In 2023 she published the memoir and art book \"Winter Girl.\"\n\n### Recent record, 2024–2025\n\nBela walked Sacai’s Fall/Winter 2024–25 show in Paris in March 2024 and Chloé’s Spring/Summer 2025 show that September, followed by Lanvin’s Fall/Winter 2025–26 menswear show in January 2025. Her recent campaigns include Hermès’s \"Barénia\" fragrance, COS Pre-Fall 2024 and By Malene Birger. She married Polish film director Paweł Pawlikowski in 2017, and is represented by DNA Model Management in New York and VIVA Model Management across Paris, London and Barcelona.\n\n## Quick facts\n\n- Born Małgorzata Bela, 6 June 1977, in Kraków, Poland; classically trained as a pianist and holds a literature degree from the University of Warsaw\n- Runway debut season in 1998 for Comme des Garçons, Givenchy and Balenciaga\n- Fronted Vogue Italia’s March 1999 cover, photographed by Steven Meisel alongside Maggie Rizer\n- Appeared in the Pirelli Calendar in 2009 and 2011\n- Appeared in Luca Guadagnino’s 2018 remake of Suspiria\n- Published the memoir and art book \"Winter Girl\" in 2023\n\n## Sources\n\n- [Metro Models · Malgosia Bela for The Row Pre-Fall 2025](https://www.metromodels.com/en/news/10953-for-the-row-pre-fall-2025-show-lookbook/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Ma%C5%82gosia_Bela)\n\nCite as: The Cast Index, \"Małgosia Bela\", https://thecastindex.com/models/malgosia-bela. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/malika-louback","markdownUrl":"https://thecastindex.com/models/malika-louback.md","title":"Malika Louback","lastmod":"2026-09-25","sha256":"855bffe11e88a7682934fbd390b2dd5b7a720db443c5335c7f1a814d757362c8","bytes":4159,"markdown":"# Malika Louback\n\n> Source: https://thecastindex.com/models/malika-louback — updated 2026-09-25\n\nDjiboutian fashion model. Tracked for Saint Laurent and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 18 February 1995 (age 31) |\n| Nationality | Djibouti |\n| Disciplines | Runway, Editorial |\n| Cast Index | #20 · 89.1/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q111083797 (https://www.wikidata.org/wiki/Q111083797), retrieved 2026-09-25.\n\n## Known for\n\nSaint Laurent and major international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Saint Laurent and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nMalika Louback-Mohamed was born in Djibouti to mother Moumina Houmed Hassan, who has served as Djibouti’s Minister for Women and the Family since 2016, and a father who worked as an engineer; she has two sisters, both based in France. Before modelling, Louback pursued an unusually technical education in Lyon, completing a university technology diploma in industrial and maintenance engineering, a bachelor’s degree in physics, and a materials-science engineering degree over six years from 2013. In February 2019 she co-authored a peer-reviewed paper on cellulose nanofiber-reinforced chitosan hydrogel composites for intervertebral disc repair, published in the journal Biomimetics.\n\nShe entered modelling directly after finishing her studies, cold-emailing IMG Models through the agency’s website and signing in September 2019.\n\n### Runway debut and a historic cover, 2020\n\nLouback’s runway debut season came in Spring/Summer 2020, walking for Jil Sander in Milan and Yves Saint Laurent, Chanel and Hermès in Paris. In September 2020 she landed her first magazine cover, for Vogue Paris — reportedly the first appearance by a Djiboutian woman on that cover.\n\n### Recognition and campaign work, 2021–2023\n\nLouback became the face of Loro Piana in 2021 and appeared on the cover of Vogue Japan that September; she was nominated for Breakout Star at the 2020 Models.com Industry Awards and shortlisted for Model of the Year in 2021. Cover credits continued with Vogue France and Numéro in 2022, alongside a V Magazine feature, and an Elle France cover in September 2023.\n\n### Recent record, 2024–2025\n\nIn April 2024, Louback appeared on the cover of Vogue Adria, shot by Vitali Gelwich, and walked Courrèges’s Fall/Winter 2024 show at Paris Fashion Week; she also took part in Hermès’s Resort 2025 presentation. That August she became a face of Chloé’s L’Eau de Parfum Intense campaign, photographed by Zoë Ghertner alongside Arizona Muse and He Cong, a campaign that continued into 2025 alongside a D La Repubblica cover shot by Sharna Osborne that February.\n\n## Quick facts\n\n- Born in Djibouti; her mother, Moumina Houmed Hassan, has served as Djibouti’s Minister for Women and the Family since 2016\n- Completed three engineering and physics degrees in Lyon before modelling, including a materials-science degree, and co-authored a peer-reviewed 2019 paper on cellulose nanofiber hydrogel composites\n- Signed with IMG Models in September 2019 after cold-emailing the agency directly\n- Her September 2020 Vogue Paris cover is reported to be the first appearance by a Djiboutian woman on that cover\n- Became the face of Loro Piana in 2021 and was shortlisted for Models.com’s Model of the Year the same year\n- Fronted Chloé’s L’Eau de Parfum Intense campaign from August 2024, alongside Arizona Muse and He Cong\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/malika-louback)\n- [Biographical reference](https://en.wikipedia.org/wiki/Malika_Louback)\n\nCite as: The Cast Index, \"Malika Louback\", https://thecastindex.com/models/malika-louback. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mariacarla-boscono","markdownUrl":"https://thecastindex.com/models/mariacarla-boscono.md","title":"Mariacarla Boscono","lastmod":"2026-09-25","sha256":"cff2f890da134fe1c258306fca94afb8ace0178abf6562444f3340bc4321d169","bytes":4519,"markdown":"# Mariacarla Boscono\n\n> Source: https://thecastindex.com/models/mariacarla-boscono — updated 2026-09-25\n\nItalian fashion model. Tracked for Dolce & Gabbana and major Italian luxury work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 20 September 1980 (age 46) |\n| Birthplace | Rome, Italy |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Italy |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @iosonomariacarlaboscono |\n\nBirth date, birthplace and height: Wikidata Q470100 (https://www.wikidata.org/wiki/Q470100), retrieved 2026-09-25.\n\n## Known for\n\nDolce & Gabbana and major Italian luxury work\n\n\n## Evidence\n\n- Appeared in H&M's Spring/Summer 2026 Paris Fashion Week 'Top Models' campaign, October 2025, and covered Vogue Italia, May 2026.\n\n## Selected runway record\n\n- SS27 · Closed · Marni ([source](https://wwd.com/runway/spring-2027/milan/marni/review/))\n- SS27 · Walked · Tod’s ([source](https://www.dazeddigital.com/fashion/article/71061/1/everything-you-missed-from-milan-fashion-week-ss27-highlights-round-up))\n- SS27 · Walked · Bottega Veneta ([source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi))\n- SS27 · Walked · The Attico ([source](https://www.gettyimages.com/detail/news-photo/mariacarla-boscono-walks-the-runway-at-the-attico-fashion-news-photo/2297158942))\n- SS27 · Walked · Tom Ford ([source](https://www.elle.com/runway/a73962159/tom-ford-spring-2027-review/))\n\n## Career\n\n### Early life\n\nMariacarla Boscono was born on 20 September 1980 in Rome, Italy. She entered the \"Look of the Year\" pageant at Festivalbar in Lignano Sabbiadoro in 1995, at 15, where agent Piero Piazzi discovered her and signed her to Riccardo Gay agency in Milan; at 17 she moved to New York and joined DNA Model Management, making her runway debut in 1997 for Laura Biagiotti and Alberta Ferretti.\n\n### Rise to a record-setting season, late 1990s–2006\n\nBoscono became a favourite of Karl Lagerfeld through the late 1990s and early 2000s, walking for Issey Miyake, Vivienne Westwood and Guy Laroche. In a two-week span in 2005 she walked more than 70 shows across Milan, New York and Paris — a widely cited record — becoming H&M’s spokesperson, succeeding Kate Moss, and appearing on Forbes’ top-earning supermodels list at an estimated $3.5 million. In 2006 she made her stage debut as Solange in Jean Genet’s The Maids at the Lee Strasberg Theatre Institute in New York.\n\n### Exclusive campaign faces, 2008–2011\n\nIn 2008, Boscono walked Dior’s couture show and became the sole face of Emilio Pucci, Hermès, John Galliano and Moschino campaigns, alongside runway work for Gucci, Dolce & Gabbana, Fendi, Versace, Yves Saint Laurent and Jean Paul Gaultier. She appeared in the 2009 Pirelli Calendar, shot by Peter Beard in Africa, and became the face of Givenchy’s \"Dahlia Noir\" perfume in 2011, the same year she was shot by Steven Meisel for Prada.\n\n### Recent record, 2016–2025\n\nBoscono has continued high-fashion campaign and runway work in recent years, including Chanel and Mugler for Fall/Winter 2016, Bottega Veneta and Vera Wang in 2017, and Valentino’s Paris runway in 2019 alongside a Zara summer campaign. She married Italian pole vaulter Claudio Stecchi in 2024, and walked Balenciaga’s Haute Couture Autumn/Winter 2024 show, followed by Spring 2025 shows for Bottega Veneta, Jil Sander and Versace. She is represented by Women Management, with Milan as her mother agency.\n\n## Quick facts\n\n- Born 20 September 1980 in Rome, Italy; discovered at 15 through the \"Look of the Year\" pageant at Festivalbar\n- Runway debut in 1997 for Laura Biagiotti and Alberta Ferretti; became a favourite of Karl Lagerfeld\n- Walked more than 70 shows in a two-week span in 2005, becoming an H&M spokesperson the same year\n- Made her stage debut as Solange in Genet’s The Maids at the Lee Strasberg Theatre Institute, New York, 18 May 2006\n- Sole face of Emilio Pucci, Hermès, John Galliano and Moschino campaigns in 2008\n- Married Italian pole vaulter Claudio Stecchi in 2024\n\n## Sources\n\n- [W Magazine · Mariacarla Boscono, Spring 2024](https://www.wmagazine.com/fashion/mariacarla-boscono-karim-sadli-brian-molloy-spring-2024)\n- [Biographical reference](https://en.wikipedia.org/wiki/Mariacarla_Boscono)\n\nCite as: The Cast Index, \"Mariacarla Boscono\", https://thecastindex.com/models/mariacarla-boscono. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/martha-hunt","markdownUrl":"https://thecastindex.com/models/martha-hunt.md","title":"Martha Hunt","lastmod":"2026-09-25","sha256":"d17df22fb142369662f980d7dff9dd172b534d07bb2d16632035112301e11bf7","bytes":3535,"markdown":"# Martha Hunt\n\n> Source: https://thecastindex.com/models/martha-hunt — updated 2026-09-25\n\nAmerican model. Tracked for Victoria’s Secret and international fashion campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 April 1989 (age 37) |\n| Birthplace | Wilson, United States |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @marthahunt |\n\nBirth date, birthplace and height: Wikidata Q16663519 (https://www.wikidata.org/wiki/Q16663519), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and international fashion campaigns\n\n\n## Evidence\n\n- Victoria’s Secret and international fashion campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nMartha Hunt was born on 27 April 1989 in Wilson, North Carolina. She heard about a model search on local radio and attended a scouting event in Charlotte, where a photographer discovered her and connected her to agencies in New York; she signed with IMG Models.\n\n### Early runway and editorial work, 2007–2012\n\nHunt made her runway debut at Issey Miyake’s Paris Fashion Week show in 2007, and by 2009 had appeared on covers of Vogue China, Harper’s Bazaar and GQ, modelling for Tracy Reese, J. Mendel and Rebecca Taylor. Her editorial and campaign record grew through 2010 and 2011 to include Marie Claire Italia, Vogue Russia, Allure, BCBG Max Azria and Hugo Boss, and she re-signed with IMG Models in 2012.\n\n### Victoria’s Secret and a broader public profile, 2013–2020\n\nHunt became the face of Free People in 2013 and walked her first Victoria’s Secret Fashion Show that year, alongside campaigns for Miu Miu, Prada, Express and Ralph Lauren. She was named a full Victoria’s Secret Angel in 2015, appearing in the brand’s first Swim Special and in Taylor Swift’s \"Bad Blood\" video, followed by a Chainsmokers video appearance in 2017. In 2019 she set Celebrity Family Feud’s highest-ever Fast Money score, 197 points, leading a Victoria’s Secret Angels team to a $25,000 win, and appeared as herself in Taylor Swift’s 2020 documentary \"Miss Americana.\" Across her career she has walked more than 180 runway shows for houses including Chanel, Prada, Versace, Dolce & Gabbana, Givenchy and Louis Vuitton.\n\n### Recent record\n\nHunt became engaged to photographer Jason McDonald in January 2020, and the couple’s daughter was born on 6 November 2021. She remains represented by IMG Models.\n\n## Quick facts\n\n- Born 27 April 1989 in Wilson, North Carolina; discovered at a scouting event in Charlotte after hearing about it on local radio\n- Runway debut for Issey Miyake at Paris Fashion Week, 2007\n- Became the face of Free People in 2013, the same year she walked her first Victoria’s Secret Fashion Show\n- Named a Victoria’s Secret Angel in 2015\n- Set Celebrity Family Feud’s highest-ever Fast Money score, 197 points, leading a Victoria’s Secret Angels team to a $25,000 win in 2019\n- Has walked more than 180 runway shows across her career, including Chanel, Prada and Louis Vuitton\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/martha-hunt)\n- [Biographical reference](https://en.wikipedia.org/wiki/Martha_Hunt)\n\nCite as: The Cast Index, \"Martha Hunt\", https://thecastindex.com/models/martha-hunt. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mathilda-gvarliani","markdownUrl":"https://thecastindex.com/models/mathilda-gvarliani.md","title":"Mathilda Gvarliani","lastmod":"2026-09-25","sha256":"5d0a8b948ca0f1bb766c9e54693cb15f1518e51721b45fe251cdb66c28f35d84","bytes":1146,"markdown":"# Mathilda Gvarliani\n\n> Source: https://thecastindex.com/models/mathilda-gvarliani — updated 2026-09-25\n\nGeorgian fashion model. Tracked for First Georgian model to walk the Victoria’s Secret Fashion Show and to appear on a Vogue cover.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 17 May 2004 (age 22) |\n| Nationality | Georgia |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q134078196 (https://www.wikidata.org/wiki/Q134078196), retrieved 2026-09-25.\n\n## Known for\n\nFirst Georgian model to walk the Victoria’s Secret Fashion Show and to appear on a Vogue cover\n\n\n## Evidence\n\n- First Georgian model to walk the Victoria’s Secret Fashion Show and to appear on a Vogue cover.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Mathilda_Gvarliani)\n\nCite as: The Cast Index, \"Mathilda Gvarliani\", https://thecastindex.com/models/mathilda-gvarliani. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mayowa-nicholas","markdownUrl":"https://thecastindex.com/models/mayowa-nicholas.md","title":"Mayowa Nicholas","lastmod":"2026-09-25","sha256":"b9bbe3f904a54c24f262a0a63024c7b4326e49a288814859408a39950ecebb6c","bytes":3729,"markdown":"# Mayowa Nicholas\n\n> Source: https://thecastindex.com/models/mayowa-nicholas — updated 2026-09-25\n\nNigerian model. Tracked for Dolce & Gabbana and major beauty campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 22 May 1998 (age 28) |\n| Birthplace | Lagos, Nigeria |\n| Height | 180 cm (5 ft 11 in) |\n| Nationality | Nigeria |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | #19 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @mayowanicholas |\n\nBirth date, birthplace and height: Wikidata Q52158171 (https://www.wikidata.org/wiki/Q52158171), retrieved 2026-09-25.\n\n## Known for\n\nDolce & Gabbana and major beauty campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Dolce & Gabbana and major beauty campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Stella McCartney ([source](https://www.gettyimages.com/detail/news-photo/mayowa-nicholas-walks-the-runway-during-the-stella-news-photo/2297949657))\n\n## Career\n\n### Early life\n\nMayowa Nicholas was born on 22 May 1998 in Lagos, Nigeria, and attended Royal Crown Comprehensive High School in Agege before studying accounting at Crawford University. She was scouted around age 15 or 16 on her way to a hair salon, and went on to compete as a finalist in the 2014 Elite Model Look Nigeria competition.\n\n### Early runway and a string of firsts, 2015–2018\n\nNicholas made her runway debut season in 2015, walking for Balmain, Balenciaga, Calvin Klein, Kenzo, Hermès and Acne Studios. The following year brought a Dolce & Gabbana Fall/Winter campaign, an Atelier Versace haute couture booking, and work with Chanel and Michael Kors — with Nicholas cited as the first Nigerian model to appear in campaigns for Dolce & Gabbana, Saint Laurent and Calvin Klein. A visa denial kept her from the 2017 Victoria’s Secret Fashion Show in Shanghai, but she made her runway debut for the show in 2018.\n\n### Continued runway and campaign work\n\nBeyond her early-career firsts, Nicholas’s client list has included Prada, Miu Miu, Versace, Chanel and Oscar de la Renta, and she has been ranked in Models.com’s \"Top 50.\"\n\n### Recent record, 2024–2026\n\nNicholas returned to the Victoria’s Secret Fashion Show on 15 October 2024 at the Brooklyn Navy Yard, her first appearance since 2018, and appeared in the brand’s Spring 2026 campaign, shot by Emily Lipson. She also walked Monse’s Resort 2026 show and Moncler Grenoble’s Fall/Winter 2026 show in Aspen on 31 January 2026. She is represented by The Society Management in New York, Elite Model Management across Europe, and Beth Model Management Africa in Lagos.\n\n## Quick facts\n\n- Born 22 May 1998 in Lagos, Nigeria\n- A finalist in the 2014 Elite Model Look Nigeria competition after being scouted on the way to a hair salon\n- The first Nigerian model to appear in campaigns for Dolce & Gabbana, Saint Laurent and Calvin Klein\n- Made her Victoria’s Secret Fashion Show runway debut in 2018, after a visa denial kept her from the 2017 show\n- Returned to the Victoria’s Secret Fashion Show in October 2024, her first appearance since 2018\n- Ranked in Models.com’s \"Top 50\"\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/mayowa-nicholas)\n- [Biographical reference](https://en.wikipedia.org/wiki/Mayowa_Nicholas)\n\nCite as: The Cast Index, \"Mayowa Nicholas\", https://thecastindex.com/models/mayowa-nicholas. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mica-arganaraz","markdownUrl":"https://thecastindex.com/models/mica-arganaraz.md","title":"Mica Argañaraz","lastmod":"2026-09-25","sha256":"7d64758f3e345f625721a3161fd6c2ecc7f02754b237d4f0218dd9921f47812d","bytes":4391,"markdown":"# Mica Argañaraz\n\n> Source: https://thecastindex.com/models/mica-arganaraz — updated 2026-09-25\n\nArgentine model and artist. Tracked for Chanel and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 16 May 1990 (age 36) |\n| Birthplace | Buenos Aires, Argentina |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Argentina |\n| Disciplines | Runway, Editorial |\n| Cast Index | #17 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @micarganaraz |\n\nBirth date, birthplace and height: Wikidata Q43900798 (https://www.wikidata.org/wiki/Q43900798), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Chanel and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Selected runway record\n\n- SS27 · Walked · Dior ([source](https://www.harpersbazaar.com/fashion/fashion-week/a73944985/dior-spring-summer-2027-review/))\n- SS27 · Walked · Saint Laurent ([source](https://www.gettyimages.com/detail/news-photo/mica-arganaraz-walks-the-runway-during-the-saint-laurent-news-photo/2297790043))\n\n## Career\n\n### Early life\n\nMicaela \"Mica\" Argañaraz was born on 16 May 1992 in Buenos Aires, Argentina, and grew up partly in the Laprida district near Olavarría. Her mother, Gloria Ebbeke, is a photographer, and her father an agricultural producer; her siblings include cinematographer Rafael and fellow model Ximena. Argañaraz studied cinematography before modelling took over.\n\nShe was first approached by a scout as a student and initially declined; she was later signed after submitting polaroids to the Buenos Aires agency LO Management.\n\n### Runway ascent, 2012–2017\n\nArgañaraz made her runway debut in 2012 at Christopher Kane, with early editorials in Glamour Spain and Elle Italia. Her rise was rapid: a Prada Fall/Winter campaign followed in 2014, and by 2015 she was opening Versace’s Fall/Winter show and walking a total of 61 shows that season. In 2016 she opened and closed Chanel, appeared in a Tom Ford campaign alongside Lady Gaga, and served as the \"Chanel Bride\" closing that house’s haute couture show — before a 2017 Versace campaign that placed her alongside Gigi Hadid, Vittoria Ceretti and Taylor Hill.\n\n### Campaigns and screen work, 2018–2024\n\nA Fendi campaign and her first L’Officiel Argentina cover followed in 2018. Argañaraz has also worked in film, appearing in Lux Æterna in 2019 and the short Saint Laurent – Summer of ’21 the following year. She opened Versace’s Spring/Summer 2021 show, and in 2024 fronted Zara’s Spring lookbook, photographed by Davit Giorgadze.\n\n### Recent record, 2025\n\nIn 2025, Argañaraz became the face of Saint Laurent’s Spring campaign, shot by David Sims, and fronted Versace’s Fall/Winter 2025 campaign, photographed by Mert & Marcus — notably Donatella Versace’s final collection as the house’s creative director. She also appeared in Khaite’s Spring/Summer 2025 campaign. Across her career she has appeared on the covers of British Vogue, and the Vogue editions of Italy, Brazil, Japan, China, Paris, Germany, Russia and Ukraine, and has been named a Models.com \"Industry Icon.\"\n\n## Quick facts\n\n- Born 16 May 1992 in Buenos Aires, Argentina; studied cinematography before modelling\n- Discovered after submitting polaroids to Buenos Aires agency LO Management, following an earlier street-scouting approach she initially turned down\n- Runway debut in 2012 at Christopher Kane; by 2015 was opening Versace’s Fall/Winter show and walked 61 shows that season\n- Named a Models.com \"Industry Icon\"\n- Face of Saint Laurent’s Spring 2025 campaign, shot by David Sims\n- Fronted Versace’s Fall/Winter 2025 campaign — Donatella Versace’s final collection as the house’s creative director\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/mica-arganaraz)\n- [Biographical reference](https://en.wikipedia.org/wiki/Mica_Arga%C3%B1araz)\n\nCite as: The Cast Index, \"Mica Argañaraz\", https://thecastindex.com/models/mica-arganaraz. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mika-schneider","markdownUrl":"https://thecastindex.com/models/mika-schneider.md","title":"Mika Schneider","lastmod":"2026-09-25","sha256":"a651a9e9cdc29185e74dc8c277a9fe62488955f0bf3a66711d898464e6369eed","bytes":1008,"markdown":"# Mika Schneider\n\n> Source: https://thecastindex.com/models/mika-schneider — updated 2026-09-25\n\nFrench-Japanese fashion model. Tracked for American Vogue cover and Models.com Top 50 runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 2001 |\n| Nationality | France |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q109767534 (https://www.wikidata.org/wiki/Q109767534), retrieved 2026-09-25.\n\n## Known for\n\nAmerican Vogue cover and Models.com Top 50 runway visibility\n\n\n## Evidence\n\n- American Vogue cover and Models.com Top 50 runway visibility.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://en.wikipedia.org/wiki/Mika_Schneider)\n\nCite as: The Cast Index, \"Mika Schneider\", https://thecastindex.com/models/mika-schneider. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/ming-xi","markdownUrl":"https://thecastindex.com/models/ming-xi.md","title":"Ming Xi","lastmod":"2026-09-25","sha256":"dbcf5adbb86e9d54282061c8742e6ae163c0d1ce078278414e37ce320aaacd68","bytes":3583,"markdown":"# Ming Xi\n\n> Source: https://thecastindex.com/models/ming-xi — updated 2026-09-25\n\nChinese model. Tracked for Victoria’s Secret and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 8 March 1989 (age 37) |\n| Birthplace | Shanghai, People's Republic of China |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @mingxi11 |\n\nBirth date, birthplace and height: Wikidata Q3858382 (https://www.wikidata.org/wiki/Q3858382), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and major international runway work\n\n\n## Evidence\n\n- Victoria’s Secret and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nXi Mengyao, known professionally as Ming Xi, was born on 18 March 1989 in Shanghai, China. She appeared on the Dragon Television competition show Go! Oriental Angels in 2008, and two years after college graduation entered the Elite Model Look competition, placing third — a result that led to a contract and runway debut with Givenchy.\n\n### From Givenchy to Victoria’s Secret, 2010–2018\n\nMing Xi featured in Givenchy’s Fall/Winter 2010 campaign and its Haute Couture Spring 2011 show, walking New York Fashion Week that autumn alongside fellow Chinese models Shu Pei, Sun Feifei and Liu Wen. She walked the Victoria’s Secret Fashion Show for six consecutive years, from 2013 to 2018, and in 2015 walked Balmain’s Fall show and appeared in a Karl Lagerfeld campaign alongside Kendall Jenner and Sasha Luss. At the 2017 Victoria’s Secret Fashion Show, staged in her hometown of Shanghai — the first time the show was held in China — she fell during the finale walk and finished with composure, aided by fellow model Gizele Oliveira, a moment widely covered by fashion and general press.\n\n### Family and continued campaign work, 2019–2025\n\nMing Xi married Mario Ho, son of Hong Kong-Macau businessman Stanley Ho, in July 2019, and the couple have two children, born in 2019 and 2021. She became the face of Biotherm’s Life Plankton range in 2019, and has continued high-profile campaign work in recent years, including Louis Vuitton’s Chinese Valentine’s Day campaign in 2023, walking Balenciaga’s Resort 2025 show in Shanghai in May 2024, and being named Stuart Weitzman’s global brand ambassador in August 2024, a contract renewed in 2025 alongside a Fendi Fall/Winter 2025 Milan runway appearance and a spot on Vogue China’s 20th-anniversary cover.\n\n## Quick facts\n\n- Born Xi Mengyao, 18 March 1989, in Shanghai, China\n- Placed third in the Elite Model Look competition, leading to a runway debut with Givenchy\n- Walked the Victoria’s Secret Fashion Show for six consecutive years, from 2013 to 2018\n- Widely covered for finishing the 2017 Victoria’s Secret Fashion Show finale walk in Shanghai — her hometown, and the show’s first China staging — after a fall, aided by fellow model Gizele Oliveira\n- Married Mario Ho, son of Hong Kong-Macau businessman Stanley Ho, in July 2019\n- Named Stuart Weitzman’s global brand ambassador in August 2024\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/ming-xi)\n- [Biographical reference](https://en.wikipedia.org/wiki/Ming_Xi)\n\nCite as: The Cast Index, \"Ming Xi\", https://thecastindex.com/models/ming-xi. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/mona-tougaard","markdownUrl":"https://thecastindex.com/models/mona-tougaard.md","title":"Mona Tougaard","lastmod":"2026-09-25","sha256":"2939bda8881f234af14351339513df91739bf6d2f3c5dad41f7e4424e70cafb0","bytes":5056,"markdown":"# Mona Tougaard\n\n> Source: https://thecastindex.com/models/mona-tougaard — updated 2026-09-25\n\nDanish model of Somali, Turkish and Ethiopian heritage who broke through in 2019.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 April 2002 (age 24) |\n| Birthplace | Aarhus, Denmark |\n| Nationality | Denmark |\n| Disciplines | Runway, Editorial |\n| Agencies | The Society Management · New York; Elite · Paris / Milan / London / Copenhagen |\n| Cast Index | #7 · 93.1/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q69431417 (https://www.wikidata.org/wiki/Q69431417), retrieved 2026-09-25.\n\n## Known for\n\nA breakout star of the 2019 season.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 93 |\n| Campaigns | 30% | 94 |\n| Editorial | 20% | 93 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Closed the By Malene Birger Spring/Summer 2027 show in Copenhagen on 4 August 2026.\n- Walked the Balenciaga couture show on 8 July 2026 and appeared in Saint Laurent’s Respiro campaign in July 2026.\n\n## Selected runway record\n\n- SS27 · Walked · The Attico ([source](https://www.bustle.com/beauty/beauty-trends-milan-fashion-week-spring-summer-2027))\n- SS27 · Walked · Ferragamo ([source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex))\n- SS27 · Walked · Bottega Veneta ([source](https://www.dazeddigital.com/fashion/article/71045/1/bottega-veneta-ss27-milan-fashion-week-mfw-kendall-jenner-jacob-elordi))\n- SS27 · Walked · Fendi ([source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-at-the-fendi-fashion-show-news-photo/2296773088))\n- SS27 · Walked · Max Mara ([source](https://www.gettyimages.com/detail/news-photo/model-mona-tougaard-walks-the-runway-at-the-max-mara-news-photo/2296969148))\n- SS27 · Closed · By Malene Birger ([source](https://schonmagazine.com/by-malene-birger-ss27-a-grand-return/))\n- SS27 · Walked · Dior ([source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-christian-dior-news-photo/2297743015))\n- SS27 · Walked · Saint Laurent ([source](https://www.gettyimages.com/detail/news-photo/mona-tougaard-walks-the-runway-during-the-saint-laurent-news-photo/2297790456))\n\n## Career\n\n### Early life\n\nMona Tougaard was born on 3 April 2002 in Aarhus, Denmark, to a father who is half-Turkish and half-Danish and a Somali-Ethiopian mother, who died when Tougaard was nine. She has two older siblings from her mother’s previous marriage. She was scouted in Aarhus at twelve and, at fifteen, won the Danish round of the Elite Model Look competition before advancing to the global final.\n\n### Runway debut and breakout, 2019\n\nTougaard’s professional career began as a Prada exclusive in 2019, the season Models.com named her a \"top newcomer\" and \"Breakout Star\" in its Model of the Year Awards; Vogue reported that she \"swept Paris Fashion Week, landing nearly all the city’s key shows\" that year. She also appeared in Prada’s advertising short \"Anatomy of Romance,\" directed by Willy Vanderperre.\n\n### Cover credits and campaign growth, 2021–2023\n\nTougaard covered British Vogue in April 2021 and Vogue Italia that August, followed by a Vogue France cover alongside Ugbad Abdi in August 2022 and further British and French Vogue covers in 2023. Her runway workload grew alongside the cover credits: roughly 39 shows in Fall/Winter 2023 and 22 in Spring/Summer 2024, for houses including Prada, Chanel, Louis Vuitton, Dior, Valentino, Miu Miu, Versace, Burberry and Saint Laurent — she has also closed Lanvin’s show.\n\n### Recent record, 2024–2025\n\nIn 2024, Tougaard appeared in Chanel’s \"Watches and Fine Jewelry Holiday\" advertising short and starred in FKA Twigs’s \"Perfect Stranger\" video, and was nominated for Model of the Year at the Fashion Awards. In May 2025, Models.com added her to its \"New Supers\" list, and that year she took a lead role in the Alice Winocour–directed film Couture and appeared in Doja Cat’s \"Gorgeous\" video.\n\nHer current Index Rating reflects continued high-tier runway work in the current window, most recently a place on Models.com’s Model of the Year shortlist and a Best Street Style industry win, detailed in the evidence section below.\n\n## Quick facts\n\n- Scouted at twelve in her hometown of Aarhus; Elite Model Look Denmark winner at fifteen\n- Runway debut as a Prada exclusive, 2019; Models.com \"Breakout Star,\" 2019\n- Walked roughly 39 shows in a single season, Fall/Winter 2023\n- Named to Models.com’s \"New Supers\" list, May 2025\n- Fashion Awards Model of the Year nominee, 2024\n- Lead role in the film Couture, directed by Alice Winocour, 2025\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/mona-tougaard)\n- [Biographical reference](https://en.wikipedia.org/wiki/Mona_Tougaard)\n\nCite as: The Cast Index, \"Mona Tougaard\", https://thecastindex.com/models/mona-tougaard. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/naomi-campbell","markdownUrl":"https://thecastindex.com/models/naomi-campbell.md","title":"Naomi Campbell","lastmod":"2026-09-25","sha256":"fca103d94c6e378f7350b90b1473d41917945913dfc88d1ec8cef6b209898a21","bytes":6676,"markdown":"# Naomi Campbell\n\n> Source: https://thecastindex.com/models/naomi-campbell — updated 2026-09-25\n\nBritish model and one of the original supermodels of the late 1980s and 1990s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 22 May 1970 (age 56) |\n| Birthplace | Lambeth, United Kingdom |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Couture |\n| Cast Index | #6 · 93.4/100 (2026-10-05 snapshot) |\n| Instagram | @naomi |\n\nBirth date, birthplace and height: Wikidata Q199369 (https://www.wikidata.org/wiki/Q199369), retrieved 2026-09-25.\n\n## Known for\n\nOne of the original supermodels of the late 1980s and 1990s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 95 |\n| Campaigns | 30% | 90 |\n| Editorial | 20% | 92 |\n| Cultural | 10% | 100 |\n\n## Evidence\n\n- Walked Ralph Lauren RTW Spring 2025 in New York (September 2024) and closed Burberry Fall/Winter 2025 at London Fashion Week.\n- Walked Del Core Milan Womenswear Spring/Summer 2025 and Sacai Paris Womenswear Spring/Summer 2026 (October 2025).\n- First model honoured with a retrospective at London's Victoria and Albert Museum, 2024.\n\n## Selected runway record\n\n- AW25 · Closed · Burberry ([source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/))\n- SS25 · Walked · Ralph Lauren ([source](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/))\n- SS25 · Walked · Del Core ([source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/))\n- SS26 · Walked · Sacai ([source](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/))\n\n## Career\n\n### Early life\n\nNaomi Elaine Campbell was born on 22 May 1970 in Lambeth, South London, to the Jamaican-born dancer Valerie Morris; she never met her biological father. She spent part of her childhood in Rome, where her mother danced professionally, before the family returned to London. She trained at the Barbara Speake Stage School from age three and studied ballet at the Italia Conti Academy of Theatre Arts from age ten, originally intending to become a dancer rather than a model.\n\n### Discovery and a fast rise, 1978–1989\n\nCampbell’s earliest screen appearances came young: she featured in Bob Marley’s \"Is This Love\" video in 1978, aged eight, and in Culture Club videos in 1983 and 1984. In 1986, while still a student at Italia Conti, she was discovered shopping in Covent Garden by Beth Boldt, head of the Synchro model agency, and that April — just before her sixteenth birthday — she appeared on the cover of British Elle, launching her professional career.\n\nThe late 1980s brought a run of barrier-breaking covers: British Vogue’s first Black cover model since 1966 in December 1987; the first Black model on French Vogue in August 1988, reportedly after Yves Saint Laurent threatened to withdraw his advertising unless she was booked; and, in 1989, the first Black model to appear on American Vogue’s September issue — the industry’s most closely watched edition of the year.\n\n### The \"Big Six\" and a defining decade\n\nBy the late 1980s Campbell, Christy Turlington and Linda Evangelista were informally known as fashion’s \"Trinity.\" When she faced racial discrimination in bookings, her colleagues intervened directly: Turlington and Evangelista are reported to have told Dolce & Gabbana, \"If you don’t use Naomi, you don’t get us.\" With the addition of Cindy Crawford, Claudia Schiffer and later Kate Moss, the group became the \"Big Six,\" appearing together on a Peter Lindbergh–shot British Vogue cover in January 1990 and in George Michael’s \"Freedom! ’90\" video.\n\nThe decade’s landmark bookings continued: walking Versace in March 1991 lip-synching \"Freedom! ’90\" alongside Turlington, Evangelista and Crawford; American Vogue’s 100th-anniversary cover in 1992; two American Vogue covers in 1993; and, in 1996, becoming the first Black model to open the Victoria’s Secret Fashion Show, a booking she would repeat across seven appearances. In 1997 she became the first Black woman to open a Prada show.\n\n### Beyond the runway\n\nCampbell expanded well beyond modelling: a novel, Swan, in 1994; a music album, Babywoman, the same year; and acting roles including Spike Lee’s Girl 6 (1995) and a recurring part on New York Undercover. She signed her first cosmetics contract, with Cosmopolitan Cosmetics, in 1999 — more than a decade into a career that had already redefined the runway — and went on to release 28 fragrances under her own perfume house. She performed at the London 2012 Olympics closing ceremony in a design by Alexander McQueen, and in 2018 closed Kim Jones’s final Louis Vuitton menswear show alongside Kate Moss.\n\n### Recent record\n\nIn 2023, Campbell featured in Apple TV+’s four-part documentary series The Super Models alongside Cindy Crawford, Christy Turlington and Linda Evangelista, and in June 2024 the Victoria and Albert Museum opened a solo exhibition, \"Naomi: In Fashion,\" displaying 100 curated looks from her career alongside her activism work. Across her career she has walked for and campaigned with more than 60 major fashion houses.\n\nHer current Index Rating reflects continued, current bookings rather than legacy alone: a Ralph Lauren runway appearance and a closing slot at Burberry during London Fashion Week in 2025, shows for Del Core and Sacai in 2025, and a retrospective at the Victoria and Albert Museum in 2024, detailed in the evidence section below.\n\n## Quick facts\n\n- First Black cover model for British Vogue since 1966, December 1987\n- First Black model on the cover of French Vogue, 1988, after Yves Saint Laurent threatened to pull advertising unless she was booked\n- First Black model to appear on American Vogue’s September issue, 1989 — the industry’s most consequential edition\n- One of the \"Big Six\" supermodels of the early 1990s, alongside Turlington, Evangelista, Crawford, Schiffer and Moss\n- First Black model to open a Prada show, 1997\n- Performed at the London 2012 Olympics closing ceremony in Alexander McQueen\n\n## Sources\n\n- [WWD · Naomi Campbell at Burberry, LFW 2025](https://wwd.com/pop-culture/celebrity-news/naomi-campbell-burberry-london-fashion-week-1236996467/)\n- [Vogue Hong Kong · Naomi Campbell, October 2025](https://www.voguehk.com/en/article/fashion/naomi-campbell-october-2025/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Naomi_Campbell)\n\nCite as: The Cast Index, \"Naomi Campbell\", https://thecastindex.com/models/naomi-campbell. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/naomi-janumala","markdownUrl":"https://thecastindex.com/models/naomi-janumala.md","title":"Naomi Janumala","lastmod":"2026-09-25","sha256":"3ec9b044cb367e9a39ed5fe7f1f28dc6d5d72ecb0caeaf508c328dc82ec67200","bytes":1338,"markdown":"# Naomi Janumala\n\n> Source: https://thecastindex.com/models/naomi-janumala — updated 2026-09-25\n\nIndian model who grew up in Mumbai and moved to London and New York at 17, becoming one of India’s most internationally booked runway faces of the 2020s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | India |\n| Disciplines | Runway, Editorial |\n| Agencies | Anima Creative Management · Mumbai; New Madison Models · Paris; Models 1 · London |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nWalked Dior’s 2023 show in Mumbai, plus Bottega Veneta, Burberry and Prabal Gurung internationally.\n\n\n## Evidence\n\n- Walked the Dior Pre-Fall 2023 show staged at the Gateway of India, Mumbai.\n- Runway credits include Bottega Veneta (Fall/Winter 2021), Burberry (Fall/Winter 2023 and Spring/Summer 2024) and Prabal Gurung (Fall/Winter 2024 and 2025).\n\n## Sources\n\n- [Hello! India · Naomi Janumala](https://www.hellomagazine.in/celebrities/story/naomi-janumala-is-taking-india-to-the-world-from-the-fashion-runway-1198722-2025-04-14)\n- [ELLE India · India’s Next-Gen Supermodels](https://elle.in/fashion/spotlight-indias-next-gen-supermodels-on-their-peak-runway-moments-8776874)\n\nCite as: The Cast Index, \"Naomi Janumala\", https://thecastindex.com/models/naomi-janumala. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/natasha-poly","markdownUrl":"https://thecastindex.com/models/natasha-poly.md","title":"Natasha Poly","lastmod":"2026-09-25","sha256":"f2b839f851911d61bdd7cef5df0f2b2c2ef87820459dc78cfa884c8c40f6da57","bytes":3790,"markdown":"# Natasha Poly\n\n> Source: https://thecastindex.com/models/natasha-poly — updated 2026-09-25\n\nRussian supermodel. Tracked for Versace and Mugler runway and campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 July 1985 (age 41) |\n| Birthplace | Perm, Russia |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Russia |\n| Disciplines | Runway, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @natashapoly |\n\nBirth date, birthplace and height: Wikidata Q729757 (https://www.wikidata.org/wiki/Q729757), retrieved 2026-09-25.\n\n## Known for\n\nVersace and Mugler runway and campaign work\n\n\n## Evidence\n\n- Walked Chanel Paris Womenswear Spring/Summer 2025 (October 2024), Schiaparelli and Fendi Haute Couture (2024), Sacai Fall/Winter 2025-26 (March 2025) and opened Twinset's debut Milan show, 2024.\n\n## Selected runway record\n\n- SS27 · Walked · Chloé ([source](https://www.gettyimages.com/detail/news-photo/natasha-poly-walks-the-runway-with-models-during-the-chlo%C3%A9-news-photo/2298030966))\n\n## Career\n\n### Early life\n\nNatalia Sergeevna Polevshchikova, known professionally as Natasha Poly, was born on 12 July 1985 in Perm, in the Soviet Union. She was discovered at 15 by scout Mauro Palmentieri, and placed second in the \"New Model Today\" competition in Moscow.\n\n### Rapid rise, 2004–2007\n\nPoly made her runway debut in 2004 with Why Not Model Agency, walking for Emanuel Ungaro, and by the end of that year had walked 54 shows across Milan, Paris and New York. The following year she walked 130 shows, including a notable Victoria’s Secret Fashion Show appearance, alongside campaigns for Alberta Ferretti, Louis Vuitton, Calvin Klein, Fendi and Gucci. By 2007 she was working with Alexander McQueen, Calvin Klein and Oscar de la Renta.\n\n### Peak years, 2008–2012\n\nPoly ranked first on Fashion Television’s \"First Face\" countdown for three consecutive seasons — Spring 2008, Fall 2008 and Spring 2009 — having ranked seventh in Spring 2007. She fronted campaigns for Louis Vuitton, Roberto Cavalli and Sonia Rykiel in 2008, and appeared on ten Vogue covers in 2010 alone, alongside an H&M campaign. In 2012 she became a L’Oréal brand ambassador and made a notable Cannes Film Festival appearance. Across her career she has appeared on 61 Vogue covers, and was named one of Vogue Paris’s \"top 30 models of the 2000s.\"\n\n### Recent record\n\nPoly has continued high-fashion campaign work in recent years for Versace, Balmain, Dsquared², Mugler, Schiaparelli and Fendi, appearing in Schiaparelli’s and Fendi’s Haute Couture shows during the 2024 season. She married Dutch businessman Peter Bakker in Saint-Tropez on 16 April 2011, and the couple have two children. She is represented by Elite Model Management in New York, alongside Women Management in Milan and Paris and Select Model Management in London.\n\n## Quick facts\n\n- Born Natalia Sergeevna Polevshchikova, 12 July 1985, in Perm, Soviet Union; discovered at 15 by scout Mauro Palmentieri\n- Runway debut in 2004 with Why Not Model Agency, walking for Emanuel Ungaro; walked 130 shows in 2005\n- Ranked first on Fashion Television’s \"First Face\" countdown for three consecutive seasons, Spring 2008 through Spring 2009\n- Has appeared on 61 Vogue covers across her career\n- Named one of Vogue Paris’s \"top 30 models of the 2000s\"\n- Became a L’Oréal brand ambassador in 2012\n\n## Sources\n\n- [WWD · Twinset debut runway, Natasha Poly and Amber Valletta](https://wwd.com/fashion-news/fashion-scoops/twinset-debut-runway-milan-natasha-poly-amber-valletta-1236203361/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Natasha_Poly)\n\nCite as: The Cast Index, \"Natasha Poly\", https://thecastindex.com/models/natasha-poly. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/neelam-gill","markdownUrl":"https://thecastindex.com/models/neelam-gill.md","title":"Neelam Gill","lastmod":"2026-09-25","sha256":"ca0927766068ee463978ba576f4d75be9ea89f9cfb9d695a51744168eabd4deb","bytes":3430,"markdown":"# Neelam Gill\n\n> Source: https://thecastindex.com/models/neelam-gill — updated 2026-09-25\n\nBritish model of Punjabi Sikh heritage with sustained international runway, campaign and editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 April 1995 (age 31) |\n| Birthplace | Coventry, United Kingdom |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Agencies | IMG Models · New York; IMG Models · Milan; IMG Models · London; Le Management · Copenhagen |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @neelamkg |\n\nBirth date, birthplace and height: Wikidata Q22004550 (https://www.wikidata.org/wiki/Q22004550), retrieved 2026-09-25.\n\n## Known for\n\nIn 2014, she became the first model of Indian heritage featured in a Burberry campaign.\n\n\n## Evidence\n\n- Burberry “A Good Sport” campaign in June 2026 and Body by Victoria campaign in March 2026.\n- Walked Prabal Gurung FW26 in New York; 2025 runway credits include the Victoria’s Secret Fashion Show, Zimmermann, Prabal Gurung and Grace Ling.\n- Her 2014 Burberry booking was a representation milestone for models of Indian heritage; historical impact is time-decayed while current work carries full weight.\n\n## Selected runway record\n\n- AW26 · Walked · Prabal Gurung ([source](https://models.com/models/neelam-gill))\n\n## Career\n\n### Early life\n\nNeelam Kaur Gill was born on 27 April 1995 in Coventry, England, to a family whose grandparents were Sikhs born in Punjab, India. She was spotted at 13 by a scout at The Clothes Show Live and signed with NEXT Model Management at 14, making her professional debut in 2011.\n\n### A Burberry breakthrough, 2013–2015\n\nGill made her catwalk debut for Burberry at London Fashion Week in September 2013, and in 2014 became the first Indian model featured in a Burberry campaign — a milestone that shaped much of her early public profile. In November 2015 she was named the face of Abercrombie & Fitch, alongside runway and campaign work for Dior and Rohit Bal.\n\n### Beauty ambassadorship and continued work, 2017 onward\n\nIn 2017, Gill became L’Oréal Paris’s first British Indian ambassador, the same year she fronted a Stylist magazine cover and became Marie Claire’s first digital cover star. Her editorial and campaign record includes Vogue India and a British Airways campaign alongside Suki Waterhouse.\n\n### Recent record, 2024–2025\n\nGill walked the Victoria’s Secret Fashion Show in New York in both 2024 and 2025. She is represented by CAA in New York, alongside IMM Bruxelles in Brussels and Le Management in Copenhagen.\n\n## Quick facts\n\n- Born 27 April 1995 in Coventry, England, to a Sikh family with roots in Punjab, India\n- Spotted at 13 by a scout at The Clothes Show Live; signed with NEXT Model Management at 14\n- Catwalk debut for Burberry at London Fashion Week, September 2013\n- Became the first Indian model featured in a Burberry campaign, 2014\n- Named the face of Abercrombie & Fitch in November 2015\n- Became L’Oréal Paris’s first British Indian ambassador in 2017\n\n## Sources\n\n- [Models.com profile and current work history](https://models.com/models/neelam-gill)\n- [IMG Models portfolio](https://imgmodels.com/directory/paris/neelam-gill/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Neelam_Gill)\n\nCite as: The Cast Index, \"Neelam Gill\", https://thecastindex.com/models/neelam-gill. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/nidhi-sunil","markdownUrl":"https://thecastindex.com/models/nidhi-sunil.md","title":"Nidhi Sunil","lastmod":"2026-09-25","sha256":"2a0b6e627d2c56f1580ccdfaef36690d288c2ae595c13240341803cab9f6b189","bytes":2901,"markdown":"# Nidhi Sunil\n\n> Source: https://thecastindex.com/models/nidhi-sunil — updated 2026-09-25\n\nIndian lawyer, model and actress. Tracked for L’Oréal and international beauty advocacy work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 30 March 1987 (age 39) |\n| Birthplace | Bengaluru, India |\n| Nationality | India |\n| Disciplines | Beauty, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q59892284 (https://www.wikidata.org/wiki/Q59892284), retrieved 2026-09-25.\n\n## Known for\n\nL’Oréal and international beauty advocacy work\n\n\n## Evidence\n\n- L’Oréal and international beauty advocacy work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nNidhi Sunil was born in Kochi, Kerala, India, and trained and worked as a lawyer before switching to modelling. She placed second runner-up on the television competition Get Gorgeous in 2007, an early step into the entertainment industry.\n\n### Film and music work, 2012–2018\n\nSunil took a film role in Gangoobai (2013), playing Monisha, and appeared in the music video \"Brown Rang\" in February 2012, followed by a role in the 2015 film Kaash, playing Samira. Her public profile rose significantly with the music video \"Makhna,\" released on 21 December 2018, which became a #1 trending video on YouTube and Google.\n\n### L’Oréal Paris and Vogue India, 2021\n\nIn February 2021, Sunil was named L’Oréal Paris’s global ambassador, the first Indian model to hold the role, and won Vogue India’s Model of the Year 2021, the same year she covered the magazine’s November \"Women of the Year\" issue, photographed by Pierre Debusschere. Her editorial and campaign record includes Vogue, GQ, Elle, Vogue Italia, Condé Nast Traveller and Harper’s Bazaar, alongside campaigns for Garnier, Gap, Forever 21 and Esprit. She is represented by Premium Models in Paris and Elite Model Management in New York.\n\n## Quick facts\n\n- Born in Kochi, Kerala, India; trained and worked as a lawyer before switching to modelling\n- Placed second runner-up on the television competition Get Gorgeous in 2007\n- Fronted the music video \"Makhna,\" released 21 December 2018, a #1 trending video that raised her public profile\n- Named L’Oréal Paris’s global ambassador in February 2021, the first Indian model to hold the role\n- Won Vogue India’s Model of the Year 2021\n- Covered Vogue India’s November 2021 \"Women of the Year\" issue, photographed by Pierre Debusschere\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/nidhi-sunil)\n- [Biographical reference](https://en.wikipedia.org/wiki/Nidhi_Sunil)\n\nCite as: The Cast Index, \"Nidhi Sunil\", https://thecastindex.com/models/nidhi-sunil. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/nora-attal","markdownUrl":"https://thecastindex.com/models/nora-attal.md","title":"Nora Attal","lastmod":"2026-09-25","sha256":"698188c49803f49d61ec2cf8c515105d209c05106690fb8ad18b318ce8d8847c","bytes":4055,"markdown":"# Nora Attal\n\n> Source: https://thecastindex.com/models/nora-attal — updated 2026-09-25\n\nBritish fashion model. Tracked for Burberry, Chanel and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 12 June 1999 (age 27) |\n| Birthplace | London, United Kingdom |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United Kingdom |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #21 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @noraattal |\n\nBirth date, birthplace and height: Wikidata Q59654496 (https://www.wikidata.org/wiki/Q59654496), retrieved 2026-09-25.\n\n## Known for\n\nBurberry, Chanel and major international runway work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Burberry, Chanel and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nNora Maria Attal was born on 12 June 1999 in London to Moroccan parents, Charhabil and Bouchra, and grew up first in Battersea and later in Worcester Park, South London. She attended Ewell Castle School, taking A-levels in History, Psychology and Art, and later trained at the Baron Brown Studio in Los Angeles.\n\nShe was discovered at around age 14 by photographer Jamie Hawkesworth during a casting for a JW Anderson campaign held at her school, and became known early on in the industry as the \"mystery girl\" for her serious expression and distinctive brows.\n\n### Early recognition and a historic cover, 2016–2019\n\nAttal was named a Models.com \"Top Newcomer\" in 2016. The following year she appeared on the final British Vogue cover produced under editor Alexandra Shulman, alongside Kate Moss and other models, and fronted a Vogue Arabia cover wearing a traditional Berber ceremonial headpiece. She made her Chanel runway debut that year and continued walking the house’s shows through Pre-Fall 2018, becoming a recurring presence on its runway; by 2019 she had entered Models.com’s \"Top 50.\"\n\n### A Chanel regular and industry recognition, 2019–2023\n\nAttal has since walked more than a dozen Chanel shows, alongside a client list including Fendi, Gucci, Prada, Valentino, Dior, Tom Ford, Burberry and more than 30 other luxury houses. She was named a Models.com \"Icon\" in 2022, the same year she married filmmaker Víctor Bastidas, and was added to the Business of Fashion 500 list in 2023.\n\n### Recent record, 2024–2025\n\nIn September 2024, Attal walked Burberry, Simone Rocha and Nensi Dojaka within two days at London Fashion Week, followed by Alberta Ferretti and Dolce & Gabbana in Milan. In 2025 she appeared at Burberry’s Winter show at Tate Britain, and walked Alexander McQueen, Zimmermann and Saint Laurent’s Spring/Summer 2026 shows, the latter at Paris Fashion Week that September. Her recent campaigns include Tiffany & Co.’s Elsa Peretti \"Bean\" jewellery collection and a Ralph Lauren Eid al-Fitr campaign shot with her family.\n\n## Quick facts\n\n- Born 12 June 1999 in London to Moroccan parents; grew up in Battersea and Worcester Park\n- Scouted at around age 14 by photographer Jamie Hawkesworth during a JW Anderson casting held at her school\n- Named a Models.com \"Top Newcomer\" in 2016, and has walked more than a dozen Chanel shows since her 2017 debut\n- Appeared on the final British Vogue cover produced under editor Alexandra Shulman, in 2017\n- Named a Models.com \"Icon\" in 2022 and added to the Business of Fashion 500 list in 2023\n- Walked Saint Laurent’s Spring/Summer 2026 show at Paris Fashion Week in September 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/nora-attal)\n- [Biographical reference](https://en.wikipedia.org/wiki/Nora_Attal)\n\nCite as: The Cast Index, \"Nora Attal\", https://thecastindex.com/models/nora-attal. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/nour-arida","markdownUrl":"https://thecastindex.com/models/nour-arida.md","title":"Nour Arida","lastmod":"2026-09-25","sha256":"cbd9ef0b4c94b643dd6580569fab1dc997f4b244537f024045fe8787fecf636b","bytes":1336,"markdown":"# Nour Arida\n\n> Source: https://thecastindex.com/models/nour-arida — updated 2026-09-25\n\nAmerican-Lebanese model, born in Maryland and raised in Beirut, signed with Elite in Paris and a fixture of the Middle Eastern and European fashion circuit.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 10 July 1989 (age 37) |\n| Birthplace | Maryland, United States |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | Lebanon |\n| Disciplines | Campaigns, Editorial |\n| Agencies | Elite Model Management · Paris |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q129566105 (https://www.wikidata.org/wiki/Q129566105), retrieved 2026-09-25.\n\n## Known for\n\nNamed a global ambassador for the French jewellery house Boucheron, with Paris Fashion Week runway credits and a Vogue Turkey cover.\n\n\n## Evidence\n\n- Named a global ambassador for the French jewellery house Boucheron (announced 2020).\n- Paris Fashion Week runway credits for Zadig & Voltaire, Etam and Maison Rabih Kayrouz; covered Vogue Turkey (May 2022).\n\n## Sources\n\n- [Wikipedia · Nour Arida](https://en.wikipedia.org/wiki/Nour_Arida)\n- [Arab News · Nour Arida](https://www.arabnews.com/node/2592888/lifestyle)\n\nCite as: The Cast Index, \"Nour Arida\", https://thecastindex.com/models/nour-arida. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/nour-rizk","markdownUrl":"https://thecastindex.com/models/nour-rizk.md","title":"Nour Rizk","lastmod":"2026-09-25","sha256":"02004efa50b2b1ab0f8c0ee6d5afe6b753fedafd480fe389e20621dbe71e86b1","bytes":1150,"markdown":"# Nour Rizk\n\n> Source: https://thecastindex.com/models/nour-rizk — updated 2026-09-25\n\nLebanese model, represented internationally between London, Paris and Milan, whose runway career runs across the major European houses.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Lebanon |\n| Disciplines | Runway, Editorial |\n| Agencies | The Lions · New York; Models 1 · London; Silent · Paris |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nMade her runway debut for Alexander McQueen and has since walked Chanel, Dior, Burberry, Ferragamo and Max Mara.\n\n\n## Evidence\n\n- Walked Chanel’s Spring/Summer 2023 ready-to-wear show at Paris Fashion Week (October 2022).\n- Made her runway debut for Alexander McQueen and has since walked Chanel, Dior, Burberry, Ferragamo and Max Mara.\n\n## Sources\n\n- [Harper’s Bazaar Arabia · Who is Nour Rizk](https://www.harpersbazaararabia.com/hbanews/who-is-nour-rizk)\n- [The Lions Management · Nour Rizk](https://www.thelionsmanagement.com/talent/nour-rizk/about)\n\nCite as: The Cast Index, \"Nour Rizk\", https://thecastindex.com/models/nour-rizk. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/nyakim-gatwech","markdownUrl":"https://thecastindex.com/models/nyakim-gatwech.md","title":"Nyakim Gatwech","lastmod":"2026-09-25","sha256":"3d1afbb3f8556d60369b7fedd01d4d39e4df1467fa00f374138ec0598c96ae5c","bytes":3320,"markdown":"# Nyakim Gatwech\n\n> Source: https://thecastindex.com/models/nyakim-gatwech — updated 2026-09-25\n\nInstagram model. Tracked for Global beauty and inclusion campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 January 1993 (age 33) |\n| Birthplace | Gambela, Ethiopia |\n| Nationality | United States |\n| Disciplines | Beauty, Cultural |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @queennyakimofficial |\n\nBirth date, birthplace and height: Wikidata Q43975330 (https://www.wikidata.org/wiki/Q43975330), retrieved 2026-09-25.\n\n## Known for\n\nGlobal beauty and inclusion campaign visibility\n\n\n## Evidence\n\n- Global beauty and inclusion campaign visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nNyakim Gatwech was born on 27 January 1993; her parents fled Maiwut, South Sudan, during the Second Sudanese Civil War, settling first in a refugee camp in Gambela, Ethiopia, and later in Kenya. The family moved to the United States when she was 14, first to Buffalo, New York, and then to Minneapolis, Minnesota, where she attended St. Cloud Tech High School before pursuing nursing and education studies at Minneapolis Community and Technical College.\n\n### Entering modelling and public advocacy, 2017\n\nGatwech began modelling informally after taking part in an \"Africa Night\" fashion show at St. Cloud State University during her senior year of high school, initially negotiating her own early bookings rather than signing with a costly New York agency. In March 2017 a \"Different Melanin\" photo shoot showcasing varied skin tones became an early viral moment, and she was later featured in Teen Vogue following a widely reported incident involving a discriminatory comment about her skin tone. That year she also appeared in promotional posters for the film Jigsaw and was an honorary guest at the South Sudan ACE Awards in Sioux Falls, South Dakota.\n\n### Recent record\n\nGatwech was named a member of L’Oréal Paris’s ambassador roster in 2019, and has publicly discussed declining a reported offer to bleach her skin, a story that became central to her advocacy work and earned her the nickname \"Queen of Dark.\" Her brand work has included Calvin Klein, Nike and Aldo.\n\n## Quick facts\n\n- Born 27 January 1993; her family fled Maiwut, South Sudan, during the Second Sudanese Civil War, settling first in a refugee camp in Gambela, Ethiopia, and later Kenya\n- Moved to the United States at 14, first to Buffalo, New York, then Minneapolis, Minnesota\n- Began modelling informally after an \"Africa Night\" fashion show at St. Cloud State University\n- A March 2017 \"Different Melanin\" photo shoot, showcasing varied skin tones, became an early viral moment\n- Publicly declined a reported offer to bleach her skin, a story that became central to her public advocacy\n- Named a member of L’Oréal Paris’s ambassador roster in 2019\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/nyakim-gatwech)\n- [Biographical reference](https://en.wikipedia.org/wiki/Nyakim_Gatwech)\n\nCite as: The Cast Index, \"Nyakim Gatwech\", https://thecastindex.com/models/nyakim-gatwech. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/paloma-elsesser","markdownUrl":"https://thecastindex.com/models/paloma-elsesser.md","title":"Paloma Elsesser","lastmod":"2026-09-25","sha256":"896b893caecce1f0372309bbd91e2212f78c2f1c086348b3e8a9c460f13f428d","bytes":3504,"markdown":"# Paloma Elsesser\n\n> Source: https://thecastindex.com/models/paloma-elsesser — updated 2026-09-25\n\nAmerican model and a leading face of the body-inclusivity movement.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 13 April 1992 (age 34) |\n| Birthplace | London, Canada |\n| Nationality | United States |\n| Disciplines | Editorial, Advocacy |\n| Cast Index | Global Watch (unnumbered) |\n\nBirth date, birthplace and height: Wikidata Q52707396 (https://www.wikidata.org/wiki/Q52707396), retrieved 2026-09-25.\n\n## Known for\n\nA leading face of the body-inclusivity movement.\n\n\n## Evidence\n\n\n\n## Selected runway record\n\n- SS27 · Walked · Michael Kors Collection ([source](https://www.thefashionspot.com/runway-news/971323-forum-members-review-the-spring-2027-michael-kors-collection-inspired-by-mid-century-modernism/))\n- AW26 · Walked · H&M ([source](https://hmgroup.com/news/hm-with-nick-knight-and-showstudio-london-fashion-week-show-soundtracked-by-labrinth-and-starring-alex-consani-archie-renaux-and-attended-by-myhala-tems/))\n- SS27 · Walked · Alexander McQueen ([source](https://www.elle.com/runway/a73813037/mcqueen-spring-2027-review/))\n- SS27 · Walked · Ferragamo ([source](https://www.dazeddigital.com/fashion/article/71046/1/ferragamo-ss27-milan-fashion-week-mfw-maximilian-davis-fetish-latex))\n\n## Career\n\n### Early life\n\nPaloma Kai Shockley Elsesser was born on 12 April 1992 in the London Borough of Camden, England, and raised in Los Angeles; her mother is African-American, and her father is of Chilean and Swiss descent. Her siblings include director/producer Kanyessa McMahon, actor and model Ama, and rapper and professional skateboarder Sage Elsesser. She was discovered on Instagram by makeup artist Pat McGrath around 2014, a discovery that launched her modelling career.\n\n### Cover milestones and a turn to acting, 2018–2021\n\nElsesser appeared on British Vogue’s April 2018 cover as part of a group of nine models, and made her screen acting debut in the Safdie brothers’ film Uncut Gems in 2019. She fronted American Vogue’s January 2021 cover, building a campaign and editorial record that has included Nike, Fenty Beauty, Victoria’s Secret, Proenza Schouler and Mercedes-Benz.\n\n### Recognition and recent record, 2023–2026\n\nElsesser won Model of the Year at the Fashion Awards in 2023, reported as the first plus-size model to receive the honour, and also received a Latin American Fashion Awards Model of the Year recognition that year. She walked the Victoria’s Secret Fashion Show in 2024, and fronted covers for Vogue Adria in April 2025 and Vogue Germany that September. She is represented by IMG Models across New York, Paris, Milan, London and Sydney.\n\n## Quick facts\n\n- Born 12 April 1992 in Camden, London, and raised in Los Angeles; mixed African-American and Chilean-Swiss heritage\n- Discovered on Instagram by makeup artist Pat McGrath around 2014\n- Appeared on British Vogue’s April 2018 cover as part of a group of nine models\n- Fronted American Vogue’s January 2021 cover\n- Won Model of the Year at the Fashion Awards in 2023, reported as the first plus-size model to receive the honour\n- Walked the Victoria’s Secret Fashion Show in 2024\n\n## Sources\n\n- [Models.com New Supers](https://models.com/rankings/ui/NewSupers)\n- [Biographical reference](https://en.wikipedia.org/wiki/Paloma_Elsesser)\n\nCite as: The Cast Index, \"Paloma Elsesser\", https://thecastindex.com/models/paloma-elsesser. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/qin-shupei","markdownUrl":"https://thecastindex.com/models/qin-shupei.md","title":"Qin Shupei","lastmod":"2026-09-25","sha256":"ddd57e0330a6f4f5a3cbc85ff92d00e52c511e713cf9a0cc09352450fd6818ab","bytes":2550,"markdown":"# Qin Shupei\n\n> Source: https://thecastindex.com/models/qin-shupei — updated 2026-09-25\n\nChinese supermodel and actress. Tracked for Burberry and major international campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 10 August 1989 (age 37) |\n| Birthplace | Kaifeng, People's Republic of China |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @shupeicute |\n\nBirth date, birthplace and height: Wikidata Q3959838 (https://www.wikidata.org/wiki/Q3959838), retrieved 2026-09-25.\n\n## Known for\n\nBurberry and major international campaign work\n\n\n## Evidence\n\n- Burberry and major international campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nQin Shupei was born on 10 August 1989 in Kaifeng, Henan, China. She attended school in New York City, where she was scouted, signing with Next Management in 2007 and making her runway debut at Rachel Roy’s New York show.\n\n### Building a runway record, 2008–2012\n\nQin appeared in editorials for British Elle and Vogue China in 2008, alongside Karlie Kloss and Hanne Gaby Odiele. By 2010 she was walking around 60 shows a season, and in 2011 was named to Models.com’s Top 50 models list. In 2012 she walked for Gucci, Burberry, Vera Wang, Chanel, Christian Dior and Versace, and made her Victoria’s Secret Fashion Show debut that November.\n\n### Recent record\n\nQin was featured in Marc Jacobs’s skin-cancer-awareness campaign in 2013 and took a film role in Oh My God in 2015. She is represented by DNA Models in New York, Oui Management in Paris and VIE Models in Hong Kong.\n\n## Quick facts\n\n- Born 10 August 1989 in Kaifeng, Henan, China; scouted while studying in New York City\n- Signed with Next Management in 2007; runway debut at Rachel Roy’s New York show\n- Named to Models.com’s Top 50 models list in 2011\n- Walked the Victoria’s Secret Fashion Show in November 2012\n- Featured in Marc Jacobs’s skin-cancer-awareness campaign in 2013\n- Runway record includes Gucci, Burberry, Vera Wang, Chanel, Christian Dior and Versace\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/qin-shupei)\n- [Biographical reference](https://en.wikipedia.org/wiki/Qin_Shupei)\n\nCite as: The Cast Index, \"Qin Shupei\", https://thecastindex.com/models/qin-shupei. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/quannah-chasinghorse","markdownUrl":"https://thecastindex.com/models/quannah-chasinghorse.md","title":"Quannah Chasinghorse","lastmod":"2026-09-25","sha256":"b2bd8adee7564553d35113795d0ceb0f6a719ab1c370985895c818fc3d5fe893","bytes":4278,"markdown":"# Quannah Chasinghorse\n\n> Source: https://thecastindex.com/models/quannah-chasinghorse — updated 2026-09-25\n\nAmerican model and activist. Tracked for Chanel and Gucci editorial and campaign visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 7 June 2002 (age 24) |\n| Birthplace | Tuba City, United States |\n| Nationality | United States |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | #34 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @quannah.rose |\n\nBirth date, birthplace and height: Wikidata Q108547788 (https://www.wikidata.org/wiki/Q108547788), retrieved 2026-09-25.\n\n## Known for\n\nChanel and Gucci editorial and campaign visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Chanel and Gucci editorial and campaign visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life and activism\n\nQuannah Rose Potts ChasingHorse was born on 6 June 2002 in Tuba City, Arizona, on the Navajo Nation, to Jody Potts-Joseph, who is Hän Gwich’in, and Nathan Lee Chasing His Horse, whose Lakota family traces descent from Crazy Horse. Raised largely by her mother in a subsistence Alaska Native lifestyle of hunting, fishing and dog mushing, she lived in Arizona, Mongolia and New Mexico as a small child before moving to Alaska at six, growing up in Kenny Lake and Fairbanks.\n\nChasinghorse became a land-rights activist well before her modelling career: she is a fourth-generation protector of the Arctic National Wildlife Refuge, helped lobby the U.S. Congress in 2019 in support of legislation to protect the refuge from oil drilling, and co-authored a Declaration for Climate Change State of Emergency presented to the Alaska Federation of Natives.\n\n### Entering fashion, 2020–2022\n\nChasinghorse’s first modelling job came in 2020, a Calvin Klein campaign tied to youth voting, and she signed with IMG Models that December. Her second major assignment was the cover of Vogue Mexico in May 2021. Her runway work has included Prabal Gurung, Gabriela Hearst, Chloé and Savage X Fenty; in May 2022 she attended the Met Gala in a Navajo-inspired outfit and walked her first New York Fashion Week runway the same week, a moment Refinery29 described as a breakout.\n\n### Advocacy recognition and screen work, 2023–2025\n\nChasinghorse was named a USA Today Women of the Year honoree in 2023 for her environmental and Indigenous-rights advocacy. She has continued combining modelling with documentary work, appearing in and co-producing \"Walking Two Worlds\" (2022), which won Best Documentary Short at the Santa Monica Film Festival, and narrating \"Bad River\" (2024), which earned a Critics’ Choice Documentary Award nomination for Best Narration, and \"The American Southwest\" (2025).\n\n### Recent record\n\nChasinghorse fronted Stella McCartney’s \"Chapter Two\" Summer campaign in 2024, continuing a client list that has also included Vogue Japan, V Magazine, Elle and Porter. She remains represented by IMG Models.\n\n## Quick facts\n\n- Born 6 June 2002 in Tuba City, Arizona, on the Navajo Nation; Hän Gwich’in and Sicangu/Oglala Lakota heritage\n- A fourth-generation land protector for the Arctic National Wildlife Refuge who helped lobby Congress in 2019 in support of Arctic Refuge protection legislation\n- First modelling job in 2020, a Calvin Klein youth-voting campaign, before signing with IMG Models that December\n- Fronted Vogue Mexico’s cover in May 2021 as her second major modelling assignment\n- Named a USA Today Women of the Year honoree in 2023 for environmental and Indigenous-rights advocacy\n- Narrated the 2024 documentary \"Bad River,\" which earned a Critics’ Choice Documentary Award nomination for Best Narration\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/quannah-chasinghorse)\n- [Biographical reference](https://en.wikipedia.org/wiki/Quannah_Chasinghorse)\n\nCite as: The Cast Index, \"Quannah Chasinghorse\", https://thecastindex.com/models/quannah-chasinghorse. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/raihan-fahrizal","markdownUrl":"https://thecastindex.com/models/raihan-fahrizal.md","title":"Raihan Fahrizal","lastmod":"2026-09-25","sha256":"f098cf336c5e3a438f0ad0ef8fb9c83b9abb0b7b9b2d5939842d5b4cd0175700","bytes":1501,"markdown":"# Raihan Fahrizal\n\n> Source: https://thecastindex.com/models/raihan-fahrizal — updated 2026-09-25\n\nIndonesian model from Bandung who won the Jakarta Fashion Week Model Search in 2021 and went on to become the first Indonesian male model to walk a Saint Laurent runway show.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Indonesia |\n| Disciplines | Runway, Menswear |\n| Agencies | Who Knows Models · Indonesia |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nFirst Indonesian male model to walk for Saint Laurent (Spring/Summer 2022 menswear, Venice), later walking for Louis Vuitton in Paris.\n\n\n## Evidence\n\n- First Indonesian male model to walk a Saint Laurent runway show (Spring/Summer 2022 Menswear, Venice).\n- Walked a Louis Vuitton Men's show in Paris (January 2024) and Paul Smith Fall/Winter 2022-23.\n- Current-season booking audit and confirmed agency representation are in progress.\n\n## Sources\n\n- [KapanLagi · Raihan Fahrizal at Saint Laurent](https://en.kapanlagi.com/celebrity/9-photos-of-raihan-fahrizal-the-first-male-indonesian-model-to-walk-the-saint-laurent-runway.html)\n- [Jakarta Fashion Week · Raihan at Paul Smith, Paris](https://www.jakartafashionweek.co.id/uncategorized/raihan-jadi-model-di-runway-paul-smith-di-paris-fashion-week/)\n- [Biographical reference](https://id.wikipedia.org/wiki/Raihan_Fahrizal)\n\nCite as: The Cast Index, \"Raihan Fahrizal\", https://thecastindex.com/models/raihan-fahrizal. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/raquel-zimmermann","markdownUrl":"https://thecastindex.com/models/raquel-zimmermann.md","title":"Raquel Zimmermann","lastmod":"2026-09-25","sha256":"bc417b97ebb096cb13bae4568d7f3b7684e3b35430c034a6f914b14157c5e5fa","bytes":3297,"markdown":"# Raquel Zimmermann\n\n> Source: https://thecastindex.com/models/raquel-zimmermann — updated 2026-09-25\n\nBrazilian supermodel. Tracked for Chanel and major luxury campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 6 May 1983 (age 43) |\n| Birthplace | Bom Retiro do Sul, Brazil |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | Brazil |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @raquel_zimmermann |\n\nBirth date, birthplace and height: Wikidata Q242592 (https://www.wikidata.org/wiki/Q242592), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major luxury campaign work\n\n\n## Evidence\n\n- Fronted Roberto Cavalli's 'Ethereal' Spring 2024 campaign, shot by Robin Galiegue, and walked Khaite's Fall/Winter 2026 runway.\n\n## Career\n\n### Early life\n\nRaquel Cristina Zimmermann was born on 6 July 1983 in Bom Retiro do Sul, Rio Grande do Sul, Brazil, descended from Bavarian-German immigrants who settled in the region in the 1800s. She began modelling in Brazil around 15 or 16 before her international breakthrough.\n\n### Early Vogue covers and a record ranking, 2000–2010\n\nZimmermann fronted her first Vogue Italia cover in September 2000, followed by a Vogue Paris cover the same year, and campaigns for Dior and Hermès in the early 2000s. In May 2007 she was featured in American Vogue’s \"World’s Next Top Models,\" and appeared in a Gucci fragrance commercial directed by David Lynch, alongside runway and campaign work for Balenciaga, Louis Vuitton and Versace. From December 2007 to February 2010 she ranked No. 1 on Models.com’s Top 50 industry ranking, and in 2009 was named one of Vogue Paris’s \"top 30 models of the decade.\"\n\n### Continued campaign work\n\nZimmermann appeared in Lady Gaga’s \"Born This Way\" video in 2011, was photographed for the 2015 Pirelli Calendar by Steven Meisel, and fronted a Versace Spring/Summer campaign in 2016, becoming a Revlon ambassador in 2018.\n\n### Recent record, 2024\n\nIn August 2024, Zimmermann returned to the cover of Vogue Brasil after a 13-year gap — her seventh cover for the title and 39th Vogue cover overall — shot by Chris Colls and styled in Nicolas Ghesquière’s Fall 2024 Louis Vuitton, with the cover line \"Life really begins at 40.\" She is represented by DNA Model Management in New York and VIVA Model Management in Paris and London.\n\n## Quick facts\n\n- Born 6 July 1983 in Bom Retiro do Sul, Rio Grande do Sul, Brazil, descended from Bavarian-German immigrants\n- Fronted her first Vogue Italia cover in September 2000\n- Ranked No. 1 on Models.com’s Top 50 industry ranking from December 2007 to February 2010\n- Named one of Vogue Paris’s \"top 30 models of the decade\" in 2009\n- Photographed for the 2015 Pirelli Calendar by Steven Meisel\n- Returned to the cover of Vogue Brasil in August 2024 after a 13-year gap, her 39th Vogue cover overall\n\n## Sources\n\n- [The Fashion Spot · Roberto Cavalli SS24, Raquel Zimmermann](https://forums.thefashionspot.com/threads/roberto-cavalli-s-s-2024-raquel-zimmermann-by-robin-galiegue.413969/)\n- [Biographical reference](https://en.wikipedia.org/wiki/Raquel_Zimmermann)\n\nCite as: The Cast Index, \"Raquel Zimmermann\", https://thecastindex.com/models/raquel-zimmermann. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/rianne-van-rompaey","markdownUrl":"https://thecastindex.com/models/rianne-van-rompaey.md","title":"Rianne van Rompaey","lastmod":"2026-09-25","sha256":"e3866f7feb04973d742e849d08bb395c256036c0fb2d497919aa3eb70e00ddec","bytes":3821,"markdown":"# Rianne van Rompaey\n\n> Source: https://thecastindex.com/models/rianne-van-rompaey — updated 2026-09-25\n\nDutch fashion model. Tracked for Chanel, Louis Vuitton and major editorial work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 3 January 1996 (age 30) |\n| Birthplace | Wageningen, Netherlands |\n| Nationality | Netherlands |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | #15 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @riannevanrompaey |\n\nBirth date, birthplace and height: Wikidata Q27063041 (https://www.wikidata.org/wiki/Q27063041), retrieved 2026-09-25.\n\n## Known for\n\nChanel, Louis Vuitton and major editorial work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Chanel, Louis Vuitton and major editorial work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nRianne Frida Loes van Rompaey was born on 3 January 1996 in Hoofddorp, North Holland, to Dutch and Belgian parents, and raised in Wageningen, Gelderland, where she attended Montessori School before completing her VWO diploma at Pantarijn College. She began modelling while still in school, submitting photographs to the agency Paparazzi Models; her first published shoot ran in Elle Netherlands’ January and February 2013 issues.\n\n### A Louis Vuitton exclusive, 2014–2016\n\nIn 2014, the designer Nicolas Ghesquière selected Van Rompaey as a Louis Vuitton exclusive, a defining early booking that led to campaign work including the Spring/Summer 2016 campaign alongside Jaden Smith. By 2016, Models.com had ranked her among its \"Top 50,\" describing her as one of the year’s biggest breakout stars, while both Elle UK and Harper’s Bazaar UK forecast a path to supermodel status; casting director Piergiorgio Del Moro told Vogue she would have \"a long career because of her personality.\"\n\n### A landmark 2019\n\nVan Rompaey’s biggest cover year came in 2019: four separate covers for Vogue Paris’s 1000th issue that September, plus March and May covers the same year, and three World Street Journal Magazine covers that same month. In December 2019, Models.com named her runner-up for Model of the Year.\n\n### Recent record\n\nVan Rompaey has since been ranked a Models.com \"Industry Icon,\" recognising more than seven years as a muse to major photographers including Patrick Demarchelier and Inez & Vinoodh, with cover credits across Vogue Italia, Vogue China, Vogue Germany, Vogue Japan, Vogue Korea, Vogue Russia, Vogue Netherlands and Vogue Paris (six or more times), plus The New York Times Style Magazine and Harper’s Bazaar. In 2024 she made her acting debut in the short film Faces, directed by David Findlay, and appeared in Chanel’s \"A Cinematic Story\" for its Autumn/Winter 2024/25 show.\n\n## Quick facts\n\n- First photoshoot published in Elle Netherlands, January/February 2013\n- Named a Louis Vuitton exclusive by Nicolas Ghesquière, 2014\n- Models.com \"Top 50\" and named one of the year’s biggest breakout stars, 2016\n- Four separate covers for Vogue Paris’s 1000th issue, September 2019\n- Runner-up for Models.com’s Model of the Year, December 2019\n- Ranked a Models.com \"Industry Icon\" for more than seven years as a muse to leading photographers including Patrick Demarchelier and Inez & Vinoodh\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/rianne-van-rompaey)\n- [Biographical reference](https://en.wikipedia.org/wiki/Rianne_Van_Rompaey)\n\nCite as: The Cast Index, \"Rianne van Rompaey\", https://thecastindex.com/models/rianne-van-rompaey. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/rila-fukushima","markdownUrl":"https://thecastindex.com/models/rila-fukushima.md","title":"Rila Fukushima","lastmod":"2026-09-25","sha256":"8c4be4854f96e7a0515eb2a1c851b9f8edad52e2d3936d066b8a153affee6944","bytes":2977,"markdown":"# Rila Fukushima\n\n> Source: https://thecastindex.com/models/rila-fukushima — updated 2026-09-25\n\nJapanese model and actress. Tracked for Louis Vuitton and major editorial visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 9 January 1980 (age 46) |\n| Birthplace | Tokyo, Japan |\n| Height | 168 cm (5 ft 6 in) |\n| Nationality | Japan |\n| Disciplines | Editorial, Campaigns |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @rila_fukushima |\n\nBirth date, birthplace and height: Wikidata Q7334155 (https://www.wikidata.org/wiki/Q7334155), retrieved 2026-09-25.\n\n## Known for\n\nLouis Vuitton and major editorial visibility\n\n\n## Evidence\n\n- Louis Vuitton and major editorial visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nRila Fukushima was born in Tokyo, Japan. She applied for an administrative or model-agent job at a Tokyo agency and was persuaded to model instead, breaking through with a Dolce & Gabbana campaign in 2004, followed by work with Kenzo and Gap.\n\n### Fashion recognition and a pivot to acting, 2013–2015\n\nFukushima was named Vogue Japan’s \"Woman of the Year\" in 2013, the same year she made her Hollywood film debut as Yukio in The Wolverine. She followed this with a role in the Japanese Taiga drama Gunshi Kanbei in 2014 and joined The CW’s Arrow that year as Tatsu Yamashiro, a recurring role she held through 2019 across 16 episodes; she also appeared in a 2015 episode of Game of Thrones.\n\n### Continued fashion and screen work\n\nFukushima opened Louis Vuitton’s Cruise show in Kyoto in 2017, reflecting her status as a long-time muse of designer Nicolas Ghesquière, and appeared on Vogue Japan’s June 2017 cover alongside Léa Seydoux, Jennifer Connelly and Michelle Williams. Her film work includes Ghost in the Shell (2017), and her television credits include Million Yen Women (2017), Blindspot (2018) and a voice role in Castlevania (2020). She has been a member of the Business of Fashion 500 since 2017.\n\n## Quick facts\n\n- Born in Tokyo, Japan; applied for an administrative job at a Tokyo modelling agency and was persuaded to model instead\n- Broke through with a Dolce & Gabbana campaign in 2004, followed by Kenzo and Gap\n- Named Vogue Japan’s \"Woman of the Year\" in 2013\n- Played Yukio in the 2013 film The Wolverine, her Hollywood film debut\n- Held a recurring role as Tatsu Yamashiro in The CW’s Arrow, 2014–2019\n- Opened Louis Vuitton’s Cruise show in Kyoto in 2017, reflecting her status as a long-time muse of designer Nicolas Ghesquière\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/rila-fukushima)\n- [Biographical reference](https://en.wikipedia.org/wiki/Rila_Fukushima)\n\nCite as: The Cast Index, \"Rila Fukushima\", https://thecastindex.com/models/rila-fukushima. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/rizal-rama","markdownUrl":"https://thecastindex.com/models/rizal-rama.md","title":"Rizal Rama","lastmod":"2026-09-25","sha256":"403f151b9b8fc4cb65c4a94c5a79418f76131bc3ad2e887f8d41aec23f0e4270","bytes":1792,"markdown":"# Rizal Rama\n\n> Source: https://thecastindex.com/models/rizal-rama — updated 2026-09-25\n\nIndonesian model from Surabaya named Jakarta Fashion Week 2021 Icon, who has since walked Milan and Paris Fashion Week for Fendi, Comme des Garçons, Wooyoungmi and other major houses.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Indonesia |\n| Disciplines | Runway, Editorial |\n| Agencies | Persona Management · Indonesia; Select Model Management · Paris; D'Management Group · Milan |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nWalked Fendi Menswear at Milan Fashion Week and opened and closed Wooyoungmi as first face at Paris Fashion Week; featured in Harper’s Bazaar US and on the cover of Vogue Singapore.\n\n\n## Evidence\n\n- Walked Fendi Menswear at Milan Fashion Week, Fall/Winter 2022 (January 2022).\n- Opened and closed Wooyoungmi as first face at Paris Fashion Week, and walked Comme des Garçons, Namacheko, Onitsuka Tiger, SOLID HOMME and Homme Plissé Issey Miyake across the 2022–2025 Paris seasons.\n- Featured in an editorial for Harper's Bazaar US and on the cover of Vogue Singapore.\n\n## Sources\n\n- [Jakarta Fashion Week · Rizal Rama, first face at Wooyoungmi, Paris](https://www.jakartafashionweek.co.id/news/rizal-rama-menjadi-first-face-di-show-wooyoungmi-di-paris-fashion-week/)\n- [Female Daily · Rizal Rama at Paris Fashion Week 2022](https://editorial.femaledaily.com/blog/2022/03/20/5-potret-rizal-rama-model-indonesia-yang-melangkah-di-paris-fashion-week-2022)\n- [Tempo · Rizal Rama, Vogue Singapore cover](https://seleb.tempo.co/read/1783268/model-asal-surabaya-rizal-rama-jadi-sampul-majalah-vogue-singapura)\n\nCite as: The Cast Index, \"Rizal Rama\", https://thecastindex.com/models/rizal-rama. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/sara-sampaio","markdownUrl":"https://thecastindex.com/models/sara-sampaio.md","title":"Sara Sampaio","lastmod":"2026-09-25","sha256":"bed967c0932d66a88c371e0387452c3878933d6d1944d921c51938dbece6f630","bytes":4045,"markdown":"# Sara Sampaio\n\n> Source: https://thecastindex.com/models/sara-sampaio — updated 2026-09-25\n\nPortuguese actress and model. Tracked for Armani Beauty and international campaigns.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 21 July 1991 (age 35) |\n| Birthplace | Porto, Portugal |\n| Height | 172 cm (5 ft 8 in) |\n| Nationality | Portugal |\n| Disciplines | Beauty, Campaigns |\n| Cast Index | #46 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @sarasampaio |\n\nBirth date, birthplace and height: Wikidata Q10368401 (https://www.wikidata.org/wiki/Q10368401), retrieved 2026-09-25.\n\n## Known for\n\nArmani Beauty and international campaigns\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Armani Beauty and international campaigns.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nSara Pinto Sampaio was born on 21 July 1991 in Porto, Portugal, to Armando Sampaio, who ran a scuba-diving company, and Cristina Sampaio, who worked in an import business. She began modelling around 15 or 16, winning the \"Cabelos Pantene\" hair-modelling contest in 2007, which led to Portuguese commercials and her first agency signing.\n\n### Early campaigns and Victoria’s Secret debut, 2011–2014\n\nSampaio’s early designer work included Replay’s Fall/Winter 2011/12 campaign alongside Irina Shayk, Blumarine’s alongside Adriana Lima, and an Armani campaign the same season, followed by a Calzedonia summer campaign shot by Raphael Mazzucco and an April 2012 Portuguese Vogue cover. In 2013 she made her Victoria’s Secret Fashion Show debut, walking the Pink segment, and won ¡Hola! magazine’s \"Revelation Model of the Year.\" She walked two segments of the show in 2014, and was named Sports Illustrated Swimsuit’s \"Rookie of the Year\" that year.\n\n### Victoria’s Secret Angel and continued campaign work, 2015–2018\n\nSampaio was promoted to full Victoria’s Secret Angel status in 2015, making her first runway appearance in the role that December, alongside a May 2015 Maxim US cover photographed by Gilles Bensimon. She walked the show again in Paris in 2016, and appeared in music videos for Nick Jonas, Kanye West and David Guetta featuring Justin Bieber between 2016 and 2017. She made her film debut, playing herself, in The Clapper in 2017, and relocated to Los Angeles in 2018 to pursue acting, taking a role in the film Carga.\n\n### A turn to acting, 2019–2025\n\nSampaio won the Portuguese Golden Globes’ \"Fashion Personality of the Year\" award in 2019, and continued building an acting career with film roles in Crisis and Sombra (2021) and Wifelike (2022). In 2023 she was cast as Eve Teschmacher in DC Studios’ Superman, which was released theatrically in July 2025 — her live-action film debut in a major studio release. Across her career she has been named Portuguese Golden Globes Best Female Model five times, between 2011 and 2016, and is represented by The Lions in New York and Los Angeles and Elite Model Management in Paris.\n\n## Quick facts\n\n- Born 21 July 1991 in Porto, Portugal; won the \"Cabelos Pantene\" hair-modelling contest in 2007\n- Made her Victoria’s Secret Fashion Show debut in 2013, walking the Pink segment\n- Named Sports Illustrated Swimsuit \"Rookie of the Year\" in 2014\n- Promoted to full Victoria’s Secret Angel status in 2015\n- Won Portuguese Golden Globes Best Female Model five times between 2011 and 2016\n- Cast as Eve Teschmacher in DC Studios’ Superman, released July 2025 — her live-action film debut\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/sara-sampaio)\n- [Biographical reference](https://en.wikipedia.org/wiki/Sara_Sampaio)\n\nCite as: The Cast Index, \"Sara Sampaio\", https://thecastindex.com/models/sara-sampaio. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/serena-abou-sefyan","markdownUrl":"https://thecastindex.com/models/serena-abou-sefyan.md","title":"Serena Abou Sefyan","lastmod":"2026-09-25","sha256":"f8a1d390b5c912b0260c9d60a27e9a8389a7b9fc23db92bcbcc6d4aa1b4cad48","bytes":1354,"markdown":"# Serena Abou Sefyan\n\n> Source: https://thecastindex.com/models/serena-abou-sefyan — updated 2026-09-25\n\nLebanese-Armenian model raised in Lebanon, whose international breakthrough came opening a major Milan show in 2026.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Lebanon |\n| Disciplines | Runway, Campaigns |\n| Agencies | Signed exclusively to Fendi |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nOpened Fendi’s Autumn/Winter 2026 show — Maria Grazia Chiuri’s debut for the house — and signed an exclusive contract with Fendi.\n\n\n## Evidence\n\n- Opened Fendi’s Autumn/Winter 2026 show at Milan Fashion Week — Maria Grazia Chiuri’s debut collection for the house — and signed an exclusive contract with Fendi as a result.\n- Campaign credits include Chanel Beauty, Etro eyewear and Ramadan projects for Gucci and Jil Sander.\n\n## Sources\n\n- [Armenian Mirror-Spectator · Serena Abou Sefian opens Fendi AW26](https://mirrorspectator.com/2026/06/11/meet-serena-abou-sefian-the-lebanese-armenian-model-opening-fendis-aw26-show/)\n- [Beiruting · Serena Sefyan](https://www.beiruting.com/news/141399/serena-sefyan-the-lebanese-face-that-opened-fendi%E2%80%99s-new-era)\n\nCite as: The Cast Index, \"Serena Abou Sefyan\", https://thecastindex.com/models/serena-abou-sefyan. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/serkan-deniz","markdownUrl":"https://thecastindex.com/models/serkan-deniz.md","title":"Serkan Deniz","lastmod":"2026-09-25","sha256":"e68ec6799b283c4ce71dc3628f65c543dfe7f08944e942b302fda42b5cdeda02","bytes":1087,"markdown":"# Serkan Deniz\n\n> Source: https://thecastindex.com/models/serkan-deniz — updated 2026-09-25\n\nTurkish model represented by Ford Models Paris, who broke through on the men’s runway circuit in 2025.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Turkey |\n| Disciplines | Runway, Menswear |\n| Agencies | Ford Models · Paris; MA11 Management · Copenhagen |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nOpened the Prada Fall/Winter 2025 menswear show at Milan Fashion Week in his runway debut.\n\n\n## Evidence\n\n- Opened the Prada Fall/Winter 2025 menswear show at Milan Fashion Week — widely reported as his runway debut.\n- Featured in Dazed’s Spring 2026 “Unearth Me” issue.\n\n## Sources\n\n- [Stitch Fashion · Prada FW25 Menswear review](http://www.stitchfashion.com/home//prada-goes-buck-wild-during-milan-fashion-week-mens)\n- [Tag Walk · Serkan Deniz](https://www.tag-walk.com/en/model/serkan-deniz?model=serkan-deniz)\n\nCite as: The Cast Index, \"Serkan Deniz\", https://thecastindex.com/models/serkan-deniz. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/shahnaz-indira","markdownUrl":"https://thecastindex.com/models/shahnaz-indira.md","title":"Shahnaz Indira","lastmod":"2026-09-25","sha256":"2686b52bb30bea0f5ecdbbaeaf81f1e887cfb7afcf85bfab3979b883d2c0ec12","bytes":1366,"markdown":"# Shahnaz Indira\n\n> Source: https://thecastindex.com/models/shahnaz-indira — updated 2026-09-25\n\nIndonesian model signed with MiLK Model Management in London who walked for Simone Rocha at London Fashion Week, later walking for Coach at New York Fashion Week.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Indonesia |\n| Disciplines | Runway, Editorial |\n| Agencies | MiLK Model Management · London |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nWalked for Simone Rocha at London Fashion Week Spring/Summer 2023, and for Coach at New York Fashion Week.\n\n\n## Evidence\n\n- Walked for Simone Rocha at London Fashion Week Spring/Summer 2023 (September 2022).\n- Walked Coach's Fall 2025 show at New York Fashion Week (February 2025).\n- Current-season booking audit and confirmed agency representation are in progress.\n\n## Sources\n\n- [The Jakarta Post · Shahnaz Indira at London Fashion Week](https://www.thejakartapost.com/culture/2022/09/22/indonesian-model-shahnaz-indira-makes-debut-at-london-fashion-week.html)\n- [Kumparan · Shahnaz Indira at Coach, New York Fashion Week](https://kumparan.com/kumparanwoman/model-indonesia-shahnaz-indira-tampil-di-runway-coach-di-new-york-fashion-week-24WIDxQ4srJ)\n\nCite as: The Cast Index, \"Shahnaz Indira\", https://thecastindex.com/models/shahnaz-indira. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/shanina-shaik","markdownUrl":"https://thecastindex.com/models/shanina-shaik.md","title":"Shanina Shaik","lastmod":"2026-09-25","sha256":"5629c066f042936748efaa799e0a2e19ec90190f6baf63c03a01baca41b1655e","bytes":3237,"markdown":"# Shanina Shaik\n\n> Source: https://thecastindex.com/models/shanina-shaik — updated 2026-09-25\n\nAustralian model. Tracked for Victoria’s Secret and international campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 11 February 1991 (age 35) |\n| Birthplace | Melbourne, Australia |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | Australia |\n| Disciplines | Campaigns, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @shaninamshaik |\n\nBirth date, birthplace and height: Wikidata Q7488652 (https://www.wikidata.org/wiki/Q7488652), retrieved 2026-09-25.\n\n## Known for\n\nVictoria’s Secret and international campaign work\n\n\n## Evidence\n\n- Victoria’s Secret and international campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nShanina Shaik was born on 11 February 1991 in Melbourne, Australia, to an Australian mother of Lithuanian descent and a father born in Singapore of Pakistani and Saudi Arabian descent. She modelled as a child, including work for Myer and a Hyundai commercial at age 8, and at 15 entered the Girlfriend magazine model competition and competed on the Australian reality series Make Me a Supermodel, finishing runner-up.\n\n### Runway debut and Victoria’s Secret, 2009–2012\n\nShaik made her professional runway debut in the Autumn/Winter 2009 season in New York, walking eight or more shows, including Yeohlee, Betsey Johnson, Catherine Malandrino and Oscar de la Renta. In 2011 she was cast in the Victoria’s Secret Fashion Show and signed with NEXT Model Management, and the following year opened for Jason Wu and walked for Tom Ford, Stella McCartney and Vivienne Westwood.\n\n### Recent record, 2016–2026\n\nShaik became a brand ambassador for Seafolly swimwear in 2016, and her cover credits include Cosmopolitan, Cleo, Vogue India and multiple editions of Harper’s Bazaar. She gave birth to her first child in September 2022. In 2026 she attended Paris Fashion Week events including an Hourglass cosmetics dinner and a Victoria Beckham presentation in March, walked Australian Fashion Week for heritage label Carla Zampatti in May, and fronted a social-media campaign for Australian label Dissh that June. She is represented by The Lions in New York and IMG Models across Paris, London and Milan.\n\n## Quick facts\n\n- Born 11 February 1991 in Melbourne, Australia, to an Australian mother of Lithuanian descent and a father of Pakistani and Saudi Arabian descent\n- Runner-up on the Australian reality series Make Me a Supermodel at 15\n- Runway debut in the Autumn/Winter 2009 season in New York, walking eight or more shows\n- Cast in the Victoria’s Secret Fashion Show in 2011\n- Became a brand ambassador for Seafolly swimwear in 2016\n- Walked Australian Fashion Week for heritage label Carla Zampatti in May 2026\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/shanina-shaik)\n- [Biographical reference](https://en.wikipedia.org/wiki/Shanina_Shaik)\n\nCite as: The Cast Index, \"Shanina Shaik\", https://thecastindex.com/models/shanina-shaik. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/sora-choi","markdownUrl":"https://thecastindex.com/models/sora-choi.md","title":"Sora Choi","lastmod":"2026-09-25","sha256":"ac4d1bee4ddb2abf12ec9b60ea2495367f2991cd3f82da1d2f879823069c5b6b","bytes":4120,"markdown":"# Sora Choi\n\n> Source: https://thecastindex.com/models/sora-choi — updated 2026-09-25\n\nSouth Korean model with sustained international runway, campaign and editorial authority.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 5 September 1992 (age 34) |\n| Birthplace | Seoul, South Korea |\n| Nationality | South Korea |\n| Disciplines | Runway, Editorial |\n| Cast Index | #9 · 89.5/100 (2026-10-05 snapshot) |\n| Instagram | @sola5532 |\n\nBirth date, birthplace and height: Wikidata Q62128008 (https://www.wikidata.org/wiki/Q62128008), retrieved 2026-09-25.\n\n## Known for\n\nRecognised by Models.com as an Industry Icon.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 88 |\n| Campaigns | 30% | 91 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 90 |\n\n## Evidence\n\n- Recognised in the Models.com Industry Icons category.\n- International runway and campaign record spans major fashion markets; detailed 2026 booking audit is in progress.\n\n## Career\n\n### Early life and discovery\n\nSora Choi was born on 5 September 1992 in Bucheon, South Korea, and studied modelling at Dongduk Women’s University. She was scouted by chance in high school: while accompanying a friend to a casting, Choi herself was offered the contract instead. She made her first runway appearance at a fashion-college graduation show, and her national breakthrough came in 2012 when she won the third cycle of Korea’s Next Top Model, the same year she landed her first W Korea editorial and cover.\n\n### International breakthrough, 2013–2016\n\nChoi’s international career opened with Christopher Raeburn’s Spring 2014 show in September 2013, followed by her official international runway debut at Louis Vuitton’s cruise show in Monaco in May 2014. By spring 2015 she had become the first South Korean model named a Louis Vuitton city exclusive for Paris Fashion Week, personally chosen by Nicolas Ghesquière, and the first Asian model to walk for Calvin Klein that season. In spring 2016 she became the first Asian model to walk Hedi Slimane’s Saint Laurent show; Vogue described her that year as \"one of the most popular faces on the runways\" after more than 50 shows in a single Fall season.\n\n### Record-setting runway years, 2017–2022\n\nChoi was named to Models.com’s Top 50 in 2017, and in 2019 she walked 89 shows — more than any other model that year. In December 2020 she won Models.com’s Readers’ Choice Model of the Year award, and from 2021 she has been ranked among the platform’s \"Industry Icons.\" In October 2021 she received the Minister of Culture, Sports, and Tourism Commendation at Korea’s Popular Culture and Arts Awards, and in October 2022 was named to The Business of Fashion’s BoF 500.\n\n### Recent record\n\nIn April 2023, Choi closed Louis Vuitton’s first Pre-Fall runway show, staged on Seoul’s Jamsu Bridge, and the following month opened Gucci’s first Cruise show in Asia at Gyeongbokgung Palace. She featured in Victoria’s Secret’s \"The Tour ’23\" that September. After a break, she returned in 2025 with Dolce & Gabbana’s Steven Meisel–shot Spring/Summer 2025 campaign and closed Prada’s Fall/Winter 2025 show in Milan. As of 2024, her career totalled 537 runway shows and 17 Vogue covers — among the largest bodies of runway work of any working model.\n\n## Quick facts\n\n- Won Korea’s Next Top Model, cycle 3, 2012\n- First South Korean model named a Louis Vuitton city exclusive for Paris Fashion Week, chosen by Nicolas Ghesquière, spring 2015\n- First Asian model to walk for Hedi Slimane’s Saint Laurent, spring 2016\n- Walked the most runway shows of any model in 2019 — 89 shows that year\n- Models.com Readers’ Choice Model of the Year, December 2020; ranked an \"Industry Icon\" since 2021\n- As of 2024, 537 career runway shows and 17 Vogue covers\n\n## Sources\n\n- [Models.com Industry Icons](https://models.com/rankings/ui/IndustryIcons)\n- [Public biography](https://en.wikipedia.org/wiki/Sora_Choi)\n\nCite as: The Cast Index, \"Sora Choi\", https://thecastindex.com/models/sora-choi. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/stella-maxwell","markdownUrl":"https://thecastindex.com/models/stella-maxwell.md","title":"Stella Maxwell","lastmod":"2026-09-25","sha256":"8e1f3445d27167687ce7dca52542e8fa1555eaa8a79821cb5ba18a641abb6204","bytes":3222,"markdown":"# Stella Maxwell\n\n> Source: https://thecastindex.com/models/stella-maxwell — updated 2026-09-25\n\nBritish and Irish Model. Tracked for Mugler and international runway visibility.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 15 May 1990 (age 36) |\n| Birthplace | Brussels, Belgium |\n| Height | 179 cm (5 ft 10 in) |\n| Nationality | Belgium |\n| Disciplines | Runway, Campaigns |\n| Cast Index | #47 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @stellamaxwell |\n\nBirth date, birthplace and height: Wikidata Q18637716 (https://www.wikidata.org/wiki/Q18637716), retrieved 2026-09-25.\n\n## Known for\n\nMugler and international runway visibility\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Mugler and international runway visibility.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nStella Maynes Maxwell was born on 15 May 1990 in Brussels, Belgium, to Northern Irish parents; her father, Maurice Maxwell, was a retired diplomat who headed the European Commission office in Belfast. She was raised in Brussels until 13, then Canberra, Australia, and finally Wellington, New Zealand from 14, attending Queen Margaret College and the University of Otago in Dunedin, where she was scouted while working at a newsstand as a student.\n\n### Victoria’s Secret years, 2014–2018\n\nMaxwell began modelling professionally after finishing university, and walked the Victoria’s Secret Fashion Show for the first time in London in 2014, becoming a full Victoria’s Secret Angel in April 2015. She walked the show again in Paris in 2016, the same year she was ranked No. 1 on Maxim’s \"Hot 100 List.\" Her runway and campaign work through this period included Alexander McQueen, Asos, H&M, Jeremy Scott, Marc Jacobs, Tommy Hilfiger, Chanel, Versace and Fendi, alongside campaigns for Karl Lagerfeld.\n\n### Recent record, 2025\n\nMaxwell rejoined the Victoria’s Secret Fashion Show cast in 2025, her first appearance on the runway since 2018, in a show that streamed on Prime Video on 15 October 2025. She is represented by The Society Management, Elite Model Management and the Kate Moss Agency.\n\n## Quick facts\n\n- Born 15 May 1990 in Brussels to Northern Irish parents; raised in Brussels, Canberra and Wellington\n- Scouted while working at a newsstand as a university student in Dunedin, New Zealand\n- Walked the Victoria’s Secret Fashion Show in 2014 and was named a full Angel in April 2015\n- Ranked No. 1 on Maxim’s \"Hot 100 List\" in 2016\n- Runway and campaign work includes Alexander McQueen, Chanel, Versace and Fendi\n- Rejoined the Victoria’s Secret Fashion Show cast in 2025, her first appearance on the runway since 2018\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/stella-maxwell)\n- [Biographical reference](https://en.wikipedia.org/wiki/Stella_Maxwell)\n\nCite as: The Cast Index, \"Stella Maxwell\", https://thecastindex.com/models/stella-maxwell. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/sui-he","markdownUrl":"https://thecastindex.com/models/sui-he.md","title":"Sui He","lastmod":"2026-09-25","sha256":"3b5694fafd0ef55184ddfed92a6622f72ec5fab0f864aaa801d0d84ac94dc6a4","bytes":3206,"markdown":"# Sui He\n\n> Source: https://thecastindex.com/models/sui-he — updated 2026-09-25\n\nChinese model and actress. Tracked for Shiseido and major international runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 23 September 1989 (age 37) |\n| Birthplace | Wenzhou, People's Republic of China |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Beauty, Runway |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @hesui923 |\n\nBirth date, birthplace and height: Wikidata Q8965155 (https://www.wikidata.org/wiki/Q8965155), retrieved 2026-09-25.\n\n## Known for\n\nShiseido and major international runway work\n\n\n## Evidence\n\n- Shiseido and major international runway work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nHe Sui, known professionally as Sui He, was born on 23 September 1989 in Wenzhou, Zhejiang, China, and was a member of her city’s competitive swim team for seven years before modelling. At 17, while still in high school, she entered and won a Chinese modelling contest, then signed with a Beijing agency.\n\n### A Ralph Lauren breakthrough, 2011\n\nHe made her runway debut in the Spring/Summer 2011 season, but her breakout came that Fall/Winter, when she opened for Ralph Lauren — becoming, per her own biography, the first East Asian model to open a Ralph Lauren runway show. She was named to New York Magazine’s Fall 2011 \"Top 10 Faces,\" and that October fronted a cover of W magazine while still a relative unknown.\n\n### Victoria’s Secret and beauty ambassadorship, 2011–2018\n\nHe walked the Victoria’s Secret Fashion Show across multiple years between 2011 and 2018, the second Chinese model to do so after Liu Wen, and in 2012 was named Shiseido’s first Asian global spokesmodel. Alongside modelling she took on film and television roles between 2014 and 2020, including Temporary Family and Running Man China.\n\n### Recent record, 2023–2025\n\nHe walked Ralph Lauren’s Spring/Summer 2024 show on 10 September 2023 and appeared in De Beers’s Holiday 2023 campaign. In October 2025 she announced the birth of her first child with Hong Kong actor William Chan, and made a postpartum professional return that December with a cover shoot for Harper’s Bazaar China.\n\n## Quick facts\n\n- Born 23 September 1989 in Wenzhou, Zhejiang, China; a competitive swimmer for seven years before modelling\n- Won a Chinese modelling contest at 17 while still in high school\n- Became, per her own record, the first East Asian model to open a Ralph Lauren runway show, in the Fall/Winter 2011 season\n- The second Chinese model, after Liu Wen, to walk the Victoria’s Secret Fashion Show\n- Named Shiseido’s first Asian global spokesmodel in 2012\n- Announced the birth of her first child with Hong Kong actor William Chan in October 2025\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/sui-he)\n- [Biographical reference](https://en.wikipedia.org/wiki/Sui_He)\n\nCite as: The Cast Index, \"Sui He\", https://thecastindex.com/models/sui-he. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/tao-okamoto","markdownUrl":"https://thecastindex.com/models/tao-okamoto.md","title":"Tao Okamoto","lastmod":"2026-09-25","sha256":"81a5c8e710d58117bf6fbc49b52c261acc9ee34b53ed7f44116ebc9522f8d2b3","bytes":3465,"markdown":"# Tao Okamoto\n\n> Source: https://thecastindex.com/models/tao-okamoto — updated 2026-09-25\n\nJapanese actress. Tracked for Max Mara and major international fashion work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 22 May 1985 (age 41) |\n| Birthplace | Chiba, Japan |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | Japan |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @taookamoto |\n\nBirth date, birthplace and height: Wikidata Q4353280 (https://www.wikidata.org/wiki/Q4353280), retrieved 2026-09-25.\n\n## Known for\n\nMax Mara and major international fashion work\n\n\n## Evidence\n\n- Max Mara and major international fashion work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nTao Okamoto, who modelled under the mononym \"Tao,\" was born on 22 May 1985 in Ichikawa, Chiba, Japan, and began modelling as a teenager, scouted in Tokyo at 14. She relocated to Paris in 2006 to build an international career, making her European runway debut around that time, before moving to New York in 2009.\n\n### A modelling career and a pivot to film, 2009–2013\n\nIn New York, Okamoto became a face associated with Ralph Lauren and was featured on the cover of Vogue Nippon in November 2009. In 2010 she was named Model of the Year by the Japan Fashion Editor’s Club and one of Vogue Nippon’s \"Women of the Year,\" with campaign work for Dolce & Gabbana, Emporio Armani and Kenzo alongside runway and editorial ties to Chanel, Louis Vuitton and Gucci. Her pivot into acting came in 2013, with a film debut as Mariko Yashida in The Wolverine, opposite Hugh Jackman.\n\n### Building a screen career, 2014–2020\n\nOkamoto was cast as Chiyoh in NBC’s Hannibal in 2014, and the following year played Betty Kasoura in Amazon’s The Man in the High Castle and starred in the film Crossroads. In 2016 she played Mercy Graves in Batman v Superman: Dawn of Justice, and from 2018 to 2020 held a recurring role as Hanaryo in HBO’s Westworld.\n\n### Recent record, 2026\n\nIn May 2026, Okamoto won Best Actress at the Cannes Film Festival, shared with Belgian actress Virginie Efira, for her performance as terminally ill theatre director Mari Morisaki in Ryusuke Hamaguchi’s film All of a Sudden — reportedly the first time a Japanese woman has won the award. She continues to be represented for modelling by Elite Model Management in Paris and The Society Management.\n\n## Quick facts\n\n- Born 22 May 1985 in Ichikawa, Chiba, Japan; began modelling in Japan at 14\n- Moved to Paris in 2006 to build an international career, then to New York in 2009\n- Named Model of the Year by the Japan Fashion Editor’s Club in 2010\n- Made her film acting debut as Mariko Yashida in The Wolverine (2013), opposite Hugh Jackman\n- Played Chiyoh in NBC’s Hannibal (2014) and Hanaryo in HBO’s Westworld (2018–2020)\n- Won Best Actress at the Cannes Film Festival in May 2026, shared with Virginie Efira, for Ryusuke Hamaguchi’s film All of a Sudden — reportedly the first Japanese woman to win the award\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/tao-okamoto)\n- [Biographical reference](https://en.wikipedia.org/wiki/Tao_Okamoto)\n\nCite as: The Cast Index, \"Tao Okamoto\", https://thecastindex.com/models/tao-okamoto. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/taylor-hill","markdownUrl":"https://thecastindex.com/models/taylor-hill.md","title":"Taylor Hill","lastmod":"2026-09-25","sha256":"f855ac4e3f2ff9396dd2aa1b9dcbdc1c57eba2c7b8e8e3e43f1d3a5d1f7b2b28","bytes":3582,"markdown":"# Taylor Hill\n\n> Source: https://thecastindex.com/models/taylor-hill — updated 2026-09-25\n\nAmerican model. Tracked for Ralph Lauren and international beauty campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 5 March 1996 (age 30) |\n| Birthplace | Palatine, United States |\n| Height | 178 cm (5 ft 10 in) |\n| Nationality | United States |\n| Disciplines | Campaigns, Beauty |\n| Cast Index | #33 · 84.5/100 (2026-10-05 snapshot) |\n| Instagram | @taylor_hill |\n\nBirth date, birthplace and height: Wikidata Q19667921 (https://www.wikidata.org/wiki/Q19667921), retrieved 2026-09-25.\n\n## Known for\n\nRalph Lauren and international beauty campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 81 |\n| Campaigns | 30% | 87 |\n| Editorial | 20% | 86 |\n| Cultural | 10% | 88 |\n\n## Evidence\n\n- Ralph Lauren and international beauty campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life\n\nTaylor Marie Hill was born on 5 March 1996 in Palatine, Illinois, and raised in Arvada, Colorado. She was discovered in 2011, at age 14, by talent agent Jim Jordan at a ranch in Granby, Colorado, while riding horses with her family.\n\n### Early career and Victoria’s Secret, 2013–2015\n\nHill’s career began in 2013 with Intimissimi catalogue work and Forever 21 campaigns. In 2014 she added an H&M campaign and became the face of Rosa Cha, the same year she walked the Victoria’s Secret Fashion Show for the first time, its youngest model at 18. In 2015 she became a full Victoria’s Secret Angel, walked for Versus Versace, and was named \"Model of the Year\" in social media at the Fashion Media Awards that August.\n\n### Campaign work, 2016–2018\n\nHill debuted at No. 17 on Forbes’ \"World’s Top-Earning Models\" list in 2016, with estimated earnings of $4 million, the same year she was named the face of Lancôme in July. Her campaign roster through 2018 included Jimmy Choo, shot by Craig McDean; Michael Kors, shot by Mario Testino; Topshop, shot by Giampaolo Sgura; David Yurman, shot by Bruce Weber; and Joe’s Jeans, shot by Mario Sorrenti. She continued walking the Victoria’s Secret Fashion Show annually through 2018, alongside runway credits for Versace, Valentino, Chanel, Armani and Moschino.\n\n### Recent record\n\nHill took a film role in Stealing Pulp Fiction in 2024, playing \"Rachel.\" She married equestrian Daniel Fryer on 10 June 2023 in Winter Park, Colorado, having become engaged in June 2021. She is represented by IMG Models worldwide, alongside Modelwerk in Hamburg, Visage Management in Zurich, and White Cross Management in Los Angeles.\n\n## Quick facts\n\n- Born 5 March 1996 in Palatine, Illinois; discovered at 14 while horseback riding in Granby, Colorado\n- Walked the Victoria’s Secret Fashion Show for the first time in 2014, its youngest model that year at 18\n- Became a Victoria’s Secret Angel in 2015\n- Debuted at No. 17 on Forbes’ \"World’s Top-Earning Models\" list in 2016, with estimated earnings of $4 million\n- Named the face of Lancôme in July 2016\n- Walked the Victoria’s Secret Fashion Show annually from 2014 through 2018\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/taylor-hill)\n- [Biographical reference](https://en.wikipedia.org/wiki/Taylor_Hill_(model))\n\nCite as: The Cast Index, \"Taylor Hill\", https://thecastindex.com/models/taylor-hill. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/viknes-waren","markdownUrl":"https://thecastindex.com/models/viknes-waren.md","title":"Viknes Waren","lastmod":"2026-09-25","sha256":"0e047dc1eb793298fd373e778bead144e5967df14c9d1dcd290e0829e59b58db","bytes":1480,"markdown":"# Viknes Waren\n\n> Source: https://thecastindex.com/models/viknes-waren — updated 2026-09-25\n\nIndonesian model raised in Yogyakarta, named Jakarta Fashion Week 2023 Icon, who has since walked international runways for Jacquemus, Yohji Yamamoto and Junya Watanabe.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Indonesia |\n| Disciplines | Runway, Menswear |\n| Agencies | Persona Management · Jakarta; Elite Model Management · Milan |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nJakarta Fashion Week 2023 Icon who made his international runway debut with Neil Barrett in 2023, then walked Paris Fashion Week, including Jacquemus.\n\n\n## Evidence\n\n- Named Jakarta Fashion Week 2023 Icon, selected from over 900 applicants.\n- Made his international runway debut with Neil Barrett in Europe (June 2023), then walked Paris Fashion Week for Jacquemus, Yohji Yamamoto and Junya Watanabe.\n- Current-season booking audit and confirmed agency representation are in progress.\n\n## Sources\n\n- [Jakarta Fashion Week · naming Viknes Waren a 2023 Icon](https://www.jakartafashionweek.co.id/JFW-2023/jacey-viknes-wajah-generasi-baru-mode-tanah-air)\n- [RCTI+ · Viknes Waren at Jacquemus](https://www.rctiplus.com/news/detail/gaya-hidup/5417727/viknes-waren-mahaputra-model-asal-indonesia-di-fashion-show-jacquemus-terbaru-ini-fotonya)\n\nCite as: The Cast Index, \"Viknes Waren\", https://thecastindex.com/models/viknes-waren. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/vilma-sjoberg","markdownUrl":"https://thecastindex.com/models/vilma-sjoberg.md","title":"Vilma Sjöberg","lastmod":"2026-09-25","sha256":"7636d603c3fc33c5024c44a0d47a7a0853bbc25449fa0069e0869e28016d9326","bytes":882,"markdown":"# Vilma Sjöberg\n\n> Source: https://thecastindex.com/models/vilma-sjoberg — updated 2026-09-25\n\nSwedish fashion model. Tracked for Alexander McQueen opening look and Saint Laurent, Hermès runway work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | Sweden |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nAlexander McQueen opening look and Saint Laurent, Hermès runway work\n\n\n## Evidence\n\n- Alexander McQueen opening look and Saint Laurent, Hermès runway work.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Sources\n\n- [Biographical reference](https://models.com/models/vilma-sjoberg)\n\nCite as: The Cast Index, \"Vilma Sjöberg\", https://thecastindex.com/models/vilma-sjoberg. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/vittoria-ceretti","markdownUrl":"https://thecastindex.com/models/vittoria-ceretti.md","title":"Vittoria Ceretti","lastmod":"2026-09-25","sha256":"40ce098d098b515245841af545a62436feccbb9ea298454c767deeb757b9f1eb","bytes":4777,"markdown":"# Vittoria Ceretti\n\n> Source: https://thecastindex.com/models/vittoria-ceretti — updated 2026-09-25\n\nItalian model who has been a runway mainstay since the mid-2010s.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 7 June 1998 (age 28) |\n| Birthplace | Brescia, Italy |\n| Height | 176 cm (5 ft 9 in) |\n| Nationality | Italy |\n| Disciplines | Runway, Campaigns |\n| Agencies | The Society Management · New York; Elite · Paris / Milan / London |\n| Cast Index | #2 · 96.1/100 (2026-10-05 snapshot) |\n\nBirth date, birthplace and height: Wikidata Q21207531 (https://www.wikidata.org/wiki/Q21207531), retrieved 2026-09-25.\n\n## Known for\n\nA runway mainstay since the mid-2010s.\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 96 |\n| Campaigns | 30% | 98 |\n| Editorial | 20% | 96 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Walked Chanel Haute Couture, Balenciaga, Givenchy and Chloé in 2026.\n- Saint Laurent campaign and Harper’s Bazaar France editorial credits in 2026.\n\n## Selected runway record\n\n- AW26 Couture · Walked · Chanel ([source](https://models.com/models/vittoria-ceretti))\n- AW26 Couture · Walked · Balenciaga ([source](https://models.com/models/vittoria-ceretti))\n- AW26 · Walked · Givenchy ([source](https://models.com/models/vittoria-ceretti))\n- AW26 · Walked · Chloé ([source](https://models.com/models/vittoria-ceretti))\n\n## Career\n\n### Early life\n\nVittoria Ceretti was born on 7 June 1998 in Brescia, in Italy’s Lombardy region. Her father, Giuseppe Ceretti, ran a flooring company; her mother, Francesca Lazzari, was a housewife. At fourteen she entered the Italian round of the Elite Model Look competition and reached the finals — the contest that launched her into the industry.\n\n### Discovery and early runway, 2012–2017\n\nCeretti made her runway debut in Milan in 2012, walking for the designer Kristina Ti, and built a fast-moving career through her teens. By 2014 she was the face of Dolce & Gabbana’s Autumn/Winter and Beauty campaigns for the following year, and 2015 brought the Armani Autumn/Winter campaign, Alexander McQueen’s Spring/Summer 2017 campaign, and a Fendi Spring/Summer 2017 campaign alongside Gigi and Bella Hadid.\n\nIn July 2016 she appeared on the cover of Vogue Italia, photographed by Steven Meisel, who also shot her for Prada that year. 2017 brought covers for Vogue Japan, American Vogue and Vogue France, and in March she was one of seven models on American Vogue’s 125th-anniversary cover.\n\n### Completing the Big Four\n\nIn 2018, a British Vogue cover completed what the industry calls \"the Big Four\" — covers for the American, British, Italian and French editions of Vogue — a benchmark reached by very few models. The same year she was reported as the most-searched model on Vogue Italia’s website, fronted campaigns for Tiffany & Co. and Proenza Schouler, and became a face of Chanel’s Coco Neige collection. In 2019 she walked in Chanel’s Métiers d’Art show, deepening a relationship with the house that has continued into her current haute couture bookings.\n\n### Recent record, 2023–2026\n\nCeretti fronted Chanel Beauty’s Holiday campaign in 2023 and was named the new face of Pucci in 2024. By 2024 her career total stood at roughly 400 fashion shows and 24 Vogue covers across international editions, a body of work that places her among the most consistently booked models of her generation; she has also been reported among the highest-paid working models as of 2025.\n\nIn 2026 she took part in the opening ceremony of the Milan–Cortina Winter Olympics, staged in her home country — a rare crossover between the runway and a global sporting event. Her current Index Rating draws on the same current-season strength: 2026 haute couture appearances at Chanel, Balenciaga, Givenchy and Chloé, and a Saint Laurent campaign and Harper’s Bazaar France editorial credit, detailed in the evidence section below.\n\n## Quick facts\n\n- Discovered through the Elite Model Look contest at fourteen; runway debut in Milan for Kristina Ti, 2012\n- Completed \"the Big Four\" — American, British, Italian and French Vogue covers — by 2018\n- Career total of roughly 400 fashion shows and 24 Vogue covers across international editions, as of 2024\n- Face of Chanel Coco Neige and, later, Chanel Beauty’s Holiday campaign\n- Named the new face of Pucci, 2024\n- Performer at the Milan–Cortina 2026 Winter Olympics opening ceremony\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/vittoria-ceretti)\n- [Biographical reference](https://en.wikipedia.org/wiki/Vittoria_Ceretti)\n\nCite as: The Cast Index, \"Vittoria Ceretti\", https://thecastindex.com/models/vittoria-ceretti. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/whulandary-herman","markdownUrl":"https://thecastindex.com/models/whulandary-herman.md","title":"Whulandary Herman","lastmod":"2026-09-25","sha256":"0a856eca414b2c667a15823298c431511b8e6866279b3497a059dfdc00a3ecca","bytes":1071,"markdown":"# Whulandary Herman\n\n> Source: https://thecastindex.com/models/whulandary-herman — updated 2026-09-25\n\nIndonesian model whose national fashion career expanded through regional and international representation.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 26 June 1987 (age 39) |\n| Birthplace | Pariaman, Indonesia |\n| Nationality | Indonesia |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @whulandary |\n\nBirth date, birthplace and height: Wikidata Q4022963 (https://www.wikidata.org/wiki/Q4022963), retrieved 2026-09-25.\n\n## Known for\n\nPuteri Indonesia 2013 and Indonesia’s representative at Miss Universe 2013.\n\n\n## Evidence\n\n- National fashion recognition and international pageant representation qualify the profile for global review.\n- Current-season booking audit is in progress.\n\n## Sources\n\n- [Public biography](https://en.wikipedia.org/wiki/Whulandary_Herman)\n\nCite as: The Cast Index, \"Whulandary Herman\", https://thecastindex.com/models/whulandary-herman. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/winnie-harlow","markdownUrl":"https://thecastindex.com/models/winnie-harlow.md","title":"Winnie Harlow","lastmod":"2026-09-25","sha256":"f1674aa4881c7ed8e7171a1a5b5eb6b24e1e16139a7ee547772db954940d3795","bytes":3997,"markdown":"# Winnie Harlow\n\n> Source: https://thecastindex.com/models/winnie-harlow — updated 2026-09-25\n\nCanadian model who has used her prominence to raise awareness of vitiligo.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 27 July 1994 (age 32) |\n| Birthplace | Mississauga, Canada |\n| Height | 175 cm (5 ft 9 in) |\n| Nationality | Canada |\n| Disciplines | Campaigns, Advocacy |\n| Agencies | Women Management · Paris / Milan; The Squad · London |\n| Cast Index | Global Watch (unnumbered) |\n| Instagram | @winnieharlow |\n\nBirth date, birthplace and height: Wikidata Q19791141 (https://www.wikidata.org/wiki/Q19791141), retrieved 2026-09-25.\n\n## Known for\n\nA model with vitiligo who broke through after a 2014 television appearance.\n\n\n## Evidence\n\n- Walked Vetements SS26 and opened Christian Siriano FW25.\n- David Yurman Holiday 2024 campaign and Sports Illustrated Swimsuit cover and editorial in 2024.\n- Current work qualifies within the rolling five-year window; older cultural milestones are time-decayed.\n\n## Selected runway record\n\n- SS26 · Walked · Vetements ([source](https://models.com/models/winnie-harlow))\n- AW25 · Opened · Christian Siriano ([source](https://models.com/models/winnie-harlow))\n\n## Career\n\n### Early life and advocacy\n\nChantelle Whitney Brown-Young, known professionally as Winnie Harlow, was born on 27 July 1994 in Mississauga, Ontario, Canada, to Lisa Brown and Windsor Young, of Jamaican descent. She was diagnosed with vitiligo at age four, and began posting educational content about the condition in 2011 with a video titled \"Vitiligo: A Skin Condition, not a Life Changer,\" followed by a TEDx talk in November 2014.\n\n### From reality television to the runway, 2014–2016\n\nHarlow was spotted on Instagram by Tyra Banks and cast on America’s Next Top Model Cycle 21 in 2014, the only Canadian ever to appear on the show, placing sixth. That September she closed Ashish’s Spring/Summer 2015 collection at London Fashion Week, and in 2015 fronted Diesel’s Spring/Summer campaign, shot by Nick Knight, alongside Cosmopolitan and Ebony covers. In 2016 she worked with Swarovski and Sprite, appeared in Beyoncé’s \"Lemonade\" visual album, and was named to the BBC’s 100 Women list.\n\n### Television and business ventures, 2018–2022\n\nIn 2018, Harlow became the first model with vitiligo to walk the Victoria’s Secret Fashion Show. She judged Amazon’s Making the Cut in its second season (2019–2020) and appeared recurringly on Keeping Up with the Kardashians, before founding the skincare brand Cay Skin in March 2022. Her campaign record spans Fendi, Marc Jacobs, Tommy Hilfiger, Diesel, Swarovski and Victoria’s Secret.\n\n### Recent record, 2023–2026\n\nHarlow made her acting debut in 2023 with Alone at Night and The Perfect Find, followed by a voice role as Dr. Alcott in Monster High (2024) and the lead voice role of Noni in Marvel’s Eyes of Wakanda on Disney+ (2025). In 2026 she appeared as herself in a Milan Fashion Week cameo in The Devil Wears Prada 2. She is represented by CAA in Los Angeles, alongside Women Management in Milan and The Squad in London.\n\n## Quick facts\n\n- Born Chantelle Whitney Brown-Young, 27 July 1994, in Mississauga, Ontario, of Jamaican descent\n- Diagnosed with vitiligo at age four; began public advocacy in 2011 and gave a TEDx talk on the condition in November 2014\n- The only Canadian ever cast on America’s Next Top Model, placing 6th on Cycle 21 in 2014, after being spotted on Instagram by Tyra Banks\n- The first model with vitiligo to walk the Victoria’s Secret Fashion Show, in 2018\n- Founded the skincare brand Cay Skin in March 2022\n- Named to the BBC’s 100 Women list in 2016\n\n## Sources\n\n- [Models.com profile and current work history](https://models.com/models/winnie-harlow)\n- [Biographical reference](https://en.wikipedia.org/wiki/Winnie_Harlow)\n\nCite as: The Cast Index, \"Winnie Harlow\", https://thecastindex.com/models/winnie-harlow. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/xiao-wen-ju","markdownUrl":"https://thecastindex.com/models/xiao-wen-ju.md","title":"Xiao Wen Ju","lastmod":"2026-09-25","sha256":"177d99aa2f6b12e8467a38690120228dbb2435bc09ecf502e07538d866fc8d3a","bytes":3835,"markdown":"# Xiao Wen Ju\n\n> Source: https://thecastindex.com/models/xiao-wen-ju — updated 2026-09-25\n\nChinese model. Tracked for Chanel and major international campaign work.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Born | 19 May 1989 (age 37) |\n| Birthplace | Xi'an, People's Republic of China |\n| Height | 177 cm (5 ft 10 in) |\n| Nationality | China |\n| Disciplines | Campaigns, Editorial |\n| Cast Index | #22 · 89.1/100 (2026-10-05 snapshot) |\n| Instagram | @jujujuxiaowen |\n\nBirth date, birthplace and height: Wikidata Q3722499 (https://www.wikidata.org/wiki/Q3722499), retrieved 2026-09-25.\n\n## Known for\n\nChanel and major international campaign work\n\n\n## Index Rating pillars\n\n| Pillar | Weight | Score |\n| --- | --- | --- |\n| Runway | 40% | 86 |\n| Campaigns | 30% | 92 |\n| Editorial | 20% | 90 |\n| Cultural | 10% | 91 |\n\n## Evidence\n\n- Chanel and major international campaign work.\n- Eligibility reviewed against work and public visibility in the 2021–2026 window; booking-level citations are maintained in the linked industry and biographical records.\n\n## Career\n\n### Early life and discovery\n\nJū Xiǎowén, known internationally as Xiao Wen Ju, was born on 19 May 1989 in Xi’an, in China’s Shaanxi province. Her career began after she appeared on the May 2010 cover of Harper’s Bazaar China, part of a feature on Chinese models, which led directly to her New York runway debut at Honor’s Fall 2011 show. She signed with IMG Models.\n\n### Early runway and a campaign first, 2011–2015\n\nIn her debut season, Ju walked for DKNY, Prada, L.A.M.B., Shiatzy Chen, 3.1 Phillip Lim, Calvin Klein, Emanuel Ungaro, Hermès, Louis Vuitton, Rochas and Thierry Mugler. In 2012 she fronted campaigns for Adidas, Dior, Kenzo and Marc Jacobs — becoming the first Chinese model to front a Marc Jacobs campaign — while also walking for Marc Jacobs, Dsquared², Tory Burch and Moschino, and was ranked 22nd on Models.com’s Top 50 that July. By 2015 she ranked sixth on a published list of top Asian models and appeared on the cover of Vogue Italia.\n\n### Supermodel status and Victoria’s Secret, 2016–2018\n\nJu became an L’Oréal Paris spokesmodel in 2016 and walked the Victoria’s Secret Fashion Show in Paris that year, reportedly the fifth Chinese model to do so. In 2017 she was inducted into Models.com’s \"Industry Icons\" list and returned to the Victoria’s Secret runway for its Shanghai show. A travel-editorial series for Etihad Airways, \"Model Diaries,\" followed in 2018.\n\n### Recent record, 2024–2025\n\nJu returned to the runway for Balenciaga, Miu Miu and Loewe at Paris Fashion Week in 2024, including Miu Miu’s Spring/Summer 2025 show on 1 October 2024, alongside an August 2024 Vogue China cover and a June 2024 Vogue Singapore cover shot by Leslie Zhang. In 2025 she walked the Victoria’s Secret Fashion Show in New York on 15 October, appeared at the Vogue World: Hollywood runway event at Paramount Studios on 26 October, and featured alongside Gigi Hadid in Miu Miu’s Matelassé Leathergoods campaign.\n\n## Quick facts\n\n- Born 19 May 1989 in Xi’an, Shaanxi province, China\n- Discovered via a May 2010 Harper’s Bazaar China cover, leading to her New York runway debut at Honor’s Fall 2011 show\n- The first Chinese model to front a Marc Jacobs campaign, in 2012\n- Named a Models.com \"Industry Icon\" in 2017\n- Walked the Victoria’s Secret Fashion Show in both Paris (2016) and Shanghai (2017)\n- Walked Balenciaga, Miu Miu and Loewe at Paris Fashion Week in 2024, including Miu Miu’s Spring/Summer 2025 show\n\n## Sources\n\n- [Models.com industry record](https://models.com/models/xiao-wen-ju)\n- [Biographical reference](https://en.wikipedia.org/wiki/Xiao_Wen_Ju)\n\nCite as: The Cast Index, \"Xiao Wen Ju\", https://thecastindex.com/models/xiao-wen-ju. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/models/yilan-hua","markdownUrl":"https://thecastindex.com/models/yilan-hua.md","title":"Yilan Hua","lastmod":"2026-09-25","sha256":"40a6b947f50ecd8abdf3352e4991c015c0f595b7be483e30131f69234c2dcb26","bytes":1236,"markdown":"# Yilan Hua\n\n> Source: https://thecastindex.com/models/yilan-hua — updated 2026-09-25\n\nChinese fashion model. Tracked for Walked more shows than any other model in 2023 — 89 runways per Tagwalk.\n\n## Key facts\n\n| Fact | Value |\n| --- | --- |\n| Nationality | China |\n| Disciplines | Runway, Editorial |\n| Cast Index | Global Watch (unnumbered) |\n\n## Known for\n\nWalked more shows than any other model in 2023 — 89 runways per Tagwalk\n\n\n## Evidence\n\n- Walked more shows than any other model in 2023 — 89 runways per Tagwalk.\n- Current-season booking audit and verification are in progress; the profile is held at baseline confidence pending a full evidence review.\n\n## Selected runway record\n\n- SS27 · Walked · Balmain ([source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-balmain-womenswear-news-photo/2297943317))\n- SS27 · Walked · Stella McCartney ([source](https://www.gettyimages.com/detail/news-photo/yilan-hua-walks-the-runway-during-the-stella-mccartney-news-photo/2297954911))\n\n## Sources\n\n- [Biographical reference](https://models.com/models/yilan-hua)\n\nCite as: The Cast Index, \"Yilan Hua\", https://thecastindex.com/models/yilan-hua. Rankings are editorial and never for sale.\n"},{"url":"https://thecastindex.com/reports/aw26-season-report","markdownUrl":"https://thecastindex.com/reports/aw26-season-report.md","title":"The AW26 Season Report","lastmod":"2026-10-05T21:19:21.450Z","sha256":"42a26d58cff4cc6b7bac39eac1ca7fb4bdbbc2242f51c22ef9823f564b4f7ce2","bytes":8964,"markdown":"# The AW26 Season Report\n\nCanonical: https://thecastindex.com/reports/aw26-season-report\nOriginally published: 2026-07-19\nFrozen snapshot: 2026-10-05T21:19:21.450Z\n\nThis is a dated view of The Cast Index’s editorial roster and tracked AW26 event editions. It measures recorded relationships between model profiles and editions, not individual runway walks, designer shows or total industry participation. Missing links indicate gaps in this dataset and do not establish that a model did not participate.\nEdition date references were reviewed for this snapshot, with the unresolved Tbilisi date discrepancy noted in its record. Profile reference URLs are preserved from the roster; this is not a new booking-by-booking audit, and a general profile reference may not substantiate a particular edition link.\n\n## At a glance\n\n- Tracked event editions: 8\n- Distinct cities: 7\n- Models with at least one recorded edition link: 9 of 137 roster profiles\n- Distinct model-edition links: 13\n- Global 50 models with links: 8\n- Watch models with links: 1\n- Models linked to at least three distinct cities: 0\n\n## Links by event edition\n\n| Edition | City | Recorded model links | Status at snapshot |\n| --- | --- | ---: | --- |\n| [Paris Fashion Week AW26](https://thecastindex.com/events/paris-fashion-week-2026) | Paris | 7 | complete |\n| [Paris Haute Couture Week AW26 Couture](https://thecastindex.com/events/paris-haute-couture-week-2026) | Paris | 4 | complete |\n| [New York Fashion Week AW26](https://thecastindex.com/events/new-york-fashion-week-2026) | New York | 2 | complete |\n| [London Fashion Week AW26](https://thecastindex.com/events/london-fashion-week-2026) | London | 0 | complete |\n| [Milan Fashion Week AW26](https://thecastindex.com/events/milan-fashion-week-2026) | Milan | 0 | complete |\n| [Rakuten Fashion Week Tokyo AW26](https://thecastindex.com/events/rakuten-fashion-week-tokyo-2026) | Tokyo | 0 | complete |\n| [Shanghai Fashion Week AW26](https://thecastindex.com/events/shanghai-fashion-week-2026) | Shanghai | 0 | complete |\n| [Mercedes-Benz Fashion Week Tbilisi AW26](https://thecastindex.com/events/tbilisi-fashion-week-2026) | Tbilisi | 0 | complete |\n\n## Models with the most recorded edition links\n\nThe table shows up to ten profiles. Ordering uses link count, then the snapshot’s Index rank (unranked last), then name. Row numbers indicate table order, not a separate ranking.\n\n| Model | Recorded edition links | Distinct cities | Editions |\n| --- | ---: | ---: | --- |\n| [Anok Yai](https://thecastindex.com/models/anok-yai) | 2 | 1 | Paris Haute Couture Week; Paris Fashion Week |\n| [Vittoria Ceretti](https://thecastindex.com/models/vittoria-ceretti) | 2 | 1 | Paris Haute Couture Week; Paris Fashion Week |\n| [Liu Wen](https://thecastindex.com/models/liu-wen) | 2 | 1 | Paris Haute Couture Week; Paris Fashion Week |\n| [Gigi Hadid](https://thecastindex.com/models/gigi-hadid) | 2 | 2 | Paris Haute Couture Week; New York Fashion Week |\n| [Alex Consani](https://thecastindex.com/models/alex-consani) | 1 | 1 | Paris Fashion Week |\n| [Mona Tougaard](https://thecastindex.com/models/mona-tougaard) | 1 | 1 | Paris Fashion Week |\n| [Kaia Gerber](https://thecastindex.com/models/kaia-gerber) | 1 | 1 | Paris Fashion Week |\n| [Ashley Graham](https://thecastindex.com/models/ashley-graham) | 1 | 1 | Paris Fashion Week |\n| [Neelam Gill](https://thecastindex.com/models/neelam-gill) | 1 | 1 | New York Fashion Week |\n\n0 additional linked profiles are included in the complete downloads.\n\n## Definitions and limitations\n\n- **Tracked event edition:** One unique event slug with the season token AW26, including any AW26 menswear or couture records present in the dataset. An edition can contain many designer shows.\n- **Recorded model-edition link:** One distinct model slug × edition slug pair in the frozen roster’s editionSlugs. Duplicate references count once. This metric does not count individual show appearances or runway walks.\n- **Models linked across three or more cities:** Profiles connected to editions in at least three distinct cities. Multiple editions in the same city count as one city.\n- **Roster and cohorts:** The models exported by the editorial model roster at capture, with Global 50 and Watch cohorts and ranks frozen at that time. Separately maintained Talent Watch profiles are outside this report’s roster.\n- **Table order:** Recorded edition-link count descending; then the snapshot’s Index rank, with unranked profiles last; then model name. The table is a view of this dataset, not an industry-wide runway ranking.\n- **Edition status:** Computed against the UTC snapshot date from the recorded start and end dates. Unconfirmed dates have no inferred completed, live or upcoming status. Calendar status does not prove attendance.\n\nThis dated data package is frozen. Corrections must be published as a new dated snapshot with a change note; the original files remain available. The original report publication date is preserved separately from the snapshot capture time.\n\n## Download and cite\n\nThe Cast Index, “The AW26 Season Report”, data snapshot 2026-10-05 (UTC), https://thecastindex.com/reports/aw26-season-report. Frozen data: https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/report.json.\n\n- [Frozen JSON](https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/report.json)\n- [Edition CSV](https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/editions.csv)\n- [Model-edition link CSV](https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/model-edition-links.csv)\n- [Original chart SVG](https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/edition-links.svg)\n- [Readme and reuse terms](https://thecastindex.com/data/reports/aw26-season-report/2026-10-05/README.txt)\n\n## Edition references\n\n### New York Fashion Week AW26\n- [CFDA — official February 2026 schedule announcement](https://cfda.com/news/view-the-preliminary-official-nyfw-february-2026-schedule/) — Organizer announcement identifies the official window as 11–16 February 2026.\n### London Fashion Week AW26\n- [British Fashion Council — February 2026 schedule announcement](https://www.britishfashioncouncil.co.uk/bfcnews/4697/The-Fashion-Awards-2022-presented-by-Diet-Coke-Trophy-Designed-by-Yinka-Ilori-Featuring-a-SkyDiamond) — Organizer announcement dated 18 December 2025 gives 19–23 February 2026. The publisher’s URL slug differs from the displayed headline.\n### Milan Fashion Week AW26\n- [CNMI — previous edition dates](https://www.cameramoda.it/it/) — The organizer’s previous-editions list identifies 24 February–2 March 2026 for Autumn/Winter 2026/2027.\n### Paris Fashion Week AW26\n- [FHCM — official womenswear FW2026/2027 calendar (PDF)](https://www.fhcm.paris/sites/default/files/w/files/paris-fashion-week-r-official-calendar-womenswear-fw26-27_7_0.pdf) — Official dated calendar covers 2–10 March 2026.\n### Rakuten Fashion Week Tokyo AW26\n- [JFWO — 2026 A/W season closing report](https://rakutenfashionweektokyo.com/en/topics/information/art_20260324_01/) — Post-event organizer report confirms the main event ran 16–21 March 2026; a separate celebration took place on 15 March.\n### Shanghai Fashion Week AW26\n- [Shanghai municipal government — AW2026 programme announcement](https://english.shanghai.gov.cn/en-MajorConsumerEvents/20260318/5f1115651c354f4dafbf20cd347fc3d7.html) — Government report identifies the 25 March opening and 1 April runway finale. Associated exhibitions continued through 6 April.\n### Mercedes-Benz Fashion Week Tbilisi AW26\nRecorded range: 7–10 May. Georgia Today reports that range; Vogue’s firsthand account gives 7–11 May. The organizer’s accessible calendar did not resolve the end date.\n- [MBFW Tbilisi — organizer’s F/W 2026 press index](https://www.mbfashionweektbilisi.com/press/) — Confirms coverage of the F/W 2026 edition; the accessible organizer calendar did not supply a verified 2026 date range.\n- [Georgia Today — May 2026 event announcement](https://georgiatoday.ge/mercedes-benz-fashion-week-tbilisi-set-for-may-7-10/) — Press report gives 7–10 May, matching the range already recorded in the dataset.\n- [Vogue — firsthand report from Tbilisi, 12 May 2026](https://www.vogue.com/article/existence-is-resistance-5-key-takeaways-from-mercedes-benz-fashion-week-tbilisi) — The reporter describes an edition running 7–11 May. The difference in end dates remains unresolved.\n### Paris Haute Couture Week AW26 Couture\n- [FHCM — official couture FW2026/2027 calendar (PDF)](https://www.fhcm.paris/sites/default/files/w/files/official-calendar-haute-couture-week-fall-winter-2026-2027-18_1_0.pdf) — Official dated calendar covers 6–9 July 2026.\n\nProfile references are preserved with each roster record in the JSON and linked-pair CSV. They are context references, not a claim that each URL verifies every individual model-edition link.\n"},{"url":"https://thecastindex.com/rising/adam-rosyadi","markdownUrl":"https://thecastindex.com/rising/adam-rosyadi.md","title":"Adam Rosyadi","lastmod":"2026-10-05","sha256":"1fdca3616be0bda76e154282e991991aed8f98badfe891f3712bd21405ef1d7c","bytes":925,"markdown":"# Adam Rosyadi\n\n> Qualified in the Jakarta Fashion Week Model Search 2018 and was later named a Jakarta Fashion Week 2019 Icon, with a regular JFW runway presence since.\n\n- Canonical: https://thecastindex.com/rising/adam-rosyadi\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / commercial\n- Agency: Current representation under verification\n- Source: https://www.popbela.com/career/inspiration/niken-ari/perjalanan-karier-adam-rosyadi\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Qualified in the Jakarta Fashion Week Model Search 2018 and was later named a Jakarta Fashion Week 2019 Icon, with a regular JFW runway presence since.](https://www.popbela.com/career/inspiration/niken-ari/perjalanan-karier-adam-rosyadi)\n\n## Sources\n\n- [Published career record](https://www.popbela.com/career/inspiration/niken-ari/perjalanan-karier-adam-rosyadi)\n"},{"url":"https://thecastindex.com/rising/agnes-natasya-tjie","markdownUrl":"https://thecastindex.com/rising/agnes-natasya-tjie.md","title":"Agnes Natasya Tjie","lastmod":"2026-10-05","sha256":"8381fae134d37927fefae41d6549f5d0bb6a003793a3a1e0e81aa8a5c7763a8d","bytes":945,"markdown":"# Agnes Natasya Tjie\n\n> Won the Face of Indonesia title at the 2018 Asia Model Festival, after which her face featured in Jakarta Fashion Week’s own promotional materials.\n\n- Canonical: https://thecastindex.com/rising/agnes-natasya-tjie\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / commercial\n- Agency: Current representation under verification\n- Source: https://www.jakartafashionweek.co.id/news/agnes-natasya-tjie-si-cantik-dari-yogyakarta/\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Won the Face of Indonesia title at the 2018 Asia Model Festival, after which her face featured in Jakarta Fashion Week’s own promotional materials.](https://www.jakartafashionweek.co.id/news/agnes-natasya-tjie-si-cantik-dari-yogyakarta/)\n\n## Sources\n\n- [Published career record](https://www.jakartafashionweek.co.id/news/agnes-natasya-tjie-si-cantik-dari-yogyakarta/)\n"},{"url":"https://thecastindex.com/rising/aitana-jimenez","markdownUrl":"https://thecastindex.com/rising/aitana-jimenez.md","title":"Aitana Carolina Jiménez","lastmod":"2026-10-05","sha256":"271998a22be85b9ba3228e909b867f1f9cd75bce09cb4cb93996e42fc981e14f","bytes":890,"markdown":"# Aitana Carolina Jiménez\n\n> Second runner-up at Miss Grand International 2025, representing Spain. Describes combining pageantry with commercial/advertising modelling work and developing her own fashion design line.\n\n- Canonical: https://thecastindex.com/rising/aitana-jimenez\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Spain\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Miss_Grand_Spain\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Second runner-up at Miss Grand International 2025, representing Spain. Describes combining pageantry with commercial/advertising modelling work and developing her own fashion design line.](https://en.wikipedia.org/wiki/Miss_Grand_Spain)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Miss_Grand_Spain)\n"},{"url":"https://thecastindex.com/rising/albana-herdafa","markdownUrl":"https://thecastindex.com/rising/albana-herdafa.md","title":"Albana Herdafa","lastmod":"2026-09-25","sha256":"ec6eb7a063dabd35a2f8c56952e08856b457e194c01a38a57867e08e527dbe6c","bytes":1517,"markdown":"# Albana Herdafa\n\n> A Jakarta-born model who walked Hermès Men’s Spring/Summer 2025 and made his Milan Fashion Week debut for Versace in September 2025.\n\n- Canonical: https://thecastindex.com/rising/albana-herdafa\n- Status: Emerging · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / menswear\n- Agency: Persona Management (Jakarta); 3mmodels (London)\n- Source: https://models.com/models/albana-herdafa\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n\n\n## Selected milestones\n\n- 2025-09-26 — [Walked Versace at Milan Fashion Week](https://www.beautynesia.id/fashion/model-indonesia-kembali-debut-di-milan-fashion-week-2026-eksis-di-runway-versace/b-310158)\n- [Walked Hermès Men’s Spring/Summer 2025](https://www.beautynesia.id/fashion/bangga-albana-herdafa-wakili-indonesia-di-peragaan-busana-hermes-menswear-spring-summer-2025/b-303841)\n\n## Sources\n\n- [Models.com — Albana Herdafa](https://models.com/models/albana-herdafa)\n- [Kumparan — Albana Herdafa’s Milan Fashion Week debut](https://kumparan.com/kumparanwoman/gaya-model-asal-indonesia-albana-herdafa-saat-debut-di-milan-fashion-week-261m2zNa57G)\n- [Beautynesia — Albana Herdafa at Versace](https://www.beautynesia.id/fashion/model-indonesia-kembali-debut-di-milan-fashion-week-2026-eksis-di-runway-versace/b-310158)\n- [Beautynesia — Albana Herdafa at Hermès Men’s SS25](https://www.beautynesia.id/fashion/bangga-albana-herdafa-wakili-indonesia-di-peragaan-busana-hermes-menswear-spring-summer-2025/b-303841)\n"},{"url":"https://thecastindex.com/rising/amber-chia","markdownUrl":"https://thecastindex.com/rising/amber-chia.md","title":"Amber Chia","lastmod":"2026-09-08","sha256":"d1a4ea23eb863bbb8deb9580c7378c562c08f3ed5f5f70ef75085d51ebaf989c","bytes":797,"markdown":"# Amber Chia\n\n> Malaysian model and founder of Amber Chia Academy. Her official career biography records the Guess Watches model-search title in 2004 and the launch of her academy in 2010.\n\n- Canonical: https://thecastindex.com/rising/amber-chia\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Malaysia\n- Specialty: Commercial / model education\n- Agency: See official professional profile\n- Source: https://amberchia.com/about/\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2004 — [Guess Watches Timeless Beauty model-search winner, according to her official biography](https://amberchia.com/about/)\n- 2010 — [Founded Amber Chia Academy](https://amberchia.com/about/)\n\n## Sources\n\n- [Published career record](https://amberchia.com/about/)\n"},{"url":"https://thecastindex.com/rising/axel-jan-thierry","markdownUrl":"https://thecastindex.com/rising/axel-jan-thierry.md","title":"Axel Jan Thierry","lastmod":"2026-10-05","sha256":"bdbeff386f5be9a70dce2f83ac8edf777ab74530cf644b79257c07f9d654520c","bytes":873,"markdown":"# Axel Jan Thierry\n\n> Named a Jakarta Fashion Week 2020 Icon alongside Devona Cools, walking multiple JFW designer shows that season.\n\n- Canonical: https://thecastindex.com/rising/axel-jan-thierry\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / commercial\n- Agency: Future Models\n- Source: http://www.jawapos.com/lifestyle/27/10/2019/pengalaman-model-muda-axel-dan-devona-di-ajang-jfw-2020\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Named a Jakarta Fashion Week 2020 Icon alongside Devona Cools, walking multiple JFW designer shows that season.](http://www.jawapos.com/lifestyle/27/10/2019/pengalaman-model-muda-axel-dan-devona-di-ajang-jfw-2020)\n\n## Sources\n\n- [Published career record](http://www.jawapos.com/lifestyle/27/10/2019/pengalaman-model-muda-axel-dan-devona-di-ajang-jfw-2020)\n"},{"url":"https://thecastindex.com/rising/ayu-gani","markdownUrl":"https://thecastindex.com/rising/ayu-gani.md","title":"Ayu Gani","lastmod":"2026-09-08","sha256":"f3834d60dca483a6edb1b2fa61d92fcb6314902795a3b2f8145c120bd56f6b8e","bytes":1004,"markdown":"# Ayu Gani\n\n> Indonesian model who won the third season of Asia’s Next Top Model in 2015. Her career is part of the region’s crossover between modelling, television and model mentoring.\n\n- Canonical: https://thecastindex.com/rising/ayu-gani\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Editorial / television\n- Agency: Current representation not confirmed\n- Source: https://sunmediaonline.com/magazine/indoconnect/indoconnect0015.pdf\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2015 — [Asia’s Next Top Model season-three winner; interview with IndoConnect](https://sunmediaonline.com/magazine/indoconnect/indoconnect0015.pdf)\n- 2023 — [Discusses supporting Indonesian modelling talent in a Detik interview](https://hot.detik.com/celeb/d-6498731/ayu-gani-ingin-model-indonesia-bersinar-di-kancah-dunia)\n\n## Sources\n\n- [Published career record](https://sunmediaonline.com/magazine/indoconnect/indoconnect0015.pdf)\n"},{"url":"https://thecastindex.com/rising/betsy-gaghan","markdownUrl":"https://thecastindex.com/rising/betsy-gaghan.md","title":"Betsy Gaghan","lastmod":"2026-09-25","sha256":"b3fb4061838e55cdafae567c420634f4ac768744259b64b5c2010ae9bec400ca","bytes":1953,"markdown":"# Betsy Gaghan\n\n> American model who first drew attention with a Miu Miu debut in 2021, stepped away, and returned in 2025 to open Veronica Leoni’s first Calvin Klein Collection show. FashionUnited counted 74 shows for her in 2025, the highest total on its year-end list.\n\n- Canonical: https://thecastindex.com/rising/betsy-gaghan\n- Status: Emerging · Talent Watch (unnumbered)\n- Nationality: United States\n- Specialty: Runway\n- Agency: Next Management · New York / Paris / London / Milan / Madrid; MIKAs · Stockholm\n- Source: https://models.com/mdx/the-rise-and-return-of-betsy-gaghan/\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## Why she is on the watch\n\nHer 2025 return was one of the season’s clearest casting stories: an opening slot at Calvin Klein, a Fall/Winter 2025 run that included Chanel, Givenchy and Saint Laurent, and a place in the BoF 500 before the year was out.\n\n## Selected milestones\n\n- 2025-02-07 — [Opened Calvin Klein Collection Fall/Winter 2025, Veronica Leoni’s debut for the house, New York](https://models.com/work/calvin-klein-calvin-klein-collection-fw-25-show)\n- 2025-10 — [Named to the BoF 500 Class of 2025](https://www.businessoffashion.com/people/betsy-gaghan/)\n- 2025-12-24 — [74 runway shows in 2025, the highest total in FashionUnited’s year-end count](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n\n## Sources\n\n- [Models.com — The Rise (and Return) of Betsy Gaghan](https://models.com/mdx/the-rise-and-return-of-betsy-gaghan/)\n- [Models.com — Calvin Klein Collection F/W 25 show credits](https://models.com/work/calvin-klein-calvin-klein-collection-fw-25-show)\n- [BoF 500 — Betsy Gaghan](https://www.businessoffashion.com/people/betsy-gaghan/)\n- [FashionUnited — top 10 female runway models 2026](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n"},{"url":"https://thecastindex.com/rising/bhavitha-mandava","markdownUrl":"https://thecastindex.com/rising/bhavitha-mandava.md","title":"Bhavitha Mandava","lastmod":"2026-09-25","sha256":"ec7fbd6d8c67d8e853d0e929fd79e51d5f56257614a854324103112c67d3804e","bytes":2348,"markdown":"# Bhavitha Mandava\n\n> Indian model from Hyderabad who was scouted on a New York subway platform in 2024 while studying at NYU. In December 2025 she opened Matthieu Blazy’s first Chanel Métiers d’art show, and in March 2026 Chanel named her a house ambassador.\n\n- Canonical: https://thecastindex.com/rising/bhavitha-mandava\n- Status: Emerging · Talent Watch (unnumbered)\n- Nationality: India\n- Specialty: Runway / campaigns\n- Agency: Women Management · Paris; Why Not Model Management; Premier Model Management · London; 28Models\n- Source: https://en.wikipedia.org/wiki/Bhavitha_Mandava\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## Why she is on the watch\n\nMandava is widely reported as the first Indian model to open a Chanel show. Her runway debut came at Bottega Veneta under Blazy; within a year she was central to his Chanel casting and, in March 2026, a house ambassador — a role Chanel has historically given to its defining runway faces.\n\n## Selected milestones\n\n- 2025-12 — [Opened Chanel’s Métiers d’art 2026 show, Matthieu Blazy’s first for the house, in a disused New York subway station](https://www.dazeddigital.com/fashion/article/69261/1/bhavitha-mandava-first-ever-indian-model-opened-chanel-metiers-dart-show)\n- 2025-12-24 — [Ranked first in FashionUnited’s list of the leading female runway models of the year](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n- 2026-03 — [Named a Chanel house ambassador](https://www.complex.com/pop-culture/a/markelibert/chanel-bhavitha-mandava-house-ambassador)\n\n## Sources\n\n- [Wikipedia — Bhavitha Mandava](https://en.wikipedia.org/wiki/Bhavitha_Mandava)\n- [Dazed — first Indian model to open a Chanel show, December 2025](https://www.dazeddigital.com/fashion/article/69261/1/bhavitha-mandava-first-ever-indian-model-opened-chanel-metiers-dart-show)\n- [Complex — named a Chanel house ambassador, March 2026](https://www.complex.com/pop-culture/a/markelibert/chanel-bhavitha-mandava-house-ambassador)\n- [FashionUnited — top 10 female runway models 2026](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n- [Premier Model Management — portfolio](https://www.premiermodelmanagement.com/women/image/6420-bhavitha-mandava/)\n"},{"url":"https://thecastindex.com/rising/catalina-duque-abreu","markdownUrl":"https://thecastindex.com/rising/catalina-duque-abreu.md","title":"Catalina Duque Abréu","lastmod":"2026-10-05","sha256":"4bc63ebe76b889f6e038f7957852c2d6c2bb0a34f3a4f68ab929a886f3bff475","bytes":767,"markdown":"# Catalina Duque Abréu\n\n> Crowned Miss International 2025 on 27 November 2025 in Tokyo — the fourth Colombian woman to win the title.\n\n- Canonical: https://thecastindex.com/rising/catalina-duque-abreu\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Colombia\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Catalina_Duque_Abr%C3%A9u\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Crowned Miss International 2025 on 27 November 2025 in Tokyo — the fourth Colombian woman to win the title.](https://en.wikipedia.org/wiki/Catalina_Duque_Abr%C3%A9u)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Catalina_Duque_Abr%C3%A9u)\n"},{"url":"https://thecastindex.com/rising/chu-wong","markdownUrl":"https://thecastindex.com/rising/chu-wong.md","title":"Chu Wong","lastmod":"2026-09-08","sha256":"9554b9241a4635973780f5bfe635b23a8b94253839b06420d062ca4a8955a4e8","bytes":780,"markdown":"# Chu Wong\n\n> Chinese model with an international runway, campaign and editorial portfolio. Her published Fall/Winter 2026 record includes Hermès and Ann Demeulemeester.\n\n- Canonical: https://thecastindex.com/rising/chu-wong\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: China\n- Specialty: Runway / editorial\n- Agency: The Society · New York; Elite · Paris / Milan / London\n- Source: https://models.com/models/wong-chu\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2026-03-07 — [Hermès Fall/Winter 2026 show](https://models.com/models/wong-chu)\n- 2026-03-07 — [Ann Demeulemeester Fall/Winter 2026 show](https://models.com/models/wong-chu)\n\n## Sources\n\n- [Published career record](https://models.com/models/wong-chu)\n"},{"url":"https://thecastindex.com/rising/devona-cools","markdownUrl":"https://thecastindex.com/rising/devona-cools.md","title":"Devona Cools","lastmod":"2026-10-05","sha256":"0a4b6a9b653f560b62647b2d68e0e17a53410b18d253e0e47efd4bc234b2fef1","bytes":964,"markdown":"# Devona Cools\n\n> Named a Jakarta Fashion Week 2020 Icon through a nationwide casting web series, alongside Axel Jan Thierry; also runs her own clothing label, Broken Echo.\n\n- Canonical: https://thecastindex.com/rising/devona-cools\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / commercial\n- Agency: Current representation under verification\n- Source: https://fabfit.co.id/interviews/berkenalan-dengan-devona-cools-ikon-jakarta-fashion-week-2020/\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Named a Jakarta Fashion Week 2020 Icon through a nationwide casting web series, alongside Axel Jan Thierry; also runs her own clothing label, Broken Echo.](https://fabfit.co.id/interviews/berkenalan-dengan-devona-cools-ikon-jakarta-fashion-week-2020/)\n\n## Sources\n\n- [Published career record](https://fabfit.co.id/interviews/berkenalan-dengan-devona-cools-ikon-jakarta-fashion-week-2020/)\n"},{"url":"https://thecastindex.com/rising/emma-tiglao","markdownUrl":"https://thecastindex.com/rising/emma-tiglao.md","title":"Emma Mary Francisco Tiglao","lastmod":"2026-10-05","sha256":"1cc397dee80721b21318f05eee9e313763198a6f2b94900d1f31ba0522e59f42","bytes":1094,"markdown":"# Emma Mary Francisco Tiglao\n\n> Crowned Miss Grand International 2025 on 18 October 2025 in Bangkok — a back-to-back win for the Philippines. Worked professionally as a model in Cambodia, Malaysia, Singapore, China, South Korea and Japan before pageantry, and is a brand ambassador for skincare label Hikari Skin Essentials.\n\n- Canonical: https://thecastindex.com/rising/emma-tiglao\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Philippines\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Emma_Tiglao\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Crowned Miss Grand International 2025 on 18 October 2025 in Bangkok — a back-to-back win for the Philippines. Worked professionally as a model in Cambodia, Malaysia, Singapore, China, South Korea and Japan before pageantry, and is a brand ambassador for skincare label Hikari Skin Essentials.](https://en.wikipedia.org/wiki/Emma_Tiglao)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Emma_Tiglao)\n"},{"url":"https://thecastindex.com/rising/fatima-bosch","markdownUrl":"https://thecastindex.com/rising/fatima-bosch.md","title":"Fátima Bosch Fernández","lastmod":"2026-10-05","sha256":"79490a3c8d5d17c2b6c01004abc0ba8af9dc9dfe598b1b7170c59de76f44fc67","bytes":890,"markdown":"# Fátima Bosch Fernández\n\n> Crowned Miss Universe 2025 on 21 November 2025 in Thailand — the fourth Mexican woman to win the title. Holds a degree in fashion and apparel design and pursued further study in Milan.\n\n- Canonical: https://thecastindex.com/rising/fatima-bosch\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Mexico\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/F%C3%A1tima_Bosch\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Crowned Miss Universe 2025 on 21 November 2025 in Thailand — the fourth Mexican woman to win the title. Holds a degree in fashion and apparel design and pursued further study in Milan.](https://en.wikipedia.org/wiki/F%C3%A1tima_Bosch)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/F%C3%A1tima_Bosch)\n"},{"url":"https://thecastindex.com/rising/fouzia-aman","markdownUrl":"https://thecastindex.com/rising/fouzia-aman.md","title":"Fouzia Aman","lastmod":"2026-10-05","sha256":"d1c42962de5b1de7bc8dfeaee4c9511894f3e54b7f243556fc99f006fd046c22","bytes":1622,"markdown":"# Fouzia Aman\n\n> Pakistani runway and campaign model who won Model of the Year (Female) at the 2016 Lux Style Awards. A 2024 career interview documents her work with HSY, Sana Safinaz and Khaadi.\n\n- Canonical: https://thecastindex.com/rising/fouzia-aman\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway / campaigns\n- Agency: Current representation not confirmed\n- Source: https://www.thenews.com.pk/amp/1195771-the-runway-queen\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-10-05\n\n## A career across runway and fashion imagery\n\nA June 2024 interview in The News profiles Aman’s work across runway, photo shoots and commercials. It names HSY, Sana Safinaz and Khaadi among the designers and brands she has modelled for, and records her account of an introduction to photographer Rizwan ul Haq through a makeup artist friend.\n\nDawn Images’ contemporaneous results list confirms Aman’s Model of the Year (Female) win at the 2016 Lux Style Awards. Read alongside her later career interview, the award provides a concrete milestone in an established Pakistani modelling career.\n\n## Selected milestones\n\n- 2016 — [Model of the Year (Female), Lux Style Awards](https://images.dawn.com/news/1175926)\n- 2024-06-04 — [Career interview documenting work with HSY, Sana Safinaz and Khaadi](https://www.thenews.com.pk/amp/1195771-the-runway-queen)\n\n## Sources\n\n- [Dawn Images — Lux Style Awards 2016 winners](https://images.dawn.com/news/1175926)\n- [The News — The Runway Queen, interview with Fouzia Aman, June 2024](https://www.thenews.com.pk/amp/1195771-the-runway-queen)\n"},{"url":"https://thecastindex.com/rising/hasnain-lehri","markdownUrl":"https://thecastindex.com/rising/hasnain-lehri.md","title":"Hasnain Lehri","lastmod":"2026-10-05","sha256":"431d95f09db07b3ddc63d9858dca35d92d0fb1f9993cf7566a9f52bf71b3a065","bytes":1915,"markdown":"# Hasnain Lehri\n\n> Pakistani fashion model whose documented career includes campaigns for HSY, Élan and Ali Xeeshan, and Model of the Year (Male) wins at the 2016 and 2017 Lux Style Awards.\n\n- Canonical: https://thecastindex.com/rising/hasnain-lehri\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway / campaigns\n- Agency: Current representation not confirmed\n- Source: https://www.thenews.com.pk/tns/detail/561562-proud-baloch\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-10-05\n\n## Runway and campaign work in Pakistan\n\nIn an August 2016 interview with The News, Lehri discussed his path into modelling and the role photographer Abdullah Haris played in developing his work. The interview documented his fashion associations with Sapphire, Élan, HSY and Ali Xeeshan, providing a dated record of his campaign career.\n\nDawn Images recorded Lehri as the Model of the Year (Male) winner at the 2016 Lux Style Awards and reported another win in 2017. These milestones establish his recognition within Pakistani fashion and support his inclusion among established talent in this unranked directory.\n\n## Selected milestones\n\n- 2016 — [Model of the Year (Male), Lux Style Awards](https://images.dawn.com/news/1175926)\n- 2017 — [Model of the Year (Male), Lux Style Awards](https://images.dawn.com/news/1177454/heres-what-went-down-at-the-lux-style-awards-2017)\n- 2016-08-14 — [Career interview documenting work with HSY, Élan and Ali Xeeshan](https://www.thenews.com.pk/tns/detail/561562-proud-baloch)\n\n## Sources\n\n- [The News — career interview with Hasnain Lehri, August 2016](https://www.thenews.com.pk/tns/detail/561562-proud-baloch)\n- [Dawn Images — Lux Style Awards 2016 winners](https://images.dawn.com/news/1175926)\n- [Dawn Images — Lux Style Awards 2017 reporting](https://images.dawn.com/news/1177454/heres-what-went-down-at-the-lux-style-awards-2017)\n"},{"url":"https://thecastindex.com/rising/hasset-dereje","markdownUrl":"https://thecastindex.com/rising/hasset-dereje.md","title":"Hasset Dereje Admassu","lastmod":"2026-10-05","sha256":"940b8564070f48eb88a32e29a9505638330049b077bc567724bee7bad0f84f73","bytes":818,"markdown":"# Hasset Dereje Admassu\n\n> First runner-up at Miss World 2025 — the highest placement ever achieved by an Ethiopian representative at the pageant. Also named Miss World Africa 2025.\n\n- Canonical: https://thecastindex.com/rising/hasset-dereje\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Ethiopia\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Hasset_Dereje\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [First runner-up at Miss World 2025 — the highest placement ever achieved by an Ethiopian representative at the pageant. Also named Miss World Africa 2025.](https://en.wikipedia.org/wiki/Hasset_Dereje)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Hasset_Dereje)\n"},{"url":"https://thecastindex.com/rising/he-cong","markdownUrl":"https://thecastindex.com/rising/he-cong.md","title":"He Cong","lastmod":"2026-09-08","sha256":"2f91e300dc0bf2a33a0c1ad054be33c8155699e279f35d0c4532904df875c947","bytes":804,"markdown":"# He Cong\n\n> Chinese model from Hunan with an extensive international fashion record. Her 2026 credits span couture, campaigns and major magazine covers.\n\n- Canonical: https://thecastindex.com/rising/he-cong\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: China\n- Specialty: Runway / campaigns\n- Agency: IMG · New York / Paris / Milan / London\n- Source: https://models.com/models/He-Cong\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2026-07-08 — [Balenciaga Haute Couture Fall 2026 show](https://models.com/models/He-Cong)\n- 2026-06 — [Gucci Monte Carlo campaign](https://models.com/models/He-Cong)\n- 2026-03 — [Vogue China cover](https://models.com/models/He-Cong)\n\n## Sources\n\n- [Published career record](https://models.com/models/He-Cong)\n"},{"url":"https://thecastindex.com/rising/hejia-li","markdownUrl":"https://thecastindex.com/rising/hejia-li.md","title":"Hejia Li","lastmod":"2026-09-25","sha256":"90d34867c2cc63fa0582237a60994815efffa1a090b996a3cb4ef6a863b5631e","bytes":1904,"markdown":"# Hejia Li\n\n> Chinese model who became one of the most-booked runway faces of 2025 and 2026. FashionUnited counted 70 shows for her in 2025, and Premier Model Management reported her as the most-booked model of the Fall/Winter 2026 season, with 35 shows.\n\n- Canonical: https://thecastindex.com/rising/hejia-li\n- Status: Emerging · Talent Watch (unnumbered)\n- Nationality: China\n- Specialty: Runway / campaigns\n- Agency: The Industry · New York; Ford Models · Paris; Brave Model Management · Milan; Premier Model Management · London; esee model management · Shanghai\n- Source: https://models.com/models/hejia-li\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## Why she is on the watch\n\nFew models matched her booking volume across the last two seasons. Her Fall/Winter 2026 run began in New York and closed in Paris, taking in New York sportswear, Milan’s Fendi and the major Paris houses in a single month.\n\n## Selected milestones\n\n- 2025-12-24 — [70 runway shows in 2025, among the highest totals in FashionUnited’s year-end count](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n- 2026-04-01 — [Most-booked model of the Fall/Winter 2026 season: 35 shows, from Ralph Lauren and Calvin Klein in New York to Dior, Chanel and Louis Vuitton in Paris](https://www.premiermodelmanagement.com/blog/industry-news/2505-a-season-of-impact-aw26-most-walked-top-newcomers-and-more/)\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/hejia-li)\n- [Premier Model Management — AW26 most walked, 1 April 2026](https://www.premiermodelmanagement.com/blog/industry-news/2505-a-season-of-impact-aw26-most-walked-top-newcomers-and-more/)\n- [FashionUnited — top 10 female runway models 2026](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n"},{"url":"https://thecastindex.com/rising/hyunji-shin","markdownUrl":"https://thecastindex.com/rising/hyunji-shin.md","title":"Hyunji Shin","lastmod":"2026-09-08","sha256":"67b56eca2f31f3b28939195836e8483cd7b07b075e3978e28c8935678c86f99f","bytes":891,"markdown":"# Hyunji Shin\n\n> South Korean model whose career spans international runway work, beauty advertising and magazine covers. Her published 2026 record includes Chanel couture and Vogue Korea.\n\n- Canonical: https://thecastindex.com/rising/hyunji-shin\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: South Korea\n- Specialty: Runway / editorial\n- Agency: IMG · New York / Paris / Milan / London; Gost · Seoul\n- Source: https://models.com/models/hyunji-shin\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2026-08 — [Vogue Korea cover](https://models.com/models/hyunji-shin)\n- 2026-07-07 — [Chanel Haute Couture Fall 2026 show](https://models.com/models/hyunji-shin)\n- 2026-03-25 — [COS Spring/Summer 2026 show, Seoul](https://models.com/models/hyunji-shin)\n\n## Sources\n\n- [Published career record](https://models.com/models/hyunji-shin)\n"},{"url":"https://thecastindex.com/rising/janine-tugonon","markdownUrl":"https://thecastindex.com/rising/janine-tugonon.md","title":"Janine Tugonon","lastmod":"2026-10-05","sha256":"105d370fd051b8f87fc1e3f3ddda18246b8a49121fa0db1d47556c1f0154bb1a","bytes":893,"markdown":"# Janine Tugonon\n\n> First runner-up at Miss Universe 2012 who became the first full-blooded Filipina to model for Victoria’s Secret Pink and walked Chromat’s Spring/Summer 2018 show at New York Fashion Week.\n\n- Canonical: https://thecastindex.com/rising/janine-tugonon\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Philippines\n- Specialty: Runway / pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Janine_Tugonon\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [First runner-up at Miss Universe 2012 who became the first full-blooded Filipina to model for Victoria’s Secret Pink and walked Chromat’s Spring/Summer 2018 show at New York Fashion Week.](https://en.wikipedia.org/wiki/Janine_Tugonon)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Janine_Tugonon)\n"},{"url":"https://thecastindex.com/rising/kelly-tandiono","markdownUrl":"https://thecastindex.com/rising/kelly-tandiono.md","title":"Kelly Tandiono","lastmod":"2026-09-08","sha256":"68aa1bb507a82a3494bc76056a7be03ce1075440769db8c0c63e24e66534e698","bytes":1004,"markdown":"# Kelly Tandiono\n\n> Indonesian model and fashion personality with an established presence in the local industry. Jakarta Fashion Week profiles her career, and Tatler features her personal approach to style.\n\n- Canonical: https://thecastindex.com/rising/kelly-tandiono\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / fashion media\n- Agency: Current representation not confirmed\n- Source: https://www.jakartafashionweek.co.id/designers/kelly-tandiono/\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- [Jakarta Fashion Week career and design profile](https://www.jakartafashionweek.co.id/designers/kelly-tandiono/)\n- [Tatler Asia’s Galanistas style profile](https://www.tatlerasia.com/people/kelly-tandiono)\n\n## Sources\n\n- [Jakarta Fashion Week — Kelly Tandiono](https://www.jakartafashionweek.co.id/designers/kelly-tandiono/)\n- [Tatler Asia — Kelly Tandiono profile](https://www.tatlerasia.com/people/kelly-tandiono)\n"},{"url":"https://thecastindex.com/rising/kimmy-jayanti","markdownUrl":"https://thecastindex.com/rising/kimmy-jayanti.md","title":"Kimmy Jayanti","lastmod":"2026-09-25","sha256":"43b0e329d4ae47d7337485e3c22eae2a2db252c3a6f29c669b5d23e4b20cda52","bytes":2007,"markdown":"# Kimmy Jayanti\n\n> An Indonesian model and actor from Medan who began modelling in 2007, presented NET TV’s iLook and mentored contestants on Indonesia’s Next Top Model; she returned to the Jakarta Fashion Week 2026 runway in November 2025.\n\n- Canonical: https://thecastindex.com/rising/kimmy-jayanti\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / television\n- Agency: Look.Inc (early career); current representation under verification\n- Source: https://en.wikipedia.org/wiki/Kimmy_Jayanti\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## Runway, screen and teaching\n\nBorn in Medan, North Sumatra, in 1991, Kimmy Jayanti moved to Jakarta and started modelling at 16, signing with Look.Inc. Her screen work began with the 2010 film I Know What You Did on Facebook, and from 2013 to 2018 she was a model presenter on NET TV’s iLook.\n\nShe opened her own modelling school in Jakarta in 2016 and later mentored contestants on Indonesia’s Next Top Model. In November 2025 she walked at Jakarta Fashion Week 2026 alongside Paula Verhoeven, her first catwalk appearance since the birth of her third child.\n\n## Selected milestones\n\n- 2025-11 — [Walked Jakarta Fashion Week 2026 for Ayu Dyah Andari with the Central Kalimantan provincial government](https://www.haibunda.com/moms-life/20251106174246-73-379443/paula-verhoeven-kimmy-jayanti-tampil-satu-panggung-di-catwalk-pesonanya-bikin-kagum)\n- 2022 — [Guest judge and model mentor, Indonesia’s Next Top Model season three](https://en.wikipedia.org/wiki/Kimmy_Jayanti)\n- 2016-01-03 — [Founded the Kimmy Jayanti School modelling school in Jakarta](https://en.wikipedia.org/wiki/Kimmy_Jayanti)\n\n## Sources\n\n- [Wikipedia — Kimmy Jayanti](https://en.wikipedia.org/wiki/Kimmy_Jayanti)\n- [HaiBunda — Paula Verhoeven and Kimmy Jayanti at JFW 2026](https://www.haibunda.com/moms-life/20251106174246-73-379443/paula-verhoeven-kimmy-jayanti-tampil-satu-panggung-di-catwalk-pesonanya-bikin-kagum)\n"},{"url":"https://thecastindex.com/rising/laras-sekar","markdownUrl":"https://thecastindex.com/rising/laras-sekar.md","title":"Laras Sekar","lastmod":"2026-09-08","sha256":"e3c75ebd54be9100ab5065b26ecfe6607102a06a453879e500f980639c1e06ed","bytes":932,"markdown":"# Laras Sekar\n\n> Indonesian model whose published work connects Jakarta, Tokyo and international editorial. Her record includes a Vogue Singapore cover and Tokyo runway appearances.\n\n- Canonical: https://thecastindex.com/rising/laras-sekar\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / editorial\n- Agency: Ford Models · New York; TOMORROW TOKYO; BALITAR · Jakarta (mother agency)\n- Source: https://models.com/models/laras-sekar\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2025-10 — [Vogue Singapore cover and editorial](https://models.com/models/laras-sekar)\n- 2026-03-21 — [Alainpaul Fall/Winter 2026 show, Tokyo](https://models.com/models/laras-sekar)\n- 2026-03-20 — [Kotohayokozawa Fall/Winter 2026 show, Tokyo](https://models.com/models/laras-sekar)\n\n## Sources\n\n- [Published career record](https://models.com/models/laras-sekar)\n"},{"url":"https://thecastindex.com/rising/laura-muljadi","markdownUrl":"https://thecastindex.com/rising/laura-muljadi.md","title":"Laura Muljadi","lastmod":"2026-09-25","sha256":"0c2629e096e5d4603f707162ffd59720c920254ef4db96a6c0a02eb40abb0766","bytes":1877,"markdown":"# Laura Muljadi\n\n> A Jakarta-based model discovered in the Netherlands who worked across Europe and Asia; named Best Model (Designer’s Choice) at Jakarta Fashion Week 2009 and still photographed for Indonesian fashion titles.\n\n- Canonical: https://thecastindex.com/rising/laura-muljadi\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / editorial\n- Agency: Current representation under verification\n- Source: https://id.wikipedia.org/wiki/Laura_Muljadi\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## A career made abroad and at home\n\nLaura Muljadi was scouted by a Dutch agency while studying in the Netherlands on a scholarship, and went on to work in Russia, New Zealand, Singapore, Malaysia, Hong Kong, Japan, China, France and Italy.\n\nAt home she was named Best Model (Designer’s Choice) at Jakarta Fashion Week 2009 and Talented New Model at the 2010 Amica Awards. Alongside modelling she has taught English and mathematics to street children in Jakarta.\n\n## Selected milestones\n\n- 2022-12 — [DEWI Magazine profile and editorial shoot](https://www.dewimagazine.com/profile/laura-muljadi-passion-dan-etos-kerja-itu-dua-hal-penting-agar-bisa-terus-berkarya/)\n- 2010 — [Talented New Model (Female), Amica Awards](https://id.wikipedia.org/wiki/Laura_Muljadi)\n- 2009 — [Best Model (Designer’s Choice), Jakarta Fashion Week](https://id.wikipedia.org/wiki/Laura_Muljadi)\n\n## Sources\n\n- [Wikipedia (Indonesian) — Laura Muljadi](https://id.wikipedia.org/wiki/Laura_Muljadi)\n- [CNN Indonesia — Laura Muljadi profile](https://www.cnnindonesia.com/gaya-hidup/20151020000000-307-85395/laura-muljadi-ubah-kekurangan-jadi-keunggulan)\n- [DEWI Magazine — profile and editorial, December 2022](https://www.dewimagazine.com/profile/laura-muljadi-passion-dan-etos-kerja-itu-dua-hal-penting-agar-bisa-terus-berkarya/)\n"},{"url":"https://thecastindex.com/rising/ling-tan","markdownUrl":"https://thecastindex.com/rising/ling-tan.md","title":"Ling Tan","lastmod":"2026-09-08","sha256":"1295e2292e17eeb1d61ce2928cfab1889b859127947424474c7afd7e8e2f4062","bytes":932,"markdown":"# Ling Tan\n\n> Malaysian model with a long international runway and editorial career. Her recent published record includes fashion editorials, magazine covers and a Self-Portrait campaign.\n\n- Canonical: https://thecastindex.com/rising/ling-tan\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Malaysia\n- Specialty: Runway / editorial\n- Agency: The Model CoOp · New York; Elite · Paris / Milan; Munich Models\n- Source: https://models.com/models/ling-tan\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2024 — [Self-Portrait Lunar New Year campaign](https://models.com/work/self-portrait-self-portrait-lunar-new-year-2024-campaign)\n- 2024-10 — [Harper’s Bazaar Vietnam digital cover](https://models.com/models/ling-tan)\n- 2024-06 — [Glass Magazine China cover](https://models.com/models/ling-tan)\n\n## Sources\n\n- [Published career record](https://models.com/models/ling-tan)\n"},{"url":"https://thecastindex.com/rising/lulu-tenney","markdownUrl":"https://thecastindex.com/rising/lulu-tenney.md","title":"Lulu Tenney","lastmod":"2026-09-25","sha256":"f27dd3b34678f7b501af3d1942600a0574b9bef8916d50afa296f500438bb9c3","bytes":1887,"markdown":"# Lulu Tenney\n\n> New York-born model who opened Raf Simons’s first Calvin Klein show in 2017 and has since covered several editions of Vogue. Her recent record includes Chanel’s Métiers d’art campaign and a February 2026 Vogue España cover.\n\n- Canonical: https://thecastindex.com/rising/lulu-tenney\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: United States\n- Specialty: Runway / editorial\n- Agency: LUMIEN Creative · New York / Barcelona; Ford Models · Paris; Supa Model Management · London; Fabbrica Milano Management · Milan\n- Source: https://en.wikipedia.org/wiki/Lulu_Tenney\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## Why she is on the watch\n\nA decade after her Calvin Klein debut, Tenney remains a regular on major runways and covers. Models.com nominated her for Model of the Year in both 2024 and 2025.\n\n## Selected milestones\n\n- 2025-06-10 — [Chanel 2024/25 Métiers d’art campaign with Tilda Swinton and Liu Wen, photographed by Mikael Jansson](https://www.russh.com/chanel-2024-2025-metiers-dart-campaign/)\n- 2025-12-24 — [33 runway shows in 2025, per FashionUnited’s year-end count](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n- 2026-02 — [Vogue España cover, photographed by Sebastián Faena in Barcelona](https://www.vogue.es/articulos/barcelona-portada-febrero-2026-texto-leti-sala)\n\n## Sources\n\n- [Models.com profile and work history](https://models.com/models/lulu-tenney)\n- [Wikipedia — Lulu Tenney](https://en.wikipedia.org/wiki/Lulu_Tenney)\n- [RUSSH — Chanel 2024/25 Métiers d’art campaign, June 2025](https://www.russh.com/chanel-2024-2025-metiers-dart-campaign/)\n- [FashionUnited — top 10 female runway models 2026](https://fashionunited.com/news/fashion/top-10-female-runway-models-2026-bhavitha-mandava-and-more/2025122469776)\n"},{"url":"https://thecastindex.com/rising/maja-klajda","markdownUrl":"https://thecastindex.com/rising/maja-klajda.md","title":"Maja Klajda","lastmod":"2026-10-05","sha256":"4985f375b83e52ab3fa0019427849dc883939d58c33498423bdcb3d2d5738f51","bytes":600,"markdown":"# Maja Klajda\n\n> Second runner-up at Miss World 2025, representing Poland.\n\n- Canonical: https://thecastindex.com/rising/maja-klajda\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Poland\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://pl.wikipedia.org/wiki/Maja_Klajda\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Second runner-up at Miss World 2025, representing Poland.](https://pl.wikipedia.org/wiki/Maja_Klajda)\n\n## Sources\n\n- [Published career record](https://pl.wikipedia.org/wiki/Maja_Klajda)\n"},{"url":"https://thecastindex.com/rising/maria-karina","markdownUrl":"https://thecastindex.com/rising/maria-karina.md","title":"Maria Karina","lastmod":"2026-10-05","sha256":"004f89c002630bdedc1f75655d8ba0d59dba40b352424d7804421b3945730266","bytes":812,"markdown":"# Maria Karina\n\n> Named the female Jakarta Fashion Week 2021 Icon as a 16-year-old Regional Winner of the JFW Model Search 2020 in Surabaya.\n\n- Canonical: https://thecastindex.com/rising/maria-karina\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway\n- Agency: Current representation under verification\n- Source: https://www.pesona.co.id/read/inilah-jakarta-fashion-week-2021-icons-\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Named the female Jakarta Fashion Week 2021 Icon as a 16-year-old Regional Winner of the JFW Model Search 2020 in Surabaya.](https://www.pesona.co.id/read/inilah-jakarta-fashion-week-2021-icons-)\n\n## Sources\n\n- [Published career record](https://www.pesona.co.id/read/inilah-jakarta-fashion-week-2021-icons-)\n"},{"url":"https://thecastindex.com/rising/mehreen-syed","markdownUrl":"https://thecastindex.com/rising/mehreen-syed.md","title":"Mehreen Syed","lastmod":"2026-10-05","sha256":"26c5c0fb0e94da201a7ec409dda1d3d6e06cebf2f66c5ae59c0ca76838233dd4","bytes":764,"markdown":"# Mehreen Syed\n\n> Pakistani model who represented L’Oréal Paris in Pakistan in 2011 and founded the International Fashion Academy Pakistan (IFAP) in 2013.\n\n- Canonical: https://thecastindex.com/rising/mehreen-syed\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway / campaigns\n- Agency: Current representation under verification\n- Source: https://mehreensyed.pk/career-timeline\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Pakistani model who represented L’Oréal Paris in Pakistan in 2011 and founded the International Fashion Academy Pakistan (IFAP) in 2013.](https://mehreensyed.pk/career-timeline)\n\n## Sources\n\n- [Published career record](https://mehreensyed.pk/career-timeline)\n"},{"url":"https://thecastindex.com/rising/mushk-kaleem","markdownUrl":"https://thecastindex.com/rising/mushk-kaleem.md","title":"Mushk Kaleem","lastmod":"2026-10-05","sha256":"61c57f36c3a9d5fee22ff31154266bc7ed3ead8106c415aaa0e33d41e4d014fe","bytes":1755,"markdown":"# Mushk Kaleem\n\n> Karachi-born model who walked Italian designer Stella Jean’s Spring/Summer 2020 show at Milan Fashion Week — a collection featuring craft from northern Pakistan — and won Best Emerging Talent at the 2019 Lux Style Awards.\n\n- Canonical: https://thecastindex.com/rising/mushk-kaleem\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway\n- Agency: Current representation under verification\n- Source: https://images.dawn.com/news/1183691\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-10-05\n\n## Pakistani campaigns and a Milan runway milestone\n\nIn an October 2019 interview with The News, Kaleem discussed her Milan Fashion Week experience and work in Pakistan. The report connects her runway career with campaigns for labels including Sania Maskatiya, Zara Shahjahan and Élan.\n\nDawn Images subsequently identified Kaleem as the Best Female Model winner at the 20th Lux Style Awards in 2021. The dated interview and award report add professional milestones to her existing profile without implying a current booking or agency appointment.\n\n## Selected milestones\n\n- 2019 — [Milan Fashion Week appearance discussed in a career interview](https://www.thenews.com.pk/magazine/instep-today/536974-mushk-kaleem-shes-got-the-look)\n- 2021 — [Best Female Model, 20th Lux Style Awards](https://images.dawn.com/news/1188871)\n\n## Sources\n\n- [Dawn Images — Milan Fashion Week announcement, September 2019](https://images.dawn.com/news/1183691)\n- [The News — Mushk Kaleem career interview, October 2019](https://www.thenews.com.pk/magazine/instep-today/536974-mushk-kaleem-shes-got-the-look)\n- [Dawn Images — 2021 profile confirming Best Female Model award](https://images.dawn.com/news/1188871)\n"},{"url":"https://thecastindex.com/rising/natalie-puskinova","markdownUrl":"https://thecastindex.com/rising/natalie-puskinova.md","title":"Natálie Puškinová","lastmod":"2026-10-05","sha256":"e12ae7a48b5cdff063922bfd3635e43ea26920e8f3b9855263ce259ce996e36b","bytes":972,"markdown":"# Natálie Puškinová\n\n> Crowned Miss Earth 2025 on 5 November 2025 in the Philippines — the second Czech woman to win the title, after Tereza Fajksová in 2012. Has done modelling work and completed an internship at Vogue.\n\n- Canonical: https://thecastindex.com/rising/natalie-puskinova\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Czech Republic\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Nat%C3%A1lie_Pu%C5%A1kinov%C3%A1\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Crowned Miss Earth 2025 on 5 November 2025 in the Philippines — the second Czech woman to win the title, after Tereza Fajksová in 2012. Has done modelling work and completed an internship at Vogue.](https://en.wikipedia.org/wiki/Nat%C3%A1lie_Pu%C5%A1kinov%C3%A1)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Nat%C3%A1lie_Pu%C5%A1kinov%C3%A1)\n"},{"url":"https://thecastindex.com/rising/oyku-bastas","markdownUrl":"https://thecastindex.com/rising/oyku-bastas.md","title":"Öykü Baştaş","lastmod":"2026-10-05","sha256":"dd892c1a56009e178679634f84dd9e0e5cbc9d4ed0ce4cf9adf89504a07d7b74","bytes":908,"markdown":"# Öykü Baştaş\n\n> Istanbul-born model reported as the first Turkish model to walk for Gucci, in what was also her runway debut; she went on to walk MSGM, Acne Studios, Burberry and Erdem.\n\n- Canonical: https://thecastindex.com/rising/oyku-bastas\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Turkey\n- Specialty: Runway\n- Agency: Current representation under verification\n- Source: https://i-d.co/article/meet-the-first-turkish-model-to-walk-for-gucci/\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Istanbul-born model reported as the first Turkish model to walk for Gucci, in what was also her runway debut; she went on to walk MSGM, Acne Studios, Burberry and Erdem.](https://i-d.co/article/meet-the-first-turkish-model-to-walk-for-gucci/)\n\n## Sources\n\n- [Published career record](https://i-d.co/article/meet-the-first-turkish-model-to-walk-for-gucci/)\n"},{"url":"https://thecastindex.com/rising/paola-guzman","markdownUrl":"https://thecastindex.com/rising/paola-guzman.md","title":"Paola Guzmán Sánchez","lastmod":"2026-10-05","sha256":"f21101faa1d9d9327135b2e43221af26e21f6250e1371845d3e288f616ce4623","bytes":793,"markdown":"# Paola Guzmán Sánchez\n\n> Second runner-up at Miss International 2025, representing Bolivia.\n\n- Canonical: https://thecastindex.com/rising/paola-guzman\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Bolivia\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://conandaily.com/2025/11/27/10-things-about-miss-international-bolivia-2025-paola-guzman/\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Second runner-up at Miss International 2025, representing Bolivia.](https://conandaily.com/2025/11/27/10-things-about-miss-international-bolivia-2025-paola-guzman/)\n\n## Sources\n\n- [Published career record](https://conandaily.com/2025/11/27/10-things-about-miss-international-bolivia-2025-paola-guzman/)\n"},{"url":"https://thecastindex.com/rising/patricia-gouw","markdownUrl":"https://thecastindex.com/rising/patricia-gouw.md","title":"Patricia Gouw","lastmod":"2026-09-08","sha256":"db76df8029e6bbfc8496d90aedd5f3ea20a31cef3c84710055afe49c41598429","bytes":1590,"markdown":"# Patricia Gouw\n\n> Patricia Gouw is an Indonesian model and presenter who was runner-up in the fourth season of Asia’s Next Top Model in 2016. Her career bridges modelling, television and fashion media.\n\n- Canonical: https://thecastindex.com/rising/patricia-gouw\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Editorial / regional fashion media\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Patricia_Gouw\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n## A career beyond the competition\n\nIn her Harper’s Bazaar Indonesia interview, Gouw described the 2016 competition as a turning point in her modelling career. Her work as a presenter and fashion-media personality adds a different dimension to that runway background.\n\nShe belongs in a record of established Indonesian fashion talent. Inclusion here recognises that career; it does not imply a newly launched career or a verified change in international bookings.\n\n## Selected milestones\n\n- 2016 — [Runner-up, Asia’s Next Top Model season four](https://www.antaranews.com/berita/595516/tips-dapatkan-pose-terbaik-dari-runner-up-asntm)\n- [Harper’s Bazaar Indonesia digital cover and career interview](https://harpersbazaar.co.id/cover-digital/patricia-gouw/)\n\n## Sources\n\n- [Harper’s Bazaar Indonesia — Patricia Gouw interview](https://harpersbazaar.co.id/cover-digital/patricia-gouw/)\n- [ANTARA — Patricia Gouw on posing, November 2016](https://www.antaranews.com/berita/595516/tips-dapatkan-pose-terbaik-dari-runner-up-asntm)\n"},{"url":"https://thecastindex.com/rising/paula-verhoeven","markdownUrl":"https://thecastindex.com/rising/paula-verhoeven.md","title":"Paula Verhoeven","lastmod":"2026-09-25","sha256":"72c4104f43cb2001fd2571896f14d372311f778d78522fef722de65f11ad1ff7","bytes":1812,"markdown":"# Paula Verhoeven\n\n> A Semarang-born model who won Elite Model Look in 2003 after reaching the GADIS Sampul finals, later moving into film and television; she walked at Jakarta Fashion Week 2026 in November 2025.\n\n- Canonical: https://thecastindex.com/rising/paula-verhoeven\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / television\n- Agency: Current representation under verification\n- Source: https://id.wikipedia.org/wiki/Paula_Verhoeven\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-25\n\n## From model competitions to the runway\n\nPaula Verhoeven, born in Semarang in 1987, entered modelling as a GADIS Sampul finalist in 2001 and won Elite Model Look in 2003. She studied communication at LSPR in Jakarta and made her film debut in Supernova in 2014, later presenting on Trans7 and Trans TV.\n\nIn November 2025 she returned to the Jakarta Fashion Week runway, walking with Kimmy Jayanti in Ayu Dyah Andari’s collection for the Central Kalimantan provincial government.\n\n## Selected milestones\n\n- 2025-11 — [Walked Jakarta Fashion Week 2026 for Ayu Dyah Andari with the Central Kalimantan provincial government](https://www.haibunda.com/moms-life/20251106174246-73-379443/paula-verhoeven-kimmy-jayanti-tampil-satu-panggung-di-catwalk-pesonanya-bikin-kagum)\n- 2003 — [Winner, Elite Model Look (Indonesia)](https://id.wikipedia.org/wiki/Paula_Verhoeven)\n- 2001 — [Finalist, GADIS Sampul](https://id.wikipedia.org/wiki/Paula_Verhoeven)\n\n## Sources\n\n- [Wikipedia (Indonesian) — Paula Verhoeven](https://id.wikipedia.org/wiki/Paula_Verhoeven)\n- [HaiBunda — Paula Verhoeven and Kimmy Jayanti at JFW 2026](https://www.haibunda.com/moms-life/20251106174246-73-379443/paula-verhoeven-kimmy-jayanti-tampil-satu-panggung-di-catwalk-pesonanya-bikin-kagum)\n"},{"url":"https://thecastindex.com/rising/praveenar-singh","markdownUrl":"https://thecastindex.com/rising/praveenar-singh.md","title":"Praveenar Singh","lastmod":"2026-10-05","sha256":"cfc50225cf9074bf5ed5ac000322be1faad9cbadb098a6d24d7a6dde36faa7f9","bytes":862,"markdown":"# Praveenar Singh\n\n> First runner-up at Miss Universe 2025. Returned as a special guest and segment co-host at the Miss Universe Philippines 2026 coronation, styled by an all-Filipino creative team.\n\n- Canonical: https://thecastindex.com/rising/praveenar-singh\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Thailand\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Praveenar_Singh\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [First runner-up at Miss Universe 2025. Returned as a special guest and segment co-host at the Miss Universe Philippines 2026 coronation, styled by an all-Filipino creative team.](https://en.wikipedia.org/wiki/Praveenar_Singh)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Praveenar_Singh)\n"},{"url":"https://thecastindex.com/rising/roma-michael","markdownUrl":"https://thecastindex.com/rising/roma-michael.md","title":"Roma Michael","lastmod":"2026-10-05","sha256":"ece30b26d9e6d0ab019e42373e20eb016be91f45f37191f52db915b62047f51f","bytes":858,"markdown":"# Roma Michael\n\n> Lahore-born model who has walked Pakistan Fashion Design Council and Fashion Pakistan Week shows for designers including HSY and Nida Azwer, later winning Miss Grand Pakistan 2024.\n\n- Canonical: https://thecastindex.com/rising/roma-michael\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway / pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Roma_Michael\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Lahore-born model who has walked Pakistan Fashion Design Council and Fashion Pakistan Week shows for designers including HSY and Nida Azwer, later winning Miss Grand Pakistan 2024.](https://en.wikipedia.org/wiki/Roma_Michael)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Roma_Michael)\n"},{"url":"https://thecastindex.com/rising/sadaf-kanwal","markdownUrl":"https://thecastindex.com/rising/sadaf-kanwal.md","title":"Sadaf Kanwal","lastmod":"2026-10-05","sha256":"4611606e70a96bd58df17d9cb9bee8a9e98eb570137f800c9701c290f46c98e5","bytes":1694,"markdown":"# Sadaf Kanwal\n\n> Pakistani model and actress who won Best Emerging Talent at the 2015 Lux Style Awards and Best Female Model at the 2017 ceremony, as documented in contemporary Dawn Images coverage.\n\n- Canonical: https://thecastindex.com/rising/sadaf-kanwal\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Pakistan\n- Specialty: Runway / campaigns\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Sadaf_Kanwal\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-10-05\n\n## From emerging-talent recognition to a modelling award\n\nDawn Images interviewed Kanwal in October 2015 after her Best Emerging Talent win at the Lux Style Awards. The introduction places the award alongside her magazine-cover and billboard work at that stage of her career.\n\nThe publication’s live coverage of the 2017 ceremony records her Best Female Model win. Distinguishing the two award categories preserves an accurate chronology of her professional recognition within Pakistani fashion.\n\n## Selected milestones\n\n- 2015 — [Best Emerging Talent, Lux Style Awards](https://images.dawn.com/news/1174035/5-questions-with-sadaf-kanwal-if-i-enter-big-boss-i-will-be-a-favourite)\n- 2017 — [Best Female Model, Lux Style Awards](https://images.dawn.com/news/1177454/heres-what-went-down-at-the-lux-style-awards-2017)\n\n## Sources\n\n- [Dawn Images — Sadaf Kanwal interview confirming 2015 Best Emerging Talent win](https://images.dawn.com/news/1174035/5-questions-with-sadaf-kanwal-if-i-enter-big-boss-i-will-be-a-favourite)\n- [Dawn Images — Lux Style Awards 2017 reporting](https://images.dawn.com/news/1177454/heres-what-went-down-at-the-lux-style-awards-2017)\n"},{"url":"https://thecastindex.com/rising/sarunrat-puagpipat","markdownUrl":"https://thecastindex.com/rising/sarunrat-puagpipat.md","title":"Sarunrat \"Gotchabell\" Puagpipat","lastmod":"2026-10-05","sha256":"927f516941183c0080cd962f64ad25e82ebb91a2dd2491d105d6baea25f5c049","bytes":861,"markdown":"# Sarunrat \"Gotchabell\" Puagpipat\n\n> First runner-up at Miss Grand International 2025, also winning Best in Swimsuit. Won Miss Grand Thailand 2025 after starting as Miss Grand Phuket.\n\n- Canonical: https://thecastindex.com/rising/sarunrat-puagpipat\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Thailand\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Miss_Grand_International_2025\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [First runner-up at Miss Grand International 2025, also winning Best in Swimsuit. Won Miss Grand Thailand 2025 after starting as Miss Grand Phuket.](https://en.wikipedia.org/wiki/Miss_Grand_International_2025)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Miss_Grand_International_2025)\n"},{"url":"https://thecastindex.com/rising/sheena-liam","markdownUrl":"https://thecastindex.com/rising/sheena-liam.md","title":"Sheena Liam","lastmod":"2026-09-08","sha256":"a35460981a22c67a69e1a74ecdd6bb36e0a2ebb0a276757959cb4e21588b275b","bytes":998,"markdown":"# Sheena Liam\n\n> Malaysian model and embroidery artist working as Times New Romance. Her career spans fashion imagery and a distinct practice in stitched portraiture.\n\n- Canonical: https://thecastindex.com/rising/sheena-liam\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: Malaysia\n- Specialty: Editorial / visual art\n- Agency: Current representation not confirmed\n- Source: https://www.tatlerasia.com/lifestyle/arts/seena-liam\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2017 — [Discussed modelling and embroidery in Models.com’s Los Angeles interview series](https://models.com/newfaces/features/58198)\n- [Times New Romance art practice profiled by Tatler Asia](https://www.tatlerasia.com/lifestyle/arts/seena-liam)\n\n## Sources\n\n- [Tatler Asia — Sheena Liam’s modelling and art practice](https://www.tatlerasia.com/lifestyle/arts/seena-liam)\n- [Models.com — interview with Sheena Liam](https://models.com/newfaces/features/58198)\n"},{"url":"https://thecastindex.com/rising/soldis-ivarsdottir","markdownUrl":"https://thecastindex.com/rising/soldis-ivarsdottir.md","title":"Sóldís Vala Ívarsdóttir","lastmod":"2026-10-05","sha256":"4aad1a29075ffc6d4085457386dff353e40993c703437e7b7b9833382b5cfce3","bytes":927,"markdown":"# Sóldís Vala Ívarsdóttir\n\n> Named Miss Earth-Air 2025, the pageant’s elemental title functioning as first runner-up. Previously won Miss Universe Iceland 2024 and competed at Miss Universe 2024.\n\n- Canonical: https://thecastindex.com/rising/soldis-ivarsdottir\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Iceland\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/S%C3%B3ld%C3%ADs_%C3%8Dvarsd%C3%B3ttir\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Named Miss Earth-Air 2025, the pageant’s elemental title functioning as first runner-up. Previously won Miss Universe Iceland 2024 and competed at Miss Universe 2024.](https://en.wikipedia.org/wiki/S%C3%B3ld%C3%ADs_%C3%8Dvarsd%C3%B3ttir)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/S%C3%B3ld%C3%ADs_%C3%8Dvarsd%C3%B3ttir)\n"},{"url":"https://thecastindex.com/rising/soo-joo-park","markdownUrl":"https://thecastindex.com/rising/soo-joo-park.md","title":"Soo Joo Park","lastmod":"2026-09-08","sha256":"5706f13983c75922d21a80a4585b0ac4ee7f3fe78eae13b8e13f5fe7bb83764d","bytes":890,"markdown":"# Soo Joo Park\n\n> South Korean-born model with a career across runway, editorial and creative work. Her 2026 published credits include Vogue Korea covers and Chanel’s Métiers d’art reprise show.\n\n- Canonical: https://thecastindex.com/rising/soo-joo-park\n- Status: Established · Talent Watch (unnumbered)\n- Nationality: South Korea\n- Specialty: Runway / editorial\n- Agency: The Lions · New York; IMG · Paris; Storm · London\n- Source: https://models.com/models/Soo-Joo\n- Editor: Kaiser Khan\n- Sources reviewed: 2026-09-08\n\n\n\n## Selected milestones\n\n- 2026-08 — [Vogue Korea cover](https://models.com/models/Soo-Joo)\n- 2026-05-26 — [Closed Chanel’s Métiers d’art 2026 reprise show](https://models.com/models/Soo-Joo)\n- 2026-02-27 — [Gucci Fall/Winter 2026 show](https://models.com/models/Soo-Joo)\n\n## Sources\n\n- [Published career record](https://models.com/models/Soo-Joo)\n"},{"url":"https://thecastindex.com/rising/stephany-abasali","markdownUrl":"https://thecastindex.com/rising/stephany-abasali.md","title":"Stephany Adriana Abasali Nasser","lastmod":"2026-10-05","sha256":"5ad8c013dd3bf5f403eb83a01b7fb60557c800224a0fa5d6d5351834eac4ac21","bytes":834,"markdown":"# Stephany Adriana Abasali Nasser\n\n> Second runner-up at Miss Universe 2025. Walked the runway for designer Raúl Peñaranda and for Giannina Azar at New York Fashion Week, February 2025.\n\n- Canonical: https://thecastindex.com/rising/stephany-abasali\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Venezuela\n- Specialty: Runway / pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Stephany_Abasali\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Second runner-up at Miss Universe 2025. Walked the runway for designer Raúl Peñaranda and for Giannina Azar at New York Fashion Week, February 2025.](https://en.wikipedia.org/wiki/Stephany_Abasali)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Stephany_Abasali)\n"},{"url":"https://thecastindex.com/rising/suchata-chuangsri","markdownUrl":"https://thecastindex.com/rising/suchata-chuangsri.md","title":"Suchata \"Opal\" Chuangsri","lastmod":"2026-10-05","sha256":"6fc5df282604c7475f0250e35d6e1acb1189c84e81252389e30eff5c04b94885","bytes":727,"markdown":"# Suchata \"Opal\" Chuangsri\n\n> Crowned Miss World 2025 on 31 May 2025 in Hyderabad, India — the first Thai woman to win the title.\n\n- Canonical: https://thecastindex.com/rising/suchata-chuangsri\n- Status: Pageantry · Talent Watch (unnumbered)\n- Nationality: Thailand\n- Specialty: Pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Suchata_Chuangsri\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Crowned Miss World 2025 on 31 May 2025 in Hyderabad, India — the first Thai woman to win the title.](https://en.wikipedia.org/wiki/Suchata_Chuangsri)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Suchata_Chuangsri)\n"},{"url":"https://thecastindex.com/rising/trinh-my-anh","markdownUrl":"https://thecastindex.com/rising/trinh-my-anh.md","title":"Trịnh Mỹ Anh","lastmod":"2026-10-05","sha256":"b9b829cf3d9abbb83bfdec9dea945ec25571405b26b8b8d39500ddad9b347013","bytes":963,"markdown":"# Trịnh Mỹ Anh\n\n> Named Miss Earth-Water 2025, commonly reported in Vietnamese press as second runner-up. Walked Vietnam International Fashion Week in Hanoi for designers CEM, Adrian Anh Tuấn and Ivan Trần, November 2025.\n\n- Canonical: https://thecastindex.com/rising/trinh-my-anh\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Vietnam\n- Specialty: Runway / pageantry\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/Tr%E1%BB%8Bnh_M%E1%BB%B9_Anh\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Named Miss Earth-Water 2025, commonly reported in Vietnamese press as second runner-up. Walked Vietnam International Fashion Week in Hanoi for designers CEM, Adrian Anh Tuấn and Ivan Trần, November 2025.](https://en.wikipedia.org/wiki/Tr%E1%BB%8Bnh_M%E1%BB%B9_Anh)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/Tr%E1%BB%8Bnh_M%E1%BB%B9_Anh)\n"},{"url":"https://thecastindex.com/rising/tulin-sahin","markdownUrl":"https://thecastindex.com/rising/tulin-sahin.md","title":"Tülin Şahin","lastmod":"2026-10-05","sha256":"f7a594aad88a125e7cb413446d0d13714cf035e46d5483100668ec76dac9295a","bytes":889,"markdown":"# Tülin Şahin\n\n> Danish-Turkish model, TV presenter and actress who began a professional modelling career in Paris in 1998, long nicknamed “Cindy from Sivas” for her resemblance to Cindy Crawford.\n\n- Canonical: https://thecastindex.com/rising/tulin-sahin\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Turkey\n- Specialty: Runway / editorial\n- Agency: Current representation under verification\n- Source: https://en.wikipedia.org/wiki/T%C3%BClin_%C5%9Eahin\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Danish-Turkish model, TV presenter and actress who began a professional modelling career in Paris in 1998, long nicknamed “Cindy from Sivas” for her resemblance to Cindy Crawford.](https://en.wikipedia.org/wiki/T%C3%BClin_%C5%9Eahin)\n\n## Sources\n\n- [Published career record](https://en.wikipedia.org/wiki/T%C3%BClin_%C5%9Eahin)\n"},{"url":"https://thecastindex.com/rising/wita-juwita","markdownUrl":"https://thecastindex.com/rising/wita-juwita.md","title":"Wita Juwita","lastmod":"2026-10-05","sha256":"edab8b57fe96db4fa0fb8f6eb91032272b985858af713f284ca8c14694e54644","bytes":908,"markdown":"# Wita Juwita\n\n> Inaugural Face of Jakarta Fashion Week (2017), modelling on the JFW runway since 2009 and a winner of the Wajah Femina 2013 title.\n\n- Canonical: https://thecastindex.com/rising/wita-juwita\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Indonesia\n- Specialty: Runway / commercial\n- Agency: F&G Model Talent Agency\n- Source: https://www.thejakartapost.com/news/2016/10/22/wita-juwita-the-face-jakarta-fashion-week-2017.html\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [Inaugural Face of Jakarta Fashion Week (2017), modelling on the JFW runway since 2009 and a winner of the Wajah Femina 2013 title.](https://www.thejakartapost.com/news/2016/10/22/wita-juwita-the-face-jakarta-fashion-week-2017.html)\n\n## Sources\n\n- [Published career record](https://www.thejakartapost.com/news/2016/10/22/wita-juwita-the-face-jakarta-fashion-week-2017.html)\n"},{"url":"https://thecastindex.com/rising/yollanda-chimbarami","markdownUrl":"https://thecastindex.com/rising/yollanda-chimbarami.md","title":"Yollanda Elizabeth Chimbarami","lastmod":"2026-10-05","sha256":"149c9a2d32df5e7b5a4162bf25f0d17a8c29472458b9baf0983a9c2ed4d04491","bytes":1140,"markdown":"# Yollanda Elizabeth Chimbarami\n\n> First runner-up at Miss International 2025, also named Miss International Africa. Signed with modelling agency Zhaxie Management and has walked for designers David Tlale and Danielle Allen.\n\n- Canonical: https://thecastindex.com/rising/yollanda-chimbarami\n- Status: Watch · Talent Watch (unnumbered)\n- Nationality: Zimbabwe\n- Specialty: Runway / pageantry\n- Agency: Zhaxie Management\n- Source: https://www.heraldonline.co.zw/miss-international-zimbabwe-yollanda-chimbarami-embraces-role-as-global-ambassador-for-her-country/\n- Editor: Kaiser Khan\n- Record published: 2026-10-05\n\n\n\n## Selected milestones\n\n- [First runner-up at Miss International 2025, also named Miss International Africa. Signed with modelling agency Zhaxie Management and has walked for designers David Tlale and Danielle Allen.](https://www.heraldonline.co.zw/miss-international-zimbabwe-yollanda-chimbarami-embraces-role-as-global-ambassador-for-her-country/)\n\n## Sources\n\n- [Published career record](https://www.heraldonline.co.zw/miss-international-zimbabwe-yollanda-chimbarami-embraces-role-as-global-ambassador-for-her-country/)\n"},{"url":"https://thecastindex.com/wellbeing/body-image-and-social-media","markdownUrl":"https://thecastindex.com/wellbeing/body-image-and-social-media.md","title":"Protecting your body image in an appearance-focused industry","lastmod":"2026-10-05","sha256":"2c379f95ce4c99f7539e81a5ed433f4421ab2e89ae29ed356daa03372207fe69","bytes":2569,"markdown":"# Protecting your body image in an appearance-focused industry\n\n> Constant comparison, editing, and public comment take a toll. Practical ways to protect your relationship with your body.\n\n- Canonical: https://thecastindex.com/wellbeing/body-image-and-social-media\n- Author: Kaiser Khan\n- Question: How do you protect your body image working in fashion and on social media?\n- Direct answer: Curate your feed ruthlessly, mute comparison triggers, and remember runway casting reflects specific briefs, not a universal standard. Editing and filters distort everyone’s sense of “normal”. If food, weight, or appearance dominate your thoughts, that’s a reason to seek support, not to push harder.\n- Not medical advice\n\nWorking in fashion — and living on social media alongside it — means near-constant exposure to idealised, edited images and public comment on your appearance. That environment is a well-documented risk factor for poor body image and disordered eating.\n\nThe most effective lever most people have is their feed. Unfollow or mute accounts that reliably trigger comparison, and be honest that filters and editing have shifted everyone’s sense of what a body “normally” looks like, including your own.\n\nIt also helps to reframe casting. A runway brief is narrow and specific to one designer’s vision on one day; it is not a universal verdict on how a body should look. The diversity of who now works — across age, size, and background — makes that clearer than ever.\n\nWhen appearance, food, or weight start to dominate your thoughts or dictate your behaviour, that is a signal to reach out — to a doctor or a body-image or eating-disorder service — rather than to try harder alone.\n\n## When to seek help\n\nIf food, weight, or your body dominate your thoughts, or you notice persistent fatigue, dizziness, or missed periods, speak to a doctor, a registered dietitian, or an eating-disorder helpline in your country early. Eating disorders are treatable and early help changes outcomes.\n\n## FAQ\n\n### Is it normal to compare myself to other models?\n\nSome comparison is human, but in an image-saturated environment it can spiral and harm your mental health. Curating your feed, muting triggers, and remembering that images are edited all reduce its grip.\n\n### When does body-image worry become a health problem?\n\nWhen thoughts about appearance, food, or weight become frequent and distressing, or start to control your eating or behaviour. That’s the point to seek support from a doctor or an eating-disorder helpline in your country.\n"},{"url":"https://thecastindex.com/wellbeing/coping-with-casting-rejection","markdownUrl":"https://thecastindex.com/wellbeing/coping-with-casting-rejection.md","title":"How to cope with constant casting rejection","lastmod":"2026-10-05","sha256":"18443f79029d7674464430feaccb242eaff6e983bb04051c465644ed14c7473b","bytes":2435,"markdown":"# How to cope with constant casting rejection\n\n> Rejection is the daily reality of modelling. How to keep it from eroding your mental health.\n\n- Canonical: https://thecastindex.com/wellbeing/coping-with-casting-rejection\n- Author: Kaiser Khan\n- Question: How do you cope with constant rejection at castings?\n- Direct answer: Separate the decision from your worth: a “no” is about fit for one specific brief, not you. Limit how often you replay results, keep a full life outside modelling, and lean on people who see the whole you. Persistent low mood is a reason to seek support.\n- Not medical advice\n\nModelling involves more rejection, more often, than almost any other career. Casting decisions turn on precise and shifting briefs — a height, a look, a mood a designer wants that day — and are made quickly. Very little of it is about you as a person.\n\nThe psychological risk is not the “no” itself but rumination: replaying it, generalising it (“I’m not good enough”), and letting it define your self-image. Naming that pattern is the first step to interrupting it.\n\nWhat protects people over a long career is a sense of self that isn’t staked entirely on bookings — relationships, interests, and plans outside the industry — plus a couple of people who see the whole you, not just the professional.\n\nIf rejection is feeding a lasting low mood, anxiety, or a harsh inner voice you can’t quiet, that is worth talking through with a professional. It’s a sign of the pressure, not of weakness.\n\n## When to seek help\n\nSpeak to a doctor or mental-health professional if low mood, anxiety, or sleep problems last more than two weeks, get in the way of daily life, or feel unmanageable. If you have thoughts of harming yourself, seek help now — contact your local emergency number or a crisis line in your country (find one at findahelpline.com).\n\n## FAQ\n\n### Does getting rejected a lot mean I’m not good enough to model?\n\nNo. Casting turns on very specific, changing briefs decided in seconds — height, look, the mood a designer wants that day. High rejection rates are normal in the industry and are not a measure of your worth or ability.\n\n### How can I stop taking castings personally?\n\nPractise separating the decision from yourself, limit how much you replay results, and keep an identity and support network outside modelling. If low mood persists, a professional can help you build these skills.\n"},{"url":"https://thecastindex.com/wellbeing/fuelling-a-demanding-runway-schedule","markdownUrl":"https://thecastindex.com/wellbeing/fuelling-a-demanding-runway-schedule.md","title":"How should models fuel a demanding schedule?","lastmod":"2026-10-05","sha256":"1760260880475937960f03a7644ce8f256aa8b6383a1d2848207d759bb2da6a6","bytes":2487,"markdown":"# How should models fuel a demanding schedule?\n\n> Why under-fuelling backfires, what “energy availability” means, and the early signs to take seriously.\n\n- Canonical: https://thecastindex.com/wellbeing/fuelling-a-demanding-runway-schedule\n- Author: Kaiser Khan\n- Question: How should models fuel a demanding schedule without under-eating?\n- Direct answer: Eat regularly, not restrictively. Chronically eating less than you burn (“low energy availability”) harms concentration, mood, bones, and hormones. Steady meals across the day outperform restriction-then-crash. Persistent fatigue, dizziness, or preoccupation with food are red flags — get support early.\n- Not medical advice\n\nThe most persistent myth in this industry is that eating less is a professional advantage. It is not. When intake is chronically below what a body spends, the consequences are measurable: impaired concentration, low mood, weakened bones, hormonal disruption, and, over time, serious illness.\n\nPractically, the goal is steadiness. Regular meals and snacks across a long day keep energy and focus stable — which is exactly what a demanding schedule requires. Restriction followed by a crash is the opposite of reliable.\n\nSome signs deserve early attention rather than “pushing through”: persistent fatigue or dizziness, disrupted or absent periods, frequent illness, or a growing preoccupation with food and body. These are medical signals, not willpower failures.\n\nEating disorders are common in image-focused industries and are treatable. The earlier support begins, the better the outcome.\n\n## When to seek help\n\nIf food, weight, or your body dominate your thoughts, or you notice persistent fatigue, dizziness, or missed periods, speak to a doctor, a registered dietitian, or an eating-disorder helpline in your country early. Eating disorders are treatable and early help changes outcomes.\n\n## FAQ\n\n### What is low energy availability?\n\nIt’s when the energy left for your body’s basic functions — after activity — is chronically too low, usually from under-eating relative to your needs. It can disrupt hormones, bone health, mood, and concentration, even at a “normal” weight.\n\n### What are early warning signs of an eating problem?\n\nA growing preoccupation with food, weight, or shape; rigid rules around eating; persistent fatigue, dizziness, feeling cold, or missed periods. If these are familiar, speak to a doctor or an eating-disorder helpline in your country early.\n"},{"url":"https://thecastindex.com/wellbeing/protecting-mental-health-during-fashion-week","markdownUrl":"https://thecastindex.com/wellbeing/protecting-mental-health-during-fashion-week.md","title":"How to protect your mental health during fashion week","lastmod":"2026-10-05","sha256":"e5de0dabda621a7a2d1fa18ec877a99dc80d7a13c1a8efd8eb688f53564843b9","bytes":2361,"markdown":"# How to protect your mental health during fashion week\n\n> Back-to-back shows, travel, and public scrutiny compress months of pressure into weeks. Here’s how to stay well.\n\n- Canonical: https://thecastindex.com/wellbeing/protecting-mental-health-during-fashion-week\n- Author: Kaiser Khan\n- Question: How do you protect your mental health during fashion week?\n- Direct answer: Protect sleep first, decide in advance who you’ll talk to when it’s hard, and treat a casting “no” as being about fit, not your worth. If low mood, anxiety, or intrusive thoughts last more than two weeks, speak to a qualified professional.\n- Not medical advice\n\nFashion week is, in effect, an acute stressor stacked on a chronic one. Long days, disrupted sleep, constant travel, and repeated public evaluation are exactly the conditions that erode mental health — and they arrive all at once.\n\nThe most protective single thing anyone on the circuit can do is guard sleep. Sleep regulates mood, appetite, and stress reactivity; a consistent wind-down and a fixed wake time do more than any one coping technique.\n\nSecond, decide in advance who you will talk to when it gets hard, and make it a real person you can reach. Isolation amplifies everything.\n\nFinally, reframe casting. A “no” is a decision about fit for one show, on one day — not a verdict on your worth. Practised deliberately, that separation protects self-esteem across a long career.\n\n## When to seek help\n\nSpeak to a doctor or mental-health professional if low mood, anxiety, or sleep problems last more than two weeks, get in the way of daily life, or feel unmanageable. If you have thoughts of harming yourself, seek help now — contact your local emergency number or a crisis line in your country (find one at findahelpline.com).\n\n## FAQ\n\n### Is it normal to feel anxious during fashion week?\n\nSome nerves are normal given the pressure and scrutiny. It becomes a concern when anxiety is persistent, stops you functioning, or comes with panic, low mood, or sleep problems — at which point it’s worth speaking to a professional.\n\n### How much sleep do I actually need in a busy season?\n\nMost adults need around 7–9 hours. During a compressed schedule you may not always manage it, but protecting a consistent wind-down and wake time, and catching up where you can, meaningfully buffers stress.\n"},{"url":"https://thecastindex.com/wellbeing/runway-skin-barrier-health","markdownUrl":"https://thecastindex.com/wellbeing/runway-skin-barrier-health.md","title":"How to look after your skin through a product-heavy season","lastmod":"2026-10-05","sha256":"9f51cfed5b196b9df59e3030f0d2d2832a0cb0e2d1361858fee2d9df5d029052","bytes":2260,"markdown":"# How to look after your skin through a product-heavy season\n\n> Days of heavy makeup, quick removals, and travel are hard on skin. How to keep the barrier intact.\n\n- Canonical: https://thecastindex.com/wellbeing/runway-skin-barrier-health\n- Author: Kaiser Khan\n- Question: How do you protect your skin during a busy makeup-heavy season?\n- Direct answer: Remove makeup gently — friction, not product, is often the culprit. Keep the routine simple (cleanse, moisturise, SPF), and patch-test new products in advance rather than backstage. Persistent redness, breakouts, or irritation warrant a dermatologist, not stronger actives.\n- Not medical advice\n\nA season means heavy makeup applied and removed repeatedly, often quickly and under time pressure. The skin’s barrier — the outer layer that holds moisture in and irritants out — takes the strain, and once it is compromised, everything else gets harder.\n\nThe single most useful habit is gentle removal. A soft cleansing balm or micellar approach, without hard rubbing, does more to protect skin than any active ingredient. Friction is often the real culprit backstage.\n\nDuring a busy stretch, simpler is better: a gentle cleanser, a barrier-supporting moisturiser, and daily SPF will outperform an elaborate routine you can’t keep up. Introduce any new product with a patch test in advance.\n\nIf redness, breakouts, or irritation persist, the answer is a dermatologist — not stronger acids, which usually make a stressed barrier worse.\n\n## When to seek help\n\nSee a doctor or dermatologist if a skin problem persists despite a gentle routine, spreads, becomes painful, or affects your confidence. Sudden swelling, a widespread rash, or difficulty breathing after a product needs urgent medical attention.\n\n## FAQ\n\n### Should I use more products to fix problem skin during a season?\n\nUsually the opposite. During a stressful, product-heavy period, a simpler barrier-supporting routine tends to work better than piling on strong actives, which can further irritate the skin.\n\n### How do I avoid reactions to new backstage products?\n\nPatch-test anything new in advance on a small area, and keep your own gentle basics with you. Backstage, under time pressure, is the worst place to discover a reaction.\n"},{"url":"https://thecastindex.com/wellbeing/travel-sleep-and-workload-health","markdownUrl":"https://thecastindex.com/wellbeing/travel-sleep-and-workload-health.md","title":"Travel, sleep, and the health of a touring schedule","lastmod":"2026-10-05","sha256":"257621198472608dd6e919a1ead4f560bf431687b886cf563f75354953d62d0f","bytes":2121,"markdown":"# Travel, sleep, and the health of a touring schedule\n\n> Managing jet lag, workload, and the recovery that makes a long career possible.\n\n- Canonical: https://thecastindex.com/wellbeing/travel-sleep-and-workload-health\n- Author: Kaiser Khan\n- Question: How do you stay healthy with constant travel and time-zone changes?\n- Direct answer: Anchor to local time the moment you arrive and use daylight to reset your body clock. Hydrate and move to offset long-haul travel, and build in at least one genuine rest day per city. Safe hours and conditions are the employer’s responsibility too.\n- Not medical advice\n\nA show schedule is, in occupational-health terms, shift work with jet lag layered on top. Pushing the body clock across time zones while workload stays high affects concentration, mood, and immune function.\n\nOn arrival, the most effective single step is to anchor to local time immediately and use daylight strategically: morning light advances the clock, evening light delays it. Hydration and light movement reduce the physical toll of flying.\n\nWhere the calendar allows, one real rest day per city is not indulgence — it’s what makes sustained performance possible. Recovery is part of the work.\n\nFinally, wellbeing is not solely an individual responsibility. Safe hours, adequate breaks, and appropriate conditions are obligations that sit with agencies, brands, and production teams too.\n\n## When to seek help\n\nSee a doctor if fatigue, low mood, or sleep problems persist well beyond a trip, or if exhaustion is affecting your health or safety. Persistent insomnia is treatable and worth addressing early.\n\n## FAQ\n\n### What’s the fastest way to beat jet lag?\n\nShift to the local schedule immediately — eat, sleep, and seek daylight on local time. Morning light helps after travelling east; evening light after travelling west. Stay hydrated and move regularly.\n\n### Are agencies responsible for working conditions?\n\nWellbeing is shared. Individuals can manage recovery, but safe working hours, breaks, and conditions are responsibilities that also sit with agencies, brands, and production teams.\n"},{"url":"https://thecastindex.com/world-style","markdownUrl":"https://thecastindex.com/world-style.md","title":"World Style: Fashion & Beauty Across 11 Countries","lastmod":"2026-10-05T19:54:57Z","sha256":"ab3f147a26467080c4505eba8e01be0d3f5c43bf91863ff6dc558f38da0216f3","bytes":20281,"markdown":"# World Style: Fashion & Beauty Across 11 Countries\n\nCanonical: https://thecastindex.com/world-style\nUpdated: 2026-10-05T19:54:57Z\n\nThe Cast Index’s international edit: 55 original guides to wardrobe planning, hair, makeup, occasionwear and fashion imagery.\n\n## [United States](https://thecastindex.com/world-style/united-states)\n\nRunway research, denim & beauty labels\n\nExplore New York runway research, denim repairs and cosmetic-label basics alongside practical casting wardrobes and makeup planning. Five guides connect the fashion image with the decisions behind it.\n\n- [A Casting-Day Capsule Wardrobe That Works Beyond the Appointment](https://thecastindex.com/journal/casting-day-capsule-wardrobe): Build a practical casting-day outfit and compact backup kit using clothes you own, with fit, movement and travel checks.\n- [How to Plan Makeup for a Beauty Shoot: Lighting, Finish and Continuity](https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist): Turn a makeup reference into a clear beauty-shoot brief, with camera checks, texture choices and continuity notes.\n- [New York Fashion Week SS27: What the Programme Can Tell Us](https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review): Read New York’s September 2026 programme through new appointments, calendar access and the CFDA fur policy, with a clear method for checking collection evidence.\n- [American Denim: Write a Better Alteration and Repair Brief](https://thecastindex.com/journal/american-denim-alteration-repair-brief): Decide whether your jeans need repair, a fit adjustment or visible customisation, then prepare measurements, photographs and questions for a denim specialist.\n- [US Beauty Labels: What to Compare Before You Buy](https://thecastindex.com/journal/us-beauty-label-reading-guide): Read product identity, net quantity, ingredient information and marketing claims on US cosmetics, with a practical comparison sheet for your beauty kit.\n\n## [United Kingdom](https://thecastindex.com/world-style/united-kingdom)\n\nNew talent, wool & occasion dressing\n\nLook closely at British fashion through emerging designers, wool provenance, millinery and the fit of tailoring and sheer occasionwear. Build a brief that accounts for construction, movement and the occasion.\n\n- [How to Choose Tailoring for a Portfolio Shoot: A Fit and Movement Guide](https://thecastindex.com/journal/tailoring-fit-check-portfolio): Evaluate a blazer and trousers for photographs, movement and repeat use before buying or borrowing a suit.\n- [Sheer Occasionwear: How to Plan Coverage, Movement and Photographs](https://thecastindex.com/journal/sheer-occasionwear-layering-guide): A practical guide to wearing sheer fabrics at events, from host expectations to lining, lighting and comfortable layering.\n- [London Fashion Week SS27: Follow New Talent Beyond the Show](https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom): Read London’s September 2026 season through emerging designers, established-house returns and the next showroom stage, using the BFC’s official records.\n- [British Wool and Harris Tweed: Read the Provenance Before the Price](https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide): Understand what British Wool and Harris Tweed marks describe, then compare cloth, garment construction and care with a practical buying record.\n- [Occasion Millinery: Prepare a Hat Brief That Works All Day](https://thecastindex.com/journal/british-occasion-millinery-commission-brief): Plan a hat commission or adaptation around the occasion, hair, glasses, movement and transport, with a consultation checklist and a clear approval sequence.\n\n## [France](https://thecastindex.com/world-style/france)\n\nParis, vintage & the finishing details\n\nExplore vintage sourcing, hair accessories, perfume craft and lace, alongside a Paris fashion-week research edit. These guides help you distinguish a material, a technique and a styling decision before building the finished look.\n\n- [How to Source Vintage Fashion for a Shoot Without Losing the Brief](https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist): Plan a vintage styling search with a clear silhouette, usable measurements, condition checks and an honest credit record.\n- [How to Style Hair Accessories for Fashion Portraits](https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide): Choose a headband, scarf or clip around the portrait’s shape, comfort and framing, with a practical continuity checklist.\n- [Paris Fashion Week SS27 So Far: Read the Collection and the Setting](https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research): A dated Paris SS27 research edit using the FHCM calendar and Dior’s Summer 2027 notes, with a method for separating setting, clothes and interpretation.\n- [Grasse Perfume Craft: Understand the Plant, the Material and the Formula](https://thecastindex.com/journal/grasse-perfume-craft-origin-guide): Explore what Grasse’s perfume heritage describes and how to ask precise questions about cultivation, raw materials, composition and a finished fragrance.\n- [French Lace: Choose a Detail by Technique, Scale and Provenance](https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide): Distinguish Alençon needle lace from Calais-Caudry Leavers lace and prepare a useful sample brief for a collar, panel, sleeve or garment trim.\n\n## [Italy](https://thecastindex.com/world-style/italy)\n\nMilan ideas, silk & leather craft\n\nConnect Milan fashion research with everyday styling, colour relationships, silk scarves and leather-goods commissions. Explore the details that make an outfit coherent and the questions that make a purchase more considered.\n\n- [How to Turn Milan Street Style Into an Outfit You Can Actually Wear](https://thecastindex.com/journal/milan-street-style-outfit-method): Decode a street-style reference through proportion, texture and movement, then adapt it using your own wardrobe.\n- [How to Build a Two-Colour Outfit for Daily Wear and Photos](https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide): Use a simple colour-pairing method to create outfits from your wardrobe, with checks for balance, fabric and photographic context.\n- [Milan Fashion Week SS27: Study One Shape, Then Question the Material](https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study): Use Milan’s official SS27 calendar and Prada’s collection notes to examine repeated silhouettes, functional details and material appearances without inventing trends.\n- [Como Silk Scarves: Read the Print, the Cloth and the Finish](https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance): Compare a silk scarf through its composition, weave, printed design, dimensions and provenance, then see how the pattern works when folded and worn.\n- [Florentine Leather Goods: Plan Personalisation and Future Repair](https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief): Prepare a leather-goods brief around everyday use, material information, monogram placement, approvals and aftercare before committing to a personalised piece.\n\n## [Germany](https://thecastindex.com/world-style/germany)\n\nRepair, textile ideas & location shoots\n\nExplore clothing repairs, textile studies and Berlin shoot planning alongside a compact travel wardrobe and a berry-lip beauty brief. The Germany edit focuses on practical preparation, material decisions and making existing clothes work harder.\n\n- [A Three-Day City Travel Capsule: Packing, Repeat Wear and Weather](https://thecastindex.com/journal/germany-capsule-wardrobe-casting-travel): Pack for a three-day city trip with a clear outfit rotation, accessible layers, realistic laundry timing and a return-trip review.\n- [Berry Lipstick on Camera: Plan Colour, Finish and Touch-Ups](https://thecastindex.com/journal/berry-lipstick-camera-beauty-brief): Create a clear berry-lip beauty brief for portraits or events, with guidance on lighting tests, finish, wardrobe balance and continuity between photographs.\n- [Clothing Repair in Germany: Prepare a Tailor or Repair Café Visit](https://thecastindex.com/journal/germany-clothing-repair-tailor-brief): Decide what a garment needs, choose an appropriate repair route and prepare a clear brief for a tailor or local Repair Café.\n- [Plan a Berlin Fashion Location Shoot: Permissions, Space and Timing](https://thecastindex.com/journal/berlin-fashion-location-shoot-planning): Turn a Berlin location reference into a practical shoot brief with location checks, a site plan, realistic timing and a weather alternative.\n- [Bauhaus Textile Research: Turn a Reference into a Material Study](https://thecastindex.com/journal/bauhaus-textile-reference-material-study): Use museum textile records to develop an original fashion material study, with documented references, controlled samples and a clear designer handover.\n\n## [Japan](https://thecastindex.com/world-style/japan)\n\nDenim, pleats & textile detail\n\nExplore Japanese denim, pleated clothing and Arimatsu shibori alongside portfolio research and everyday styling. Look at construction, movement and provenance before translating a reference into something you wear or photograph.\n\n- [How to Turn Japanese Fashion Coverage Into a Portfolio Brief](https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief): Build an original model portfolio concept from fashion coverage with a clear silhouette, movement plan, wardrobe budget and usable shot list.\n- [Soft Styling and Technical Shoes: A Practical Outfit Guide](https://thecastindex.com/journal/japan-soft-styling-technical-shoes): Adapt the contrast seen in Japanese fashion coverage with a repeatable outfit method that balances texture, shoe scale, colour and movement.\n- [Japanese Denim Buying Guide: Fit, Finish and First-Wash Questions](https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash): Compare Japanese denim through garment measurements, wash state, movement and care, with a practical checklist for buying a pair you will wear.\n- [Pleated Clothing: Fit, Movement and Care Lessons From Issey Miyake](https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care): Choose and photograph pleated clothing with a clear fit check, movement sequence and product-specific care plan, informed by Issey Miyake’s construction.\n- [Arimatsu Shibori: How to Buy, Style and Credit Resist-Dyed Cloth](https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit): Understand Arimatsu-Narumi shibori, ask useful maker questions and plan an outfit or textile story that shows the cloth without overstating its provenance.\n\n## [South Korea](https://thecastindex.com/world-style/south-korea)\n\nHanbok, new designers & portrait styling\n\nBring care to a hanbok editorial, prepare a Seoul showroom buying appointment and plan statement eyewear for portraits. Complete the edit with polished hair and versatile tailored trousers.\n\n- [Glass Hair for a Photoshoot: Plan Shine, Texture and Continuity](https://thecastindex.com/journal/glass-hair-photoshoot-planning): Prepare a glossy hair brief that respects natural texture, works with the lighting and gives a shoot team a clear continuity plan.\n- [One Pair of Tailored Trousers, Three Everyday Outfits](https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling): Restyle one pair of tailored trousers for errands, work and dinner with three concrete outfit formulas and a practical care plan.\n- [Hanbok Editorial Planning: Dress, Movement and Cultural Context](https://thecastindex.com/journal/hanbok-editorial-dress-movement-context): Prepare a hanbok fashion story with the maker’s guidance, an appropriate fitting, accurate garment names and a movement plan that serves the clothes.\n- [Buying Korean Designer Fashion: A Seoul Showroom Appointment Plan](https://thecastindex.com/journal/seoul-designer-showroom-buying-plan): Prepare a focused wholesale appointment in Seoul with a product gap brief, commercial questions and a sample-to-order comparison sheet.\n- [Sculptural Korean Eyewear: A Portrait Styling and Fit Brief](https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief): Plan a portrait around expressive eyewear with a practical frame comparison, reflection check and product-specific handling plan.\n\n## [China](https://thecastindex.com/world-style/china)\n\nSilk, qipao & embroidery\n\nExplore Chinese silk, qipao fitting and Suzhou embroidery alongside colour styling and fashion-film planning. Build an editorial around accurate material descriptions, deliberate movement and clear maker credits.\n\n- [How to Style Mint Green and Photograph the Colour Accurately](https://thecastindex.com/journal/mint-green-outfit-colour-guide): Build mint-green outfits by controlling colour area, contrast and fabric, then use a consistent photography setup to compare the results.\n- [How to Plan a Short Fashion Portfolio Film](https://thecastindex.com/journal/fashion-portfolio-film-shot-list): Create a concise fashion film with a clear visual idea, repeatable movement, useful framing and delivery files a creative team can use.\n- [Chinese Silk: Read Fibre, Weave and Provenance Before Styling](https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance): Compare silk garments and cloth using composition, structure, finish and maker information, with a practical sample test for a fashion project.\n- [Qipao Fitting: A Contemporary Commission and Photo Checklist](https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist): Prepare a qipao or cheongsam commission with clear collar, closure, movement and motif-placement decisions, informed by documented Hong Kong tailoring.\n- [Suzhou Embroidery: Commission a Fashion Detail With Clear Maker Credits](https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits): Build an embroidery commission around a workable motif, sample approval, garment placement and accurate credits, with Suzhou craft as the reference.\n\n## [India](https://thecastindex.com/world-style/india)\n\nHandloom, drape & occasion rewear\n\nExplore handloom buying, sari draping and block-print textiles alongside wedding-outfit rewear and blush planning for deep skin. Understand the garment and its making before deciding how to wear, photograph or credit it.\n\n- [How to Rewear Indian Wedding Outfits With a Practical Wardrobe Plan](https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan): A useful rewear plan for saris, lehengas and occasionwear: audit separates, check condition, build outfit records and plan alterations carefully.\n- [Liquid Blush on Deep Skin: Shade, Placement and Camera Checks](https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide): Choose liquid blush by its visible finish on your skin and test placement under consistent light before an event or beauty photoshoot.\n- [Buying Indian Handloom: What the Labels Actually Confirm](https://thecastindex.com/journal/indian-handloom-labels-buying-guide): Understand Handloom Mark, India Handloom Brand and Silk Mark, then verify a textile’s description without relying on shine or handmade-looking irregularities.\n- [Planning a Sari Editorial: Drape, Movement and a Useful Fitting](https://thecastindex.com/journal/sari-editorial-drape-movement-fitting): Plan an original sari fashion story with a specific drape reference, suitable cloth, a wearable fitting and a clear sequence of photographs.\n- [Rajasthan Block Prints: Choose Pattern Scale and Record the Craft](https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft): Assess a Rajasthan block-printed garment or fabric through repeat, border placement, making process and care, with a practical comparison worksheet.\n\n## [Brazil](https://thecastindex.com/world-style/brazil)\n\nDesigner discovery & collaborative craft\n\nExplore Brazilian designer research, renda irlandesa, capim-dourado accessories and fashion–art collaboration. An updo planning guide connects the final styling details with necklines, movement and the purpose of a shoot.\n\n- [How to Research Emerging Brazilian Designers for a Fashion Shoot](https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist): Build a Brazilian designer shortlist with accurate credits, garment requirements, borrowing questions and a clear distinction between research and confirmed availability.\n- [Choose an Updo for a Shoot: Necklines, Comfort and Continuity](https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity): Choose a practical updo around the garment, camera angles and wearer's comfort, then record the look so it stays consistent through a fashion shoot.\n- [Commissioning Renda Irlandesa from Divina Pastora: A Clear Fashion Brief](https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide): Plan a considered lace commission with the maker, from design and measurements to sampling, attachment, delivery and accurate credits.\n- [Capim-Dourado Accessories: Choose Provenance, Scale and a Wearable Fit](https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style): Build a useful buying and styling brief for capim-dourado accessories, with maker questions, outfit proportions and piece-specific handling.\n- [Plan an Artist–Designer Fashion Collaboration: Lessons from MASP](https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief): Use Brazil’s MASP fashion collections as context for a practical collaboration brief covering creative roles, samples, garment function and publication.\n\n## [Pakistan](https://thecastindex.com/world-style/pakistan)\n\nBridal detail, lawn & ajrak\n\nPlan Pakistani bridal fittings, makeup and fragrance, then explore unstitched lawn and ajrak with clear questions about tailoring, provenance and care. Five guides connect everyday textile choices with the details around a celebration.\n\n- [Pakistani Bridal Fashion: A Fitting Checklist Beyond the Runway](https://thecastindex.com/journal/pakistani-bridal-fashion-fitting-checklist): Plan a Pakistani bridal outfit with fitting checkpoints, a dupatta comparison, movement checks and an event-day handover, plus a worked example.\n- [Buying Fragrance in Pakistan: A Practical Comparison Guide](https://thecastindex.com/journal/pakistan-fragrance-shopping-comparison-guide): Compare fragrances using a simple sampling record, current bottle details, intended use and confirmed seller policies, without relying on untested longevity claims.\n- [A Pakistani Bridal Makeup Brief That Keeps Your Preferences Clear](https://thecastindex.com/journal/pakistani-bridal-makeup-consultation-brief): Prepare a bridal makeup consultation with specific preferences, outfit references, trial questions and event logistics, so the final look still feels like you.\n- [Buying Unstitched Lawn in Pakistan: A Tailoring Brief Before You Cut](https://thecastindex.com/journal/pakistan-unstitched-lawn-tailoring-brief): Check fabric quantities, print placement, lining and measurements before turning an unstitched lawn purchase into an outfit you can wear often.\n- [Buying and Styling Ajrak: Provenance, Proportion and Care](https://thecastindex.com/journal/pakistan-ajrak-buying-styling-provenance): Build an ajrak purchase or fashion-shoot brief around its maker, material, dimensions and intended use, with respectful credits and practical care questions.\n\n## Inside the edit\n\nWorld Style is The Cast Index’s collection of practical fashion and beauty guides across eleven countries. Each edit connects a specific styling question with a useful checklist, comparison or planning method. The countries form an editorial selection, not a ranking.\n\nThe Cast Index combines AI-assisted research with original practical guidance. Supporting reporting and specific factual references are identified in each guide’s sources. Our advice does not imply hands-on product testing or endorsement by the sources cited.\n\nImages combine original editorial illustrations with our credited image library. [Image credits](https://thecastindex.com/legal/credits) identify creators and applicable licences or generation disclosures.\n"},{"url":"https://thecastindex.com/world-style/brazil","markdownUrl":"https://thecastindex.com/world-style/brazil.md","title":"Brazil Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"51cce1342cdf8aade4121223518ba9d27bc8b83fc512dea79c91122419f27c99","bytes":4278,"markdown":"# Brazil Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/brazil\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore Brazilian designer research, renda irlandesa, capim-dourado accessories and fashion–art collaboration. An updo planning guide connects the final styling details with necklines, movement and the purpose of a shoot.\n\n## Find your starting point\n\nWhen commissioning, start with the lace or accessory guide and agree the maker’s credit, dimensions and practical limits before work begins. The designer-research and collaboration guides help develop a wider editorial concept. Finish with the updo brief once the clothes and accessories are settled, so the hairstyle supports the actual outfit.\n\n## The complete country edit\n\n### [How to Research Emerging Brazilian Designers for a Fashion Shoot](https://thecastindex.com/journal/brazil-emerging-designers-research-shortlist)\n\nBuild a Brazilian designer shortlist with accurate credits, garment requirements, borrowing questions and a clear distinction between research and confirmed availability.\n\nBegin with named designers from credible local coverage, then check each label's own current collection and contact channels. Shortlist by the actual garment, fit, credit and production requirements. Treat editorial coverage as discovery, not proof of present stock or sample availability.\n\n### [Choose an Updo for a Shoot: Necklines, Comfort and Continuity](https://thecastindex.com/journal/updo-hairstyle-shoot-neckline-continuity)\n\nChoose a practical updo around the garment, camera angles and wearer's comfort, then record the look so it stays consistent through a fashion shoot.\n\nChoose the hairstyle after checking the neckline, accessories and camera angles. Rehearse movement, confirm comfort with the wearer, and photograph the approved front, side and back views. Plan touch-ups and changes around the actual shoot rather than assuming one updo fits every look.\n\n### [Commissioning Renda Irlandesa from Divina Pastora: A Clear Fashion Brief](https://thecastindex.com/journal/brazil-divina-pastora-lace-commission-guide)\n\nPlan a considered lace commission with the maker, from design and measurements to sampling, attachment, delivery and accurate credits.\n\nCommission renda irlandesa by agreeing the maker, design, finished dimensions, intended use and delivery stages before work begins. For clothing, resolve how the lace will attach and move with the garment. Approve a sample where appropriate, budget for that work, and keep the maker involved when design or timing changes.\n\n### [Capim-Dourado Accessories: Choose Provenance, Scale and a Wearable Fit](https://thecastindex.com/journal/brazil-capim-dourado-accessories-provenance-style)\n\nBuild a useful buying and styling brief for capim-dourado accessories, with maker questions, outfit proportions and piece-specific handling.\n\nWhen choosing capim-dourado accessories, identify the maker or association, ask about the full construction and compare the dimensions with pieces you already wear. Check closure, weight and movement with the complete outfit. Follow the maker’s care instructions and avoid treating natural-material or regional labels as automatic proof of responsible sourcing.\n\n### [Plan an Artist–Designer Fashion Collaboration: Lessons from MASP](https://thecastindex.com/journal/brazil-artist-designer-fashion-collaboration-brief)\n\nUse Brazil’s MASP fashion collections as context for a practical collaboration brief covering creative roles, samples, garment function and publication.\n\nBegin a fashion collaboration with a shared creative question and a clear intended use, then agree what each contributor makes, approves and delivers. Test the idea on a sample or mock-up before producing the final garment. Document credit, image use, revisions and ownership arrangements before publication or further production.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/china","markdownUrl":"https://thecastindex.com/world-style/china.md","title":"China Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"d0f823332c18e478bb52046cfb8a73fca7cf9e778c1b4a3c71dbfce53140e1f8","bytes":3907,"markdown":"# China Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/china\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore Chinese silk, qipao fitting and Suzhou embroidery alongside colour styling and fashion-film planning. Build an editorial around accurate material descriptions, deliberate movement and clear maker credits.\n\n## Find your starting point\n\nChoose the silk guide when fibre and weave are the main questions, or the qipao brief when a commission needs careful fitting. The Suzhou embroidery guide helps prepare a commission and accurate maker credits. Use the colour and film guides after sourcing, so the palette and shot sequence reflect the actual garments rather than a disconnected moodboard.\n\n## The complete country edit\n\n### [How to Style Mint Green and Photograph the Colour Accurately](https://thecastindex.com/journal/mint-green-outfit-colour-guide)\n\nBuild mint-green outfits by controlling colour area, contrast and fabric, then use a consistent photography setup to compare the results.\n\nStyle mint green by deciding how much of the colour you want, choosing a deliberate contrast and checking the fabric in real light. For photographs, keep lighting and camera settings consistent so you compare the outfit rather than changing colour casts.\n\n### [How to Plan a Short Fashion Portfolio Film](https://thecastindex.com/journal/fashion-portfolio-film-shot-list)\n\nCreate a concise fashion film with a clear visual idea, repeatable movement, useful framing and delivery files a creative team can use.\n\nA useful fashion portfolio film needs one clear idea, a short movement sequence and enough framing variety to show both the person and the clothes. Agree the intended platform, music rights, credits and final delivery before filming.\n\n### [Chinese Silk: Read Fibre, Weave and Provenance Before Styling](https://thecastindex.com/journal/chinese-silk-fibre-weave-provenance)\n\nCompare silk garments and cloth using composition, structure, finish and maker information, with a practical sample test for a fashion project.\n\nAsk separately about fibre composition, weave or construction, finishing and origin. Then compare the actual cloth for the garment you want to make or wear. Shine, a regional label or a heritage reference cannot replace a composition statement and a suitable sample.\n\n### [Qipao Fitting: A Contemporary Commission and Photo Checklist](https://thecastindex.com/journal/qipao-cheongsam-commission-fitting-checklist)\n\nPrepare a qipao or cheongsam commission with clear collar, closure, movement and motif-placement decisions, informed by documented Hong Kong tailoring.\n\nFor a qipao or cheongsam commission, agree the intended silhouette, collar, closures, hem and movement needs before selecting decorative detail. Fit with the planned shoes and underlayers, assess the whole garment while sitting and walking, and record the changes for the next fitting.\n\n### [Suzhou Embroidery: Commission a Fashion Detail With Clear Maker Credits](https://thecastindex.com/journal/suzhou-embroidery-fashion-commission-credits)\n\nBuild an embroidery commission around a workable motif, sample approval, garment placement and accurate credits, with Suzhou craft as the reference.\n\nStart an embroidery commission with the garment, placement, scale and use. Ask the maker which techniques and materials suit the design, approve a sample before full production, and record separate design and stitching credits. Verify any Suzhou origin claim instead of inferring it from the motif.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/france","markdownUrl":"https://thecastindex.com/world-style/france.md","title":"France Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"9a6091ad497560c071508a85bf2104a9d98e954f4347948f8b068d6346c53795","bytes":4168,"markdown":"# France Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/france\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore vintage sourcing, hair accessories, perfume craft and lace, alongside a Paris fashion-week research edit. These guides help you distinguish a material, a technique and a styling decision before building the finished look.\n\n## Find your starting point\n\nIf you already own the outfit, begin with hair accessories or lace details. If you are sourcing something special, start with the vintage checklist. The Grasse guide helps frame questions about perfume origin and craft, while the Paris edit explains how to build a fashion-week reference with a clear date and source.\n\n## The complete country edit\n\n### [How to Source Vintage Fashion for a Shoot Without Losing the Brief](https://thecastindex.com/journal/vintage-fashion-shoot-sourcing-checklist)\n\nPlan a vintage styling search with a clear silhouette, usable measurements, condition checks and an honest credit record.\n\nFor a vintage fashion shoot, define the visual role of the item before browsing. Confirm measurements, condition, delivery timing and permitted use, then make a backup plan. Keep factual credits separate from unverified claims about a garment’s designer, date or runway history.\n\n### [How to Style Hair Accessories for Fashion Portraits](https://thecastindex.com/journal/hair-accessories-fashion-portrait-guide)\n\nChoose a headband, scarf or clip around the portrait’s shape, comfort and framing, with a practical continuity checklist.\n\nFor a fashion portrait, choose a hair accessory by the shape it adds to the frame and how comfortably it stays in place. Test the front, profile and movement, then coordinate it with the neckline and jewellery. Keep one clear focal point and record the approved placement before shooting.\n\n### [Paris Fashion Week SS27 So Far: Read the Collection and the Setting](https://thecastindex.com/journal/paris-fashion-week-ss27-so-far-dior-research)\n\nA dated Paris SS27 research edit using the FHCM calendar and Dior’s Summer 2027 notes, with a method for separating setting, clothes and interpretation.\n\nParis’s SS27 womenswear calendar runs from 28 September to 6 October 2026, so it is still in progress early on 6 October in Jakarta. Use completed collection pages for analysis and the official calendar for what remains scheduled. Dior’s Summer 2027 notes offer one specific case for examining movement, tailoring and the relationship between a collection and its setting.\n\n### [Grasse Perfume Craft: Understand the Plant, the Material and the Formula](https://thecastindex.com/journal/grasse-perfume-craft-origin-guide)\n\nExplore what Grasse’s perfume heritage describes and how to ask precise questions about cultivation, raw materials, composition and a finished fragrance.\n\nGrasse’s UNESCO-listed perfume skills encompass growing perfume plants, processing natural raw materials and composing perfume. Those are related but distinct stages. When learning about a fragrance, ask which stage a Grasse connection describes; a heritage reference or brand address alone does not establish where every ingredient was grown.\n\n### [French Lace: Choose a Detail by Technique, Scale and Provenance](https://thecastindex.com/journal/french-lace-needle-leavers-detail-guide)\n\nDistinguish Alençon needle lace from Calais-Caudry Leavers lace and prepare a useful sample brief for a collar, panel, sleeve or garment trim.\n\nIdentify the lace technique before choosing by appearance alone. Alençon needle lace and Calais-Caudry Leavers lace describe different making traditions. Ask for the maker or supplier, composition, dimensions, pattern repeat and care information, then assess a sample in the exact place the lace will be used.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/germany","markdownUrl":"https://thecastindex.com/world-style/germany.md","title":"Germany Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"e26278b25e0363d447011bda8185e1d655ebb5d194a382ea3563f464116ad12d","bytes":4187,"markdown":"# Germany Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/germany\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore clothing repairs, textile studies and Berlin shoot planning alongside a compact travel wardrobe and a berry-lip beauty brief. The Germany edit focuses on practical preparation, material decisions and making existing clothes work harder.\n\n## Find your starting point\n\nFor clothes already in your wardrobe, start with the repair guide and bring a clear outcome to the conversation. For a creative project, pair the textile reference guide with the Berlin location brief. Travel packing and lip-colour continuity cover the smaller decisions that can make a busy shooting day easier.\n\n## The complete country edit\n\n### [A Three-Day City Travel Capsule: Packing, Repeat Wear and Weather](https://thecastindex.com/journal/germany-capsule-wardrobe-casting-travel)\n\nPack for a three-day city trip with a clear outfit rotation, accessible layers, realistic laundry timing and a return-trip review.\n\nFor a three-day city trip, plan an outfit for each day and decide which outer layers and bottoms you can comfortably repeat. Pack around access during the journey, the destination forecast and confirmed care facilities. Treat laundry as a scheduled option, with a dry backup if it cannot be completed.\n\n### [Berry Lipstick on Camera: Plan Colour, Finish and Touch-Ups](https://thecastindex.com/journal/berry-lipstick-camera-beauty-brief)\n\nCreate a clear berry-lip beauty brief for portraits or events, with guidance on lighting tests, finish, wardrobe balance and continuity between photographs.\n\nChoose the berry shade and finish together, test them with the planned wardrobe and lighting, and photograph an approved reference before shooting. Keep the exact product and a simple touch-up plan nearby so the lip colour remains consistent across frames.\n\n### [Clothing Repair in Germany: Prepare a Tailor or Repair Café Visit](https://thecastindex.com/journal/germany-clothing-repair-tailor-brief)\n\nDecide what a garment needs, choose an appropriate repair route and prepare a clear brief for a tailor or local Repair Café.\n\nInspect the whole garment, describe the fault and decide what a successful repair would let you do. Ask a local Repair Café about textile skills for a collaborative repair, or a professional tailor about an agreed service and deadline. Confirm the appearance, materials, estimate and collection plan before work starts.\n\n### [Plan a Berlin Fashion Location Shoot: Permissions, Space and Timing](https://thecastindex.com/journal/berlin-fashion-location-shoot-planning)\n\nTurn a Berlin location reference into a practical shoot brief with location checks, a site plan, realistic timing and a weather alternative.\n\nStart with the exact address, district, shoot purpose and equipment footprint, then ask the responsible location authority which permissions apply. Berlin Mitte explicitly requires permission for commercial street photography. Keep preparation, changing, public access, weather and pack-down in the schedule, and confirm the current process before committing to the location.\n\n### [Bauhaus Textile Research: Turn a Reference into a Material Study](https://thecastindex.com/journal/bauhaus-textile-reference-material-study)\n\nUse museum textile records to develop an original fashion material study, with documented references, controlled samples and a clear designer handover.\n\nChoose one documented Bauhaus textile and study a specific relationship such as thread contrast, repeated intervals or surface texture. Record the object details, then make your own samples by changing one variable at a time. Translate the strongest sample into a fashion use without copying the original motif or presenting the museum as a collaborator.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/india","markdownUrl":"https://thecastindex.com/world-style/india.md","title":"India Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"08403a425ad21d8b6bc6f8caf3a2a72606a6bab2113a293cde23b88964a28eef","bytes":4023,"markdown":"# India Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/india\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore handloom buying, sari draping and block-print textiles alongside wedding-outfit rewear and blush planning for deep skin. Understand the garment and its making before deciding how to wear, photograph or credit it.\n\n## Find your starting point\n\nStart with the handloom or block-print guide when buying cloth. Move to the sari draping guide when the practical question is fit, movement or a shoot brief. For clothes already in your wardrobe, use the wedding-rewear plan; for the beauty brief, test blush placement in the lighting you actually plan to use.\n\n## The complete country edit\n\n### [How to Rewear Indian Wedding Outfits With a Practical Wardrobe Plan](https://thecastindex.com/journal/rewear-indian-wedding-outfits-wardrobe-plan)\n\nA useful rewear plan for saris, lehengas and occasionwear: audit separates, check condition, build outfit records and plan alterations carefully.\n\nTo rewear wedding clothes, list the usable pieces, check their condition and fit, and build new combinations for actual invitations. Photograph each option before making permanent alterations. Start with styling changes that preserve the garment and its sentimental value.\n\n### [Liquid Blush on Deep Skin: Shade, Placement and Camera Checks](https://thecastindex.com/journal/liquid-blush-deep-skin-camera-guide)\n\nChoose liquid blush by its visible finish on your skin and test placement under consistent light before an event or beauty photoshoot.\n\nChoose liquid blush by comparing its visible colour and finish on your skin, then build the amount gradually. For photographs, keep lighting consistent and check the result at the final framing distance. Product names and bottle colour alone cannot tell you how a shade will look.\n\n### [Buying Indian Handloom: What the Labels Actually Confirm](https://thecastindex.com/journal/indian-handloom-labels-buying-guide)\n\nUnderstand Handloom Mark, India Handloom Brand and Silk Mark, then verify a textile’s description without relying on shine or handmade-looking irregularities.\n\nCheck which mark is actually present and what it covers. Handloom Mark concerns handwoven origin; India Handloom Brand adds prescribed quality parameters; Silk Mark concerns pure silk. Verify the label through the relevant official scheme, then assess fit, construction, care and the seller’s description separately.\n\n### [Planning a Sari Editorial: Drape, Movement and a Useful Fitting](https://thecastindex.com/journal/sari-editorial-drape-movement-fitting)\n\nPlan an original sari fashion story with a specific drape reference, suitable cloth, a wearable fitting and a clear sequence of photographs.\n\nChoose a specific drape and explain why it belongs in the story. Confirm the cloth, dimensions, supporting garments and draping expertise before the shoot. Rehearse sitting and walking, then photograph the arrangement from enough angles to show how it works, with accurate regional and maker credits.\n\n### [Rajasthan Block Prints: Choose Pattern Scale and Record the Craft](https://thecastindex.com/journal/rajasthan-block-prints-pattern-scale-craft)\n\nAssess a Rajasthan block-printed garment or fabric through repeat, border placement, making process and care, with a practical comparison worksheet.\n\nChoose a block print by examining the whole repeat, the garment’s seams and the maker’s documented process. Ask separately about fibre, printing method and dyes. Then test the pattern at the distance you will wear or photograph it, and preserve specific maker and place credits.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/italy","markdownUrl":"https://thecastindex.com/world-style/italy.md","title":"Italy Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"df2a8f77c36998d628a9a2f35009b39ae4f22a4befddd5530b0167f6927d0104","bytes":4214,"markdown":"# Italy Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/italy\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nConnect Milan fashion research with everyday styling, colour relationships, silk scarves and leather-goods commissions. Explore the details that make an outfit coherent and the questions that make a purchase more considered.\n\n## Find your starting point\n\nStart with street style or two-colour dressing when you want to use what you own. Read the silk and leather guides before commissioning or personalising an accessory: material, construction and aftercare need separate questions. The Milan edit supplies a research method for following a season beyond a single striking image.\n\n## The complete country edit\n\n### [How to Turn Milan Street Style Into an Outfit You Can Actually Wear](https://thecastindex.com/journal/milan-street-style-outfit-method)\n\nDecode a street-style reference through proportion, texture and movement, then adapt it using your own wardrobe.\n\nUse a Milan street-style photograph as a set of design choices: silhouette, colour balance, texture and one focal detail. Recreate the relationship between those elements using clothing you own, then test the result for your weather, movement and daily schedule. You do not need the same brands or body shape.\n\n### [How to Build a Two-Colour Outfit for Daily Wear and Photos](https://thecastindex.com/journal/colour-pairing-wardrobe-shoot-guide)\n\nUse a simple colour-pairing method to create outfits from your wardrobe, with checks for balance, fabric and photographic context.\n\nStart a two-colour outfit with one garment you already enjoy wearing. Choose a second colour for a smaller accent or a contrasting main piece, then compare the balance in daylight and a full-length photo. Use texture and coverage to control the effect; there is no universal ratio or compulsory colour-season label.\n\n### [Milan Fashion Week SS27: Study One Shape, Then Question the Material](https://thecastindex.com/journal/milan-fashion-week-ss27-prada-material-study)\n\nUse Milan’s official SS27 calendar and Prada’s collection notes to examine repeated silhouettes, functional details and material appearances without inventing trends.\n\nMilan’s SS27 calendar ran from 22–28 September 2026 and included digital presentations on its final day. Prada’s official collection notes offer a focused study of variation around a skirt silhouette. Use that example to separate shape, fastening and material claims; one house’s idea is not automatically a Milan-wide trend.\n\n### [Como Silk Scarves: Read the Print, the Cloth and the Finish](https://thecastindex.com/journal/como-silk-scarf-print-weave-provenance)\n\nCompare a silk scarf through its composition, weave, printed design, dimensions and provenance, then see how the pattern works when folded and worn.\n\nEvaluate a silk scarf in three layers: the cloth, the design and the finished object. Ask for composition and production information, inspect both sides and the edges, then fold it as you plan to wear it. A striking flat print or a Como association does not by itself answer questions about fibre origin, making or care.\n\n### [Florentine Leather Goods: Plan Personalisation and Future Repair](https://thecastindex.com/journal/florentine-leather-goods-personalisation-brief)\n\nPrepare a leather-goods brief around everyday use, material information, monogram placement, approvals and aftercare before committing to a personalised piece.\n\nChoose the object’s function before its monogram. Confirm dimensions, leather description, hardware, personalisation method and an actual-size placement proof, then agree the quote and approval point. Ask separately about cleaning, repair and replacement parts; a craft history or customised finish does not establish a lifetime service promise.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/japan","markdownUrl":"https://thecastindex.com/world-style/japan.md","title":"Japan Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"6257d2fd29c106a19cc9fa5b5879eec850a189dcf79db3e2f49007c6a3cd55ba","bytes":3910,"markdown":"# Japan Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/japan\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore Japanese denim, pleated clothing and Arimatsu shibori alongside portfolio research and everyday styling. Look at construction, movement and provenance before translating a reference into something you wear or photograph.\n\n## Find your starting point\n\nShopping for a garment? Start with denim fit or the pleats guide and check the individual maker’s instructions. Sourcing a textile for a shoot? Read the shibori guide before writing the credit. The portfolio and technical-shoe guides then help you build an outfit around one clear idea, without treating Japanese fashion as a single look.\n\n## The complete country edit\n\n### [How to Turn Japanese Fashion Coverage Into a Portfolio Brief](https://thecastindex.com/journal/japan-runway-research-to-portfolio-brief)\n\nBuild an original model portfolio concept from fashion coverage with a clear silhouette, movement plan, wardrobe budget and usable shot list.\n\nTurn fashion research into a portfolio brief by choosing one visual question, defining three styling decisions, planning movement around the garment, and agreeing a short shot list. Keep source links in your private research notes and create your own photographs.\n\n### [Soft Styling and Technical Shoes: A Practical Outfit Guide](https://thecastindex.com/journal/japan-soft-styling-technical-shoes)\n\nAdapt the contrast seen in Japanese fashion coverage with a repeatable outfit method that balances texture, shoe scale, colour and movement.\n\nPair a softer garment with a more substantial shoe, then connect them through one repeated colour or material. Check the silhouette in motion and choose accessories that support the outfit’s main contrast. The combination can work with pieces already in your wardrobe.\n\n### [Japanese Denim Buying Guide: Fit, Finish and First-Wash Questions](https://thecastindex.com/journal/japanese-denim-fit-finish-first-wash)\n\nCompare Japanese denim through garment measurements, wash state, movement and care, with a practical checklist for buying a pair you will wear.\n\nChoose Japanese denim by the fit and finish of the actual pair. Ask whether it has been washed, compare garment measurements, test sitting and walking, and confirm care before hemming. A regional story or selvedge edge cannot answer those questions for you.\n\n### [Pleated Clothing: Fit, Movement and Care Lessons From Issey Miyake](https://thecastindex.com/journal/issey-miyake-pleated-clothing-fit-care)\n\nChoose and photograph pleated clothing with a clear fit check, movement sequence and product-specific care plan, informed by Issey Miyake’s construction.\n\nCheck pleated clothing at rest and in motion, leave room for the intended folds, and follow the exact garment label. Issey Miyake’s garment-pleating process and care instructions are useful specific references; they should not be applied automatically to every pleated fabric.\n\n### [Arimatsu Shibori: How to Buy, Style and Credit Resist-Dyed Cloth](https://thecastindex.com/journal/arimatsu-shibori-buy-style-credit)\n\nUnderstand Arimatsu-Narumi shibori, ask useful maker questions and plan an outfit or textile story that shows the cloth without overstating its provenance.\n\nFor Arimatsu shibori, confirm the maker, technique, fibre and care separately. Choose a piece for its actual pattern and drape, then style and photograph those features. Use a regional craft name only when its provenance is documented.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/pakistan","markdownUrl":"https://thecastindex.com/world-style/pakistan.md","title":"Pakistan Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"22b233f6af335e801e1abc2426618308685b3dec67631821219ce4e22acb2fcf","bytes":4176,"markdown":"# Pakistan Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/pakistan\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nPlan Pakistani bridal fittings, makeup and fragrance, then explore unstitched lawn and ajrak with clear questions about tailoring, provenance and care. Five guides connect everyday textile choices with the details around a celebration.\n\n## Find your starting point\n\nFor a celebration, work through the bridal fit and makeup briefs first, then make fragrance a separate, considered choice. For a new everyday outfit, prepare the lawn tailoring brief before cutting. If buying ajrak, begin with provenance and the maker’s own description rather than assuming that a printed motif tells the whole story.\n\n## The complete country edit\n\n### [Pakistani Bridal Fashion: A Fitting Checklist Beyond the Runway](https://thecastindex.com/journal/pakistani-bridal-fashion-fitting-checklist)\n\nPlan a Pakistani bridal outfit with fitting checkpoints, a dupatta comparison, movement checks and an event-day handover, plus a worked example.\n\nChoose the overall silhouette first, then test the complete outfit with the intended shoes, jewellery and dupatta. Rehearse sitting, walking and turning; agree on any alterations and pinning; and photograph the approved arrangement before the event or shoot.\n\n### [Buying Fragrance in Pakistan: A Practical Comparison Guide](https://thecastindex.com/journal/pakistan-fragrance-shopping-comparison-guide)\n\nCompare fragrances using a simple sampling record, current bottle details, intended use and confirmed seller policies, without relying on untested longevity claims.\n\nShortlist fragrances by the scent styles and occasions you enjoy, compare them in a consistent sampling session, and record your own impressions. Verify the exact bottle size, concentration, seller and current return terms before purchasing; older editorial prices and longevity claims are not a buying guarantee.\n\n### [A Pakistani Bridal Makeup Brief That Keeps Your Preferences Clear](https://thecastindex.com/journal/pakistani-bridal-makeup-consultation-brief)\n\nPrepare a bridal makeup consultation with specific preferences, outfit references, trial questions and event logistics, so the final look still feels like you.\n\nBring a short written brief covering the features you want to emphasise, preferred coverage and finish, outfit and jewellery references, and what you do not want changed. Use a trial to agree on the look, then confirm the artist, timing, included services and touch-up arrangements in writing.\n\n### [Buying Unstitched Lawn in Pakistan: A Tailoring Brief Before You Cut](https://thecastindex.com/journal/pakistan-unstitched-lawn-tailoring-brief)\n\nCheck fabric quantities, print placement, lining and measurements before turning an unstitched lawn purchase into an outfit you can wear often.\n\nBefore buying unstitched lawn, record the actual components, lengths and widths, then ask your tailor whether they support your intended shape. Agree print placement, finished measurements, lining and care before cutting. A photograph of a complete outfit does not tell you everything included in the fabric pack.\n\n### [Buying and Styling Ajrak: Provenance, Proportion and Care](https://thecastindex.com/journal/pakistan-ajrak-buying-styling-provenance)\n\nBuild an ajrak purchase or fashion-shoot brief around its maker, material, dimensions and intended use, with respectful credits and practical care questions.\n\nChoose ajrak by asking who made it, where it was produced, how it was printed and what material and dimensions you are buying. Test the proposed drape before altering a piece. Record the maker’s preferred credit and follow care instructions for that textile rather than assuming every ajrak has identical dyes or finishing.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/south-korea","markdownUrl":"https://thecastindex.com/world-style/south-korea.md","title":"South Korea Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"ec1f050fbe39d83098350844d1470a15a2d0b592dcff0a4cdfa88ddb2dae290a","bytes":3883,"markdown":"# South Korea Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/south-korea\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nBring care to a hanbok editorial, prepare a Seoul showroom buying appointment and plan statement eyewear for portraits. Complete the edit with polished hair and versatile tailored trousers.\n\n## Find your starting point\n\nFor a portrait, begin with eyewear and hair: reflections, fit and the outline of the face work together. Use the hanbok guide to prepare an editorial brief and agree credits. Retail buyers can use the Seoul showroom guide to plan an appointment and compare ordering terms. Start with the trouser guide for everyday repeat wear.\n\n## The complete country edit\n\n### [Glass Hair for a Photoshoot: Plan Shine, Texture and Continuity](https://thecastindex.com/journal/glass-hair-photoshoot-planning)\n\nPrepare a glossy hair brief that respects natural texture, works with the lighting and gives a shoot team a clear continuity plan.\n\nFor a glossy hair photoshoot, agree on the desired finish, preserve the texture the wearer wants, and test the result under the actual lighting. Keep reference photos and a simple continuity log so the look stays consistent across frames.\n\n### [One Pair of Tailored Trousers, Three Everyday Outfits](https://thecastindex.com/journal/korea-tailored-trousers-everyday-styling)\n\nRestyle one pair of tailored trousers for errands, work and dinner with three concrete outfit formulas and a practical care plan.\n\nGive one pair of tailored trousers three jobs: knitwear and trainers for casual plans, a shirt and loafers for a polished day, and a dressier top with a jacket for dinner. Use pieces you own, then check the trousers’ care needs before putting all three looks into your weekly rotation.\n\n### [Hanbok Editorial Planning: Dress, Movement and Cultural Context](https://thecastindex.com/journal/hanbok-editorial-dress-movement-context)\n\nPrepare a hanbok fashion story with the maker’s guidance, an appropriate fitting, accurate garment names and a movement plan that serves the clothes.\n\nChoose whether the hanbok story concerns a documented historical style or a contemporary designer’s work. Confirm the garment names and dressing method with the maker, rehearse movement in the complete outfit, and preserve accurate credits through photography and publication.\n\n### [Buying Korean Designer Fashion: A Seoul Showroom Appointment Plan](https://thecastindex.com/journal/seoul-designer-showroom-buying-plan)\n\nPrepare a focused wholesale appointment in Seoul with a product gap brief, commercial questions and a sample-to-order comparison sheet.\n\nUse official Seoul Fashion Week information to identify the correct season and access route, then approach brands with a clear buying brief. At the appointment, confirm product codes, size availability, delivery terms and reorder options before comparing a sample with the order you could actually place.\n\n### [Sculptural Korean Eyewear: A Portrait Styling and Fit Brief](https://thecastindex.com/journal/korean-sculptural-eyewear-portrait-brief)\n\nPlan a portrait around expressive eyewear with a practical frame comparison, reflection check and product-specific handling plan.\n\nChoose the frame’s role before styling the portrait: a quiet outline, a visible structural detail or the main statement. Compare the exact frame dimensions and on-face fit, check reflections under the planned light, and let the wearer’s comfort set the limits of the pose.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/united-kingdom","markdownUrl":"https://thecastindex.com/world-style/united-kingdom.md","title":"United Kingdom Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"75fc47c176dde69dc27048e958e9aa7dc8a3ce156935591307e6053454b5806c","bytes":4227,"markdown":"# United Kingdom Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/united-kingdom\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nLook closely at British fashion through emerging designers, wool provenance, millinery and the fit of tailoring and sheer occasionwear. Build a brief that accounts for construction, movement and the occasion.\n\n## Find your starting point\n\nBegin with the fit guide when the whole outfit needs attention. Use the wool guide to ask better material questions, then the millinery or layering guide for a specific occasion. The London fashion-week edit offers a route into new designers without assuming that inclusion on a programme is an endorsement of every product.\n\n## The complete country edit\n\n### [How to Choose Tailoring for a Portfolio Shoot: A Fit and Movement Guide](https://thecastindex.com/journal/tailoring-fit-check-portfolio)\n\nEvaluate a blazer and trousers for photographs, movement and repeat use before buying or borrowing a suit.\n\nChoose tailoring by the silhouette the shoot requires, then check it standing, seated and moving. Decide whether the jacket is worn open or closed, test the trousers with the intended shoes and review unedited reference photographs. Judge the garment’s fit rather than changing your body to suit it.\n\n### [Sheer Occasionwear: How to Plan Coverage, Movement and Photographs](https://thecastindex.com/journal/sheer-occasionwear-layering-guide)\n\nA practical guide to wearing sheer fabrics at events, from host expectations to lining, lighting and comfortable layering.\n\nChoose sheer occasionwear only when it fits the event’s dress code, the hosts’ expectations and your own comfort. Decide the intended coverage, test the complete outfit in different lighting and plan a layer for transitions. A sheer sleeve, overlay or panel can provide the effect without an entirely transparent outfit.\n\n### [London Fashion Week SS27: Follow New Talent Beyond the Show](https://thecastindex.com/journal/london-fashion-week-ss27-talent-to-showroom)\n\nRead London’s September 2026 season through emerging designers, established-house returns and the next showroom stage, using the BFC’s official records.\n\nLondon’s SS27 week ran from 17–21 September 2026. The most useful follow-up is to distinguish a designer’s show, support programme and commercial availability. The BFC’s closing report and London Show Rooms announcement provide a route from the September programme to October research without implying that every runway piece is already for sale.\n\n### [British Wool and Harris Tweed: Read the Provenance Before the Price](https://thecastindex.com/journal/british-wool-harris-tweed-provenance-guide)\n\nUnderstand what British Wool and Harris Tweed marks describe, then compare cloth, garment construction and care with a practical buying record.\n\nBritish Wool and Harris Tweed answer different provenance questions. A British Wool mark concerns wool sourcing under its scheme; Harris Tweed’s process concerns a specifically defined cloth and how it is made. Record the exact mark, fibre composition, cloth producer and garment maker separately, then decide whether the finished item suits your use.\n\n### [Occasion Millinery: Prepare a Hat Brief That Works All Day](https://thecastindex.com/journal/british-occasion-millinery-commission-brief)\n\nPlan a hat commission or adaptation around the occasion, hair, glasses, movement and transport, with a consultation checklist and a clear approval sequence.\n\nStart a millinery brief with the actual occasion and the hours you will wear the hat. Bring the outfit, planned hairstyle and glasses, then agree silhouette, attachment, transport and approval stages. Confirm any venue dress code directly before commissioning; a beautiful reference image cannot establish comfort or suitability on its own.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"},{"url":"https://thecastindex.com/world-style/united-states","markdownUrl":"https://thecastindex.com/world-style/united-states.md","title":"United States Fashion & Beauty Guides","lastmod":"2026-10-05T19:54:57Z","sha256":"f18f0574083224b3c0b1383b26136b8bec7c9fe565c4cf8b86bceed0b4c82246","bytes":4075,"markdown":"# United States Fashion & Beauty Guides\n\nCanonical: https://thecastindex.com/world-style/united-states\nUpdated: 2026-10-05T19:54:57Z\nAuthor: The Cast Index Desk\n\nExplore New York runway research, denim repairs and cosmetic-label basics alongside practical casting wardrobes and makeup planning. Five guides connect the fashion image with the decisions behind it.\n\n## Find your starting point\n\nPreparing for a casting or shoot? Start with the wardrobe and makeup guides. For a longer-lived wardrobe, use the denim repair brief before booking an alteration. The beauty-label guide helps you read what a product says; the New York edit helps you separate a fashion-week programme from evidence of what appeared on the runway.\n\n## The complete country edit\n\n### [A Casting-Day Capsule Wardrobe That Works Beyond the Appointment](https://thecastindex.com/journal/casting-day-capsule-wardrobe)\n\nBuild a practical casting-day outfit and compact backup kit using clothes you own, with fit, movement and travel checks.\n\nFor a casting, follow the agency or client’s clothing instructions first. Then choose a clean, comfortable outfit that shows the requested silhouette, travels well and needs little adjustment. Build a compact backup kit around likely problems, including weather, delays and spills.\n\n### [How to Plan Makeup for a Beauty Shoot: Lighting, Finish and Continuity](https://thecastindex.com/journal/beauty-shoot-makeup-lighting-checklist)\n\nTurn a makeup reference into a clear beauty-shoot brief, with camera checks, texture choices and continuity notes.\n\nPlan makeup around the final image, the lighting and the subject’s preferences. Choose one focal feature, test the complete look on the intended camera setup and record products and placement for continuity. A reference image describes a direction; it does not guarantee the same result on another face.\n\n### [New York Fashion Week SS27: What the Programme Can Tell Us](https://thecastindex.com/journal/new-york-fashion-week-ss27-programme-review)\n\nRead New York’s September 2026 programme through new appointments, calendar access and the CFDA fur policy, with a clear method for checking collection evidence.\n\nNew York’s SS27 official dates were 10–15 September 2026. The useful research story combines the announced designer transitions with the CFDA’s new official-calendar fur policy. A programme establishes who was scheduled and under which rules; collection pages and films are needed before making claims about the clothes.\n\n### [American Denim: Write a Better Alteration and Repair Brief](https://thecastindex.com/journal/american-denim-alteration-repair-brief)\n\nDecide whether your jeans need repair, a fit adjustment or visible customisation, then prepare measurements, photographs and questions for a denim specialist.\n\nBefore altering jeans, identify the problem as damage, fit or design preference. Photograph the inside and outside, explain how you wear them, and ask a specialist to assess what can be preserved. Agree the method, visible result, price and approval point before cutting or adding decoration.\n\n### [US Beauty Labels: What to Compare Before You Buy](https://thecastindex.com/journal/us-beauty-label-reading-guide)\n\nRead product identity, net quantity, ingredient information and marketing claims on US cosmetics, with a practical comparison sheet for your beauty kit.\n\nCompare the exact product, shade, size and US packaging version. Read the identity, net quantity, company information and ingredient declaration before relying on a front-label claim. An ingredient list does not disclose the complete formula, and “hypoallergenic” is not an FDA guarantee that a cosmetic cannot cause a reaction.\n\n## Images and sources\n\nEditorial scenes illustrate the subject and are not photographs of a named collection, a specific artisan’s work or evidence from a fashion show. [Image credits](https://thecastindex.com/legal/credits) record their provenance. Each guide includes its own supporting sources.\n\n[Explore all country edits](https://thecastindex.com/world-style)\n"}]}